Art School. Mukhina


Academy today

Today the university has 1500 students and 220 teachers.

Faculties

Faculty of decorative applied arts
- faculty of monumental art
- faculty of design

Story

  • It was founded in 1876 by the rescript of Alexander II with donations from the banker and industrialist Baron Alexander Ludwigovich Stieglitz (-) as Central School technical drawing .
  • In 1918 the school was reorganized into Petrograd State Art and Industrial Workshops.
  • In 1922 the workshops were transformed into School of Architectural Finishing of Buildings under the City Executive Committee.
  • In 1945, by decision of the government, the school was recreated as a multidisciplinary educational institution that trained artists of monumental, decorative, applied and industrial art, in 1948 it becomes a university - Leningrad Higher School of Art and Industry.
  • Since 1953, LVHPU has been named after the People's Artist of the USSR Vera Ignatievna Mukhina.
  • In 1994, LVHPU them. V. I. Mukhina transformed into St. Petersburg State Academy of Art and Industry.
  • In December 2006, the Academy was named after Alexander Ludwigovich Stieglitz. The new name of the academy is St. Petersburg State Academy of Art and Industry named after A. L. Stieglitz(SPGHPA named after A. L. Stieglitz).

Famous graduates

  • Bosco, Yuri Ivanovich - soviet artist-monumentalist, Honored Artist of Russia, People's Artist of Russia.
  • Zarinsh, Richard Germanovich - Russian and Latvian artist, graphic artist, popularizer of the Latvian folk art, author of the first revolutionary stamps Soviet Russia. Author of the coat of arms and banknotes of Latvia.
  • Ostroumova-Lebedeva, Anna Petrovna - folk artist RSFSR, Russian engraver and painter, watercolorist, master of landscape.
  • Petrov-Vodkin, Kuzma Sergeevich - Honored Artist of the RSFSR, symbolist painter, graphic artist, art theorist, writer and teacher.
  • Pisakhov, Stepan Grigorievich - Russian artist, writer, ethnographer, storyteller.
  • Protopopov, Vladislav Vasilievich - Russian artist.
  • Salnikov, Anatoly Alexandrovich - Honored Architect of the Autonomous Republic of Crimea, Laureate of the Prize of the Autonomous Republic of Crimea, chief architect of Kerch.

Links

  • http://designcomdesign.ru/ - Department of Communication Design, SPGHPA im. A.L. Stieglitz.
  • http://artisk.ru/ - Department of Art History and Cultural Studies, SPGHPA im. A.L. Stieglitz.

Sources

Wikimedia Foundation. 2010 .

See what the "Art School named after Mukhina" is in other dictionaries:

    In the USSR, the system of training masters of fine, decorative applied and industrial art, architects, artists, art critics, artist teachers. In Russia, it originally existed in the form of individual training ... ... Big soviet encyclopedia

    - (named after the philanthropist Baron A. L. Stieglitz), founded in Saint Petersburg in 1876, opened in 1879, in 1922 it merged into the Petrograd Vkhutein. In 1945, it was recreated as the Leningrad (now St. Petersburg) Higher Artistic and Industrial ... ... encyclopedic Dictionary

    - (CUTR) (Solyanoy lane, 13 and 15), state art educational institution. Founded in 1876 (opened in 1879) together with an elementary school of drawing, drafting and modeling on the initiative and at the expense of the patron of the arts Baron A. L. Stieglitz (the first ... ... St. Petersburg (encyclopedia)

    Wikipedia has articles about other people with that surname, see Pavlov. Wikipedia has articles about other people named Pavlov Alexander Borisovich. Alexander Borisovich Pavlov (b. 1963, Donetsk) is a Russian artist. Born into a family of workers. Since 1971 ... ... Wikipedia

    Oleg Georgievich Atroshenko (1940-1989) Soviet artist. Graduated from the Mukhina Higher Art School with a degree in interior design. He is the author of numerous interior design projects for public institutions and ... ... Wikipedia

    Wikipedia has articles about other people with this last name, see Wax. Joseph Aleksandrovich Vaks Professor I. A. Vaks ... Wikipedia

was in the museum and Medici hall dedicated to the masters of arts and crafts who made Florence famous, and their patrons. The plafond of the hall is decorated with four medallions with portraits of representatives of the Medici dynasty and other figures. Under Messmacher, the hall contained showcases with Italian and German plaquettes of the 15th-17th centuries, mainly depicting ancient mythological and Christian subjects. Medici Hall in 1896 (photo source:):

The second floor, which, except through the Great Hall, could be reached along a wide Roman stairs, was assigned to the halls of English, Italian, Flemish and french art XVI-XVIII centuries. Thus, the exposition of Italian art occupied five halls, including a spacious tiepolo hall, dedicated to art of the Venetian Republic of the 18th century and sometimes called Venetian hall(photo source:).

The design of this hall with a picturesque ceiling and stucco resembled the decoration of the library in the Venetian Doge's Palace. Unique Venetian art glass vessels, Delft faience, French Baroque chests of drawers, fabrics, lace, fans and, most importantly, five great pictures brushes Tiepolo(c. 1725), acquired by Messmacher specifically for his museum (now they are in the Hermitage). Venetian Hall in 1896 (photo source:):

The decoration of the Venetian Hall has not survived to this day.

M.E. Messmacher. Design project for the decoration of the ceiling of the Venetian Hall (Tiepolo Hall) (source:):

exposition Italian Renaissance also housed in Hall Farnese, whose design was inspired by the luxurious decoration of the palace of Cardinal Farnese in Piacenza, built in the middle of the 16th century. Contemporaries considered the ceiling of this hall, decorated with deep gilded oak caissons, to be a true masterpiece of Messmacher. The hall exhibited Renaissance marble reliefs by the Venetian sculptor Lombardi, rock crystal vessels, caskets, miniature portraits, etc. View of the Farnese Hall in 1896 and in our time (now the hall does not belong to the museum, but belongs to the School) (photo sources: and ):


The display of the history of the development of Italian arts and crafts was completed by copies Loggia of Raphael (Pontifical Galleries). These galleries, decorated with grotesque ornaments, exhibited Italian furniture and fabrics of the 16th-17th centuries, as well as Flemish and French tapestries (now in the Hermitage). Fragment of the wall painting of the Papal Galleries, photo, 1896 (source:):

M.E. Messmacher. Design project for the Papal Gallery (source:):

The museum's French suite was conceived by Mesmacher to show the development of the residential interior of Renaissance France. For this, the halls of Henry II, Louis XIII, Louis XIV and others. In each elegantly decorated hall there were first-class works of art, specially selected by the architect.

So, Heinrich HallII was decorated with carved panels, dark blue velvet with royal coats of arms and tapestries, and works of art were shown there French Renaissance, including faience of the first half of the 16th century. Samples of Italian majolica were also collected here. A notable decoration of the hall was an Italian fireplace of the 16th century (photo source:).

All this later ended up in the Hermitage. And of the entire decor of the hall, only the rich decoration of the ceiling with deep oak caissons, decorated with the royal coat of arms of France, has survived to our time (photo source:).

General form hall of Henry II in our time (photo source:):

Chamber, but very elegant louis hallXIII was decorated with painted beams, and the walls were paneled with wood and painted with arabesque ornaments. In the hall, an overview of the decorative and applied art of France in the first half of the 17th century was given.

The current view of the hall of Louis XIII (photo source:):

French art of the second half of the 17th century was dedicated to louis hallXIV, decorated with a series of tapestries "Months, or Royal Residences" based on sketches by Charles Le Brun (now tapestries in the Hermitage). The showcases were filled with Sèvres and Meissen porcelain. Also on display was a collection of antique French watches plus art furniture royal master André Boulle (now, again, in the Hermitage). The Hall of Louis XIV looked like this at that time (photo source:):

M.E. Messmacher. Design for the Louis XIV Room (

Academy today

Today the university has 1500 students and 220 teachers.

Faculties

Faculty of Arts and Crafts
- faculty of monumental art
- faculty of design

Story

  • It was founded in 1876 by the rescript of Alexander II with donations from the banker and industrialist Baron Alexander Ludwigovich Stieglitz (-) as Central School of Technical Drawing.
  • In 1918 the school was reorganized into Petrograd State Art and Industrial Workshops.
  • In 1922 the workshops were transformed into School of Architectural Finishing of Buildings under the City Executive Committee.
  • In 1945, by decision of the government, the school was recreated as a multidisciplinary educational institution that trained artists of monumental, decorative, applied and industrial art, in 1948 it became a university - Leningrad Higher School of Art and Industry.
  • Since 1953, LVHPU has been named after the People's Artist of the USSR Vera Ignatievna Mukhina.
  • In 1994, LVHPU them. V. I. Mukhina transformed into St. Petersburg State Academy of Art and Industry.
  • In December 2006, the Academy was named after Alexander Ludwigovich Stieglitz. The new name of the academy is St. Petersburg State Academy of Art and Industry named after A. L. Stieglitz(SPGHPA named after A. L. Stieglitz).

Famous graduates

  • Bosco, Yuri Ivanovich - Soviet muralist, Honored Artist of Russia, People's Artist of Russia.
  • Zarinsh, Richard Germanovich - Russian and Latvian artist, graphic artist, popularizer of Latvian folk art, author of the first revolutionary stamps of Soviet Russia. Author of the coat of arms and banknotes of Latvia.
  • Ostroumova-Lebedeva, Anna Petrovna - People's Artist of the RSFSR, Russian engraver and painter, watercolorist, master of landscape.
  • Petrov-Vodkin, Kuzma Sergeevich - Honored Artist of the RSFSR, symbolist painter, graphic artist, art theorist, writer and teacher.
  • Pisakhov, Stepan Grigorievich - Russian artist, writer, ethnographer, storyteller.
  • Protopopov, Vladislav Vasilievich - Russian artist.
  • Salnikov, Anatoly Alexandrovich - Honored Architect of the Autonomous Republic of Crimea, Laureate of the Prize of the Autonomous Republic of Crimea, chief architect of Kerch.

Links

  • http://designcomdesign.ru/ - Department of Communication Design, SPGHPA im. A.L. Stieglitz.
  • http://artisk.ru/ - Department of Art History and Cultural Studies, SPGHPA im. A.L. Stieglitz.

Sources

Wikimedia Foundation. 2010 .

See what the "Leningrad Higher School of Industrial Art named after V.I. Mukhina" is in other dictionaries:

    St. Petersburg State Artistic industrial academy them. A. L. Stieglitz (SPGHPA named after A. L. Stieglitz) Founded 1876 ... Wikipedia

    Them. V. I. Mukhina, created in 1945 (leads its history from the A. L. Stieglitz School of Technical Drawing, founded in 1876 in St. Petersburg). Since 1948 higher school. In 1953 the school was named after V. I. Mukhina. As part of the school (1973): ... ...

    Leningrad named after V. I. Mukhina (LVHPU) (Solyanoy Lane, 13), established in 1945. It traces its history from the Central School of Technical Drawing of A. L. Stieglitz, founded in St. Petersburg in 1876. Since 1948, a higher school. In 1953, the school ... ... St. Petersburg (encyclopedia)

    Higher School of Industrial Art- Leningrad named after V. I. Mukhina (LVHPU) (Solyanoy Lane, 13), established in 1945. It traces its history from the Central School of Technical Drawing A. L. Stieglitz, founded in St. Petersburg in 1876. Since 1948, a higher school. In 1953, the school was awarded ... ... Encyclopedic reference book "St. Petersburg"

    St. Petersburg State Academy of Art and Industry (formerly LVHPU named after V. I. Mukhina) ... Wikipedia

    Coordinates ... Wikipedia

    The Central School of Technical Drawing of Baron Stieglitz (CUTR), founded in St. Petersburg in 1876 at the expense of the patron A. L. Stieglitz, opened in 1879 together with primary school drawing, drawing and modeling, in 1922 merged into the Petrograd ... ... Great Soviet Encyclopedia

    - (named after the philanthropist Baron A. L. Stieglitz), founded in St. Petersburg in 1876, opened in 1879, in 1922 merged into the Petrograd Vkhutein. In 1945, it was recreated as the Leningrad (now St. Petersburg) Higher Artistic and Industrial ... ... encyclopedic Dictionary

    - (named after the philanthropist Baron A. L. Stieglitz) founded in St. Petersburg in 1876, opened in 1879, in 1922 merged into the Petrograd Higher Artistic and Technical Institute. In 1945, it was recreated as the Leningrad (now St. Petersburg) Higher ... ... Big Encyclopedic Dictionary electronic book


The Stieglitz Academy is the most popular university in Russia, attracting applicants and tourists from all over the world. The Mukhinskoye school, as it was called at the Soviets, surprisingly combines creative talents with their practical application- this is a real "forge" contemporary artists and restorers, architects and designers, sculptors and fashion designers, designers of all directions. The Academy of Baron Stieglitz attracts creative youth not only with specialties, but also with excellent teaching staff, the possibility of self-realization already in the learning process and a rich history.

The history of the emergence of the Stieglitz Academy in St. Petersburg

There is an opinion that when a person achieves everything - wealth, fame and power, he plunges into the depths of the search for meaning. own life. Baron Stieglitz, the richest businessman and banker, a brilliant industrialist and international figure, also faced this phenomenon. Admiring the talents of architects and artists, he was extremely sad about the poverty of most of them. Careful calculations of the financier showed that if creative thought is channeled into the mainstream of industry, then the income of craftsmen will increase by 7 times.

Guided by such good intentions, in 1876 he allocates one million rubles for the construction of the main building of the "school of technical drawing", another 5 million to attract the best teachers of the world and the same amount for the purchase of exhibits for the museum at the academy, which clearly demonstrate to students the prospects for revealing their talents.

The design of the building, which later housed the Art and Industry Academy of A.L. Stieglitz, was entrusted to the German architect Maximilian Messmacher, who later became the first rector of the educational institution. The unique concept of combining all the stylistic directions of architecture still distinguishes the Stieglitz mansion, main building and the museum building. A glass dome, white marble stairs and an abundance of stucco - the grandeur of the building makes it stand out against the backdrop of the Elizabethan baroque of St. Petersburg.

Named after A. L. Stieglitz was founded in 1876. Now it is one of the most famous educational institutions in Russia. The university is located in the historical part of St. Petersburg, the second largest city in the country and the main cultural center.

Start

The creation of the Stieglitz Academy in St. Petersburg was associated with the rapid growth of industrial production, which covered European countries in mid-nineteenth century. The semi-handicraft manufactories were replaced by factories, which made it possible to produce goods in large quantities. However, it soon became clear that consumers are interested not just in utilitarian things, but in a beautiful product with a memorable design.

In 1851, a famous art and industrial exhibition was held in England, at which different countries presented their best goods and products. In addition to traditional embroidery, ceramics, weaving, jewelry, the company presented amazing factory products made of wood, cast iron, and steel. The Crystal Palace became the apotheosis of industrial achievements: the pavilion where the exhibition was held was as if woven from a metal web and “sheathed” with large glass panels.

The birth of the art academy

Russian industrialists who visited the fair were very impressed. The idea of ​​creating a national school for the training of artists specializing in applied art was born. In 1860, a school of technical drawing was formed on the basis of the Moscow one. However, her capabilities were clearly not enough.

According to popular belief, the initiative to organize a specialized art and industrial educational institution in St. Petersburg was made by Senator Alexander Polovtsov, the son-in-law of the richest (according to his contemporaries) banker in Russia, Baron Stieglitz. The banker liked the idea, and he established a special fund in the amount of 7 million rubles (huge money at that time), on the interest from which the Central School of Technical Drawing, established in 1876, existed. It trained decorative artists in applied disciplines and teachers of technical drawing for other schools that began to appear around the country. Thus, CUTR became the progenitor of the Academy. Stieglitz.

Development

The Soviet government took a different view of the role art in industry. Any embellishments were considered unnecessary, a manifestation of philistinism. In 1922, the CUTR was closed, and later reformatted into a general educational institution.

The second birth of the Academy. Stieglitz happened on February 5, 1945. On this day, courses for the preparation of restorers began to work. After the war, many historical Buildings and works of art were in need of restoration.

In 1953, the Leningrad Higher School of Industrial Art (LVHPU) named after V.I. Mukhina was formed. The people called it the Mukhinsky School. We must pay tribute, an amazing team was formed within its walls, which was able to restore bit by bit age-old traditions predecessors and at the same time bring a lot of new things to science industrial design, art crafts, preservation of historical heritage. In 2007, the university was reorganized into the St. Petersburg Academy of Art and Industry named after A. L. Stieglitz.

today

Currently, the university has about 1,500 students and 500 employees. Applicants can receive higher education in the field of monumental and decorative art, design, art history and restoration.

The faculties of the Stieglitz Academy in St. Petersburg actively cooperate with structural organizations and industrial enterprises. For example, the Department of Industrial Design works side by side with well-known Russian companies, including automakers KamAZ and AvtoVAZ, shipbuilders Almaz and Avrora, NPO LOMO, and the Svetlana factory. The fashion design department hosts numerous competitions and festivals.

SPGHPA. them. A. L. Stieglitz has a long history of successful international relations. Teachers and students cooperate with higher educational institutions and creative organizations in Germany, Finland, China, France, Japan and other countries.

Faculty of monumental and decorative art

It trains artists of all kinds. The variety of specialties is determined by the innovative trends of the 21st century, as well as traditions drawn from the past. Applicants of the art academy can choose one of many specializations:

  • History of art and civilization.
  • Artistic processing of metals.
  • Graphic art, book illustration.
  • Ceramics, glass.
  • Painting, restoration.
  • Painting on wood.
  • Sculpture.
  • Textile design.
  • Interior and equipment.
  • Monumental and decorative painting and sculpture.

Faculty of Design

First of all, it is a school of artistic and design creativity, which is faced with the task of determining best ways integration of design, pedagogy, science and industrial production. Training program is built on creating a kind of launching pad for creativity. Here they train in the following specialties:

  • Suit design.
  • Environment design.
  • Graphic design.
  • Furniture design.
  • Industrial design.

Achievements

The famous university has prepared a galaxy of talented and successful artists and designers for the manufacturing industry. Looking for aesthetic values graduates actively form new trends for architecture, design, monumental, decorative and applied arts.

Today, former students are successfully working for industrial enterprises, participate in projects of scientific research institutions, as well as construction bureaus, art schools and creative organizations. In addition, students of the Academy Stieglitz made a significant contribution to the development material culture countries. For high achievements, the team was awarded the honorary Order of the Red Banner of Labor.

social and cultural life

The Academy has a developed material and technical base. There is a museum with more than 35,000 objects of applied art and a collection of student works. The library has over 140,000 titles and a collection of 10,000 rare books. Organized meals.

Excellent facilities for sports have been created, and there are gym. There is a student dormitory located on Kuznetsova Avenue 30/9, St. Petersburg. By the way, during the entrance exams and training courses, applicants can be accommodated in a hostel.

Museum

At the Academy. Stieglitz operates a wonderful museum (founded in 1878). It presents both the work of teachers and students of the Academy of different years, as well as other works of art.

Creation of an art museum educational institution contributed the same Alexander Polovtsov. Together with the architect Maximilian Messmacher, he convinced Baron Stieglitz of the need to have a collection of works of applied art - both as study guide and to develop the artistic imagination of students. The Baron gave an additional 5 million rubles for the implementation of this idea, which made it possible to buy books on art for the school library, new exhibits for the museum, printed graphics, original paintings and drawings by Western European artists, products of jewelers-masters, works of artists-decorators of various industries.

Large funds were spent on the acquisition of specialized exhibits and works of art at Paris auctions, often the best and unique lots were bought. Thanks to these acquisitions, the school museum became the owner of:

  • Samples of ceramics of archaic times.
  • Jewelry.
  • Archaeological objects of the ancient Phoenicians.
  • Antique furniture.
  • antique fireplaces.
  • Products of ceramic centers in Italy, France, Germany.
  • Collections of French tapestries.
  • Original paintings by Tiepolo.
  • Original drawings by artists and decorators, including Giovanni Castiglione, Franceso Guardi, Perino del Vaga, Tiepolo, Polidori da Caravaggio, Annibale Carracci, Gilles Marie Oppenor and others.

After the death of Stieglitz, Alexander Polovtsov had to bring to its logical conclusion the work of improving the new art school. He gave considerable sums to charity and the development of the material and technical base.

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