Characteristics of Katerina life before marriage. The image of Katerina in the play "Thunderstorm": the tragedy of the "women's share" in the interpretation of A

Perhaps, few works of that time, and even among the works of the author Ostrovsky himself, could cause so much heated debate than the play "Thunderstorm".

The desperate act of Katerina Kabanova, who crossed the line of life and death, causes both sympathetic understanding and sharp rejection. There is no single opinion, and there cannot be.

Characteristics of the heroine

The beloved and spoiled daughter of a merchant family, Katerina marries Tikhon, turning her world upside down. On the example of her parents and a new family, we see how different it can be patriarchy: ostentatious and demonstrative (what will the neighbors say? what will the acquaintances think?), or deep and sincere, hidden from prying eyes.

The lack of a full-fledged education contributes to the fate of this woman. According to Katerina's stories, she learned her knowledge from the stories of her mother and father, as well as praying women and wanderers. Faith in people and admiration for the world created by God - these are its main features. Katerina did not know hard work, she loved to go to church, which seemed to her a fabulous temple, where angels were waiting for her.

(Kiryushina Galina Aleksandrovna as Katerina, stage of the Maly Theater)

A cloudless and happy childhood is quickly replaced by a bleak marriage. A kind, naive and very religious girl for the first time faced with undisguised hatred for the people around her. AT new family there is no more room for angels and joy. Yes, and marriage itself is not at all for love. And if Katerina hopes to fall in love with Tikhon, then Kabanikha - as her mother-in-law is called by everyone around - leaves no chance for either her son or daughter-in-law. Perhaps Tikhon would have become the one who would have made Katya happy, but only under the wing of his mother he does not know such feelings as love.

Meeting with Boris gives the unfortunate woman hope that life can still change and become better. The black atmosphere of the house pushes her to rebel and try to fight for her happiness. Going on a date, she realizes that she is committing a sin. This feeling does not leave her either before or after. Firm faith in God and awareness of the depravity of the perfect deed push Katerina to confess everything to her husband and mother-in-law.

The image of the heroine in the work

(Scene from drama)

Struck, but deep down understanding his wife, Tikhon does not condemn her. Only Katerina herself does not feel better about this. Forgiving yourself is much harder. Perhaps she wanted to relieve her mental turmoil with a confession, but it just didn’t work out. She doesn't need forgiveness. The very thought of returning to the house for her becomes identical with death, only not instantaneous, but long, painful, inevitable. According to the religious canon, suicide is a mortal sin that cannot be forgiven. But this does not stop the desperate woman.

In her thoughts, Katya often imagines herself as a bird, her soul is torn to heaven. She is unbearable to live in Kalinovo. Having fallen in love with Boris, who has recently arrived in the city, she imagines how they will leave the hated city together. Love is seen as a real and so close salvation. Yes, only a mutual desire is needed to fulfill a dream ...

(Fragment from a dramatic production)

Having met Boris on the banks of the Volga, Katerina is deeply disappointed. Once upon a time, such a beautiful young man resolutely refuses to take a married woman with him, inflicting the final blow to her heart with his refusal. Katya does not want to be a stumbling block in her family anymore, to continue to drag out a bleak existence, to break her soul day after day for the sake of her mother-in-law.

And here it is - very close, you just need to take a step off the cliff into the waters of the Volga. And the storm seems to her the most that neither is an indication from above. What Katya once thought only vaguely, afraid to admit to herself in sinful thoughts, turned out to be the most simple way out. Not finding her place, support, love, she decides to take this very last step.

The main characters of "Thunderstorm" Ostrovsky

Events in the drama of A. N. Ostrovsky "Thunderstorm" unfold on the Volga coast, in the fictional city of Kalinov. Listed in the work actors and them brief characteristics, but they are still not enough to better understand the world of each character and reveal the conflict of the play as a whole. There are not so many main characters in Ostrovsky's Thunderstorm.

Katerina, a girl, the main character of the play. She is quite young, she was married off early. Katya was brought up exactly according to the traditions of house building: the main qualities of a wife were respect and obedience to her husband. At first, Katya tried to love Tikhon, but she could not feel anything but pity for him. At the same time, the girl tried to support her husband, help him and not reproach him. Katerina can be called the most modest, but at the same time the most powerful character in Thunderstorm. Indeed, outwardly, Katya's strength of character is not manifested. At first glance, this girl is weak and silent, it seems that she is easily broken. But this is not true at all. Katerina is the only one in the family who resists Kabanikh's attacks. It opposes, and does not ignore them, like Barbara. The conflict is more of an internal nature. After all, Kabanikha is afraid that Katya can influence her son, after which Tikhon will no longer obey the will of his mother.

Katya wants to fly, often compares herself to a bird. She literally suffocates in the "dark kingdom" of Kalinov. Falling in love with a visitor young man, Katya created for herself perfect image love and eventual liberation. Unfortunately, her ideas had little to do with reality. The girl's life ended tragically.

Ostrovsky in "Thunderstorm" makes not only Katerina the main character. The image of Katya is opposed to the image of Marfa Ignatievna. A woman who keeps the whole family in fear and tension does not command respect. The boar is strong and despotic. Most likely, she took over the “reins of government” after the death of her husband. Although it is more likely that in marriage, Kabanikha was not distinguished by humility. Most of all, Katya, her daughter-in-law, got it from her. It is Kabanikha who is indirectly responsible for the death of Katerina.

Varvara is the daughter of Kabanikhi. Despite the fact that she has learned resourcefulness and lies over the years, the reader still sympathizes with her. barbarian good girl. Surprisingly, deceit and cunning do not make her like the rest of the city. She does as she pleases and lives as she pleases. Barbara is not afraid of her mother's wrath, because she is not an authority for her.

Tikhon Kabanov fully lives up to his name. He is quiet, weak, inconspicuous. Tikhon cannot protect his wife from his mother, since he himself is under the strong influence of Kabanikh. His rebellion ends up being the most significant. After all, it is the words, and not Varvara's escape, that make readers think about the whole tragedy of the situation.

The author characterizes Kuligin as a self-taught mechanic. This character is a kind of guide. In the first act, he seems to be taking us around Kalinov, talking about his customs, about the families that live here, about the social situation. Kuligin seems to know everything about everyone. His estimates of others are very accurate. Kuligin himself kind person who is accustomed to living by established rules. He constantly dreams of the common good, of a perpetual mobile, of a lightning rod, of honest work. Unfortunately, his dreams were not destined to come true.

Diky has a clerk, Curly. This character is interesting because he is not afraid of the merchant and can tell him what he thinks about him. At the same time, Curly, just like Wild, tries to find a benefit in everything. He can be described as a simple person.

Boris comes to Kalinov on business: he urgently needs to improve relations with Diky, because only in this case will he be able to receive the money legally bequeathed to him. However, neither Boris nor Dikoy even want to see each other. Initially, Boris seems to readers like Katya, honest and fair. AT last scenes this is refuted: Boris is not able to take a serious step, to take responsibility, he simply runs away, leaving Katya alone.

One of the heroes of "Thunderstorm" is a wanderer and a maid. Feklusha and Glasha are shown as typical inhabitants of the city of Kalinov. Their darkness and ignorance is truly amazing. Their judgments are absurd, and their outlook is very narrow. Women judge morality and morality by some perverted, distorted concepts. “Moscow is now a place of amusement and games, but there is an Indo roar in the streets, a groan stands. Why, mother Marfa Ignatievna, they began to harness the fiery serpent: everything, you see, for the sake of speed ”- this is how Feklusha speaks of progress and reforms, and the woman calls the car a “fire serpent”. Such people are alien to the concept of progress and culture, because it is convenient for them to live in a fictional limited world of calm and regularity.

Characteristics of Katerina from the play "Thunderstorm"

On the example of the life of a single family from the fictional city of Kalinov, Ostrovsky's play "Thunderstorm" shows the whole essence of the outdated patriarchal structure Russia XIX century. Katerina is the main character of the work. She is opposed to all other actors of the tragedy, even from Kuligin, who also stands out among the inhabitants of Kalinov, Katya is distinguished by the power of protest. Description of Katerina from "Thunderstorm", the characteristics of other characters, a description of the life of the city - all this adds up to a revealing tragic scene rendered photographically accurately. The characterization of Katerina from the play "Thunderstorm" by Ostrovsky is not limited to the author's commentary in the list of characters. The playwright does not evaluate the actions of the heroine, relieving himself of the duties of an omniscient author. Thanks to this position, each perceiving subject, whether a reader or a viewer, can himself evaluate the heroine based on his moral convictions.

Katya was married to Tikhon Kabanov, the son of a merchant. It was given out, because then, according to the house building, marriage was more the will of the parents than the decision of young people. Katya's husband is a pitiful sight. The irresponsibility and infantilism of the child, bordering on idiocy, led to the fact that Tikhon is not capable of anything other than drunkenness. Marfa Kabanova fully embodied the ideas of tyranny and hypocrisy inherent in everything " dark kingdom". Katya strives for freedom, comparing herself with a bird. It is hard for her to survive in conditions of stagnation and slavish worship of false idols. Katerina is truly religious, every trip to church seems like a holiday for her, and as a child, Katya often fancied that she heard angelic singing. Sometimes, Katya prayed in the garden, because she believed that the Lord would hear her prayers anywhere, not only in the church. But in Kalinov Christian faith devoid of any inner content.

Katerina's dreams allow her to briefly escape from real world. There she is free, like a bird, free to fly wherever she wants, not obeying any laws. “And what dreams I had, Varenka,” Katerina continues, “what dreams! Or golden temples, or unusual gardens, and invisible voices sing, and the smell of cypress, and the mountains and trees seem not to be the same as usual, but as they are written on the images. And it’s like I’m flying, and I’m flying through the air. ” However, in recent times Katerina became inherent in a certain mysticism. Everywhere she begins to see imminent death, and in her dreams she sees the evil one, who warmly embraces her, and then destroys her. These dreams were prophetic.

Katya is dreamy and gentle, but along with her fragility, Katerina's monologues from The Thunderstorm show resilience and strength. For example, a girl decides to meet Boris. She was overcome by doubts, she wanted to throw the key from the gate into the Volga, thought about the consequences, but nevertheless took an important step for herself: “Throw the key! No, not for anything! He is mine now ... Come what may, and I will see Boris! Katya is disgusted with the Kabanikh's house, the girl does not like Tikhon. She thought about leaving her husband and, having received a divorce, live honestly with Boris. But there was nowhere to hide from the tyranny of the mother-in-law. With her tantrums, Kabanikha turned the house into hell, cutting off any opportunity for escape.

Katerina is surprisingly perceptive towards herself. The girl knows about her character traits, about her decisive disposition: “I was born like that, hot! I was still six years old, no more, so I did it! They offended me with something at home, but it was towards evening, it was already dark; I ran out to the Volga, got into the boat and pushed it away from the shore. The next morning they already found it, ten miles away! Such a person will not submit to tyranny, will not be subject to dirty manipulations by the Kabanikh. It's not Katerina's fault that she was born at a time when a wife had to unquestioningly obey her husband, she was an almost powerless application, the function of which was childbearing. By the way, Katya herself says that children could be her joy. But Katya has no children.

The motif of freedom is repeated many times in the work. An interesting parallel is Katerina - Barbara. Sister Tikhon also strives to be free, but this freedom must be physical, freedom from despotism and mother's prohibitions. At the end of the play, the girl runs away from home, finding what she dreamed of. Katerina understands freedom differently. For her, this is an opportunity to do as she wants, to take responsibility for her life, not to obey stupid orders. This is the freedom of the soul. Katerina, like Varvara, gains freedom. But such freedom can only be achieved by suicide.

In the work of Ostrovsky "Thunderstorm", Katerina and the characteristics of her image were perceived differently by critics. If Dobrolyubov saw in the girl a symbol of the Russian soul, tormented by the patriarchal housing construction, then Pisarev saw a weak girl who herself drove herself into such a situation.

The story told by Ostrovsky is sad and tragic at the same time. The play depicts the fictional town of Kalinov and its inhabitants. The city of Kalinov, like its population, serves as a kind of symbol of typical provincial towns and villages in Russia in the 60s of the XIX century.

In the center of the play is the merchant family of Kabanikhi and Dikiy. Wild was cruel and the richest man in the city. An ignorant tyrant who could not live a day without swearing, and who believed that money was given to him full right mock the weaker and defenseless people.

The boar, who established order in the town, adhered to traditional patriarchal customs, was charitable in public, but extremely cruel with her family. Kabanikha is a fan of domostroevshchina.

Her son Tikhon was calm and kind. Daughter Barbara is a lively girl who knows how to hide her feelings, her motto is: "Do what, but so that it is covered." Feklusha in the service of Kabanikhi.

The character of Katerina is characterized by sincerity and strength of feelings. "Why don't people fly like birds!" she exclaimed dreamily.

The heroine lived in a completely different world, invented by her, and did not want to live in the world in which the Boar lived with her household. “I don’t want to live like this and don’t! I'll throw myself into the Volga! she often said.

Katerina was a stranger to everyone, and nothing but oppression and resentment was prepared for her by fate in the world of wild and wild boars. The great Russian critic Belinsky called her "a ray of light in a dark kingdom."

The character of Katerina is also striking in its inconsistency, strength, energy and diversity. Throwing herself into the Volga was, in her opinion, the only way out of the suffocating, unbearable, intolerable hypocritical atmosphere in which she had to live.

This, no doubt, a brave act was her highest protest against cruelty, hypocrisy and injustice. Katerina sacrificed in the name of her ideal the most precious thing she had - her life.

A. N. Ostrovsky in each of his plays created and showed multifaceted characters, whose life is interesting to watch. One of the playwright's works tells about a girl who committed suicide, unable to withstand the pressure of circumstances. The development of the character of Katerina in the play "Thunderstorm" by Ostrovsky, as well as her emotional experiences, are the main driving forces plot.

In the list of actors, Ostrovsky designates Katerina as the wife of Tikhon Kabanov. With the development of the plot, the reader gradually reveals the image of Katya, realizing that this character is not exhausted by the function of the wife. The character of Katerina in the drama "Thunderstorm" can be called strong. Despite the unhealthy situation in the family, Katya managed to maintain purity and firmness. She refuses to accept the rules of the game, living by her own. For example, Tikhon obeys his mother in everything. In one of the first dialogues, Kabanov convinces his mother that he does not have his own opinion. But soon the topic of conversation changes - and now Kabanikha, as if casually, accuses Katerina of the fact that Tikhon loves her more. Until this moment, Katerina did not participate in the conversation, but now she is offended by the words of her mother-in-law. The girl addresses Kabanikha as you, which can be regarded as a hidden disrespect, as well as some kind of equality. Katerina puts herself on a par with her, denying the family hierarchy. Katya politely expresses her dissatisfaction with the slander, emphasizing that in public she is the same as at home, and there is no need for her to pretend. This remark actually speaks of Katya as strong man. In the course of the story, we learn that the tyranny of the Kabanikha applies only to the family, and in society the old woman talks about maintaining family orders and proper upbringing, covering up her cruelty with words about the benefactor. The author shows that Katerina, firstly, is aware of the behavior of her mother-in-law; secondly, I disagree with this; and, thirdly, he openly declares to Kabanikhe, whom even his own son cannot object to, about his views. However, Kabanikha does not leave attempts to humiliate her daughter-in-law, forcing her to kneel before her husband.

Sometimes a girl remembers how she lived before. Katerina's childhood was quite carefree. The girl went to church with her mother, sang songs, walked, according to Katya, she didn’t have everything that could be. Katya compares herself before marriage with a free bird: she was left to herself, she controlled her own life. And now Katya often compares herself to a bird. Why don't people fly like birds? she says to Barbara. “You know, sometimes I feel like I’m a bird.” But such a bird cannot fly away. Once in a cage with thick bars, Katerina gradually suffocates in captivity. Such a freedom-loving person as Katya cannot exist in the rigid framework of the kingdom of lies and hypocrisy. Everything in Katya seems to breathe with feelings and love for the most unique - for life itself. Once in the Kabanov family, the girl loses this inner feeling. Her life is similar to life before marriage: the same songs, the same trips to church. But now, in such a hypocritical environment, Katya feels false.

It is surprising that having such inner strength, Katya does not oppose herself to others. She is “a martyr, a prisoner, deprived of the opportunity to grow, develop,” but she does not consider herself as such. Through the "millstone of hostility and malicious envy" she tries to pass with dignity, without losing or vulgarizing her essence.

Katya can easily be called bold. Indeed, the girl tried to fight the feelings that flared up in her for Boris, but still decided to meet him. Katya takes responsibility for her own destiny and decisions. In a sense, during the secret meetings with Boris, Katya gains freedom. She is not afraid of "neither sin nor human judgment." Finally, a girl can do what her heart tells her to do.

But with the return of Tikhon, their meetings cease. Katya's desire to tell about her relationship with Diky's nephew does not please Boris. He hopes that the girl will remain silent, dragging her into the net. dark kingdom”, from which Katya tried so desperately to escape. One of the critics of the drama, Melnikov-Pechersky, surprisingly aptly described Katerina: “a young woman, having fallen under the yoke of this old woman, experiences thousands of moral torments and at the same time realizes that God has put an ardent heart in her, that passions are raging in her young breast , not at all compatible with seclusion married women, which dominates in the environment where Katerina got.

Neither the confession of treason, nor the conversation with Boris lived up to Katerina's hopes. For her, the difference and discrepancy between the real world and ideas about the future turned out to be fatal. The decision to rush into the Volga was not spontaneous - Katya had long felt the approaching death. She was afraid of the approach of a thunderstorm, seeing in it retribution for sins and bad thoughts. frank confession Katerina becomes like a desperate communion, a desire to be honest to the end. It is noteworthy that between the events a confession of treason - a conversation with Boris - suicide takes some time. And all these days the girl suffers insults and curses from her mother-in-law, who wants to bury her alive in the ground.

You can’t condemn the heroine, talk about the weakness of Katerina’s character in The Thunderstorm. Nevertheless, even having committed such a sin, Katya remains as pure and innocent as in the first acts of the play.

Discussing the strength or weakness of Katerina's character can be useful for grade 10 students when writing an essay on the topic "Katerina's character in the play" Thunderstorm "".

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The question of choosing a soulmate has always been problematic for young people. Now we have the right to choose a life partner (companion) ourselves, before the final decision in marriage was made by the parents. Naturally, the parents first of all looked at the well-being of the future son-in-law, his moral character. Such a choice promised a wonderful material and moral existence for children, but the intimate side of marriage often suffered. The spouses understand that they should treat each other favorably and respectfully, but the absence of passion does not affect in the best way. There are many examples in the literature of such dissatisfaction and the search for the realization of one's intimate life.

We suggest that you familiarize yourself with the play by A. Ostrovsky “Thunderstorm”

This topic is not new in Russian literature. From time to time it is raised by writers. A. Ostrovsky in the play "Thunderstorm" portrayed the unique image of the woman Katerina, who, in search of personal happiness, under the influence of Orthodox morality and the feeling of love that has arisen, comes to a standstill.

Katerina's life story

main character plays by Ostrovsky - Katerina Kabanova. From childhood she was brought up in love and affection. Her mother felt sorry for her daughter, and sometimes freed her from all work, leaving Katerina to do what she wanted. But the girl did not grow up lazy.

After the wedding with Tikhon Kabanov, the girl lives in the house of her husband's parents. Tikhon has no father. And the mother manages all the processes in the house. The mother-in-law has an authoritarian character, she suppresses all family members with her authority: her son Tikhon, her daughter Varya and her young daughter-in-law.

Katerina finds herself in a world completely unfamiliar to her - her mother-in-law often scolds her for no reason, her husband also does not differ in tenderness and care - sometimes he beats her. Katerina and Tikhon have no children. This fact is incredibly upsetting for a woman - she likes to babysit children.

At one point, a woman falls in love. She is married and understands perfectly well that her love has no right to life, but nevertheless, over time, she succumbs to her desire while her husband is in another city.

Upon the return of her husband, Katerina experiences pangs of conscience and confesses her act to her mother-in-law and husband, which causes a wave of indignation. Tikhon beats her. The mother-in-law says that the woman needs to be buried in the ground. The situation in the family, already gloomy and tense, escalates to impossibility. Seeing no other way out, the woman commits suicide by drowning herself in the river. On the last pages of the play, we learn that Tikhon still loved his wife, and his behavior towards her was provoked by his mother.

Appearance of Katerina Kabanova

Detailed description the author does not provide the appearance of Katerina Petrovna. We learn about the appearance of a woman from the lips of other heroes of the play - most of the characters consider her beautiful and delightful. We also know little about Katerina's age - the fact that she is in the prime of her life allows us to define her as a young woman. Before the wedding, she was full of aspirations, shone with happiness.

Life in the mother-in-law's house did not affect her in the best way: she noticeably withered, but she was still pretty. Her girlish gaiety and cheerfulness quickly disappeared - their place was taken by despondency and sadness.

Relationships in the family

Katerina's mother-in-law is a very complex person, she runs everything in the house. This applies not only to household chores, but to all relationships within the family. It is difficult for a woman to cope with her emotions - she is jealous of her son for Katerina, she wants Tikhon to pay attention not to his wife, but to her, his mother. Jealousy eats up the mother-in-law and does not give her the opportunity to enjoy life - she is always unhappy with something, constantly finds fault with everyone, especially the young daughter-in-law. She does not even try to hide this fact - those around her make fun of the old Kabanikha, they say that she tortured everyone in the house.

Katerina respects the old Kabanikha, despite the fact that she literally does not give her a pass with her nit-picking. The same cannot be said for other family members.

Katerina's husband, Tikhon, also loves his mother. The authoritarianism and despotism of his mother broke him, like his wife. He is torn by a feeling of love for his mother and wife. Tikhon does not try to somehow resolve the difficult situation in his family and finds solace in drunkenness and spree. Youngest daughter Kabanikhi and sister Tikhon - Varvara are more pragmatic, she understands that it is impossible to break through the wall with her forehead, in this case it is necessary to act with cunning and intelligence. Her respect for her mother is ostentatious, she says what her mother wants to hear, but in reality she does everything in her own way. Unable to bear life at home, Barbara runs away.

Despite the dissimilarity of the girls, Varvara and Katerina become friends. They support each other in difficult situations. Varvara incites Katerina to secret meetings with Boris, helps lovers organize dates for lovers. In these actions, Varvara does not mean anything bad - the girl herself often resorts to such dates - this is her way not to go crazy, she wants to bring at least a piece of happiness into Katerina's life, but the result is the opposite.

With her husband at Katerina too difficult relationship. First of all, this is due to the spinelessness of Tikhon. He does not know how to defend his position, even if the mother's desire is clearly contrary to his intentions. Her husband does not have an opinion - he " Sissy", implicitly fulfilling the will of the parent. He often, at the instigation of his mother, scolds his young wife, sometimes beats her. Naturally, such behavior does not bring joy and harmony to the relationship of the spouses.

Katerina's discontent grows from day to day. She feels miserable. The understanding that nit-picking against her is far-fetched still does not allow her to live a full life.

From time to time, in Katerina's thoughts, intentions arise to change something in her life, but she cannot find a way out of the situation - the thought of suicide visits Katerina Petrovna more and more often.

Character traits

Katerina has a meek and kind disposition. She doesn't know how to take care of herself. Katerina Petrovna is a soft, romantic girl. She loves to indulge in dreams and fantasies.

She has an inquisitive mind. She is interested in the most unusual things, for example, why people cannot fly. Because of this, people around her consider her a little strange.

Katerina is by nature patient and non-confrontational. She forgives the wrong and cruel attitude towards her husband and mother-in-law.

In general, those around, if you do not take into account Tikhon and Kabanikha good opinion about Katerina, they think she is a sweet and lovely girl.

The pursuit of freedom

Katerina Petrovna has a peculiar concept of freedom. At a time when most people understand freedom as a physical state in which they are free to carry out those actions and actions that they prefer, Katerina prefers moral freedom, devoid of psychological pressure, allowing her to control her own destiny.

Katerina Kabanova is not so decisive as to put her mother-in-law in her place, but her desire for freedom does not allow her to live according to the rules within which she found herself - the idea of ​​​​death as a way of gaining freedom appears in the text several times before romantic relationship Katerina with Boris. The disclosure of information about Katerina's betrayal of her husband and the further reaction of a relative, in particular mother-in-law, become just a catalyst for her suicidal aspirations.

Religiosity of Katerina

The question of religiosity and the influence of religion on people's lives has always been quite controversial. This trend is especially open to doubt in times of active scientific and technological revolution and progress.

In relation to Katerina Kabanova, this trend does not work. A woman, not finding joy in everyday, worldly life, is imbued with a special love and reverence for religion. Strengthens her attachment to the church and the fact that her mother-in-law is religious. While the old Kabanikh's religiosity is only ostentatious (in fact, she does not adhere to the basic canons and postulates of the church that regulate human relations), Katerina's religiosity is true. She sacredly believes in the commandments of God, tries to always observe the laws of life.

During prayer, while in church, Katerina experiences special pleasure and relief. In those moments, she is like an angel.

However, the desire to experience happiness, true love takes precedence over religious vision. Knowing that adultery is a terrible sin, a woman still succumbs to temptation. For ten days of happiness, she pays with another, the most terrible sin in the eyes of a believing Christian - suicide.

Katerina Petrovna is aware of the gravity of her act, but the notion that her life will never change forces her to ignore this prohibition. It should be noted that the idea of ​​such an end to life path already arose, but, despite the severity of her life, was not carried out. Perhaps the fact that the pressure from the mother-in-law was painful for her played here, but the notion that it had no basis stopped the girl. After her relatives find out about the betrayal - reproaches against her become justified - she really tarnished her reputation and the reputation of the family. Another reason for this outcome of events could be the fact that Boris refuses a woman and does not take her with him. Katerina herself must somehow solve the current situation and the best option how to throw herself into the river, she does not see.

Katerina and Boris

Before Boris appeared in the fictitious city of Kalinovo, finding personal, intimate happiness for Katerina was not relevant. She did not try to make up for the lack of love from her husband on the side.

The image of Boris awakens in Katerina the extinguished feeling of passionate love. A woman is aware of the gravity of a love relationship with another man, so she languishes with the feeling that has arisen, but does not accept any prerequisites to turn her dreams into reality.

Varvara convinces Katerina that Kabanova needs to meet alone with her lover. The brother's sister is well aware that the feelings of young people are mutual, in addition, the coolness of the relationship between Tikhon and Katerina is not new to her, therefore she regards her act as an opportunity to show her sweet and kind daughter-in-law what it is real love.

Katerina cannot make up her mind for a long time, but the water wears away the stone, the woman agrees to a meeting. Being captured by her desires, reinforced by a kindred feeling on the part of Boris, a woman cannot deny herself further meetings. The absence of her husband plays into her hands - for 10 days she lived like in paradise. Boris loves her more life He is affectionate and gentle with her. With him Katerina feels real woman. She thinks she's finally found happiness. Everything changes with the arrival of Tikhon. No one knows about secret meetings, but Katerina is tormented by torment, she is seriously afraid of punishment from God, her psychological condition reaches its climax and she confesses her sin.

After this event, the life of a woman turns into hell - the already pouring reproaches in her direction from her mother-in-law become unbearable, her husband beats her.

The woman still has hope for a successful outcome of the event - she believes that Boris will not leave her in trouble. However, her lover is in no hurry to help her - he is afraid of angering his uncle and being left without his inheritance, so he refuses to take Katerina with him to Siberia.

For a woman, this becomes a new blow, she is no longer able to survive it - death becomes her only way out.

Thus, Katerina Kabanova is the owner of the kindest and most gentle qualities. human soul. A woman is especially sensitive to the feelings of other people. Her inability to give a sharp rebuff becomes the cause of constant ridicule and reproaches from her mother-in-law and husband, which further drives her into a dead end. Death in her case becomes an opportunity to find happiness and freedom. The realization of this fact causes the saddest feelings among readers.

The image and characterization of Katerina in the play "Thunderstorm" by Ostrovsky: a description of the character, life and death of Katerina Kabanova