The color mixing table allows you to create a huge palette of bright shades from 3 basic colors. It is very exciting! The main thing is to choose the right colors according to the color mixing table.

Artist's Workshop: Magic Lessons

1. The combination of two neighboring colors of the spectrum gives shades with different intensities of these colors. For example, yellow and orange, when superimposed, give yellow-orange or orange-yellow, depending on which of these 2 colors prevails. If, in equal proportions, you mix 3 shades located next to each other on the color wheel, for example, yellow, red and orange, you will get the same orange, but more dirty.

2. When white is added to any color, its pastel shades of different intensities are obtained.

3. Mixing in equal proportions 2 primary colors, which are separated by 1 shade on the color wheel, we get exactly the intermediate color that separates them. For example, red + blue = purple.

4. An equal combination of 2 contrasting colors (located opposite each other on the color wheel) always gives a gray with a hint of one of these colors. For example, red + green, blue + orange, etc. Interestingly, if you mix complementary colors in a ratio of 2/1, you get absolute gray (without additional shades).

5. 3 primary colors next to each other, when superimposed in equal proportions, also form gray, for example, green + yellow + orange. Pay attention to a striking pattern: harmonious color combinations (which you can get using the color wheel) when mixing their constituents shades give a gray color - balancing, absorbing each other.

Create new colors according to the paint mixing table

As we already know, there are only 3 colors that cannot be obtained by mixing others. But from them you can create all the other shades. These magical colors are red, yellow and blue. By the way, mixing them with each other in equal proportions, you can get black. How to create all the other shades of the palette, see the table:

The color mixing table and the color wheel are used not only in painting, they are simply irreplaceable when tinting and mixing decorative plaster in construction, in perfumery and soap making, when dyeing fabrics, batik, etc.

The color spectrum: revealing the secrets of the rainbow

Isaac Newton, passing light through a prism, received a multi-colored beam, called the spectrum. For the convenience of color combinations, the continuous line of the spectrum with all its transitional tones was turned into a circle. As you know, three main shades are distinguished in the color spectrum (red, blue and yellow), when they are mixed in pairs with each other, three more secondary ones are obtained (green, orange and purple). It is these 6 shades that form the color wheel, and each of them has additional colors (blue and red-violet, yellow-green, purple, red and yellow-orange, blue and yellow-green). Newton, by the way, singled out 7 colors, adding blue to the spectrum, which, along with the six main ones, is considered the color of the rainbow. By mixing these shades, making them darker or lighter to varying degrees, you can get a full range of colors.

I would like to immediately make a reservation that the division of the spectrum is conditional and depends on the characteristics of our perception. A person can distinguish up to 1000 tones in the color spectrum. Interestingly, reptiles and birds do not distinguish blue shades, and some fish see everything around in red. It is believed that for cats, the colorful world around us looks dimmer, but they distinguish a huge variety of shades of gray.

Color Spectrum Table

The colors of the spectrum are called chromatic as opposed to achromatic (from Latin "without color"): white, black, gray. The order of the hues in the spectrum is always the same, starting with red and ending with purple.

Shades on the color wheel from green-blue to blue-violet are considered cold, from yellow-green to red-violet - warm. This division is rather arbitrary and depends on what associations these colors evoke in us: red-orange fire, yellow sun, blue ice, blue oceanic abyss. Did you notice that when separating the colors, we didn't mention green? And this is no coincidence. Pure green (which, by the way, is extremely rare) is considered neutral. A drop of yellow makes it warmer, blue - cools.

The color wheel is extremely important in the work of the designer. With its help, you can not only determine harmonious color combinations, create the right atmosphere in the room or an attractive image, but also influence perception by skillfully emphasizing the brightness, purity, beauty of color, enhance its intensity by adding complementary shades, balance cold tones with warm ones, etc. d. This magic is not difficult to learn even if you are not a designer, and you can apply it not only in interior design or clothing. With the help of the color wheel, anyone can create harmony in the apartment, correctly combine colors in clothes, manicure, makeup, etc. For example, orange-coral lipstick or peach shadows will emphasize blue eyes, and a green-turquoise scarf will refresh a scarlet dress.

Consider the color wheel we already know

All colors are divided into:

The main ones (yellow, red, blue) - the inner part of the circle - from these colors we get the rest.

Secondary colors (purple, orange, green) - the middle part of the circle.

Tertiary (complex) colors - the outer circle and combinations of shades from different parts of the circle.

The components will be indicated on sectors within the required color.

When mixing colors opposite each other in equal proportions, we get a dirty dark gray color. Such pairs of colors are called complementary.

This effect is used when it is necessary to "mute" the hue by "dirtying" it.

For example, to make blue darker - drop a little orange into it, brown - "muffled" by light green. The main thing is to understand the principle of working with the color wheel, and finding a more complex and convenient version of it on the net and downloading it is not difficult.

Here are some recipes for mixing colors:

yellow + brown = ocher

red + yellow = Orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige

light green=(green+yellow, more yellow)+white= light green

lilac=(blue+red+white, more red and white) +white= light lilac
lilac= red with blue, with red predominating

black= brown + blue + red in equal proportions
black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
dark blue=1h. blue+1h Lilac
avocado= 4h. yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

And this table contains classic flower recipes

We use

As you understood from the tables, the darker and dirtier the color, the more recipe options there are. Perhaps not everything will work out right away, a certain skill is needed, but it is developed very quickly and you yourself will have your favorite and unloved combinations and recipes. It seems to me that the most economical way to get acquainted with mixing colors without fear of spoiling something is to practice with ordinary watercolors.

As soon as you have confidence in what will turn out in the end, you can try enamel with acrylic. In any case, if you are not sure of the result - try first on watercolors or gouache.

I recommend starting small - using purchased shades, with simple additions, learn how to make gradients of camouflage shades for color modulation, for example, for panel highlighting.

As your skill grows, you will be able to buy a ready-made color and make a dye, as it is spent, to prepare the colors yourself.

Always prepare a color with a small margin - if necessary, it will be a difficult task to repeat it.

I do not argue that buying ready-made shades is often easier and faster, but I prepare the color myself when:

1. The color I need is not available in the store - there is no desire and time to wait for deliveries.

2. It often happens that I do not agree with one or another interpretation of the shade by the paint manufacturer.

3. Manufacturers do not produce the required color (as an example, Polish khaki, moreover, 4 shades of paint were used during the pre-war years of 1938-1939.)

4. It is assumed that the prototype, due to operating conditions, has greatly changed the color.

5. So that my collection of models does not look like one green-blue spot, I try to paint each next model with a slightly different shade. The difference will be visible only if you put two models in the same color side by side.

This knowledge is applicable and will be useful in everyday life - for example, you can’t wash colored items of additional colors at the same time - they will gradually acquire gray shades :))

Now, having studied the basics, it will be possible to return to modeling technologies and practice.

The color mixing table allows you to find out how to get the right one when mixing two or more colors and shades.

Such a table is used in various fields of art - fine art, modeling, and others. It can also be used in construction when mixing paints and plasters.

Color Mixing Chart 1

Color mixing chart 2

Mixing paints
black= brown + blue + red in equal proportions
black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
bodily= a little copper color
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
dark blue=1h. blue+1h Lilac
avocado= 4h. yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = Orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red with blue, with red predominating
pistachio paint obtained by mixing yellow paint with a small amount of blue

Taking the first steps in working with decor, most artists are faced with the lack of many shades in standard paint sets. And in everyday life, the need to get different tones arises quite often: from choosing a color for painting the walls in a house to choosing the perfect eye shadow. However, do not be upset if there is no necessary element in the existing arsenal of paints. Remember, with only three basic colors available: yellow, blue and red, you can get any shade that exists in nature. So, to get orange, you just need to mix two basic colors: red and yellow, and also get acquainted with some of the nuances that artists use when mixing paints.

First, let's prepare everything you need. You need to bring:

1. surface for mixing (for example, a palette);
2. yellow and red paint;
3. brushes;
4. canvas or other work surface on which the resulting material is planned to be applied (watercolor paper, pastel paper, etc.).

In order for the final color to turn out perfect, before starting work, make sure that the surface is free of foreign particles (lint, dust particles, brush hairs, etc.). You also need to immediately decide which of the ways you plan to get the desired orange tone. If mixing is done on paper, the final hue is obtained by overlapping the tone after applying one layer of composition to another. If you mix colors on a palette or b cans, you get a separate new tone as a result.

Receipt process

To get orange by combining shades on paper, you first need to decide what you want to get in the end. Since if you apply yellow on top of red, the final tone will be darker than if you apply red on top. It is also important to ensure that the blending brush is free of foreign tints, as the presence of a paint brush of a different color on the hairs of a brush can give a completely unexpected result.
The same rule must be followed if you plan to get the necessary orange color in dry painting. Just layer red and yellow on top of each other and then rub. The resulting shade will entirely depend on what color layer was applied on top: if the last layer was yellow, then orange will be lighter, if red, a red-orange tone is formed.

When mixing paints on a palette, the situation is somewhat simpler. You need to apply a little of one paint base and another on it, and then mix it with a palette knife (a special small spatula). A regular brush will work too, but again make sure the brush is free of other paints.

Completely different mixing rules should be followed if you are working with oil paints. To make the final color orange, you need to apply yellow and red strokes very close to each other, then, moving a little distance away, you will see that you have achieved the desired effect.

Correct Proportions

The proportions of red and yellow paints depend solely on what shade you want to get as a result. So when mixing paints in the same proportions, you will get a classic orange color as a result. In order for the final orange to be more golden or yellow-orange, the yellow paint must predominate. While more red should be added to get a saturated fiery orange. You can also soften the resulting shade of orange by adding a little bit of white paint, then you get a lighter, pastel tone. But to darken the tonality, it is better not to use black, since it does not so much darken as it drowns out the color spectrum. To get a darker shade of orange, it is recommended to apply a little dark gray.

Conclusion

The principle of obtaining orange paints is quite simple, it is enough to know the RGB model and the principles of mixing to make the most stable composition. From the type of work, whether it is drawing or room decor, the method of obtaining orange flowers does not change.

There are many reasons for looking for green. For example, you want to paint the kitchen, draw a landscape, or make leaves for a plant out of plasticine, but there is no way to buy the necessary material. Then you have to look for the answer to the question of how to get

Fundamentals of color

A science called coloristics studies colors, their features and combinations. Any artist, even a beginner, has an idea of ​​​​how to get one or another shade by mixing paints, and, of course, knows how to get a green color.

You may not believe it, but all the objects around you are painted in only 3 colors. They are called basic. These are red, yellow and blue. By mixing these colors and using black and white, you can create thousands of shades: brown, purple, pink, orange and many more. By learning these basics, future artists will also learn how to get green.

The color ring is used for a visual study of color. It is convenient to determine which color to mix with in order to get more complex shades. Moreover, changing the proportions of the original colors also changes the final one. Paints from different companies may vary slightly in color - this must also be taken into account when mixing.

What should be mixed?

We figured out that any color can be obtained by mixing red, blue and yellow. It remains only to figure out which colors to mix to get green. For the answer, let's turn to the color ring. It clearly shows that the color we need is between yellow and blue. So it is they who need to be mixed to get green. If you take paints in equal proportions, you get the usual color, which can be found in a jar labeled "green". But what happens if you change the amount of one of the colors?

Many shades

We have already talked about shades above, it remains to figure out what it is. Artists call colors that are very similar to the main one, but changed by adding other colors. Let's see how it looks in practice.

We have already figured out how to get green by mixing blue and yellow in equal proportions. If the proportions change, then the color will become different. For example, adding blue to green will make the second more "cold". This is the name of the shades that can be found on Adding yellow makes the color "warm", for example light green. And if you add a lot of yellow paint, you get lemon.

How to change color correctly?

Often, artists face a more difficult task - how to get a green color that will be much more interesting than the standard one. To do this, you can experiment. For example, add black - it will make green more gloomy, similar to swamp or coniferous, but in some cases this is necessary. Black must be handled very carefully. Even the smallest drop can make the color muddy, so add it little by little. And white will make the shade lighter. In this case, the brightness will become less - green will be as if in a fog. The same recommendations apply to other colors.

In pursuit of interesting shades, some begin to add all the colors in a row to green. This is not worth doing. The colors on the other side can easily spoil everything. That is, if you mix yellow and blue, try not to add red and its shades to them. Only those who have sufficient skills in painting can do it correctly.

The psychology of green

Knowing how to get green can come in handy in many areas of life. But before actively using it in the interior, decide whether it suits you from a psychological point of view.

Experts have long paid attention to the fact that furniture can greatly affect a person's mood. For example, red evokes passion or aggression, soft pink is suitable for a frivolous pastime, and orange adds energy and positive.

As for green, a lot depends on its brightness and saturation. Lighter tones allow you to relax and have a good rest after a hard day's work, while juicy emerald shades or light green will give you vivacity. At the same time, dark tones make the interior more serious. But all psychologists are inclined to one opinion - green is the most relaxing and calm color of all. If this is exactly what you need - actively use green in the interior.

How to get other colors?

Whatever your goals, you can hardly get by with one color. Green can be successfully combined with many other shades, because in nature the leaves of this particular color serve as a backdrop for irises, dandelions, forget-me-nots and poppies. Moreover, it all looks very harmonious. So green, if desired, can be successfully combined with any shades. But how do you get them?

Red, yellow and blue are the main ones, we found out above. They are complemented by black and white. And what colors can be obtained by mixing, a simple table will tell.

The article gives a complete and detailed answer to the question of how to get green by mixing paints. So now you can easily cope with this task and create many amazing shades that are not in your palette of colors.