State Russian Museum: works "Black Square", "The Ninth Wave", "The Last Day of Pompeii" (photo). State Russian Museum Reproductions of paintings in the Russian Museum


The Russian Museum from the very moment of its creation was considered, first of all, as a collection of Russian art. Now in his collection there are about 15 thousand works of painters of the 18th-20th centuries. By the time the museum opened, its collection numbered about four hundred paintings. The core of the collection was made up of receipts from three main sources - the Hermitage, the Academy of Arts and the imperial palaces - the Winter Palace in St. Petersburg and suburban ones.

media library

The virtual tour was created on the basis of a temporary exhibition held at the Russian Museum from December 22, 2016 to March 20, 2017. The exhibition includes paintings and graphic works of the master from the collection of the Russian Museum, the Tretyakov Gallery, the Peterhof Museum-Reserve, the Feodosia Art Gallery. I. K. Aivazovsky, as well as from other museums in Russia.

Year of establishment: 2017 | Interactive program | Russian language

The virtual tour was created on the basis of a temporary exhibition held at the Russian Museum from December 2, 2016 to March 13, 2017 as part of the project "The Theater of Russian History. The House of the Romanovs - Facts, Legends and Myths. The Saga of the Dynasty".

The program allows you to take a virtual tour of the exhibition halls, accompanied by audio guides, to examine in detail and get additional information about each of the exhibits. As part of the tour, two films are shown: "Groot - Elizaveta Petrovna's Hoffmaler" and "The Art of the Elizabethan Time".

Year of establishment: 2016 | Interactive program | Russian language

An interactive program based on the painting by Vasily Istomin allows you to get to know the ceremony participants in more detail. Among them, in addition to members of the imperial family, there were Chancellor Count A.A. Bezborodko, marshal of the district nobility P.V. Rimsky-Korsakov (grandfather of the composer N.A. Rimsky-Korsakov), military leader A.A. Arakcheev, the commissioner of the painting, Archimandrite Gerasim, and many others, the artist also depicted at least 80 Tikhvinians. The program consists of five sections and allows you to view the image in high resolution, as well as see the author's animation.

Year of establishment: 2016 | Video film | Language: Russian | Duration: 33:11

The film was created on the basis of a number of artifacts of the 18th century and a painting by V. Istomin from the collection of the Russian Museum "The Transfer of the Tikhvin Icon of the Mother of God from the Church of the Nativity of the Virgin to the Assumption Cathedral in Tikhvin on June 9, 1798" 1801.

Year of establishment: 2016 | Multimedia film | Language: Russian | Duration: 12:48

The film tells about the work of I.K. Aivazovsky, a famous painter, artist of the Main Naval Staff. His paintings of the raging sea, sea battles, the Ecumenical Flood are widely known, but have we ever thought about the means by which the master conveys the element of water.

Year of creation: 2016 | Multimedia film | in two parts | Language: Russian | Duration: 21:12; 12:08

The film in two parts is dedicated to the main court painter of the Elizabethan era G.H. Groot and the art of the Elizabethan time.

Year of establishment: 2016 | Interactive program | Virtual tour of the exhibition | Language: Russian, English

Virtual tour based on temporary exhibition "Peter I. Time and Environment", held at the Russian Museum from December 17, 2015 to April 3, 2016.

Year of establishment: 2016 | Multimedia film | Language: Russian | Duration: 15:09

The film is dedicated to the life and work of the outstanding master of landscape painting, who, after a brilliant graduation from the Imperial Academy of Arts in St. Petersburg, received the right to a long trip to Italy to improve his skills, where he remained until the end of his life.

Year of creation: 2015 | Interactive program | Russian language

The program is dedicated to the event depicted on the canvas by the artist M.-F. Kvadal, - the coronation of Paul I and Maria Feodorovna in 1797. The solemn ceremony took place within the walls of the Assumption Cathedral of the Moscow Kremlin.

Year of creation: 2015 | Multimedia film | Language: Russian | Duration: 16:24

The film is dedicated to two well-known works from the collection of the Russian Museum, paintings by B.M. Demonstration on Uritsky Square "(1921) and V.V. Kuptsov" ANT-20 "Maxim Gorky" (1934).

Year of creation: 2015 | Video film | Language: Russian | Duration: 08:25

The film tells about one of the discoveries of restorers, which can be called truly sensational. From the first years of its existence, the Russian Museum has kept the “Portrait of a Young Man in a Green Caftan”. The assumption that the author of it could be an outstanding master of the early 18th century, the "hoff-maler" of Peter the Great, Ivan Nikitin, has now received undoubted documentary confirmation.

Year of establishment: 2015 | Computer film | Language: Russian | Duration: 04:38

The film tells about the painting by Karl Steiben, dedicated to a dramatic episode in the life of the young Tsarevich Peter Alekseevich. It captures the moment of the Streltsy rebellion, provoked by the de facto ruler of the Russian state, Tsarina Sophia, when 10-year-old Peter was in mortal danger.

Year of creation: 2015 | Computer film | Language: Russian | Duration: 04:30

The film, dedicated to a little-known painting by the artist Adolphe Charlemagne, reveals one of the sinister pages of the era of the beginning of Peter's reign. Its plot was a conspiracy against the tsar, which had matured among high-ranking boyars and archery commanders. The conspiracy was headed by Colonel of the Streltsy troops Ivan Eliseevich Tsykler, under whose name the conspiracy went down in history.

Year of creation: 2015 | Computer film | Language: Russian | Duration: 05:30

The film tells about one of the lifetime portraits of Peter I, which was made by his court painter, a Saxon by origin, I.G. Tannauer. The Emperor is depicted on the battlefield at the moment of victory over the army of King Charles XII and the troops of his ally Hetman Mazepa.

Year of creation: 2015 | Multimedia film | Language: Russian | Duration: 05:20

The painting "The Capture of Azov" (1702) is an example of the reflection of a real historical event in the Russian art of Petrine time. Then, as a result of the Azov campaigns of Tsar Peter Alekseevich, the Ottoman Empire suffered its first major defeat, and Russia gained a foothold at the mouth of the Don and gained access to the southern seas.

Year of creation: 2015 | Multimedia film | Language: Russian | Duration: 05:50

In the film, created according to the script of the director of the Russian Museum V.A. Gusev, tells about the work of the European famous artist of the second half of the 18th and early 19th centuries M.-F. Kvadal, depicting the coronation of Paul I and his wife Maria Feodorovna, which took place on April 5, 1897 in the Assumption Cathedral of the Moscow Kremlin.

Year of establishment: 2015 | Multimedia film | Language: Russian | Duration: 03:10

A film about the famous painting by N.N. Ge reveals the circumstances of the tragic confrontation between Peter I and Tsarevich Alexei (1690-1718), Peter's eldest son from his first wife Evdokia Lopukhina.

Year of creation: 2015 | Computer film | Language: Russian | Duration: 06:00

Among the many, often shocking reforms of Peter the Great, one of the most famous innovations was the holding of unprecedented public meetings - assemblies.

Year of establishment: 2015 | Multimedia film | Language: Russian | Duration: 03:34

In 1846, the painter of the Main Naval Staff I.K. Aivazovsky created a number of battle works dedicated to the events of the Northern War with the Swedes: the naval battles of Reval, Vyborg, Krasnaya Gorka, which played the role of a temporary shelter for the Peter's fleet during the capture of Vyborg in 1710.

Year of creation: 2014 | Russian language

The disk contains multimedia resources of participants in the competition "Sport in Russian Fine Arts", which was held in 2013 among visitors and heads of information and educational centers "Russian Museum: Virtual Branch" and was timed to coincide with the Sochi 2014 Olympics. Multimedia interactive programs, films and presentations were created by schoolchildren, students and employees of the virtual branches of the Russian Museum from Barnaul, Vsevolozhsk, Yekaterinburg, Kohtla-Jarve (Estonia), Krasnoyarsk, Nizhny Novgorod, Nizhny Tagil, Petrozavodsk, Tambov, Tver, Orsha (Belarus), Petersburg, Sosnovy Bor and Syktyvkar.

Year of creation: 2014 | Interactive program | Language: Russian, English, Italian

The multimedia program brings together about 500 works by Russian artists who worked in Italy and Italian masters who left their mark on Russian art, including those who made a significant contribution to the architectural appearance of the palaces of the Russian Museum.

Year of establishment: 2014 | Video presentation | Russian language

The collection of the Russian Museum makes it possible again and again to closely examine the aesthetics of the environment that formed the artist Nicholas Roerich, philosopher and writer. The video presentation presents the exhibits of the collection, created once by the St. Petersburg art association "World of Art" and artists close to this circle.

Year of establishment: 2014 | Interactive program | Russian language

The program brought together about 1,000 works of painting, graphics, sculpture, decorative, applied and monumental art, as well as caricatures from the collections of the Russian Museum and collections of 60 art museums in Russia.

Year of establishment: 2014 | Multimedia film | Language: Russian | Duration: 05:40

The film, created according to the scenario of the director of the Russian Museum V.A. Gusev, based on high-precision shooting of the painting by G.G. Chernetsova "Parade and Prayer on the occasion of the end of hostilities in the Kingdom of Poland on October 6, 1831 on the Tsaritsyn Meadow in St. Petersburg" significantly expands the understanding of the Nicholas era, introduces the characters of a unique group portrait.

Year of creation: 2014 | Multimedia film | Language: Russian | Duration: 09:40

The film tells about a significant event in the life of the imperial family and the entire royal dynasty. When baptized from the Lutheran faith into Orthodoxy, Louise Maria Augusta, daughter of the Margrave of Baden Karl Ludwig, the bride of Grand Duke Alexander Pavlovich, was named Elizaveta Alekseevna in 1793.

Year of creation: 2014 | Computer film | Language: Russian | Duration: 14:50

The film is dedicated to an important event in the history of Russia and the Russian Orthodox Church - the transfer on June 9, 1798 of a particularly revered relic - the miraculous icon of the Tikhvin Mother of God from the Church of the Nativity of the Virgin of the Tikhvin Monastery to the Assumption Cathedral in Tikhvin after the completion of its repair and renovation of the murals. The painting by the artist Vasily Istomin, executed in 1801, captured this solemn event, described in detail in the St. Petersburg Vedomosti.

Year of establishment: 2014 | Computer film | Language: Russian | Duration: 08:54

The film contains a detailed story about the portrait of Paul I in the attire of the Grand Master of the Order of Malta, received by the Russian Museum in 1897 from the Romanov Gallery of the Winter Palace.

Year of establishment: 2013 | Russian language

The disk contains multimedia resources of participants of the competition of the same name, which was held in 2012 by the Russian Museum among visitors and heads of virtual branches of the Russian Museum. Multimedia interactive programs, films and presentations were created by schoolchildren, students and employees of the virtual branches of the Russian Museum from Vsevolozhsk, Gomel, Gorno-Altaisk, Yekaterinburg, Kirishi, Kostroma, Krasnoyarsk, Nizhny Tagil, Tambov, Petrozavodsk, St. Petersburg, Saratov, Sosnovy Bor and Kharkov.

Year of establishment: 2013 | Multimedia film | Language: Russian | Duration: 15:40

The multimedia film is dedicated to the most famous painting by Grigory Chernetsov "Parade on the occasion of the end of hostilities in the Kingdom of Poland on October 6, 1831 on the Tsaritsyn Meadow in St. Petersburg" (1837).

Year of establishment: 2013 | Interactive program | Russian language

The interactive program is dedicated to the most famous painting by Grigory Chernetsov "Parade on the occasion of the end of hostilities in the Kingdom of Poland on October 6, 1831 on the Tsaritsyn Meadow in St. Petersburg" (1837).

Year of creation: 2012 | Russian language

The disk contains multimedia resources of the participants of the competition "Italy in Russian Fine Arts", which was held in 2011 by the Russian Museum among visitors and heads of virtual branches of the Russian Museum. Multimedia interactive programs, films and presentations were created by schoolchildren, students and employees of the virtual branches of the Russian Museum from Barnaul, Vsevolozhsk, Gomel, Yekaterinburg, Moscow, Nizhny Tagil, Petrozavodsk, St. Petersburg, Tver and Tula. They use the works of the Russian Museum and regional collections, which reflect the theme of the Russian-Italian cultural heritage.

Year of establishment: 2012 | Game computer program | 6+ | Russian language

The program "Fireflies" is the next, the third in a series of children's games "Peers" (the first came out in 2009). The game is intended for children aged 6-9, as well as their parents, teachers and everyone who loves the Russian Museum and Russian art. The game is dedicated to the issues of light (illumination) in painting.

The film was shot at the exhibition of the Russian Museum “Clio's Chosen Ones. Heroes and Villains of Russian History. The leitmotif of the story of the director of the Russian Museum V.A. Gusev was the reforming activity of Emperor Alexander II, which overnight changed the lives of hundreds of people and, of course, was reflected in Russian painting.

Year of establishment: 2011 | Video film | Language: Russian | Duration: 25:49

Russian everyday painting is striking in its breadth, with which it covers the most significant aspects of the then reality. One of the first places in it is the Russian village. The everyday genre shows the viewer not only the hardships of peasant life, but also the charm of everyday life. In the film V.A. Gusev, we will talk about the paintings of such artists as A.G. Venetsianov, G.V. Soroka, K.E. Makovsky, A.P. Ryabushkin and others.

Year of creation: 2011 | Video film | Language: Russian | Duration: 25:53

Author's program of Vladimir Gusev. Peter I was the first Russian ruler who systematically built a myth about himself and the period of his reign. The image of Peter has always been romanticized. As A.S. Pushkin: “Now an academician, now a hero, now a navigator, now a carpenter.” The Russian Museum has a large collection of works dedicated to the image of the great emperor. The program includes a kind of picturesque life of Peter I.

Year of establishment: 2011 | Video film | Language: Russian | Duration: 26:00

This film is based on the paintings presented at the exhibition “Clio's Chosen Ones. Heroes and Villains of Russian History. Director of the Russian Museum V.A. Gusev tells the audience about those works, plots and people that are associated with the main events in the history of the formation of Russian statehood.

Audiovisual lectures by Senior Researcher of the Russian Museum, Honored Worker of Culture Regina Abramovna Gelman are devoted to several masterpieces from the collection of the Russian Museum. You can learn about what a “still life” is, how I.E. Repin created his work “Barge haulers on the Volga” or how, at the most difficult moment of his life, V.I. Surikov decided to write “The Capture of a Snowy Town”.

Year of establishment: 2010 | Interactive program | Russian language

This program was prepared for the exhibition of the same name, which presented about 200 works from the collection of the Russian Museum: paintings, drawings and decorative and applied arts of the 1910-1970s, related to the industrial theme. Much of the work was exhibited for the first time.

Year of creation: 2010 | Video film | Language: Russian | Duration: 25:59

The film is dedicated to four exhibitions held at the Russian Museum in 2010. The exhibition "Sky" showed works (from icons to contemporary art), one way or another connected with the "heavenly" theme; "Hymn to Labor" - paintings by representatives of socialist realism and the avant-garde. As part of the exhibition "Smolyanki" by Dmitry Levitsky, for the first time after a large-scale restoration, the audience saw portraits of students of the Smolny Institute, and the exhibition "From Russian Life in the 18th - early 20th centuries" introduced the development of the everyday genre in works of graphics, sculpture and decorative and applied art from the collection of the Russian museum.

In 1994, the famous German collectors Peter and Irene Ludwig presented the Russian Museum with a collection of works by artists of the second half of the 20th century.

This film is dedicated to the permanent exhibition of the Marble Palace - the Ludwig Museum - the only museum exhibition in Russia where you can see the classic works of world contemporary art from the post-war period to the beginning of the 21st century.

Year of creation: 2010 | Video film | Language: Russian | Duration: 25:50

The film is dedicated to the life and work of the artist Isaac Levitan, one of the best masters of landscape painting. Having made nature the protagonist of his canvases, Levitan created landscapes that have their own mood and are understandable to every viewer.

Year of establishment: 2010 | Video film | Language: Russian | Duration: 25:00

This film is dedicated to a special category of landscape painters who painted their works during long-distance expeditions, military campaigns or travels. Such artists were hired specifically to capture the expanses they saw or capture military campaigns. Among these masters P.N.Mikhailov, who, with the team of F.F. Bellingshausen and M.P. Lazarev, reached Antarctica, P.P. Svinin, who traveled a lot, including America, one of the results of his travels was the publication album with views of Russia, as well as M.M. Ivanov, who captured the journey of Empress Catherine II in 1785.

Year of creation: 2010 | Video film | Language: Russian | Duration: 25:47

Dmitry Grigoryevich Levitsky is one of the best portrait painters in the Russian history of painting. In this film, the director of the Russian Museum, V.A. Gusev, tells about the master's work and the history of his work on a series of portraits of pupils of the Smolny Institute for Noble Maidens.

Year of creation: 2010 | Video film | Language: Russian | Duration: 26:00

The film will focus on the most fragile and delicate of all graphic and pictorial techniques - pastel, which was presented at the exhibition "Pastel in Russia" in the Mikhailovsky Castle of the Russian Museum

Year of creation: 2010 | Game computer program | 10+ | Russian language

Year of establishment: 2010 | Interactive program | Language: Russian, English

The program dedicated to the palaces and gardens of the Russian Museum includes 220 spherical panoramas. With the help of panoramic shooting technology, the interiors and appearance of the Mikhailovsky, Marble and Stroganov palaces, the Mikhailovsky Castle, the Summer Palace of Peter I and the House of Peter I are reproduced.

Year of establishment: 2010 | Interactive program | Russian language

The multimedia program was released for the exhibition dedicated to the 275th anniversary of the birth of Dmitry Grigoryevich Levitsky in the Russian Museum. The program tells about the restoration of the famous "Smolyanki" - seven portraits of pupils of the Educational Society for Noble Maidens at the Smolny Institute.

This program has been prepared for the exhibition of the same name at the Russian Museum and is dedicated to the beer theme in art. For centuries, beer served Russian artists as a muse, a model, a source of plots, a prototype of color and form, and set a specific beer emotional tone for the works. Different moments of making and drinking beer caused the need to capture, sing, generalize, reflect.

Year of establishment: 2009 | Multimedia film | Language: Russian | Duration: 10:00

The multimedia film is dedicated to the work of A.P. Ryabushkin, a Russian artist who is best known for his historical easel painting.

Year of establishment: 2009 | Video film | Language: Russian | Duration: 25:43

Sergei Pavlovich Diaghilev is known in Russia and abroad as the organizer of the Russian Seasons, but few people know that Diaghilev made a great contribution to the development of not only Russian ballet, but also Russian fine art. We can say that for the Russian public, too, he opened his eyes to his own history and culture. V. Gusev's film is dedicated to that unknown side of Diaghilev's life, which is inextricably linked with the history of Russian art and which resulted in a large-scale portrait exhibition in 1905 in the Tauride Palace.

Year of establishment: 2009 | Video film | Language: Russian | Duration: 25:57

Makovsky is a famous creative dynasty. Its founder, Yegor Ivanovich Makovsky (1802-1886), is a well-known collector and passionate lover of art, who is at the forefront of the creation of the Moscow School of Painting, Sculpture and Architecture.

Year of establishment: 2009 | Video film | Language: Russian | Duration: 25:00

This film will focus on the portrait of Nikita Akinfievich Demidov by the French artist Louis Toquet, who came from Paris to St. Petersburg specifically to work on the portrait of Empress Elizabeth Petrovna. During his rather long stay in Russia, the master painted several well-known portraits of the Russian aristocracy.

Year of creation: 2009 | Interactive program | Russian language

The program tells about the development of the Russian avant-garde from neo-primitivism to abstraction. Created specifically to help lecturers and students who wish to independently and deeply study Russian art.

Year of establishment: 2009 | Video film | Language: Russian | Duration: 26:00

The film consists of several short stories on the theme "The life of nature and man ...". Based on materials from temporary exhibitions of the museum, it is told that nature in a work of art is not just a decoration, but helps to create an artistic image that arouses empathy in the viewer.

Year of creation: 2009 | Video film | Language: Russian, English, Spanish | Duration: 26:00

The film tells about the work of VL Borovikovsky, about his innovation in portrait art, about creating intimate portraits of his contemporaries.

Year of creation: 2009 | Video film | Language: Russian | Duration: 31:00

The film is dedicated to the work of the artist Andrei Petrovich Ryabushkin, who is rightly called the master of genre and historical paintings, unique in their execution.

Year of creation: 2009 | Interactive program | Virtual exhibition | Language: Russian, English, Estonian

The multimedia program is the first project to identify and present works by artists of the 18th-19th centuries associated with the national art school of the Republic of Estonia in the funds of the Russian Museum. The goal of the program is to include in the cultural life the works of Estonian artists who studied at the St. Petersburg Academy of Arts and combined their work in St. Petersburg with life in their homeland.

Year of establishment: 2009 | Game computer program | 6+, special version for hearing impaired children | Language: Russian, English, Greek

In the interactive game, children are offered tasks traditional for quest games and original mini-games developed on the basis of the works of Russian painters of the 18th-20th centuries.

The film tells about the history of the appearance in 1915 of the "Black Square" by K.S.Malevich, created by the author as an affirmation of a new worldview, a new Suprematist world. Vladimir Gusev talks about the unique exhibition "The Adventures of the Black Square".

Year of establishment: 2008 | Video film | Language: Russian | Duration: 26:00

A film about two representatives of the Russian avant-garde: Vera Ermolaeva, a master of painting and graphics, and Nikolai Suetin, a suprematist, student and associate of Kazimir Malevich.

Year of establishment: 2008 | Interactive program | Russian language

The program includes an electronic catalog of pictorial and graphic materials from the heritage of the largest Russian realistic artist Ivan Ivanovich Shishkin (about 150 works), articles by specialists, a chronicle of life and work. There is a mode for creating your own album of images, as well as the function of copying articles to the clipboard.

Year of establishment: 2007 | Multimedia film | Language: Russian | Duration: 05:00

For the exhibition "Soviet Venus" a multimedia film of the same name was created, which is a kind of introduction to the iconographic traditions of the embodiment of the image of Venus.

Year of establishment: 2007 | Video film | Language: Russian | Duration: 25:45

The large-scale exposition of the exhibition "The Seasons" covers the main stages in the development of the Russian landscape. Winter, spring, summer, autumn in the works of famous Russian painters of the XIX-XX centuries - Sylvester Shchedrin, Mikhail Lebedev, Alexander Ivanov, Arkhip Kuindzhi, Vasily Polenov, Ivan Shishkin and others.

Year of establishment: 2007 | Video film | Language: Russian | Duration: 25:43

In this film, the director of the Russian Museum, V.A. Gusev, tells the audience about three exhibitions of the Russian Museum, which the museum opened in 2007: “The Seasons” (Benois building), “Vrubel. To the 150th Anniversary of Birth” (Benoit building) and “Herbarium of Love” (Mikhailovsky Castle).

Year of establishment: 2007 | Video film | Language: Russian | Duration: 25:44

The Director of the Russian Museum V.A. Gusev tells in this film about how the Academy of Arts was founded, what principles of education were laid at its basis, what were the conditions for training and how students were awarded for their successes at the opened exhibition “Academy of Arts. 1757-2007. To the 250th anniversary of the foundation.

Year of establishment: 2007 | Video film | Language: Russian | Duration: 25:42

The film is dedicated to one of the most famous Russian artists Mikhail Vrubel. In the film, the viewer will not find a chronological description of the artist's life, but will be able to get acquainted with a mosaic of facts, quotes and events that will help to form their own impression of the artist.

The program presents works of painting, graphics, sculpture and arts and crafts from the collections of the Russian Museum and the Krasnodar Regional Art Museum. F. Kovalenko, united by the era of Catherine II - a formal portrait, porcelain, monumental and portrait sculpture.

Year of establishment: 2007 | Interactive program | Russian language

The program includes paintings and graphic works of the artist belonging to the collection of the Russian Museum, sculpture, objects of decorative and applied art, executed in the technique of majolica. The program includes about 200 images with annotations for each work and the opportunity to view enlarged fragments.

Year of establishment: 2007 | Interactive program | Russian language

The program presents more than 200 paintings and drawings by the brothers Apollinaria and Viktor Vasnetsov from the collections of 27 museums in the country, as well as from private collections.

Year of establishment: 2007 | Interactive program | Russian language

The program is dedicated to the work of Alexander Andreevich Ivanov (1806-1858), who in many ways determines the face of the Russian national school of painting, an excellent draftsman, and thinker.

Year of creation: 2006 | Video film | Language: Russian | Duration: 39:02

In this film, Filonov appears to the viewer not only as an artist, but also as a person who sincerely, in his own way, like any genius, loved his wife. Their marriage can be called an age misalliance: she was sixty-two years old, he was forty-three. Filonov was madly in love with his wife. He wrote amazing and tender letters to her, dedicated the pages of his diary to her, which is now kept in the collections of the Russian Museum.

The film tells about the happy stories of the return of several works of art to the collection of the Russian Museum: “Portrait of P.V. Basin” by Orest Kiprensky, “Portrait of Grand Duchess Alexandra Pavlovna” by artist Fyodor Bognevsky, “Winter Landscape” by Ivan Endogurov and “Children who released a bird” brushes of an unknown artist circle Venetsianov.

The film tells about the art collection of the Russian Museum of the 20th century, which made it possible to “reconstruct” within the framework of the exhibition “Time of Changes” the atmosphere of the artistic life of the USSR in the era of the 1960s-80s of the 20th century - the era of the great confrontation between the two worlds in Soviet art.

Year of creation: 2006 | Video film | Language: Russian | Duration: 25:41

In this film, the director of the Russian Museum V.A. Gusev again refers to the long-term program of the Russian Museum "Russia", which enables viewers, moving from city to city, from museum to museum, to discover more and more new stories of life and work, sometimes surprisingly artists we know, and often see and learn a lot for the first time.

The audience will visit the Volga, where I. Repin painted his famous "Barge haulers on the Volga", in Perm in the art gallery of wooden sculpture, as well as in Saratov, where V. Borisov-Musatov lived and worked.

Year of establishment: 2006 | Video film | Language: Russian | Duration: 25:44

The film is based on materials from the Russian Museum exhibition of the same name, dedicated to the analytical art of Pavel Filonov. The audience is waiting for the story of the director of the Russian Museum V.A. Gusev about the difficult circumstances of Filonov's life and the main postulates of his work.

Year of establishment: 2006 | Video film | Language: Russian | Duration: 25:45

The event that took place in St. Petersburg at the end of September 2006 - the reburial in the Peter and Paul Cathedral of St. Petersburg of the ashes of Empress Maria Feodorovna - the wife of Emperor Alexander III and the mother of the last Russian Emperor Nicholas II, could not leave anyone aside, including the Russian Museum.

In addition, this event coincided with another one - the opening of a memorial stone on the grave of the artist A.P. Bogolyubov.

Year of establishment: 2006 | Video film | Language: Russian | Duration: 25:44

In this film, the director of the Russian Museum, V.A. Gusev, invites the audience to walk through the halls of the exhibition of Alexei Savrasov, the founder of the lyrical direction in the landscape genre. The time of the highest flowering of the artist's work was the 70s of the XIX century.

In two halls of the enfilade on the second floor overlooking Nevsky Prospekt, an exhibition "Family relics and contributions of the Stroganov family to Russian churches" is open. It presents the monuments of applied art, icon painting and facial sewing from the funds of the Russian Museum, associated with the Stroganov family, famous in the history of Russia.

Year of establishment: 2006 | Video film | Language: Russian | Duration: 26:00

The female portrait is the most attractive and mysterious part of the work of many artists. Two female portraits formed the basis of the film: "Portrait of Grand Duchess Elena Pavlovna with her daughter Maria" by Karl Bryullov and "Portrait of Empress Maria Feodorovna" by Vladimir Makovsky.

Year of establishment: 2006 | Interactive program | Russian language

The program is dedicated to fine arts and artistic life in the Soviet Union between the so-called "thaw" and the beginning of perestroika. The publication combines two opposing layers in the artistic culture of 1960-1985. The program includes about 600 images of exhibits, documentary photographs, annotations about the works presented.

The program is dedicated to the coronation of Paul I, which was captured on his canvas by the artist of French origin M.-F. Quadal. The materials of the program allow you to get an idea about the coronation ceremony, about its participants, as well as about the Assumption Cathedral of the Moscow Kremlin, within the walls of which the ceremony took place.

Year of establishment: 2005 | Multimedia film | Russian language

The multimedia film with elements of interactivity presents K. P. Bryullov’s painting “The Last Day of Pompeii” from the collection of the Russian Museum, the history of its creation, historical, archaeological monuments and works of ancient Roman art.

Year of creation: 2005 | Video film | Language: Russian | Duration: 25:38

The film tells the audience about the latest trends in the visual arts. The term "recent" art should be understood not in a chronological, but in a conceptual sense. The rich funds of the Russian Museum contain not only masterpieces selected by time, but also works that are very likely to become classics tomorrow. The audience will get acquainted with the process of forming a fund of the latest trends in art, and with the works of contemporary artists that make it up today.

Year of establishment: 2005 | Video film | Language: Russian | Duration: 25:35

The film tells about a unique exhibition that opened in the Russian Museum. On the walls of the exhibition halls, accompanied by traditional museum labels, frames are hung in a strict order: but without pictures!!! Almost always, coming to the museum, viewers, as a rule, look only at the paintings. And the frame is not noticed, perceiving it as an integral part of the picture.

The third film, dedicated to the exhibitions of the Russian Museum "The Road" and "Religious Petersburg", introduces the works of painting and graphics from the collection of the Russian Museum, as well as a hidden corner of the Mikhailovsky Palace - the Church of the Archangel Michael. The film also tells about the lost churches of St. Petersburg, about the symbolic and metaphorical meaning of the road in the works of Russian art.

Year of establishment: 2005 | Video film | Language: Russian | Duration: 25:46

The film invites you to visit two exhibitions of the Russian Museum: "The Road" and "Religious Petersburg", to wander among the picturesque canvases along the paths of knowledge. Moving from hall to hall, the audience will see the religious Petersburg of the 18th-19th centuries, the royal city, shining with gilded domes and spiers of numerous temples, cathedrals and churches.

Year of establishment: 2005 | Video film | Language: Russian | Duration: 25:43

The film tells about the development of Russian church art over more than two centuries - from Peter I to Nicholas II, about Russian icons and church paintings, and about artists who devoted their lives to religious art.

Year of creation: 2005 | Video film | Language: Russian | Duration: 51:21

Year of creation: 2005 | Video film | Language: Russian | Duration: 25:41

On the eve of the 60th anniversary of the Victory in the Great Patriotic War, the whole country was preparing for the holiday. And the Russian Museum is no exception. The exhibition "The Way to Victory" was presented here. It showed works of painting, graphics, sculpture, created in the period from 1941 to 1945.

Year of establishment: 2005 | Video film | Language: Russian | Duration: 25:48

Marc Chagall (1887-1985) is an outstanding artist of the 20th century. Today it is impossible to imagine the history of Russian and world culture without the name and work of Marc Chagall. In this film, the Russian Museum will present a grandiose exhibition of Marc Chagall, which covers two periods of the artist's work, Russian and foreign, over the course of seven decades of his activity.

Year of establishment: 2005 | Multimedia film | Language: Russian | Duration: 18:00

The film tells about the events that led to the assassination of Emperor Paul I, the fate of his family members after the tragedy. Numerous documents and artistic monuments of that era are shown.

Year of establishment: 2005 | Interactive program | Russian language

The program includes paintings, drawings and engravings, posters and sculptures created by artists in besieged Leningrad, in Moscow ready for defense, at the front, in the rear.

Year of establishment: 2005 | Interactive program | Russian language

The program presents twelve works by artists of the 20th century, reflecting the contemporary artistic process, from the collection of the Ludwig Museum in the Russian Museum, located in the Marble Palace. The program includes biographies of artists, descriptions of works, information about terms and artistic phenomena.

Year of establishment: 2005 | Video film | Language: Russian | Duration: 52:00

The film tells: about female portraits (by S.M. Botkina, Z.N. Yusupova, O.K. Orlova, Ida Rubinstein), reflecting changes in Serov's worldview, in his understanding of painting, etc.

Year of establishment: 2005 | Interactive program | Russian language

The program includes more than 200 works by the artist from the collections of the State Russian Museum (painting, drawing, engraving). Annotations about each work, articles about creativity, biographical information and documentary photographs are published.

Year of establishment: 2005 | Interactive program | Russian language

The program tells about the religious life of pre-revolutionary St. Petersburg and the history of St. Petersburg churches. The main part is devoted to the churches of St. Petersburg and is divided into periods of reign from Peter I to Nicholas II. Photos of temples are accompanied by biographies of architects and artists.

The program presents a tour of the halls of the Mikhailovsky Palace, which houses the main exposition of the Russian Museum. The program includes types of interiors, paintings, graphics and sculpture from the museum's collection (646 exhibits), annotations to them and information about the authors of the works.

Year of establishment: 2004-2005 | Video film | Language: Russian | Duration: 78:00

Films about an amazing exhibition in the Russian Museum, introducing viewers to paintings that were either extremely rarely exhibited or never left the museum's storerooms due to their large size.

Year of creation: 2004 | Video film | Language: Russian | Duration: 43:58

The name of the great Russian artist Konstantin Andreevich Somov is inextricably linked with the artistic association "World of Art". Contemporaries said about Somov that he, in his works, embodies the shadows of the past. The artist was an elegant eighteenth-century singer, revealing to the viewer the mysterious charm of the world of colorful masquerade, powdered wigs and magnificent fireworks.

The program presents I.E. Repin’s painting “The Ceremonial Meeting of the State Council on May 7, 1901 on the day of the centennial anniversary of its establishment” from the collection of the Russian Museum. The program includes biographical information about all persons - members of the State Council, depicted on the canvas.

Year of establishment: 2004 | Video film | Language: Russian | Duration: 25:57

Each artist or painting has its own secrets, in this film the director of the Russian Museum V.A. Gusev will lift the veil of secrecy. The audience will learn the secret of the origin of O. A. Kiprensky and his self-portraits, get acquainted with the participants of the Venetsianov school, as well as with the heroes of the painting by G. G. Chernetsov “Parade on the Tsaritsyn Meadow”.

Year of establishment: 2004 | Video film | Language: Russian | Duration: 25:10

The film is dedicated to the life and work of the artist Boris Kustodiev. Based on the materials of the exhibition in the Russian Museum, the film makes it possible to refute the prevailing idea of ​​​​Boris Kustodiev as an artist who painted exclusively magnificent, rosy-cheeked merchants, a colorful fair and a Russian village with its accordions, gingerbread cookies and samovars. More than 350 works presented at the exhibition, collected from museums from all over Russia, allow the most complete and multifaceted presentation of the huge creative heritage of Boris Kustodiev, to give an exhaustive picture of his life, the life of his contemporaries and his beloved Russia. A film about a remarkable portrait painter and a prominent representative of Russian art at the turn of the 19th and 20th centuries is for many a real discovery of this remarkable master.

Year of establishment: 2004 | Video film | Language: Russian | Duration: 25:37

The film is dedicated to the life and work of the artist Boris Kustodiev. Based on the materials of the exhibition in the Russian Museum, the film makes it possible to refute the prevailing idea of ​​​​Boris Kustodiev as an artist who painted exclusively magnificent, rosy-cheeked merchants, a colorful fair and a Russian village with its accordions, gingerbread cookies and samovars.

Year of creation: 2004 | Video film | Language: Russian | Duration: 25:55

The film tells about the artist Viktor Elpidiforovich Borisov-Musatov, whose creativity flourished at the turn of two centuries, at a time extremely complex and exceptionally rich in major creative individuals.

Year of creation: 2004 | Video film | Language: Russian | Duration: 25:51

The film is dedicated to the life and work of famous Russian artists, brought up in the traditions of the Saratov Art School. These are Aleksey Bogolyubov, Viktor Borisov-Musatov, Pavel Kuznetsov, Pyotr Utkin and many others who in their youth received the strongest artistic impressions from contact with the expressive nature of the Volga region.

Year of establishment: 2004 | Interactive program | Russian language

The program is dedicated to the 300th anniversary of St. Petersburg. It will include masterpieces from the collection of the Russian Museum from the icon to the avant-garde, a computer film about the history of the museum, a virtual tour "From the icon to the avant-garde: four paintings from the collection of the Russian Museum."

Year of establishment: 2004 | Video film | Language: Russian | Duration: 26:00

The film was shot based on the materials of the exhibition "The Coronation of Paul I and Maria Feodorovna", opened in the Mikhailovsky Castle of the Russian Museum on the 250th anniversary of the birth of Emperor Paul I. The painting by Martin Ferdinand Quadal is a unique historical document, being a group portrait of the imperial family and the first persons of the state .

The film tells about the history of the creation by Ilya Repin of the famous painting "Barge haulers on the Volga", whose popularity has as many years as the painting itself.

Year of establishment: 2004 | Video film | Language: Russian | Duration: 52:00

The film is dedicated to the artists who were part of the creative associations of 1910-1916 "Jack of Diamonds", "Donkey's Tail" and "Target". Young avant-garde artists who participated in the exhibitions of these associations contrasted their work with the work of symbolist artists.

Year of establishment: 2004 | Interactive program | Russian language

The program includes more than 400 works by B.M. Kustodiev from museums, libraries and private collections in Russia. You can get acquainted with the biography of the artist, see his work; There are chronological and alphabetical indexes.

Year of creation: 2004 | Interactive program | Language: Russian, Finnish

The program includes works by artists from the collections of two museums - the State Russian Museum and the Museum of Fine Arts of the Republic of Karelia, dedicated to the Karelian-Finnish epic "Kalevala". Contains annotations to works, biographies of artists.

Year of establishment: 2003 | Video film | Language: Russian, English, Spanish | Duration: 26:00

Alexander Andreevich Ivanov (1806-1858) was born in the artist's family. His father, Andrei Ivanovich Ivanov, was a professor at the Academy of Arts, where he spent the entire first half of his son's life. After graduating from the Academy, the young man, who carefully studied the samples of classical art kept in the Hermitage, the Stroganov Gallery, and other private collections, went to Italy. Everything was there: creative discoveries, joys and sorrows, strange meetings, friendship with N.V. Gogol and inner loneliness. And most importantly - work on a huge canvas "The Appearance of Christ to the People."

Year of establishment: 2003 | Video film | Language: Russian | Duration: 25:51

The first film in a series of programs dedicated to the tercentenary of St. Petersburg. This film presents one unusual day in the life of the Russian Museum. The viewer is waiting for a fascinating story by the director of the Russian Museum V.A. Gusev about the history of the appearance of the Summer Garden as part of the Russian Museum complex, as well as about the exhibits of the exhibition “St. Petersburg. Portrait of the city and citizens.

Year of establishment: 2003 | Video film | Language: Russian | Duration: 25:44

The losses suffered by our country and our people during the Great Patriotic War are truly incalculable. But the collection of the Russian Museum was practically not damaged - not a single exhibit was lost or even damaged. This became possible only thanks to the heroic work of the museum staff, who rescued, evacuated and preserved the art treasures with all their might. The museum's collection continued to grow during the war years. He accepted the Russian Museum for safekeeping the most valuable works of artists who remained to live and work in besieged Leningrad.

Year of establishment: 2003 | video film | Russian language | Duration: 25:58

From the second half of the 18th century, relations between St. Petersburg and Italy were not exclusively official and did not consist only of diplomatic missions, delegations and gift exchanges between the royals. The close interweaving of the threads of family ties between Russia and Italy allows us to establish interesting facts related to the artists and people depicted in the paintings, customers and intermediaries, as well as the fate of the works themselves.

Year of establishment: 2003 | Russian language | Duration: 25:55

The film deals with works of painting, sculpture, graphics, arts and crafts from the collection of the Russian Museum and museums in Rome, Naples, Florence, Milan, as well as from private collections in Italy, presented at the exhibition of the Russian Museum of the same name.

Year of establishment: 2003 | video film | Russian language | Duration: 25:46

Pavel Nikolayevich Filonov (1882-1941) - painter, graphic artist. His paintings were destined for a long forced oblivion, then a way out of oblivion and recognition, but still Filonov remains the most mysterious and most incomprehensible of the masters of the Russian avant-garde, a lonely and tragic figure in the art of the twentieth century.

Year of establishment: 2003 | video film | Russian language | Duration: 26:24

The sixties of the 19th century were a period of brilliant flowering of Russian realistic art. Russian painting vividly and diversified reflected contemporary life: sharp social contradictions, and poverty, and the grief of a working person, and an unquenchable faith in a better future, and even the emergence of terrorism in Russia, which F.M. Dostoevsky tried to say in his novel " Demons". All these phenomena were embodied in the paintings of Russian artists F. Vasiliev, N. Ge, I. Kramskoy, G. Myasoedov, V. Pukirev, V. Perov.

Year of establishment: 2003 | video film | Russian language | Duration: 26:41

Orest Adamovich Kiprensky (1782-1836). An artist who created a gallery of portraits of remarkable people of Russian society in the era of romanticism. The beginning of the 19th century is rightly called the "golden age" of Russian painting.

Year of establishment: 2003 | interactive program | Russian language

The program includes more than 400 full-screen reproductions of paintings and drawings from the collection of the State Russian Museum, which represent a collective image of St. Petersburg in various historical eras

Year of establishment: 2003 | video film | Russian language | Duration: 26:00

This film is a continuation of acquaintance with the collection of the State Russian Museum, located at the main exposition in the Mikhailovsky Palace. Particular attention in the film is paid to the decoration of the palace halls, sculpture, folk art items exhibited in the halls of the museum, as well as other art objects from the storerooms, which are exhibited at numerous exhibitions organized by the Russian Museum.

Year of establishment: 2003 | video film | Russian language | Duration: 26:00

Continuation of the story about the history of the portrait, begun in the film 1. The viewer is introduced to the history of Russian portraiture from the middle of the 19th century, its features, the era of the Wanderers, a portrait of the late 19th century, the beginning of the 20th century, portraits of the first decades of Soviet power, as well as portraits of the totalitarian era 60 -s.

Year of establishment: 2003 | video film | Russian language | Duration: 26:00

A film-walk through the Russian Museum, during which the viewer gets acquainted with the first Russian portraits - "parsuns" of Peter the Great, masterpieces of the 18th century, as well as a romantic portrait of the 19th century.

Year of establishment: 2003 | video film | Russian language | Duration: 26:00

The film tells about the history of the origin of the portrait genre, introduces the existing types of portrait images, about the ways of conveying unique, individual features of appearance and character.

Year of establishment: 2003 | video film | Russian language | Duration: 26:00

The film tells about the history of the landscape genre, its origin and separation into an independent genre, tells about the history of the creation of various paintings.

Year of establishment: 2003 | video film | Russian language | Duration: 26:00

The film tells about the originality of the still life genre, its features, about the history of the development of Russian still life over the past two centuries, using the works of famous painters as an example.

Year of establishment: 2003 | video film | Russian language | Duration: 26:00

During a virtual walk through the exposition of the Russian Museum, the viewer is told why the paintings are so different from each other, what determines their originality and uniqueness of the images presented on them, how to understand the special language of painting.

Year of establishment: 2003 | video film | Russian language | Duration: 52:00

Orest Adamovich Kiprensky (1782-1836) - an artist who created a gallery of portraits of remarkable people of Russian society in the era of romanticism. One of the first works of Orest Kiprensky is a portrait of Adam Schwalbe (1804). The portrait painted on a wooden board seemed to be the work of a European master of the 17th century.

Year of establishment: 2003 | video film | Russian language | Duration: 52:00

Alexander Ivanov, starting to work on the canvas, wanted the work to contain universal ideas, to be in tune with modernity. Twenty-five years of work on the picture are years of continuous searches, changes, improvements. In the end, he literally hid behind his huge canvas, afraid of returning to Russia - they were no longer waiting for him there ...

Year of establishment: 2003 | interactive program | Language: Russian, English, Chinese, Finnish

The program shows about 400 exhibits from the permanent exhibition of the Russian Museum. These are works covering the period from the XII century. until the 20th century - painting and sculpture.

Year of creation: 2002-2003 | video film | Russian language | Duration: 26:00

The film tells about the work of the artist Ilya Efimovich Repin on a large-scale painting "Meeting of the State Council on May 7, 1901, on the day of the centennial anniversary of its establishment."

Year of creation: 2002 | video film | Russian language | Duration: 26:01

The exhibition at the Russian Museum has become a kind of return to the homeland of the world-famous masters of Russian art - emigrant artists Natalia Goncharova and Lev Bakst.

Year of creation: 2002 | video film | Russian language | Duration: 25:40

The film by V.A. Gusev is dedicated to the 1860s - one of the most interesting, controversial and extremely important periods in the history of Russia and Russian art. The essence of this time is determined by the pathos of denunciation and direct criticism by artists of the surrounding reality. Unusual responsiveness to pressing issues of social life, intolerance to evil, sincerity in expressing one's ideas, consonant with the mood of the artistic intelligentsia of Russia at that time, make the art of the "sixties" an extremely significant phenomenon.

Continuing our acquaintance with the cultural heritage of the Northern capital, we decided to head to the State Russian Museum....

We note right away that this brand unites five buildings - the Mikhailovsky Palace with the Benois Wing, the Marble Palace, the Mikhailovsky (Engineering) Castle, the Summer Palace of Peter I , the Stroganov Palace and several park areas, including the Summer Garden and the Mikhailovsky Garden....

In this case, we will talk about the main building of this museum complex - the Mikhailovsky Palace with the Benois exhibition building, which is located at Inzhenernaya st. d.4...

The history of the world's largest museum of Russian art originates from the Named Imperial Decree of Nicholas II "On the establishment of a special institution called the Russian Museum of Emperor Alexander III "and on the provision for this purpose of the Mikhailovsky Palace acquired to the treasury with all the outbuildings, services and gardens belonging to it," signed in April 1895 ...

In 1898, the museum officially opens. The basis of the museum's collection at that time was the donated works of art from the Winter Palace, the Hermitage, and some private collections....

Strange as it may seem, the main increase in the museum's collection was after 1917... This is primarily due to the nationalization of private property, which fully affected numerous collectors...

At present, according to official sources, the museum's collection consists of 408 thousand exhibits, which we will get to know today...

Our acquaintance begins with the lobby of the main building.... We go up the wide front staircase to the second floor....

Before us is a monument to Alexander III....

The gallery of the second floor is decorated with 18 grand Corinthian columns.

and numerous sculptures.

In the corner is a model of the monument to the famous historiographer N.M. Karamzin, made by S.I. Galberg for Simbirsk...

In order not to get lost in the numerous halls of the museum, we carefully study its plan

and head to the first hall, which presents icons of the 12th-13th centuries...

Here we can get acquainted with the works of various icon-painting schools: Moscow, Novgorod, Pskov, etc...

Here, for example, we have a fresco "Prophet Samuel" (1112) from St. Michael's Golden-Domed Monastery in Kyiv....

In the next exhibition hall, we have the opportunity to get acquainted with the icons of the Russian North....

"Saint Nicholas the Wonderworker, with life" (14th century) - came here from the St. Nicholas Church in the village. Ozerovo Leningrad region....

Icon from the Church of Varvara in Pskov "St. Demetrius of Thessalonica" (15th century)....

The Royal Doors with the image of the Annunciation and Saints Basil the Great and John Chrysostom from St. Nicholas Church in the distant village of Gostinopolye on the river. Volkhov (15th century).....

Another exhibit of the Novgorod school of icon painting is "St. Nicholas the Wonderworker with Selected Saints" (13th century)...

The next room displays icons from the 15th-16th centuries. Among them are the works of Andrei Rublev "The Apostle Paul" and "The Apostle Peter", which are located in the center of the hall....

Hall No. 4... Icons of the 16th-17th centuries have already been placed here. ....

"I believe ..." (1668) from the Church of St. Gregory of Neokessaria on Polyanka in Moscow....

"Prophet Daniel" .... (from the iconostasis of the Transfiguration Cathedral in Tver)

The icons are over and we move on to the next room, which is associated with a new period in the history of Russia...

This is the end of the 17th - beginning of the 18th centuries. The reign of Peter I ... The time of great changes not only in politics, but also in art .... Icon painting is leaving the background, and preference is given to the portrait genre .... Peter I sends a number of artists to study in Italy, among whom was Ivan Nikitich Nikitin....

It is his work that is presented in this room ...

Before us is one of his famous works - a portrait of Princess Natalya Alekseevna. (1716)...

Also during this period, the art of sculpture began to develop rapidly .... The largest master of this period is B.K. Rastrelli. Therefore, it is no coincidence that in this hall there is a cast-iron bust of Peter I, cast in the author's form in 1810...

We see the continuation of the Petrine era in the next hall of the museum....

These are, first of all, the works of Ivan Vishnyakov - portraits of brother and sister Fermor...

Painting by B.V. Sukhodolsky "Painting" (1754)....

Among the works exhibited in this hall is the "Head of an Old Man" (Master Matvey Vasiliev, 1769)....

In the center of the next hall we meet the monumental sculptural group "Anna Ioannovna with a black child" - the work of B.K. Rastrelli...

The walls of the hall are decorated with magnificent tapestries (trellises) of the St. Petersburg Tapestry Manufactory, founded on the initiative of Peter I in 1716...

The portrait genre has been especially popular in Russia for many centuries. A prominent representative of this trend in the late 18th and early 19th centuries. was Fedor Rokotov, whose works are presented in the next room...

The portrait genre is being replaced by the historical one... It was this genre that was established by the Russian Academy of Arts from the middle of the 18th century...

One of the first representatives of this genre in Russia was A.P. Losenko with his famous painting "Vladimir and Rogneda", which reflects a completely historical fact: Prince Vladimir is trying to marry the daughter of the Polotsk prince Rogneda ...

And here is his other work - "Wonderful Catch", which he made in Paris during an internship .... The painting of the same name by J. Jouvenet (kept in the Louvre) was taken as the basis .... The plot of the painting is directly related to the Bible and reflects the process of Christ's participation in the unprecedented fishing on the boat of Simon Peter....

The exposition of the next room is dedicated to the work of Dmitry Levitsky - according to experts - the brightest Russian portrait painter of the era of enlightenment classicism....

But before we get acquainted with his work, let's take a quick look at the ceiling of this room.

and on the sculpture located in its center....

The Russian Museum has a unique collection of works by Fedot Ivanovich Shubin, an outstanding master of sculptural portraits of the 2nd half of the 18th century. In 1789, by order of Prince G.A. Potemkin-Tavrichesky sculptor made a ceremonial portrait-statue of Catherine II for the Tauride Palace...

Here she is in front of us - "Catherine II - legislator...

Well, now you can return to Levitsky ....

Portrait of Ekaterina Ivanovna Molchanova (1776)...

Portrait of Alexandra Petrovna Levitskaya.....

Our further path passes through the White (White Column) Hall....

Once upon a time there was a music salon in which the Grand Duchess Elena Pavlovna (Princess Frederick Charlotte Maria of Württemberg) arranged musical and poetic evenings....

Today, this hall presents a unique palace interior of the early 19th century, to which K.I. Rossi, A. Vigi, J.B. Scotty and other famous sculptors and painters...

The White Hall is one of the few rooms in the palace that has retained its original decoration to this day...

From the White Hall we get to the exhibition of works by V. L. Borovikovsky, a recognized master of portraiture....

However, the artist prefers chamber portraits, in which, in his opinion, it is possible to convey the variety of innermost feelings and experiences of the depicted person...

In the same hall, armchairs from a furniture set for the Karamzin living room of the Mikhailovsky Palace, designed by K.I. Russia......

Well, now we get into hall number 14 .... Remember these numbers. In our opinion, this is one of the best halls of the museum in terms of the paintings presented in it.

The famous works of Aivazovsky and Bryullov are exhibited here...

Let's start with the works of I.K. Aivazovsky - the world-famous Russian marine painter ...

Before us is one of his famous paintings of his "The Ninth Wave" .... People were shipwrecked after a severe storm and are trying to escape on the wreckage of the mast, but the biggest wave is ready to fall on them - the ninth wave ...

The size of the picture is 221x332 cm, and therefore it is better to look at it comfortably sitting on a soft sofa, standing in the center of the hall....

But to see how clearly all the details are drawn, you have to use the optics of the camera...

The next painting by Aivazovsky, which we see in this room - "Wave" (1889)...

In the last years of his life, Aivazovsky was completely absorbed in creating the image of the sea element. Many of his paintings of this period are essentially a variant of the same plot, but nevertheless, each of them has something special, individual...

Picture details....

Here we can also find earlier works by the master, for example, "Russian squadron in the Sevastopol roadstead" (1846) ..

or "Brig" Mercury "after defeating two Turkish ships meets with the Russian squadron" (1848)....

The second half of the hall is dedicated to the works of another famous artist - Karl Pavlovich Bryullov - a representative of academicism in art...

The central place in the exhibition rightfully belongs to the canvas "The Last Day of Pompeii" - a plot from ancient history (the eruption of Mount Vesuvius and the death of the city of Pompeii) (1833)....

The painting "Crucifixion" (1838)... The image was painted for the Lutheran Church of St. Peter and Paul, which was built according to the project of the artist's brother - Alexander Pavlovich...

Portrait of Yu.P. Samoilova with her adopted daughter Amalia (1842)...

Portrait of Grand Duchess Elena Pavlovna with her daughter (1830).....

Portrait of U.M. Smirnova (1837)....

Portrait of Princess E.P. Saltykova (1841)....

"The appearance of three angels to Abraham at the oak of Mamre" (1821) .... This painting was painted by Bryullov on the instructions of the Academy of Arts and was awarded a gold medal...

In general, in hall No. 14 you can sit comfortably on the couch and enjoy the works of our great masters for hours....

Of course, it’s good to sit, but the museum does not end in this hall .... So we continue to explore further ...

In the next room, we offer to our attention the works of professors of the Academy of Arts of the first half of the 19th century...

Among the presented exhibits, the work of A.A. Ivanov "The Appearance of Christ to the People"

This is a kind of reporting work of the author for the state pension in Italy ...

The plot of the picture is based on the events from the 3rd chapter of the Gospel of Matthew ... We see a crowd of Jews who came to the banks of the Jordan after the prophet John the Baptist to be baptized .... Pointing to the figure of Christ that appeared in the distance, John explains to the audience that this man brings them a new truth, a new dogma...

While preparing for his masterpiece, which we talked about above, Ivanov paints a series of sketches of naked boys against the backdrop of a diverse landscape... The painting "Three Naked Boys", which is shown below, is one of them...

Another work of A.A., full of subtle harmony. Ivanova - "Apollo, Hyacinth and Cypress, engaged in music and singing" (1831)...

The picture of F.A. is also impressive. Bruni "The Bronze Serpent" (1841), which also presents a biblical story related to the 40-year wandering of the people of Israel in the desert .... People doubted the ability of Moses to lead them out of the desert, then God sent a rain of poisonous serpent .... After many people died, the Lord ordered Moses to put out a bronze serpent and those who looked at him with faith remained to live ...

Before us is his creation "Socrates in the battle of Potidaea defends Alquiad" (1828)....

"Dmitry Donskoy on the Kulikovo field" (1824) - the author is a former serf Count N.P. Rumyantsev - V.K. Sazonov...

By the way, in this hall, as well as in the previous one, you can get acquainted with the closed (in the truest sense of the word) exposition... If you paid attention, there are small tables covered with velvet along the walls of the hall... So, if you lift this rag , then under it you will see various sketches, drawings of famous masters from private collections ... Many visitors do not know about this and pass by ... And they close all this from prying eyes with only one purpose - so as not to take pictures ... It’s worth it to you just lift the curtain - the caretaker of the hall in the pose of an attacking cobra will relentlessly follow your movements ...

Following the paintings by S. Shchedrin and M. Lebedev

we fall "into the hands" of O. Kiprensky and a collection of his portraits...

Portrait of O.A. Ryumina (1826)...

In the same room, a model of the statue for the fountain in the Catherine Park of Tsarskoe Selo "The Milkmaid with a Broken Jug" by P.P. Sokolova (1807-1810)....

In the next room, we are witnessing the work of A.G. Venetsianov... If before that the heroes of the canvases were famous or noble people, then Venetsianov's images of peasants, their way of life and everyday life come to the fore...

Paintings "Peeling the Beets" (1820),

"Reaper" (1826) and

"Fortune-telling on the cards" (1842) is a vivid confirmation of the above....

At the window we see the project of the tombstone of the monument to M.I. Kozlovsky by S.S. Pimenov (1802)...

We get acquainted with the work of Vasily Grigorievich Perov in the next room....

We see the plot relevant to the present time in his work "Hunters at Rest" (1877)...

The procedure of the monastery dinner is reflected in all details by Perov in his work "Meal" (1865)...

The aspirations of a lonely man, his thoughts, problems and ways to solve them are reflected in the painting "Guitar-player" (1865)...

Before us are the works of the famous landscape painter - I.I. Shishkin...

"Pine Forest" (1883),

"Forest (Shmetsk near Narva)" (1888)...,

"Ship Grove" ....

In the neighborhood with Shishkin, we see the works of M.K. Klodt - masters of realistic landscapes of the Russian village.....

Here is one of his works - "A herd by the river at noon" (1869)....

The "gaps" between the paintings are filled with the works of E.A. Lansere - Russian sculptor-animalist...

All his life he was fascinated by horses, so it is no coincidence that these animals are present in many of his creations....

Before us is the ebb of the bronze "Arab with lion cubs" (1879)....

In the second half of the 19th century, the neo-Greek style became popular in painting, which is expressed in the form of spectacular multi-figure spectacles, bloody dramas, etc.

This is exactly what we had to face in the next hall of the museum...

Picture G.I. Semiradsky "Phryna at the festival of Poseidon in Eleusis" (1889) is a vivid example of this trend in art...

From the same "series" and full of dramatic expression, the painting by K.D. Flavitsky "Christian martyrs in the Colosseum" (1862)....

On the way to the next room, we again come across the work of E.A. Lansere - "Kyrgyz shoal on vacation" (1880)...

After some time, we find ourselves in the "captivity" of the Russian folk epic .... And all this thanks to the fairy-tale battle works of V.M. Vasnetsov:

- "Battle of the Scythians with the Slavs" (1882)

and "The Knight at the Crossroads" (1882)...

We are going to get acquainted with the work of our next famous artist - V.I. Surikov...

Slowly we pass by "Stepan Razin" ....

We linger a bit at the painting "Salome brings the head of John the Baptist to her mother Herodias" (1872) (it is not so often to see a head on a tray...)

and stop at the canvas "View of the monument to Peter I on the Senate Square in St. Petersburg" (1870)

We pass to the next hall - here is the continuation of Surikov's exposition....

We sit comfortably on the sofa so that we can slowly, in silence, admire "Suvorov's Crossing the Alps" and "Ermak's Conquest of Siberia"

but then a gang of Nakhimovites appeared from somewhere ....

We had to hurriedly retreat to another hall and we already examined the details of these paintings in the hotel through the camera ....

We did it in a timely manner, because in the next, small hall, a monumental painting by I.E. Repin with a "short" title "Ceremonial meeting of the State Council on May 7, 1901, on the day of the centennial anniversary of its establishment" (1903).

To fulfill this government order, the artist first individually painted 60 portraits of statesmen, and then, with the help of his students (B.M. Kustodiev and I.S. Kulikov), transferred them to a large canvas ...

Our acquaintance with Repin's work continues in the following rooms....

Painting "Seeing the recruit",

"Nicholas of Mirlikiy saves three innocently condemned from death" (1888),

"Barge haulers on the Volga" (1870),

"On a turf bench" (1876),

"Cossacks" (1880) - all this is only a small part of the works of the outstanding artist of his era, Ilya Efimovich Repin ...

The next room and in front of us are the works of not only a unique painter, but also a traveler, a man who relentlessly accompanied the Russian army in military operations in Japan, Central Asia and other "hot spots" - V.V. Vereshchagin...

The painting "At the door of the mosque" (1873) is one of the numerous works of the Turkestan series, reflecting the customs of the Central Asian states...

During one of his last travels, and it was Japan, Vereshchagin was struck by its monuments of classical culture, originality, originality of costumes...

The canvas "Japan. Shinto shrine in Nikko" (1904) was just written based on the impressions received....

By the way, when the Russo-Japanese War began, the artist rushed into the thick of things and tragically died on March 31, 1904, together with Vice Admiral Makarov, while on the flagship Petropavlovsk (the ship was blown up by a mine in the Port Arthur roadstead)...

Continuing our further journey through the Russian Museum, we find ourselves in a hall with works by I.I. Levitan - masters of "mood landscape"...

"Golden Autumn. Slobodka" (1889),

"Gloomy Day" (1895),

"Lake. Russia" (the main work of the late Levitan: the artist died, leaving it unfinished...),

"Early Spring" (1898)....

Of course, these are not his masterpieces like "March", "Golden Autumn" or a series of works about Plyos, but still ....

In the same hall we see the works of K.A. Korovin "Lilac" (1915),

and K.F. Bogaevsky "Ships. Evening sun"....

The next hall of the museum....

I.I. Brodsky "Portrait of the Artist's Wife" (1908),

A.N. Benois "Flora's Pool" ....

K.A.Somov and his most famous painting "Winter Skating Rink" (1915)... (According to experts in painting, this picture perfectly executed the landscape, which can really be seen in St. Petersburg in winter...)

Exposition of works by Andrey Petrovich Ryabushkin - a representative of the historical genre...

One of his best works: "Moscow street XVII century on a holiday "(1895),

"They are coming! (The people of Moscow during the entry of a foreign embassy into Moscow at the end XVII century)"

Somehow, obviously deep in thought and deeply immersed in art, we did not notice how we ended up in some kind of corridor ...

But even here the walls were not empty...

In addition to any advertising posters, there were also historical photographs (for example, this one is called "The war is over. The rise of the sculpture of B.K. Rastrelli "Anna Ioanovna with a black-haired child" from a hiding place in the Mikhailovsky Garden, 1945.")

and even sculptures that could not find a place in the main halls of the museum ("Alexander III "work by M.M. Antokolsky 1897)

Realizing that there was nothing more to see in the corridor, we returned to the main halls of the museum and ended up at an exhibition of works by A.I. Kuindzhi, one of the famous Russian landscape painters, a student of Aivazovsky...

"Sea. Crimea" (1898),

"Moonlit night on the Dnieper",

"Sunset"....

How great is this??? As they say, there are no comrades for taste and color ... Experts have their own opinion, but we, as people who are far from high matters, have a slightly different opinion: if you like a picture, then it is good, but look for strokes, nuances of mood in the canvas artist, his vision of what is happening is not for us .... Sorry if someone was offended ...

According to the plan - we are in room number 32 ...

Here sits thoughtfully "Spinoza" by M.M. Antokolsky...

Well, we are "captured" by V.D. Polenov - one of the outstanding Wanderers artists....

The central place in his exposition is occupied by the painting "Christ and the Sinner" (1888), in which he depicted a plot from the Gospel....

In order for everything to turn out realistically, Polenov had to visit Syria, Egypt, Palestine ...

Less large-scale works of the artist: "Sick" (1879),

And he returned to Galilee in the power of the Spirit...

The next room presents the works of G.G. Myasoedov - "a bright representative of Russian realism of the second half of the 19th century, the founder of the Association of Traveling Art Exhibitions" (quote from Wikipedia)

All right. What is not realistic about his painting "The Passionate Time. Mowers"?

Here we can also see the works of K.A. Savitsky (the painting "To the War" - reflects the events associated with the beginning of the Russian-Turkish war of 1877),

and I.M. Pryanishnikov ("The procession"),

and K.E. Makovsky: ("The overnight house" 1889),

"Family portrait",

"People's festivities during Shrove Tuesday on Admiralteyskaya Square in St. Petersburg" (1869);

and H.P. Platonov "Naymichka", and N.P. Bogdanov-Belsky "At the door of the school" (1897)...

When moving to another building, we come across the works of M.M. Antokolsky "Ermak"

and "Tiger and Sinai" by A.L. Ober....

From the Mikhailovsky Palace we move to the Benois building ...

M.A. is "waiting" for us in the first hall of this building. Vrubel - "... one of the brilliant creators of Russian modernity, whose work is marked by high artistic skill and the desire to create works of great style. According to the master, art should "awaken the soul from the little things of everyday life with majestic images" (quote from the annotation to his work, posted in the exhibition hall)....

After such a "briefing" it's time to look at the paintings of the master...

Work "Bogatyr" (1898)....

Art connoisseurs call Vrubel the mysterious genius of painting...

His masterpiece is "Morning"....

"The atmosphere of mystery is also saturated with his painting" Flying Demon "..." (opinion of experts...)

Again, we are not experts. Maybe everything in Vrubel's works is mysterious, but for some reason they did not wake our "soul from everyday little things" ....

In the next hall of the museum, paintings by M.V. Nesterov...

Before proceeding with their inspection, we get acquainted with the opinion of professionals ...

"Mikhail Nesterov creates images of great spiritual power and significance. They are saturated with subtle lyricism, detached from earthly concerns, full of contemplation and religious reflection. The artist shows the complex spiritual life of his heroes, the richness of their intellectual and moral abilities, the harmonious coexistence of man and nature. Definition" Nesterovsky landscape" - peaceful, quiet, pale green - has entered the modern Russian lexicon".

Let's look at all this with the eyes of the layman ....

Painting "Great tonsure" (1898)...,

"Holy Russia" (1905),

"Reverend Sergius of Radonezh" (1899)...,

"Thoughts" (1900)...

In this case, oddly enough, but our opinion about Nesterov's work almost coincided with the opinions of experts ...

Hall number .... Already lost count ....

In general, this room housed the works of V.A. Serov...

"The largest Russian portraitist V.A. Serov created a brilliant pictorial gallery of his contemporaries, diverse in character and social status. In the second half of the 1880s - 1890s, he painted lyrical contemplative portraits using the techniques of impressionistic writing. The artist is objective and truthful in the image, careful in choosing a pose, gesture, turning the head of the model .... "

It's time to put it all into practice...

"Portrait of Princess Zinaida Nikolaevna Yusupova" (1902),

"Portrait of S.M. Botkina, wife of P.D. Botkin" (1899),

"Portrait of Princess O.K. Orlova" (1911)

And this is already a work from the "other opera" ....

Bathing horses...

In our opinion, after all, Serov's portraits look more attractive than the works of another genre (at least when compared with those paintings exhibited in the Russian Museum) ...

In the next room, we have the opportunity to get acquainted with the work of Boris Kustodiev...

"Portrait of F.I. Chaliapin" (1922) (The artist did this work already being paralyzed. He painted in parts, while the canvas was tilted over his chair)

"Merchant for tea" (1918)...

"Balagany" (1917)...

In the works of B.M. Kustodiev, for the most part, displays the originality of provincial life with its significant moments: bazaars, folk festivals, fairs, etc.

The next pair of halls (exhibition of works by B.D. Grigoriev, I.I. Mashkov) we examined quickly and fluently ...

Of course, when the number of halls examined exceeds the seventh dozen, one feels a certain tiredness, weariness, a desire to finish all this as soon as possible...

In our opinion, the organizers of the expositions, having obviously foreseen all these human factors, also met the visitors of the museum halfway: the closer to the exit, the softer and more cultured it would be to say... In general, the paintings become simpler in terms of the traditional perception of the surrounding reality.. .

Especially from the last exhibitions, we were heartily pleased with the direction in art called "primitivism" ...

Museum workers describe this direction as follows: "the involvement of Russian peasant art, urban folklore in the circle of current artistic traditions, a deep interest in the art of self-taught artists was almost ubiquitous in the 1910s. The conscious simplification of the art form did not have the character of imitation, but it was an attempt to give the images of the reality transformed by the artist that clarity, simplicity and at the same time semantic capacity, with which folk art was endowed by its nature ... "

Now let's see how it all looks....

For example, a series of paintings by M.F. Larionov (as he painted in his youth)....

And here is his later masterpiece - "Venus" .... (You will, of course, excuse us, but at the sight of this canvas, for some reason, indecently loud laughter burst out of us simultaneously. It's good that there were few visitors ...) Probably experts from painting at the sight of this work, they will take a thoughtful look, make a smart facial expression, after which for several tens of minutes, using professional slang, they will enthusiastically tell you that this is a true masterpiece...

In our unenlightened view, in kindergarten, children will draw more beautifully ...

"Cyclist" by N.S. Goncharova ... (all tangled in silks, threads and thoughts of the artist ...)

Another masterpiece .... Haven't you guessed who is in front of you? Yes, this is the "Portrait of a Philosopher" by L.S. Popov. Something reminiscent of the "checkered" from the movie "The Adventures of Prince Florizel."

It seems that we are not the only ones in this room who are "enthusiastic"....

Well, now we have to evaluate the most grandiose masterpieces of primitivism with you ... Although no, it is already called differently - Suprematism (which means, translated into simple Russian, "an early manifestation of abstract art of modern times")

We are standing in front of the works of the classic of this genre K.S. Malevich ... Paintings "Black Circle" (1923), "Black Cross" (1923) and "White Radiator" ... (Sorry, the radiator turned out to be real. - I was confused by the plate located on it, where indicated, that it can not be photographed with a flash) ...

It is a pity that the "Black Square" is not represented here.... After all, as Malevich said: "The square is the germ of all possibilities..."

Some time later, colored paints apparently appeared in Malevich's arsenal. In 1928, he was already beginning to use them ....

At least in the picture "To the Harvest (Marfa and Vanka)" this is already visible ...

By the way, there is one more phrase in Malevich's arsenal: "He who feels painting sees the object less, who sees the object, he feels the picturesque less ..." So, regarding his "cool" works, everything is elementary - you see the object (for example, a square, circle), but the painting does not "smell" ...

And finally, the great theoretician of the new art once said: "Art must renounce yesterday." Here he (Malevich) renounced real art...

In the same hall, canvases in 3 D picture....

In the paintings exhibited in this room, one can already find the beginnings of realism....

"Three at the table" P.N. Filonov (1914)...

Next room....

Here we can get acquainted with the works of K.S. Petrova-Vodkin....

"Herring" (1918),...

"Fantasy" (1925),

Then we find ourselves in the art of the 1920s - 1930s, which "reflected the political and social changes in society. The themes of labor and sports become dominant. The portrait in which the image of a contemporary acquires a collective character is just as relevant. In its desire to embody in picturesque canvases, the ideals of the new time, artists widely refer to the traditions of monumental art - panels and frescoes .... "

The collective nature of the Russian woman of that time can be seen in the painting "Woman with Buckets" (V.V. Pakulin, 1928)

And here is a picture about sports

and his admirers (A.N. Samokhvalov "Girl in a T-shirt" 1932)...

Very relevant for that era, the painting "Paramilitary Komsomol" (A.N. Samokhvalov 1932) (Now it is clear where we see such things from Chinese or Korean colleagues)

The following halls - and a new temporary era in art...

Famous painting by A.A. Deineka "Defense of Sevastopol" (1942)

More "peaceful" canvases:

"Noon" A.A. Plastov 1961,

"Morning" A.A. Mylnikov 1972,

"Buffoons" O.V. Bulgakova 1979....

"Collectors" Ya.I. Krestovsky 1975,

A very topical topic for the late 80s and early 90s of the last century was reflected in the picture of A.A. Sundukov "Queue" (1986)

And again an attempt to return to primitive things ....

V.N. Nemukhin "Interior No. 3. Diptych" (1997)

"Point in its own space" F. Infante-Arana (1964)

Well, it seems we have reached the right point in the space of the Russian Museum, which is called exit...

A breath of fresh air won't hurt us....


The oldest icon in the museum's collection. It was probably written in the 12th century. Its author is unknown, it is believed that they wrote it in Novgorod. It got its name from the fact that each hair in the image was saturated with gold leaf. She appeared in the Russian Museum in 1934, before that she wandered from the Rumyantsev Museum to the Historical Museum, from there to the Tretyakov Gallery.


The most famous painting by the artist Karl Bryullov, from whom, as it is believed, our national school of painting began. Excavations in Pompeii began just at the time when Bryullov was studying in Italy. So he drew many sketches from nature.

As Baratynsky later wrote, “the last day of Pompeii became the first day for the Russian brush.” A huge epic canvas, written by Bryullov in three years, became a symbol of the emerging Russian school of painting. In the country, the artist was literally carried in his arms. And Nicholas I hung the painting itself at the Academy of Arts, so that novice painters know what to focus on.


Ivan Aivazovsky painted hundreds of pictures of the sea, this one is the most famous. The majestic sea element, the storm, the sea, and against the background of all this - helpless victims of a shipwreck trying to escape on a ship's mast.

Aivazovsky's talent is still famous all over the world, his paintings will appear at international auctions, and the famous English marine painter Turner, who admired our artist, wrote a laudatory poem in his honor.


One of the most famous paintings by the artist Vasnetsov (along with "Alyonushka" or "Ivan Tsarevich"). The artist painted his knight several times. At first, the entire inscription was visible - he removed it. At first, the knight stood facing the viewer - he turned him around, it turned out more monumental. In addition, there was a road in the picture - Vasnetsov removed it too, for greater hopelessness.

To this day, "Vityaz" is considered one of the best Russian paintings on fairy tales and the canonical image of our painting of the second half of the 19th century, along with the canvases of Repin and Surikov.


“That's how the Cossacks answered you, shabby. You will not even feed the pigs of the Christians. We end with this, because we don’t know the date and we don’t have a calendar, a month is in the sky, a year is in a book, and our day is the same as yours, for this a kiss in **** us! - this was, according to legend, the end of the letter of the Zaporizhzhya Cossacks to the Turkish Sultan. Its text has come down to us in the form of lists (written copies) and is believed to have been written in the 17th century, when once again the Turkish sultan demanded that the Cossacks stop attacking the Brilliant Port and surrender.

A copy was found by the Yekaterinoslav historian Novitsky, who gave it to his colleague Yavornitsky, who, in turn, read it to his friends, among whom was the artist Ilya Repin. He became so interested in the plot that he soon decided to paint a picture based on it. Yavornitsky himself posed for Repin as a model for the clerk. Ataman Sirko, the artist wrote from the Kyiv Governor-General Dragomirov. And a fat, laughing Cossack in a red caftan and a white hat is the writer Gilyarovsky.

The picture was later recognized as historically unreliable (and there were many complaints about the letter itself), but in the end its success at exhibitions (including abroad) was so huge that the painting was eventually bought by Emperor Alexander III himself for placement in the Russian Museum.


The main monumental historical canvas of the Krasnoyarsk artist Vasily Surikov, for the sake of which he traveled to Switzerland. The artist wrote off the commander himself either from a teacher at a local gymnasium, or from a retired Cossack officer.

The result was a state order by chance: the artist painted a picture for the 100th anniversary of Suvorov's Alpine campaign in 1899, as a result, Emperor Nicholas II liked it so much that he bought it for the Russian Museum.


One of the key paintings in the work of the artist Vereshchagin, one of the few exhibited in the Russian Museum (most of the collection is kept in the Tretyakov Gallery). The artist - as always, with photographic accuracy unimaginable at that time - created a real story worthy of the best photojournalists of our time. Luxurious doors of the Central Asian mosque, and in front of them - the poor, for whom this rich world is closed forever.

This, by the way, is one of the few non-military paintings by Vereshchagin: he became famous primarily as a battle painter, with reporter composure revealing the horrors of war: both in Central Asia and in the Balkans. Vereshchagin also died in the war: on the battleship Petropavlovsk in Port Arthur.


An amazing stylization of an ancient plot by an artist of the Art Nouveau era. Valentin Serov, inspired by excavations on the island of Crete (where, according to legend, Zeus in the form of a bull took Europe away), painted not just a picture, but a large decorative panel.

The Russian Museum holds one of the six copies of the painting. A large version is in the State Tretyakov Gallery.


One of the most powerful paintings dedicated to the Civil War. In Petrov-Vodkin, death is devoid of any pathos, any pathos. The dying commissar and the soldier holding him have no expression of pain and anger on their faces: only fatigue, indifference, lack of will to move further, while the rest of the fighters run forward into battle to the sound of drums.


Alexander Deineka painted this picture back in 1942, literally immediately after the fall of Sevastopol. He was shown pictures of the destroyed city, and Deineka decided to create a large heroic canvas about those who defended Sevastopol. It turned out to be a little pretentious, but emotionally very strong picture about the courage and hopelessness of the situation of those who decided not to give up at all costs.

A photo: Pavel Karavashkin, annaorion.com, echo.msk.ru, ttweak.livejournal.com, HelloPiter.ru, rusmuseumvrm.ru, kraeved1147.ru

State Russian Museum

The State Russian Museum in St. Petersburg is the largest museum of Russian art in the world. It was founded by Nicholas II in 1895 and solemnly opened to visitors on March 19, 1898.

Until 1917 it was called "Russian Museum of Emperor Alexander III". Emperor Alexander III (father of Nicholas II) was a passionate collector; in this regard, he can only be compared with Catherine II. The emperor's Gatchina castle literally turned into a storehouse of priceless treasures. The acquisitions of Alexander no longer fit in the galleries of the Winter Palace, Anichkov and other palaces - these were paintings, art objects, carpets ... The extensive collection of paintings, graphics, objects of decorative art, sculptures collected by Alexander III after his death was transferred to the Russian founded by Emperor Nicholas II museum in memory of his father.

State Russian Museum

Initially, the museum was located in the halls Mikhailovsky Palace. The collection of the museum at that time consisted of 1880 works of painting, sculpture, graphics and ancient Russian art, transferred from the Imperial Palaces, the Hermitage and the Academy of Arts.

History of the Mikhailovsky Palace

The building was built in the Empire style. The idea of ​​building a new residence for Prince Mikhail Pavlovich belonged to his father, Emperor Paul I. But Paul I did not have to see the embodiment of his idea, since he died as a result of a palace coup. Despite this, the order of the emperor was carried out. When Mikhail was 21 years old, Emperor Alexander I decided to start building the palace.

The architect planned not only the palace, but also the square in front of it and two new streets (Inzhenernaya and Mikhailovskaya).

Mikhailovsky Palace

The ceremonial laying of the building took place on July 14, and the construction itself began on July 26. From the side of the Field of Mars, a garden appeared at the palace - also Mikhailovsky. On September 11, 1825, the palace was consecrated.

Museum branches

The Russian Museum today is located, in addition to the Mikhailovsky Palace, in buildings that are architectural monuments of the 18th-19th centuries:

Summer Palace of Peter I
marble palace
Stroganov Palace
House of Peter I

The museum space is complemented by the Mikhailovsky and Summer Gardens.

Summer Palace of PetraI

Summer Palace of Peter I

The Summer Palace was built in the Baroque style according to the project Domenico Trezzini in 1710-1714. This is one of the oldest buildings in the city. The two-storey palace is rather modest and consists of only fourteen rooms and two kitchens.

The residence was intended for use only in the warm season: from May to October, so the walls in it are quite thin, and the windows have single frames. The decoration of the premises was created by the artists A. Zakharov, I. Zavarzin, F. Matveev.

The facade of the palace is decorated with 29 bas-reliefs depicting the events of the Northern War in allegorical form. The bas-reliefs were made by the German architect and sculptor Andreas Schlüter.

marble palace

marble palace

The Marble Palace was built in 1768-1785. designed by an Italian architect Antonio Rinaldi. It completes a series of ceremonial buildings adjoining the Winter Palace. The outstanding architect A. Rinaldi, the author of more than twenty-five large buildings in St. Petersburg and its suburbs, was considered an unsurpassed master of "marble facades". His architectural techniques and solutions are always easily recognizable.

Rinaldi came to Russia at the invitation of Count K.G. Razumovsky, and in 1754 he received the position of architect at the court of Prince Peter Fedorovich and his wife, the future Empress Catherine II. He built the Chinese Palace in Oranienbaum, the palace of Count G.A. Orlov in Gatchina, etc. But the Marble Palace is perhaps the most significant of all its buildings. The palace was intended for Grigory Orlov, the favorite of Catherine II, the main organizer of her accession to the throne. The building got its name because of the unusual for St. Petersburg decoration of facades with natural stone. At that time, rich deposits of marble were found in Russia. Thirty-two varieties of northern and Italian marble were used for the interior and exterior decoration of the palace. The strict appearance of the building is typical of early classicism.

The main facade of the Marble Palace faces the Field of Mars. It is decorated with columns, and the opposite facade - pilasters of the Corinthian order. The famous sculptor F.I. Shubin made two statues on the attic and a composition of military armor. In collaboration with M.I. Kozlovsky, he participated in the creation of the interior sculptural and decorative decoration of the palace. The decoration of the main staircase and the first tier of the walls of the Marble Hall have survived to our time. An elegant fence made of spears and pillars with vases and trophies encloses the vast front yard. Later, a service building was built from the eastern part near the Marble Palace. The bas-relief "Serving a Horse to Man" by sculptor P.K. Klodt adorns the western facade of the building.

In the 1990s, the palace became a branch of the Russian Museum.

Engineering (Mikhailovsky) castle

Engineering (Mikhailovsky) castle

It was built by order of Emperor Paul I at the turn of the 18th-19th centuries and became the place of his death.

The Mikhailovsky Castle owes its name to the church of Michael the Archangel, the patron of the Romanov dynasty, located in it, and the whim of Paul I, who took the title of Grand Master of the Order of Malta, to call all his palaces "castles"; the second name - "Engineering" came from the Main (Nikolaev) Engineering School, which was located there since 1823, now VITU.

The palace project was developed architect V. I. Bazhenov on behalf of Emperor Paul I, who wanted to make it his main front residence. Construction led architect V. Brenna(who has long been erroneously considered the author of the project). Brenna reworked the original design of the palace and created the artistic decoration of its interiors.

In addition to Bazhenov and Brenn, the emperor himself took part in the creation of the project, having composed several drawings for him. Brenna's assistants also included Fyodor Svinin and Karl Rossi. Paul I accelerated the construction, Charles Cameron and Giacomo Quarenghi were sent to help him. By order of the emperor, construction was carried out day and night (by the light of lanterns and torches), as he demanded that the castle be rebuilt in the same year.

On November 21, 1800, on the day of St. Michael the Archangel, the castle was solemnly consecrated, but work on its interior decoration still continued until March 1801. After the assassination of the emperor, 40 days after the housewarming, Mikhailovsky Castle was abandoned by the Romanovs and came to into desolation. When Alexander I needed silver for a luxurious service - a wedding gift to his sister Anna Pavlovna, Queen of the Netherlands, the silver gates from the palace church were melted down. Nicholas I ordered the architects to “quarry” marble in the palace for the construction of the New Hermitage.

In 1823 the castle was occupied by the Main Engineering School.

In 1991, a third of the castle premises was donated to the State Russian Museum, in 1995 the entire castle was donated to the museum.

Stroganov Palace

Stroganov Palace

The Stroganov Palace, built according to the project architect Francesco Bartolomeo Rastrelli in 1753-1754, one of the examples of Russian baroque.

In addition to F. B. Rastrelli, A.N. Voronikhin, I. F. Kolodin, K. Rossi, I. Charlemagne, P. S. Sadovnikov.

Stroganovs (Strogonovs) - a family of Russian merchants and industrialists, from which large landowners and statesmen of the 16th-20th centuries came. Natives of the rich Pomeranian peasants. From the 18th century - barons and counts of the Russian Empire. The family died out in 1923.

The building has been a branch of the Russian Museum since 1988.

Petra's houseI

House of Peter I

The first building in St. Petersburg, the summer home of Tsar Peter I in the period from 1703 to 1708. This small wooden house of 60 m² was built by carpenter soldiers near Trinity Square in just three days. Here, on May 27, 1703, a celebration took place on the occasion of the annexation of lands and the founding of a new city.

The house was built from hewn pine logs in the manner of a Russian hut. The canopy divides it into two parts. In addition to this feature, as well as doors decorated with ornamental metal plates - typical features inherent in Russian architecture of the 17th century - everything in the house reminds of the tsar's passion for Dutch architecture. So, Peter, wanting to give the house the appearance of a stone structure, ordered the logs to be hewn and painted to look like red brick, the high roof to be covered with shingles under the tiles, and unusually large windows to be made with small deglazing. There were no stoves and chimneys in the house, since Peter lived in it only during the warm season. The house has been preserved almost in its original form.

Collections of the Russian Museum

The most complete collection is the art collection of the 18th - the first half of the 19th centuries. It is enough to list only a few names to get an idea of ​​the artistic wealth of the museum: A. Matveev, I. Nikitin, Carlo Rastrelli, F. Rokotov, V. Borovikovsky, A. Losenko, D. Levitsky, F. Shubin, M. Kozlovsky, I. Martos, S. Shchedrin, O. Kiprensky, A. Venetsianov, F. Bruni, K. Bryullov, P. Fedotov, A. Ivanov.

Painting by K. Bryullov "The Last Day of Pompeii"

K. Bryullov "The Last Day of Pompeii"

Bryullov visited Pompeii in 1828, making many sketches for a future painting about the famous Mount Vesuvius erupted in 79 AD. uh. and the destruction of the city of Pompeii near Naples. The painting was exhibited in Rome, received rave reviews from critics and was transferred to the Louvre. "The Last Day of Pompeii" represents romanticism in Russian painting, mixed with idealism. The image of the artist in the left corner of the picture is a self-portrait of the author. The canvas also depicts Countess Yulia Pavlovna Samoilova three times - a woman with a jug on her head, standing on a dais in the left side of the canvas, a woman who has crashed to death, sprawled on the pavement, and next to her a living child - both, presumably, were thrown out of a broken chariot - in the center canvases, and a mother attracting her daughters to her, in the left corner of the picture.

In 1834, the painting "The Last Day of Pompeii" was sent to St. Petersburg. AI Turgenev said that this picture was the glory of Russia and Italy. E. A. Baratynsky composed a famous aphorism on this occasion: "The last day of Pompeii became the first day for the Russian brush!". A. S. Pushkin also left a poetic review:

K. Bryullov "Portrait of A. Demidov"

Vesuvius zev opened - smoke gushed in a club - flame
Widely developed like a battle banner.
The earth worries - from staggering columns
Idols are falling! A people driven by fear
Under the stone rain, under the inflamed ashes,
Crowds, old and young, run out of the city.

By the way, the famous painting was painted by Karl Bryullov by order Anatoly Demidov, a Russian and French philanthropist, who was at the Russian embassy, ​​first in Paris, and then in Rome and Vienna. He inherited from his father colossal wealth and a collection of wonderful works of painting, sculpture, bronze, etc. Anatoly Demidov, following the example of his father, was generous with large donations: he donated 500,000 rubles for the construction of a house in St. Petersburg for the charity of workers, which bore the name of the donor; together with his brother Pavel Nikolaevich, he donated capital, for which a children's hospital was built in St. Petersburg; at the Academy of Sciences in St. Petersburg, established a prize of 5,000 rubles for the best work in Russian; in 1853 he sent 2,000 rubles from Paris to decorate the church of the Demidov Lyceum in Yaroslavl, donated all his publications and several other valuable French books to the library of the Lyceum, and generously patronized scientists and artists. So, it was Anatoly Demidov who presented Bryullov’s painting “The Last Day of Pompeii” to Nicholas I, who exhibited the painting at the Academy of Arts as a guide for novice painters. After the opening of the Russian Museum in 1895, the canvas was moved there and the general public gained access to it.

The second half of the 19th century is represented by the works of artists: F. Vasiliev, R. Felitsyn, A. Goronovich, E. Sorokin, F. Bronnikov, I. Makarov, V. Khudyakov, A. Chernyshev, P. Rizzoni, L. Lagorio, N. Losev, A. Naumov, A. Volkov, A. Popov, V. Pukirev, N. Nevrev, I. Pryanishnikov, L. Solomatkina, A. Savrasov, A. Korzukhin, F. Zhuravlev, N. Dmitriev-Orenburgsky, A. Morozov, N. Koshelev, A. Shurygin, P. Chistyakov, Ivan Aivazovsky.

Painting by I. Aivazovsky "The Ninth Wave"

I. Aivazovsky "The Ninth Wave"

The Ninth Wave is one of the most famous paintings by Ivan Aivazovsky, the world famous Russian marine painter.

Depicts the sea after the strongest night storm and people who were shipwrecked. The rays of the sun illuminate the huge waves. The largest of them - the ninth shaft, is ready to fall on people trying to escape on the wreckage of the mast.

Everything speaks of the greatness and power of the sea element and the helplessness of man in front of it. The warm tones of the picture make the sea not so harsh and give the viewer hope that people will be saved.

The size of the painting is 221 × 332 cm.

The museum also presents paintings by Wanderers: G. Myasoedov, V. Perov, A. Bogolyubov, K. Makovsky, N. Ge, I. Shishkin, I. Kramskoy, V. Maksimov, I. Repin, V. Vasnetsov, V. Surikova, N. Abutkova.

Painting by Nicholas Ge "The Last Supper"

N. Ge "The Last Supper"

The artist's painting depicts an episode from the earthly life of Christ, described in the Gospel of John (ch. 13). It was Ge's favorite gospel. An excerpt of this text coincides in detail with that depicted in the picture.

Jesus got up from supper... poured water into the laver and began to wash the disciples' feet and wipe them with a towel... When he had washed their feet... then, lying down, he said to them again: Do you know what I have done to you? ... if I, the Lord and Teacher, have washed your feet, then you must also wash each other's feet. For I have given you an example that you should do as I have done for you...

…Jesus was troubled in spirit and said: Truly, truly, I say to you that one of you will betray Me.

Then the disciples looked at each other, wondering who he was talking about. One of his disciples, whom Jesus loved, was reclining at the chest of Jesus. Simon Peter made a sign to him to ask who it was ... he, crouching on the chest of Jesus, said to Him: Lord! Who is it? Jesus answered: the one to whom, having dipped a piece of bread, I will give. And, having soaked a piece, he gave it to Judas Simonov Iscariot. And after this piece, Satan entered into him. Then Jesus said to him: whatever you do, do it quickly. But none of those reclining understood why He said this to him ... He, having taken a piece, immediately went out; but it was night.

An amphora with water, a washbasin with a towel in Ge's "Last Supper" are the theme of the sacrificial love of Christ. After the departure of Judas, the famous words addressed to the apostles were uttered: « I give you a new commandment, that you love one another; how I have loved you… Therefore, everyone will know that you are My disciples, if you have love for one another.”

The end of the 19th-beginning of the 20th century is represented by artists I. Levitan, P. Trubetskoy, M. Vrubel, V. Serov.

Painting by I. Levitan “Twilight. Moon"

I. Levitan "Twilight. Moon"

At the end of his life, it was especially characteristic for Levitan to turn to twilight landscapes filled with silence, rustles, moonlight and shadows. One of the best works of this period is this painting from the collection of the Russian Museum.

Works of the association "World of Art"

"World of Art"(1898-1924) - an art association formed in Russia in the late 1890s. The founders of the "World of Art" were the St. Petersburg artist A. N. Benois and the theater figure S. P. Diaghilev. The artists of the World of Art considered the aesthetic principle in art to be a priority and strove for modernity and symbolism, opposing the ideas of the Wanderers. Art, in their opinion, should express the personality of the artist.

The association included artists: Bakst, N. Roerich, Dobuzhinsky, Lansere, Mitrokhin, Ostroumova-Lebedeva, Chambers, Yakovlev, Somov, Zionglinsky, Purvit, Syunnerberg.

In the Old Russian section, icons of the 12th-15th centuries are widely represented (for example, the Golden Hair Angel, the Mother of God Tenderness, Dmitry Thessalonica, the Miracle of George about the serpent, Boris and Gleb, etc.), works by Andrei Rublev, Dionisy, Simon Ushakov and other masters. The total collection of the Russian Museum is about 5 thousand icons of the 12th - early 20th centuries.

Andrey Rublev

Andrey Rublev "The Apostle Paul"

Andrey Rublev(died c. 1430) - icon painter, student of Theophan the Greek, reverend.

At first he was a novice at the Monk Nikon of Radonezh, and then a monk at the Spaso-Andronikov Monastery in Moscow, where he died and was buried.

Currently, the collection of the Russian Museum includes the following departments: Russian and Soviet painting, sculpture, graphics, arts and crafts and folk art(furniture, porcelain, glass, carving, varnishes, metal products, fabrics, embroidery, lace, etc.). The museum's collection includes more than 400 thousand items.

The highest decree on the establishment of the "Russian Museum of Emperor Alexander III" in the Mikhailovsky Palace in St. Petersburg was signed 120 years ago, on April 13, 1895.

Currently, the State Russian Museum is the largest museum of Russian art in the world. His collection includes 407.5 so-called storage units. On the eve of the memorable date, the site recalled 10 masterpieces of painting that can be seen in the Russian Museum.

Arkhip Kuindzhi. "Moonlit night on the Dnieper". 1880

Bank of the river. The horizon line runs down. The silvery-greenish light of the moon is reflected in the water. “Moonlight Night on the Dnieper” is one of the most famous paintings by Arkhip Kuindzhi.

The magic of the landscape captivated the Grand Duke Konstantin Konstantinovich, who bought it for a lot of money directly from the artist's studio. The prince did not want to part with his favorite painting even during his round-the-world trip. As a result, his whim almost ruined Kuindzhi's masterpiece - because of the sea air, the composition of the paint changed, the landscape began to darken. But, despite this, the picture to this day has a magical appeal, forcing the audience to peer into it for a long time.

The magic of the landscape captivated Grand Duke Konstantin Konstantinovich. Photo: www.russianlook.com

Karl Bryullov. "The last day of Pompeii". 1830-1833

“The last day of Pompeii became the first day for the Russian brush!” - so the poet Yevgeny Baratynsky wrote about this picture. And the British writer Walter Scott called the picture "unusual, epic."

The canvas measuring 465.5 × 651 cm was exhibited in Rome and Paris. It was at the disposal of the Academy of Arts thanks to Nicholas I. The painting was presented to him by the well-known philanthropist Anatoly Demidov, and the emperor decided to exhibit it at the Academy, where it could serve as a guide for novice painters.

It is worth noting that Karl Bryullov portrayed himself against the backdrop of a collapsing city. The artist's self-portrait can be seen in the left corner of the painting.

Karl Bryullov portrayed himself against the backdrop of a crumbling city. The artist's self-portrait can be seen in the left corner of the painting. Photo: commons.wikimedia.org

Ilya Repin. "Barge Haulers on the Volga". 1870-1873

The summer of 1870, spent by the artist on the Volga, 15 versts from Samara, had a great influence on the work of Ilya Repin. He begins work on the canvas, in which many later saw a philosophical meaning, the embodiment of obedience to fate and the strength of the common people.

While among the barge haulers, Ilya Efimovich Repin met the former priest Kanin, from whom he would later create many sketches for the painting.

“Something about him was oriental, ancient. But the eyes, the eyes! What a depth of gaze, raised to the eyebrows, also tending to the forehead ... And the forehead is a large, smart, intelligent forehead; this is not a simpleton, ”the master said about him.

"Something in him was oriental, ancient. But the eyes, the eyes!" Photo: commons.wikimedia.org

Ilya Repin. The Cossacks write a letter to the Turkish Sultan. 1880-1891

“You are the Turkish shaitan, the damned devil’s brother and comrade, and the secretary of Luciper himself!” According to legend, this is how the letter began, which the Zaporozhye Cossacks wrote in 1675 in response to the proposal of Sultan Mahmud IV to become subordinate to him. A well-known plot formed the basis of the famous painting by Ilya Repin.

A well-known plot formed the basis of the famous painting by Ilya Repin. Photo: commons.wikimedia.org

Viktor Vasnetsov. "Knight at the Crossroads". 1878

The poetic spirit of folk legends is masterfully conveyed in the work of Viktor Vasnetsov. For the first time the canvas was presented to the audience in 1878 as part of a traveling exhibition.

The artist worked on the painting for several years. In the first versions, the hero was facing the viewer, but later the composition was changed. The Russian Museum has a later version of the painting - 1882. The first version of 1878 is in the Serpukhov Museum of History and Art.

It is worth noting that the plot of "The Knight at the Crossroads" is reproduced on the tombstone of the artist, who is buried at the Vvedensky cemetery.

The artist worked on the painting for several years. Photo: commons.wikimedia.org

Ivan Aivazovsky. "The Ninth Wave". 1850

Created in 1850, the painting "The Ninth Wave" was acquired by Nicholas I.

The ninth wave, in the view of navigators, is the most crushing. It is he who is to be experienced by the heroes of the picture, who were shipwrecked.

Created in 1850, the painting "The Ninth Wave" was acquired by Nicholas I. Photo: Commons.wikimedia.org

Valentin Serov. Portrait of Ida Rubinstein. 1910

The famous dancer and actress Ida Rubinstein inspired many artists: Kees van Dongen, Antonio de la Gandara, André Dunoyer de Segonzac, Leon Bakst and Valentin Serov.

The Russian painter, who is considered the master of the portrait, saw her for the first time on the Paris stage. In 1910 he creates her portrait.

“There is monumentality in her every movement, just a revived archaic bas-relief,” the artist admired her grace.

The famous dancer and actress Ida Rubenstein inspired many artists. Photo: commons.wikimedia.org

Valentin Serov. The abduction of Europe. 1910

The idea to write "The Abduction of Europe" was born by Valentin Serov during a trip to Greece. A visit to the Palace of Knossos on the island of Crete made a great impression on him. In 1910, the painting, which was based on the legend of the abduction by Zeus of Europe, the daughter of the Phoenician king Agenor, was completed.

According to some evidence, Serov created six versions of the painting.

The idea to write "The Abduction of Europe" was born by Valentin Serov during a trip to Greece. Photo: commons.wikimedia.org

Boris Kustodiev. Portrait of F.I. Chaliapin. 1922

“I knew a lot in the life of interesting, talented and good people. But if I have ever seen a really great spirit in a person, it is in Kustodiev, ”famous singer Fyodor Chaliapin wrote about the artist in his autobiographical book Mask and Soul.

Work on the painting was carried out in the painter's apartment. The room where Chaliapin posed for Kustodiev was so small that the picture had to be painted in parts.

The artist's son later recalled the funny moment of the work. According to him, in order to capture Fyodor Ivanovich’s beloved dog on canvas, he had to use a trick: “To make the pug stand with his head up, they put a cat on the closet, and Chaliapin did everything possible so that the dog looked at her.”

The workshop where Chaliapin posed for Kustodiev was so small that the picture had to be painted in parts. Photo: commons.wikimedia.org

Kazimir Malevich. Black circle. 1923

One of the most famous paintings by the founder of Suprematism - Kazimir Malevich - has several options. The first of them, created in 1915, is now kept in a private collection. The second - created by Malevich's students under his direction - is exhibited in the St. Petersburg Russian Museum.

Experts note that the "Black Circle" for Kazimir Malevich was one of the three main modules of the new plastic system, the style-forming potential of the new plastic idea - Suprematism.

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