Oleg far from what. Oleg Dal died because he didn't want to live...

Oleg Dal was an insanely talented actor, a pretty good screenwriter, and his poetry reading was simply mind-blowing. Crowds of people appreciated, and most importantly, respected his work. The artist is quite attractive, and what is not unimportant, charismatic. He played roles in such a way that it simply took his breath away, he could convey to the viewer all the feelings and emotions.

His wonderful game was often called perfection, which could not be said about his personal fate, which he actually manually ruined with his bad habits. But he had a great future, perhaps even world fame.

The artist sunk into the soul of a large number of admirers who remember and love him, and films with his participation are still being watched.

Height, weight, age. How old is Oleg Dal

The appearance of the artist is quite memorable, Oleg was slender, handsome and very young. By nature, the man was heavy on his feet, stubborn, in a sense, explosive and impulsive, this was especially true in the work team. But at the same time, he belongs to the type of people who are quite caring and affectionate in the family circle. And in the work, the artist simply dissolved and was perfection itself, one might even say an ideal for most viewers.

Many ladies were in love not only with his characters, but also with the actor himself. Therefore, it is not surprising that people were interested in him and are still interested in his parameters such as: height, weight, age. How old was Oleg Dal when he passed away.

Everything is elementary simple, the growth of the artist was 185 centimeters. Oleg Dal was young, one might say, a man in the prime of his life, but unfortunately, he did not live to see his fortieth birthday for only a couple of months, and died at the age of 39.

Biography of Oleg Dal

A boy was born on May 25, 1941, in the midst of the Great Patriotic War, in a simple working family. He was the second child, the boy also had an older sister. The boy grew up quite active and intelligent, already in early childhood his complex character was manifested, he constantly clashed with his peers. The guy studied well and after graduation decides to enter the Shchepkinsky theater. Parents for some time were against the choice of their son, saying that this is not a profession, but after a while they reconciled and even became proud of their boy.

The guy was very hardworking and already studying at the institute, he simultaneously began acting in films and theater, and it was from that moment that Oleg Dal's creative biography began.

Filmography: films with the participation of Oleg Dal

The filmography of the artist simply rolls over with the number of films shot with his participation and numerous theatrical performances.

In 1962, he played the first role of Oleg Dal in the film "My Little Brother", where he played the main role of the creative boy Alik Kramer. After that, he received several offers at once, but already at the very beginning, the artist carefully selected roles to his liking and did not waste time on trifles. Then he starred in the psychological film "The Man Who Doubts."

Already in 1967, Oleg became famous thanks to the film The Chronicle of a Dive Bomber, where the actor was in the role of a gunner-radio operator, it was this role that won the hearts of many fans, especially women.

In 1968, the artist starred in a wonderful production of "An Old, Old Tale", where he simultaneously played two completely different roles of a soldier and a cheerful puppeteer. Only the most talented people can play several characters in one plot, and according to critics, he succeeded in both roles excellently, he found his personal subtle approach to each and expressed the full power of the production.

Then the actor devoted a large amount of time to the theater, he himself believed that he was primarily a theatergoer and it was this stage that was created for him, and the cinema was in the background for him. Despite this, he continued to act in films.

The artist had his own understanding of beauty, and he often did not agree with the opinions of colleagues and directors, so Oleg had to change jobs.

Dalia considered the roles in the plots “Thursday and Never Again” and “Vacation in September” to be the most important participation in the film, which he played simply amazing, putting all his strength and feelings into them, conveying to the viewer all the most significant.

In the late 70s, the artist increasingly began to refuse filming offers and thus earned himself a not very good reputation. He began to drink more and more and move away from everyone. And on March 3, 1981, a great talent and idol of many fans passed away.

Personal life of Oleg Dal

Our actor treated this type of people as very explosive, like a hurricane, his character is heavy, and at the same time attracted with his charisma and incredible talent. The artist himself was often the very opposite of his characters, it seemed that this person was an incredibly happy and cheerful person, striving for self-development. However, all this was just a mask, and of course the insane talent of the artist.

The personal life of Oleg Dal is marked by a large amount of female diversity. There were three legal marriages in his life. Each of which was wonderful in its own way, the man for a long time tried to find the very one that could endure his quarrelsome character. This is exactly what he found, in his third marriage, Elizabeth Apraskina, who managed to brighten up his sad mood lately and give him a desire for life itself, but she never weaned him from a bad habit, craving for alcohol.

Like all stars, there are crises in life, some cope and rise to the pedestal again, and some close in on themselves. Dahl is the type who could not cope with himself, and plus his addiction to alcohol made the final contribution to the life of a man. No one could imagine that the cause of death would be alcoholism. It was hard to believe in the death of such a wonderful talent, and many wondered: "Oleg Dal died for what reason." Not an unimportant fact that influenced his death was that the young man was coded, and taking a large amount of alcohol provoked a hemorrhage and instant death. The funeral was held with great torment in the hearts of all fans, acquaintances and friends.

The funeral of Oleg Dal. Cause of death, for what reason?

The news of the loss of such a talent flew by instantly, everyone was shocked by what had happened. No one could even imagine such a quick loss of a fairly young artist, and they constantly asked questions: “The funeral of Oleg Dal. Cause of death, for what reason? After all, only the closest people of the star knew about addiction to alcohol.

Farewell to a brilliant talent took place on March 7, 1981 at the Vagankovsky cemetery in the capital itself. To see the actor for the last time, a large number of fans, friends, colleagues and relatives came, everyone was saddened by such a loss, and some were at a loss from what had happened.

The memory of Oleg Dali will be with us forever, fans of his work constantly watch films with his participation and admire such talent to this day.

Family of Oleg Dal

The boy was born in the most ordinary family, his mother was a teacher at a local school, and his father worked as an engineer on the railway. His appearance came at the very height of the Great Patriotic War, so the guy's childhood was not so hot. Oleg also had an older sister, Iraida, with whom he had a very warm relationship. The family of Oleg Dal was very friendly, despite all the events that had taken place in their lives.

The artist himself madly wanted a family, for a long time he was in search of the very woman who would make his soul shine from within. He wanted to find a woman who would appreciate the family hearth and at the same time be like-minded to him. For his beloved, he was ready for anything, if only she would give all her warmth, which the man needed so much. He had two not very successful attempts, and the third was successful, as the people say, "God loves a trinity."

Children of Oleg Dal

The artist considered his biggest brainchild to be the roles he played. He put his soul into them, along with the roles his professionalism grew and with them he studied all the new subtleties of the aspect of the ideal role.

Because of his very bad character and addiction to alcohol, the young man did not have successors of his kind. And also influenced by the fact of premature death, because the artist was still young and handsome. Fans believe that if he had heirs, then Oleg Dali's children would certainly become no less talented and successful people.

The ex-wife of Oleg Dal - Nina Doroshina

Oleg met his first lady of the heart at the Sovremennik Theater, where they both worked, her name was Nina Doroshina. The actress became famous for such films as "Love and Doves", where she played the main role, which became her hallmark in the world of cinema.

The girl was quite young, attractive and talented, many of her just screamed her head, and our actor was no exception. The artist immediately fell in love and quickly began to court the girl, although at that time she had an affair with Efremov, but our hero managed to attract his attention to himself and the couple soon got married. Not even a day had passed since the wedding, as the ex-wife of Oleg Dal, Nina Doroshina, without hiding, began dating Oleg Efremov again. The first marriage ended in disappointment and a big failure. Nina herself said that their marriage was not destined to last long, since they were completely different and simply did not get along in character.

The ex-wife of Oleg Dal - Tatyana Lavrova

After the first unrequited love, after a short period of time, Oleg meets actress Tatyana Lavrova. She was pretty and also quite talented and smart. The man wanted simple family happiness so much that he did not hesitate to marry another chosen one. For Lavrova, this was already the second marriage, which also did not last a couple of three years. Having lived with her for two years together, Tatyana decides to leave the artist, explaining that he is not the one she needs. The young man was madly upset that again he did not have the family happiness that he so dreamed of, according to him, Tatyana was callous in a relationship, and he wanted more tenderness and affection.

Most friends and relatives believe that Oleg Dal's ex-wife, Tatyana Lavrova, pushed him onto the path of alcoholism. Since after the divorce, the man was very depressed and disappointed in his own life.

Oleg Dal's wife - Elizaveta Alekseevna Apraksina

The actor met his future wife Lisa in a restaurant where the woman celebrated her birthday surrounded by her colleagues on the set, because she worked as an editor. In a playful manner, she invited him to visit her in Leningrad. Without thinking twice, Oleg comes to her in the city, and after a couple of days he already offered her to marry him. Such an act was quite risky, because the young man had already had two unsuccessful experiences behind him, but this did not frighten Oleg in any way. They soon got married and lived in perfect harmony. The artist finally found the one that he had been looking for for so long, she was not only pretty, but also gentle, smart and very educated, the spouses always had something to talk about, it seemed to them that they even had the same view of the world. The couple was in seventh heaven with happiness, but the woman could not get rid of her husband's addiction. Oleg Dal's wife, Elizaveta Alekseevna Apratskaya, was with her husband until his last days, they lived together for a long 10 years. Death for a woman was a real tragedy and shock. According to Lisa herself, she died with her husband, and a piece of her soul and in the future she did not live, but existed.

Everyone is very sorry that a great artist left us so early, because he could delight us with his game for many years to come. It is simply impossible to forget such talents as Oleg Dal, he will live in the hearts of every admirer of his work.

Oleg Dal is considered the brightest and most controversial actor. His talent delighted numerous fans, and his behavior on the set or stage infuriated colleagues. You could hear good and bad things about him, he himself was a man who went to extremes. The immediate character helped the actor to be at the top of fame, he was forgiven a lot, and he moved on - forward to his dream.

Glory to Oleg Dal came after the release of the film "The Chronicle of a dive bomber", although before that he already had quite successful work in the cinema.

Childhood

Oleg Dal was born on May 25, 1941 in Lyublino near Moscow. Father - Ivan Zinovievich - was a major railway engineer, Mom - Pavel Petrovna - worked as a teacher. In addition to the son, the family also had a daughter, Iraida.

Oleg did not have any special problems with studying at school. He loved sports, especially basketball. But one day it turned out that he had a heart condition, and the doctors forbade the boy to play.

Oleg easily found a replacement for sports - he became interested in poetry, literature and painting. When it came to choosing a life path, he said that he wanted to connect his biography with the sky and learn to be a pilot. These dreams remained dreams - because of a sick heart, the road to the flight school was closed.

At school, he became interested in creativity, one of his favorite works was "The Hero of Our Time." Oleg decided that he would be an actor and play his favorite character on stage. How could a boy who grew up in the post-war famine time know that some 15 years would pass and he would be able to make his dream come true.

Youth

In 1959, the school was left behind, and the guy announced to his parents that he was going to enter the theater school. The family reared up, because there was not a single artist in the family. All my mother's relatives were teachers and philologists, my father was an engineer, a party member, so no one even wanted to hear about any theater. The acting profession seemed to them very unstable in terms of earnings, and then, since childhood, my son had a burry speech.

Photo: Oleg Dal in his youth

Oleg Dal was very persistent and achieved everything he had in mind. Therefore, he did not listen to his parents and went to the exams. The guy prepared well, learned an excerpt from Gogol and Lermontov and successfully passed all the tests. He was lucky to enter the first time and ended up in the workshop of N. Annenkov, in the famous "Sliver". Dahl studied together and, who also became famous actors.

Movies

In 1961, the film adaptation of the story "Star Ticket", which he wrote, began. Director A. Zarkhi was looking for a leading actor in this film for a long time. He looked at many candidates - students of theater universities, selected a couple of dozen applicants and invited them to audition. Luck smiled at Oleg Dal - he was supposed to play Kramer. Filming began in 1961 and took place in the most beautiful city - Tallinn. The painting was titled "My Little Brother".

After the film went on sale, the young actor came to the attention of two already famous directors: L. Agranovich and. Agranovich offered Oleg a job in the film "The Man Who Doubts", and he was supposed to play the main character. According to the plot of the film, Dahl's hero Boris Dulenko is arrested and charged with the murder of a schoolgirl.

The picture was released in 1963, just in time for Oleg to graduate from the theater school. The graduation performance of the graduate Dahl came to see the actress of Sovremennik, who really liked the game of a talented young man. She invited Dahl to come to the theater with them. To become a full-fledged actor, one had to pass a qualifying competition consisting of two stages. Oleg brilliantly coped with the task and got into the troupe. This success did not affect his career in any way - he is trusted only with secondary roles.

Dahl was again called to the cinema. This time in the picture "The First Trolleybus", which the audience saw in 1964. The plot was simple and uncomplicated, but cinema lovers really liked it.

The next two years cannot be called productive, because Dahl starred in only two projects, and his roles were inconspicuous. In 1966, V. Motyl, director of the Lenfilm studio, drew attention to Oleg Dal. He was just looking for an actor for the leading role in the film "Zhenya, Zhenechka and Katyusha". Seeing Oleg, the director did not even doubt that this is exactly what his hero should have looked like. The picture was not approved by art officials, so it was not shown often, although the audience liked the film.

After showing the picture, Oleg Dal's career began to gradually grow up. He is invited to star in the project about the war "The Chronicle of a dive bomber", where the pilot Sobolevsky became his hero. The rental of this picture made Dahl an all-Russian hero, and brought his career to the highest level.

Things improved in the theater, where he began to go on stage again. This time the role was significant - Vaska Pepel in the production of "At the Bottom".

In the late 60s, Oleg Dal was offered cooperation by directors N. Kosheverova and G. Kozintsev. The latter called the actor to portray the Jester in King Lear - a role that was later called the most significant in the artist's creative biography. The picture was released in 1971 and was awarded honorary international awards at the Chicago, Milan and Tehran film festivals.

Oleg Dal was invited to work at the Leningrad Drama Theater, so he settled in the northern capital.

The 70s became very successful, and brought the actor interesting roles in cinema. In 1972, Oleg was offered a role in the film Sannikov Land. He first caught fire, and then came the disappointment. The artist was sure that the plot was interesting, but it was gradually being turned into a cheap farce. He refuses to shoot and after that he selects his roles with great care.

Once in childhood, Oleg dreamed of playing Pechorin, and in 1973 he had such an opportunity. He was invited to shoot the film "Through the Pages of Pechorin's Magazine", where he was entrusted with the main role. In the next two years, five more films with his participation were released.

Personal life

In the personal life of Oleg Dal, there were three official marriages, but the actor did not have children in any of them. He first married in 1963. The actress of Sovremennik became Oleg's chosen one, but the marriage did not last long.

The second wife was called, she was also an actress.

Photo: Oleg Dal and his wife

The third wife of Oleg Dal was Elizaveta Apraksina, who was the granddaughter of the literary critic Boris Eikhenbaum. They met on the set of King Lear in August 1969, where the woman worked as an editor. She was the only one of Dahl's three wives who managed to cope with his difficult character. The lovers got married and lived together until the death of the artist. Dal was proud and loved his wife, Elizabeth surrounded her husband with female attention and care. She seemed to have found the key that opened the hidden doors of his soul, and this helped the spouses to live in peace and harmony, despite the complex nature of the beloved.

Cause of death

In the late 70s, the actor stopped spending so much time on the set. One of the most significant works of that period was the painting "Vacation in September", filmed in 1979. Oleg Dal began to drink heavily, while refusing to fight the bad habit. Health was thoroughly undermined by children's heart problems and constant showdowns with directors.

Photo: Grave of Oleg Dal

Oleg Dal died on 03/03/1981 in one of the hotels in Kyiv, where he arrived on a business trip. Death was due to a heart attack caused by drinking alcohol. Oleg Dal in recent years said that he would die soon, he even felt that this would happen in the near future. The resting place of Oleg Dal was the Vagankovskoye cemetery in Moscow.

Selected filmography

• 1962 - My little brother
• 1963 - First trolleybus
• 1966 - Bridge under construction
• 1967 - Chronicle of a dive bomber
• 1968 - Old, old fairy tale
• 1970 - King Lear
• 1971 - Shadow
• 1973 - Fire in the wing
• 1974 - Star of captivating happiness
• 1975 - "Omega" variant
• 1977 - Golden Mine
• 1978 - Schedule for the day after tomorrow
• 1979 - The Adventures of Prince Florizel
• 1980 - Uninvited friend

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Childhood of actor Oleg Dal

Oleg Ivanovich Dal was born in the city of Lyublino near Moscow in the family of descendants of the legendary Russian philologist, compiler of the explanatory dictionary Vladimir Dal. The father of the future actor Ivan Zinovievich held an important position in the railway engineering services. Pavel Petrovna's mother worked as a school teacher. Oleg Dal had a sister, Iraida.

Ros Dal in the town of Lyublino, the courtyard childhood of the future actor took place near the house number 63 on Moskovskaya Street. While still at school, he was diagnosed with heart disease. Then the boy began to get involved in painting and literary creativity.

After the end of the ten-year period, in 1959, Oleg Dal, who had been very burr since childhood, against his parental will, decided to become a student at the Shchepkinsky Theater School.

The beginning of the creative path of Oleg Dal

Dal passed the creative exam in "Sliver" with a program that included Nozdryov's monologue in "Dead Souls" by N.V. Gogol and an excerpt from the poem "Mtsyri" by M.Yu. Lermontov. According to the results of the competition, the young man was enrolled in the acting course of master Nikolai Annenkov, actor of the Maly Theater, People's Artist of the USSR, three times winner of the Stalin Prize. Oleg's classmates were such artists who later became famous as Mikhail Kononov and Vitaly Solomin.

Dahl made his film debut in 1962 as Alik Kramer in the film My Little Brother, based on Aksyonov's story Star Ticket. After that, at the invitation of Sergei Bondarchuk, the young actor auditioned for the role of Nikolai Rostov in the film epic "War and Peace", but did not pass the test. In 1963, Agranovich's tense psychological detective story The Man Who Laughs appeared at the box office, in which the actor played the main role.

Oleg Dal. Between past and future

Oleg Dal and first popularity

In 1967, having quarreled with all the theaters because of his quick-tempered character, Oleg Dal, from the third audition (he blew the first two while under the influence of alcohol), was approved by the leadership of Lenfilm for the role in the tragicomic military film directed by Motyl "Zhenya, Zhenechka and "katyusha". In August 1967, the premiere of this film took place. True, Soviet officials recognized the picture as "harmful", and granted it a rental license only in third-rate cinemas in the country. The film appeared on the big screens only after it received a huge number of positive reviews from the admirals and senior officers of the Baltic and Northern Fleets.

Oleg Dal succeeded in finally strengthening his popularity with the audience, securing regular invitations to act with eminent directors after participating in the filming of a film about the life of pilots during the Great Patriotic War "Chronicle of a dive bomber." In this film, the actor played the main role - radio operator Zhenya Sobolevsky.

In 1968, Dahl played the role of a soldier in a musical film based on the fairy tales of G.Kh. Anderesen "An old, old fairy tale." In 1970, a two-part film adaptation of Shakespeare's King Lear was released on wide screens. In this film, Oleg Ivanovich created the most interesting image of the Jester.

One of Dahl's most famous works was the role of Yevgeny Krestovsky in Sannikov Land, about which, by the way, the actor himself subsequently spoke negatively. A series of fairy-tale films with the participation of the actor was continued by the production of "Shadows" by Yevgeny Schwartz in 1972, where the actor played the role of Christian Theodore, a scientist and his Shadow.

Oleg Dal's career in the theater

Acting in films, Dahl simultaneously actively developed as a theater actor. Since 1963, the aspiring artist was invited to work at the Sovremennik Theater. True, for the first five years he played mainly supporting roles there.

In 1968, he played the thief Vasya Pepla in the play "At the Bottom" staged by Galina Volchek. This role has become one of the artist's most notable works on the Sovremennik stage.

Dahl's first directorial experience was the production of The Princess and the Woodcutter (1969), where he also played one of the main roles.

Having his own idea of ​​\u200b\u200bthe inner "creative kitchen", Oleg Dal repeatedly changed his place of work and director. In the early 70s. he worked in Lenkom, while rehearsing at the Moscow Art Theater with Oleg Efremov. In 1975, having ceased cooperation with the Sovremennik Theater, the artist entered the courses of directors in the Kheifets workshop at VGIK. True, he never finished his studies on them - he quit. In the late 70s, Oleg Dal was a member of the troupe of the theater on Malaya Bronnaya.

Oleg Dal. Last 24 hours

For two years (1973-74) Dahl starred in five films in a row, such as "The Star of Captivating Happiness" (dir. V. Motyl), "Operation Omega" (dir. A.-J. Voyazos) and others.

Recent works by Oleg Dal

One of the most remarkable works in the last years of Oleg Dal's life was the role in the film "Vacation in September", which was released only after the death of the actor, in 1987. In November 1980, Dahl began to work as part of the troupe of the Maly Theater, where he played the role of Alex in the play "The Shore".

The actor played the last role in the film "Uninvited Friend". The film was released in 1980. True, they claimed Oleg Ivanovich for this role "with a scratch." Because of the conflict, the health of the artist was undermined. In the last months of his life, the actor drank heavily. Aware of the problem, Oleg Dal made attempts to “tie up” with a disastrous habit.

Work to the point of exhaustion, frequent conflicts with directors and the management of film studios, disgrace (Dal called himself a "foreign artist"), the inability to travel abroad, excessive alcohol consumption - all these factors led to the fact that on March 3, 1981, Oleg Ivanovich Dal died due to a heart attack. The actor died in a hotel room in Kyiv, where he was on a creative business trip. The grave of the artist is located at the Vagankovsky cemetery in Moscow.

Before his 40th birthday, he did not live two months.

He played about 50 roles, but there could have been twice as many if he did not refuse them and did not lose them because of his difficult nature.

They say he was "inconvenient" for directors, disrupted performances and often clashed when compromises should have been sought. There were many passions in his life, and one of them killed him.


Theater and film actor Oleg Dal
He was born a month before the start of the war and, like many children of his generation, dreamed of becoming a sailor or pilot. But due to heart problems, he had to choose another profession. He became interested in literature and painting, and after graduating from school he decided to enter the Shchepkinsky Theater School, although his parents were against it. He managed to pass the exams on the first try. During his studies, Oleg Dal began acting in films, and even then he attracted the attention of famous directors - he received offers from Leonid Agranovich and Sergei Bondarchuk.


Oleg Dal


Vladimir Vysotsky and Oleg Dal
All-Union popularity Oleg Dal brought the main role in the film "Zhenya, Zhenechka and Katyusha". The film "The Chronicle of a Dive Bomber" consolidated its success. By the end of the 1960s. he was already one of the most popular and beloved theater and film actors among the people.


Theater and film actor Oleg Dal



No one questioned his acting talent, but many directors were afraid to cooperate with him: Dahl could take on a role, start rehearsing, and then decide that the film or performance was not good enough and refuse to work. He was called one of the most striking and controversial figures of Soviet cinema and theater. He was forgiven a lot for his talent and eccentricity, but his excessive frankness and adherence to principles, harshness and maximalism, touchiness and irascibility prevented him from building both friendly and professional relations.


Oleg Dal in the film *Zhenya, Zhenechka and *Katyusha*, 1967


Frame from the film *Zhenya, Zhenechka and *Katyusha*, 1967
Oleg Dal often clashed with directors - he demanded complete freedom of action and did not like it when he was prevented from doing what he considered necessary. It often came to reprimands and "debriefing" at a general meeting. Oleg Efremov repeatedly tried to fire him from Sovremennik, Dal left the theater and returned again. On the set of The Adventures of Prince Florizel, he once refused to go on set because his suit was bulging and did not fit well. One of the few who agreed to endure both breakdowns and Dahl's rudeness was director Grigory Kozintsev, who believed that the scale of acting talent covered all the difficulties of character, and understood that it was not easy for him to put up with himself.


Oleg Dal in the film *Old, old fairy tale*, 1968

Frame from the film *Old, old fairy tale*, 1968
The actor often turned down roles if the script seemed uninteresting to him. So he did with the films "Nameless Star", "Irony of Fate, or Enjoy Your Bath!", "Crew". Due to the fact that he quit his job, having already started filming in the Crew, he had a serious conflict with the leadership of Mosfilm. After that, Oleg Dal wrote in his diary: “No, I don’t fit into their system. A system of lies and ideological brainwashing. Well, bureaucratic scum, let's see what's left of you and what's left of me.


One of the brightest and most controversial figures in Soviet cinema


Theater and film actor Oleg Dal
Due to the difficult nature for a long time, Oleg Dal could not find happiness in family life either. His first two marriages failed. Actress Nina Doroshina married him in spite of the person she loved - Oleg Efremov, and Dahl found out about it right during the wedding. Therefore, this marriage immediately broke up. The family union with actress Tatyana Lavrova was also short-lived. In 1969, the actor met Elizaveta Eikhenbaum, who was an editor on the set, and they soon got married. His acquaintances said that she was the only person who could find an approach to him.


Frame from the film *Sannikov Land*, 1973


Oleg Dal in the film *Sannikov Land*, 1973
In the theater, Dahl often disrupted performances due to the fact that he allowed himself to go on stage in a state of intoxication or not appear at all. Shortly before his death, having missed his only performance at the Maly Theater, he wrote an explanatory note: “I failed the entry, and all the blame lies entirely with me. Irresponsibility for rehearsals, an unacceptable offense - he allowed himself to drink beer before the performance. I assure you that I have drawn hard, uncompromising conclusions.” However, the actor could not overcome alcohol addiction. His wife recalled: “Oleg drank terribly. At the same time, he became like Zilov from Duck Hunt, even scarier. He was not able to kill himself, but somehow he almost stabbed me ... How subtle, intelligent, generous he was, just as terrible, dirty and cruel in drunken courage.


Stills from the film *It can't be!*, 1975


Oleg Dal in the film *The Adventures of Prince Florizel*, 1979
Dahl's last notable work was the role in the film "Vacation in September" in 1979. Due to the actor's alcohol addiction, conflicts with directors escalated, which affected his health and reminded him of long-standing heart problems. Friends said that in the last months of his life, the actor was in a state of physical and nervous exhaustion. During a tour in Kyiv on March 3, 1981, Oleg Dal died in a hotel room. The official cause of death was a heart attack, but it was said that it was provoked by alcohol. After his death, his wife confessed: “I lived a happy life with Oleg. Without making any special efforts, he made me completely different: I forgot about the former Lisa Apraksina and overcame the profession of the wife of an Artist who is having a hard time. Although I learned to look at everything through his eyes, to live by his deeds, he still remained a mystery to me. Beautiful. I died with him."


Theater and film actor Oleg Dal
Oleg Dal said about himself: "I am not a people, I am a foreigner." His widow Liza confessed: “He struck with some otherness. So unearthly and remained. Actor Oleg Borisov called him a "reserved personality." Due to his conflicts with the leadership, Dahl did not receive any awards, titles and prizes, but for millions of viewers he was and remains a truly people's artist.


One of the brightest and most controversial figures in Soviet cinema

Oleg Dal passed away at 39. He did not have titles, prizes and prizes (in 1978 he received the people's Ukrainian SSR). "I'm an artist - that says it all." The rate for "creative meetings with the audience" from the then Film Propaganda Bureau (and this could for a long time be the only source of income for a "dangerous" artist) is 18 rubles. Dal did not really welcome these "meetings", the actors' "public appearances", to the people. On one of them, when he was mistakenly introduced as a people's artist, he immediately clarified: "I'm not a people's artist, I'm a foreign one." And he asked himself in his diary: “How to become the only one? Find uniqueness - what is it? It was the one and only Dal who was. “Someone must be Dal, someone must be a dwarf with him. In nature, the existence of two Distances is not foreseen, ”this is already his most talented and also unique namesake Oleg Borisov, who called Dahl a "reserved personality." Amazing, unique, not the same as everyone else - he evokes such a feeling: "They called it peculiar, or rather, they designated it." It turned out that this hypostasis of him is both a gift and a cross.

"Skinless Man"

“He was struck by some otherness. He remained so unearthly, ”his third wife Lisa recalled Dal. And the second, the famous actress Tatyana Lavrova, with whom the actor lived only six months, wrote that "it was difficult to love him, it was impossible not to love him." Indeed, he was loved very tenderly and with some anxiety and fear by those who understood him and appreciated his unique gift. “The happiest partner - he walked with talent, was silent,” writes Marina Neyolova.

Marina Neyolova and Oleg Dal in the film "The Old, Old Tale", 1968

Wife Lisa Eichenbaum, the granddaughter of the famous literary scholar with a pedigree coming from the Apraksin counts, a Leningrad bohemian intellectual, married Oleg, who drinks terribly and is little known, at the age of 33, having two marriages behind him, an affair with Joseph Brodsky and Sergei Dovlatov(Dalia preferred him!), - and faithfully served her husband for 10 years, leaving work, arranging life and affairs, enduring his ugly binges, moved with her mother (who adored her "son-in-law", "evil and glorious") for him to Moscow from a writer's grandfather’s apartment in Khrushchev’s kopeck piece (and that one still had to be bought: Oleg, a native Muscovite, had nothing).

She devoted her life to him, kept his archive, organized exhibitions, prepared for recording Dal’s solo performance “Alone with you, brother…” based on Lermontov’s poems, prepared collections of his memory, wrote a book about him, and herself - “Adult young man”, dreamed about the museum in their last apartment (and their first real home) on Smolensky Boulevard. From one of these exhibitions in memory of the artist, some of his personal belongings, the Elektronika tape recorder, disappeared. Oleg was so happy about this gift from his relative, a veteran of the Normandy-Neman, he would never have bought it himself, but he was so necessary for working recordings of Lermontov's poems!

Lisa survived her husband by 12 years (two strict slabs on Vagankovsky nearby) and all her life considered him and their marriage a gift of fate. But he, "a man without a skin" by her definition, remained "mysterious, a complete mystery" for her. Dahl's diaries, which he had kept since 1971, became a revelation for the widow: "I did not even suspect how his heart was breaking." It exploded in a hotel room in Kyiv, where he came to agree on filming a comedy film. Nikolai Rasheev(who shot the most popular TV movie "Bumbarash") "Apple in the palm of your hand." Strangely, Dahl's autograph looks like a line of threadlike pulse with the initials "OD" at the beginning. The director then, in 1981, experienced a shock when, having broken the door in the room, Dahl was found dead - he himself went to the hospital, refused to shoot that film of his without Oleg. But the money was allocated, and "Yabloko" was released on the screens ...

Oleg Dal, Andrei Mironov and Alexander Zbruev in the film "My Little Brother", 1962. Photo: Frame from the film

Dahl left fifty film roles, early, while still in his 2nd year at the Shchepkinsky School, starring in the cult film “My Little Brother” based on the then sensational “Star Ticket” Vasily Aksyonov, then called him "a born modern young intellectual hero", but at the same time "a typical person of the 19th century, a born Chekhovian hero". They amazingly played Laevsky from the excellent film adaptation of Chekhov's "Duel" Joseph Kheifits(this master, the master "fell in love with Dahl, compared him with a flame from a candle carried against the wind"), Pechorin in a teleplay based on Lermontov Anatoly Efros(in order to certainly play him, Dahl became an actor, according to his confession, he even managed to correct his burriness for admission to acting), Jester in the great King Lear Grigory Kozintsev: “A boy from Auschwitz who is forced to play the violin in the orchestra of death row; beat to choose more cheerful motives. He has baby eyes. Oleg Dal is just such a Jester ... "The master treated the artist tenderly, forgave his breakdowns:" After all, he is not a tenant ... "He could play Bulgakov's Master, he did not play Hamlet, Macbeth, Chatsky, Myshkin, Treplev, refused Khlestakov from Gaidai himself, as well as from Petya Trofimov at Efros.

Did Dahl leave much or little, always worrying about “what kind of memory will remain”? Edward Radzinsky subtly remarked that Dahl was "sick with a wonderful disease - a mania for perfection, organically could not stand falsehood, greed and hack-work."

Oleg Dal as the Jester in the film King Lear, 1970. Photo: RIA Novosti / Reznikov

"Reproaching Talent"

Dahl generally often refused roles himself, and not only in the so-called. "production" plays and films in the spirit of "socialist realism", which he fiercely hated. Refused Zhenya Lukashin Ryazanov, from "Crew" mitts: "Not mine!" And Dahl knew how to hate. He was "intolerant, deadly witty, and sometimes unbearable" - his diaries, very frank, are sometimes filled with bilious, poisonous characteristics of colleagues, "cultured" officials, entire theaters (even famous ones, in which he served), directors, recognized idols and authorities of the "stagnant" 70s, of which Dahl was both a son, a hero, and a victim. Those 70s, when art was increasingly enslaved by a hierarchy of titles, awards with meetings in presidiums, trips abroad, vouchers, cars, rations...

Dal literally physically could suffer from “impassable lack of talent and absolute lack of professionalism”, “vulgar nightmare of bad taste” and “militant philistinism” that reigned in art and among people of art, in which he tragically did not fit. Even at the very first creative meetings with him, people noted his “non-acting” behavior: he doesn’t demand anything (“Luxury room? Why do I need one? gifts for the road. He could discouragingly honestly answer a stranger to the offer of cognac: “No, if I drink now, I will break loose.” He was honest to the point of cruelty, first of all with himself (“Conscience is Oleg’s personality,” noted Iosif Kheifits) - both in the profession and in the terrible struggle with his illness, drunkenness: “I disgust myself to disgust!”, “A weak-willed madman I", "I am fighting not for life, but for DEATH (and this is not figurative)" - words from the diaries. Dal was treated, "sewn up" always voluntarily, for the first time - together with Vysotsky, let them lock themselves at home and not let them out for three days.

He seemed doomed to many, very sick, this “prematurely tired”, “tired wise boy with kind blue eyes” - by definition Ludmila Gurchenko. Boyish to become (he was called in his youth "armature" and "penknife" - 1 m 84 cm with unthinkable thinness - "body subtraction"), and most importantly, Dahl noted a childish essence. Elegant, stylish, light, as if flying (“He doesn’t weigh anything!” His partner at the Maly Theater was amazed, raising Dahl to rehearsals, by role, into his arms) ... Dahl always looked younger than his years. It is difficult, impossible to imagine him as an old man, his wife once noted with some horror to herself, watching him: he will never be an old man! “It was as if a thin thread connected him with life, which could break at any second.” From the hall, they could write to him in a note: “Oleg Ivanovich, please take care of yourself! We really need you." But they could also say: “You are still lying!” Or ask if the actor has children (“I don’t know,” he answered) and where he bought the jacket ...

Human rudeness, arrogance and stupidity infuriated him. But before the same "bulletproof" qualities of bureaucrats, censors, officials, he was absolutely defenseless. A sense of humor saved me: I could write an explanatory note in the theater in verse! By the way, Dahl, an intellectual and bookish, wrote poetry, stories, drew beautifully, staged "Envy" Olesha He did it, he sang and played the guitar perfectly, and that's why he was so worried that he was not allowed to sing "There is only a moment" in "Sannikov Land". And you Dean Reed, having once heard Dahl singing in the company - “Oh, roads ...”, he asked, impressed, how many gold discs he had ...

During his lifetime, Dahl did not have not only many roles, but also discs. According to Lermontov, he recorded his only one-man show "Alone with you, brother ...", for the first time "his own director", he recorded all alone at home, locking himself in a "cabinet", on the eve of his departure to the tape recorder, with music selected by him, erased and recorded again - saved cassettes. One miraculously survived and miraculously fell into my hands in 1986 - the impression was huge and very bitter. That unique production, which never happened, like many other things in the short life of the artist, was planned in 1981 for the Concert Hall. Tchaikovsky with the "semi-underground" "Arsenal" Alexey Kozlov- slowed down from above. Dal was then excommunicated from the profession by the acting department of Mosfilm (“they finished me off”), and the film “Vacation in September” based on “Duck Hunt” Vampilov, where he played Zilov to break his heart, lay on the shelf for 8 years, the actor never saw him, his, perhaps, the best role in his life ... Almost ended up on the shelf and “Zhenya, Zhenechka and Katyusha” by Motyl, narrow rental was waiting for "Bad Good Man" on "Duel" ...

"I'm going to die!"

"Contemporary" in its heyday (where Dahl, a beginner, had been waiting for roles for five years) - from there the actor left and returned, there he experienced his first love and wedding with Nina Doroshina in love with another Oleg, Efremova, and with him left this very wedding. The Moscow Art Theater, the Theater on M. Bronnaya (where Don Juan Dahl never played - he played young Belyaev at the age of 37 in A Month in the Country), finally, the last Maly Theater in his life (where on New Year's Eve 1981 Dahl was "introduced" urgently for a tiny role as a bartender in "The Shore" Yuri Bondarev), Higher director's courses (where he left in horror), VGIK, students ...

Oleg Dal in the film "The Man Who Doubts", 1964, and Nina Doroshina in the film "The First Trolleybus", 1963

Dahl thought about his own death, wrote throughout 1980, after the departure of his “brother”, Vysotsky: “I am next”, “I will leave for Volodya ...” It is painful to look at the photo of Dahl at the funeral of a friend (and indeed a brother in misfortune). Gossip behind his back: maybe at least it will enlighten him, because he, a “hysterical alcoholic”, is to blame for everything ... And in Dahl’s usual business letter to a familiar director shortly before his death, suddenly there is a drawing in the margins: a grave with a cross and traces to it. And these merciless entries in the diary, only for yourself (now they are published)? “Give me peace, oh Lord”, “I don’t need to look for dirt on the side, there is plenty of it in myself”, this “own vileness” and “absolute lack of will”, “the brain is tired of the hopelessness of ideas and thoughts”, “it’s lonely how, my God, "" I'm an abstract dreamer "and" what a terrible profession - to be addicted ... "

Dal first called his failed Lermontov performance “The Death of a Poet”, and his last film role was in the film “We looked death in the face”. The last trip to creative meetings with the audience in September 1980 was to Penza, and he set a condition - to go to Lermontov's Tarkhany and by all means visit the poet's family crypt. So it was, and everyone noted the extreme fatigue, the sickly look and some kind of detachment, the brokenness of the artist. Dahl, according to the director Boris Lvov-Anokhin -“A tragic fidget, an irreconcilable wanderer, a proud vagabond,” it seems that he really knew something about his imminent departure, at least he had a presentiment. Leaving the acting bus in the morning at the hotel, he suddenly said to everyone not the usual “Goodbye!” - "Goodbye!". After having breakfast at the buffet, I said goodbye to the actor Leonid Markov: "I'll go to my place. Die".