Love Kazarnovskaya age. The further fate of Lyuba

Lyubov Kazarnovskaya - this name is well known to all lovers of opera music. Talented singer, laureate international competitions, doctor music sciences, Professor. Her biography is a whole series of swift victories and impressive achievements.

Lyubov Kazarnovskaya was born on July 18, 1956 in Moscow. Her family, although intelligent, was not associated with opera music. Father - Yuri Kazarnovsky, reserve general, author of books on military history, mother - Lydia Kazarnovskaya, philologist, teacher of Russian language and literature. But the girl's ability to sing was discovered very early, she always sang, studied music from childhood. Therefore, after graduating from school, she applied for the faculty of musical theater actors at the Gnessin Institute. But the teachers told the girl that she had a rare operatic voice with a unique tone. When Kazarnovskaya began to perform arias from operas by Verdi, Puccini, Tchaikovsky, she realized that opera was her future.

In 1982, Lyubov Kazarnovskaya graduated from the Moscow State Conservatory, while still studying at which she sang on the stage of the Stanislavsky and Nemirovich-Danchenko Musical Academic Theater. In 1985, she also completed her postgraduate studies in the class of E.I. Shumilova.

Known to a wide range of fans classical music the singer became, having received the second prize at the All-Union Competition of Vocalists named after M. Glinka. Soon Kazarnovskaya already sang solo parts in the operas of the State Academic Bolshoi Theater "Iolanta" and "Eugene Onegin" by P. Tchaikovsky, "May Night" and "The Tale of invisible city Kitezh” by N. Rimsky-Korsakov, “Pagliacci” by R. Leoncavallo, “La Boheme” by D. Puccini.

In 1984, the singer took the first prize of the UNESCO Young Performers Competition in Bratislava and thus won world recognition. Then she received the third prize and an honorary diploma of the Miriam Hellin Competition in Helsinki, and two years later she became the laureate of the Lenin Komsomol Prize.

In 1986, Lyubov Kazarnovska entered the Kirov State Academic Theater (now the Mariinsky) and was a soloist there for 3 years. After 2 years, she successfully performed at London's Covent Garden, performing the part of Tatiana in Eugene Onegin. Then Kazarnovskaya did not leave the world's most famous opera venues: Covent Garden, Metropolitan Opera, Houston Grand Opera and many others.

In 1989, the singer met an impresario from Vienna, Robert Roszik, and married him. She continued to tour the world and perform the most difficult parts. For example, the role in the opera R, Strauss "Salome" to this day is performed only by her. Even Strauss's grandson, hearing her singing, said: "Probably my grandfather meant Kazarnovskaya when he wrote this opera." Kazarnovskaya's repertoire includes more than 50 operatic works and many chamber music. She has released many discs, collaborated and collaborates with many outstanding masters operatic art- conductors R. Muti, J. Levine, K. Thielemann, D. Barenboim, B. Khaitink, Y. Temirkanov, E. Kolobov, V. Gergiev, directors F. Zefirelli, A. Egoyan, M. Wikk, D. Taymor , D. Dew. She sang with L. Pavarotti, P. Domingo, J. Cura, J. Carreras and other outstanding performers, participated in a variety of productions, including avant-garde ones.

In 1997, Kazarnovskaya created a foundation in her name to support the art of opera in Russia. Within its framework, she organizes concerts and master classes of world celebrities in our country. The singer also acted in films. The film with her participation "Anna", shot by E. Ginzburg, received the "Grand Prix" at the film festival "Literature and Cinema" in Gatchina.

Love for Kazarnovskaya curated Children's Opera theatre of their names in the city of Dubna. She is engaged social activities, is a doctor of musical sciences, professor. She has received many titles and awards.

Lyubov Yurievna Kazarnovskaya. She was born on July 18, 1956 in Moscow. Soviet and Russian opera singer (soprano), teacher, professor.

Lyubov Kazarnovskaya was born on July 18, 1956 in Moscow in the family of General Yuri Ignatievich and philologist Lidia Aleksandrovna Kazarnovskaya.

Her father, Yuri Ignatievich, taught at General Staff, was in military-diplomatic work. The mother of the singer, Lydia Alexandrovna, who met her future husband at school, is a candidate of philological sciences.

She has an older sister, Natalia.

The girls were trained in music, although it was assumed that both of them would receive a philological education. Natasha began to study French, and Lyuba was preparing to enter the journalism department of Moscow State University. However, after receiving a school certificate, her mother suggested that she audition in Gnesinka before submitting documents to the university. The girl was accepted to the faculty of musical comedy, and during vocal lessons she heard from teachers that she had an operatic voice. Lyuba began to perform the classical repertoire, opera arias, and immediately realized what her vocation was.

She studied at the Faculty of Musical Comedy of the Gnessin Institute and the Moscow Conservatory. P. I. Tchaikovsky.

Already from the second year she took part in concerts - payment student performance was 1 ruble.

She made her debut at the age of 21 on the stage of the Moscow MAMT. K. S. Stanislavsky and Vl. I. Nemirovich-Danchenko as Tatyana in the opera "Eugene Onegin" by Tchaikovsky.

From 1974 to 1978 she lived in Yerevan. She graduated from the conservatory in 1982, postgraduate studies at the conservatory in 1985, class of E.I. Shumilova.

In 1981-1986 she continued her solo career at the MAMT named after K.S. Stanislavsky and Vl. I. Nemirovich-Danchenko. She sang lead roles in Iolanthe by Tchaikovsky, Pagliacci by Leoncavallo, La bohème by Puccini, The Tale of the Invisible City of Kitezh by Rimsky-Korsakov and other operas.

In 1986-1989 she was a soloist of LATOB im. S. M. Kirov.

Since 1989 he has performed abroad, starting with a performance at the 1989 Salzburg Festival in G. Verdi's Requiem. She has performed leading roles on the stage of the New York Metropolitan Opera since 1992, Milan's La Scala since 1996.

She sang to best scenes world, worked with von Karajan, Levine, Muti and other famous conductors. Kazarnovskaya is called the best performer of Salome in the world, and her powerful voice with a deep and sensual timbre earned the singer a flattering nickname. "Miss 1000 Volts".

Kazarnovskaya's repertoire includes more than 50 opera parts. According to the singer, her favorite works are as follows: Un ballo in maschera by Giuseppe Verdi - Amelia; "La Traviata" by Giuseppe Verdi - Violetta; "The Force of Destiny" Giuseppe Verdi - Leonora; "Salome" by Richard Strauss - Salome; "Eugene Onegin" by Pyotr Tchaikovsky - Tatyana; "Tosca" Giacomo Puccini - Tosca.

In 1997, she established the Lyubov Kazarnovskaya Foundation to support Russian opera.

Working with young Ukrainian performer Artyom Semyonov, better known as the drag queen Ursula, is one of the few who has both a unique female soprano and a male tenor at the same time.

In 2008, she voiced the Disney cartoon "Sleeping Beauty" - the evil sorceress Malefecent. "When children associate your voice with good cartoon when you can draw what you want with your timbre, then in children - I'm sure - this character, in addition to fear, will cause great sympathy, "said the singer.

Since 2012, he has been a co-founder and leader of the Cultural and Educational Movement "Promoting Creative Education" foundation.

In 2011 - member of the jury of the project of the first channel Phantom of the Opera.

From March 3 to May 26, 2013, she was one of the four members of the jury of the first season of the One to One! show.

Since March 2, 2014, he has been a member of the jury of the new show of reincarnations "Just Like" on Channel One.

She was a jury member from Russia at the Eurovision Song Contest 2015.

Since May 2015, he has been the Chairman of the Board of Trustees of the Academy of Festive Culture.

The growth of Lyubov Kazarnovskaya: 168 centimeters.

Personal life of Lyubov Kazarnovskaya:

In 1989, an opera impresario from Vienna, a descendant of Croatian aristocrats Robert Roscik, came to Moscow. After meeting Love, he selected her to audition at the Vienna Opera. The singer took part in the Salzburg Festival, where she participated in the performance of "Requiem" conducted by Ricardo Muti.

Business relations with Rostsik turned into love, and then into marriage. To avoid accusations of the selfish motives of his wife, Robert stopped the activities of the opera impresario and took up other projects.

In 1993, the couple had a son, Andrei.

Unlike others opera singers Lyubov Kazarnovskaya looks slim.

"Getting fit is an incredible moment of self-discipline. I work out in sports club on simulators and I try, as Maya Plisetskaya says, just "not to eat." You need to find your weight, in which you feel good, look good, and try to maintain it. This, by the way, is a guarantee that you will feel great on stage. That is, you went out and broadcast to the public everything that is best in you - from voice to appearance. As soon as the singer gets heavier and goes on stage as a bedside table, the audience simply stops believing him. He sings about love, about passion, about youth, and he looks like an old senile," she says.

She is also called one of the most stylish opera singers. Although in ordinary life, according to the singer, she loves a democratic style: jeans, skirts, sweaters - so that it is most pleasant and comfortable.

Filmography of Lyubov Kazarnovskaya:

1988 - Gypsy Baron - vocals by Saffy (role of Kira Danilova)
2005 - Anna - Anna Romanova, singer
2005 - Dark Instinct

Voiced by Lyubov Kazarnovskaya:

2008 - Sleeping Beauty - Maleficent

Name: Lyubov Kazarnovskaya

Age: 62 years old

Growth: 168

Activity: singer, actress, teacher

Family status: married

Lyubov Kazarnovskaya: biography

Lyubov Kazarnovskaya is a world star opera stage, the owner of a unique timbre of voice and incredible charisma. In 2002, according to the International Biographical Center (IBC, Cambridge, GB), she was included in the rating of "the most outstanding musicians of the 20th century."

Apart from solo career, the singer works with youth. She founded the academy "VOCE e VIOLINO", which gives young talents a chance to break into the world stage.

Childhood and youth

Lyubov Yuryevna Kazarnovskaya was born on July 18, 1956 in an intelligent Moscow family, far from music: mother Lidia Alexandrovna is a philologist, teacher of Russian language and literature, father Yuri Ignatievich is a reserve general, worked in military diplomatic work, author of a number of books on military history.

The elder sister Natalia is a philologist, a specialist in French grammar, lectures at the Sorbonne. By nationality, Lyubov Kazarnovskaya is Russian. As the singer later said, she inherited the fighting character from her father. The general often took his daughter to military reviews, and the girl watched the movement of tanks and the firing of guns through binoculars.

In her youth, the purposeful Lyuba, like her mother and sister, was also preparing to become a philologist, a student of the Faculty foreign languages. But the love of music and singing won. After school, the girl applied to the Gnessin Institute, to the faculty of musical theater actors. In 1982, Lyubov Kazarnovskaya graduated from the Moscow State Conservatory, and in 1985 she completed her postgraduate studies in the class of Associate Professor Elena Shumilova.

Student years in "Gnesinka" they gave a lot to Lyubov Kazarnovskaya as an actress. In her youth, there was a decisive meeting for the singer with Nadezhda Matveevna Malysheva-Vinogradova, a vocal teacher, accompanist, student.

Music

The creative biography of Kazarnovskaya began in her student years. From 1981 to 1986 she was a soloist of the musical academic theater named after Stanislavsky and Nemirovich-Danchenko. For the next 3 years, Lyubov is a soloist of the State Academic Theater named after.

New titles and positions fell on the singer as if from a cornucopia, one after another: first, Kazarnovskaya became a laureate of all-Union and international competitions, then she was a laureate of the Lenin Komsomol Prize, chairman of the commission for cultural and humanitarian cooperation municipalities Russian Federation, Chairman of the Board of the Russian Musical Educational Society, Doctor of Musical Sciences, Professor. And Lyubov Yuryevna is also the founder of the Lyubov Kazarnovskaya Foundation organization to support the opera art of Russia.

Music critics say that the artist has an operatic voice with an interesting, unusual timbre. In some parts, the singer is the only and unique one. Her favorite composers are, and.

In 1981, while still a student at the Gnesinka, Lyubov Kazarnovskaya became a soloist with the Stanislavsky and Nemirovich-Danchenko Musical Academic Theater. The singer made her debut in the role in "Eugene Onegin" by Tchaikovsky.

Kazarnovskaya's fame was brought by the All-Union Vocal Competition named after: she received the second prize.

Soon the singer's repertoire expanded with the main roles in the operas Iolanthe by P. Tchaikovsky, May Night, Pagliacci by R. Leoncavallo, La bohème. At the invitation of Evgeny Svetlanov, she sang in the performances of the State Academic Bolshoi Theater.

World recognition opera prima donna brought victory at the UNESCO Young Performers Competition in Bratislava in 1984. In the same year, Verdi Kazarnovskaya was awarded the 3rd prize and an honorary diploma at the Miriam Hellin Competition in Helsinki for her performance of Leonora's aria from the opera The Force of Destiny. And in 1986, Lyubov Yurievna became the laureate of the Lenin Komsomol Prize.

In 1986, the singer received an invitation to the Mariinsky Theater and was its soloist for 3 years. During this time, she performed all the main soprano parts that were in the repertoire.

Lyubov Kazarnovskaya - "Tatyana's Letter"

The first foreign triumph of the prima took place in 1988 on the stage of the London theater "Covent Garden" in the part of Tatiana in "Eugene Onegin".

The following year, Lyubov Kazarnovskaya received an invitation from the conductor, "maestro of the world" Herbert von Karajan, to perform at music festival in Salzburg. During the rehearsal, the maestro died. And Lyubov performed Verdi's Requiem in memory of von Karajan. The success was universally recognized, it was appreciated by the whole music world. And now the first stages of the world were at the feet of the Russian opera diva.

This brilliant performance marked the beginning of a dizzying career. Soon Lyubov Kazarnovskaya sings on the stage of Covent Garden, Metropoliten Opera, San Francisco Opera, Wiener Staatsoper, Teatro Colon, Houston Grand Opera, as well as on the stage of the Mariinsky and Bolshoi Theater Russia.

The creative biography of Lyubov Yuryevna includes more than 4 dozen roles in operas by Russian, Italian and German composers. The singer leads an active concert activity. Romances are her special love.

Lyubov Kazarnovskaya and Philip Kirkorov - "Time to say goodbye"

Often, the prima presents pleasant surprises to her fans: sometimes she sings along with pop stars -,. With the artist performed a duet from the musical "The Phantom of the Opera" ("The Fantom Of The Opera"), in a duet with Kirkorov - the song "Time to say Goodbye" on her show, timed to coincide with the 20th anniversary of the appearance on stage.

Nikolai Baskov and Lyubov Kazarnovskaya - "The Fantom Of The Opera"

To beginning of XXI centuries, Kazarnovskaya rightfully becomes one of the most subtle interpreters of Russian music, especially romances, after the legendary Russian mezzo-soprano. She is also the first singer to record all 103 romances by Pyotr Tchaikovsky on a CD.

TV

Lyubov Kazarnovskaya has repeatedly emphasized that she considers herself a singing actress, so her appearance on the silver screen was no stranger to her. The first work in the filmography of the singer was the Soviet musical picture"Spanish Hour" to music, where Kazarnovskaya got the main role watchmaker's wife. Another film of the year was the adaptation of the operetta "The Gypsy Baron", where Love again shone in the foreground.

The next time the artist appeared on the screen 17 years later in the Russian drama "Anna", where she appeared in an image close to herself - an opera diva. The film was warmly received by film critics. In a similar role, Love appeared in the detective thriller Dark Instinct. There she played in tandem with.

In the spring of 2013, Lyubov Kazarnovskaya turned out to be one of the four mentors of the 1st season of the One to One! show. And in March 2014, the opera diva was invited to become a member of the jury of a new popular TV project - the show of reincarnations "Just the same", which was broadcast on Channel One. She developed a warm relationship with other members of the jury -, and Leonid Yarmolnik. Lyubov Yuryevna claims that even in case of disagreement, they managed to maintain goodwill and friendship, because everyone has a long life behind them. creative biography.

Lyubov Kazarnovskaya in the thriller "Dark Instinct"

In May 2015, the singer became a member of the jury from Russia on song contest"Eurovision". At the same time, Lyubov Kazarnovskaya headed the Board of Trustees of the Academy of Holiday Culture.

And in December 2016, Lyubov Yuryevna and the TV presenter of the show “Just the same” visited together on his program “ Evening Urgant”, where they shared New Year's plans and revealed secrets final release project in which they participate.

Lyubov Kazarnovskaya on the program "Evening Urgant"

In 2016 opera diva, whose name is known all over the world, celebrated the anniversary on the St. Petersburg stage. She gave the fans a brilliant program "Love Changes Everything" on the stage of the Bolshoi concert hall"Oktyabrsky", where she performed accompanied by the Harmony ensemble.

In 2017, the singer delighted fans of opera singing with concerts that took place in all major cities of the country, and another appearance in television shows.

Personal life

In September 1989, Lyubov Kazarnovskaya met her future husband Robert Roscik, a representative of the Croatian family of aristocrats. Robert, an impresario from Vienna, came to Moscow to audition young singers, among whom was his future wife- Lyubov Kazarnovskaya. Then Robert was looking for performers to participate in the Salzburg Festival. In Austria mutual sympathies future spouses grew into more strong feeling. The novel ended with a wedding.

The couple have been together for nearly 30 years. The personal life of Lyubov Kazarnovskaya and Robert Rostsik is an example to follow and an object of good envy. Later, the husband even changed jobs in order to avoid rumors and for the sake of family well-being.

The spouses' dreams of having children came true in 1993: the couple had a son, Andrei, for whose birth the singer was ready to sacrifice her career. The fact is that childbirth could lead to a change in voice, which means to the finish line of a career. The singer also realized that, having decided to give birth, she would have to terminate many contracts. The appearance of the baby did not affect her voice in any way: after 3 months, the artist shone on stage.

Lyubov Kazarnovskaya in the program "Alone with everyone"

Soon, family grief (the departure of her mother from life) nevertheless undermined the health of the singer. Kazarnovskaya began to have asthma attacks against the background of experiences, she stopped singing. After a short break, her husband found her an herbalist who healed the disease with decoctions. The artist began classes with an accompanist, after which she returned to form.

The personal life of Lyubov Yuryevna today is full and harmonious, because the singer has a strong and friendly family, where everyone loves and respects each other. Andrei Robertovich Rostsik followed in the footsteps of his parents and graduated from the Moscow Conservatory in the violin class. He dreams of becoming symphony conductor.

The singer manages to maintain excellent physical shape. With a height of 168 cm, its weight does not exceed 57 kg. The artist calls self-discipline her secret. For years Love visits regularly gym and follows a diet that advised eating less to lose weight.

After the death of my mother in the early 90s, my father brought another woman to the apartment in which he lived with his wife for 46 years. It seems that Lyubov Yuryevna and her sister's relationship with their stepmother did not work out right away.

Lyubov Kazarnovskaya in the program "Let them talk"

In 2012, a scandal broke out, the details of which the singer's fans learned from the program "Let them talk." The stepmother, with the help of her father, discharged Lyubov Yuryevna and her son from the apartment, which the woman found out late, when the trial came to its end. Summons to the court came to Kazarnovskaya at the place of residence, but no one informed the singer about them.

Due to the plaintiff's failure to appear in court, the hearings were held without her. Stepmother Zoya Gromadskaya won the court case and got housing at her disposal. Lyubov Kazarnovskaya refused to fight for an apartment, deciding that she needed strength for creativity, and not for exhausting litigation and trials.

Lyubov Kazarnovskaya now

In 2018, Lyubov Kazarnovskaya became a guest of the program " Honestly”, where she frankly spoke about relationships with relatives. The singer shared her feelings about her son's personal life. Now the young man is dating a girl, but the wedding is not yet in progress. According to the artist, she is ready to become a good mother-in-law, but she treats the role of a grandmother with distrust.

Lyubov Kazarnovskaya in the program "Honestly" in 2018

On behalf of Kazarnovskaya, the official website operates, profile in social network She doesn't have Instagram. But fans are happy to post photos of their favorite on their pages, and even more often - videos with the performance of musical works by the singer.

Repertoire

• Masquerade Ball by Giuseppe Verdi
• La Traviata by Giuseppe Verdi
• The Force of Destiny by Giuseppe Verdi
• "Salome" by Richard Strauss
• "Eugene Onegin" by Pyotr Tchaikovsky
• Tosca by Giacomo Puccini

We met with Lyubov Kazarnovskaya three weeks before the end of the project, to which she devoted herself and cheers for the participants, as for her own students. The meeting point is the French confectionery "Madame Boulanger" on Nikitsky Boulevard in the center of Moscow: elegant wooden chairs, vintage crockery. The counter is bursting with sweet delights: macaroons, handmade chocolate, croissants with fillings for every taste, but the singer
makes a laconic order: "Black tea, please." At the same time, he answers the text message. “We correspond with Anita Tsoi, she is on the set of“ One
into one!" they made a silicone mask - my face was covered with spots, I'm worried, ”says Lyubov Yuryevna, typing a message on a white-orange Sony Ericsson, model of 2008. “I have an iPhone, and an expensive Vertu - everyone is lying around, and I have grown together with this for five years, I can’t part. smiles Kazarnovskaya. - I'm so used to scribbling text messages like a machine gun! On the go, on the run." Live they manage to communicate only in between filming. “We finish at two in the morning, we have no strength to talk, we would like to go home as soon as possible, to bed!”

Lyubov Yuryevna, your concerts are scheduled far ahead, I had to because of the filming of "One to One!" cancel shows?

I have a very busy concert schedule, that's true. Robert, my husband and impresario, will soon have smoke coming out of his ears: some of the performances had to be postponed, and some had to be squeezed for two days, three. I'm so interested! Because of the filming of "One to One!" Khazanov was late, late for a performance in Sochi. He said: “Imagine, they give me an extra board!” Revva canceled half of the tour in Ukraine, they were indignant: “You betrayed our native Ukraine!” Lyudmila Artemyeva has changed the filming schedule for the series…

Many were indignant that you praised Chumakov, depriving others of the attention. Don't you think so yourself?

They even wrote on the Internet that Lesha pays me! Yesterday, during a break, it fits: “Lyubov Yuryevna, well, it’s not me who spread rumors ...” - “Of course, Lesha, I understand that!” Yes, Chumakov is my absolute favorite, I'm not ashamed to admit it! And all because he does not just remove the tracing paper from the artist, but goes deeper. Working on the image of Utesov, he bought up all the vinyl with the songs of Leonid Osipovich, which he found in Moscow, studied from morning to evening. During his performance, we sobbed! Talent! .. But not everyone in my environment is for him. For example, my friend - a very serious lady - is a fan of Penkin. He calls: “I love Seryozha so much, he doesn’t get very well, but what an individuality, it’s good!” “Okay,” I answer, “but not in this project!” And the most annoying thing is that Seryozha, when he rehearses, copies exactly. And he goes on stage ... and Ostap suffered! Penkin is always Penkin!

It is no longer a secret to anyone that Khazanov does not love Eva Polna, and you do not perceive Bogdan Titomir. What did you not like?

You know, he behaved very cheekily! Just pissed off the jury! Then Eve, who acted in his image, answered rather familiarly. Our jaw dropped... These and his other attacks before the broadcast were cut out.

But after all, not only the backstage of show business hides such excesses. It also happens in the opera and ballet world: either acid in the face, or broken glass in pointe shoes ...

I don't think we have more lawlessness than in pop music. It's just that in show business, despite the scandals, everyone hangs out with each other. Like, I hate you, but you need to smile in public. The opera and ballet world is more closed. As one singer said, a barrel of piranhas. Passions heat up white: as in "Macbeth" or "Tosca" - pre-infarction, at a temperature of 40 degrees Celsius.

Have you experienced it too?

And more than once! Someone will come up before going on stage: “Oh, I heard how you were singing just now. What doesn't sound? How are you going to sing the performance? You try to fence yourself off from her words, deliberately said arm in arm, but ... Or, for example, the soloist before the performance says: “I can’t sing!” She is urgently looking for a replacement. And here I am - just from the lesson, singing the part with which I will go on stage in two days. The head of the director's department runs to me: “Oh, such and such a non-closure of ligaments!” And I, having yelled in two hours, must now perform Leonora in Il trovatore or Salome. Terrible bait! Both that singer and the manager understand this ...

I already have quite high fees for concerts both in Russia and abroad. Nobody in the West cares about our rating TV programs! They often call Robert - they offer me to speak at corporate parties: “Maybe she will hold it and sing?” He answers “no”, on the other end of the wire, appetites and amounts are growing ... Recently, they invited some Ivan Ivanovich to Spain for the birthday. Then they called from a certain oligarch from the Cote d'Azur. Just the other day, some wealthy gentleman in Israel gathered half of Russia for a party, plus american stars and invited me and my husband. Robert was confused: "Are we familiar?" - "Not!" “Why are you calling?” They answer - they say, to see Kazarnovskaya is a great honor. I have never hosted corporate parties, and I have only spoken at them twice - for very high-ranking people. A corporate party is food to the music, people don’t give a damn who is on stage. I don't work like that, I have strict requirements. No parties, no food, no drink, no filming for personal archives. I can perform, for example, art exhibition- the site may be unexpected.

Until what age do opera singers perform?

You always carry your talisman - a horseshoe - in your purse, "ring", passing through metal detectors at the airport. Where do you leave your horseshoe when you go on stage?

In the make-up room on the table. I put it next to the family icons that I got from my grandmother. And by the way, I “communized” the horseshoe. When she made her debut at the Salzburg Festival in 1989 at the invitation of the great conductor Herbert von Karajan, the maestro’s assistant gave it to me for good luck: “We have a tradition of leaving a horseshoe with a debutante in the dressing room, let it lie while you are on stage!” This horseshoe was presented to Karajan by Svyatoslav Richter. After my performance, no one remembered the horseshoe, and I still have it - this is a sign!

And your husband, I was told, with light hand Artemyeva and Khazanov became, as they say, the "talisman" of the project "One Vodin!". Robert always accompanies you on set. By the way, what do you call each other?

Depending on the situation, it is one thing with outsiders, another thing in private. Anita Tsoi laughs at me: “Kotechka? Now it’s clear who you are calling!” Imagine, my husband is an Austrian, and now he knows Moscow better than me. He arrives in his native Vienna - and after three days he begins to get bored and rush to Moscow: “There is life, there is drive!” He goes to the market for food, bargains, loves to do it. Robert also communicates with the Housing Office, discusses issues of our life. He manages to make me happy every day: he will buy my favorite Viennese marzipan, then a decoration, then a bunch of flowers ... All 24 years our relationship has a never-cooling boiling point! My husband is very wise and calm person, I can “boil” - now it’s less, but before I could say something sharp. Robert will sit quietly in the corner with a newspaper, read, then to me: “Well, have you calmed down?” And how he helped with Andryusha! My son was 3 months old, and I was offered a contract in America. Andryusha opened his eyes at 4 in the morning and began to hoot. And I had to get enough sleep to rehearse. The husband grabbed the stroller and went for a walk. The surrounding homeless greeted him every time: “Hi!” We then lived in New York overlooking Central Park. And I saw people running from the window. I looked and looked and started running along with everyone. I had to lose 15 kg after giving birth! She sat on a strict diet: fruits, vegetables, herbal teas. And quickly got into her concert dresses. Even now I don’t eat much, I don’t like meat, I prefer fish and seafood. And now Robert and I run together: we put on baseball caps, sneakers and in the evenings we cut circles along Nikitsky Boulevard, where we live. Somehow, even at the house on Kutuzovsky, I went out in the morning with 6-year-old Andryusha on roller skates. A crowd of fans joined us behind us: “Yes, you stop, we want to get an autograph!” Since then I have been running in the dark.

Opera singer, doctor of musical sciences, professor. Lyubov Kazarnovskaya was born on July 18, 1956 in Moscow. Father - Kazarnovsky Yuri Ignatievich. Mother - Kazarnovskaya Lidia Alexandrovna. Spouse - Rostsik Robert. Son - Andrei (born in 1993).

Lyubov Kazarnovskaya grew up in an intelligent Moscow family, at first glance, far from musical spheres: her mother is a philologist, she taught Russian language and literature; father - a reserve general, worked in military diplomatic work, the author of a number of books on military history. Maternal grandfather was director physical institute, grandmother - chief doctor, paternal grandmother worked as a fashion designer. Lyuba's older sister followed in her mother's footsteps, now she is a unique specialist in French grammar, regularly lecturing at the Sorbonne.

After school Lyubov Kazarnovskaya applied to the Gnessin Institute, to the faculty of musical theater actors, although she was preparing to become a student at the faculty of foreign languages. Student years gave her a lot as an actress, but the meeting with Nadezhda Matveevna Malysheva-Vinogradova, a wonderful teacher, vocalist, concertmaster of Chaliapin, a student of Stanislavsky. The meeting with Nadezhda Matveevna finally determined the fate of the young singer.

Creative life of Lyubov Kazarnovskaya

In 1981, at the age of 25, as a student at the Moscow Conservatory, Lyubov Kazarnovskaya debuted in the role of Tatyana in the opera " Eugene Onegin" on the stage musical theater named after Stanislavsky and Nemirovich-Danchenko. In 1982 she graduated Moscow Conservatory, and in 1985 - graduate school. In 1981-86, Kazarnovskaya was a soloist of the Stanislavsky and Nemirovich-Danchenko Theater, in her repertoire - roles in operas "Eugene Onegin", "Iolanthe", "May Night", "Pagliacci", "La Boheme". In 1984 she sang the part of Fevronia in "The Tale of the Invisible City of Kitezh", in 1985 - the part of Tatyana in "Eugene Onegin" and Nedda in "Pagliacci" in State Academic Theater of Russia.

In 1984, Kazarnovskaya won the Grand Prix of the competition for young performers. UNESCO held in Bratislava. In 1986 - laureate Prizes of the Lenin Komsomol.

In 1986-1989 she was the leading soloist of G state Academic theater named after Kirov, where she performed Leonora in " Force of fate» Verdi, Margherita in « Faust» Gounod, Donna Anna and Donna Elvira in « Don Juan» Mozart and other parties.

The first foreign triumph of the singer was the performance of the role of Tatiana in Tchaikovsky's opera " Eugene Onegin» in Covent Garden. In 1989 Herbert von Karajan invited the young singer to summer festival in Salzburg, where she made her triumphant debut in " Requiem» Verdi. Then the whole musical world noted and appreciated the performance of the owner of a wonderful soprano from Russia. This performance marked the beginning of a dizzying career, which later led Kazarnovskaya to Covent Garden, Metropolitan Opera, San Francisco Opera and other major opera venues in the world.

Among her partners are Pavarotti, Domingo, Carreras. In 1994-1997 Lyubov Yurievna worked closely with Mariinsky Theater and Valery Gergiev. In 1996 she made her debut at La Scala in Prokofiev's The Gambler.

« La Kazarnovskaya”- this is what the Italian press calls her. The singer has more than fifty parties in her repertoire. She is called the best Salome of our days, the best performer Verdi's operas and the part of Tatiana in Eugene Onegin.

In 1997, Lyubov Yurievna created " Lyubov Kazarnovskaya Foundation» to support the opera art of Russia. She invites leading masters vocal art to Russia for concerts and master classes, establishes scholarships to help young Russian singers. In 2000, she headed the creative coordinating council cultural center"Union of Cities", carrying out great cultural and educational work in the cities and regions of Russia. In 2002, Lyubov Kazarnovskaya was elected chairman of the commission for cultural and humanitarian cooperation of Russian municipalities. She is also the chairman of the board of the Russian Musical Educational Society.

Lyubov Kazarnovskaya was awarded a diploma from a prestigious center in Cambridge as one of the 2000 most outstanding musicians of the 20th century.

In 2011, Lyubov Kazarnovskaya was invited to the jury of the Phantom of the Opera project. Since 2013, the singer has been on the jury of the One to One! ", "Exactly the same ". In 2017, Kazarnovskaya herself became a member music show reincarnations.

Since 2012, he has been a co-founder and leader of the Cultural and Educational Movement “Promotion of Creative Education” fund.

Personal life of Lyubov Kazarnovskaya

In 1989, she married Austrian producer Robert Roszik. He came to Moscow to take away opera singers for the Vienna Opera. Among the many voices, Robert noticed Love, with whom they began to communicate closely. In 1993, their son Andrei was born. He studied at the college at the conservatory, plays the violin.

Filmography of Lyubov Kazarnovskaya

Gypsy Baron (1988) vocals by Saffy (role of Kira Danilova)
Anna (2005) Anna Romanova, singer
Dark Instinct (2005)