Pencil hand drawing from different angles. Human Anatomy Fundamentals: How to Draw Hands

The human body has many parts. As we have already discussed with you here on the site, it is not so easy to draw the body and its individual parts correctly. To do this, you need to learn and know the basics of anatomy and physiology. Very often, children draw parts of the body and the figures themselves in a very simplified way, one might say, in an amateurish way. We want to teach you how to draw elements here. human body correct, especially from an anatomical point of view. Arm yourself with a pencil and eraser, take an album and start the lesson. Following our tips, you will gradually learn the basics of this wisdom.

Stage 1. Draw the caracas lines of the human hand. First we will teach you how to draw a human hand from the elbow to the fingertips. We build a straight line .. On the upper part we mark a point from which we draw five segments, from which, in turn, we draw five more segments connected at an angle to the first ones. This is the basis of the future hand. Then, along the main straight line, we begin to outline the line of the elbow and the forearm of the arm (this is the part of the arm from the hand to the elbow). The forearm widens from the elbow bend, then becomes thinner and passes into the hand (expanded part). After that, we begin to draw the fingers. Little finger first, then ring finger. We draw them along those lines from point 1 of the same stage.

Stage 2. Now we draw the middle and index fingers of the brush. Along auxiliary lines we give the contours of the phalanges of the fingers. The hand is slightly bent, as if a person wants to take or hold something. Then we will finish the last, thumb. And further. On the fingers and palms, we will show bumps on the skin, depressions and tubercles, skin folds.

Stage 4. Now let's try to draw a separate human hand. We build additional initial wireframe lines like this. Select a point on a sheet of paper. We remove three features from it in different sides. At the end of the third line we put a point, and from it we draw segments connected to each other. It is like a skeleton of future fingers. We outline the hand itself with smooth lines around these straight lines to the finger zone. The brush is bent down. Then. Let's draw the thumb. First, we will show its thickened part, then the phalanges of the finger itself and the line of connection with the index finger. Then draw the index finger and middle finger hands, outlining the skeletal lines of the starting point of this drawing.

Stage 5. We finish the ring finger and little finger. They are barely visible because of the front toes. We show the folds on the skin, tubercles, bulges and bumps on the brush. Then we delete all the sketch lines and leave only the necessary ones. We colorize the hand, shading some areas (the play of light and shadows). We hope you learned this lesson well and you managed to draw the hands of a person.

If you do not take into account the face of a person, then most of all the emotions of a person are conveyed by the position of his hands. The hands and fingers are very plastic and perfectly reflect the emotional state of a person. In this lesson we will draw a human hand with a pencil in stages, from simple to complex.

If you are learning how to draw a person, a portrait or a figure correctly, you definitely need to know how to draw a hand, correctly and naturally, and this requires some knowledge and a little practice.

Proportions

In order to learn how to draw hands, first of all, you need to learn proportions and be able to apply your anatomical knowledge in practice. This is not as difficult as it might seem at first glance. Remembering just a few simple rules you will increase your drawing skills several times, and your hand drawings, miraculously, will become plausible and natural.

General ratios

An interesting fact is that the hand is a bit like a shoulder blade, which consists of two parts of the metacarpus and fingers.

The length of the fingers is equal to the length of the pastern.

This ratio must be observed. The drawing of a hand can be started from a schematic designation of its shape, and a line to show the line separating the brush into two equal parts.

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The length of the entire brush can be quite different. There are people with short and long fingers and, accordingly, a square or elongated hand.

Fingers

Movable and flexible fingers are made up of joints. The bones of the metacarpus are the largest and longest, the joints of the fingers are attached to them. Each subsequent phalanx is smaller and thinner than the previous one.

The hands of our hands are arranged according to the principle of the golden section, because women's hands so attract the views of surrounding men. The proportions of the phalanges are in the ratio of 2/3 of the length of the previous phalanx.

The picture below shows the first phalanx in red, the second in orange, and the third in yellow.

All fingers except the thumb consist of four joints: three phalanges and one joint in the metacarpus. Thumb set aside, slightly turned in relation to the rest of the fingers and consists of three joints. Its length usually reaches the middle of the first phalanx index finger.

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Length little finger almost reaches the bend of the last phalanx of the ring finger. This is shown in the illustration above.

Directions

If you carefully observe the hands different people, there will be another common feature, which must also be taken into account in your sketches. If we outline the brush on top with one line, we get small semicircle, the top of which is the middle finger.

Pay attention to the inside and outside of the palm. If we draw a conditional line at the base of the fingers, we will also see a small arc that goes from the index finger and goes down to the little finger.

In the illustration below, this is indicated by red arrows. You can draw a hand, starting from the mitten, which is shown in the corner brown, immediately outlining all directions.

The pads and folds on the inside of the palm also have one common direction, they seem to descend from index finger to little finger.

Fist

Some more information about the directions that will help you more quickly and correctly depict the brush. Let's say you need to depict a brush clenched into a fist. Evenly bent fingers again form a kind of arc, with general direction"down to pinky".

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Pay attention to the upper part of the illustration - a small hand drawn in brown. Here is a diagram showing how the the width of the fingers in each subsequent phalanx, keep this in mind and do not forget to show in your work. Compare the lengths of the red, orange and green segments.

A fold forms on the outer side of the hand clenched into a fist, under the little finger, it is underlined by a small green arc in the illustration above. By designating it, you will be able to create more realistic image hands holding something or gathered into a fist, etc.

Important Details

The picture below shows how the skeleton of the hand looks like. The joints at the junction are slightly wider and thicker. We need to understand this in order to know how to draw a hand realistically. This is especially true for the hands of the elderly and thin people. In place of the bends, the finger will be slightly thicker, along the length of the phalanx - a little thinner.

Pay attention to how to draw a curved hand in profile. Look at the junction of the metacarpus joint and the first phalanx of the finger. In the picture above, the red line shows where the first phalanx is attached to the metacarpus joints. This is the beginning of the finger, it can be identified by the joint protruding upward - the knuckle. The green line indicates the place where there are membranes between, they are often mistaken for the beginning of the first phalanx.

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If we look at the hand in profile, we will see that the outer side is quite flat, only the knuckles protrude. The inner one, on the contrary, is soft, there is a protruding pad under each phalanx. Under the first phalanx there are two “pads”, one under the joint is especially large and stands out well for everyone.

We draw a hand in stages

Before drawing the hand, decide on the position of the forearm and wrist. To start, let's take the simplest example, use your brush as a nature, and do not redraw the picture below.

Human balance in motion

In general, drawing hands is a skill that needs to be constantly developed and improved. The hands are very plastic and can acquire hundreds of different positions and angles.

Difficult angles

Interesting angles in which the fingers are in different provisions more difficult to portray. There are several ways to help avoid mistakes.

One of the most effective and most commonly used ways of depicting a hand from a non-standard perspective is to indicate the position of each finger:

Sometimes the line does not cope with the task and you have to use auxiliary shapes, cylinders or parallelepipeds to indicate the position of the phalanges:

In order to give the brush some kind of intricate position, first try it on yourself, how comfortable, natural and generally possible it is. The hand, fingers and each joint are interconnected, changing the position of one element of this design, the rest often change their position.

In this lesson, I suggest you draw a hand in its classic position - unclenched fingers, palm down. Perhaps you need to draw a hand clenched into a fist or a hand with the palm up. Or draw connecting hands, as in the background image. In any case, this lesson will help you draw hands. Drawing a hand is very convenient, because with one hand you draw, and with the other you can sketch. First, study your hand carefully, pay attention to the length of the fingers, all proportions. You can even outline the outline of the hand if you are going to draw it in full size.

1. Marking the contour of the hand

Indeed, if you need draw a hand on the entire sheet of paper, it is easier to outline the outline of your hand, and then, using some of the tips from this lesson, just add small parts. If you need to draw a hand on a reduced scale, then first put two points for the wrist and five points for the fingers. Please note that not the index, but the middle finger on the hand is the longest.

2. Straight contour lines of the fingers

The length of the fingers is different. They say very long fingers at the musicians. The nobles believed that long and delicate fingers emphasize aristocratic origin. Maybe, but we will draw a regular hand, so divide the segment where the little finger will be in half, and draw a line from it, parallel to the points outlined earlier. For thumb draw a rectangular outline.

3. Draw the real contours of the fingers

At this stage, you only need to trace the straight contours of the fingers with a pencil and give them real shapes. Perhaps these preliminary contours will be inaccurate, then the shape of each finger can be refined separately.

4. General shape of the hand

At this step, you can correct the contours of the fingers. Make a deeper "angle" for the thumb, but you can leave the original outline, at your discretion. Make a markup of the phalanxes and remove the extra ones from the picture contour lines.

5. The drawing is almost finished

First of all, draw nails on the fingers. Highlight the joints of the fingers with a few strokes and you can say hand drawing finished. It remains only to draw a few details in the next step.

6. How to draw a hand. Shadows

In humans, the knuckles of the hands have "wrinkles" or folds that stretch when the fingers are squeezed, make these areas darker. There is an area between the fingers that also needs to be highlighted. To make the hand look voluminous in the figure, you can make some of the contour lines darker and thicker. In this case, decide on which side the light source will be. It may seem that draw a hand quite easy. Try to draw, and then compare your hand with the resulting drawing.

Let's try to draw a hockey player in motion step by step, with a stick and a puck. You may even be able to draw your favorite hockey player or goalkeeper.

This lesson is designed for those who already know how to draw well, since drawing a person is not easy. draw a picture dancing ballerina especially difficult, because in the drawing it is necessary to convey not only the grace of human movements, but also the grace of ballet dance.

When drawing a person, you must see the whole future image from the intended lines and you just have to draw them. It is important not only to accurately "maintain" the proportions of these lines in the drawing, but to accurately draw hands, eyes, lips. They convey the mood and character of a person.

Portraits are the most complex view visual arts. Learn to draw a portrait, even with a simple pencil, requires not only time for training, but also talent.

Human eyes are the most attractive and main part of a person's face. Since this element of the portrait attracts the most attention, it must be drawn very precisely. In this lesson we will learn how to draw a person's eyes with a pencil in stages.

Every person has a nose unique features, therefore, it is impossible to give exact advice on how to draw the nose of a girl, child or man. You can only make an abstract or as they say "academic" drawing of the nose. It is this version of the drawing of the nose that I propose to draw for you.

When drawing a person, special attention should be paid to both the face and the hands. First, besides the head, the arms are the most exposed parts of the body. Secondly, they are also expressive and mobile. Along with this, due to the complexity of the connecting joints, the convex and flat parts of the hand, the hands can become, and usually are, the most difficult part in the study of the structure of the human body.

The first mistake when drawing is too small hands. And here the ability to draw a head comes to the rescue. If you know how to correctly build the proportions of the head, then we can assume that you already have the correct proportions for drawing the hand. If you put your hand to your face, the tip of the middle finger will be at the hairline, and the brush ends at the level of the chin. Here is your main way measurement of brush parameters.

I hope now you understand the importance of being able to draw the human body. If you can draw the human body, you can draw anything for two reasons: 1) you already know enough about the volume of the human body; and 2) if you place this body in a room with various objects, you can easily determine the dimensions of these objects in relation to the body. And you will also already know that all these objects have their own volume and shape.

Let's get back to the topic - Building a hand.
The hand has two volumetric bulges: one is at the base of the thumb (B), the second is the palm (the rest of the hand) (A). Double rows of finger bones, or carpal bones, are connected to the hand, creating one whole. The wrist does not exist separately, and it is not attached to the hand with a ball-and-socket joint, as in wooden dolls. The movement of the hand starts from the wrist. It narrows slightly at the junction with the forearm. The wrist can also be considered a universal connector because it moves in all directions - up and down, side to side, and can rotate.

The center of the palm is slightly lower than the rest of the hand. For example, if you put your straightened arm on the table with your palm down, you will notice that the wrist does not touch the surface of the table. You will notice that the wrist rises where it joins the hand.

The area of ​​the thumb is much larger than the area at the base of the little finger. The hand is wider at the base of the fingers than at the junction with the wrist: however, closer to the wrist it is higher. Now pay attention to your hand: the palm is longer than its reverse side. The thumb is attached to the palm by an independent and highly mobile ball-and-socket joint, which allows it to actively move independently of the rest of the hand. The palm consists of elastic and soft areas - pillows. The surface of the fingers and the entire palm are covered with many pads. The fingertips are pointed, the middle finger - the longest - is the most high point brushes. The pads at the fingertips are pointed so that they go in the middle - towards the middle finger. If you measure the length of the thumb from the top side, it will be equal to the length of the middle finger. The thumb is more powerful than the rest. The component parts of the fingers are more square in shape than it might seem at first glance, on last square the nail is located, almost triangular in shape, with bulges on both sides, forming a place for the growth of the nail. You will better remember the structure of the hand if you study the structure of the skeleton of the hand, after which problems with drawing the hand will never arise again.

Knowledge of the structure of the joints, their movement and limitation in movement is very important. The first joint of the thumb and the first two joints of the remaining fingers are articulated. They can only move up and down, but not sideways and rotationally. When the fingers are spread apart, the uppermost knuckles of each finger arch back. The lower knuckles of the fingers will lean forward, while the upper knuckles or fingertips cannot be bent even at right angles. Note that the top two articulated joints can only be bent at 90 degrees. The lower joints of the fingers, as well as on the wrist, are spherical. There are many hand positions and structures for you to learn. Even when you are drawing, you can use your free hand as a model. Put a mirror in front of you and it will give you more possibilities learn the positions of your free hand.

1. The first step in drawing a moving hand is the position of the fingers and hand. Draw a hand in motion and determine the approximate position of the hand.

2. Then select voluminous places - divide the brush into parts, this will help you determine where are the convex and where are the flat areas.

4. At the end, add shadows.

Remember this lesson, buy an anatomy textbook and study it. You can study the structure of the hand forever, and you may never be able to draw a hand in the same position twice. Every time you practice drawing a hand, you learn something new. Remember, the hands are just as important as the face. And they require the same attention and close study.

I hope you find this lesson helpful.
Successful work!

It seems that learning how to draw a human hand is the most difficult, as it can take many forms and express different emotions. Animation is no exception. You will have to learn how to draw hands from different angles in order to show them in dynamics and draw the viewer's attention to them. Don't underestimate the power of a well-drawn hand in animation - it will save your work from monotony!

What you need to know

In the comments to my courses, I was asked several times how I draw characters in different poses and with different expressions. The bottom line is that with experience you will begin to develop own style drawing. Unbeknownst to other people, you will have your own little tricks. These tricks are the poses and expressions that you will use much more often than others, as well as certain hairstyles and clothes that you will be able to draw best. It is quite widespread and professional artists resort to this secret all the time!

However, this is very difficult to achieve in hand drawings! Let's take the head as an example. The only moving part there is the lower jaw. We can change facial expressions, but the eyes, nose and mouth remain in their places (at least in real life!) With the hand, everything is different. With any new movement of the brush, everything changes radically. In fact, in a scene with dialogue, facial expressions may barely change, but the hands will move very actively and at different angles.

The goal of this activity is to turn a human hand into a cartoon hand, so let's not waste time learning the names of the bones and muscles of the hand. (On the Tuts+ platform, by the way, you will have extensive opportunities to learn this too). We, in turn, will try to find a simplified way to draw a hand in a way that is practical and efficient.

1. Hand in its most simplified form

"Mom, hi! I'm on the Internet!"

The hand is made up of a variety of bones, especially in the fingers. This means that all fingers are of different sizes and can bend in different directions. For this reason, it is important that you learn how to draw the hand in the most simplistic way possible and be able to look at it like a small puzzle with several key pieces. Let's try to divide it into blocks:

Step 1

Let's start with the back of the hand. Let's draw a simple semicircle:

Step 2

Now let's draw a triangle that is attached to one of its sides. Like this:

Peace of mind: we don't draw a cup of tea!

Step 3

Above the triangle, draw something resembling the tip of a knife.

Step 4

It's time to draw the fingers. In mirror image, draw the first shape at the top. "Puzzle out of hand" is ready:

Step 5

Excellent! It remains to fill in the missing details with soft contours:

The contour of the thumb is the trickiest - it must be gently combined with the center of the palm.

Note that the fingers have a different format due to the difference in their sizes.

2. At a glance

You need to know a few more details of the palm. Let's take a look at them:

Step 1

Again we repeat the process above, following the basic pattern:

Step 2

Something new appears - the palm now looks a little more complex, and there are characteristic differences in its shape that need to be taken into account. Fortunately, a few simplified forms are enough to display it.

Step 3

Now we can add outlines to complete the drawing with the necessary details.

Note that we end the sketch with soft, rounded lines. Think of the palm of your hand as a delicate sculpture.

Profile view

When the hand is turned in profile, we can see the protrusion of the muscle at the base of the thumb.

The more "childish" your drawing style is, the simpler and smoother your lines will be. Here are my little secrets that helped me understand that hands can be drawn based on simplified shapes. The most important thing is to strive for a style that will reflect the personality and dynamics in the drawings in the final stage.

3. More shapes and 3D hand

Now you can draw flat hand for the rest of your life, right? If you want to draw hands with convincing depth, use the same technique above, just change the camera angle! Play with this technique until you feel confident.

To form the fingers, imagine them as cylinders stacked one on top of the other. This technique will help us to draw the fingers from different angles, as it makes it easier to "see" the hand in space.

Hand or robot?

The forms into which a human hand can form are innumerable. When the palm is open, the same rules apply; when closed - others! The same thing happens when a hand holds an object, and it must adjust to its shape.

Let's learn how to draw a fist. Slightly different process, but at the end you will see that it all comes down to a simplified drawing of the main geometric shapes.

Step 1

To begin with, we simplify the fold of the little finger, draw something similar to the letter "y".

Step 2

We kind of "wrap" the little finger around the letter "u". Don't forget to highlight the curve that goes from the little finger to the wrist.

Step 3

We continue to draw fingers in space. This time we draw only three fingers. I'll explain why later.

Step 4

Lastly, draw the thumb and the protruding muscle at the base of the thumb.

Step 5

Good! In a few steps we have finished the simplified drawing of the fist on one side. See how, in rough outline, the shape of a fist can be depicted using "boxes" different sizes.

Notice how you can fit the contour of the fist into three-dimensional rectangular shapes in space.

Obviously, if we try to simplify each hand position with various techniques, we will quickly get tired. So remember that the real secret to simplifying hand drawing is real life observations.

View from the opposite side: simplified drawing.

4. Fab Four

It is widely accepted in animation to draw characters' hands with only four fingers. This allows, in addition to enhancing the dynamics of the character, to make life easier for the artist. That way he doesn't have to worry about too many details.

Hands with four fingers of different styles and sizes.

Note: When using this technique, you need to adapt your knowledge of the five-finger hand to the four-finger hand. Concepts need to be adapted to achieve a suitable and interesting result.

It is worth paying attention to the fingertips. In animation, the more rounded and mobile the fingertips are, the more interesting and dynamic they are. When you create characters, think of their hands as if they were separate characters!

See how this hand has its own character?

Another good reason to draw hands with four fingers: in this case, you have the opportunity to increase the size of the fingers, which means making them more expressive! Whole line famous cartoon characters were able to stand out thanks to this technique: The Simpsons, Bugs Bunny, The Flintstones and Mickey Mouse.

Mystery of the little finger

One of the biggest secrets to this brush design is to make the most of your little finger! If you place it at a different angle in relation to the other fingers, you will break the monotony in the perception of the hand.

Select the position of the little finger in the frame. See how the character of the action changes with this technique. The viewer's attention is now focused on the main subject in the frame, and the personality of the character is given a special twist.

5. Talk with your hand

When we need to express emotions in an animated drawing, the role of hands is indispensable! Look at the images below: the hands visually support and mimic the facial expressions and body language of the characters.

1. "I have an amazing idea!"
2. "How do I look, dear?"
3. "I can't believe... I'm getting an Oscar!"
4. "I don't understand... he was just here!"
5. "Ahhh! My head is splitting!"

As strange as it may seem, hands have their own character! Not only do they support facial expressions and body language, they can express their own emotions!

Do you see the greatness in these gestures above?

However, often you will find yourself in a situation where the hands should not be a distraction. In this case, they must be minor character. Characters in action scenes tend to be exaggerated more than characters in quiet scenes.

Note that there is little movement in the dramatic scene. There is no room for exaggeration here. Hands should emphasize the feelings of the characters - this is one of the most complex processes in design.

6. Knowledge check

I have prepared a little quiz to test your powers of observation. Analyze the pictures below and try to determine what feeling the best way describes each. Can you guess everything correctly?

Can you guess what the hand is expressing in each of the drawings?

Raise a hand!

Now you know all the secrets of the art of drawing cartoon hands, Congratulations!

Although hands are a part of the body that is very interesting to draw, the ability to create hand designs in different styles not so easy, and only with the help of hard training you can achieve a natural result. Even if your goal is to draw for animation, it doesn't hurt to buy a good anatomical atlas to understand how the muscles and bones in the hands work. In this case, there is no need to memorize each thoroughly. It is enough to understand how the hand works in motion. Remember that a character's expressions are much more important than what's under the skin.

One last tip: when you need to draw hands, place your own brushes in front of a mirror, or just watch your hands. One of them will remain stationary while drawing (unless you have learned to draw with both hands at the same time!)