Johann Sebastian Bach's most famous compositions. List of major works and


Bach Johann Sebastian, whose biography is of interest to many music lovers, has become one of the greatest composers in its history. In addition, he was a performer, a virtuoso organist, and a talented teacher. In this article, we will look at the life of Johann Sebastian Bach, as well as present his work. The composer's works are often heard in concert halls around the world.

Johann Sebastian Bach (March 31 (21 - old style) 1685 - July 28, 1750) was a German composer and musician of the Baroque era. He enriched created in Germany musical style thanks to his mastery of counterpoint and harmony, he adapted foreign rhythms and forms, borrowed, in particular, from Italy and France. Bach's works are "Goldberg Variations", "Brandenburg Concertos", "Mass in B Minor", more than 300 cantatas, of which 190 have survived, and many other compositions. His music is considered to be very technically complex, full of artistic beauty and intellectual depth.

Johann Sebastian Bach. short biography

Bach was born in Eisenach into a family of hereditary musicians. His father, Johann Ambrosius Bach, was the founder of the city's music concerts, and all his uncles were professional performers. The composer's father taught his son to play the violin and harpsichord, and his brother, Johann Christoph, taught him the clavichord, and also introduced Johann Sebastian to contemporary music. Partly on his own initiative, Bach attended St. Michael's Vocal School in Lüneburg for 2 years. After certification, he held several musical positions in Germany, in particular, the court musician of Duke Johann Ernst in Weimar, the caretaker of the organ in the church named after St. Boniface, located in Arnstadt.

In 1749, Bach's eyesight and general health deteriorated, and he died in 1750, on July 28. Modern historians believe that the cause of his death was a combination of stroke and pneumonia. The fame of Johann Sebastian as a magnificent organist spread throughout Europe during Bach's lifetime, although he was not yet so popular as a composer. As a composer, he became known a little later, in the first half of the 19th century, when interest in his music revived. Currently, Bach Johann Sebastian, whose biography is presented in a more complete version below, is considered one of the greatest musical creators in history.

Childhood (1685 - 1703)

Johann Sebastian Bach was born in Eisenach, in 1685, on March 21, according to the old style (according to the new one, on the 31st of the same month). He was the son of Johann Ambrosius and Elisabeth Lemmerhirt. The composer became the eighth child in the family (the eldest son at the time of Bach's birth was 14 years older than him). The mother of the future composer died in 1694, and his father eight months later. Bach at that time was 10 years old, and he moved to live with Johann Christoph, his older brother (1671 - 1731). There he studied, performed and rewrote music, including his brother's, despite being forbidden to do so. From Johann Christoph, he adopted many knowledge in the field of music. At the same time, Bach studied theology, Latin, Greek, French, Italian at the local gymnasium. As Johann Sebastian Bach later admitted, the classics inspired and amazed him from the very beginning.

Arnstadt, Weimar and Mühlhausen (1703 - 1717)

In 1703, after finishing his studies at St. Michael's School in Lüneburg, the composer was appointed court musician to Duke Johann Ernst III's chapel in Weimar. During his seven-month stay there, Bach established a reputation as an excellent keyboard player, and he was invited to new position superintendent of the organ in the church of St. Boniface, located in Arnstadt, 30 km southwest of Weimar. Despite good family connections and his own musical enthusiasm, tensions arose with his superiors after several years of service. In 1706, Bach was offered the post of organist at the Church of St. Blaise (Mühlhausen), which he took up the following year. The new position was paid much higher, included much Better conditions work, as well as a more professional choir with which Bach had to work. Four months later, the wedding of Johann Sebastian and Maria Barbara took place. They had seven children, four of whom survived to adulthood, including Wilhelm Friedemann and Carl Philipp Emanuel, who later became well-known composers.

In 1708, Johann Sebastian Bach, whose biography took a new direction, leaves Mühlhausen and returns to Weimar, this time as an organist, and since 1714 as a concert organizer, and has the opportunity to work with more professional musicians. In this city, the composer continues to play and compose works for the organ. He also began to write preludes and fugues, which later became part of his monumental work, The Well-Tempered Clavier, which consisted of two volumes. Each of them includes preludes and fugues, written in all possible minor and major keys. Also in Weimar, the composer Johann Sebastian Bach set to work on the work "Organ Book", containing Lutheran chorales, a collection of choral preludes for organ. In 1717 he fell out of favor in Weimar, was taken into custody for almost a month and subsequently removed from office.

Köthen (1717 - 1723)

Leopold ( important person- Prince of Anhalt-Köthen) offered Bach the job of bandmaster in 1717. Prince Leopold, being himself a musician, admired the talent of Johann Sebastian, paid him well and gave him considerable freedom in composing and performing. The prince was a Calvinist, and they do not use complex and sophisticated music in worship, respectively, the work of Johann Sebastian Bach of that period was secular and included orchestral suites, suites for cello solo, for clavier, as well as the famous Brandenburg Concertos. In 1720, on July 7, his wife Maria Barbara dies, having given birth to seven children. The composer's acquaintance with his second wife takes place next year. Johann Sebastian Bach, whose works are gradually gaining popularity, marries a girl named Anna Magdalena Wilke, a singer (soprano), in 1721, on December 3rd.

Leipzig (1723 - 1750)

In 1723, Bach received a new position, starting to work as cantor of the choir of St. Thomas. It was a prestigious service in Saxony, which the composer carried for 27 years, until his death. Bach's duties included teaching students how to sing and writing church music for the main churches in Leipzig. Johann Sebastian was also supposed to give Latin lessons, but he had the opportunity to hire a special person instead of himself. During Sunday services, as well as on holidays, cantatas were required for worship in the church, and the composer usually performed his own compositions, most of which appeared in the first 3 years of his stay in Leipzig.

Johann Sebastian Bach, whose classic authorship is now well known to many people, expanded his composing and performing possibilities in March 1729 by taking charge of the College of Music, a secular gathering under the composer Georg Philipp Telemann. The college was one of dozens of private societies that were popular at that time in large German cities, created on the initiative of students in musical institutions. These associations played an important role in the German musical life, being led for the most part by eminent specialists. Many of Bach's works from the period 1730-1740s. were written and performed at the College of Music. The last major work of Johann Sebastian - "Mass in B minor" (1748-1749), which was recognized as his most global church work. Although the Mass was never performed in its entirety during the author's lifetime, it is considered one of the composer's most outstanding works.

The Death of Bach (1750)

In 1749, the composer's health deteriorated. Bach Johann Sebastian, whose biography ends in 1750, began to suddenly lose his sight and turned to the English ophthalmologist John Taylor for help, who performed 2 operations in March-April 1750. However, both were unsuccessful. The composer's vision never returned. On July 28, at the age of 65, Johann Sebastian passed away. Modern newspapers wrote that "death was the result of an unsuccessful operation on the eyes." Currently, historians consider the cause of the composer's death to be a stroke complicated by pneumonia.

Carl Philipp Emmanuel, son of Johann Sebastian, and his student Johann Friedrich Agricola wrote an obituary. It was published in 1754 by Lorenz Christoph Mitzler in a musical magazine. Johann Sebastian Bach, short biography which is presented above, was originally buried in Leipzig, near the church of St. John. The grave remained untouched for 150 years. Later, in 1894, the remains were transferred to a special storage in the Church of St. John, and in 1950 - to the Church of St. Thomas, where the composer still rests.

Organ creativity

Most of all, during his lifetime, Bach was known precisely as an organist and composer of organ music, which he wrote in all traditional German genres (preludes, fantasies). The favorite genres in which Johann Sebastian Bach created are toccata, fugue, choral preludes. His organ art very varied. At a young age, Johann Sebastian Bach (we have already briefly touched on his biography) earned a reputation as a very creative composer, able to adapt many foreign styles to the requirements of organ music. He was greatly influenced by the traditions of Northern Germany, in particular Georg Böhm, whom the composer met in Lüneburg, and Dietrich Buxtehude, whom Johann Sebastian visited in 1704 during long vacation. Around the same time, Bach rewrote the works of many Italian and French composers, and later Vivaldi's violin concertos, in order to breathe into them new life already as works for organ performance. During the most productive creative period(from 1708 to 1714) Johann Sebastian Bach writes fugues and toccatas, several dozen pairs of preludes and fugues, and the "Organ Book" - an unfinished collection of 46 choral preludes. After leaving Weimar, the composer writes less organ music, although he creates a number of well-known works.

Other works for clavier

Bach wrote a great deal of harpsichord music, some of which can be played on the clavichord. Many of these writings are encyclopedic, incorporating the theoretical methods and techniques that Johann Sebastian Bach liked to use. The works (list) are presented below:

  • The Well-Tempered Clavier is a two-volume work. Each volume contains preludes and fugues in all 24 major and minor keys in use, arranged in chromatic order.
  • Inventions and overtures. These two- and three-part works are in the same order as the Well-Tempered Clavier, with the exception of some rare keys. They were created by Bach for educational purposes.
  • 3 collections of dance suites, "French suites", "English suites" and scores for clavier.
  • "Goldberg Variations".
  • Various pieces such as "Overture in french style", "Italian concert".

Orchestral and chamber music

Johann Sebastian also wrote works for individual instruments, duets and small ensembles. Many of them, such as partitas and sonatas for solo violin, six different suites for solo cello, partita for solo flute, are considered among the most outstanding in the composer's repertoire. Johann Sebastian wrote Bach symphonies, and also created several compositions for solo lute. He also created trio sonatas, solo sonatas for flute and viola da gamba, a large number of ricercars and canons. For example, the cycles "Art of the Fugue", "Musical Offering". Bach's most famous orchestral work is the Brandenburg Concertos, so named because Johann Sebastian submitted it in the hope of getting a work from Christian Ludwig of Brandenburg-Swedish in 1721. His attempt, however, was unsuccessful. The genre of this work is concerto grosso. Other surviving works by Bach for orchestra: 2 violin concertos, a concerto written for two violins (key "D minor"), concertos for clavier and chamber orchestra(from one to four instruments).

Vocal and choral compositions

  • Cantatas. Beginning in 1723, Bach worked in the church of St. Thomas, and every Sunday, as well as on holidays, he led the performance of cantatas. Although he sometimes performed cantatas by other composers, Johann Sebastian wrote at least 3 cycles of his works in Leipzig, not counting those composed in Weimar and Mühlhausen. In total, more than 300 cantatas were created on spiritual topics, of which approximately 200 have survived.
  • Motets. Motets, authored by Johann Sebastian Bach, are works on spiritual themes for choir and basso continuo. Some of them were composed for funeral ceremonies.
  • Passions, or passions, oratorios and magnificats. Great works Bach for choir and orchestra is the Passion according to John, the Passion according to Matthew (both written for Good Friday in the churches of St. Thomas and St. Nicholas) and the Christmas Oratorio (a cycle of 6 cantatas intended for the Christmas service). More short essays- "Easter Oratorio" and "Magnificat".
  • "Mass in B minor". Bach created his last great job, Mass in B minor, between 1748 and 1749. "Mass" was never staged in its entirety during the composer's lifetime.

musical style

Bach's musical style was shaped by his talent for counterpoint, ability to lead the motive, flair for improvisation, interest in the music of Northern and Southern Germany, Italy and France, as well as devotion to Lutheran traditions. Thanks to the fact that Johann Sebastian had access to many instruments and works in childhood and adolescence, as well as to the ever-increasing talent for writing dense music with amazing sonority, Bach's work was filled with eclecticism and energy, in which foreign influence skillfully combined with the already existing improved German music school. During the baroque period, many composers mainly composed only frame works, and the performers themselves supplemented them with their melodic embellishments and developments. This practice varies considerably among European schools. However, Bach composed most or all of the melodic lines and details himself, leaving little room for interpretation. This feature reflects the density of contrapuntal textures to which the composer gravitated, limiting the freedom of spontaneous change in musical lines. For some reason, some sources mention works by other authors that Johann Sebastian Bach allegedly wrote. Moonlight Sonata, for example. You and I, of course, remember that this work was created by Beethoven.

Execution

Modern performers of Bach's works usually follow one of two traditions: the so-called authentic (historically oriented performance) or modern (using modern instruments, often in large ensembles). In Bach's time, orchestras and choirs were much more modest than they are today, and even his most ambitious works, Passions and the Mass in B Minor, were written for far fewer performers. In addition, today you can hear very different versions the sound of the same music, because in some chamber works Johann Sebastian initially had no instrumentation at all. Modern "lite" versions of Bach's works have made a great contribution to the popularization of his music in the 20th century. Among them are famous tunes performed by the Swinger Singers and Wendy Carlos' 1968 Switched-On-Bach recording using a newly invented synthesizer. Jazz musicians, such as Jacques Loussier, also showed interest in Bach's music. Joel Spiegelman performed an arrangement of his famous "Goldberg Variations", creating his new-age piece.

Johann Sebastian Bach, whose biography is still being carefully studied, is included, according to the New York Times, in the top 10 most interesting biographies of composers.

In the same row with his name are such names as Beethoven, Wagner, Schubert, Debussy, etc.

Let us also get acquainted with this great musician in order to understand why his work has become one of the pillars of classical music.

J. S. Bach - German composer and virtuoso

The name of Bach comes to our minds one of the first when listing the great composers. Indeed, he was outstanding, as evidenced by the more than 1,000 pieces of music left over from his lifetime.

But do not forget about the second Bach - a musician. After all, both of them were true masters of their craft.

In both incarnations, Bach honed his skills throughout his life. With the end of the vocal school, the training did not end. It continued throughout life.

Proof of professionalism, in addition to surviving musical compositions, is an impressive career as a musician: from the organist in the first position to the director of music.

It is all the more surprising to realize that many contemporaries negatively perceived musical compositions composer. At the same time, the names of musicians popular in those years have practically not been preserved to this day. Only later did Mozart and Beethoven rave about the composer's work. From the beginning of the 19th century, the work of the virtuoso musician began to revive thanks to the propaganda of Liszt, Mendelssohn and Schumann.

Now, no one doubts the skill and great talent of Johann Sebastian. Bach's music is an example of the classical school. Books are written about the composer and films are made. The details of life are still the subject of research and study.

Brief biography of Bach

The first mention of the Bach family appeared in the 16th century. Among them were many famous musicians. Therefore, the choice of a profession by little Johann was expected. By the 18th century, when the composer lived and worked, they knew about 5 generations of the musical family.

Father and mother

Father - Johann Ambrosius Bach was born in 1645 in Erfurt. He had a twin brother, Johann Christoph. Along with most members of his family, Johann Ambrosius worked as a court musician and music teacher.

Mother - Maria Elisabeth Lemmerhirt was born in 1644. She was also from Erfurt. Maria was the daughter of a city councilor, a respected person in the city. The dowry left by him for his daughter was solid, thanks to which she could live comfortably in marriage.

The parents of the future musician got married in 1668. The couple had eight children.

Johann Sebastian Bach was born on March 31, 1685, becoming youngest child in family. They lived then in the picturesque city of Eisenach with a population of about 6,000 people. Johann's mother and father are Germans, therefore the son is also German by nationality.

When little Johann was 9 years old, Maria Elisabeth died. A year later, a few months after the registration of the second marriage, the father dies.

Childhood

The orphaned 10-year-old boy was taken in by his older brother, Johann Christoph. He worked as a music teacher and church organist.

Johann Christoph taught little Johann how to play the clavier and organ. It is the latter that is considered the composer's favorite instrument.

Little is known about this period of life. The boy studied at a city school, which he graduated at the age of 15, although usually young people 2-3 years older became her graduates. So we can conclude that the study was given to the boy easily.

Another fact from the biography is often mentioned. At night, the boy often rewrote the notes of the works of other musicians. One day, the older brother discovered this and strictly forbade doing this from now on.

Music training

After leaving school at the age of 15, future composer entered the vocal school named after St. Michael, which was located in the city of Lüneburg.

During these years, the biography of Bach, the composer, begins. During his studies from 1700 to 1703, he wrote the first organ music, gaining knowledge of contemporary composers.

In the same period, for the first time, he travels to the cities of Germany. In the future, he will have this passion for travel. Moreover, all of them were made for the sake of acquaintance with the work of other composers.

After graduating from a vocal school, the young man could go to university, but the need to earn a living forced him to abandon this opportunity.

Service

After graduating, J.S. Bach received a position as a musician at the court of Duke Ernst. He was just a performer, he played the violin. Their musical compositions haven't started writing yet.

However, dissatisfied with the work, after a few months he decides to change it and becomes the organist of the Church of St. Boniface in Arndstadt. During these years, the composer created many works, mainly for the organ. That is, for the first time in the service I got the opportunity to be not only a performer, but also a composer.

Bach received a high salary, but after 3 years he decided to move because of tense relations with the authorities. Problems arose due to the fact that the musician was absent for a long time due to a trip to Lübeck. According to available information, he was released to this German city for 1 month, and he returned only after 4. In addition, the community expressed claims about the ability to lead the choir. All this together prompted the musician to change jobs.

In 1707, the musician moved to Mühlhusen, where he continued to work. In the Church of St. Blaise, he had a higher salary. Relations with the authorities developed successfully. The city government was satisfied with the performance of the new worker.

Yet a year later, Bach again moved to Weimar. In this city, he received a more prestigious position as a concert organizer. 9 years spent in Weimar became a fruitful period for the virtuoso, here he wrote dozens of works. For example, he composed "Toccata and Fugue in D Minor" for organ.

Personal life

Before moving to Weimar, in 1707, Bach married his cousin Maria Barbare. For 13 years life together they had seven children, of whom three died in infancy.

After 13 years of marriage, his wife died, and the composer remarried 17 months later. This time Anna Magdalena Wilke became his wife.

She was a talented singer and subsequently sang in a choir led by her husband. They had 13 children.

Two sons from his first marriage - Wilhelm Friedemann and Carl Philipp Emmanuel - became famous composers, continuing the musical dynasty.

creative path

Since 1717, he has been working for the Duke of Anhalt-Köthen as a bandmaster. Numerous suites were written over the next 6 years. The Brandenburg Concertos also belong to this period. If we evaluate the direction as a whole creative activity composer, it is worth noting that during this period he wrote mainly secular works.

In 1723, Bach became a cantor (that is, organist and choir conductor), as well as a teacher of music and Latin at the Church of St. Thomas. For the sake of this, he again moves to Leipzig. In the same year, the work "Passion according to John" was performed for the first time, thanks to which the high position was received.

The composer wrote both secular and sacred music. He performed classical spiritual works in a new way. The Coffee Cantata, the Mass in B minor and many other works were composed.

If we briefly characterize the work of a musical virtuoso, then it is impossible to do without mentioning Bach's polyphony. This concept in music was known even before him, but it was during the composer's life that they began to talk about the polyphony of a free style.

In general, polyphony means polyphony. In music, two equal voices sound simultaneously, and not just melody and accompaniment. The skill of the musician is evidenced by the fact that students-musicians are still studying according to his works.

Last years of life and death

For the last 5 years of his life, the virtuoso was rapidly losing his sight. To keep composing, he had to dictate the music.

There were also problems with public opinion. Contemporaries did not appreciate Bach's music, they considered it obsolete. This was due to the flowering of classicism, which began in that period.

In 1747, three years before his death, the Music of the Offering cycle was created. It was written after the composer visited the court of Frederick II, King of Prussia. This music was meant for him.

The last work of the outstanding musician - "The Art of the Fugue" - consisted of 14 fugues and 4 canons. But he didn't get to finish it. After his death, his sons did it for him.

Some interesting moments from the life and work of the composer, musician and virtuoso:

  1. After studying the history of the family, 56 musicians were found among the relatives of the virtuoso.
  2. The musician's surname is translated from German as "stream".
  3. Having once heard a work, the composer could repeat it without error, which he did repeatedly.
  4. Throughout his life, the musician moved eight times.
  5. Thanks to Bach church choirs women were allowed to sing. His second wife became the first chorus girl.
  6. He wrote more than 1000 works in his entire life, therefore he is rightfully considered the most "prolific" author.
  7. In the last years of his life, the composer was almost blind, and the operations performed on his eyes did not help.
  8. The grave of the composer for a long time remained without a tombstone.
  9. Until now, not all the facts of the biography are known, some of them are not confirmed by documents. Therefore, the study of his life continues.
  10. Two museums dedicated to him were opened in the homeland of the musician. In 1907 a museum was opened in Eisenach, and in 1985 in Leipzig. By the way, the first museum contains lifetime portrait musicians, made in pastel, about which long years nothing was known.

Bach's most famous musical compositions

All works of his authorship were combined into a single list - the BWV catalog. Each composition is assigned a number from 1 to 1127.

The catalog is convenient in that all works are divided by types of works, and not by year of writing.

To count how many suites Bach wrote, just look at their numbering in the catalog. For example, the French suites are numbered from 812 to 817. This means that a total of 6 suites were written within this cycle. In total, 21 suites and 15 parts of suites can be counted.

The most recognizable piece is the Scherzo in B minor from Suite for Flute and string orchestra No. 2", dubbed "The Joke". This melody was often used for calling on mobile devices, but despite this, unfortunately, not everyone will be able to name its author.

Indeed, the titles of many of Bach's works are not well known, but their melodies will seem familiar to many. For example, Brandenburg Concertos, Goldberg Variations, Toccata and Fugue in D Minor.

Johann Sebastian Bach is a German composer and musician of the Baroque era, who collected and combined in his work the traditions and the most significant achievements of European musical art, and also enriched all this with a virtuoso use of counterpoint and a subtle sense of perfect harmony. Bach is greatest classic, who left a huge legacy that has become the golden fund of world culture. This is a universal musician, in his work he covered almost all famous genres. Creating immortal masterpieces, he turned each measure of his compositions into small works, then combining them into priceless creations of exceptional beauty and expressiveness, perfect in form, which vividly displayed the diverse spiritual world person.

Brief biography of Johann Sebastian Bach and many interesting facts read about the composer on our page.

Brief biography of Bach

Johann Sebastian Bach was born in the German town of Eisenach in the fifth generation of a family of musicians on March 21, 1685. It should be noted that musical dynasties were quite common at that time in Germany, and talented parents sought to develop appropriate talents in their children. The boy's father, Johann Ambrosius, was an organist in the Eisenach church and court accompanist. Obviously, it was he who gave the first lessons in playing the violin and harpsichord little son.


From the biography of Bach, we learn that at the age of 10 the boy lost his parents, but was not left without a roof over his head, because he was the eighth and youngest child in the family. Ohrdruf's respected organist Johann Christoph Bach, Johann Sebastian's older brother, took care of the little orphan. Among his other students, Johann Christoph taught his brother to play the clavier, but the manuscripts contemporary composers a strict teacher safely hid under lock and key, so as not to spoil the taste of young performers. However, the castle did not prevent little Bach from getting acquainted with forbidden works.

Lüneburg

At the age of 15, Bach entered the prestigious Lüneburg school of church choristers, which was located at the church of St. Michael, and at the same time, thanks to his beautiful voice, young Bach was able to earn some money in the church choir. In addition, in Lüneburg, the young man met Georg Böhm, a famous organist, communication with whom had an impact on the composer's early work. He also repeatedly traveled to Hamburg to listen to the play of the largest representative of the German organ school A. Reinken. The first works by Bach for clavier and organ belong to the same period. After successfully completing school, Johann Sebastian receives the right to enter the university, but due to a lack Money he was unable to continue his education.

Weimar and Arnstadt


My labor activity Johann began in Weimar, where he was accepted into the court chapel of Duke Johann Ernst of Saxony as a violinist. However, this did not last long, as such work did not satisfy creative impulses. young musician. Bach in 1703, without hesitation, agrees to move to the city of Arnstadt, where he was in the church of St. Boniface was initially offered the post of superintendent of the organ, and later the post of organist. A decent salary, only three days a week, a good upgraded tool set to the latest system, all this created the conditions for expansion. creative possibilities musician not only as a performer, but also as a composer.

During this period, he created a large number of organ works, as well as capriccios, cantatas and suites. Here Johann becomes a true organ expert and a brilliant virtuoso, whose playing aroused unbridled delight among the listeners. It is in Arnstadt that his gift for improvisation is revealed, which the church leadership did not like very much. Bach always strived for perfection and did not miss the opportunity to get acquainted with famous musicians, for example, with the organist Dietrich Buxtehude, who served in the city of Lübeck. After receiving a four-week vacation, Bach went to listen to the great musician, whose playing impressed Johann so much that, forgetting about his duties, he stayed in Lübeck for four months. Upon returning to Arndstadt, the indignant leadership gave Bach a humiliating trial, after which he had to leave the city and look for a new job.

Mühlhausen

The next city on life path Bach was Mühlhausen. Here in 1706 he won a competition for the position of organist in the church of St. Vlasia. He was accepted with a good salary, but also with a certain condition: the musical accompaniment of the chorales must be strict, without any kind of "decorations". The city authorities later treated the new organist with respect: they approved the plan for the reconstruction of the church organ, and also paid a good reward for the festive cantata “The Lord is my Tsar” composed by Bach, which was dedicated to the inauguration ceremony of the new consul. Staying in Mühlhausen in Bach's life was marked by a happy event: he married his beloved cousin Maria Barbara, who later gave him seven children.

Weimar


In 1708, Duke Ernst of Saxe-Weimar heard the magnificent game of the Mühlhausen organist. Impressed by what he heard, the noble nobleman immediately offered Bach the positions of court musician and city organist with a salary much higher than before. Johann Sebastian began the Weimar period, which is characterized as one of the most fruitful in creative life composer. At this time, he created a large number of compositions for clavier and organ, including a collection of choral preludes, Passacaglia in c-moll, the famous " Toccata and Fugue in d-moll ”, “Fantasy and Fugue C-dur” and many others greatest works. It should also be noted that the composition of more than two dozen spiritual cantatas also belongs to this period. Such efficiency in composer's work Bach was associated with his appointment in 1714 as vice-kapellmeister, whose duties included regular monthly updating of church music.

At the same time, Johann Sebastian's contemporaries were more admired by his performing arts, and he constantly heard remarks of admiration for his game. The fame of Bach as a virtuoso musician quickly spread not only in Weimar, but also beyond. Once the Dresden royal Kapellmeister invited him to compete with the famous French musician L. Marchand. However, the musical competition did not work out, since the Frenchman, having heard Bach play at a preliminary audition, secretly, without warning, left Dresden. In 1717, the Weimar period in Bach's life came to an end. Johann Sebastian dreamed of getting the place of bandmaster, but when this place became vacant, the duke offered him to another, very young and inexperienced musician. Bach, considering this an insult, asked for his immediate resignation, and for this he was arrested for four weeks.


Köthen

According to Bach's biography, in 1717 he left Weimar to get a job in Köthen as a court bandmaster to Prince Anhalt of Köthen. In Köthen, Bach had to write secular music, because, as a result of the reforms, no music was performed in the church, except for the singing of psalms. Here Bach occupied an exceptional position: as a court conductor he was well paid, the prince treated him like a friend, and the composer repaid this with excellent compositions. In Köthen, the musician had many students, and for their education he compiled “ Well-Tempered Clavier". These are 48 preludes and fugues that made Bach famous as a master of clavier music. When the prince married, the young princess showed dislike for both Bach and his music. Johann Sebastian had to look for another job.

Leipzig

In Leipzig, where Bach moved in 1723, he reached the pinnacle of his career ladder: he was appointed cantor in the church of St. Thomas and musical director of all churches in the city. Bach was engaged in the education and preparation of church choir performers, the selection of music, the organization and holding of concerts in the main temples of the city. Since 1729, heading the Music College, Bach began to arrange 8 two-hour concerts of secular music a month in a Zimmermann's coffee house, adapted for orchestra performances. Having received an appointment as court composer, Bach handed over the leadership of the College of Music to his former student Karl Gerlach in 1737. In recent years, Bach often reworked his early works. In 1749 he graduated from the High Mass in B minor, some parts of which were written by him 25 years ago. The composer died in 1750 while working on The Art of Fugue.



Interesting facts about Bach

  • Bach was a recognized organ specialist. He was invited to check and tune instruments in various temples in Weimar, where he lived for quite some time. Each time impressing clients with the amazing improvisations he played to hear what the instrument in need of his work sounded like.
  • Johann was bored during the service to perform monotonous chorales, and without restraining his creative impulse, he impromptu inserted into the established church music their small decorating variations, which caused great dissatisfaction with the authorities.
  • Better known for his religious works, Bach also excelled in composing secular music, as evidenced by his Coffee Cantata. Bach presented this work full of humor as a small comic opera. Originally titled "Schweigt stille, plaudert nicht" ("Shut up, stop talking"), it describes the lyrical hero's addiction to coffee, and, not coincidentally, this cantata was first performed in the Leipzig coffee house.
  • At the age of 18, Bach really wanted to get a place as an organist in Lübeck, which at that time belonged to the famous Dietrich Buxtehude. Another contender for this position was G. Handel. The main condition for taking this position was marriage to one of Buxtehude's daughters, but neither Bach nor Handel dared to sacrifice themselves like that.
  • Johann Sebastian Bach really liked to dress up as a poor teacher and in this form visit small churches, where he asked the local organist to play the organ a little. Some parishioners, hearing an unusually beautiful performance for them, frightenedly left the service, thinking that the devil himself appeared in their temple in the form of a strange man.


  • The Russian envoy in Saxony, Hermann von Keyserling, asked Bach to write a piece to which he could quickly fall into a deep sleep. This is how the Goldberg Variations appeared, for which the composer received a golden cube filled with a hundred louis. These variations are still one of the best "sleeping pills" to this day.
  • Johann Sebastian was known to his contemporaries not only as an outstanding composer and virtuoso performer, but also as a man with a very difficult character, intolerant of the mistakes of others. There is a case when a bassoonist, publicly insulted by Bach for an imperfect performance, attacked Johann. A real duel took place, as both were armed with daggers.
  • Bach, who was fond of numerology, liked to weave the numbers 14 and 41 into his musical works, because these numbers corresponded to the first letters of the composer's name. By the way, Bach also liked to play with his surname in his compositions: the musical decoding of the word “Bach” forms a drawing of a cross. It is this symbol that is the most important for Bach, who considers non-random similar coincidences.

  • Thanks to Johann Sebastian Bach, not only men sing in church choirs today. The first woman who sang in the temple was the wife of the composer Anna Magdalena, who has a beautiful voice.
  • In the middle of the 19th century, German musicologists founded the first Bach Society, whose main task was to publish the composer's works. At the beginning of the twentieth century, the society dissolved itself and the complete works of Bach were published only in the second half of the twentieth century at the initiative of the Bach Institute, established in 1950. In the world today there are a total of two hundred and twenty-two Bach societies, Bach orchestras and Bach choirs.
  • Researchers of Bach's work suggest that the great maestro composed 11,200 works, although the legacy known to posterity includes only 1,200 compositions.
  • To date, there are more than fifty-three thousand books and various publications about Bach in different languages, about seven thousand complete biographies of the composer have been published.
  • In 1950, W. Schmider compiled a numbered catalog of Bach's works (BWV– Bach Werke Verzeichnis). This catalog was updated several times as the data on the authorship of certain works were clarified and, in contrast to the traditional chronological principles for classifying the works of others famous composers, this catalog is built according to the thematic principle. Works with close numbers belong to the same genre, and were not written at all in the same years.
  • Bach's works: "Brandenburg Concerto No. 2", "Gavotte in the form of a rondo" and "HTK" were recorded on the Golden Record and launched from Earth in 1977, attached to the Voyager spacecraft.


  • Everyone knows that Beethoven suffered from hearing loss, but few people know that Bach went blind in his later years. Actually, the unsuccessful operation on the eyes, performed by the charlatan surgeon John Taylor, caused the death of the composer in 1750.
  • Johann Sebastian Bach was buried near the Church of St. Thomas. Some time later, a road was laid through the territory of the cemetery and the grave was lost. At the end of the 19th century, during the reconstruction of the church, the remains of the composer were found and reburied. After World War II, in 1949, Bach's relics were transferred to the church building. However, due to the fact that the grave changed its place several times, skeptics doubt that the ashes of Johann Sebastian are in the burial.
  • To date, 150 postage stamps dedicated to Johann Sebastian Bach, 90 of them were published in Germany.
  • To Johann Sebastian Bach - the great musical genius, are treated with great reverence all over the world, monuments to him are erected in many countries, only in Germany there are 12 monuments. One of them is located in Dornheim near Arnstadt and is dedicated to the wedding of Johann Sebastian and Maria Barbara.

Family of Johann Sebastian Bach

Johann Sebastian belonged to the largest German musical dynasty, whose pedigree is usually counted from Veit Bach, a simple baker, but very fond of music and perfectly performing folk melodies on his favorite instrument - the zither. This passion was passed on from the founder of the family to his descendants, many of them became professional musicians: composers, cantors, bandmasters, as well as a variety of instrumentalists. They settled not only in Germany, some even went abroad. Within two hundred years, there were so many Bach musicians that any person whose occupation was connected with music began to be named after them. by the most famous ancestors Johann Sebastian, whose works have come down to us were: Johannes, Heinrich, Johann Christoph, Johann Bernhard, Johann Michael and Johann Nikolaus. Johann Sebastian's father, Johann Ambrosius Bach, was also a musician and served as organist in Eisenach, the city where Bach was born.


Johann Sebastian himself was the father big family He had twenty children by two wives. He first married his beloved cousin Maria Barbara, daughter of Johann Michael Bach, in 1707. Maria bore Johann Sebastian seven children, three of whom died in infancy. Maria herself also lived not long life, she died at the age of 36, leaving Bach four young children. Bach was very upset by the loss of his wife, but a year later he again fell in love with the young girl Anna Magdalena Wilken, whom he met at the court of the Duke of Anhalt-Keten and proposed to her. Despite the big difference in age, the girl agreed and it is obvious that this marriage was very successful, since Anna Magdalena gave Bach thirteen children. The girl did an excellent job with the housework, cared for the children, sincerely rejoiced at the success of her husband and provided great assistance in the work, rewriting his scores. The family for Bach was a great joy, he devoted a lot of time to raising children, making music with them and composing special exercises. In the evenings, the family very often arranged impromptu concerts, which brought joy to everyone. Bach's children had excellent natural gifts, but four of them had exceptional musical talent - these are Johann Christoph Friedrich, Carl Philipp Emanuel, Wilhelm Friedemann and Johann Christian. They also became composers and left their mark on the history of music, but none of them could surpass their father either in writing or in the art of performing.

Works of Johann Sebastian Bach


Johann Sebastian Bach was one of the most prolific composers, his heritage in the treasury of world musical culture includes about 1200 immortal masterpieces. There was only one inspirer in Bach's work - this is the Creator. Johann Sebastian dedicated almost all his works to him and at the end of the scores he always signed letters that were an abbreviation of the words: “In the name of Jesus”, “Jesus help”, “Glory to God alone”. To create for God was the main goal in the life of the composer, and therefore his musical works absorbed all the wisdom of the "Holy Scripture". Bach was very faithful to his religious outlook and never betrayed it. According to the composer, even the smallest instrumental piece should indicate the wisdom of the Creator.

Johann Sebastian Bach wrote his works in virtually all musical genres known at that time, except for opera. The compiled catalog of his compositions includes: 247 works for organ, 526 vocal works, 271 works for harpsichord, 19 solo works for various instruments, 31 concertos and suites for orchestra, 24 duets for harpsichord with any other instrument, 7 canons and other works.

Musicians around the world perform Bach's music and begin to get acquainted with many of his works from childhood. For example, every little pianist studying in music school, necessarily has in its repertoire pieces from « Notebook for Anna Magdalena Bach » . Then little preludes and fugues are studied, followed by inventions, and finally « Well-Tempered Clavier » but this is high school.

Notable works by Johann Sebastian also include " Matthew Passion”, “Mass in B Minor”, ​​“Christmas Oratorio”, “John Passion” and, undoubtedly, “ Toccata and Fugue in D Minor". And the cantata "The Lord is my King" is still heard at festive services in churches in different parts of the world.

The Toccata and Fugue in D Minor (BWV 565) is Johann Sebastian Bach's trademark, one of the most powerful organ works ever created.

Johann Sebastian Bach (1685-1750) - an outstanding German composer, virtuoso organist, who created over 1000 works in his life.

In the work of Bach, all significant genres of that time are represented, except for opera. Bach - the famous master of polyphony, successor ancient traditions, in whose work polyphony reaches its peak.

Today, each of the famous works has been assigned a BWV number (short for Bach Werke Verzeichnis - a catalog of works by Johann Sebastian Bach). Bach wrote music for different instruments both spiritual and secular. Some of Bach's works are adaptations of works by other composers, and some are revised versions of their own works.

Church organist

In January 1703, after finishing his studies, he received the position of court musician from the Weimar Duke Johann Ernst. For seven months of service in Weimar, fame spread about Bach as a great performer. Bach was invited to the post of superintendent of the organ in the church of St. Boniface in Arnstadt, located 180 km from Weimar.

In August 1703 Bach took over as church organist. He had to work three days a week, the salary was relatively high. In addition, the instrument was maintained in good condition and was tuned to a new system that expanded the possibilities of the composer and performer. During this period, Bach created many organ works.

In 1706, Bach decides to change jobs. He was offered a more profitable and high position as organist at St. Blaise's Church in Mühlhausen, a large city in the north of the country. In 1707, Bach accepted this offer, taking the place of organist Johann Georg Ahle. His salary was increased compared to the previous one, and the level of the choristers was better.

Toccata and Fugue in D minor (BWV 565)

Toccata and Fugue in D minor (BWV 565) is a work for organ by Johann Sebastian Bach, one of his most popular compositions.

It is assumed that the work was written by Bach during his stay in Arnstadt between 1703 and 1707.

A feature of this small polyphonic cycle is the continuity of the development of musical material (without a break between the toccata and fugue). The form consists of three parts: toccatas, fugues and codas. The latter, echoing the toccata, forms a thematic arc.

Toccata

The Toccata begins with a prominent mordent, which repeats an octave lower. Toccata consists of episodes contrasting in tempo and texture, ending in cadenzas.

Starting with an allegro, the toccata ends in adagio tempo on the third step of D minor (F), which adds an incompleteness and makes it clear that this is not yet a finale.

Fugue

The theme of the fugue is written in the technique of hidden polyphony. Further imitative development of the work is based on melodic figurations. The interlude and middle section deviate into the parallel key of F major. The reprise, returning the fugue to D minor, begins with a stretta.

The coda consists of several "improvisational" contrasting episodes (the development technique is borrowed from the toccata). The whole composition ends with a plagal cadenza.

Arrangements

There are many adaptations of the toccata and fugue. In particular, for piano, guitar, electric guitar, button accordion, string, jazz orchestra and other performing teams. A cappella arrangements are also known.

Vocal and instrumental works: about 300 spiritual cantatas (199 have survived); 24 secular cantatas (including "Hunting", "Coffee", "Peasant"); motets, chorales; Christmas Oratorio; "Passion for John", "Passion for Matthew", "Magnificat", Mass in B minor ("High Mass"), 4 short masses.

Arias and songs - from the second Notebook of Anna Magdalena Bach.

For orchestra and orchestra with solo instruments:

6 Brandenburg concerts; 4 suites ("overtures"); 7 concertos for harpsichord (clavier) and orchestra; 3 concertos for two harpsichords and orchestra; 2 concertos for three harpsichords and orchestra; 1 concerto for four harpsichords and orchestra; 3 concertos for violin and orchestra; concerto for flute, violin and harpsichord.

Works for violin, cello, flute with clavier (harpsichord) and solo: 6 sonatas for violin and harpsichord; 6 sonatas for flute and harpsichord; 3 sonatas for viola da gamba (cello) and harpsichord; trio sonatas; 6 sonatas and partitas for solo violin; 6 suites (sonatas) for cello solo.

For clavier (harpsichord): 6 "English" suites; 6 "French" suites; 6 partitas; Chromatic fantasy and fugue; Italian concert; The Well-Tempered Clavier (2 volumes, 48 ​​preludes and fugues); Goldberg variations; Inventions for two and three votes; fantasies, fugues, toccatas, overtures, capriccios, etc.

For organ: 18 preludes and fugues; 5 toccata and fugue; 3 fantasies and fugues; fugues; 6 concerts; Passacaglia; pastoral; fantasies, sonatas, canzone, trio; 46 Choral Preludes (from the Organ Book of Wilhelm Friedemann Bach); "Shubler's chorales"; 18 chorales ("Leipzig"); several cycles of choral variations.

Musical offering. The art of the fugue.

MAIN DATES OF LIFE

1685 March 21 (Gregorian March 31) in the Thuringian city of Eisenach, Johann Sebastian Bach was born, the son of the city musician Johann Ambrose Bach.

1693-1695 - Teaching at school.

1694 - Death of mother, Elisabeth, née Lemmerhirt. Father's remarriage.

1695 - Death of father moving to older brother Johann Christoph in Ohrdruf.

1696 - early 1700– Education in the Ordruf Lyceum; singing and music lessons.

1700 March 15– Moving to Lüneburg, enrollment as a scholarship holder (singer) in the school of the church of St. Michael.

1703 April– Moving to Weimar, service in the chapel of the Red Castle. August– Moving to Arnstadt; Bach is an organist and teacher of singing.

1705-1706, October - February– A trip to Lübeck, studying the organ art of Dietrich Buxtehude. Conflict with the consistory of Arnstadt.

1707 June 15– Appointment as organist at Mühlhausen. 17 October- Marriage to Maria Barbara Bach.

1708, spring- Publication of the first work, "Election Cantata". July- Moving to Weimar to serve as court organist of the ducal chapel.

1710 November 22- The birth of the first son, Wilhelm Friedemann (the future "Gallic Bach").

1714 March 8- The birth of the second son, Carl Philipp Emmanuel (the future "Hamburg Bach"). Trip to Kassel.

1717 July- Bach accepts the offer of the Keten prince Leopold to become the conductor of the court chapel.

September– A trip to Dresden, his success as a virtuoso.

October– Return to Weimar; resignation, by order of the duke arrest from 6 November to 2 December. Moving to Keteya. Trip to Leipzig.

1720 May– A trip with Prince Leopold to Karlsbad. Early July- Death of wife Maria Barbara.

1723 February 7– Performance in Leipzig of Cantata No. 22, as a test for the post of cantor of the Thomaskirche. 26 March– First performance of the Passion according to John. May- Assuming the office of cantor of St. Thomas and the teacher of the school.

1729 February- Performance of the "Hunting Cantata" in Weissenfels, receiving the title of court Kapellmeister of Saxe-Weissenfels. April 15– First performance of the Matthew Passion at the Thomaskirche. Differences with the council of Thomasshule, and then with the magistrate, because of the order at the school. Bach leads the Telemann student circle, Collegium musicum.

1730 October 28– A letter to a former school friend G. Erdman describing the unbearable circumstances of life in Leipzig.

1732 - Performance of "Coffee Cantata". 21st of June- The birth of the son of Johann Christoph Friedrich (the future "Bückeburg Bach").

1734 end of December- Performance of the Christmas Oratorio.

1735 June- Bach with his son Gottfried Bernhard in Mühlhausen. The son passes the test for the position of organist. September 5 the last son, Johann Christian (the future "London Bach") was born.

1736 – The beginning of a two-year “fight for the prefect” with the rector Tomasshule I. Ernesti. November 19 In Dresden, a decree was signed conferring the title of royal court composer on Bach. Friendship with the Russian Ambassador G. Keyserling. December 1– A two-hour concert in Dresden on the Silbermann organ.

1738 April 28- "Night music" in Leipzig. Bach completes his High Mass.

1740 - Bach ceases leadership of the Musical Collegium.

1741 - In the summer, Bach is with his son Emmanuel in Berlin. Trip to Dresden.

1742 – The publication of the last, fourth volume of Exercises for the Clavier. August 30- Performance of the "Peasant Cantata".

1745 – Test in Dresden of a new body.

1746 – Son Wilhelm Friedemann becomes director of urban music in Halle. Bach's trip to Zshortau and Naumberg.

1749, January 20- The betrothal of daughter Elisabeth to Bach's student Altnicol. Beginning of The Art of Fugue. Summer- Illness, blindness. Johann Friedirch enters the Bückeburg chapel.

1750 JanuaryFailed Operations eyes, total blindness. Composition of counterpoints of The Art of Fugue and Fugue on the theme B-A-C-H. Completion of chorale processing.

BRIEF BIBLIOGRAPHY

Bazunov S. A. I. S. Bach, his life and musical activity. SPb., 1894.

Besseler G. Bach as an innovator. Sat. "Selected Papers of the Musicologists of the German Democratic Republic". Comp. N. Notovich. Per. with him. M., 1960.

Belza I. High Mass. Introductory article to the publication: Bach J.S. Mass in B minor. Arrangement for singing with pianoforte. M., 1955.

Wolfrum F. Johann Sebastian Bach. Introductory article by E. Braudo. Per. from German, vol. 1-2. Pb. - M., 1912.

Galatskaya V. S. and J. S. Bach. M., Muzgiz, 1958.

Galatskaya V.S. Musical literature foreign countries, issue. 1. M., "Music", 1967, p. 49-133.

Druskin M.S. Bach's Passives. L., "Music", 1972.

Kershner L. Folk song origins of Bach's melody. M., 1959.

Konen V, Bach Johann Sebastian. " Music Encyclopedia”, vol. 1. M.,“ Soviet Encyclopedia", 1973, p. 353-364.

Livanova T. History of Western European music until 1789. M.-L., Gosmuzizdat, 1940, p. 386-449.

Livanova T. Dramaturgy of Bach and its historical connections. Part I. Symphonism. M.-L., 1948.

"Materials and documents on the history of music", vol. II, XVIII century. Per. with him. Ed. M. V. Ivanov-Boretsky. M., 1934.

Milshtein J. Well-Tempered Clavier by J.S. Bach and Features of Its Performance. M., "Music", 1967.

« Musical aesthetics Western Europe XVII-XVIII centuries. M., "Music", 1971.

Rosenov E. K. I. S. Bach (and his family). M., 1912.

Rosenshield K. History foreign music. Issue. the first. Until the middle of the XVIII century. Edition 3rd. M., "Music", 1973, p. 406-533.

Roizman L. Modern organ culture and its originality. Sat. "Issues of musical and performing arts", vol. 5. M., "Music", 1969.

Forkel Johann Nikolaus. About the life, art and works of Johann Sebastian Bach. Per. with him. E; Sazonova. Edition, afterword and comments by N. Kopchevsky. M., "Music", 1974.

Hammerschlag J. If Bach kept a diary. Budapest, Corvina, 1965.

Khubov G. N. Sebastian Bach. Edition 4. M., Gosmuzizdat, 1963.

Schweitzer L. I. S. Bach. Per. with him. Ya. S. Druskina, edition of the translation and afterword by M. S. Druskin. M, 1964.

Yampolsky I. M. Sonatas and partitas for solo violin J. S. Bach. Moscow, 1963.

Bach-Documente, Herausgegeben vom Bach-Archiv Leipzig, Band I, Schriftstucke von der Hand Johann Sebastian Bachs. Vorgelegt und erlautert von W. Neumann und H.-J. Schulze, Leipzig, 1963. Band II, Fremdschriftliche und gedruckte Dokumente zur I phensgeschichte I. S. Bachs, 1685-1750. Leipzig, 1969. Band III, Dokumente zum Nachwirken I. S. Bachs, 1750-1880. Leipzig, 1972.

Schmieder W. Thematisch-systematisches Verzeichnis der Werke Iohann Sebastian Bachs (BWV), Leipzig, 1971.

Arnstadtes Bachbuch, I. S. Bach und seine Verwanden in Arnstadt. Arnstadt, 1957,

Bach. Opracowal Wladislaw Duleba. Teksty Bohdarr Pociej. Krakow, 1973.

Besseler H. I. S. Bach. Berlin, 1956.

Buchet E. I. S. Bach, l "oeuvre et la vie. Paris, 1963.

Der Thomaskantor, Aus dem Leben und Schaffen I. S. Bachs. Berlin, 1950.

Forkel I. N. Uber lohann Sebastian Bachs Leben, Kunst und Kunstwerke. Berlin, 1968.

Frank H. I. S. Bach, Die Geschichte eines Lebens. Bertin, 1961.

Geiringer K, Johann Sebastian Bach Jhe Culmination of an Era. London, 1967.

Johann Sebastian Bach und Leipzig zu seiner Zeit. Leipzig, 1950.

Johann Sebastian Bach. Das Schaffen des Meisters im Spiegel einer Stadt. Leipzig, 1950.

I. S. Bach, 1750-1950. Dresden, 1950.

Neumann W. Auf den Lebenswegen I. S. Bachs. Berlin, 1962.

Neumann W. Bach, Eine Bildbiographie. Munchen, 1960.

Spitta Ph, I, S, Bach, Bd. l - 2. Leipzig, 1873-1880.


The numbers in parentheses throughout indicate the number this work based on the book "BWV": W. Schmieder. Thematisch-sistematische Verzeichnis der Werke lohann Sebastian Bachs. Liepzig, 1971.

Translation by Ksenia Stebneva.

Translated by Ya. S. Druskin.

Some biographers refer Bach's trip to Dresden to the autumn of 1714. We adhere to the generally accepted date: September 1717. In 1714, Friedemann was only four years old; he could hardly have been taken by his father to Dresden.

See Art. B. Kuznetsova "Einstein and Mozart". " Soviet music", 1971, e 12, p. 38.

Cit. according to the book: Hammerschlag. If Bach had kept a diary, p. 43.

Translation by Ksenia Stebneva.

Emphasized by us. CM.

A. V. Lunacharsky. In the world of music. Articles and speeches. Ed. 2. M., "Soviet composer", 1971, p. 312, 314.

V. D. Konen, Bach. "Musical Encyclopedia", vol. 1. M., "Soviet Encyclopedia", 1973, p. 357.

Riemann was mistaken: not six, but five sons survived the father.

The author of the story does not always give the exact age at which Bach's children died. Now, according to documentary evidence, the dates of birth and death of children have been clarified: Christian Sophia (29.VI.1723-1.VII.1726); Christian Gottlieb (14.IV.1720-21.IX.1728); Ernst Andreas (30.X.-1.XI.1727); Regina Johanna (10.X.1728-25.IV.1733); Christian Benedict (1.I.-4.I.1730); Christian Dorothea (18.III.1731-31.VIII.1732); Johann August (5.XI.-6.XI.1733).

In addition to Bach, another conductor of the collegium, Johann Gottlieb Gerner, is mentioned in the report of Mitzler's journal; He now served as organist at St. Thomas.

G. Chicherin" Mozart. M., "Music", 1970, p. 181.

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