The mysterious life and death of Maxim Gorky. The last years of life and the death of Maxim Gorky


In May 1928, the writer returned to the USSR. Against his will, he was forced to settle in a mansion that belonged to the merchant and industrialist S.P. before the revolution. Ryabushinsky (Malaya Nikitskaya, 6; now there is a Museum

A.M. Gorky). The whole life of the writer, meetings, correspondence were now controlled by the organs of the OGPU. A fragment of the “Moscow Diary” by Romain Rolland, a friend of the writer who sincerely worried about him, gives an idea of ​​how lonely Gorky was during these years, how much he remained misunderstood: “... his tired smile suggests that the former anarchist did not die - he still regrets his vagabond life. Moreover, he tries in vain to see in the work in which he participates, only greatness, beauty, humanity (although this is really magnificent), - he does not want to see, but he sees the mistakes and suffering, and sometimes even the inhumanity of this work ...

He allowed himself to be locked up in own house... <,..>Kryuchkov became the sole mediator of all Gorky's contacts with the outside world: letters, visits (or rather, requests to visit Gorky) are intercepted by him, he alone can judge who can and who cannot see Gorky (in addition, Gorky, who does not read at any foreign language, is entirely at the mercy of translators).<...>You have to be as weak-willed as Gorky to submit to every second control and guardianship ...

I love him very much and I feel sorry for him. He is very lonely, although he is almost never alone! It seems to me that if we were alone with him (and the language barrier would collapse), he would hug me and sob silently for a long time. (May he forgive me if I made a mistake!)

After returning, Gorky took up literary and social work. In 1932, he wrote a program article "Who are you with," masters of culture ""? The writer called in her creative intelligentsia to unite against the threat of fascism.

On the initiative of Gorky and under his editorship, the magazines "Our Achievements", "Literary Studies", "Abroad", "USSR at a Construction Site" were published. He took part in the creation of the Institute of World Literature and the Literary Institute, the publication of a series of books "Life wonderful people", "Story civil war”, “History of factories and factories”, “Library of the poet”.

Gorky's plays were successfully staged in the best theaters countries: in 1932-1933 the plays "Egor Bulychov and Others", "Dostigaev and Others" were staged at the Evg. Vakhtangov, at the Bolshoi Drama Theatre.

I.V. often visited Gorky's house. Stalin. Taking advantage of his position, the writer, as in the post-revolutionary years, constantly spoke out in defense of unfairly, in his opinion, persecuted people. He organized a meeting between Sholokhov and Stalin, which saved the writer from arrest, defended M.A. Bulgakov, E.I. Zamyatina, B.A. Pilnyak, D.D. Shostakovich and many others. There is evidence that Gorky convinced I.V. Stalin to write the articles "Dizziness from Success" and "Response to Comrade Collective Farmers". (You are familiar with them from the course of the history of Russia.) Recalling Gorky’s conversations with Stalin, E. Zamyatin wrote: “I think I will not be mistaken if I say that the correction of many “excesses” in the policy of the Soviet government and the gradual softening of the the result of these friendly conversations. This role of Gorky will be appreciated only sometime later.

During these years, the basic principles of the new artistic method- socialist realism, about which A.V. Lunacharsky made a report on the eve of the First Congress of Writers. Did M. Gorky accept the ideas of socialist realism? It is impossible to give a definite answer. Yu.P. Annenkov stated: “Now we often read ... that Gorky is the forerunner and founder of “socialist realism”. This is completely untrue, and I rebel against such slander."

In 1934, Gorky chaired the First All-Union Congress Soviet writers. He made a presentation " Soviet literature". After some hesitation, Gorky also accepted the post of chairman of the Union of Soviet Writers. He believed that the Writers' Union would be a creative organization capable of helping the development and development of young talents. However, already in the process of preparing the congress, serious disagreements between Gorky and the country's leadership appeared. After the 40th anniversary celebration creative activity Gorky, when the “rewarding” of the writer took on excessive forms ( Nizhny Novgorod was renamed Gorky), the position of the writer changed dramatically. He was not allowed to attend the International Congress of Writers in Defense of Culture, and publications appeared in the central press criticizing his work.

Literary critic L.A. Spiridonova explains the position of the writer in this way: “The tragedy of the last years of M. Gorky’s life in his homeland can be explained different reasons: a creative crisis, the collapse of the socialist ideal, the realization of the falsehood that surrounded him. No matter how hard Stalin's entourage tried, the writer could not be made a court singer of the Stalin era, which severely limited his opportunities in social activities. The death of his son in May 1934, very similar to a murder, completely undermined his health.

Gorky died on June 18, 1936 in the Gorki estate near Moscow. His body was cremated against the will of his relatives, the ashes were buried in the Kremlin wall on Red Square in Moscow.

Eighty years ago, the great Russian writer and public figure Maxim Gorky died. The circumstances of his death are still in doubt.

Text: Pavel Basinsky
Photo courtesy aif.ru

Did he die due to illness, due to old age (but Gorky was not yet old - 68 years old), or was he killed by Stalin?

Before going to the state dacha in Gorki on May 28, 1936, he demanded to turn to the cemetery of the Novodevichy Convent. He has not yet seen the monument by Vera Mukhina to her son Maxim, who died of pneumonia two years ago. Having examined the grave of his son, he wished to look at the monument to Stalin's wife, Alliluyeva, who had committed suicide.
In the memoirs of Secretary Kryuchkov there is a strange entry: “ A.M. died on the 8th". But Gorky died on June 18!

The widow Ekaterina Peshkova recalls: “ 8/VI 6 p.m.… A. M. — in a chair with eyes closed, with his head bowed, leaning now on one, then on the other hand, pressed to his temple and resting his elbow on the arm of the chair. The pulse was barely noticeable, uneven, breathing weakened, the face and ears and limbs of the hands turned blue. After a while, as we entered, hiccups began, restless movements of his hands, with which he seemed to be pushing something away or filming something ...»

“We” are the closest members of a large family to Gorky: Ekaterina Peshkova, Maria Budberg, Nadezhda Peshkova (Gorky’s daughter-in-law), nurse Lipa Chertkova, Pyotr Kryuchkov, Ivan Rakitsky (an artist who has lived in the “family” since the revolution).

Budberg: " His hands and ears turned black. Was dying. And dying, he weakly moved his hand, as they say goodbye at parting».
But suddenly… " After a long pause, A. M. opened his eyes, the expression of which was absent and distant, slowly looked around everyone, stopping for a long time at each of us, and with difficulty, muffled, but separately, in some strangely alien voice, said: “I was so far away, it's so hard to come back from there"».

Chertkova brought him back from the other world, persuading the doctors to allow him to inject twenty cubes of camphor. After the first injection was the second. Gorky did not immediately agree. Peshkova: A. M. shook his head negatively and said very firmly: “Don’t, you have to stop.” Kryuchkov recalled that Gorky "did not complain", but sometimes asked him to "let go", "pointed to the ceiling and doors, as if wanting to escape from the room."

But there are new faces. Stalin, Molotov and Voroshilov came to Gorky. They had already been informed that Gorky was dying. Budberg: " Politburo members who were informed that Gorky was dying entered the room and expected to find the dying man, were surprised by his cheerful appearance.».
Why was he given a second injection of camphor? Stalin is coming! Budberg: " At this time, P. P. Kryuchkov, who had left before, entered and said: “They just called on the phone - Stalin is inquiring, is it possible for him and Molotov to come to you? A smile flashed across A.M.’s face, he replied: “Let them go, if they still have time.” Then A. D. Speransky (one of the doctors who treated Gorky. - P. B.) entered with the words: “Well, A. M., Stalin and Molotov have already left, but it seems that Voroshilov is with them. Now I insist on an injection of camphor, because without this you will not have enough strength to talk with them.».

Peshkova: " When they entered, A. M. had already come to his senses so much that he immediately started talking about literature. talking about a new French literature, about the literature of nationalities. He began to praise our female writers, mentioned Anna Karavaeva - and how many of them, how many more of these we will have, and we all need to be supported ... They brought wine ... Everyone drank ... Voroshilov kissed Al. M. arm or shoulder. Al. M. smiled happily, looked at them lovingly. They left quickly. As they left, they waved at him at the door. When they left, A.M. said: “What good guys! How much power they have ... "»

This was recorded in 1936. In 1964, when asked by journalist Isaac Don Levin about the circumstances of Gorky's death, Peshkova said something else: “ Don't ask me about it! I won't be able to sleep for three days if I talk to you about this.».

Stalin came a second time on June 10 at two o'clock in the morning. Gorky was asleep. Stalin was not allowed. A visit at two in the morning to a terminally ill patient is difficult to understand normal person. The third - and last - visit took place on 12 June. Gorky did not sleep. However, the doctors, no matter how they trembled before Stalin, gave ten minutes to talk. What were they talking about? O peasant uprising Bolotnikov. Then they moved on to the position of the French peasantry.

Stalin undoubtedly guarded the dying Gorky. And he was buttoned up with all the buttons. Gorky lived in a "golden cage". L. A. Spiridonova published a secret sheet of household expenses of the 2nd department of the ACS of the NKVD “along the line” of the Gorky family:

“The approximate consumption for 9 months of 1936 is as follows:
a) food rub. 560 000
b) repair expenses and park expenses rub. 210 000
c) the content of the state rub. 180 000
d) different households. expenses rub. 60,000 Total: rub. 1010 000".

An ordinary doctor received at that time about 300 rubles a month. Writer for a book - 3000 rubles. Gorky's "family" cost the state about 130,000 rubles a month.

He understood the falsity of his position. There is evidence that he suffered in recent years. Read The Moscow Diary by Romain Rolland and the memoirs of the writer Ilya Shkapa. But Gorky died stoically, like a very strong man.

And let's not forget that his sins are not our sins. Gorky sinned a lot because he did a lot. Behind him is not only his literature, but also political struggle, and newspapers, and magazines, and entire publishing houses (before the revolution and Soviet), scientific institutions, institutes, the Writers' Union. And yes! - Solovki and Belomorkanal. Behind him not only him writer's biography, but also a biography of the entire pre-revolutionary Russia and the first twenty years of Soviet power.

Mighty, great man! Let's change him.

Mosaic at the Moscow metro station "Park Kultury", opened on May 15, 1935, i.e. a year before the death of Maxim Gorky

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Passion for Maxim ( Documentary novel about Gorky) Basinsky Pavel Valerievich

The tragedy of Gorky

The tragedy of Gorky

It was he who was the epicenter of the tragic events that unfolded in the family and around it. It was for his word and deed that various wills, interests and ambitions fought, trying to win over the mortally ill, but "buttoned" writer to their side. There could be no reconciliation in this fight, and when Gorky realized this, he "buttoned up" to the stop. However, he could no longer save people, one way or another drawn by him into the epicenter of his incredibly energetic activity.

Gorky is in the "golden cage". He rushes about, but more often he tries to convince himself and others that everything is in order. L.A. Spiridonova in the book “Gorky: A New Look”(M.: IMLI RAN, 2004) cites a document that, sadly, cannot be bypassed. Secret list of household expenses of the 2nd department of the ACS of the NKVD: “On the line of Gorka-10. Three points were served on this object: the rest house Gorki-10, Mal. Nikitskaya, the house in the Crimea "Tesseli". Every year, large repairs were made in these houses, a lot of money was spent on landscaping parks and planting flowers, there was a large staff service personnel, changed and added furniture and utensils. As for the supply of food, everything was given without restrictions.

The approximate consumption for 9 months of 1936 is as follows:

a) food rub. 560 000

b) repair expenses and park expenses rub. 210 000

d) different households. expenses rub. 60,000 Total: rub. 1010 000

In addition, in 1936, a dacha in the village of Zhukovka No. 75 was bought, overhauled and furnished with furniture for Nadezhda Alekseevna (Gorky's daughter-in-law. - P.B.). In total, it cost 160,000 rubles.”

For reference: an ordinary doctor received at that time about 300 rubles a month. Writer for a book - 3000 rubles. The annual budget of the family of Ilya Gruzdev, Gorky's biographer, was about 4,000 rubles. The Gorky family in 1936 cost the state about 130,000 rubles a month.

Gorky could not but understand his tragic defeat, which was the result of his unthinkably difficult and difficult life, great creative ideas and spiritual quests not understood by people. As a result, the most valuable and inexplicable in Gorky's worldview turned out to be buried - the idea of ​​Man, now exchanged for many injured and simply ruined "people".

On the night of July 22-23, 1930, while in Sorrento, Gorky found himself, although not at the epicenter, but not far from one of largest earthquakes in Italy, comparable in scale to the previous earthquake in Messina, which claimed over 30 thousand lives. Gorky vividly described this tragedy in a letter to his biographer Gruzdev:

“Villanova, an ancient mountain town, crumbled into garbage, rolled down the mountain and formed a 25-meter-high pile of rubbish at its foot. The upper houses fell on the lower ones, sweeping them down the mountain, and from 4 tons<ысяч>about two hundred inhabitants remained. Also in Monte Calvo, Ariano di Puglia and a number of smaller communities. Today official numbers:<ито>3700, wounded - 14 tons<ысяч>, homeless - a million. But - these are numbers in order not to create panic among foreigners<…>. In one commune, residents rushed to the church, and it collapsed when about 300 hours of<еловек>. All this lasted only 47 seconds. The panic was terrible. Night, half past one, stuffy, unusual silence, which does not happen anywhere else, i.e. I haven't seen her anywhere. And suddenly the earth moved quietly, hummed, trees shook, birds woke up, half-naked peasants began to jump out of the houses next to us, bells rang; the bells here are small, their sound is dry, tinny, hysterical; you will never forget this night ringing. Howling dogs. People are standing in Sorrento Square, all on their knees, above them is a white statue of Torquato Tasso and a clumsy, gray one of Sant Antonino, the abbot. Three thousand people, all mumbling prayers, children roaring, women crying, black figures of priests bustling about, but - all this is not very noisy, - you understand? Not really, because everyone is waiting for a new blow, everyone is looking at each other with crazy eyes, and every slam of the door makes the noise even quieter. This is an amazing moment, indescribably creepy. Even now, many are afraid to sleep in houses. Many have gone crazy.<…>An unfortunate country, its people are getting worse and worse, and they are becoming more and more gloomy and angry. And at the same time, yesterday, on St. Anna, in Sorrento burned fireworks in 16 tons<ысяч>lire, although mourning has been declared in the country.

This terrible event happened a year before Gorky moved to the USSR ...

The official date of death of M. Gorky (Alexey Maksimovich Peshkov) is June 18, 1936. But already on June 8, the writer was in a state very close to death. Nine days of his half-life (not counting the last night he was unconscious) for access to his body and for his the last word various forces fought. But the soul of the "buttoned" Gorky was out of reach. What was he thinking? What did you remember? After all, it is believed that in the memory of a dying person his whole life flashes ...

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Alexei Maksimovich Peshkov (better known as pseudonym Maxim Gorky, March 16 (28), 1868 - June 18, 1936) - Russian and Soviet writer, public figure, founder of the style of socialist realism.

Childhood and youth of Maxim Gorky

Gorky was born in Nizhny Novgorod. His father, Maxim Peshkov, who died in 1871, in the last years of his life worked as the manager of the Astrakhan shipping office of Kolchin. When Alexei was 11 years old, his mother also died. The boy was brought up after that in the house of his maternal grandfather, Kashirin, the ruined owner of a dyeing workshop. The stingy grandfather early forced the young Alyosha to "go to the people", that is, to earn money on his own. He had to work as a delivery boy at a store, a baker, and wash dishes in a canteen. These early years Gorky later described his life in Childhood, the first part of his autobiographical trilogy. In 1884, Alexei unsuccessfully tried to enter Kazan University.

Gorky's grandmother, unlike her grandfather, was a kind and religious woman, an excellent storyteller. Alexei Maksimovich himself associated his suicide attempt in December 1887 with heavy feelings about his grandmother's death. Gorky shot himself, but survived: the bullet missed the heart. She, however, seriously damaged the lung, and the writer suffered all his life afterwards from respiratory weakness.

In 1888, Gorky was arrested for a short time for his connection with the Marxist circle of N. Fedoseev. In the spring of 1891 he set off to wander around Russia and reached the Caucasus. Expanding his knowledge by self-education, getting a temporary job either as a loader or a night watchman, Gorky accumulated impressions that he later used to write his first stories. He called this life period "My Universities".

In 1892, 24-year-old Gorky returned to his native place and began to collaborate as a journalist in several provincial publications. Aleksey Maksimovich first wrote under the pseudonym Yehudiel Khlamida (which, translated from Hebrew and Greek, gives some associations with “cloak and dagger”), but soon came up with another one for himself - Maxim Gorky, hinting at both “bitter” Russian life, and the desire to write only the "bitter truth". For the first time, the name "Gorky" was used by him in correspondence for the Tiflis newspaper "Kavkaz".

Maksim Gorky. video film

Gorky's literary debut and his first steps in politics

In 1892, Maxim Gorky's first short story "Makar Chudra" appeared. He was followed by "Chelkash", "Old Woman Izergil" (see summary and full text), "Song of the Falcon" (1895), " former people"(1897), etc. All of them were not distinguished not so much by great artistic merit as by exaggerated pompous pathos, but they successfully coincided with the new Russian political trends. Until the mid-1890s, the left-wing Russian intelligentsia worshiped the Narodniks, who idealized the peasantry. But from the second half of this decade, Marxism began to gain increasing popularity in radical circles. Marxists proclaimed that the dawn of a bright future would be kindled by the proletariat and the poor. Tramps-lumpen were the main characters of the stories of Maxim Gorky. Society began to applaud them vigorously as a new fiction fashion.

In 1898, Gorky's first collection, Essays and Stories, was published. He had a resounding (albeit completely inexplicable for reasons of literary talent) success. Public and creative career Gorky abruptly took off. He portrayed the life of beggars from the very bottom of society (“tramps”), depicting their difficulties and humiliations with strong exaggerations, strenuously introducing the simulated pathos of “humanity” into his stories. Maxim Gorky earned a reputation as the only literary spokesman for the interests of the working class, defender of the idea of ​​radical social, political and cultural transformation of Russia. His work was praised by intellectuals and "conscious" workers. Gorky struck up a close acquaintance with Chekhov and Tolstoy, although their attitude towards him was not always unambiguous.

Gorky acted as a staunch supporter of the Marxist social democracy, openly hostile to "tsarism." In 1901, he wrote the "Song of the Petrel" openly calling for revolution. For compiling a proclamation calling for a "fight against the autocracy", he was arrested in the same year and expelled from Nizhny Novgorod. Maxim Gorky became close friends with many revolutionaries, including Lenin, whom he first met in 1902. He became even more famous when he exposed as the author of the "Protocols Elders of Zion» secret police officer Matvey Golovinsky. Golovinsky then had to leave Russia. When the election of Gorky (1902) as a member of the Imperial Academy by category belles-lettres was annulled by the government, academicians A.P. Chekhov and V.G. Korolenko also resigned in solidarity.

Maksim Gorky

In 1900-1905. Gorky's work became more and more optimistic. Of his works of this period of life, several plays stand out, closely connected with public affairs. The most famous of them is "At the Bottom" (see its full text and summary). Produced not without censorship difficulties in Moscow (1902), it was a great success, and then given throughout Europe and in the United States. Maxim Gorky became closer and closer to the political opposition. During the revolution of 1905, he was imprisoned in the Peter and Paul Fortress in St. Petersburg for the play "Children of the Sun", which was formally dedicated to the cholera epidemic of 1862, but clearly alluded to current events. The "official" companion of Gorky in 1904-1921 was the former actress Maria Andreeva - a long-standing Bolshevik, who became the director of theaters after the October Revolution.

Having grown rich through his writing, Maxim Gorky provided financial support to the Russian Social Democratic Labor Party ( RSDLP) while supporting liberal calls for civic and social reform. The death of many people during the manifestation on January 9, 1905 ("Bloody Sunday"), apparently, gave impetus to Gorky's even greater radicalization. Without openly joining the Bolsheviks and Lenin, he agreed with them on most issues. During the December armed rebellion in Moscow in 1905, the headquarters of the rebels was located in the apartment of Maxim Gorky, not far from Moscow University. At the end of the uprising, the writer left for St. Petersburg. At his apartment in this city, a meeting of the Central Committee of the RSDLP was held under the chairmanship of Lenin, which decided to stop the armed struggle for the time being. A. I. Solzhenitsyn writes (“March 17th”, ch. 171) that Gorky “in Nine Hundred and Fifth, in his Moscow apartment during the days of the uprising, kept thirteen Georgian combatants, and bombs were made from him.”

Fearing arrest, Alexei Maksimovich fled to Finland, from where he left for Western Europe. From Europe, he traveled to the United States to raise funds for the Bolshevik Party. It was during this trip that Gorky began to write his famous novel "Mother", which was first published on English language in London, and then in Russian (1907). The theme of this is very tendentious work- joining the revolution of a simple working woman after the arrest of her son. In America, Gorky was initially welcomed with open arms. He got acquainted with Theodore Roosevelt and Mark Twain. However, then the American press began to resent the high-profile political actions of Maxim Gorky: he sent a telegram of support to trade union leaders Haywood and Moyer, who was accused of murdering the governor of Idaho. The newspapers did not like the fact that the writer was not accompanied on the trip by his wife Ekaterina Peshkova, but by his mistress, Maria Andreeva. Strongly wounded by all this, Gorky began to condemn the “bourgeois spirit” in his work even more fiercely.

Gorky on Capri

Returning from America, Maxim Gorky decided not to return to Russia for the time being, because he could be arrested there for his connection with the Moscow uprising. From 1906 to 1913 he lived on the Italian island of Capri. From there Alexei Maksimovich continued to support the Russian left, especially the Bolsheviks; he wrote novels and essays. Together with Bolshevik emigrants Alexander Bogdanov and A. V. Lunacharsky Gorky created an intricate philosophical system called " god-building". She claimed to develop from revolutionary myths "socialist spirituality", with the help of which humanity, enriched with strong passions and new moral values, would be able to get rid of evil, suffering and even death. Although these philosophical quests were rejected by Lenin, Maxim Gorky continued to believe that "culture", that is, moral and spiritual values, was more important for the success of the revolution than political and economic activities. This theme underlies his novel The Confession (1908).

Return of Gorky to Russia (1913-1921)

Taking advantage of the amnesty given for the 300th anniversary Romanov dynasty, Gorky returned to Russia in 1913 and continued his active public and literary activity. During this period of his life, he guided young writers from the people and wrote the first two parts of his autobiographical trilogy - "Childhood" (1914) and "In People" (1915-1916).

In 1915 Gorky, along with a number of other prominent Russian writers participated in the publication of the journalistic collection "Shield", the purpose of which was to protect the allegedly oppressed Jews in Russia. Speaking in the Progressive Circle at the end of 1916, Gorky “dedicated his two-hour speech to all sorts of spitting on the entire Russian people and exorbitant praise of Jewry,” says the Progressive Duma member Mansyrev, one of the founders of the Circle. (See A. Solzhenitsyn. Two hundred years together. Chapter 11.)

During First World War his St. Petersburg apartment again served as a meeting place for the Bolsheviks, but in revolutionary 1917 his relations with them deteriorated. Two weeks after the October Revolution of 1917, Maxim Gorky wrote:

However, as the Bolshevik regime strengthened, Maxim Gorky became more and more despondent and increasingly refrained from criticism. On August 31, 1918, having learned about the assassination attempt on Lenin, Gorky and Maria Andreeva sent a general telegram to him: “We are terribly upset, we are worried. We sincerely wish you a speedy recovery, be of good spirits.” Alexey Maksimovich achieved a personal meeting with Lenin, about which he spoke as follows: “I realized that I was mistaken, went to Ilyich and frankly confessed my mistake.” Together with a number of other writers who joined the Bolsheviks, Gorky created a publishing house under the People's Commissariat of Education " world literature". It planned to publish the best classical works, however, in an atmosphere of terrible devastation, they could not do almost anything. Gorky, however, started love affair with one of the employees of the new publishing house - Maria Benkendorf. It went on for many years.

Gorky's second stay in Italy (1921-1932)

In August 1921, Gorky, despite a personal appeal to Lenin, could not save his friend, the poet Nikolai Gumilyov, from being shot by the Chekists. In October of the same year, the writer left Bolshevik Russia and lived in German resorts, where he completed the third part of his autobiography, My Universities (1923). He then returned to Italy "for the treatment of tuberculosis". Living in Sorrento (1924), Gorky maintained contacts with his homeland. After 1928, Alexei Maksimovich visited the Soviet Union several times until he accepted Stalin's proposal for a final return to his homeland (October 1932). According to some literary critics, the reason for the return was the writer's political convictions, his long-standing sympathies for the Bolsheviks, but there is also a more reasonable opinion that leading role Gorky's desire to get rid of the debts made during his life abroad played here.

The last years of Gorky's life (1932-1936)

Even while visiting the USSR in 1929, Maxim Gorky made a trip to the Solovetsky Special Purpose Camp and wrote a laudatory article about Soviet punitive system, although he received detailed information from the campers on Solovki about the terrible atrocities that are happening there. This case is in The Gulag Archipelago by A. I. Solzhenitsyn. In the West, Gorky's article about the Solovetsky camp provoked stormy criticism, and he began to bashfully explain that he was under pressure from Soviet censors. The writer's departure from fascist Italy and return to the USSR were widely used by communist propaganda. Shortly before his arrival in Moscow, Gorky published (March 1932) in Soviet newspapers article "Who are you with, masters of culture?". Designed in the style of Leninist-Stalinist propaganda, it called on writers, artists and artists to put their creativity at the service of the communist movement.

Upon his return to the USSR, Alexei Maksimovich received the Order of Lenin (1933) and was elected head of the Union of Soviet Writers (1934). The government provided him with a luxurious mansion in Moscow, which belonged to the millionaire Nikolai Ryabushinsky before the revolution (now the Gorky Museum), as well as a fashionable dacha in the Moscow region. During the demonstrations, Gorky went up to the podium of the mausoleum together with Stalin. One of the main Moscow streets, Tverskaya, was renamed in honor of the writer, just like his native city, Nizhny Novgorod (which regained its historical name only in 1991, with the collapse Soviet Union). The largest aircraft in the world, the ANT-20, which was built in the mid-1930s by the Tupolev bureau, was named "Maxim Gorky". Exist numerous photos writer with members of the Soviet government. All these honors had to be paid for. Gorky put his work at the service of Stalinist propaganda. In 1934 he co-edited a book that glorified the slave-built White Sea-Baltic Canal and convinced that in the Soviet "correctional" camps a successful "reforging" of the former "enemies of the proletariat" was being carried out.

Maxim Gorky on the podium of the mausoleum. Nearby - Kaganovich, Voroshilov and Stalin

There is, however, evidence that all this lies cost Gorky considerable mental anguish. The writer's hesitation was known at the top. After the murder Kirov in December 1934 and the gradual deployment of the "Great Terror" by Stalin, Gorky actually found himself under house arrest in his luxurious mansion. In May 1934, his 36-year-old son Maxim Peshkov died unexpectedly, and on June 18, 1936, Gorky himself died of pneumonia. Stalin, who carried the writer's coffin with Molotov during his funeral, said that Gorky had been poisoned by "enemies of the people." Prominent participants in the Moscow trials of 1936-1938 were charged with poisoning. and are found to be proven. former head OGPU and NKVD, Heinrich Yagoda, confessed that he organized the assassination of Maxim Gorky on the orders of Trotsky.

Joseph Stalin and Writers. Maksim Gorky

The cremated ashes of Gorky were buried at the Kremlin wall. Before that, the writer's brain was removed from his body and sent "for study" to the Moscow Research Institute.

Assessment of Gorky's work

AT Soviet times, before and after the death of Maxim Gorky, government propaganda carefully obscured his ideological and creative throwing, ambiguous relations with the leaders of Bolshevism in different periods life. The Kremlin presented him as the largest Russian writer of his time, a native of the people, true friend Communist Party and the father of "socialist realism". Statues and portraits of Gorky were distributed throughout the country. Russian dissidents saw in Gorky's work the embodiment of a slippery conciliatory compromise. In the West, they emphasized the constant fluctuations of his views on the Soviet system, recalling Gorky's repeated criticism of the Bolshevik regime.

Gorky saw in literature not so much a way of artistic and aesthetic self-expression as a moral and political activity with the aim of changing the world. As the author of novels, short stories, autobiographical essays and plays, Aleksey Maksimovich also wrote many treatises and reflections: articles, essays, memoirs about politicians (for example, about Lenin), about people of art (Tolstoy, Chekhov, etc.).

Gorky himself argued that the center of his work is a deep belief in the value human personality, glorification human dignity and resilience in the midst of life's hardships. The writer saw in himself a “restless soul”, which seeks to find a way out of the contradictions of hope and skepticism, love of life and disgust at the petty vulgarity of others. However, both the style of Maxim Gorky's books and the details of his public biography convince: these claims were for the most part feigned.

The tragedy and confusion of his extremely ambiguous time were reflected in Gorky's life and work, when the promises of a complete revolutionary transformation of the world only masked a selfish thirst for power and bestial cruelty. It has long been recognized that, from a purely literary point of view, most of Gorky's works are rather weak. best quality his autobiographical stories are distinguished, where a realistic and picturesque picture Russian life late XIX century.

Love a book, it will make your life easier, it will friendly help you sort out the motley and stormy confusion of thoughts, feelings, events, it will teach you to respect a person and yourself, it inspires the mind and heart with a feeling of love for the world, for a person.

Maxim Gorky

In their early works the great Russian writer Gorky praised the idea free man. The image of a petrel became the embodiment of the ideas of freedom.

In the novel "Mother" Gorky showed the idea of ​​revolution as the idea of ​​renewing life and even illuminated this idea with the name of Christ. It was during the era of the revolution of 1905 that Gorky staged The Possessed.

In 1917, Gorky wrote letters to the newspaper " New life", which will then be called" Untimely Thoughts ". Gorky asks here the question of what is new in the Russian revolution and how it changes Russian life. Answering all these questions, Gorky comes to the conclusion that the events taking place are not a socialist revolution, but a revelry of zoological instincts: "conscience has died", there has been a total separation of politics and morality. The government that made the revolution is carrying out a cruel experiment on the Russian people, and the people, in turn, show the most cruel instincts. In the midst of the storm of the revolution, Gorky preaches non-violence.

Gorky leaves Russia and stays abroad for a long time, but the authorities of the new country organize a campaign to "lure" him out. Later he becomes a puppet in the hands of Stalin.

Gorky, with his world authority and talents, was necessary for Stalin to create his own image, a portrait of a great ruler, as well as to justify the violent actions that he was preparing. Now very many cruel ideas will be introduced into the masses through the consciousness of the Russian writer. Then Gorky appears famous slogan: "If the enemy does not surrender, he is destroyed." Gorky justifies collectivization and argues that dispossession became a necessary measure. He blesses the Gulag and sings of the White Sea Canal.

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