The essence of the novel is dead souls. Questions and tasks

In May 1842, the first volume of Gogol's "Dead Souls" was published. The work was conceived by the author during his work on The Inspector General. In "Dead Souls" Gogol addresses the main theme of his work: the ruling classes of Russian society. The writer himself said: “My creation is huge and great, and its end will not be soon.” Indeed, "Dead Souls" is an outstanding phenomenon in the history of Russian and world satire.

"Dead Souls" - a satire on serfdom

"Dead Souls" - a work In this, Gogol is the successor of Pushkin's prose. He himself talks about this on the pages of the poem in digression about two types of writers (VII chapter).

Here a feature of Gogol's realism is revealed: the ability to expose and show close-up all the flaws of human nature that are not always evident. Dead Souls reflected the basic principles of realism:

1. Historicism. The work is written about modern writer time - the turn of the 20-30s of the XIX century - then serfdom experienced a serious crisis.
2. Typicality of characters and circumstances. The landowners and bureaucracy are depicted satirically with a pronounced critical orientation, the main social types. Gogol pays special attention to details.
3. satirical typification. It is achieved by the author's characterization of characters, comic situations, reference to the past of heroes, hyperbolization, use of proverbs in speech.

The meaning of the name: literal and metaphorical

Gogol planned to write a work of three volumes. He took the Divine Comedy by Dante Alighieri as a basis. Likewise, Dead Souls was to be in three parts. Even the title of the poem refers the reader to Christian beginnings.

Why Dead Souls? The name itself is an oxymoron, a juxtaposition of the incomparable. The soul is a substance that is inherent in the living, but not in the dead. Using this technique, Gogol gives hope that not everything is lost, that a positive beginning in the crippled souls of landowners and officials can be reborn. This should have been the second volume.

The meaning of the title of the poem "Dead Souls" lies in several planes. On the very surface - the literal meaning, because it was dead souls that were called the dead peasants in bureaucratic documents. Actually, this is the essence of Chichikov's machinations: to buy up dead serfs and take money on their security. In the circumstances of the sale of the peasants, the main characters are shown. "Dead Souls" are the landlords and officials themselves, whom Chichikov encounters, because there is nothing human, alive left in them. They are ruled by greed (officials), stupidity (Korobochka), cruelty (Nozdrev) and rudeness (Sobakevich).

Deep meaning of the name

All new aspects are opened as you read the poem "Dead Souls". The meaning of the name, lurking in the depths of the work, makes one think about the fact that any person, a simple layman, can eventually turn into Manilov or Nozdryov. It is enough to settle in his heart with one small passion. And he will not notice how vice will grow there. To this end, in Chapter XI, Gogol urges the reader to look deep into the soul and check: “Is there any part of Chichikov in me too?”

Gogol laid in the poem "Dead Souls" the meaning of the name is multifaceted, which is revealed to the reader not immediately, but in the process of comprehending the work.

Genre originality

When analyzing Dead Souls, another question arises: "Why does Gogol position the work as a poem?" Really, genre originality creations are unique. In the process of working on the work, Gogol shared his creative findings with his friends in letters, calling "Dead Souls" both a poem and a novel.

About the second volume of "Dead Souls"

In a state of deep creative crisis, Gogol wrote the second volume of Dead Souls for ten years. In correspondence, he often complains to friends that things are going very tight and not particularly satisfying.

Gogol refers to the harmonious, positive image of the landowner Costanjoglo: reasonable, responsible, using scientific knowledge in the device of the estate. Under his influence, Chichikov reconsiders his attitude to reality and changes for the better.

Seeing in the poem "life lies", Gogol burned the second volume of "Dead Souls".

Determining the main idea of ​​the poem "Dead Souls" is not entirely simple. This is explained, first of all, by the fact that we now have only a small part of this work - only the first part, and separate scattered pieces of the second - something that was not destroyed by Gogol himself. So judge everything ideological content work we do not have the opportunity. And then the position of the critic is hampered by the fact that he has at his disposal the interpretations that he gave " Dead Souls” the author himself, and the promises that he wanted to fulfill at the end of the poem, but did not have time. By Gogol's own admission, at first he himself wrote without any serious goals. Pushkin gave him a plot grateful for his talent; Gogol was carried away by the comedy of those provisions that were easily woven into this plot - and began to write a “caricature”, “without defining a detailed plan for himself, without giving himself an account of what the hero himself should be like. I simply thought, - says Gogol, - that the ridiculous project, the execution of which Chichikov is busy with, will lead me to various faces and characters. It's free, pure artistic creativity and helped Gogol create best pages the first part of "Dead Souls" - those pages that caused Pushkin to exclaim: "Lord! how sad is Russia. This exclamation struck Gogol - he saw that something large, ideologically meaningful could come out of the "prank" of his pen, from his playful, frivolous work. And so, encouraged by Pushkin, he decided to show in "Dead Souls" "from one side of Russia", that is, more fully than in "The Inspector General", to depict the negative aspects of Russian life.

The deeper Gogol went into his work, the weaker Pushkin's influence became; the more independent Gogol's attitude to his work became, the more complex, artificial, and tendentious his plans became. First of all, he was imbued with the idea of ​​expanding the limits of what was depicted - he wanted to show Russia not “from one side”, but in its entirety - evil and good, concluded in her life; then he began to think about a "plan" for his already begun work - he asked himself "anxious questions about the" purpose "and" meaning "of his work. And then the poem "Dead Souls" in his imagination grew into three parts. He probably later saw in her allegorical meaning. According to his idea, the three parts of Dead Souls should, in their finished form, correspond to the three parts of The Divine Comedy by Dante: the first part, dedicated to depicting only evil, should have corresponded to Hell; the second part, where evil was not so disgusting, where a gap begins in the soul of the hero, where some positive types are already being deduced - would correspond to "Purgatory", - and, finally, in the final third part, Gogol wanted to present in the apotheosis all the good that was in the soul of the "Russian man" - this part had to correspond to "Paradise". Thus, that artificial, cumbersome construction of Dead Souls appeared, that cunning systematization of material that Gogol could not cope with.

But, besides this thoughtful composition, Gogol was also prevented from creating freely by a moral tendency. All the growing concerns about his "spiritual business", about the purification of his heart, had a detrimental effect on his work. And so, “Dead Souls” gradually turned into some kind of “sewer pipe”, where he poured their imaginary and real "vices". “My heroes are close to the soul, he says, because they are from the soul, all of my recent compositions is the story of my own soul. He himself admitted that when the desire to get rid of various spiritual vices intensified in him, he “began to endow his heroes, in addition to their own “nasty things” - with their own. And, according to him, it helped him to become better himself ...

So, Gogol himself gives us three interpretations of the idea of ​​"Dead Souls" - 1) its beginning (the first part) - a simple image of peculiar faces and characters taken from Russian life. Feature, which unites almost all the heroes of the first part - bleak vulgarity, complete unconsciousness of life, misunderstanding of its goals and meaning: from "this side" he introduced " Russian society”, 2) the work “Dead Souls” was supposed to cover the whole of Russia - all the evil and good contained in it. In such a broad interpretation of Russian reality, Gogol saw "service" to his homeland - and 3) this work was supposed to serve him personally, in the matter of his spiritual self-improvement. He looked at himself as a “moralist” who would not only point out to fellow citizens the evil that individual vicious figures bring to life, but also draw those ideals that would save the homeland.

The idea of ​​"Dead Souls" from the point of view of criticism and the reader

It is easy to understand that now this author's idea is not entirely clear to the reader of Dead Souls: he has before his eyes only the first part of the poem, in which only occasional promises flash that in the future the story will take on a different character, to the personal “spiritual affair The writer doesn't care about the reader. Therefore, it was necessary to judge the work, leaving the author's intentions, without delving into his soul. And so, modern and subsequent criticism, contrary to Gogol, itself determined the idea of ​​the work. As earlier in The Inspector General, so in Dead Souls, the author’s desire to point out the disgrace of Russian life, which, on the one hand, depended on serfdom, and on the other hand, on the system of government in Russia, was seen. Thus, the idea of ​​"Dead Souls" was recognized by the majority as accusatory, the author is ranked among the noble satirists who boldly castigate the evil of modern reality. In a word, the same thing happened that happened with The Inspector General before: 1) the author had one idea, and the results of his work led to conclusions that he did not want at all, did not expect ... 2) both regarding the "Inspector General", and With regard to Dead Souls, we have to establish the idea of ​​the work not only without the help of the author, but even against his wishes: we must see in this work a picture of the negative aspects of Russian life, and in this picture, in its illumination, see the great public sense works.

The poem "Dead Souls" was conceived by Gogol as a grandiose panorama Russian society with all its peculiarities and paradoxes. Central problem works - spiritual death and rebirth of representatives of the main Russian estates of that time. The author denounces and ridicules the vices of the landowners, venality and pernicious passions of bureaucracy.

The title itself has a double meaning. "Dead Souls" are not only dead peasants, but also other actually living characters of the work. Calling them dead, Gogol emphasizes their devastated, miserable, "dead" little souls.

History of creation

"Dead Souls" is a poem to which Gogol devoted a significant part of his life. The author repeatedly changed the concept, rewrote and reworked the work. Gogol originally conceived Dead Souls as a humorous novel. However, in the end, I decided to create a work that exposes the problems of Russian society and will serve it spiritual revival. And so the POEM "Dead Souls" appeared.

Gogol wanted to create three volumes of the work. In the first, the author planned to describe the vices and decay of the feudal society of that time. In the second, give your heroes hope for redemption and rebirth. And in the third I intended to describe the future path of Russia and its society.

However, Gogol managed to finish only the first volume, which appeared in print in 1842. Until his death, Nikolai Vasilievich worked on the second volume. However, just before his death, the author burned the manuscript of the second volume.

The third volume of Dead Souls was never written. Gogol could not find an answer to the question of what would happen next with Russia. Or maybe I just didn't have time to write about it.

Description of the artwork

One day, in the city of NN appeared very interesting character, which stands out against the background of other old-timers of the city - Pavel Ivanovich Chichikov. After his arrival, he began to actively get acquainted with important people cities, attended feasts and dinners. A week later, the visitor was already on the "you" with all the representatives of the city nobility. Everyone was delighted with the new person who suddenly appeared in the city.

Pavel Ivanovich goes out of town to pay visits to noble landowners: Manilov, Korobochka, Sobakevich, Nozdrev and Plyushkin. With each landowner, he is kind, trying to find an approach to everyone. Natural resourcefulness and resourcefulness help Chichikov to get the location of each landowner. In addition to empty talk, Chichikov talks with the gentlemen about the peasants who died after the revision (“dead souls”) and expresses a desire to buy them. The landowners cannot understand why Chichikov needs such a deal. However, they agree to it.

As a result of his visits, Chichikov acquired more than 400 "dead souls" and was in a hurry to finish his business and leave the city. Useful acquaintances made by Chichikov upon arrival in the city helped him settle all the issues with the documents.

After some time, the landowner Korobochka let slip in the city that Chichikov was buying up "dead souls." The whole city found out about the affairs of Chichikov and was perplexed. Why would such a respected gentleman buy dead peasants? Endless rumors and conjectures have a detrimental effect even on the prosecutor, and he dies of fear.

The poem ends with Chichikov hurriedly leaving the city. Leaving the city, Chichikov sadly recalls his plans shopping dead souls and pledge them to the treasury as living.

main characters

Qualitatively new hero in Russian literature of that time. Chichikov can be called a representative of the newest class that is just emerging in serf Russia - entrepreneurs, "purchasers". The activity and activity of the hero favorably distinguishes him from the background of other characters in the poem.

The image of Chichikov is distinguished by its incredible versatility, diversity. Even by the appearance of the hero, it is difficult to immediately understand what a person is and what he is like. “In the britzka sat a gentleman who was not handsome, but not bad-looking, neither too fat nor too thin, one cannot say that he was old, but not so much that he was too young.”

It is difficult to understand and embrace the nature of the protagonist. He is changeable, many-sided, able to adapt to any interlocutor, to give the face the desired expression. Thanks to these qualities, Chichikov easily finds mutual language with landowners, officials and wins the right position in society. The ability to charm and win over the right people Chichikov uses to achieve his goal, namely the receipt and accumulation of money. Even his father taught Pavel Ivanovich to deal with those who are richer and take care of money, since only money can pave the way in life.

Chichikov did not earn money honestly: he deceived people, took bribes. Over time, Chichikov's machinations are gaining more and more scope. Pavel Ivanovich strives to increase his fortune by any means, not paying attention to any moral standards and principles.

Gogol defines Chichikov as a man with a vile nature and also considers his soul to be dead.

In his poem Gogol describes typical images landlords of that time: "business executives" (Sobakevich, Korobochka), as well as not serious and wasteful gentlemen (Manilov, Nozdrev).

Nikolai Vasilievich masterfully created the image of the landowner Manilov in the work. By this image alone, Gogol meant a whole class of landowners with similar features. The main qualities of these people are sentimentality, constant fantasies and lack of vigorous activity. The landlords of such a warehouse let the economy take its course, do nothing useful. They are stupid and empty inside. This is exactly what Manilov was like - in his soul not a bad, but mediocre and stupid poseur.

Nastasya Petrovna Korobochka

The landowner, however, differs significantly in character from Manilov. Korobochka is a good and tidy mistress, everything in her estate is going well. However, the landowner's life revolves exclusively around her household. The box does not develop spiritually, it is not interested in anything. She does not understand absolutely anything that does not concern her economy. The box is also one of the images by which Gogol meant a whole class of similar limited landowners who see nothing further than their household.

The author unequivocally classifies the landowner Nozdrev as not a serious and wasteful gentlemen. Unlike the sentimental Manilov, Nozdryov is full of energy. However, the landowner uses this energy not for the benefit of the economy, but for the sake of his momentary pleasures. Nozdryov plays, wastes money. It is distinguished by its frivolity and idle attitude to life.

Mikhail Semenovich Sobakevich

The image of Sobakevich, created by Gogol, echoes the image of a bear. There is something from a large wild beast in the appearance of the landowner: sluggishness, sedateness, strength. Sobakevich is not concerned with the aesthetic beauty of the things around him, but with their reliability and durability. Behind the rough appearance and harsh character lies a cunning, intelligent and resourceful person. According to the author of the poem, it will not be difficult for such landowners as Sobakevich to adapt to the changes and reforms coming in Russia.

The most unusual representative of the landowner class in Gogol's poem. The old man is distinguished by his extreme stinginess. Moreover, Plyushkin is greedy not only in relation to his peasants, but also in relation to himself. However, such savings make Plushkin a truly poor man. After all, it is his stinginess that does not allow him to find a family.

officialdom

Gogol in the work has a description of several city officials. However, the author in his work does not significantly differentiate them from each other. All officials in "Dead Souls" are a gang of thieves, crooks and embezzlers. These people really care only about their enrichment. Gogol literally describes in a few lines the image of a typical official of that time, rewarding him with the most unflattering qualities.

Analysis of the work

The plot of "Dead Souls" is based on an adventure conceived by Pavel Ivanovich Chichikov. At first glance, Chichikov's plan seems incredible. However, if you look at it, the Russian reality of those times, with its rules and laws, provided opportunities for all sorts of machinations related to serfs.

The fact is that after 1718 in Russian Empire a poll census of peasants was introduced. For each male serf, the master had to pay a tax. However, the census was carried out quite rarely - once every 12-15 years. And if one of the peasants escaped or died, the landowner was forced to pay tax for him anyway. The dead or runaway peasants became a burden for the master. This created fertile ground for various kinds of fraud. Chichikov himself hoped to carry out such a scam.

Nikolai Vasilievich Gogol knew perfectly well how Russian society was organized with its serf system. And the whole tragedy of his poem lies in the fact that Chichikov's scam absolutely did not contradict the current Russian legislation. Gogol denounces the distorted relations of man with man, as well as man with the state, speaks of the absurd laws in force at that time. Because of such distortions, events that are contrary to common sense become possible.

"Dead Souls" - classic, which, like no other, is written in the style of Gogol. Quite often, Nikolai Vasilievich based his work on some kind of anecdote or a comical situation. And the more ridiculous and unusual the situation, the more tragic the real state of affairs seems.

Gogol's work "Dead Souls" was written in the second half of the 19th century. The first volume was published in 1842, the second volume was almost completely destroyed by the author. The third volume was never written. The plot of the work was prompted by Gogol. The poem tells about a middle-aged gentleman, Pavel Ivanovich Chichikov, traveling around Russia in order to buy the so-called dead souls - peasants who are not alive, but who are still listed as living according to documents. Gogol wanted to show the whole of Russia, the whole Russian soul in its breadth and immensity.

Gogol's poem "Dead Souls" in a summary of the chapters can be read below. In the above version, the main characters are described, the most significant fragments are highlighted, with the help of which you can make a complete picture of the content of this poem. Reading Gogol's "Dead Souls" online will be useful and relevant for grade 9.

main characters

Pavel Ivanovich Chichikov - main character poems, middle-aged collegiate adviser. He travels around Russia in order to buy up dead souls, knows how to find an approach to each person, which he constantly uses.

Other characters

Manilov- landowner, no longer young. In the first minute you think only pleasant things about him, and after that you don’t know what to think. He does not care about domestic difficulties; lives with his wife and two sons, Themistoclus and Alkid.

box- an elderly woman, a widow. She lives in a small village, runs the household herself, sells products and furs. A stingy woman. She knew the names of all the peasants by heart, she did not keep written records.

Sobakevich- the landowner, in everything he is looking for profit. With its massiveness and clumsiness, it resembled a bear. Agrees to sell dead souls to Chichikov even before he spoke about it.

Nozdryov- a landowner who cannot sit at home for a single day. To love to revel and play cards: hundreds of times he lost to smithereens, but still continued to play; has always been the hero of a story, and he himself is a master of telling fables. His wife died, leaving a child, but Nozdryov did not care about family matters at all.

Plushkin - unusual person, on appearance which is difficult to determine which class he belongs to. Chichikov at first mistook him for an old housekeeper. He lives alone, although earlier life was in full swing on his estate.

Selifan- coachman, Chichikov's servant. He drinks a lot, is often distracted from the road, likes to think about the eternal.

Volume 1

Chapter 1

A chaise with an ordinary, unremarkable cart enters the city of NN. He checked into a hotel, which, as often happens, was poor and dirty. The master's luggage was brought in by Selifan (a short man in a sheepskin coat) and Petrushka (a little 30 years old). The traveler almost immediately went to the inn to find out who held the leading positions in this city. At the same time, the gentleman tried not to talk about himself at all, nevertheless, everyone with whom the gentleman spoke managed to make the most pleasant description of him. Along with this, the author very often emphasizes the insignificance of the character.

During dinner, the guest finds out from the servant who is the chairman in the city, who is the governor, how many rich landowners, the visitor did not miss a single detail.

Chichikov meets Manilov and the clumsy Sobakevich, whom he quickly managed to charm with his manners and public demeanor: he could always keep up a conversation on any topic, was polite, attentive and courteous. People who knew him spoke only positively about Chichikov. At the card table, he behaved like an aristocrat and a gentleman, even arguing somehow especially pleasantly, for example, “you deigned to go.”

Chichikov hurried to pay visits to all the officials of this city in order to win them over and testify to his respect.

Chapter 2

Chichikov had been living in the city for more than a week, spending his time reveling and feasting. He made many useful acquaintances for him, was a welcome guest at various receptions. While Chichikov was spending time at the next dinner party, the author introduces the reader to his servants. Petrushka walked in a wide frock coat from the master's shoulder, had a large nose and lips. The character was silent. He loved to read, but he liked the process of reading much more than the subject of reading. Parsley always carried with him "his own special smell", ignoring Chichikov's requests to go to the bathhouse. The author did not describe the coachman Selifan, they say, he belonged to a too low class, and the reader prefers landowners and counts.

Chichikov went to the village to Manilov, who "could lure few with its location." Although Manilov said that the village was only 15 miles from the city, Chichikov had to travel almost twice as far. Manilov at first glance was a prominent man, his features were pleasant, but too sugary. You won’t get a single living word from him, Manilov seemed to live in an imaginary world. Manilov had nothing of his own, nothing of his own. He spoke little, most often thinking about lofty matters. When a peasant or a clerk asked the master about something, he answered: “Yes, not bad,” not caring about what would happen next.

In Manilov's office there was a book that the master had been reading for the second year already, and the bookmark, once left on page 14, remained in place. Not only Manilov, but the house itself suffered from a lack of something special. It was as if something was always missing in the house: the furniture was expensive, and there was not enough upholstery for two armchairs, in the other room there was no furniture at all, but they were always going to put it there. The owner spoke touchingly and tenderly to his wife. She was a match for her husband - a typical pupil of a boarding school for girls. She was taught French, dancing and piano to please and entertain her husband. Often they spoke softly and reverently, like young lovers. It seemed that the spouses did not care about household trifles.

Chichikov and Manilov stood at the door for several minutes, letting each other go forward: “Do yourself a favour, don’t worry like that for me, I’ll go through later”, “don’t bother, please don’t bother. Please come through." As a result, both passed at the same time, sideways, hitting each other. Chichikov agreed with Manilov in everything, who praised the governor, the chief of police, and others.

Chichikov was surprised by the children of Manilov, two sons of six and eight years old, Themistoclus and Alkid. Manilov wanted to show off his children, however special talents Chichikov did not notice them. After dinner, Chichikov decided to talk with Manilov about one very important matter - about dead peasants who, according to documents, are still considered alive - about dead souls. In order to “save Manilov from having to pay taxes,” Chichikov asks Manilov to sell him documents for peasants that no longer exist. Manilov was somewhat discouraged, but Chichikov convinced the landowner of the legitimacy of such a deal. Manilov decided to give away the "dead souls" for free, after which Chichikov hastily began to gather at Sobakevich's, pleased with his successful acquisition.

Chapter 3

Chichikov rode to Sobakevich in high spirits. Selifan, the coachman, was arguing with his horse, and, carried away by his thoughts, he stopped following the road. The travelers got lost.
The chaise drove off-road for a long time until it hit the fence and rolled over. Chichikov was forced to ask an old woman for lodging for the night, who let them in only after Chichikov spoke about his noble title.

The owner was an elderly woman. She can be called thrifty: there were a lot of old things in the house. The woman was dressed tastelessly, but with a claim to elegance. The lady's name was Korobochka Nastasya Petrovna. She did not know any Manilov, from which Chichikov concluded that they had been driven into a decent wilderness.

Chichikov woke up late. His linen had been dried and laundered by Korobochka's fussy worker. Pavel Ivanovich did not particularly stand on ceremony with Korobochka, allowing himself to be rude. Nastasya Filippovna was a collegiate secretary, her husband died long ago, so the whole household was on her. Chichikov did not miss the opportunity to ask about dead souls. He had to persuade Korobochka for a long time, who also bargained. Korobochka knew all the peasants by name, so she did not keep written records.

Chichikov was tired of a long conversation with the hostess, and was rather glad not that he received less than twenty souls from her, but that this dialogue was over. Nastasya Filippovna, delighted with the sale, decided to sell Chichikov flour, lard, straw, fluff and honey. To appease the guest, she ordered the maid to bake pancakes and pies, which Chichikov ate with pleasure, but politely refused other purchases.

Nastasya Filippovna sent a little girl with Chichikov to show the way. The chaise had already been repaired and Chichikov went on.

Chapter 4

The chaise drove up to the tavern. The author admits that Chichikov had an excellent appetite: the hero ordered chicken, veal and piglet with sour cream and horseradish. In the tavern, Chichikov asked about the owner, his sons, their wives, and at the same time found out where which landowner lives. In a tavern, Chichikov met Nozdryov, with whom he had previously dined together with the prosecutor. Nozdryov was cheerful and drunk: he again lost at cards. Nozdryov laughed at Chichikov's plans to go to Sobakevich, persuading Pavel Ivanovich to visit him first. Nozdryov was sociable, the soul of the company, a reveler and a talker. His wife died early, leaving two children, whom Nozdryov was absolutely not involved in raising. He could not sit at home for more than a day, his soul demanded feasts and adventures. Nozdryov had an amazing attitude towards acquaintances: the closer he got together with a person, the more stories he told. At the same time, Nozdryov managed not to quarrel with anyone after that.

Nozdryov was very fond of dogs and even kept a wolf. The landowner boasted so much of his possessions that Chichikov got tired of inspecting them, although Nozdryov attributed to his lands even a forest, which could not be his property. At the table, Nozdryov poured out wine for the guests, but added little to himself. In addition to Chichikov, Nozdryov was visited by his son-in-law, in whose presence Pavel Ivanovich did not dare to talk about the true motives of his visit. However, the son-in-law soon got ready to go home, and Chichikov was finally able to ask Nozdryov about the dead souls.

He asked Nozdryov to transfer the dead souls to himself, without revealing his true motives, but Nozdryov's interest from this only intensifies. Chichikov is forced to invent various stories: supposedly dead souls are needed to gain weight in society or to successfully marry, but Nozdryov feels false, so he allows himself rude remarks about Chichikov. Nozdryov offers Pavel Ivanovich to buy from him a stallion, a mare or a dog, complete with which he will give his soul. Nozdryov did not want to give away dead souls just like that.

The next morning, Nozdryov behaved as if nothing had happened, offering Chichikov to play checkers. If Chichikov wins, then Nozdryov will transfer all the dead souls to him. Both played dishonestly, Chichikov was very exhausted by the game, but the police officer unexpectedly came to Nozdryov, saying that from now on Nozdryov was on trial for beating the landowner. Taking advantage of this opportunity, Chichikov hurried to leave Nozdryov's estate.

Chapter 5

Chichikov was glad that he had left Nozdryov empty-handed. Chichikov was distracted from his thoughts by an accident: a horse harnessed to Pavel Ivanovich's britzka got mixed up with a horse from another harness. Chichikov was fascinated by the girl who was sitting in another wagon. He thought about the beautiful stranger for a long time.

The village of Sobakevich seemed huge to Chichikov: gardens, stables, sheds, peasant houses. Everything seems to have been made for centuries. Sobakevich himself seemed to Chichikov like a bear. Everything about Sobakevich was massive and clumsy. Each item was ridiculous, as if saying: "I also look like Sobakevich." Sobakevich spoke disrespectfully and rudely about other people. From him Chichikov learned about Plyushkin, whose peasants were dying like flies.

Sobakevich reacted calmly to the offer of dead souls, even offered to sell them before Chichikov himself spoke about it. The landowner behaved strangely, inflating the price, praising the already dead peasants. Chichikov was unhappy with the deal with Sobakevich. It seemed to Pavel Ivanovich that it was not he who was trying to deceive the landowner, but Sobakevich was trying to deceive him.
Chichikov went to Plyushkin.

Chapter 6

Immersed in his thoughts, Chichikov did not notice that he had entered the village. In the village of Plyushkina, the windows in the houses were without glass, the bread was damp and moldy, the gardens were abandoned. Nowhere was the result of human labor to be seen. Near Plyushkin's house there were many buildings overgrown with green mold.

Chichikov was met by the housekeeper. The master was not at home, the housekeeper invited Chichikov to the chambers. A lot of things were piled up in the rooms, in the heaps it was impossible to understand what exactly was there, everything was covered in dust. By the appearance of the room, it cannot be said that a living person lived here.

A bent-over man, unshaven, in a washed-out dressing gown, entered the chamber. The face was nothing special. If Chichikov met this man on the street, he would give him alms.

This man was the landowner himself. There was a time when Plyushkin was frugal owner and his house was full of life. Now strong feelings were not reflected in the eyes of the old man, but the forehead betrayed a remarkable mind. Plyushkin's wife died, his daughter ran away with the military, his son went to the city, and youngest daughter died. The house became empty. Guests rarely dropped in on Plyushkin, and Plyushkin did not want to see the runaway daughter, who sometimes asked her father for money. The landowner himself started talking about the dead peasants, because he was glad to get rid of the dead souls, although after a while suspiciousness appeared in his eyes.

Chichikov refused treats, being impressed by dirty dishes. Plyushkin decided to bargain, manipulating his plight. Chichikov bought 78 souls from him, forcing Plyushkin to write a receipt. After the deal, Chichikov, as before, hastened to leave. Plyushkin locked the gate behind the guest, walked around his possessions, pantries and kitchen, and then thought about how to thank Chichikov.

Chapter 7

Chichikov had already acquired 400 souls, so he wanted to finish things in this city faster. He reviewed and arranged everything. Required documents. All the peasants of Korobochka were distinguished by strange nicknames, Chichikov was unhappy that their names took up a lot of space on paper, Plyushkin's note was short, Sobakevich's notes were complete and detailed. Chichikov thought about how each person passed away, building guesses in his imagination and playing out entire scenarios.

Chichikov went to court to certify all the documents, but there he was given to understand that without a bribe things would go on for a long time, and Chichikov would still have to stay in the city for a while. Sobakevich, who accompanied Chichikov, convinced the chairman of the legitimacy of the deal, while Chichikov said that he had bought the peasants for withdrawal to the Kherson province.

The chief of police, officials and Chichikov decided to complete the paperwork with dinner and a game of whist. Chichikov was cheerful and told everyone about his lands near Kherson.

Chapter 8

The whole city is talking about Chichikov's purchases: why do Chichikov need peasants? Did the landowners sell so much to the visitor? good peasants and not thieves and drunkards? Will the peasants change in the new land?
The more rumors there were about Chichikov's wealth, the more they loved him. The ladies of the city of NN considered Chichikov very attractive person. In general, the ladies of the city of N themselves were presentable, dressed with taste, were strict in morals, and all their intrigues remained secret.

Chichikov found an anonymous love letter which interested him immensely. At the reception, Pavel Ivanovich could not understand in any way which of the girls had written to him. The traveler was successful with the ladies, and was so carried away by secular talk that he forgot to approach the hostess. The governor was at a reception with her daughter, whose beauty Chichikov was captivated - not a single lady was interested in Chichikov anymore.

At the reception, Chichikov met Nozdryov, who, with his cheeky behavior and drunken conversations, put Chichikov in an uncomfortable position, so Chichikov was forced to leave the reception.

Chapter 9

The author introduces the reader to two ladies, friends, who met early in the morning. They talked about women's little things. Alla Grigorievna was partly a materialist, prone to denial and doubt. The ladies gossiped about the visitor. Sofya Ivanovna, the second woman, is unhappy with Chichikov, because he flirted with many ladies, and Korobochka even let slip about dead souls, adding to her story the story of how Chichikov deceived her by throwing 15 rubles in banknotes. Alla Grigoryevna suggested that, thanks to dead souls, Chichikov wants to impress the governor's daughter in order to steal her from her father's house. The ladies recorded Nozdryov as Chichikov's accomplices.

The city was buzzing: the question of dead souls worried everyone. The ladies discussed more history with the abduction of a girl, supplementing it with all conceivable and inconceivable details, and the men discussed the economic side of the issue. All this led to the fact that Chichikov was not allowed on the threshold and was not invited to dinner anymore. Unfortunately, Chichikov was in the hotel all this time, because he was not lucky enough to get sick.

Meanwhile, the inhabitants of the city, in their assumptions, reached the point that they told the prosecutor about everything.

Chapter 10

Residents of the city gathered at the police chief. Everyone wondered who Chichikov was, where he came from and whether he was hiding from the law. The postmaster tells the story of Captain Kopeikin.

In this chapter, the story about Captain Kopeikin is included in the text of Dead Souls.

Captain Kopeikin had his arm and leg torn off during a military campaign in the 1920s. Kopeikin decided to ask the king for help. The man was amazed by the beauty of St. Petersburg and the high prices for food and housing. Kopeikin waited for the general's reception for about 4 hours, but he was asked to come later. The audience of Kopeikin and the governor was postponed several times, Kopeikin's faith in justice and the king each time became less and less. The man was running out of money for food, and the capital became disgusting because of pathos and spiritual emptiness. Captain Kopeikin decided to sneak into the reception room of the general in order to get an answer to his question for sure. He decided to stand there until the sovereign looked at him. The general instructed the courier to deliver Kopeikin to a new place, where he would be completely in the care of the state. Kopeikin, delighted, went with the courier, but no one else saw Kopeikin.

All those present admitted that Chichikov could not possibly be Captain Kopeikin, because Chichikov had all his limbs in place. Nozdryov told many different tales and, carried away, said that he personally came up with a plan to kidnap the governor's daughter.

Nozdryov went to visit Chichikov, who was still ill. The landowner told Pavel Ivanovich about the situation in the city and the rumors about Chichikov.

Chapter 11

In the morning, everything did not go according to plan: Chichikov woke up later than planned, the horses were not shod, the wheel was faulty. After a while, everything was ready.

On the way, Chichikov met a funeral procession - the prosecutor died. Further, the reader learns about Pavel Ivanovich Chichikov himself. Parents were nobles who had only one serf family. One day, the father took little Pavel with him to the city to send the child to a school. The father ordered his son to listen to teachers and please the bosses, not to make friends, save money. At the school, Chichikov was distinguished by diligence. From childhood, he understood how to increase money: he sold pies from the market to hungry classmates, trained a mouse to show tricks for a fee, sculpted wax figures.

Chichikov was in good standing. After some time, he moved his family to the city. Chichikova manila Rich life, he actively tried to break into the people, but hardly got into the state chamber. Chichikov did not hesitate to use people for his own purposes, he was not ashamed of such an attitude. After the incident with one old official, whose daughter Chichikov was even going to marry in order to get a position, Chichikov's career went up sharply. And that official talked for a long time about how Pavel Ivanovich deceived him.

He served in many departments, cunning and cheating everywhere, launched a whole campaign against corruption, although he himself was a bribe-taker. Chichikov took up construction, but a few years later the declared house was never built, but those who supervised the construction had new buildings. Chichikov engaged in smuggling, for which he was put on trial.

He started his career again from the lowest rung. He was engaged in handing over documents for peasants to the Board of Trustees, where he was paid for each peasant. But once Pavel Ivanovich was informed that even if the peasants died, but according to the record they are listed as alive, the money will still be paid. So Chichikov got the idea to buy up the dead in fact, but living according to the documents of the peasants, in order to sell their souls to the council of trustees.

Volume 2

The chapter begins with a description of the nature and lands belonging to Andrey Tentetnikov, a 33-year-old gentleman who thoughtlessly spends his time: he woke up late, washed himself for a long time, "he was not a bad person - he was just a smoker of the sky." After a series of unsuccessful reforms aimed at improving the life of the peasants, he stopped communicating with others, completely dropped his hands, mired in the same infinity of everyday life.

Chichikov comes to Tentetnikov and, using his ability to find an approach to any person, stays with Andrei Ivanovich for a while. Chichikov was now more careful and delicate when it came to dead souls. Chichikov has not yet talked about this with Tentetnikov, but talking about marriage revived Andrei Ivanovich a little.

Chichikov goes to General Betrishchev, a man of majestic appearance, who combined many advantages and many shortcomings. Betrishchev introduces Chichikov to his daughter Ulenka, with whom Tentetnikov is in love. Chichikov joked a lot, with which he was able to achieve the location of the general. I take the opportunity, Chichikov composes a story about an old uncle who is obsessed with dead souls, but the general does not believe him, considering this to be another joke. Chichikov hurries to leave.

Pavel Ivanovich goes to Colonel Koshkarev, but ends up with Pyotr Petukh, who is caught completely naked while hunting for sturgeon. Upon learning that the estate was mortgaged, Chichikov wanted to leave, but here he meets the landowner Platonov, who talks about ways to increase wealth, which Chichikov is inspired by.

Colonel Koshkarev, who divided his lands into plots and manufactories, also had nothing to profit from, so Chichikov, accompanied by Platonov and Konstanzhoglo, goes to Kholobuev, who sells his estate for nothing. Chichikov gives a deposit for the estate, having borrowed the amount from Konstanzhglo and Platonov. In the house, Pavel Ivanovich expected to see empty rooms, but "he was struck by a mixture of poverty with the shiny trinkets of later luxury." Chichikov receives dead souls from his neighbor Leninsyn, having charmed him with the ability to tickle a child. The story is cut off.

It can be assumed that some time has passed since the purchase of the estate. Chichikov comes to the fair to buy fabric for a new suit. Chichikov meets Kholobuev. He is dissatisfied with the deception of Chichikov, because of which he almost lost his inheritance. Denunciations are found on Chichikov about the deception of Kholobuev and dead souls. Chichikov is arrested.

Murazov, a recent acquaintance of Pavel Ivanovich, a farmer who fraudulently amassed a million-dollar fortune, finds Pavel Ivanovich in the basement. Chichikov tears his hair and mourns the loss of the box with securities: Chichikov was not allowed to dispose of many personal things, including the box, where there was enough money to give a deposit for himself. Murazov motivates Chichikov to live honestly, not to break the law and not to deceive people. It seems that his words were able to touch certain strings in the soul of Pavel Ivanovich. Officials who expect to receive a bribe from Chichikov confuse the case. Chichikov is leaving town.
 

Conclusion

"Dead Souls" shows a broad and truthful picture of the life of Russia in the second half of XIX century. Along with beautiful nature, picturesque villages, in which the originality of a Russian person is felt, greed, avarice and a never-ending desire for profit are shown against the backdrop of space and freedom. The arbitrariness of the landowners, the poverty and lack of rights of the peasants, the hedonistic understanding of life, bureaucracy and irresponsibility - all this is depicted in the text of the work, as in a mirror. Meanwhile, Gogol believes in a brighter future, because it was not for nothing that the second volume was conceived as "the moral purification of Chichikov." It is in this work that Gogol's manner of reflecting reality is most clearly visible.

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// "Dead Souls" in Gogol's poem "Dead Souls"

Gogol's immortal poem "" reveals to us not only the life and customs of Russian society in the mid-19th century, but also shows the human vices that were inherent in him. The author gives the central place in his work to a man of a new type - businessman Pavel Ivanovich Chichikov.

Nature endowed the protagonist with unbearable mental faculties. A brilliant scam was born and developed in his head. Finding inaccuracies in the then legislation, he decides to issue a bank loan, and leave the peasant souls as a pledge. Only in fact, these peasants were already dead for a long time, but on paper they were still alive and healthy. To implement his idea, Chichikov goes to the city of NN, where he buys dead peasant souls from local landowners for pennies.

The main character manages to win over all the officials and landowners of the city of NN. They begin to talk about Chichikov as a businesslike and decent person. Every official and landowner tries to invite Pavel Ivanovich to visit him, and he gladly agrees.

A whole galaxy of landlords opens up before us, who in themselves are strong and bright personalities but who have closed in their own world.

For example, the landowner was smart enough and an educated person. In society, he was known as an aesthete. But he could not realize himself. Manilov became a hostage of his dreams and castles in the air. He was not accustomed to physical labor, all his plans remained only plans, and he looked at the world "through rose-colored glasses."

In contrast to Manilov, Gogol shows us the landowner Sobakevich. He was a man of physical labor. He achieved his goal with strength and ingenuity. Dreams were alien to Sobakevich. The only thing that interested him was material wealth. even trying to bargain for the dead souls of his peasants the maximum price.

Next we meet the landowner Korobochka, whom Chichikov comes across by chance. symbolizes stagnation and limitation. This is confirmed by the clock in her house, which has long since stopped. The purpose of her life was the sale of hemp and fluff.

The landowner Nozdrev became the embodiment of a broad Russian soul. Excitement and adventurism became the main principles of Nozdrev's life. For him, there were no customs, no laws. He lived according to his heart.

The last landowner with whom Gogol introduces us was. The author speaks of him as "a hole in the body of mankind." Plyushkin reduced his life to thoughtless hoarding. Even with a huge fortune, he starved and starved his peasants.

It is characteristic that Chichikov managed to find an approach to all these "different" people and get what he wanted. With some he is soft and well-mannered, with others he is firm and rude, with others he is cunning and prudent. All these qualities, ingenuity and ingenuity, perseverance make us admire the main character of the poem "Dead Souls".

For understanding inner world Chichikova, refers to the childhood of the protagonist and to the conditions in which little Pavlusha grew up. Chichikov's only childhood memory was his father's instructions on the need to "save a penny." And therefore, the main character devoted his whole life to fulfilling his father's covenant.

AT " Dead souls"We can see many human vices that are reflected in the images of the heroes of the work. Gogol treated this state of affairs with anxiety and emotion and hoped that someday the time would come and the "dead souls" of our society would be reborn.