Tatyana Chernyaeva: I know everything about preschool education. Tatyana Kirillovna from "abvgdeyka": the road to paradise is already provided for me Leading abvgdeyka Tatyana Kirillovna

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Tatyana Kirillovna Chernyaeva
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Name at birth:	Tatyana Kirillovna Genisaretskaya
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Chernyaeva Tatyana Kirillovna(b. January 12, 1943, Essentuki) - journalist, TV presenter, artistic director of the ABVGDeika program. Member of the Russian Television Academy since 2007. Honored Worker of Culture of the Russian Federation. Laureate of the professional recognition award "The Best Pens of Russia".

Biography

In the same year, she began working at Central Television as an assistant director.

T. K. Chernyaeva is a member of the Coordinating Council of the Trade Union of Television Workers of Russia.

All my creative life on television, Tatyana Kirillovna deals with childhood problems and pedagogy. She is an active supporter of increasing the share of children's programs in broadcast networks. Russian TV channels and increasing public and private funding for Russian children's television projects.

Personal life

Tatyana loves to travel, cook, meet the audience, drive a car; makes friends with classmates, classmates, adults and children, with athletes and the disabled, as well as "smaller brothers". She is a believing Christian.

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An excerpt characterizing Chernyaeva, Tatyana Kirillovna

"Old" Lithuanian gods in my hometown Alytus, homely and warm, like a simple friendly family...

These gods reminded me good characters from fairy tales that were somewhat similar to our parents - they were kind and affectionate, but if it was necessary, they could severely punish us when we played pranks too much. They were much closer to our soul than that incomprehensible, distant, and so terribly perished by human hands, God...
I ask the believers not to be indignant, reading the lines with my then thoughts. It was then, and I, like everything else, in the same Faith was looking for my childish truth. Therefore, I can argue about this only about my views and concepts that I have now, and which will be presented in this book much later. In the meantime, it was a time of "stubborn search", and it was not so easy for me ...
“You are a strange girl...” the sad stranger whispered thoughtfully.
“I’m not weird—I’m just alive. But I live among two worlds - the living and the dead... And I can see what many, unfortunately, do not see. Because, probably, no one believes me ... But everything would be so much easier if people would listen, and at least for a minute think, even if not believing ... But, I think that if this happens when Someday, it certainly won’t happen today ... But today I have to live with this ...
“I'm sorry, honey…” the man whispered. “You know, there are a lot of people like me here. There are thousands of them here... It would probably be interesting for you to talk to them. There are even real heroes, not like me. There are many here...
I suddenly had a wild desire to help this sad, lonely man. In fact, I had absolutely no idea what I could do for him.
“Do you want us to create another world for you while you are here?” Stella suddenly asked unexpectedly.
It was a great idea, and I felt a little ashamed that it hadn't occurred to me first. Stella was a wonderful person, and somehow, she always found something nice that could bring joy to others.
- What kind of "other world"? .. - the man was surprised.
“Look, look…” and a bright, joyful light suddenly shone in his dark, gloomy cave!.. “How do you like such a house?”
Our "sad" friend's eyes lit up happily. He looked around in bewilderment, not understanding what had happened here... And in his creepy, dark cave, the sun was shining brightly and cheerfully, lush greenery was fragrant, birds were singing, and there was a smell of amazing smells of blossoming flowers... in its far corner a brook murmured merrily, splashing droplets of the purest, freshest, crystal water...
- Here you go! As you like? Stella asked cheerfully.
The man, completely stunned by what he saw, did not utter a word, only looked at all this beauty with eyes widened in surprise, in which trembling drops of “happy” tears shone like pure diamonds ...
- Lord, how long have I not seen the sun! .. - he whispered softly. - Who are you, girl?
- Oh, I'm just a man. Just like you - dead. And here she is, you already know - alive. We walk here together sometimes. And we help, if we can, of course.
It was clear that the baby was happy with the effect and literally fidgeting with the desire to prolong it ...
- Do you really like? Do you want it to stay that way?
The man just nodded, unable to utter a word.
I didn’t even try to imagine what happiness he should have experienced, after that black horror in which he was daily, and for so long, was! ..
“Thank you, dear…” the man whispered softly. “Just tell me, how can it stay?”
- Oh, it's easy! Your world will only be here, in this cave, and no one will see it except you. And if you don't leave here, he will stay with you forever. Well, I will come to you to check... My name is Stella.
- I don't know what to say for this... I didn't deserve it. This is probably wrong ... My name is Luminary. Yes, not very much “light” has brought yet, as you can see ...
- Oh, nothing, bring more! - it was clear that the baby was very proud of what she had done and was bursting with pleasure.
“Thank you, dear ones...” The luminary sat with his proud head down, and suddenly burst into tears like a child...
- Well, what about the others, the same? .. - I whispered softly into Stella's ear. - There must be a lot of them, right? What to do with them? After all, it's not fair to help one. And who gave us the right to judge which of them is worthy of such help?

(1943-01-12 ) (76 years old) K:Wikipedia:Articles without images (type: not specified)

Chernyaeva Tatyana Kirillovna(b. January 12, 1943, Essentuki) - journalist, TV presenter, artistic director of the ABVGDeika program. Member of the Russian Television Academy since 2007. Honored Worker of Culture of the Russian Federation. Laureate of the professional recognition award "The Best Pens of Russia".

Biography

In the same year, she began working at Central Television as an assistant director.

T. K. Chernyaeva is a member of the Coordinating Council of the Trade Union of Television Workers of Russia.

Throughout her creative life on television, Tatyana Kirillovna has been dealing with childhood problems and pedagogy. She is an active supporter of increasing the share of children's programs in the broadcasting networks of Russian TV channels and increasing public and private funding of Russian children's television projects.

Personal life

Tatyana loves to travel, cook, meet the audience, drive a car; makes friends with classmates, classmates, adults and children, with athletes and the disabled, as well as "smaller brothers". She is a believing Christian.

Write a review on the article "Chernyaeva, Tatyana Kirillovna"

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An excerpt characterizing Chernyaeva, Tatyana Kirillovna

Helen's face became terrifying: she yelped and jumped away from him. The breed of his father affected him. Pierre felt the fascination and charm of rage. He threw the plank, smashed it, and approaching Helen with open arms, shouted: “Out!!” so scary voice that this cry was heard in the whole house with horror. God knows what Pierre would have done at that moment if
Helen didn't run out of the room.

A week later, Pierre gave his wife a power of attorney to manage all the Great Russian estates, which accounted for more than half of his fortune, and left alone for St. Petersburg.

Two months passed after receiving news in the Bald Mountains about the battle of Austerlitz and the death of Prince Andrei, and despite all the letters through the embassy and all the searches, his body was not found, and he was not among the prisoners. The worst thing for his relatives was that there was still the hope that he had been raised by the inhabitants on the battlefield, and perhaps he was recovering or dying somewhere alone, among strangers, and unable to give news of himself. In the newspapers from which I first learned old prince about the defeat of Austerlitz, it was written, as always, very briefly and vaguely, that the Russians, after brilliant battles, had to retreat and made a retreat in perfect order. The old prince understood from this official news that ours had been defeated. A week after the newspaper that brought the news of the Battle of Austerlitz, a letter arrived from Kutuzov, who informed the prince about the fate that befell his son.
“Your son, in my eyes,” wrote Kutuzov, with a banner in his hands, ahead of the regiment, fell a hero worthy of his father and his fatherland. To the general regret of me and the whole army, it is still unknown whether he is alive or not. I flatter myself and you with the hope that your son is alive, because otherwise, among the officers found on the battlefield, about whom the list was submitted to me through parliamentarians, and he would have been named.
Having received this news late in the evening, when he was alone at. in his study, the old prince, as usual, the next day went for his morning walk; but he was silent with the clerk, the gardener, and the architect, and, although he looked angry, he said nothing to anyone.
When in regular time, Princess Marya came in to him, he stood behind the machine and sharpened, but, as usual, did not look back at her.
- BUT! Princess Mary! he suddenly said unnaturally and dropped the chisel. (The wheel was still spinning from its swing. Princess Marya remembered for a long time this dying creak of the wheel, which merged for her with what followed.)
Princess Mary moved towards him, saw his face, and something suddenly sank into her. Her eyes couldn't see clearly. She saw from her father’s face, not sad, not killed, but angry and unnaturally working on herself, that now, now, a terrible misfortune, the worst in life, a misfortune that she had not yet experienced, an irreparable, incomprehensible misfortune, hung over her and crushed her. the death of the one you love.
– Mon pere! Andre? [Father! Andrei?] - Said the ungraceful, awkward princess with such an inexpressible charm of sadness and self-forgetfulness that her father could not stand her gaze, and turned away with a sob.
- Got the message. None were taken prisoner, none were killed. Kutuzov writes, - he shouted piercingly, as if wanting to drive the princess away with this cry, - killed!
The princess did not fall, she did not become faint. She was already pale, but when she heard these words, her face changed, and something shone in her radiant, beautiful eyes. As if joy, the highest joy, independent of the sorrows and joys of this world, spilled over the strong sorrow that was in it. She forgot all her fear of her father, went up to him, took his hand, pulled him towards her and hugged his dry, sinewy neck.
“Mon pere,” she said. Don't turn away from me, let's cry together.
- Scoundrels, scoundrels! the old man shouted, pulling his face away from her. - Destroy the army, destroy the people! For what? Go, go, tell Lisa. The princess sank helplessly into an armchair beside her father and wept. She saw her brother now at the moment he was saying goodbye to her and to Liza, with his gentle and at the same time arrogant air. She saw him at the moment when he tenderly and mockingly put the icon on himself. “Did he believe? Did he repent of his unbelief? Is he there now? Is it there, in the abode of eternal peace and bliss? she thought.

In the mid-1970s, the ABVGDeika program appeared on Soviet television - a program for preschoolers in which young viewers were taught the basics of counting, reading and various worldly wisdom in a playful manner.

The constant host of "ABVGDeyka" was Tatyana Chernyaeva, known to all Soviet children as Tatyana Kirillovna. The composition of her clown students changed several times, but the most popular was the one that included Klepa, Levushkin, Yura and Toffee.

Cheerful and perky clowness Iriska was adored by both children and adults. The girls sent letters to television, in which they promised that when they grow up, they will also work in the circus, like Iriska.

In 1985, Iriska disappeared from the show. The children were told that she had "grown up, learned" and replaced her with another character.

And a year later in one of the central Soviet newspapers there was a lot of material about the tragedy in the arena of the Gomel circus - the artist Irina Asmus, who performed under the pseudonym "Iriska", died during the performance.

Circus instead of ballet

Irina Asmus was born on April 28, 1941 in Leningrad, on the very eve of the war. Despite the severity of the military and post-war years, little Ira had a big and beautiful dream - to become an actress. True, she could not decide what she liked more - theater, stage or circus.

As a result, Irina chose ... ballet. She decided to enter the choreographic school Bolshoi Theater. The selection committee appreciated the efforts and talent of the girl and announced that they were ready to accept her. “But keep in mind that with your small stature, you won’t become a prima,” Irina was warned.

The proud Leningrad woman did not want to voluntarily agree to a place in the corps de ballet, ballet extras. She took the documents and went to State school stage and circus arts.

There, at the entrance exams, she performed a passionate Neapolitan dance, sang the song "Besame Mucho" and was accepted without any reservations.

During her studies, Irina starred in the film "The New Adventures of Puss in Boots", which at one time was very popular. She got two roles at once - the girls of Klava and the Black Pawn.

Irina Asmus in the film "The New Adventures of Puss in Boots", 1958 Photo: Frame from the film

After an injury on the arena, the tightrope walker became Juliet

After graduating from college, Irina began working in the circus as a tightrope walker in a room Leonid Kostyuk, who subsequently led the Great Moscow Circus for many years.

Perches are long sticks. The equilibrist, the “upper”, as they say in the circus, climbs along the perch, which is held by his partner, under the very dome and there, on a tiny patch, demonstrates various tricks.

Equilibrium on Persians is a very spectacular genre, but complex and dangerous. During one of the rehearsals, the young artist fell and was seriously injured. Doctors forbade her to work at height.

Then Irina Asmus decided to change her role, becoming a dramatic actress. She entered the studio at the Leningrad Theater for Young Spectators.

There, however, she was treated rather unoriginally - taking into account vertically challenged and experience in the circus, Irina was used as a travesty, that is, an artist who played men or children. Asmus got tired of this very quickly, and she moved to the Komissarzhevskaya Theater.

Very soon, theater critics started talking about the emergence of a new interesting actress. Irina played the roles of Juliet, Cinderella, Princess Elizabeth in The Prince and the Pauper and Raymonda in Romance for Adults.

Candle in the wind

It would seem that she found her path in art. But Irina Asmus was drawn to the circus, where she school holidays played the role of Dunno, then the old woman Shapoklyak.

Once in the circus, the famous playwright Alexander Volodin, who knew her well from the theater, stumbled upon her. "Iriska, what are you doing here?" he exclaimed. Surrounding people smiled - this new name suited the actress so well.

Asmus took it for herself when she finally returned to the circus as a solo clowness.

It was a real challenge - there are not so many successful clowns in the circus who perform not in a group or duet, but alone, and there are practically no solo clowns at all.

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Toffee could be the exception to the rule. Her numbers were bright and remembered by the audience. In one of them, she portrayed a snake trainer who is constantly distracted by telephone conversations. The serpent hissed and resented, and the audience burst into laughter.

Iriska's most famous number was called "Let there be light!". It wasn't hilariously funny, but it cut through the audience.

The naughty Iriska ran around the arena, blew on the spotlights, and the hall suddenly plunged into darkness. The howl of a blizzard was heard, and in the light of a single candle, a shrunken, small figure of a clown could be seen. The candle flame began to go out, and it seemed that after a second something terrible would happen. Toffee began to warm the fire with her breath, and gradually it came to life, and then the lights of the circus came to life. The clowness went backstage, carefully carrying a candle in her hands.

Schoolchildren brought diaries to Iriska for verification

When Iriska was invited to ABVGDeika in 1978, she was already an experienced and well-known circus actress. Nevertheless, it was her work on television that brought her deafening fame throughout the Soviet Union.

Together with the clown Klepa, artist Vitaly Dovgan, Iriska became a real engine of the program. Irina Asmus's partner in ABVGDeyke, Valery Levushkin, recalled: “Toffee and Klepa, being more professional people at that time, quickly scattered the text among themselves. As a result, when we appeared in the frame, Iriska chirped, Dovgan played along with her, and we, like two blockheads, looked blankly into the camera.

Her popularity knew no bounds. When she went on tour with the circus, the kids, having learned what hotel she lives in, gathered under the windows of her room, shouting: “Butterscotch! Toffee!"

Once, for fun, Irina went out onto the balcony and ordered her little fans to come after school and show her the diaries with marks. A few hours later, satisfied honors and good students stood in the same place, proudly holding diaries in front of them. Troechniks and Losers, burning with shame, did not dare to appear before the strict Iriska.

When Iriska was removed from ABVGDeyka, it surprised not only children, but also adults. After years of prescription it is difficult to say what and who did not like it. In the circus, Irina Asmus also did not go smoothly - for some reason she was not included in the number of artists who went on a foreign tour.

Perhaps it was jealousy. The incredible popularity of Iriska irritated many, especially since, by nature, she preferred not to smooth sharp corners, did not like all sorts of compromises.

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The artist was killed by a riveted nut

At the end of April 1986, she was supposed to be 45 years old. Perhaps ahead of her was waiting new turn in a career. Dramatic talent allowed him to change his role again, return to the theater, once again try his hand at film or television.

March 15, 1986, Saturday, the afternoon performance was sold out. Parents with children went to see their favorite Iriska.

The program of Irina Asmus was spectacular trick"The old woman on the lampshade": under the very dome, she rotated around her axis. As the examination later established, during the performance of the trick, the rotation machine failed, in which the nut turned out to be riveted. Before performing the rotation, the artist unfastened the safety cable herself so that it would not interfere with the movements.

Toffee fell into the arena from a great height. She was immediately taken backstage, where doctors were urgently called. But the help of doctors was no longer needed: Irina Asmus died instantly as a result of numerous injuries and the internal hemorrhage caused by them.

The investigation concluded that the artist's death "was facilitated by the negligent performance of their duties by officials of a number of circuses, who did not timely reveal the gross discrepancy between the device and the technical passport." The design of the machine for rotation, which killed Irina Asmus, was forbidden to be used after the tragedy in Gomel.

Irina Pavlovna Asmus was buried in Leningrad, at the Bolsheokhtinsky cemetery.

In 1986, there was no Internet yet, about the tragedy in Gomel circus did not speak on television, not everyone read the article about the death of Iriska. For many fans, big and small, Iriska remained alive, laughing and cheerful.

Chernyaeva Tatyana Kirillovna, nee Genisaretskaya, was born in Essentuki, Stavropol Territory, where she graduated high school with a gold medal.

Education:

She entered the philological faculty of the North Ossetian Pedagogical Institute in Vladikavkaz (then Ordzhonikidze). In her third year, she began working at a local television studio as an announcer without interrupting her studies and fell in love with television. Therefore, after graduating from the third year, she took the documents from the pedagogical department and went to Moscow - to be transferred to the Faculty of Journalism at Moscow State University. Since there was an excellent student at the pedagogical institute and received a Lenin scholarship, the issue of transferring to Moscow State University was resolved positively.

In 1970 she graduated from the Moscow State University them. M.V. Lomonosov, faculty of journalism, specialty - literary worker of radio and television.

Work:

Simultaneously began work on Central television. She went through all the steps - from the position of assistant director, assistant director, editor, senior editor, special correspondent, chief editor to TV presenter and head of the children's edition.
Throughout her creative life on television, she has been dealing with childhood problems and pedagogy, she has worked on many programs as an editor, as an author, and as a presenter.
Repeatedly noted in the press and in reviews of the program "Meetings in the Concert Studio" with innovative teachers", the cycles "For you, parents", "Pedagogy for all" and many others.

But for most TV viewers, T.K. Chernyaeva is just Tatyana Kirillovna from ABVGDeyka.
For 33 years he has been the permanent editor and host of this program.

Now the seventh cycle of "ABVGDeyka" is underway, where in a playful, exciting way, the guys get acquainted with the basics of literacy and counting and other useful things. The popularity of this program is confirmed by numerous letters from viewers.
For several generations, children have been preparing for school with the help of "ABVGDeyka". And now the children of the first viewers are also enthusiastically watching it. They watch not only in Russia and the CIS countries, but also in far abroad countries via satellite TV. Letters to ABVGDeika come from Russian-speaking compatriots from everywhere. And in these letters, viewers note the role of this program in their lives - "ABVGDeika" helps to preserve the language, children learn Russian together with their favorite clowns.

Achievements and awards:

Titles - Honored Worker of Culture of the Russian Federation, "Excellence in Television", "Excellence in Education", winner of the professional recognition award - "The Best Pens of Russia", the program "ABVGDeika" was named national treasure public organization"Patrons of the Century".

Married, husband Igor Petrovich - engineer, son - Alexander - producer and director, grandchildren - Igor - 18 years old, student of VGIK, Varechka - 7 years old.

I like to travel, cook, meet with spectators, drive a car, make friends with classmates, classmates, adults and children, with athletes and disabled people, “smaller brothers”. Believing Christian. That's probably all...
Sincerely yours.