How to get cherry blossom from paints. What color do you get when you mix yellow and green?

If you mix green and yellow in equal proportions, you get a color that we usually call light green. Depending on how light or dark the initial colors are, the shade of the result will vary from light green to olive.

But if you mix green and yellow in clothes, nothing good will come of it) Only representatives of the winter color type can wear this combination, and then it’s not worth it)

If you take yellow as a base and add green paint, then we get light green color or a shade, since everything will depend on the amount of paint that you want to add to the base color.

If you want to continue the experiment, then you can add a little white paint to the light green and get a lighter and less saturated glow.



Yellow will give green the opportunity to play with a variety of shades. There will be less yellow - green will only become slightly brighter, more golden, but if more, then it will be possible to bring green color to lettuce. In general, decide what color you want to get at the output - more yellow or more green, and depending on this, select the desired proportion of mixed paints.

Light green color you can draw fresh grass, leaves. He will give the picture a juicy spring character.

And mixing green and yellow dyes is useful for cooks: it is this light green color that is most often found on flower petals on cakes.



If you mix any two colors, you can get a lot of different colors. different shades. Moreover, depending on how much of one paint is mixed with another, the resulting color approaches either one or another color.

If we have two colors: yellow and green, then the color mixing in equal proportions will give light green color.

If you gradually add green to yellow paint, you can see how the resulting paint changes its color, approaching green with each new drop.

Knowing how to get this or that color correctly, you can create completely unexpected shades. And if you add to the yellow and green paint one more color, then you can get, for example, the following colors:



The answers to this question will be different if you do not specify the exact characteristics. The final color when mixing yellow and green depends on their initial hues and saturation. This is clearly seen in the figure below.



If we mix light green and light yellow, we get a light green color.

If we mix rich green and yellow, we get a rich light green color.

If we mix dark green and dark yellow, we get an olive color. It can also be enhanced to a dark olive.

By the way, in life, the combination of yellow and green is quite acceptable, for example, in clothes these colors are perfectly combined and refresh a woman, and for a man they are acceptable, although they are used less often. The same can be said about their use in the interior of, say, a bedroom.





It will turn out acidic, poisonous-light green color - well, this is only in my personal opinion!)

If you mix yellow and green, you get Blue colour. Depending on the proportions of the mixed colors, the shade of blue will change. If you add more green, you get dark blue color. And if there is more yellow, then blue will turn out.

Mixing green with any other colors always results in a color close to brown or even an indeterminate color.

But adding green to yellow dates an olive color. If you add quite a bit of yellow, then the green color will become more saturated and dark.





Mixing yellow and green colors, we get a bright lettuce color.

But in order to actually get a bright light green color, it is necessary that the proportions when mixing colors are the same 1: 1.

By adding a little more of one color and a little less of another color, you can then get different colors from brown to dark blue and from blue to blue.

By mixing green and yellow flowers a light green color of a different shade will come out, depending on the proportions of these colors. Up to an olive color. In general, to put it simply, it will turn out just a light green color.

It depends in what proportions you will mix yellow and green. If the proportions are the same 1 to 1, then you will get a light green color. Depending on the increase in any color, the hue will change. For example, more yellow, the color will become light green and vice versa.

Thanks to modern technologies, interior designers become real wizards. In the blink of an eye, they will make any room stylish and original. AT recent times more and more attention is paid to color design. The most popular are non-standard shades that can be obtained by mixing colors.

Process Basics

Manufacturers of paints and varnishes presented a fairly wide range on the market. But it is not always possible to choose what is ideal for the interior. Combining multiple shades will save time and money.

In many specialized stores, you can use the services of a specialist who will help you make desired color. But if you know the basic rules of how to mix dyes, you can do it at home with your own hands.

One thing to keep in mind when mixing important rule: do not combine liquid products with a dry mixture. They have different indices, so the coloring composition may eventually curl up.

The most interesting part of the process is creating the desired shade. There are four primary colors:

• white;
• blue;
• red;
• green.

By mixing them, you can get any others. Here are illustrative examples:

1. Brown is obtained by combining red and green. For a lighter shade, you can add some white.
2. Orange is the result of mixing yellow and red.
3. If you need green, you need to combine yellow and blue paints.
4. To obtain purple, you need to mix blue and red.
5. Red and white will result in pink.

So you can mix ad infinitum.

Mixing acrylic materials

Designers love acrylic paints the most. They are very easy to work with, the finished coating has excellent water-repellent properties. Their use has several nuances:

1. The work surface must be perfectly flat and smooth. To do this, it needs to be sanded.
2. It is important that the paint does not dry out.
3. To get an opaque color use undiluted paint. Conversely, for transparency, you can add a little water.
4. To be able to slowly choose the right color, it is recommended to use. Thanks to him, the tool will not dry so quickly.
5. To distribute the paint, use the edge of the brush.
6. Mixing is best done with a clean instrument. In this case, the colors should be directed towards each other.
7. To make a light tone, you need to add a white dye to the solution, and to get a dark one - black. It is worth remembering that the palette dark colors much wider than the light ones.

Here are some examples of mixing acrylic-based colorants:

1. Apricot color is obtained by mixing red, yellow, brown and white.
2. The recipe for making beige paint involves combining brown and white. If you need a bright beige, you can add a little yellow. For a light beige shade, you need more white.
3. Gold is the result of mixing yellow and red.
4. Ocher is yellow with brown. By the way, it is considered popular in the current season.
5. Khaki can be made by mixing green dye with brown.
6. Magenta requires three different colors: red, yellow, and blue.

Mixing oil paints

Oil-based paints are more fluid, which necessitates more thorough mixing of the compositions if mixing tones is performed. The specificity and properties of oil colors give the following advantages:

• the tone will be the most uniform, so the paint is perfect for decorating any surface;
• if desired, you can leave streaks in the paint, which will allow you to create unusual effects on a canvas or wall.

Oil stirring

Before work, it is important to evaluate whether it is possible to combine individual tones with each other, what will be the result. If you introduce a little glossy paint into a matte one, the result will be inexpressive. Adding a matte paint to a shiny one helps to make the latter a little more subdued.

It is possible by such methods:

1. Mechanical. In one dish, on the palette, different colors are combined by mechanical mixing. The saturation of the finished mass is adjusted by adding brighter or lighter shades.
2. Optic. This method practiced only by professionals. Paints combine to obtain a new color when they are applied to the canvas, wall.
3. Color overlay. By layering strokes, a new tone is created.

Features of mixing paints

The mechanical method is the simplest, therefore it is recommended for beginners. When using color overlay, the result may differ from what was intended, which must be taken into account in advance. You can apply the glazing method - first apply a darker color, then lighten it with strokes light paint. Better practice in connection oil paints on their small portions, learn how to create original effects, and then proceed to create paintings or decorate the interior.

The working process

By mixing several different colors, you can get a large number of a wide variety of shades. What?

shades of gray

Quite often used in interior design. Help to create a shadow or unobtrusive color, as well as:

1. You can create regular gray by mixing black with white.
2. To create cold shades, you need to add a little green to gray, and for warm ones - ocher.
3. Grey-green is gray with white and green.
4. Gray-blue - gray, white and a little blue.
5. Dark gray is the result of mixing gray and black.

brown tones

To dye, you need to mix:

• green with red;
• red with blue and yellow;
• red with white, black and yellow.

How to create other original tones:

1. Mustard will turn out if you add red, green and black dyes to yellow paint.
2. Tobacco shade is red, green, yellow and white.
3. Golden brown is the result of combining yellow, red, green, white and blue. In this case, there should be more yellow pigment.

Red tones

1. The basis for the pink shade is considered to be white. Red is added to it. The brighter the desired shade, the more red should be added.
2. To get a rich chestnut, you need to mix red and black.
3. Bright red-orange color - red and a little yellow. The more of the latter, the paler the result will be.
4. You can give the dye a purple tint by mixing a few drops of bright blue and yellow colors and red pigment.
5. To create crimson, according to the recipe, you need to mix bright red + white + brown + blue. The more white, the pinker the shade.

Deep green is formed when yellow and blue tones. The saturation of the finished dye depends on the amount of each of them. To create shades, you need to add other colors to green:

1. For mint you need white.
2. To get an olive color, you need green and a few drops of yellow.
3. A shade of grass can be obtained by mixing green with blue. Yellow paint will help even out the color.
4. The color of the needles is the result of mixing green with black and yellow.
5. Gradually mixing green with white and yellow, you can make an emerald tone.

purple tones

Purple is made by mixing blue and red. You can also use blue pink paint- the final color will be light, pastel. To darken the finished tone, artists use black paint, which is added in very small portions. Here are the nuances for creating shades of purple:

• for light purple, you can dilute the finished color with white in the right ratio;
• for magenta, you need to enter more red paint than blue.

Orange color

When creating a classic orange, they combine one part of yellow and red paint. But for many types of paint, you have to take more yellow, otherwise the color will turn out to be too dark. Here are the main shades of orange and how to get them:

• for light orange, take pink and yellow, you can also add a little white paint;
• coral requires dark orange, pink, white in equal proportions;
• peach needs colors such as orange, yellow, pink, white;
• for red, you need to take dark orange and a little brown.

Important rule

Many people ask the question: is it possible to mix paints and varnishes from different manufacturers? It is desirable that the dyes to be mixed be made by the same company. It's even better if they are from the same batch. Mixing dyes from different companies is not recommended. Often they have different properties, such as density, brightness, etc. Because of this, the finished coating may curl.

If there is a desire to take a chance, you can combine a little bit of one and the other paint and apply the resulting solution to the surface. If it thickens or clumps, the experiment is not a success.

Computer help

You can mix several colors correctly using special computer programs. They help to see the final result and determine in percentage terms how much of one or another tone needs to be added. Such programs will help you figure out what shade can be obtained from the funds that are available. They consist of several elements:

1. A button that removes tones from a set.
2. Color names.
3. Lines of input or output to or from a calculation.
4. samples.
5. A button that introduces colors into the set.
6. Result windows.
7. New selection window and list.
8. The composition of the finished dye as a percentage.

Mixing several different colors is a fairly common technique among designers. Unusual shades will help to advantageously decorate the interior, make it original or even unique. You can mix dyes even at home. There are many recipes for creating a particular shade. For example, to get beige, you need to combine white and brown, and for pink, white and red.

It is recommended to always have a thinner on hand to prevent the paint from drying too quickly. Do not mix products from different manufacturers, because the result will be a poor-quality coating. To find out the final result of mixing, you can use a special computer program.

Take paint. Any kind of paint will do - even those used to paint furniture or walls - but it's best (and cleaner) to practice with a few small tubes of oil or acrylic paint. First, let's see what happens if we mix just two colors - red and blue.

• Note: Black can be obtained by mixing the available colors. Black pigment, of course, exists, but its use is too conspicuous. It is better to get dark colors by mixing transparent primary colors: shadows also have shades depending on the time of day and other factors.
• Read the "Other Tips" section below for guidance on choosing the best magenta and cyan.

1. Mix red and blue. Everyone knows that red and blue, when mixed, make purple, right? Indeed, but this is not that bright, lively purple. Instead, they form something like this:

   • Not very pleasing to the eye, is it? This is because red and blue absorb more and reflect less spectrum, giving a dark, dirty purple instead of a vibrant, vibrant one.

2. Now try this: mix magenta with a little cyan and you will see the difference. This time you will get something like this:

   

   • Magenta is a shade of purple, cyan is a blue-green hue, often referred to as bright blue or turquoise. Along with yellow, they are the primary colors in the CMYK model, which is based on a subtractive color scheme (obtaining color by subtracting individual components from white). This scheme is used in printing, including color printers.
   • You can see that using the real primary colors - magenta and cyan - results in a much brighter and more vibrant hue. If you want a richer purple, add more blue. Add black for dark purple.

3. Mix pigments to get primary and secondary colors. There are 3 main color pigments: cyan, magenta and yellow. There is also 3 secondary colors obtained by mixing two main ones:

   • Cyan + yellow = green
   • Cyan + magenta = blue
   • Magenta + yellow = red
   • Cyan + magenta + yellow = black
   • In subtractive color mixing, the combination of all colors produces black.

4. "See the information below. In the section "Mixing paints" are given more detailed recommendations to obtain a wide variety of shades, including light, dark and grayish. The Tips section provides an extensive list of colors and combinations that can be used to get those colors on the palette.

   Light Blending: Additive Colors

   1. Take a look at your monitor. Look at the white areas on this page and get as close as possible. Even better if you have magnifying glass. Bringing your eyes closer to the screen, you will see not white, but red, green and blue dots. Unlike pigments, which work by absorbing color, light is additive, that is, it works by adding up light fluxes. Movie screens and displays, whether it's a 60-inch plasma TV or the 3.5-inch Retina display on your iPhone, use additive color mixing.

      Mix light to get primary and secondary colors. As in the case of subtractive colors, there are 3 primary and 3 secondary colors obtained by mixing primary colors. The result may surprise you:

      • Mixing red + blue = magenta
      • Mixing blue + green = cyan
      • Mixing green + red = yellow
      • In additive color mixing, the combination of all colors produces white.
      • Note that primary additive colors are secondary subtractive colors and vice versa. How can it be? Know that the effect of subtractive color is a combined process: it absorbs some colors, and we perceive what is left, that is, the reflected light. The reflected color is the color of the light output that remains when all other colors have been absorbed.

   Modern color theory

   1. Understand the subjective nature of color perception. A person's perception and identification of color depend on both objective and subjective factors. While scientists can define and measure light down to the nanometer, our eyes perceive a complex combination of not only hue, but also the saturation and brightness of a color. This circumstance is further complicated by the way we see the same color on different backgrounds.

      Hue, saturation and lightness are the three dimensions of color. We can say that any color has three dimensions: hue, saturation and lightness.

      • Tone characterizes the position of a color on the color wheel - red, orange, yellow, and so on, including all intermediate colors, such as red-orange or orange-yellow. Here are a few examples: pink refers to a magenta tone or red (or somewhere in between). Brown refers to an orange tone because brown is a dark orange.
      • Saturation is what the rich give bright color like on a rainbow or color wheel. Pale, dark and muted colors (shades) are less saturated.
      • Lightness indicates how close a color is to white or black, regardless of the color. If you take a black and white photograph of flowers, you can tell which ones are lighter and which ones are darker.
        • For example, bright yellow is relatively light color. You can lighten it even more by adding white and making it a pale yellow.
        • Bright blue is naturally dark and low on the light scale, while dark blue is even lower.

   Mixing paints

   1. Follow this guide to get any color you want. Magenta, yellow and cyan are the primary subtractive colors, which means that any other color can be obtained by mixing them, but they themselves cannot be obtained from other colors. Primary subtractive colors are used when mixing pigments such as inks, dyes and paints.

      

      Colors with low saturation (dim colors) come in three main types: light, dark and muted.

      Add white for light colors. Any color can be lightened by adding white to it. To get a very light color, it is better to add a little bit of the main color to white so as not to waste excess paint.

      Add black for dark colors. Any color can be darkened by adding black to it. Some artists prefer to add a complementary (complementary) color that is opposite the given color on the exact CMY/RGB color wheel. For example, green can be used to darken magenta and magenta can be used to darken green because they are opposite each other on the color wheel. Add black or complementary color a little at a time so as not to overdo it.

      Add white and black (or white and a complementary color) to get muted, grayish colors. By changing the relative amount of added black and white flowers, you can get any desired level of lightness and saturation. For example: add white and black to yellow to get a light olive. The black will darken the yellow, making it olive green, and the white will lighten that olive green. Various olive green shades can be obtained by adjusting the amount of paint added.

      • To obtain a desaturated color, such as brown (dark orange), you can adjust the hue in the same way as for a bright orange - by adding a small amount of colors nearby on the color wheel: magenta, yellow, red or orange. They will make the brown more vibrant while changing its hue. But since brown is not a bright color, you can also use colors on the other sides of the triangle, such as green or blue, which will darken the brown while changing its hue.

   2. Get black. This can be done by mixing any two mutually complementary, as well as three or more equidistant colors from each other on the color wheel. Just don't add white or any color that contains white unless you want to get a shade of gray. If the resulting black leans too much towards a particular color, neutralize it by adding a little complementary color to that color.

      Don't try to get white. White cannot be obtained by mixing other colors. Like the three primary colors - magenta, yellow and cyan - you will have to buy them, unless, of course, you work with materials like watercolor, for which paper itself is used instead of white if necessary.

      Develop an action plan. Think about the tone, lightness, and saturation of the color you have and the color you want to achieve, and make adjustments accordingly.

      • For example, a shade of green can be brought closer to cyan or yellow - its neighbors on the color wheel. It can be lightened by adding white. Or darken it by adding black or its complementary color, namely purple, magenta or red, depending on the shade of green. You can tone it down by adding black and white, or make a desaturated green a little brighter by adding (bright) green.
      • One more example. You mixed red and white to make pink, but the pink came out too bright and warm (yellowish). To correct the warm tone, you will have to add a little magenta. To tone down a hot pink, add white, a complementary color (or black), or both. Decide if you want a darker pink (add only the complementary color), taupe pink (add white and complementary color), or just a lighter pink (add only white). If you're planning on adjusting the hue with magenta and muting the pink with green or cyan (complementary to magenta and red), you can try to combine the two by using a color between magenta and cyan, such as blue.

   3. Mix paints and start creating a masterpiece! If all this seems impossible to you, you just need a little practice. Creating a color guide for your own needs - good way practice using the principles of color theory. Even printing it from a computer, you will provide yourself useful information while you still have no practice and you can not work on an intuitive level.

   Color samples and how to get them

   • Choose the color you would like to receive and follow the instructions below. Each sample gives whole line opportunities; you can adjust the amount of paint used to get exactly the color you want. For example, any light color can be lightened or darkened by adding more or less white. Complementary, or complementary, colors are colors located opposite each other on the RGB/CMY color wheel.
   • Red: Add some yellow or orange to the magenta.
     • Light red (salmon pink, coral): Add white to red. Use less white and more red to get coral.
     • Dark red: Add some black (or cyan) to red. Cyan is complementary to red.
     • Muted red: Add white and black (or cyan) to red.
   • Yellow: Yellow cannot be obtained by mixing other colors. You will have to buy it.
     • Light yellow: Add white to yellow.
     • Dark yellow (olive green): Add some black (or purple-blue) to the yellow. Violet-blue is complementary to yellow.
     • Muted yellow (light olive): Add white or black (or violet-blue) to yellow.
   • Green: Mix cyan and yellow.
     • Light green: Add white to green.
     • Dark green: Add some black (or magenta) to the green. Magenta is complementary to green.
     • Grey-green: Add white and black (or magenta) to green.
   • Cyan (turquoise blue): Cyan cannot be obtained by mixing other colors. You will have to buy it.
     • Light cyan: Add white to cyan.
     • Dark cyan: Add some black (or red) to cyan. Red is complementary to cyan.
     • Grey-blue: Add white and black (or red) to cyan.
   • Violet blue: Mix magenta with cyan or blue.
     • Light Violet Blue (Lavender): Add white to purple-blue.
     • Dark purple blue: Add some black (or yellow) to violet-blue. Yellow is complementary to purple.
     • Greyish Violet Blue: Add white and black (or yellow) to violet-blue.
   • Violet: Mix magenta with a little cyan, blue or violet blue.
     • Light purple: Add white to purple.
     • Dark violet: Add some black (or lime green) to purple. Lime green is complementary to purple.
     • Muted purple: Add white and black (or lime green) to purple.
   • Black: Black can be obtained by mixing any two complementary colors or three colors equidistant on the exact CMY/RGB color wheel, such as red, green, and blue. If you get a dark color instead of pure black, correct it by adding its complementary color.
   • White: White cannot be obtained by mixing other colors. You will have to buy it. To get a warm white (such as cream), add some yellow. To get a cool white, add a little cyan.
   • Grey: Gray is a mixture of black and white.
   • When mixing paints, add them little by little to control the color. You can always add more. This is especially true when working with black and blue, which tend to dominate other colors. Add a little at a time until you get the desired result.
   • To find out if a color is complementary, use your own eyes. It's an old trick: look closely at a color, then look away at a white surface. Due to the "color fatigue" of the eyes, you will see the opposite color.
   • Choosing primary colors when shopping can be tricky. Look for a magenta that is free of white and blue pigments (PW and PB). Violet and red pigments such as PV19 and PR122 work best. Good cyan PB15:3. PB15 and PG7 are also good. If you need artistic paints or glaze, you can try to match the colors with the printer. Print a sample from your computer to a printer to take with you to the store, or look for the primary colors on the sides of a cereal or cookie box.
   • You need one color triangle of colors that provide visual balance to the picture, and another color triangle to determine pairs of colors that cancel each other out, since complementary colors for these tasks are slightly different. So, ultramarine goes well with lemon yellow and other beautiful yellows, but to darken these yellows, use purple. Additional information on this subject can be found on the net.
   • How many tubes of different paints do you really need to paint a picture? Jean-Louis Morell's book on watercolor painting shows how, using the cyan-yellow-magenta color triangle, you can get almost any desired color from just four or five, but this can also be done using the three listed plus white (paper acts as white in watercolor painting)!
     • The best range of shades can be obtained by mixing colors close to the CMY primary colors, but to get a darker shade, one - or even better two - should be darker than these primary colors, for example, Persian blue or cobalt blue, crimson alizarin.
   • What you write? The colors you need depend entirely on what you're writing. For example, ultramarine, Neapolitan yellow, burnt sienna and white are useful for distant landscapes if bright greens and yellows are not needed.

   What will you need

   • Palette - disposable paper is well suited.
   • Palette knife (any size)
   • Watercolor paper or primed canvas (available from your local art supply store; ready-made primed canvas works well)
   • Containers with water or solvent for washing brushes
   • Synthetic brush of your choice (#8 round or #6 flat works well)
   • Spray bottle to keep water-based paints from drying out
   • Paper towels to remove dirt and clean brushes
   • Color circle
   • Paints
   • A bathrobe or an old shirt that you don't mind getting dirty
   • Gloves

Have you ever wondered how professional artists work with various paints by creating paintings? Do they stock up on every possible shade of color for their work? Of course not. As a rule, they have several basic colors in their arsenal and with the help of an entertaining science - coloring - they get hundreds of desired shades.

Purple in the color palette

This article is all about purple, the latest color in the rainbow.

It is not base in the palette. The main colors are blue, yellow and red. What does it mean? By mixing them, you can get a huge variety of colors and their shades. It is worth mentioning two more colors. It's black and white. They cannot be obtained by mixing. So in essence, artists use five colors to create their magnificent masterpieces - these are three basic colors plus black and white.

A bit of history

Violet (aka purple) is considered a cold and deep tone.

Its history is interesting and shrouded in mystery. Purple has always been considered a mystical and "royal" color.

In Byzantium, the purple color was called blattion and was considered imperial. Purple was very often used in stained glass in cathedrals in medieval times. Purple smalts can be found in Byzantine mosaics in Ravenna.

In Russia, the purple color was called Yubagr. And in England in the second half of the 16th century, only members of the royal family or reigning persons had the right to wear purple fabrics.

The purple color has special meaning and in Christianity. It represents the seventh day of the creation of light and is considered a day of rest. This is the spiritual meaning of this color.

For Catholic Christians traditional clothes clergymen is a cassock - this is a split dress to the floor. Only bishops can wear such a purple robe, it is forbidden for ordinary clerics.

How to get purple? The easiest way

Coloring is very entertaining and interesting science. All children like to watch how, with a wave of a magic wand, two or three colors form a completely different, fourth. It really looks like a mystic.

For example, in order to get Brown color, on the palette you need to mix blue, red and yellow.

For orange - red and yellow, green - yellow and blue.

But how do you get purple? You only need to mix two colors - red and blue.

The depth and brightness of the resulting purple will depend on a number of indicators:

• tones of the original colors;
• quantities of this or that paint, their proportion.

How to get different shades of purple?

But after all, artists are not content with just one shade of purple when writing their paintings. It would then not be art, not magic. Yes, they can create dozens of different tones of this mysterious color.

How to get dark purple color?

There are two ways.

1. Add a few drops of black to red.
2. Mix red and blue, adding more of the latter, and also adjust the intensity by adding black. It will turn out a very dark, muted, but purple color.

How to get magenta tint?

It is necessary when mixing red and blue paints, put more red. If there is more blue in proportion, then purple will turn out to be brighter and more pronounced.

How to get a light purple hue?

You need to mix pink and blue paints on the palette.

How to make the resulting color lighter?

In this case, you just need to add white to the mass.

Features of working with gouache and watercolor

The above methods are ideal if you are wondering: "How to get purple with gouache?". This type of paint is thick and well pigmented, the artist will have no problem adjusting the intensity of the color. But there is one pitfall that you should not forget about: when dried, gouache brightens by several tones. This is always worth remembering when getting the desired purple hue.

In some ways it is easier, and in some ways more difficult to work with watercolors. It does not have such a rich texture as the same gouache. How to get purple paint color and desired shades with watercolor?

The way it works is exactly the same. But if there is no white, then the pallor or saturation of the desired shade must be adjusted already with the help of water (diluting the paint with it). And, of course, it is quite clear that the same color saturation cannot be achieved from watercolor as from gouache.

Methods for dyeing mastic in purple

When preparing their delicious masterpieces, confectioners very often color mastic. And just like artists, they do not have to have all the shades and colors of dyes in their arsenal. To answer the question: “How to get the purple color of the mastic?”, You need to determine how this delicious “plasticine” fell into the hands of the master?

If the mastic is homemade, then there is nothing easier than adding two dyes - blue and red - to the still liquid mass during its preparation. They can be both dry and gel type.

If the mastic is purchased and white, then it will be easiest to first paint two balls in different colors - red and blue. And only after that mix them in different proportions, resulting in the desired shade.

The effect of purple on humans

There is such a science - chromotherapy. She studies the effect of different colors on the human condition. So purple has a very beneficial effect on almost all organs and senses.

1. Promotes a more rapid production of priceless hormones of joy - endorphins.
2. Rejuvenates.
3. It has a calming effect on insomnia and migraines.
4. It has a tonic effect on the pituitary gland and eyes.
5. Increases immunity.

But you need to use this color wisely, without overloading your space with it. Too much purple can lead to melancholy.

Now you know how to get purple. You know how it affects the human body and you can successfully apply the knowledge gained in practice, whether it is color treatment or the creation of a confectionery or artistic masterpiece. So multifaceted, from pale purple to almost black, this color represents everything sensual, mysterious and mysterious.

Every person who has ever held a brush and paint in his hand knows that from two or three colors you can get a lot of shades. The rules for mixing and matching colors are determined by the science of color. Its basis is known to many color circle. There are only three primary colors: red, blue and yellow. Other shades are obtained by mixing and are called secondary.

What colors of paint should be mixed to get brown

Brown is considered complex, and all primary colors can be used to create it. There are several ways to get brown:

• Classic: green + red in proportions 50:50.
• The main trio: blue + yellow + red in the same amount.
• Mixing: blue + orange or gray + orange. You can vary the intensity of the hue by adding less or more gray.
• Optional: green + purple + orange. This shade is obtained with a pleasant red or red tint. You can also mix yellow + purple - the color will turn out with a yellowish tint.

What colors of paints must be mixed to get purple

The easiest way to get purple is to mix red and blue in equal proportions. True, the shade will turn out to be dirty, and it will need to be adjusted.

To make the tone colder, take 2 parts blue and 1 part red and vice versa.

To achieve lavender and lilac, the resulting dirty purple must be diluted with white. The more white, the lighter and softer the shade will be.

Dark purple can be obtained by gradually adding black or green to the original color.

What colors of paint must be mixed to get red

Red is considered base color and is present in any artistic palette. However, you can get red by mixing purple (magenta) and yellow in a 1:1 ratio. You can also mix a carmine shade with yellow - you get a more intense red. You can make it lighter by adding more yellow and vice versa. Shades of red can be obtained by adding orange, pink, yellow, white to the base red.

What colors of paints should be mixed to get beige

Beige is a neutral and dependent color, it has many shades, which can be obtained by varying the amount of added white and yellow tint.

Most easy way get beige - mix brown and white.

To make the color more contrast, you can add a little yellow.

Nude beige can be obtained by mixing scarlet, blue, yellow and white. The ivory shade is created by mixing golden ocher and white paint.

Green can be achieved by mixing equal parts yellow and blue. Get a grassy green shade. If white is added to it, the mixture will lighten. By mixing brown or black pigment, you can achieve an emerald, marsh, olive, dark green hue.

What colors of paint should be mixed to get gray

Classic tandem to receive gray color is black + white. The more white - the lighter the finished shade will turn out.

• You can also mix red, green and white. The color will turn out with a slight yellow tint.
• A gray-blue shade can be created by mixing orange with blue and white.
• If you mix yellow with purple and white, you get a gray-beige shade.

What colors of paint should be mixed to get black

Black is the base monochrome color. It can be obtained by mixing magenta with yellow and cyan. Also, artists often mix green and red, but the resulting shade will not be jet black. Saturated black color gives a mixture of orange with blue and yellow with purple. To get the shade of the night sky, you can add a little blue to the finished color, and a drop of white to lighten it.

What colors of paint must be mixed to get blue

Blue is the main color in the palette and it is quite difficult to get it by mixing. It is believed that it can be obtained by adding a little yellow to green, but in practice it turns out more of a blue-green tint. You can mix purple with blue, the shade will be deep, but dark. You can lighten it up by adding a drop of white.

What colors of paints must be mixed to get yellow

Basic yellow cannot be obtained by mixing other shades. Something similar comes out if you add green to orange. Variations of yellow are obtained by adding other tones to the base. For example, lemon is a mixture of yellow, green and white. Sunny yellow is a mixture of basic yellow, white and red droplets.

What colors of paint should be mixed to get pink

The easiest option is to mix red and white. The more white, the lighter the shade will turn out. It is important to know that the tone depends on which red you choose:

• Scarlet + white will give a pure pink color.
• Brick red + white - peach pink.
• Blood red + purple gives a fuchsia shade.
• Orange-pink can be obtained by adding yellow paint to scarlet and white.

What colors of paints must be mixed to get orange

Orange can be obtained by mixing red and yellow.

• A less saturated shade will be obtained if a pink pigment is added to the yellow paint.
• Terracotta orange is the result of a base orange mixed with blue or purple.
• Dark shades are achieved by mixing red, yellow and black.
• If you add brown instead of black, you get red orange.

We vary the intensity of the tone by adding more white or black.

Color mixing table

Primary colors (blue, yellow, red) are almost impossible to obtain by mixing other shades. But with their help you can create the whole color palette!

Knowing the basic rules of color, it will be easier to figure out the decoration and get the right shade!