Fascist signs. Sky Boar, Thunderbolt, Thunderbolt, Colard

The version that it was Hitler who had the brilliant idea to make the swastika a symbol of the National Socialist movement belongs to the Fuhrer himself and was voiced in Mein Kampf. Probably, for the first time, nine-year-old Adolf saw a swastika on the wall of a Catholic monastery near the town of Lambach.

The swastika has been popular since ancient times. A cross with curved ends has been featured on coins, household items, coats of arms since the eighth millennium BC. The swastika personified life, the sun, prosperity. Hitler could see the swastika again in Vienna on the emblem of Austrian anti-Semitic organizations.

By christening the archaic solar symbol the Hakenkreuz (Hakenkreuz is German for hook cross), Hitler claimed the priority of discoverer, even though the idea of ​​the swastika as a political symbol had taken root in Germany before him. In 1920, Hitler, who was an unprofessional and mediocre, but still an artist, allegedly independently developed the design of the party logo, proposing a red flag with a white circle in the middle, in the center of which a black swastika was rapaciously spreading hooks.

The red color, according to the leader of the National Socialists, was chosen in imitation of the Marxists, who also used it. Seeing the one hundred and twenty thousandth demonstration of the left forces under the scarlet banners, Hitler noted the active influence of the bloody color on common man. In Mein Kampf, the Fuhrer mentioned the "great psychological significance" of symbols and their ability to powerfully influence emotions. But it was precisely by controlling the emotions of the crowd that Hitler managed to introduce the ideology of his party to the masses in an unprecedented way.

By adding a swastika to the red color, Adolf gave a diametrically opposite meaning to the favorite color scheme of the socialists. By attracting the attention of the workers with the familiar color of the posters, Hitler was "re-recruiting".

The red color in the interpretation of Hitler personified the idea of ​​movement, white - the sky and nationalism, the hoe-shaped swastika - labor and the anti-Semitic struggle of the Aryans. Creative work was mysteriously treated as anti-Semitic.

In general, it is impossible to call Hitler the author of National Socialist symbols, contrary to his statements. He borrowed the color from the Marxists, the swastika and even the name of the party (slightly rearranging the letters) from the Viennese nationalists. The idea of ​​using symbols is also plagiarism. It belongs to the oldest member of the party - a dentist named Friedrich Krohn, who submitted a memorandum back in 1919 to the party leadership. However, in the bible of National Socialism, the book Mein Kampf, the name of the quick-witted dentist is not mentioned.

However, Kron put a different content into the decoding of symbols. The red color of the banner is love for the motherland, the white circle is a symbol of innocence for unleashing the First World War, the black color of the cross is grief over losing the war.

In the interpretation of Hitler, the swastika became a sign of the Aryan struggle against "subhumans". The claws of the cross seem to be aimed at Jews, Slavs, representatives of other peoples who do not belong to the race of "blond beasts".

Unfortunately, the ancient positive sign was discredited by the National Socialists. The Nuremberg Tribunal in 1946 banned Nazi ideology and symbols. The swastika was also banned. Recently, she has been somewhat rehabilitated. Roskomnadzor, for example, admitted in April 2015 that displaying this sign outside of a propaganda context is not an act of extremism. Although the "reprehensible past" cannot be deleted from the biography, the swastika is used by some racist organizations.

As a separate symbol, the swastika has many meanings, and in a large number of peoples they are positive. So, for the ancient tribes, it had the meaning of movement, creation, light, the Sun, good luck, happiness, life and well-being. Personifying rotational movements, converted into translational, symbolizes philosophical specifics.
The swastika, as one of the oldest and archaic signs, indicates the visible activity of the Sun, its rotation around the Earth, due to which the earth year is divided into four parts - climatic seasons. The symbol also characterizes the winter and summer solstice in the annual movement of the Sun. In addition to solar symbols, the swastika has the meaning of the fertility of the earth, carrying the idea of ​​the four parts of the world, centered around its axis. She also assumes two-way traffic clockwise and counterclockwise, symbolizing respectively the male and female principles of Yin and Yang. In the writings of ancient India, a distinction is made between male and female energy, there are images of deities personified from two male and two female swastikas.
In general, despite the popular and widespread use of the swastika in art and painting, and its ancient and lasting legacy in many cultures, after being associated with it Nazi Germany, the swastika began to have negative meaning and its use was considered synonymous with emulating Nazism. Unfortunately, many other symbols, such as runes, also took on a negative connotation after the end of World War II.
History knows a large number of similar fascist movements, which appeared mainly in the period between two terrifying wars of the twentieth century, as well as a very diverse symbolism of the Nazi movement. National Emblems were used as symbols, as a sign of the unity of the nation, as well as various figures that had historical meaning. Some Nazi organizations symbolically used armed salutes.
The adoption and widespread wearing of symbols created by totalitarian fascist governments was considered one of the key aspects of Nazi propaganda.
In the understanding of Hitler himself, she accurately personified the triumph of his struggle for the superiority of the Aryan race over all the nations of the world. Such a choice combined both mystical and occult meaning, the meaning of the swastika was formed as a symbol of the Ancient Aryan race. In addition, its already established use by extreme right-wing political forces - it was used by some Austrian radical parties, it was also used during the Kapp putsch, not without the influence of the Baltic countries - served a good propaganda role. But already in the twenties, the swastika was directly associated with Nazism, and after the thirties it was perceived mainly as a Nazi symbol, the result was a complete ban on the image of the swastika in some countries, and it was also excluded from the emblems children's movement scouts.
The German Nazis borrowed showmanship, the use of rituals and saluting from the Italian fascists. Nazism differed from fascism in a pronounced racist vector, so Hitler's Germany used the swastika as a symbol of the Aryan race in order to confirm its superiority. The Third Reich used a specific version of the swastika - a hexagon inscribed in a square rotated at an angle of 45 degrees, with rays directed clockwise and bent at a right angle. It was mainly depicted in black, against a white or red circle, sometimes against any other background (for example, on camouflage). Also, this swastika was located on the state German flag, as well as on the emblems of state and military organizations of the country. A blue swastika was used by the pro-German regime in Finland, a similar sign, but red, was used as an identification symbol of the Latvian air forces in the pre-war period. Moreover, it is known that some parts of the Red Army during the Civil War used this particular type of swastika on stripes and banners even before the adoption of the Red Star as a national symbol.

In his autobiographical and ideological book Mein Kampf, Hitler stated that it was he who had the brilliant idea to make the swastika a symbol of the National Socialist movement. Probably, for the first time, little Adolf saw a swastika on the wall of a Catholic monastery near the town of Lambach.

The sign of the swastika - a cross with curved ends - has been popular since ancient times. It has been present on coins, household items and coats of arms since the 8th millennium BC. The swastika personified life, the sun, prosperity. Hitler could see this archaic solar symbol in Vienna on the emblems of Austrian anti-Semitic organizations.

Having dubbed him a Hakenkreuz (Hakenkreuz is translated from German as a hook cross), Hitler appropriated the glory of the discoverer, although the swastika as a political symbol in Germany appeared even before him. In 1920, Hitler, who was an unprofessional and mediocre, but still an artist, allegedly independently designed the design of the party logo, which is a red flag with a white circle in the middle, in the center of which was a black swastika with predatory hooks.

The red color, according to the leader of the National Socialists, was chosen in imitation of the Marxists. Seeing the one hundred and twenty thousandth demonstration of the left forces under the scarlet banners, Hitler noted the active influence of the bloody color on the common man. In Mein Kampf, the Fuhrer mentioned the "great psychological significance" of symbols and their ability to powerfully influence a person. But it was precisely by controlling the emotions of the crowd that Hitler managed to introduce the ideology of his party to the masses in an unprecedented way.

By adding a swastika to the red color, Adolf gave a diametrically opposite meaning to the favorite color scheme of the socialists. Attracting the attention of the workers with the familiar color of the posters, Hitler seemed to "recruit" them.

The red color in the interpretation of Hitler personified the idea of ​​movement, white - the sky and nationalism, the hoe-shaped swastika - labor and the anti-Semitic struggle of the Aryans. Creative work was mysteriously interpreted as a sign of anti-Semitism.

In general, it is impossible to call Hitler the author of National Socialist symbols, contrary to his statements. He borrowed the color from the Marxists, the swastika and even the name of the party (slightly rearranging the letters) from the Viennese nationalists. The idea of ​​using symbols is also plagiarism. It belongs to the oldest member of the party - a dentist named Friedrich Krohn, who submitted a memorandum back in 1919 to the party leadership. However, in the bible of National Socialism, the book Mein Kampf, the name of the quick-witted dentist is not mentioned.

However, Kron put a different meaning into these symbols. The red color of the banner is love for the motherland, the white circle is innocence for unleashing the First World War, the black color of the cross is grief over losing the war.

In the decoding of Hitler, the swastika became a sign of the Aryan struggle against "subhumans". The claws of the cross seem to be aimed at Jews, Slavs, representatives of other peoples who do not belong to the race of "blond beasts".

Unfortunately, the ancient positive sign was discredited by the National Socialists. The Nuremberg Tribunal in 1946 banned Nazi ideology and symbols. The swastika was also banned. Recently, she has been somewhat rehabilitated. Roskomnadzor, for example, acknowledged in April 2015 that displaying the sign outside of a propaganda context is not an act of extremism. Although the “reprehensible past” cannot be crossed out, even today the swastika is used by some racist organizations.

Symbols were powerful weapons in the Nazi transformation of society. Never before or since in history have symbols played such an important role in political life and been used so consciously. The national revolution, according to the Nazis, not only had to be carried out - it had to be seen.

The Nazis not only destroyed all those democratic public institutions laid down during the Weimar Republic, they nullified everything external signs democracy in the country. The National Socialists absorbed the state even more than Mussolini did in Italy, and party symbols became part of the state symbols. The black-red-yellow banner of the Weimar Republic was replaced by the Nazi red-white-black with a swastika. Deutsch National emblem was replaced by a new one, and the swastika took center stage in it.

The life of society at all levels was saturated Nazi symbols. No wonder Hitler was interested in methods of influencing mass consciousness. Based on the opinion of the French sociologist Gustave Le Bon on what to control large groups people best with the help of propaganda aimed at the senses and not at the intellect, he created a gigantic propaganda apparatus that was supposed to convey to the masses the ideas of National Socialism in a simple, understandable and emotional way. Many official symbols appeared, each reflecting a part of Nazi ideology. Symbols worked like the rest of propaganda: uniformity, repetition, and mass production.

The Nazi desire for total power over citizens was also manifested in the insignia that people from the most different areas. Members of political organizations or administrations wore cloth patches, badges of honour, and pinned badges with symbols approved by the Goebbels Propaganda Ministry.

The insignia was also used to separate the "unworthy" to participate in the construction of the new Reich. Jews, for example, were stamped with the letter J (Jude, Jew) in their passports to control their entry and exit from the country. The Jews were also ordered to wear stripes on their clothes - a yellow six-pointed "star of David" with the word Jude ("Jew"). Such a system was most widespread in concentration camps, where prisoners were divided into categories and forced to wear stripes indicating their belonging to a particular group. Often the stripes were triangular, like warning road signs. Different categories of prisoners corresponded to different colors of stripes. Blacks were worn by the mentally handicapped, alcoholics, lazy, gypsies and women sent to concentration camps for so-called anti-social behavior: prostitution, lesbianism or for the use of contraceptives. Homosexual men were required to wear pink triangles, members of the Jehovah's Witnesses - purple. Red, the color of socialism so hated by the Nazis, was worn by "enemies of the state": political prisoners, socialists, anarchists and freemasons. The patches could be combined. For example, a homosexual Jew was forced to wear a pink triangle on a yellow triangle. Together they created a two-color "Star of David".

Swastika

The swastika is the most famous symbol of German National Socialism. This is one of the oldest and most common symbols in the history of mankind, which has been used in many cultures, at different times and in different parts Sveta. Its origin is debatable.

The most ancient archaeological finds with the image of the swastika are rock paintings on ceramic shards found in southeastern Europe, their age is more than 7 thousand years. The swastika is found there as part of the "alphabet" that was used in the Indus Valley in bronze age, i.e. 2600-1900 BC Similar finds of the Bronze and Early Iron Ages have also been discovered during excavations in the Caucasus.

Archaeologists have found the swastika not only in Europe, but also on objects found in Africa, South and North America. Most likely, in different regions this symbol was used quite independently.

The meaning of the swastika can be different depending on the culture. In ancient China, for example, the swastika denoted the number 10,000 and then infinity. In Indian Jainism, it denotes four levels of being. In Hinduism, the swastika, in particular, symbolized the fire god Agni and the sky god Diaus.

Its names are also numerous. In Europe, the symbol was called "four-legged", or cross gammadion, or even just gammadion. The word "swastika" itself comes from Sanskrit and can be translated as "something that brings happiness."

The swastika as an Aryan symbol

The transformation of the swastika from an ancient symbol of the sun and good luck to one of the most hated signs in the Western world began with the excavations of the German archaeologist Heinrich Schliemann. In the 70s of the 19th century, Schliemann began excavating the ruins of ancient Troy near Hisarlik in the north of modern Turkey. On many finds, the archaeologist discovered a swastika, a symbol familiar to him from ancient pottery found during excavations at Köningswalde in Germany. Therefore, Schliemann decided that he had found the missing link connecting the Germanic ancestors, Greece of the Homeric era and the mythical India, sung in the Mahabharata and the Ramayana.

Schliemann consulted the orientalist and racial theorist Emil Burnauf, who argued that the swastika is a stylized image (view from above) of the burning altar of the ancient Aryans. Since the Aryans worshiped fire, the swastika was their main religious symbol, Burnauf concluded.

The discovery caused a sensation in Europe, especially in the recently unified Germany, where the ideas of Burnauf and Schliemann met with a warm response. Gradually, the swastika lost its original meaning and began to be considered an exclusively Aryan symbol. Its distribution was considered a geographical indication of exactly where the ancient "supermen" were in one or another historical period. More sober-minded scientists resisted such a simplification and pointed to cases when the swastika was also found outside the region where the Indo-European languages ​​\u200b\u200bdistributed.

Gradually, the swastika began to be given an increasingly anti-Semitic meaning. Burnauf argued that the Jews did not accept the swastika. The Polish writer Mikael Zmigrodsky published Die Mutter bei den Völkern des arischen Stammes in 1889, which portrayed the Aryans as a pure race that did not allow mixing with Jews. In the same year, at the World Fair in Paris, Zmigrodsky arranged an exhibition of archaeological finds with a swastika. Two years later, the German scholar Ernst Ludwig Krause wrote the book Tuisko-Land, der arischen Stämme und Götter Urheimat, in which the swastika appeared as an obviously anti-Semitic symbol of popular nationalism.

Hitler and the swastika flag

The National Socialist Party of Germany (NSDAP) formally adopted the swastika as a party symbol in 1920. Hitler was not yet chairman of the party at that time, but he was responsible for propaganda issues in it. He understood that the party needed something that would distinguish it from competing groups and at the same time attract the masses.

Having made several sketches of the banner, Hitler chose the following: a black swastika in a white circle on a red background. The colors were borrowed from the old imperial banner, but expressed the dogmas of National Socialism. In his autobiography Mein Kampf, Hitler then explained: “Red is social thought in motion, white represents nationalism, and the swastika is a symbol of the struggle of the Aryans and their victory, which is thus the victory of the idea of ​​creative work, which in itself has always been anti-Semitic and always will be anti-Semitic.”

The swastika as a national symbol

In May 1933, just a few months after Hitler came to power, a law on the protection of " national symbols". According to this law, the swastika was not supposed to be depicted on foreign objects, and the commercial use of the sign was also prohibited.

In July 1935, the German merchant ship Bremen entered the port of New York. The Nazi flag with the swastika flew next to the German national flag. Hundreds of union and American Communist Party members gathered on the wharf for an anti-Nazi rally. The demonstration escalated into riots, excited workers boarded the Bremen, tore off the swastika flag and threw it into the water. The incident led the German ambassador in Washington to demand a formal apology from the American government four days later. The Americans refused to apologize, saying that the disrespect was shown not to the national flag, but only to the flag of the Nazi Party.

The Nazis were able to use this incident to their advantage. Hitler called it "the humiliation of the German people". And to prevent this from happening in the future, the status of the swastika was raised to the level of a national symbol.

On September 15, 1935, the first of the so-called Nuremberg Laws came into force. It legalized the colors of the German state: red, white and black, and the flag with a swastika became the state flag of Germany. In November of the same year, this banner was introduced into the army. During the Second World War, it spread to all the countries occupied by the Nazis.

The cult of the swastika

However, in the Third Reich, the swastika was not a symbol state power, and above all an expression of the worldview of National Socialism. During their reign, the Nazis created a cult of the swastika that more closely resembled a religion than the usual political use of the symbols. The grandiose mass gatherings organized by the Nazis looked like religious ceremonies, where Hitler was assigned the role high priest. During party days in Nuremberg, for example, Hitler exclaimed "Heil!" - and hundreds of thousands of Nazis answered in chorus: "Heil, my Fuhrer"! With bated breath, the huge crowd watched as huge banners with swastikas were slowly unfurled to the solemn drum roll.

This cult also included a special veneration of the banner, preserved from the time of the "beer putsch" in Munich in 1923, when several Nazis were shot dead by the police. The legend claimed that a few drops of blood fell on the cloth. Ten years later, after coming to power, Hitler ordered the delivery of this flag from the archives of the Bavarian police. And since then, each new army standard or flag with a swastika went through a special ceremony, during which the new cloth touched this banner sprinkled with blood, which became a relic of the Nazis

The cult of the swastika as a symbol of the Aryan race was to eventually replace Christianity. Since the Nazi ideology presented the world as a struggle between races and peoples, Christianity with its Jewish roots was in their eyes another proof that the previously Aryan regions had been "conquered" by the Jews. Towards the end of World War II, the Nazis developed far-reaching plans to transform the German church into a "national" church. All christian symbols should have been replaced in it by Nazi ones. Party ideologue Alfred Rosenberg wrote that all crosses, Bibles and images of saints should be removed from churches. Instead of a Bible, Mein Kampf should be on the altar, and a sword to the left of the altar. Crosses in all churches should be replaced by "the only invincible symbol - the swastika."

post-war period

After the Second World War, the swastika in the Western world was so associated with the atrocities and crimes of Nazism that it completely overshadowed all other interpretations. Today in the West, the swastika is associated primarily with Nazism and right-wing extremism. In Asia, the swastika sign is still considered positive, although, since the middle of the 20th century, some Buddhist temples have been decorated only with left-handed swastikas, although signs of both directions were previously used.

National symbols

Just as the Italian fascists presented themselves as the modern heirs of the Roman Empire, the Nazis sought to prove their connection to ancient German history. It was not for nothing that Hitler called the state he conceived the Third Reich. The first large-scale state formation was the German-Roman Empire, which existed in one form or another for almost a thousand years, from 843 to 1806. A second attempt at a German empire, made in 1871, when Bismarck united the North German lands under Prussian rule, failed with Germany's defeat in World War I.

German National Socialism, like Italian Fascism, was an extreme form of nationalism. This was expressed in their borrowing of signs and symbols from early history Germans. These include the combination of red, white and black colors, as well as the symbols used by the militaristic power during the Prussian Empire.

Scull

The image of the skull is one of the most common symbols in the history of mankind. AT different cultures he had different meaning. In the West, the skull is traditionally associated with death, with the passage of time, with the finiteness of life. Skull drawings existed in ancient times, but became more noticeable in the 15th century: they appeared in abundance in all cemeteries and mass graves associated with the plague epidemic. In Sweden, church paintings depict death as a skeleton.

The associations associated with the skull have always been a suitable symbol for those groups that wanted to either scare people or emphasize their own contempt for death. Everyone famous example- pirates of the West Indies of the 17th and 18th centuries, who used black flags with the image of a skull, often combining it with other symbols: a sword, an hourglass or bones. For the same reasons, the skull and crossbones began to be used to indicate danger in other areas. For example, in chemistry and medicine, a skull and crossbones on a label means that the drug is poisonous and life-threatening.

SS men wore metal badges with skulls on their headdresses. The same sign was used in the Life Hussars of the Prussian Guards back in the time of Frederick the Great, in 1741. In 1809, the "Black Corps" of the Duke of Brunswick wore a black uniform depicting a skull without a lower jaw.

Both of these options - a skull and bones or a skull without a lower jaw - existed in the German army during the First World War. In the elite units, these symbols meant fighting courage and contempt for death. When in June 1916 the sapper regiment of the First Guard received the right to wear a white skull on the sleeve, the commander addressed the soldiers with the following speech: "I am convinced that this insignia of the new detachment will always be worn as a sign of contempt for death and fighting spirit."

After the war, the German units that refused to recognize the Treaty of Versailles chose the skull as their symbol. Some of them entered Hitler's personal guard, which later became the SS. In 1934, the leadership of the SS officially approved the version of the skull, which is still used by neo-Nazis today. The skull was also the symbol of the SS Panzer Division "Totenkopf". This division was originally recruited from concentration camp guards. The ring with a "dead head", that is, with a skull, was also an honorary award that Himmler presented to distinguished and well-deserved SS men.

For both the Prussian army and the soldiers of the imperial units, the skull was a symbol of blind loyalty to the commander and readiness to follow him to death. This meaning has also been transferred to the symbol SS. “We wear a skull on black caps as a warning to the enemy and as a sign of readiness to sacrifice our lives for the Fuhrer and his ideals,” such a statement belongs to the SS man Alois Rosenvink.

Since the image of the skull was widely used in the most different areas, then in our time it turned out to be the least symbol associated with Nazi ideology. The most famous modern Nazi organization that uses the skull in its symbolism is the British Combat 18.

iron Cross

Initially, the "Iron Cross" was the name of a military order established by the Prussian king Friedrich Wilhelm III in March 1813. Now both the order itself and the image of the cross on it are called so.

"Iron Cross" different degrees handed over to soldiers and officers of four wars. First in the Prussian war against Napoleon in 1813, then during the Franco-Prussian War of 1870-1871, and then during the First World War. The order symbolized not only courage and honor, but was closely associated with the German cultural tradition. For example, during the Prussian-Austrian war of 1866, the Iron Cross was not awarded, since it was considered a war between two fraternal peoples.

With the outbreak of World War II, Hitler revived the order. In the center of the cross was added, the colors of the ribbon were changed to black, red and white. However, the tradition has been preserved to indicate the year of issue. Therefore, the year 1939 is stamped on the Nazi versions of the Iron Cross. During the Second World War, approximately 3.5 million Iron Crosses were awarded. In 1957, when Nazi symbols were banned in West Germany, war veterans were given the opportunity to turn in orders and get back the same ones, but without the swastika.

The symbolism of the order has a long history. The Christian cross, which began to be used in ancient Rome in the 4th century BC, originally meant the salvation of mankind through martyrdom Christ on the cross and the resurrection of Christ. When Christianity became militarized during the Crusades in the 12th and 13th centuries, the meaning of the symbol expanded to include such virtues of the crusaders as courage, loyalty and honor.

One of the many knightly orders that arose at that time was the Teutonic Order. In 1190, during the siege of Acre in Palestine, merchants from Bremen and Lübeck established a field hospital. Two years later, the Teutonic Order received formal status from the Pope, who endowed it with a symbol: a black cross on a white background, called the cross patté. The cross is equilateral, its crossbars are curved and expand from the center to the ends.

Over time, the Teutonic Order grew in numbers and its importance increased. During the Crusades to Eastern Europe in the 13th and 14th centuries, the Teutonic Knights conquered significant territories in the place of modern Poland and Germany. In 1525, the order underwent secularization, and the lands belonging to it became part of the Duchy of Prussia. The black-and-white cross of knights existed in Prussian heraldry until 1871, when its stylized version with straight lines became the symbol of the German war machine.

Thus, the iron cross, like many other symbols that were used in Nazi Germany, is not a Nazi political symbol, but a military one. Therefore, it is not banned in modern Germany, in contrast to purely fascist symbols and is still used in the army of the Bundeswehr. However, neo-Nazis began to use it during their gatherings instead of the banned swastika. And instead of the forbidden banner of the Third Reich, the war flag of Imperial Germany is used.

The iron cross is also common among biker groups. It is also found in popular subcultures, for example, among surfers. Variants of the iron cross are found in the logos of various companies.

wolf hook

In 1910, the German writer Hermann Löns published historical novel under the name "Werwolf" ("Werewolf"). The action in the book takes place in a German village during the Thirty Years' War. We are talking about the struggle of the peasant son of Garm Wolf against the legionnaires, who, like insatiable wolves, terrorize the population. The hero of the novel makes his symbol "wolf hook" - a transverse crossbar with two sharp hooks at the ends. The novel became extremely popular, especially in nationalist circles, because of the romantic image of the German peasants.

Löns was killed in France during the First World War. However, his popularity continued in the Third Reich. By order of Hitler in 1935, the remains of the writer were transferred and buried on German soil. The Werewolf novel was reprinted several times, and the cover often featured this sign, which was included in the number of state-sanctioned symbols.

After the defeat in the First World War and the collapse of the empire, the "wolf hook" became a symbol of national resistance against the policies of the victors. It was used by various nationalist groups - Jungnationalen Bundes and Deutschen Pfadfinderbundes, and one volunteer corps even took the name of the novel "Werwolf".

The sign "wolf hook" (Wolfsangel) existed in Germany for many hundreds of years. Its origin is not entirely clear. The Nazis claim that the sign is pagan, citing its resemblance to the Old Norse i rune, but there is no evidence for this. The "wolf hook" was carved on the buildings by members of the medieval masons' guild, who traveled around Europe and built cathedrals as early as the 14th century (these artisans were then formed into masons or "free masons"). Later, starting from the 17th century, the sign was included in the heraldry of many noble families and city coats of arms. According to some versions, the shape of the sign resembles a tool that was used to hang wolf carcasses after hunting, but this theory is probably based on the name of the symbol. The word Wolfsangel itself is first mentioned in the Wapenkunst heraldic dictionary of 1714, but denotes a completely different symbol.

Different versions of the symbol were used by young “wolf cubs” from the Hitler Youth and in the military apparatus. The best-known examples of the use of this symbol are: "wolf hook" patches were worn by the 2nd SS Panzer Division Das Reich, the Eighth Panzer Regiment, the 4th SS Motorized Infantry Division, the Dutch SS Volunteer Grenadier Division Landstorm Nederland. In Sweden, this symbol was used in the 1930s by the youth wing of Lindholm's Youth of the North (Nordisk Ungdom).

At the end of World War II, the Nazi regime began to create a kind of partisan groups that were supposed to fight the enemy who had entered German soil. Influenced by Löns's novels, these groups also began to be called "Werwolf", and in 1945 the "wolf hook" became their hallmark. Some of these groups continued to fight against the Allied forces even after the surrender of Germany, for which today's neo-Nazis began to mythologize them.

The "wolf hook" can also be depicted vertically, with points pointing up and down. In this case, the symbol is called Donnerkeil - "lightning".

Working class symbols

Before Hitler got rid of the socialist faction of the NSDAP during the Night of the Long Knives, the party also used the symbols of the labor movement - primarily in the SA assault squads. In particular, as with the Italian fascist militants a decade earlier, in the early 30s, a revolutionary black banner was encountered in Germany. Sometimes it was completely black, sometimes combined with symbols such as the swastika, "wolf hook" or skull. At present, black banners are found almost exclusively among anarchists.

Hammer and sword

In the Weimar Republic of the 1920s, there were political groups that tried to combine socialist ideas with völkisch ideology. This was reflected in the attempts to create symbols that combined elements of these two ideologies. Most often among them there were a hammer and a sword.

The hammer was drawn from the symbolism of the developing labor movement late XIX- the beginning of the XX century. The symbols that glorified the working people were taken from a set of common tools. The most famous were, of course, the hammer and sickle, which in 1922 were adopted as symbols of the newly formed Soviet Union.

The sword has traditionally served as a symbol of struggle and power, and in many cultures it has also been an integral part of various gods of war, for example, the god Mars in Roman mythology. In National Socialism, the sword became a symbol of the struggle for the purity of the nation or race and existed in many variants.

The sword symbol contained the idea of ​​the future "unity of the people", which the workers and soldiers were to achieve after the revolution. For several months in 1924, the radical left and later nationalist Sepp Erter published a newspaper called "Hammer and Sword", the logo of which used a symbol in the form of two crossed hammers intersecting with a sword.

And in Hitler's NSDAP there were leftist movements - primarily represented by the brothers Gregor and Otto Strasser. The Strasser brothers published books at the Rhein-Ruhr and Kampf publishing houses. Both firms used the hammer and sword as emblems. The symbol was also found on early stages existence of the Hitler Youth, until in 1934 Hitler cracked down on all socialist elements in the Nazi movement.

Gear

Most of the symbols used in the Third Reich have existed in one form or another for hundreds, sometimes thousands of years. But the gear refers to much later symbols. It began to be used only after the industrial revolution of the 18th and 18th centuries. The symbol denoted technology in general, technical progress and mobility. Due to the direct connection with industrial development, the gear has become a symbol of factory workers.

The first in Nazi Germany to use the gear as its symbol was the Technical Department (Technische Nothilfe, TENO, TENO), founded back in 1919. This organization, where the letter T in the shape of a hammer and the letter N was placed inside the gear, provided technical support to various right-wing extremist groups. TENO was responsible for the operation and protection of such important industries as water and gas. Over time, TENO has merged into war machine Germany and became subordinate directly to Himmler.

After Hitler came to power in 1933, all trade unions were banned in the country. Instead of trade unions, the workers were united in the German Labor Front (DAF, DAF). The same gear was chosen as a symbol, but with a swastika inside, and the workers were obliged to wear these badges on their clothes. Similar badges, a gear with an eagle, were awarded to employees Maintenance aviation - "Luftwaffe".

The gear itself is not Nazi symbol. It is used by workers' organizations different countries- as a socialist direction, and not related to it. Among the skinhead movement, dating back to the British labor movement of the 1960s, it is also a common symbol.

Modern neo-Nazis use the gear when they want to emphasize their working origin and oppose themselves to the "cuffs", that is, the clean-cut employees. In order not to be confused with the left, neo-Nazis combine the gear with purely fascist, right-wing symbols.

A striking example is the international organization of skinheads "Hammerskins" (Hammerskins). In the center of the gear they put the numbers 88 or 14, which are used exclusively in Nazi circles.

Symbols of the ancient Germans

Many Nazi symbols were borrowed from the neo-pagan occult movement that existed in the form of anti-Semitic sects even before the formation of the Nazi parties in Germany and Austria. In addition to the swastika, this symbolism included signs from the pre-Christian era of the history of the ancient Germans, such as "irminsul" and "the hammer of the god Thor."

Irminsul

In the pre-Christian era, many pagans had a tree or pillar in the center of the village, around which religious rites were performed. Among the ancient Germans, such a pillar was called "irminsul". This word consists of the name of the ancient German god Irmin and the word "sul", denoting a pillar. In northern Europe, the name Jörmun, consonant with "Irmin", was one of the names of the god Odin, and many scholars suggest that the Germanic "irminsul" is associated with the World Tree Yggdrasil in Norse mythology.

In 772, the Christian Charlemagne leveled the cult center of the pagans in the sacred grove of Externsteine ​​in what is now Saxony. In the 20s of the XX century, at the suggestion of the German Wilhelm Teudt, a theory arose that the most important Irminsul of the ancient Germans was located there. As evidence, a relief carved in stone by monks of the 12th century was cited. The relief shows the irminsul, bent under the image of St. Nicodemus and the cross - a symbol of the victory of Christianity over paganism.

In 1928 Teudt founded the Society for the Study of Ancient German History, symbolized by the "straightened" Irminsul from the Externstein relief. After the Nazis came to power in 1933, the Society fell into the sphere of Himmler's interests, and in 1940 became part of the German Society for the Study of Ancient German History and Heritage of Ancestors (Ahnenerbe).

"Ahnenerbe", created by Himmler in 1935, was engaged in the study of the history of Germanic tribes, but the results of studies that did not fit into the National Socialist doctrine of the purity of the race could not be published. The irminsul became the symbol of Ahnenerbe, and many employees of the institute wore small silver jewelry that reproduced the relief image. This sign is still used by neo-Nazis and neo-pagans to this day.

Runes

The Nazis considered the Third Reich a direct successor of the ancient German culture, and it was important for them to prove the right to be called the heirs of the Aryans. In their pursuit of evidence, the runes caught their attention.

Runes are signs of the writing of the pre-Christian era of the peoples who inhabited the north of Europe. Just as the letters of the Latin alphabet correspond to sounds, each runic sign corresponded to a specific sound. Runic writings of various variants have been preserved, carved on stones at different times and in different regions. It is assumed that each rune, like each letter of the alphabet, had its own name. However, everything we know about runic writing is not obtained from primary sources, but from later medieval records and an even later Gothic script, so it is not known whether this information is correct.

One of the problems for Nazi research on runic signs was that there were not too many of these stones in Germany itself. Research was mainly based on the study of stones with runic inscriptions found in the European North, most often in Scandinavia. Scientists supported by the Nazis found a way out: they argued that the half-timbered buildings, widespread in Germany, with their wooden posts and braces that give the building a decorative and expressive appearance, repeat the way the runes were written. It was understood that in such an "architectural and construction way" the people supposedly kept the secret of the runic inscriptions. Such a trick led to the discovery in Germany of a huge number of "runes", the meaning of which could be interpreted by the most fantastic way. However, beams or logs in half-timbered structures, of course, cannot be "read" as text. The Nazis solved this problem too. Without any reason, it was announced that in ancient times each individual rune had some hidden meaning, an “image”, which only the initiates could read and understand.

Serious researchers who studied the runes only as writing lost their subsidies because they became "renegades", apostates from Nazi ideology. At the same time, quasi-scientists who adhered to the theory sanctioned from above received significant funds at their disposal. As a result, almost all research work was directed towards finding evidence of the Nazi view of history and, in particular, the search for the ritual meaning of runic signs. In 1942, runes became the official holiday symbols of the Third Reich.

Guido von List

The main representative of these ideas was the Austrian Guido von List. A supporter of the occult, he devoted half his life to the revival of the "Aryan-Germanic" past and was at the beginning of the 20th century a central figure among anti-Semitic societies and associations involved in astrology, theosophy and other occult activities.

Von List was engaged in what in occult circles was called "medium writing": with the help of meditation, he plunged into a trance and in this state "saw" fragments of ancient German history. Coming out of a trance, he wrote down his "visions". Von List argued that the faith of the Germanic tribes was a kind of mystical "natural religion" - Wotanism, which was served by a special caste of priests - "Armans". In his opinion, these priests used runic signs as magical symbols.

Further, the "medium" described the Christianization of Northern Europe and the expulsion of the Armans, who were forced to hide their faith. However, their knowledge did not disappear, and the secrets of the runic signs were preserved by the German people for centuries. With the help of his "supernatural" abilities, von List could find and "read" these hidden symbols everywhere: from the names of German settlements, coats of arms, Gothic architecture, and even names different types baking.

After an ophthalmic operation in 1902, von List saw nothing for eleven months. It was at this time that he was visited by the most powerful visions, and he created his own "alphabet" or runic row of 18 characters. This series, which had nothing in common with the scientifically accepted, included runes from different times and places. But, despite his anti-science, he greatly influenced the perception of runic signs not only by the Germans in general, but also by the Nazi "scientists" who studied runes in the Ahnenerbe.

The magical meaning that von List ascribed to runic writing is used by the Nazis from the time of the Third Reich to the present day.

Rune of Life

"Rune of Life" - the Nazi name for the fifteenth in the Old Norse series and the fourteenth in the series of Viking runes runic sign. Among the ancient Scandinavians, the sign was called "mannar" and denoted a man or a person.

For the Nazis, it meant life and was always used when it came to health, family life or the birth of children. Therefore, the "rune of life" became the emblem of the women's branch of the NSDAP and other women's associations. In combination with a cross inscribed in a circle and an eagle, this sign was the emblem of the Association of German Families, and together with the letter A, the symbol of pharmacies. This rune has replaced the Christian star in newspaper announcements of the birth of children and near the date of birth on tombstones.

The "Rune of Life" was widely used on patches, which were awarded for merit in a variety of organizations. For example, the girls of the Health Service wore this emblem in the form of an oval patch with a red rune on a white background. The same sign was issued to members of the Hitler Youth who had undergone medical training. All physicians initially used the international symbol of healing: the snake and the bowl. However, in the desire of the Nazis to reform society up to the smallest details in 1938 and this sign was replaced. The “Rune of Life”, but on a black background, could also be received by the SS.

Rune of death

This runic sign, the sixteenth in a series of Viking runes, became known among the Nazis as the "rune of death." The symbol was used to glorify the murdered SS. It replaced the Christian cross in newspaper obituaries and death announcements. He began to be depicted on gravestones instead of a cross. They also put it on the places of mass graves on the fronts of the Second World War.

This sign was also used by Swedish right-wing extremists in the 30s and 40s. For example, the "rune of death" is printed in the announcement of the death of a certain Hans Linden, who fought on the side of the Nazis and was killed on Eastern Front in 1942.

Modern neo-Nazis, of course, follow the traditions of Nazi Germany. In 1994, in a Swedish newspaper called The Torch of Freedom, an obituary for the death of the fascist Per Engdal was published under this rune. A year later, the newspaper "Valhall and the Future", which was published by the West Swedish Nazi movement NS Gothenburg, under this symbol, published an obituary for the death of Eskil Ivarsson, who in the 30s was an active member of Lindholm's Swedish fascist party. The 21st-century Nazi organization, the Salem Foundation, still sells patches in Stockholm with images of the "life rune", "death rune" and torch.

Rune Hagal

The rune, meaning the sound "x" ("h"), in the ancient runic series and in the newer Scandinavian one looked different. The Nazis used both signs. "Hagal" is an old form of the Swedish "hagel" which means "hail".

The hagal rune was a popular symbol of the völkisch movement. Guido von List put a deep symbolic meaning into this sign - the connection of man with the eternal laws of nature. In his opinion, the sign called on a person to "embrace the Universe in order to master it." This meaning was borrowed by the Third Reich, where the hagal rune represented absolute faith in Nazi ideology. In addition, an anti-Semitic magazine called Hagal was published.

The rune was used by the SS Panzer Division Hohenstaufen on flags and badges. In the Scandinavian form, the rune was depicted on a high award - the SS ring, and also accompanied the weddings of the SS.

In modern times, the rune has been used by the Swedish party Hembygd, the right-wing extremist group Heimdal, and the small Nazi group Popular Socialists.

Rune Odal

The Odal rune is the last, 24th rune of the Old Norse series of runic signs. Its sound corresponds to the pronunciation of the Latin letter O, and the form goes back to the letter "omega" of the Greek alphabet. The name is derived from the name of the corresponding sign in the Gothic alphabet, which resembles the Old Norse "property, land". This is one of the most common signs in Nazi symbols.

Nationalist romanticism XIX centuries, he idealized the simple and close to nature life of the peasants, emphasizing love for his native village and homeland as a whole. The Nazis continued this romantic line, and the Odal rune took on special significance in their "blood and soil" ideology.

The Nazis believed that there was some kind of mystical connection between the people and the land where they live. This idea was formulated and developed in two books written by SS member Walter Darre.

After the Nazis came to power in 1933, Darré was appointed minister Agriculture. Two years earlier, he had headed a sub-department of the SS, which in 1935 became the State Central Office for Race and Migration, the Rasse- und Siedlungshauptamt (RuSHA), whose task was practical use Nazism's basic idea of ​​racial purity. In particular, in this institution they checked the purity of the race of SS members and their future wives; sexual relationship with a German or a German woman. The symbol of this department was the rune Odal.

The odal was worn on the collars by soldiers of the SS Volunteer Mountain Division, where volunteers were recruited and “ethnic Germans” were taken by force from the Balkan Peninsula and from Romania. During the Second World War, this division operated in Croatia.

Rune Zig

The Zig rune was considered by the Nazis a sign of strength and victory. The ancient Germanic name for the rune was sowlio, which means "sun". The Anglo-Saxon name for the rune sigel also means "sun", but Guido von List mistakenly associated this word with the German word for victory - "sieg" (Sieg). From this mistake arose the meaning of the rune, which still exists among neo-Nazis.

"Zig-rune", as it is called, is one of the most famous signs in the symbolism of Nazism. First of all, because this double sign was worn on the collars of the SS. In 1933, the first such patches, designed in the early 1930s by SS man Walter Heck, were sold by the textile factory of Ferdinand Hoffstatters to SS units for a price of 2.50 Reichsmarks apiece. The honor of wearing a double "zig-rune" on the collars of the uniform was the first to be awarded to part of the personal guard of Adolf Hitler.

They wore a double "zig-rune" in combination with the image of a key and in the SS Panzer Division "Hitler Youth" formed in 1943, which recruited young people from the organization of the same name. A single "zig-rune" was the emblem of the Jungfolk organization, which taught the basics of Nazi ideology to children from 10 to 14 years old.

Rune Tyr

Rune Tir is another sign that was borrowed by the Nazis from the pre-Christian era. The rune is pronounced like the letter T and also denotes the name of the god Tyr.

The god Tyr was traditionally seen as the god of war, hence the rune symbolized struggle, battle and victory. Graduates of the officer school wore a bandage with the image of this sign on their left arm. The symbol was also used by the 30 January Volunteer Panzer Grenadier Division.

A special cult around this rune was created in the Hitler Youth, where all activities were aimed at individual and group rivalry. The Tyr rune reflected this spirit - and meetings of members of the Hitler Youth adorned colossal Tyr runes. In 1937, the so-called "Adolf Hitler Schools" were created, where the most capable students were prepared for important positions in the administration of the Third Reich. The students of these schools wore the double "Tyr rune" as an emblem.

In Sweden in the 1930s, this symbol was used by the Youth of the North, a branch of the Swedish Nazi Party NSAP (NSAP).

08.04.2011

Many people associate the Swastika with Fascism and Hitler. This opinion has been hammered into the heads of people for the last 60 years. Few people now remember that the Swastika was depicted on Soviet money from 1917 to 1922, that on the sleeve patches of soldiers and officers of the Red Army in the same period, the same was the Swastika in laurel wreath, and inside the Swastika were the letters of the RSFSR. There is even an opinion that Comrade I.V. Stalin himself presented the Swastika to Hitler in 1920.

The history of the swastika goes back thousands of years...

History of the swastika

The swastika symbol is a rotating cross with curved ends pointing clockwise or counterclockwise. As a rule, now all over the world all Swastika symbols are called in one word - SWASTIKA, which is fundamentally wrong, because. each Swastika symbol in ancient times had its own name, purpose, Guardian Power and Figurative meaning.

Swastika symbolism, as the most ancient, is most often found during archaeological excavations. More often than other symbols, it was found in ancient burial mounds, on the ruins of ancient cities and settlements. In addition, swastika symbols were depicted on various details of architecture, weapons, clothing and household utensils among many peoples of the world. Swastika symbolism is ubiquitous in ornamentation as a sign of Light, Sun, Love, Life.

The oldest archaeological artifacts depicting swastika symbols now date back to approximately 4-15 millennium BC. (on the right is a vessel from the Scythian Kingdom 3-4 thousand BC). According to the materials of archaeological excavations, Russia is the richest territory for the use of the swastika for both religious and cultural purposes. Neither Europe, nor India, nor Asia can compare with Russia in the abundance of swastika symbols covering Russian weapons, banners, national costumes, household utensils, household and agricultural items, as well as houses and temples. Excavations of ancient mounds, cities and settlements speak for themselves - many ancient Slavic cities had a clear shape of the Swastika, oriented to the four cardinal points. This can be seen in the example of Arkaim, Vendogard and others.

The swastika and swastika-solar symbols were the main elements of the most ancient Proto-Slavic ornaments.

Swastika symbolism in various cultures

But not only Aryans and Slavs believed in the mystical power of swastika patterns. The same symbols were found on clay vessels from Samarra (the territory of modern Iraq), which date back to the 5th millennium BC. Swastika symbols in left-handed and right-handed forms are found in the pre-Aryan culture of Mohenjo-Daro (Indus River basin) and ancient China around 2000 BC. e. In Northeast Africa, archaeologists have found a burial stele of the Meroz kingdom, which existed in the 2nd-3rd centuries AD. The fresco on the stele depicts a woman entering the afterlife, and the Swastika flaunts on the clothes of the deceased.

The rotating cross also adorns the golden weights for scales that belonged to the inhabitants of Ashanta (Ghana), and the clay utensils of the ancient Indians, beautiful carpets woven by the Persians and Celts. Man-made belts created by the Komi, Russians, Sami, Latvians, Lithuanians and other peoples are also filled with swastika symbols, and at present it is difficult even for an ethnographer to figure out which of the peoples to attribute these ornaments to. Judge for yourself.

Since ancient times, the swastika symbolism has been the main and dominant among almost all peoples on the territory of Eurasia: Slavs, Germans, Mari, Pomors, Skalvians, Curonians, Scythians, Sarmatians, Mordovians, Udmurts, Bashkirs, Chuvashs, Indians, Icelanders, Scots and many others.

In many ancient Beliefs and religions, the Swastika is the most important and brightest cult symbol. So, in ancient Indian philosophy and Buddhism, the Swastika is a symbol of the eternal cycle of the universe, a symbol of the Buddha Law, to which everything that exists is subject. (Dictionary "Buddhism", M., "Republic", 1992); in Tibetan Lamaism - a security symbol, a symbol of happiness and a talisman.

In India and Tibet, the Swastika is depicted everywhere: on the walls and gates of temples, on residential buildings, as well as on the fabrics in which all sacred texts and tablets are wrapped. Very often, sacred texts from the Book of the Dead are framed with swastika ornaments, which are written on burial covers before kroding (cremation).

You can observe the image of many Swastikas both on an old Japanese engraving of the 18th century, and on the matchless mosaic floors in the halls of the St. Petersburg Hermitage.

But you will not find any messages about this in the media, because they have no idea what the Swastika is, what ancient figurative meaning it carries, what it has meant for many millennia and now means for the Slavs and Aryans and many peoples inhabiting our Earth.

The swastika among the Slavs

Swastika among the Slavs- this is "Solar" symbolism, or in other words "Solar" symbolism, which means rotation solar circle. The word Swastika also means "Heavenly Movement", Sva - Heaven, Tik - Movement. Hence the names Slavic gods: the bird Mother Sva (the patroness of Russia), the god Svarog and finally Svarga - the habitat of the bright gods of Slavic myths. Swastika translated from Sanskrit (under one of the versions of Sanskrit - Old Russian Slavic language) "Svasti" - Greeting, wish of good luck.

They believed in the swastika as a talisman, "attracting" good luck. In ancient Russia, it was believed that if you draw Kolovrat on your palm, you will definitely be lucky. The swastika was also painted on the walls of the house, so that happiness reigned there. In the Ipatiev House, where the family of the last Russian Emperor Nicholas II was shot, Empress Alexandra Feodorovna painted all the walls with this divine symbol, but the swastika did not help against the atheists. Nowadays, philosophers, dowsers and psychics suggest building city blocks in the form of swastikas - such configurations should generate positive energy. By the way, these conclusions have already been confirmed by modern science.

Under Peter I, the walls of his country residence were decorated with swastikas. The ceiling of the throne room in the Hermitage is also covered with a sacred symbol. At the beginning of the twentieth century, the swastika became the most common amulet symbol in Russia, Western and Eastern Europe - the influence of the "Secret Doctrine" of E.P. Blavatsky, the teachings of Guido von List, etc. For thousands of years, common people have used swastika ornaments in everyday life, and at the beginning of this century, interest in swastika symbols also appeared among those in power. In Soviet Russia, the sleeve patches of the Red Army soldiers of the South-Eastern Front since 1918 were decorated with a swastika with the abbreviation R.S.F.S.R. inside.

After the overthrow of the autocracy, the Swastika appears on new banknotes Provisional Government, and after October 1917 - on the banknotes of the Bolsheviks. Now few people know that matrices with the image of Kolovrat (Swastika) against the background of a double-headed eagle were made by special order and sketches of the last king Russian Empire- Nicholas II.

Beginning in 1918, the Bolsheviks introduced new banknotes in denominations of 1,000, 5,000 and 10,000 rubles, which depicted not one swastika, but three. Two smaller ones - in the side ties and a large Swastika - in the middle. Money with the Swastika was printed by the Bolsheviks and were in use until 1922, and only after the formation of the Soviet Union were they withdrawn from circulation.

Swastika symbols

Swastika symbols carry a huge secret meaning. They have great wisdom. Each swastika symbol opens before us the Great picture of the universe. Ancient Slavic-Aryan Wisdom says that our galaxy has the shape of a Swastika and is called SWATI, and the Yarila-Sun system, in which our Midgard-Earth makes its way, is located in one of the arms of this heavenly Swastika.

In Russia there were 144 species swastika symbols : Swastika, Kolovrat, Salting, Holy Gift, Svasti, Svaor, Solstice, Agni, Fash, Mara; Inglia, Solar Cross, Solard, Vedara, Svetolet, Fern Flower, Perunov Color, Swati, Race, Bogovnik, Svarozhich, Svyatoch, Yarovrat, Odolen-Grass, Rodimich, Charovrat, etc. One could still enumerate, but it is better to consider further briefly several solar swastika symbols: their style and figurative meaning.

The eradication of the swastika

In the second half of the 20th century, in America, Europe and the USSR, they began to decisively eradicate this solar symbol, and eradicated it in the same way as they had previously eradicated: the ancient folk Slavic and Aryan Culture; ancient Faith and folk traditions; the true Heritage of the Ancestors, undistorted by the rulers, and the long-suffering Slavic people themselves, the bearer of the ancient Slavic-Aryan Culture.

And now they are trying to ban any kind of rotating Solar Crosses, in many ways the same people or their descendants, but using different pretexts: if earlier this was done under the pretext of class struggle and anti-Soviet conspiracies, now it is a fight against the manifestation of extremist activity.

One generation replaces another, state systems and regimes collapse, but as long as the People remember their Ancient Roots, honor the traditions of their Great Ancestors, preserve their Ancient culture and symbols, until that time the People are ALIVE and will LIVE!

For those readers who wish to receive more information about the Swastika, we recommend the Ethnoreligious essays of Roman Vladimirovich Bagdasarov "Mysticism of the Fiery Cross" and others.

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