What colors to mix to get black. How to get the colors: black, blue, red

Mixing colors is one of the most difficult procedures that a person who decides to make repairs on his own may face. The fact is that it is very important to know which colors to mix to create a certain tone. It should be noted right away that it is better to purchase white paint and tint it in the store using a special machine, so the tone will be uniform. If you decide to do everything yourself, then you can find out how to mix colors correctly.

These materials are universal, they are used for many purposes: with their help, you can simply paint the walls, paint stained glass windows, apply a picture on the wall and ceiling. In general, the scope of their use is limited to fantasy. The compositions are easy to use, well kept on the surface. But if you decide to paint a multi-component image on the wall, then buying paint of all the necessary colors will cost too much, and after completion of the work there will be a large number of unnecessary material. In this case, it is better to buy a base series, and to create certain shades, mix acrylic paints.

Basic color range

Everyone has known since school: when you combine yellow and red, you get orange, but if you add blue to the same yellow, you get green. It is on this principle that the table for mixing acrylic paints is built. According to her, it is enough to purchase only the main colors:

• white;
• black;
• red;
• brown;
• blue;
• yellow;
• pink.

You can simply mix acrylic paints in these tones to get most of the existing shades.

Table Blending Basics

To properly mix materials, you can not do without a table. At first glance, working with it is easy: to get the desired result, just find the color and see what components are required. But the color mixing table does not indicate the proportions, so it is necessary to gradually add tinting material to the main paint and apply the mixture to some unnecessary product: a sheet of plywood, drywall, and so on. Then you need to wait until the material dries. If the color matches the required, you can start working on the main surface.

Tinting technique

Now about how to get colors. Through mixing acrylic materials it is possible to achieve the formation of two main tones: light and dark. Basic tones: earthy, green, orange, purple. To create a color, it is recommended to follow certain rules:

1. Light. In this case, titanium white is the main material, to which one or two tinting compositions are added. The less additional paintwork is used, the lighter the tone will come out. So you can make most shades of a light palette.
2. Dark. To form shades of this type, the opposite should be done. Before mixing colors, it is necessary to prepare the base tone, black dye is gradually introduced into the base. When working with black paint, you need to be careful, because it can make the color not dark, but dirty.
3. Green. This shade is not in the main palette, so you will need to mix yellow and blue. The exact ratio can only be known empirically.
4. Violet. This is a cool color that is obtained by mixing blue with pink or red. In some cases, you will also need to add black to darken the material.
5. Orange. To create this color, you need to mix red and yellow. For a more saturated orange, it is recommended to add more red and vice versa. If you want to create a soft color, for example, coral, then you need to lighten the material with white. Can dark colors be added? Yes, you can, but as a result of mixing paints, a dirty tone may result.
6. Earthy. Brown is the main color here. Adding to it various shades, get a color from beige to dark wood.

Palette Rules

To get started, you will need a basic set of paints, brushes, a container of water and a palette (you can take any surface, including school supplies for drawing).

It is recommended to place white in the center, as they are used in creating most shades. Dyes of the main color range are placed in the recesses around (if any). You need to mix carefully, gradually adding tinting material and constantly checking the result. After mixing the colors, the brush should be rinsed in a container of water.

On a note! It is quite easy to work with acrylic resin materials using a table and a palette. The main thing is to practice more, each time the result will get better.

Oil paints

If you compare this material with watercolor or acrylic, then the oil is more fluid. Because of this, you need to mix the compositions very carefully. different colors. On the one hand, this is a disadvantage, but on the other hand, this feature allows you to get the following effects:

• Subject to thorough mixing, a uniform tone will be obtained. Such material is perfect for both full coloring of surfaces, and for partial decoration.
• If mixed partially, then multi-tone streaks will appear on the coating.

Mixing

Now about how to mix oil paints. For mixing paint colors oil based table is also used. It indicates the colors obtained by combining various tinting components. In addition, here you can find such an indicator as a combination of brilliance. If you add a little gloss to a matte base, then there will be practically no result, and if you do the opposite, then the shine will be slightly muted.

Mixing methods:

1. Mechanical. In this case, we are talking about mixing two or more materials of different colors in one container. Color saturation is controlled by the number of compositions of bright shades. The desired color is created even before the wall or ceiling is processed.
2. Color overlay. Gradual application of several strokes on top of each other.
3. Optic. This is the most complex method, which is available only to specialists. It involves mixing glossy and matte bases while applying paint to the surface. You can mix the colors of paints only on the treated surface, otherwise you will get a more even tone.

Peculiarities

The first method fully corresponds to the data in the table. If we are talking about color overlay, then the result is unpredictable. One of the most simple options optical illusions is glazing: a dark tone is applied to the surface, after it dries, the paint is put a little lighter, and then completely light. As a result, each color will be visible through the upper layers.

Thus, there is no definite scheme. To find out which colors to mix, it is not enough just to take and look at the table, it is important to constantly practice and not be afraid of experiments. So you can create a new effect that will make the interior unique. It is also important to remember that a mixed shade is very difficult to repeat, so you should remember the proportions.

Now the question of how to properly mix paints does not seem so difficult.

Black and White color and consider the actual absence of color. Therefore, the question of how to get black can be answered that it is possible to get only a color close to it by mixing several.

For the artist, this color means the darkest, and for scientists - the absence of color. Black is an achromatic shade that absorbs all light. According to the absorption of the light flux, it is opposite to white, which completely reflects the light and radiation falling on it. In the natural environment, there is a material close to it in tone - this is Vantablack dark carbon, which absorbs 99.96% of incident light and other radiation.

Back in the Renaissance, masters of painting tried to get black paint and concluded that it was impossible to make it from other paints. Therefore, they used burnt bones, from the soot of which they made paint of a matte black tone.

Today, black paint is made industrially from natural carbon pigments such as graphite and carbon black.

In practice, 2 main color models are used:

• RGB- additive, the basis of which is the superposition of rays reflected from the surfaces of objects. It is applied in computer monitors, contains the main colors: R-red, G-green, B-blue. The remaining colors and shades are obtained by overlaying.
• CMYK- subtractive model, which is based on the physical mixing of pigments, with white being the absence of color, and pure black obtained by mixing cyan (C-blue), magenta (M-magenta) and yellow (Yellow) tones, K (key color) - key. This system is used in the printing industry and printer printing.

What colors to mix?

To get a black color that is close to ideal, you can go by mixing paints of the following colors:

• Red and green- the resulting tone will be close to the desired one (in fact, it turns out to be very dark, and if you look closely, it is not quite ideal).
• Blue, yellow and red- if you take these 3 primary colors, then mixing them will also allow you to get a fairly saturated color scheme.
• D Additional colors (brown, purple, blue)- you need to mix them in small quantities, then you get an approximate color.

You can use for mixing any paint intended for drawing or household purposes: acrylic, gouache, watercolor and oil. If there is no ready-made dye of a classic tone, then there are a lot of options for how to make black paint from others.

To obtain a pure color, you will have to work hard and select the necessary proportions, gradually adding different colors.

On the video: what colors to mix to get black.

There are many shades that differ slightly from the classic black, which will allow the artist to add originality to his work. Historically, the following shades have developed:

• Slate - essentially it is a dark gray, the name comes from the slate-aspid, which was used earlier in the manufacture of the school board.
• Caramasy - synonyms "black", "black -haired".
• Anthracite is a highly saturated color with some sheen.
• Bull blood is a black and red color scheme.
• Bardadym - the name of the king of black suit in the game of cards.

Modern shades of black differ from those previously used:

• Soft black - to get it, you need to mix the following colors: turquoise, pink and yellow and sometimes they add a little white.
• Medium - pink, ultramarine and light yellow paints are mixed for it.
• Saturated color it is possible to make not only from the three primary colors (chromatic), but also with the help of red, yellow and blue colors.
• Blue-black - obtained by mixing brown and dark blue.

Many shades of dark and light gray can be made by experimenting with adding white paint or adding a little water. Experience will show what colors and shades are obtained.

»we touched on the basics of drawing - what you need to do to draw about what you want. And they did it on the example of a pencil and paper. Why? Because it is easier than learning to paint with paints, because in the case of using paints, in addition to the problem " How can I draw this? the problem "" appears - so that what happens is very similar to what is intended. And in this article we will try to give an exact answer to this question.

How to get a desired color? There are two ways. The first is traditional, using the color wheel known to many:

So, there are primary colors:

• yellow
  
• blue
  
• red .

which, when mixed, give

• Orange
  
• green
  
• violet
  
• brown .

Moreover, the shades of mixed colors depend on the proportion of the primary colors. And, using the color wheel, you can get the desired color like this:

1. Take a certain amount of the main color (for example, blue )
2. Add some amount of a second base color (for example, yellow )
3. Compare the resulting green with what you wanted to get
4. Add one or another primary color to correct the hue.
5. Or simply take the desired shade of green from a tube jar.

Why does the last paragraph appear - take the desired shade from the jar? Because getting the right color by mixing the main ones sometimes happens difficult.

Basically, to start, you can get the desired color using such a color wheel. However, as skill grows, so does the need for more precise color matching. After all, with the help of the principles described, it often turns out dirt. For example, it is very difficult to get a good violet color by mixing red and blue. Or is it hard to get necessary shades green , orange, brown colors. That is, the principles do not take into account any factors that affect the result when mixing colors.

We are happy to tell you that these factors really exist, and, moreover, with their help you can cope with the problem of "dirt" and still learn to get the right colors not by intuitive mixing, but by ordinary simple sequence of actions. This sequence and the reasons for the “dirty” of the standard color wheel were not discovered by us, but by Michael Wilcox. Who wrote the book . How to get the color you really want". By the way, you can download this book by Michael Wilcox at the link Blue and yellow do not make green.

Naturally, it will not be possible to present all the material of the book in one article, so we will limit ourselves to the main points, and we recommend that you take the details from this very book by Michael Wilcox “Blue and yellow do not make green".

So, how to reliably and accurately get the right color?

To do this, it is necessary to take into account an important theoretical point. Why do we see color? Because different objects (including paint pigment) have different surface, which reflects light differently from the sun or other light source. That is, the surface, for example, of a bathtub, has such a structure that it reflects all colors and absorbs nothing. And all the colors of the rainbow, as we know, form white. Accordingly, the bath appears white. On the other hand, the surface of soot has such a structure that it absorbs all the light falling on it. And soot reflects nothing. As a result, we see black soot.

What happens if you mix white and soot? It will turn out beautiful grey color. Why? Because the light is reflected from the pieces of white completely, as white. And then it is partially absorbed by soot particles. The more soot in the white, the darker gray it turns out - due to the fact that more and more white light reflected by white particles is absorbed by soot particles.

Exactly the same principle works for colored pigments. Thus, red paint is red because it reflects predominantly red color. Blue color looks blue, since the pigment in its composition absorbs all colors except blue. In the same way "works" and yellow color - the pigment absorbs most colors except yellow.

Next, we move on to mixing colors. So, for example, you take blue paint and red paint. mix them up and get dirt. Why? Because the reflected red ABSORBED blue pigment in the same way as the entire incident color. Accordingly, the red pigment absorbs all the emission of blue - because the nature of its surface is so arranged that predominantly red pigment is reflected.

But you may ask: "What nonsense, because mixing blue and yellow we still get green, and according to your theory, dirt should also turn out? Well, if there were really pure colors in nature, then we would see the formation of dirt. But there is one but, which makes it possible not only to mix colors, but also to carefully and reliably select the right shade of color.

So, the pigment reflects not only one light. Light of one wavelength is reflected in greater measure. So, the red pigment mainly reflects red color. However, all other colors are also reflected (for example, violet or Orange). Exactly the same can be said about yellow color - mainly the pigment reflects yellow, but nevertheless it can be reflected in a sufficiently large amount Orange or green. FROM blue same thing - it can carry additional "harmonics" green or purple .

So there is not three primary colors. There is six primary colors:

1. Mainly reflective paint red and to a lesser but significant extent Orange .
2. Paint that mainly reflects red and to a lesser (but significant) extent violet .
3. Pigment that reflects predominantly yellow and in addition green .
4. Pigment that reflects predominantly yellow and plus additive orange .
5. Mainly reflective material blue and partially violet .
6. Material that reflects predominantly blue and partially green .

Well, have you already understood the principle of color formation?

It's very simple: you take yellow from point 3 and blue from point 6, mix these colors. Blue pigment neutralizes yellow color, yellow pigment absorbs Blue colour. Which color remains? Correctly, green! And not just green, but beautiful, bright and juicy green.

In the same way: by mixing the blue from point 5 and the red from point 2, you neutralize the blue and red colors, and a juicy and saturated color appears. violet color.

And finally: by mixing yellow 4 and red 1, you get Orange due to the fact that the red pigment will absorb the radiation from the yellow, and yellow - the reflected radiation from the red pigment.

The result is NEW color wheel of the six primary colors:

The colors have arrows that point the way for the optimal development of the "blended" color. Respectively, variety of shades is born as a result of some combination of these SIX primary colors. "Incorrect" combinations (eg blue 6 and red 1) produce muted shades of colors (eg muddy purple). The combination of one "correct" color and one "wrong" one (for example, blue 6 and red 2) produces more pronounced shades (for example, a brighter purple). And finally, a combination of the "correct" colors (for example, blue 5 and red 2) produce a clean and bright color(bright and beautiful purple).

Naturally, reading the article is not enough to master getting the right color. It is best to read the book Blue and yellow don't make green» Michael Wilcox Plus Do practical exercises on the selection of colors described in the book. However, our question has been answered.

Knowledge of color mixing options can be useful not only in professional activity artists. The individual design of living space often raises the question of how to achieve this or that interesting halftone before the designer. The proposed combination options and the color mixing table will help you get desired effect.

Everyday life is filled with the widest range of all kinds of colors. To get the right one, you need to know the intricacies of combining.

Blue, red and yellow paint are three pillars on which a wide palette of halftones rests. It is impossible to form these colors as a result of mixing other colors. At the same time, their combination with each other gives an unusually many combinations.

Important! You can create a variety of shades by mixing only two colors by changing their proportions.

Depending on the volume of one part of the paint added to another, the resulting result approaches one or another original color. One of the most famous examples is a mixture of blue and yellow, resulting in the formation of green color. The result obtained by adding new portions of yellow paint will gradually change, as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.

Mixing chromatic colors that are close together in color wheel, give a paint that does not have a pure tone, but has an expressive chromatic hue. Combining colors on opposite sides of the chromatic circle will result in an achromatic tone. An example is the combination of orange or magenta with green. That is, a mixture of colors closely spaced in the color wheel gives a rich chromatic hue, the maximum removal of colors from each other when mixed leads to a grayish tone.

Separate paints, when interacting, give an undesirable chemical reaction, which may result in cracking of the decorative layer. In some cases, the resulting background may darken or gray. A good example is a mixture of white lead and red cinnabar. Attractive pink color darkens over time.

It is optimal when the impression of multicolor is achieved by mixing the minimum number of colors. At the same time, it is important to consider which paints, as a result of mixing with each other, give a stable result, and which ones cannot be combined. The knowledge gained allows us to exclude from the work the paints that fade or darken in the future.

The table of undesirable mixtures below will help reduce the risk of erroneous combinations:

Having tried the above examples in practice, future painters and designers will gain valuable professional experience.

Methods for obtaining red and its shades

Red is one of the top three primary colors and is always present even in the smallest sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1: 1 ratio. There are other options to get red when mixing paints:

In the center is the main red. Next are the mixing options. The next circle is the result of combining the first two colors. In conclusion, color options are presented when added to last result red, black or white paint.

Blue and its shades

Blue refers to primary colors, so blue paint is required to form all its shades.

Attention! No combination of other colors gives a shade of blue, so the presence of this paint in the kit is mandatory.

Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called "royal", and in a set of acrylic paints, ultramarine color is often the main one, which has a bright dark shade with a purple undertone. To achieve a lighter effect, mixing blue and white in a ratio of 3: 1 allows. An increase in white leads to a lighter tone up to sky blue. If you want to achieve a moderately saturated result, dark blue paint mixed with turquoise.

What colors need to be mixed to get shades of blue, consider below:

• The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. The addition of white paint will result in a lighter hue with a simultaneous decrease in brightness due to the combination of 3 elements.
• Prussian blue is created by mixing 1 part of the main blue and adding 1 part of the composition of bright green and light green. A rich and deep shade can be diluted with white, and its purity will not change.
• The combination of blue and red in a ratio of 2:1 gives blue with a hint of purple. Adding white allows you to lighten a dark and saturated tone.
• The brightness of the royal blue is different, a similar effect is achieved by mixing the main blue with the mangent pink in equal parts. The admixture of white traditionally brightens the result.
• The combination with orange gives a gray mass. Replacing orange with brown in a ratio of 1:2 to the base creates dark color with a complex gray-blue tint.
• The formation of dark blue is done with the help of black admixture in the ratio of 3:1.
• You can create a blue tone on your own by mixing the base color with white.

A small table of combination options is presented below:

green color palette

Solving the problem of how to get green in case it is not in the set is quite simple: connect yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements that perform the function of darkening or lightening. This role is played by black and White paint. The effect of olive and khaki is achieved by mixing the two main elements (yellow and blue) and a slight admixture of brown.

Comment! The saturation of green depends entirely on the quality of the constituent elements: the intense tones of the sources guarantee a bright result.

If green is obtained by mixing, then all subsequent midtones will be dimmer. Therefore, it is better to experiment with a gamut of green, having an initially ready-made primary color. There are many combination options:

• The combination of equal proportions of blue and yellow gives grassy green.
• Increasing yellow to 2 parts with the addition of 1 part blue results in a yellow-green effect.
• Experimenting on the contrary in the form of a blue-yellow ratio of 2: 1 will produce a blue-green tone.
• If you add ½ of black to the previous composition, you will achieve a dark green effect.
• Light green warm tone is formed from yellow, blue and white paint in a ratio of 1:1:2.
• For a similar light green shade, but a cold tone, you need to take yellow, blue and white bases in a ratio of 1:2:2.
• Dark olive color is formed by mixing in equal parts yellow, blue and brown paint.
• A gray-brown tone is obtained from similar elements in a ratio of 1: 2: 0.5.

The expressiveness of the green color is directly dependent on the original elements, respectively, the brightness of the midtones is repelled by the saturation of the green. A visual representation of the blending options is given by the graphic palette:

As in the case of the red circle, the main paint is in the center, then the mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding the main, white or black paint.

Other combination options

There are many other tricks to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get ivory color is multifaceted and depends on the surface where you plan to apply the paint. The easiest option is to mix a snow-white base base with a yellowish one. For example, yellowish ocher or a minimal amount of strontium is added to whitewash. To tint paper, a small amount of potassium permanganate is diluted in water. A light pink shade indicates a properly diluted solution. A cotton swab, brush or sponge is wetted in the resulting composition, after which the surface of the paper is processed.

Advice! For double-sided tinting, the sheet can be lowered for a couple of minutes into a container with a solution of potassium permanganate. After drying, it will acquire the desired effect of ivory.

There are also several ways to get black:

• by mixing the three basic colors of red, blue and yellow;
• when combining cyan, magenta and yellow;
• by combining green and red, but the result will not be 100% clear, but only close to the desired effect.

We will try to answer the most popular questions about mixing options:

• How to get a crimson color: the base is blue with the addition of red, white and brown.
• Get turquoise, whose second name is aquamarine, can be mixed with blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright.
• How to get yellow? It belongs to the main ones and it is impossible to obtain it by combining other paints. Something similar to yellow can be created watercolor paints when combining green and orange or red. But it is impossible to achieve purity of tone in this way.
• How to get a brown shade? For this you will need base paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10: 1), then the volume is gradually increased until an orange tone is obtained. After that, they proceed to the introduction of the blue element, 5-10% of the total volume will be enough. Minor adjustments to the proportions will produce a wide variety of brown effects.
• The combination of black and white elements in various proportions gives a diverse range of gray tones.

As you can see, the options to achieve the desired effect in creative process designs are innumerable. A table with options for mixing colors and videos will supplement the information provided:

Thanks to modern technologies, interior designers become real wizards. In the blink of an eye, they will make any room stylish and original. AT recent times more and more attention is paid to color design. The most popular are non-standard shades that can be obtained by mixing colors.

Process Basics

Manufacturers of paints and varnishes presented a fairly wide range on the market. But it is not always possible to choose what is ideal for the interior. Combining multiple shades will save time and money.

In many specialized stores, you can use the services of a specialist who will help you make the right color. But if you know the basic rules of how to mix dyes, you can do it at home with your own hands.

One thing to keep in mind when mixing important rule: do not combine liquid products with a dry mixture. They have different indices, so the coloring composition may eventually curl up.

The most interesting part of the process is creating the desired shade. There are four primary colors:

• white;
• blue;
• red;
• green.

By mixing them, you can get any others. Here are illustrative examples:

1. Brown is obtained by combining red and green. For a lighter shade, you can add some white.
2. Orange is the result of mixing yellow and red.
3. If you need green, you need to combine yellow and blue paints.
4. To obtain purple, you need to mix blue and red.
5. Red and white will result in pink.

So you can mix ad infinitum.

Mixing acrylic materials

Designers love acrylic paints the most. They are very easy to work with, the finished coating has excellent water-repellent properties. Their use has several nuances:

1. The work surface must be perfectly flat and smooth. To do this, it needs to be sanded.
2. It is important that the paint does not dry out.
3. To get an opaque color use undiluted paint. Conversely, for transparency, you can add a little water.
4. To be able to slowly choose the right color, it is recommended to use. Thanks to him, the tool will not dry so quickly.
5. To distribute the paint, use the edge of the brush.
6. Mixing is best done with a clean instrument. In this case, the colors should be directed towards each other.
7. To make a light tone, you need to add a white dye to the solution, and to get a dark one - black. It is worth remembering that the palette of dark colors is much wider than light ones.

Here are some examples of mixing acrylic-based colorants:

1. Apricot color is obtained by mixing red, yellow, brown and white.
2. The recipe for making beige paint involves combining brown and white. If you need a bright beige, you can add a little yellow. For a light beige shade, you need more white.
3. Gold is the result of mixing yellow and red.
4. Ocher is yellow with brown. By the way, it is considered popular in the current season.
5. Khaki can be made by mixing green dye with brown.
6. Magenta requires three different colors: red, yellow, and blue.

Mixing oil paints

Oil-based paints are more fluid, which necessitates more thorough mixing of the compositions if mixing tones is performed. The specificity and properties of oil colors give the following advantages:

• the tone will be the most uniform, so the paint is perfect for decorating any surface;
• if desired, you can leave streaks in the paint, which will allow you to create unusual effects on a canvas or wall.

Oil stirring

Before work, it is important to evaluate whether it is possible to combine individual tones with each other, what will be the result. If you introduce a little glossy paint into a matte one, the result will be inexpressive. Adding a matte paint to a shiny one helps to make the latter a little more subdued.

It is possible by such methods:

1. Mechanical. In one dish, on the palette, different colors are combined by mechanical mixing. The saturation of the finished mass is adjusted by adding brighter or lighter shades.
2. Optic. This method practiced only by professionals. Paints combine to obtain a new color when they are applied to the canvas, wall.
3. Color overlay. By layering strokes, a new tone is created.

Features of mixing paints

The mechanical method is the simplest, therefore it is recommended for beginners. When using color overlay, the result may differ from what was intended, which must be taken into account in advance. You can apply the glazing method - first apply a darker color, then lighten it with strokes light paint. Better practice in connection oil paints on their small portions, learn how to create original effects, and then proceed to create paintings or decorate the interior.

The working process

By mixing several different colors, you can get a large number of a wide variety of shades. What?

shades of gray

Quite often used in interior design. Help to create a shadow or unobtrusive color, as well as:

1. You can create regular gray by mixing black with white.
2. To create cold shades, you need to add a little green to gray, and for warm ones - ocher.
3. Grey-green is gray with white and green.
4. Gray-blue - gray, white and a little blue.
5. Dark gray is the result of mixing gray and black.

brown tones

To dye, you need to mix:

• green with red;
• red with blue and yellow;
• red with white, black and yellow.

How to create other original tones:

1. Mustard will turn out if you add red, green and black dyes to yellow paint.
2. Tobacco shade is red, green, yellow and white.
3. Golden brown is the result of combining yellow, red, green, white and blue. In this case, there should be more yellow pigment.

Red tones

1. The basis for the pink shade is considered to be white. Red is added to it. The brighter the desired shade, the more red should be added.
2. To get a rich chestnut, you need to mix red and black.
3. Bright red-orange color - red and a little yellow. The more of the latter, the paler the result will be.
4. You can give the dye a purple tint by mixing a few drops of bright blue and yellow flowers and red pigment.
5. To create crimson, according to the recipe, you need to mix bright red + white + brown + blue. The more white, the pinker the shade.

Deep green is formed when yellow and blue tones. The saturation of the finished dye depends on the amount of each of them. To create shades, you need to add other colors to green:

1. For mint you need white.
2. To get an olive color, you need green and a few drops of yellow.
3. A shade of grass can be obtained by mixing green with blue. Yellow paint will help to even out the color.
4. The color of the needles is the result of mixing green with black and yellow.
5. Gradually mixing green with white and yellow, you can make an emerald tone.

purple tones

Purple is made by mixing blue and red. You can also use blue pink paint- the final color will be light, pastel. To darken the finished tone, artists use black paint, which is added in very small portions. Here are the nuances for creating shades of purple:

• for light purple, you can dilute the finished color with white in the right ratio;
• for magenta, you need to enter more red paint than blue.

Orange color

When creating a classic orange, they combine one part of yellow and red paint. But for many types of paint, you have to take more yellow, otherwise the color will turn out to be too dark. Here are the main shades of orange and how to get them:

• for light orange, take pink and yellow, you can also add a little white paint;
• coral requires dark orange, pink, white in equal proportions;
• peach needs colors such as orange, yellow, pink, white;
• for red, you need to take dark orange and a little brown.

Important rule

Many people ask the question: is it possible to mix paints and varnishes from different manufacturers? It is desirable that the dyes to be mixed be made by the same company. It's even better if they're from the same batch. Mixing dyes from different companies is not recommended. Often they have different properties, such as density, brightness, etc. Because of this, the finished coating may curl.

If there is a desire to take a chance, you can combine a little bit of one and the other paint and apply the resulting solution to the surface. If it thickens or clumps, the experiment is not a success.

Computer help

You can mix several colors correctly using special computer programs. They help to see the final result and determine in percentage terms how much of one or another tone needs to be added. Such programs will help you figure out what shade can be obtained from the funds that are available. They consist of several elements:

1. A button that removes tones from a set.
2. Color names.
3. Lines of input or output to or from a calculation.
4. samples.
5. A button that introduces colors into the set.
6. Result windows.
7. New selection window and list.
8. The composition of the finished dye as a percentage.

Mixing several different colors is a fairly common technique among designers. Unusual shades will help to advantageously decorate the interior, make it original or even unique. You can mix dyes even at home. There are many recipes for creating a particular shade. For example, to get beige, you need to combine white and brown, and for pink, white and red.

It is recommended to always have a thinner on hand to prevent the paint from drying too quickly. Do not mix products from different manufacturers, because the result will be a poor-quality coating. To find out the final result of mixing, you can use a special computer program.