What distinguishes matryona and ignatich. "Matrenin Dvor" main characters

AI Solzhenitsyn is a witness to many tragic events that the country experienced in the 20th century. As a writer, he is primarily concerned about the fate of Russia and its people, long-suffering, long-suffering, strong in spirit, relentless. In an effort to portray character traits era of totalitarianism and its influence on the fate of the ordinary person, Solzhenitsyn creates a very interesting image narrator in a story Matrenin yard". The author does not describe in detail his fate, but in many details we guess that this man has already endured a lot: he went through the war, learned through bitter experience what a camp is, he survived all the difficulties that were associated with the war and the camp. The narrator speaks of his delay of “ten years of age”, he is wearing a camp padded jacket, he has a habit of eating twice a day, “like at the front”, he is hostile to the nightly arrivals of people in overcoats and “even an electrician for decent construction” would did not take. At Matryona it turns out not by chance. The narrator strives to “get lost and get lost in the interior of Russia”, he is tormented by fate, looking for harmony and peace, peace of mind. He wants to get away from railway, he does not want to listen to the radio, does not want to know about everything that the state, which has distorted his fate, lives on. Having got to Matryona, the narrator finds exactly what he was looking for. The atmosphere of her life, lifestyle and character are kindred to his soul. He finds peace and reveals to the heroine "that he spent many years in prison." They are related by the tragedy of fate, attitude to life, moral guidelines. Ignatich, for example, like Matryona, is used to "not in food to find the meaning of everyday existence." He is just like her, lonely. “I returned at random - just to Russia. No one was waiting for me or calling me at any point,” he says about himself. Brings together the narrator and the heroine and speech. At Matryona, it is full of colloquial and outdated words, many of which were invented by herself, dialect vocabulary. The author emphasizes the national character of Matryona. The language of the narrator is also very close. vernacular, it has both vernacular and dialectisms, it even adopts a lot from Matryona. We see the heroine herself as the narrator presents her to us. He knows how to see her kindness, disinterestedness, diligence, generosity It means that he himself is not alien to these qualities. He bitterly describes the behavior of Matryona's relatives at the heroine's funeral. He perfectly sees their greed, hypocrisy, lies and condemns them. At the end of the work, the narrator feels a certain sense of guilt for not fully understanding Matryona, her spiritual essence, not appreciating her at her true worth during her lifetime. Watching the narrator, we understand that we also have folk character. His fate is a typical fate of a person of that time.

It is not characteristic of her desire to embellish. After all, wealth, things spoil, first of all, the soul. The author gave the heroine Orthodox faith into God. In the most difficult moments of her life, she turns to God, but for this it is not at all necessary to pray. “Perhaps she prayed, but not ostentatiously, embarrassed by me or afraid to oppress me. Love and concern for her neighbor, her "good disposition" - all this attracted the author, helping to heal life's wounds. The narrator is autobiographical. The camp past appears in all his actions. He is a teacher by profession as well as the author. He loves peace and solitude, does not allow other people to interfere in his life. He is content with little. Maternal care, concentrated in the image of the heroine, is especially appreciated by the narrator. The heroine managed to raise Kira. This is almost the only person who sincerely sobs over her coffin. All the other people close to her never understood her. They used her, made fun of her, Roughly treated her. In a word, they did not behave righteously. Against their background, the righteousness of Matryona stood out especially. The doctor who came to see her caused more pain and discomfort than he helped. Matryona's visits to the hospital brought her more trouble than any positive result. They only exhausted her and undermined her health.

The author describes Matrena's hut in detail. “In addition to Matryona and me, they also lived in the hut: a cat, mice and cockroaches.” It is mice and cockroaches running under the wallpaper that create a special atmosphere of life in the hut. The image of the hut is one of the main images of the story. It is closely related to the image of the heroine. You can draw parallels between the two images of Matryona and the hut. Already in the name they are merged together. Throughout the story, the author shows the life of these two images. The heroine's hut and the things in it cannot be called objects. All of them are alive. The hut is filled with special air, light and atmosphere. Matryona, in spite of all her vigor, was gradually struck by a "black disease", about which the doctors could not say anything.

When describing, the narrator tries to get into "internal Russia". The author uses real Russian words that have not been used for a long time. When describing the hut, he uses forgotten words like "bridges", "room". The researchers note that approximately 40% of the vocabulary used by the author is borrowed from Dahl's dictionary. The special value of this work lies in the deep and colorful depiction of the Russian character.

The value of the story lies in a very realistic and reliable presentation of events. The life and death of Matryona Zakharova are shown as they really were. The title of the story has several meanings. The title of the story shows the reader that its pages will talk about the life of Matryona, her house and yard. "Matrenin Dvor" defines the space for the action of the story. After a long search, the hero finds a courtyard in which he wants to settle. But this does not mean that the action of the story will unfold in Matryona's courtyard.

As Matryona's illness slowly affected her, so the wormhole destroyed the hut from the inside. These two creatures, the house and Matryona, die of old age, and possibly from damage. A curse has fallen on the upper room since Thaddeus's hands seized to break it. At the very beginning of the story, the author shows the integrity of the image of the hut, and then its gradual destruction. The life of the heroine is inextricably linked with the "life" of the hut. If she dies, then the hut will “die”. If they destroy the hut, then Matryona will die. That is why she does not agree to break the hut for a long time, and when she finally decides, more and more troubles pile on her, foreshadowing an imminent catastrophe. A lame-legged matron cat runs away from home before an impending catastrophe. Matryona "it was terrifying to start breaking the roof under which she had lived for five years: for Matryona it was the end of her whole life." The author associates the image of the young heroine with the image of a newly cut hut. “This old gray rotting house suddenly appeared through the faded green skin of the wallpaper, under which the mice were running, as young, not yet darkened then, planed logs and a cheerful resinous smell.” Matryona is completely different from her fellow villagers. Her life position does not coincide with the position of the people living nearby. In the era of collectivization, she managed to preserve the real Russian soul. Here the conflict between Matryona and the village is manifested. She was sympathetic, always helped everyone in everything. “I didn’t get out to buy things. Didn't go after the outfit. Behind the clothes, embellishing

And summary ] the narration sounds like Shukhov 's inner speech . AT " Case at Kochetovka station The story is told as if by an author standing behind the scenes. In "Matryonin Dvor" the narrator is one of the characters, a witness and commentator of the events taking place before his eyes. This is undoubtedly a self-portrait, but disguised and raised to the level of a certain generalization.

Alexander Solzhenitsyn. Matrenin Yard. Author Reads

“The story is completely autobiographical,” says the notes to Matryonin’s Dvor. However, it is no coincidence that Solzhenitsyn calls the narrator Ignatich, and not Isaich. The writer separates himself from his hero, despite their obvious and undeniable closeness. It is expressed not only in the similarity of biographies, but above all in the lyrical tone of the entire narrative. The author's soul shines in every word: in the assessment of people and events, in general thoughts about life and death, about good and evil. And throughout the whole story, one can hear some kind of inexpressible in words, a soul-grabbing melody - pure, high and sad.

In the system of images of Matryonin's Dvor, teacher Ignatich is a person no less significant than Matryona herself.

It seems too narrow an interpretation of the story as a work glorifying the so-called "patriarchal" peasantry. The concept of righteousness can hardly be limited to the framework of a particular social environment. This concept is from a completely different area - from the sphere of morality. And in Solzhenitsyn's story, next to the righteous peasant woman stands another righteous man - a long-suffering Russian intellectual. Despite the difference cultural traditions, psychology, interests, intellectual level, there is something important that brings these people together and connects them with bright threads of spiritual kinship.

First of all, the words said about the heroine of the story are applicable to Ignatich: “Many injustices with Matryona were heaped up.” He was also a victim of injustice. The past of this man is said sparingly, but enough has been said. It is mentioned in passing that he spent many years in prison, which he had a hard time there (“This quilted jacket was my memory, it warmed me in difficult years.”) Associations with the experience are also evoked by the words, as if thrown by the way: “It is very unpleasant when at night they come to you loudly and in overcoats.

The very beginning of Matryonin's Yard helps to penetrate especially deeply into the world of the narrator. About the suffering he endured, about how the camp turned his soul upside down, enriched him with bitter experience, crippled him with pain, taught him to perceive life in a new way - nothing is directly said about all this. But between the lines, the attitude of the author-narrator, enlightened in the crucible of suffering, is revealed.

According to Archpriest A. Schmemann, the experience of war acquired by Solzhenitsyn, the experience of prison and the experience of returning to freedom, is the experience of a whole generation. In the two previous stories - we can continue this thought - the experience of prison and war is captured. The "Matryonin Dvor" captures "the experience of returning from prison, from a concentration camp to life, to one's own world, which has ceased to be "one's own"". In the entire fabric of the story, in every cell of it, “this return to life with a hard-won detachment from it, with painful clairvoyance of the truth, the ability to see and evaluate everything in a new way, freely, on the scales of conscience verified by suffering ...” is reflected.

Deeply and accurately revealed in these words spoken about the author of the story, spiritual world Ignatic's teacher. It was this kind of new vision of life that led him to the wilderness, helped him find and appreciate Matryona.

“In the summer of 1956, from the dusty hot desert, I returned at random - just to Russia. At no point in it was anyone waiting for me or calling me, because I was ten years late with the return,” – this is how, after a brief introduction, the story of the fate of the two righteous begins.

Like Matryona, there is only one author-narrator in the whole world. But his soul is full of love. Not for some person, but for Russia, for which he yearned, for its people, language, nature. He says, "I just wanted to middle lane- without heat, with a leafy roar of the forest. I wanted to get lost in the very interior of Russia - if there was such a place somewhere, I lived.

In the heart of Matryona unconsciously lurks the same love. Let's remember her desire to be photographed at the old camp. “It can be seen that she was attracted to portray herself in the old days,” the author notes. Let us recall her manner of speaking in the style of old parables and songs. These two, it would seem, are so different people brings together the inner belonging to that ancient spiritual culture, which was supplanted by the eternal concern for a piece of bread, and the current pseudo-culture that came to the place of the old one.

Ignatich is infinitely dear to the world, with which Matryona's whole life is connected. He eagerly listens to the sounds of his native speech. The words of the woman who sold the milk “were the very ones that longing pulled me from Asia,” the author tells about the search for a corner where he wanted to settle. And the names of the surrounding villages rejoice his soul: “A wind of calmness drew me from these names. They promised me horse-drawn Russia.” So he went for his native word, like Ivanushka in a fairy tale for a guiding ball, and this word led him to Matryona's hut. Here a lonely, weary man found soul mate and desired peace.

I love the sandy slope.
There are two mountain ash in front of the hut;
Gate, broken fence,
Gray clouds in the sky
Heaps of straw in front of the threshing floor
Yes, a pond under the canopy of dense willows,
Expanse of young ducks...

“More than this place,” recalls the narrator, “I did not like the whole village; two or three willows, a crooked hut, and ducks swam across the pond...”. Even not so much the coincidence of details as the general tone of both landscapes testifies to the similar feelings of the writer and poet. Similar in something and their modest life ideal. Pushkin says:

My ideal now is the hostess,
My desire is peace
Yes, a soup pot, but a big one itself.

In these words - and fatigue from life, and longing for independence, so natural for the "tired slave", and neglect of material wealth. And Ignatich is happy with the bitter happiness of the former convict, the "tired slave", having found a quiet corner and a kindred soul. The ideal hostess (although not in the Pushkin sense of the word) was Matryona for him.

The inner closeness of the guest and the mistress of the yard is manifested primarily in indifference to everyday trifles: to food, to things, to what is commonly called "good". He feels great in poor Matryona’s hut, resignedly eats “cartoons and cardboard soup” every day, because, like Matryona, life has taught him “not to find the meaning of everyday existence in food”. He appreciates something much more important: “I loved that smile of her roundish face.”

Their way of life, habits, needs are similar even in small things. So, Matryona is covered with "an indefinite dark rag." Ignatich - a sheepskin coat and a camp padded jacket, "and from below a bag stuffed with straw."

Brings together these two people and the attitude to work. Matryona was busy with something from morning to evening. And we see her guest usually bent over notebooks, writing or reading something until late. For Matryona, work is the best medicine. Having broken her back in someone else’s garden and not taking a penny for her work, she says: “I was digging for hunting, I didn’t want to leave the site, by golly it’s true!” And Ignatic loves his job. Both are alien to the style of work that has been established in all areas - both on the collective farm and at school. Let us recall the words of Matryona: “But we have work neither to the post nor to the railing ...” And an honest teacher does not want to participate in an absurd struggle for a high percentage of academic performance: “... I cannot deceive, otherwise I will ruin the whole class, and I will turn into a balabolka, and I will have to give a damn about all my work and my rank.

By publishing Matryonin Dvor in 1963, Solzhenitsyn concealed his underground literary past and therefore removed details from the story that indicated that his Ignatich was not only a teacher, but also a writer. These parts have now been restored. Matryona's hut, it turns out, attracted him because the hostess was lonely, that due to poverty she did not have a radio. This created the conditions for his secret work. (Solzhenitsyn was writing the novel In the First Circle just at that time). Matryona was also good because she did not interfere with his "long evening classes, did not annoy with any questions." And his usual activities are as follows: "late in the evening /... / wrote his own in the silence of the hut to the rustle of cockroaches and the sound of clocks."

The whole life of Ignatich is the life of an ascetic. The corner occupied by him in the hut resembles a lonely cell: "a peaceful table light over books and notebooks", "a hermit's stern bunk". Having traveled a long path of suffering, a man finally found the desired peace...

But death suddenly bursts into this world and destroys everything.

The description of the night of Matryona's death is imbued with some mystical horror, as if it were not about the death of an old, useless peasant woman, but about a worldwide catastrophe. "Not only darkness, but some kind of deep silence descended on the village." Even the kitchenette, where the drinking took place, seems to be the scene of a fatal disaster: “It was a frozen massacre /... / Everything was dead. And only cockroaches quietly crawled across the battlefield. About ficuses it is said, as about living witnesses of misfortune: "a crowd of frightened ficuses."

Yes, and the mice - as if they were no longer mice: “The mice squeaked, almost moaned, and everyone ran, ran. Tired incoherent head could not get rid of involuntary trembling - as if Matryona was invisibly rushing about and saying goodbye here, to her hut. All Ignatich's grief poured out in three words: "Killed native person". He does not cry over the ashes of Matryona, he does not utter funeral speeches. But you still see his lonely figure among the relatives and fellow villagers of the deceased - his piercing eyes, mournful mouth ...

The whole story, and especially its ending - memorial word over the ashes of the deceased righteous. In this word is the bright world of her soul. This word contains his soul.

Whether he draws the face of Matryona, whether he speaks of her indifference to outfits, his most cherished thoughts are expressed in words. And the voice of the righteous is heard, the voice of the preacher: “Those people always have good faces, who are at odds with their conscience ...”; “I didn’t chase the outfits. Behind clothes that embellish freaks and villains.

An excerpt from the book by M. Schneerson “Alexander Solzhenitsyn. Essays on creativity.

In the story, the story of Ignatich in many ways resembles the fate of Solzhenitsyn himself. The patronymic of the hero is similar to the author's Isaevich. Main character endured the hardships of war, imprisonment and exile. Having gained freedom, he seeks to leave for the provincial wilderness, where it would not be a shame to live and die. He dreams of a place not spoiled by civilization, looking for peace and quiet.

In these searches, he gets a job as a mathematics teacher in the village of Torfoprodukt. Having learned the name of the village, he recalls Turgenev, who sang the great and mighty Russian language, which helps to endure everything that was happening in his homeland. But how he likes the purring dialect of Matryona, to whom he gets a guest in neighboring village Talnovo. He is satisfied with the unpretentious way of life of his mistress.

He is unpretentious in everyday life, he is used to eating, as at the front, twice a day, meager food cooked in the oven from “peeled potatoes” or “cardboard” soup. He sleeps on a bag stuffed with straw, covered with a quilted jacket that shared his hardships. Shares his home with other inhabitants of the hut: mice and cockroaches. Their rustling at night behind the wallpaper reminds him of the mysterious sound of the ocean surf. After the experience, Ignatich appreciates something else: the solitude and unobtrusive presence of Matryona, simple care, her interesting, sometimes even amazing in their tragedy or worldly injustice, stories in which he feels the essence of the real, folk, almost epic. And he rejoices at the absence of a radio that bawls about the achievements of the people. He does not like the invasion of strangers in his life. That is why the night visit of people in overcoats is frightening. Ignatic understands that this promises trouble.

Communicating with Matrena, he never ceases to be amazed at her patience, similar to Christian humility, her ability not to harbor evil, her ability to rejoice. Moreover, the work brought her the greatest joy. He understands that she amazing person, although the villagers considered her a fool: she does not acquire an economy, she does not take money for work. But only after the tragic death of Matryona does he realize the righteousness of her life, because she had fewer sins than her rickety cat, which even crushed mice. And he blames himself for reproaching Matryona for his soiled padded jacket.

What Ignatich narrates is in tune with the work of many writers. The very name of Matryona, her ruined life, diligence, selflessness resemble the fate of Nekrasov's heroines. Particularly eloquent are the episodes with the horse and its behavior in the fire.

The narrator's observation suggests that he has another purpose, although in the story he is just a teacher. He is a researcher of "internal" Russia. And the night vigils and activities, which Matryona tried not to interfere with, suggest that he is also a writer. This seclusion is reminiscent of Pushkin's images: peace, solitude, a dilapidated hut and an old woman.

Composition on the topic Narrator Ignatich

Ignatich, in Solzhenitsyn's work "Matrenin Dvor", is an autobiographical character. The story of his life can be gleaned from various pieces of the text. He is a guest of Matryona, who is the main character of the story. The man is lonely, and although the age is not indicated in the work, one can understand from his own quotes that he had a rather eventful life.

At main character he turns out to be because he wanted to get lost in his homeland, hiding from everyone in some wilderness. Once upon a time, even though it was indicated only by hints, the hero served at the front. From those times, the habit of eating twice a day and the fear of people in uniform coming at a late time remained in him. For ten years, the hero was exiled to sunny, deserted and hot Kazakhstan. After the front, the man was in prison for a long time. However, the narrator did not name the reason.

The narrator Ignatich, Matrena calls him Ignatich, is quite satisfied with the life and living conditions of the main character. While looking for a fairly quiet place, he arrived at Torfoprodukt, where a nice lady showed him the way to a quiet village called Talnovo. It was there that Ignatich decided to settle down.

He was a teacher of mathematics, and therefore received enough to rent a good apartment, but this was not so easy to do. Finally, he settled on the outskirts in the house of a sweet and quiet old woman. Matryona did not interfere with her lodger in the evenings and did not pester her with questions. The man liked this, and led to the fact that the main characters became good friends. Matryona became a dear person for the narrator, and when she died, he experienced it quite sharply.

Ignatich had to move in with her sister-in-law. But he did not stop remembering Matryona. How I tried to take a photo of her, and she changed in her face. Only after the old woman passed away did the narrator realize how important she was to the village.

This man is a calm, conscientious and sincere person. Ignatic does not like to lie and takes his work responsibly. Loving silence, he himself dropped the phrase that he would like to live in a village away from the railway, and constantly listen to this peace and quiet.

Option 3

To depict the influence of totalitarianism on ordinary person, the writer wrote the story "Matryona Dvor". The main character of the creation is the narrator Ignatich. The author does not give a full description to the narrator. Paying attention to the details in the story, you can guess that the narrator endured a lot. He participated in the war, experienced torture and life in the camp. Ignatich ate only 2 times a day, even after the end of the war. He could not bear the night visits of people in military clothes. The narrator decided to hide in Russia and accidentally ended up in Matryona's house. Ignatich was looking for spiritual harmony and peace. He wanted to completely distance himself from the society that had twisted his fate. He began to avoid the railroad, refused to listen to the radio and read news related to the government.

At Matryona, the narrator finds what he was looking for long years. He acquired people who are kindred to his soul. The hero gained peace and told Matryona about the life spent in prison. They were related tragic fate and moral relations. Like Matryona, Ignatich perceived food as a means of subsistence. He constantly experienced a feeling of loneliness as a heroine.

The narrator also found a general similarity in the manner of conversation and speech. The speech of the woman was filled with old folk words and dialect vocabulary. Matryona was a simple Russian peasant woman. The narrator used folk words using vernacular and dialect.

Hero gives Full description Matryona. Ignatich could notice the generosity, kindness, zeal and spiritual nobility of people. The narrator himself possessed such character traits. The hero described relatives and their behavior at Matryona's funeral. He feels their self-interest, hypocrisy and lies. At the end of the story, Ignatich feels a strange sense of guilt for not being able to comprehend the spiritual world of Matryona. He began to feel guilt only after her death. And he could not appreciate the heroine at its true worth. Watching the hero, readers can understand the whole essence of the national character inherent in Ignatich. His life is no different from the fate of a man of the 20th century.

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Option 1

1. The story "Matryonin Dvor":

B) is based on fiction;

C) based on eyewitness accounts, contains elements of fiction.

2. The story is told in:

A) in the first person

B) from a third party;

C) two narrators.

3. Function of exposition in a story:

A) introduce the reader to the main characters;

B) intrigue the reader with a mystery that explains the slow movement of the train along a segment of the railway track;

C) to acquaint with the place of action and indicate the involvement of the narrator in what happened

events.

4. The narrator settled in Talnovo, hoping to find patriarchal Russia:

A) and was upset when he saw that the inhabitants were unfriendly towards each other;

B) and did not regret anything, because he found out folk wisdom and sincerity of the inhabitants of Talnovo;

C) and stayed there forever.

5. The narrator, paying attention to the description of everyday life, talking about a middle-aged cat, a goat, mice and cockroaches living freely in Matryona's house:

A) did not approve of the inaccuracy of the hostess, although he did not tell her about it so as not to offend;

B) stressed that kind heart Matryona felt sorry for all living things, and she sheltered in the house of those

who needed her compassion;

C) showed the details of village life.

Test A. Solzhenitsyn "Matryonin Dvor"

Option 2

1. Unlike detailed description Thaddeus, the portrait of Matryona is stingy with details:

“The round face of Matryona, tied with an old faded handkerchief, looked at me in the indirect soft reflections of the lamp ...” This allows:

B) indicate its belonging to the villagers;

C) to see a deep subtext in the description of Matryona: her essence reveals not a portrait, but how she lives and communicates with people.

2. Reception of the arrangement of images with a gradual increase in significance, which the author uses in the finale of the story ( ) is called:

3. What the author says: “But it must have come to our ancestors from the Stone Age itself, because, heated once before dawn, it keeps warm food and drink for livestock, food and water for humans all day long. And sleep warmly.

5. How does the fate of the narrator of the story "Matryona Dvor" resemble the fate of the author A. Solzhenitsyn?

5. When was the story "Matryonin Dvor" written?

Test A. Solzhenitsyn "Matryonin Dvor"

Option 3

1. Matryona told the narrator Ignatich the story of her bitter life:

A) because she had no one to talk to;

B) because he also had to endure hard times and he learned to understand and sympathize;

C) because she wanted to be pitied.

2. A short acquaintance with Matryona allowed the author to understand her character. He was:

A) kind, gentle, sympathetic;

B) closed, taciturn;

C) cunning, mercantile.

3. Why was it hard for Matryona to give the upper room during her lifetime?

4. What did the narrator want to work in the village?

5. Indicate on whose behalf the narration is being conducted in Solzhenitsyn's story "Matryonin Dvor"

B) objective storytelling

D) bystander

Test A. Solzhenitsyn "Matryonin Dvor"

Option 4

A) went for holy water at Baptism;

B) she cried when she heard Glinka's romances on the radio, taking this music with her heart;

C) agreed to give the upper room for scrapping.

2. Main theme of the story:

A) revenge of Thaddeus Matryona;

B) the alienation of Matryona, who lived closed and lonely;

C) the destruction of Matryona's court as a haven of kindness, love and forgiveness.

3. Waking up one night in the smoke that rushed to save Matryona?

4. The sister-in-law, after the death of Matryona, said about her: "... stupid, she helped strangers for free." Were people strangers to Matryona? What is the name of this feeling, on which Russia is still based, according to Solzhenitsyn?

5. Indicate the second name of Solzhenitsyn's story "Matryonin Dvor"

A) "The case at the station Krechetovka"

B) "Fire"

C) “A village does not stand without the righteous”

D) "business as usual"

Test A. Solzhenitsyn "Matryonin Dvor"

Option 5

A) highlight the hero's solidity, dignity, fortress.

B) to show the resilience of the once “tar hero”, who did not waste his spiritual kindness and generosity;

C) more clearly reveal the anger, hatred, greed of the hero.

2. The narrator is:

A) an artistically generalized character showing complete picture events;

B) actor a story, with its own life story, self-characterization and speech;

C) a neutral narrator.

3. What did Matryona feed her tenant?

4. Continue.“But Matryona was by no means fearless. She was afraid of fire, she was afraid of lightning, and most of all for some reason .... "

a) "The Village of Torfoprodukt"

b) “A village does not stand without a righteous man”

c) "Backless Matryona"

Test A. Solzhenitsyn "Matryonin Dvor"

Option 6

1. Depicting the lamentation of relatives for the deceased Matryona,

A) shows the proximity of the heroes to the Russian national epic;

B) shows the tragedy of events;

C) reveals the essence of the sisters of the heroine, who, in tears, argue for the inheritance of Matryona.

2. A tragic omen of events can be considered:

A) the loss of a rickety cat;

B) the loss of the house and everything connected with it;

C) discord in relations with sisters.

3. Matryona's clock was 27 years old and they were in a hurry all the time, why didn't this bother the hostess?

4. Who is Kira?

5. What is the tragedy of the finale? What does the author want to tell us? What worries him?

Test A. Solzhenitsyn "Matryonin Dvor"

Option 7

1. Solzhenitsyn calls Matryona a righteous woman, without whom the village does not stand, according to the proverb. He came to this conclusion:

A) as Matryona always said Right words, her opinion was listened to;

B) because Matryona observed Christian customs;

C) when the image of Matryona became clear to him, close, like her life without the pursuit of good, for outfits.

2. What words begin the story "Matryonin Dvor"?

3. What connects the story "Matryonin Dvor" and?

4. What was the original name of the story "Matryonin Dvor"?

5. What hung "on the wall for beauty" in Matryona's house?

Test A. Solzhenitsyn "Matryonin Dvor"

Option 8

1. Matryona cooked food in three cast-iron pots. In one - for himself, in the other - for Ignatich, and in the third - ...?

3. What sure remedy did Matryona have to regain her good mood?

4. What event or omen happened to Matryona at Baptism?

5. Name full name Matryona .

Test A. Solzhenitsyn "Matryonin Dvor"

Option 9

1. What part of the house did Matryona bequeath to her pupil Kira?

2. About what historical period is it in the story?

a) after the revolution

b) after World War II

3. What music heard on the radio did Matryona like?

4. What kind of weather did Matryona call duel?

5. " From the red frosty sun, the frozen window of the canopy, now shortened, filled with a little pink, - and Matryona's face warmed this reflection. Those people always have good faces, who….” Continue.

Test A. Solzhenitsyn "Matryonin Dvor"

Option 10

1. What was Thaddeus thinking about as he stood at the tombs of his son and the woman he had once loved?

2. What is the main idea of ​​the story?

a) depiction of the severity of the life of the peasantry of collective farm villages

b) the tragic fate of a village woman

c) loss of spiritual and moral foundations by society

d) displaying the type of eccentric in Russian society

3. Continue: “Not understood and abandoned even by her husband, who buried six children, but did not like her sociable character, a stranger to her sisters, sister-in-law, funny, stupidly working for others for free - she did not accumulate property to death. Dirty white goat, rickety cat, ficuses…
We all lived next to her and did not understand that she was the one .... "

4.

5. What kind artistic details help the author create the image of the main character?

a) lopsided cat

b) potato soup

c) a large Russian stove

d) a silent but lively crowd of ficuses

Test A. Solzhenitsyn "Matryonin Dvor"

Option 11

1. What is the meaning of the namestory?

a) the story is named after the scene

b) Matrenin yard - a symbol of a special structure of life, a special world

c) a symbol of the destruction of the world of spirituality, goodness and mercy in the Russian village

2. What is the main idea of ​​this story? What Solzhenitsyn puts into the image of the old woman Matryona?

3. What is the feature of the image systemstory?

a) built on the principle of pairing of characters

b) the heroes surrounding Matryona are selfish, callous, they used the kindness of the main character

c) emphasizes the loneliness of the main character

d) designed to highlight the character of the main character

4. Write what was the fate of Matryona.

5. How did Matryona live? Was she happy in life?

Test A. Solzhenitsyn "Matryonin Dvor"

Option 12

1. Why didn't Matryona have children?

2. What was Thaddeus worried about after the death of his son and former beloved woman?

3. What did Matryona bequeath?

4. How can you characterize the image of the main character?

a) a naive, funny and stupid woman who has worked for others for free all her life

b) an absurd, poor, miserable, abandoned old woman

c) a righteous woman who has not sinned in any way against the laws of morality

a) artistic details

b) in a portrait

c) the nature of the description of the event underlying the story

e) internal monologues heroines

Test A. Solzhenitsyn "Matryonin Dvor"

Option 13

1. What type of traditional thematic classification does this story belong to?

1) Rustic 2) military prose 3) intellectual prose 4) urban prose

2. To what type literary heroes can be attributed to Matryona?

1) extra person, 2) small man, 3) premature person 4) righteous person

3. The story "Matryonin Dvor" is written in the following traditions:

4. The episode of the destruction of the house is:

1) opening 2) exposition 3) climax 4) denouement

5. Traditions of what ancient genre can be found in the story "Matryonin's yard"?

1) parables 2) epics 3) epic 4) lives

Test A. Solzhenitsyn "Matryonin Dvor"

Option 14

1. What is the original title of the story?

1) “Life is not a lie” 2) “A village does not stand without a righteous man” 3) “Be kind!” 4) "Death of Matryona"

2. The specific subject of the narrative, denoted by the pronoun "I" and the first person of the verb, the protagonist of the work, the intermediary between the image of the author and the reader is called:

3. Words found in the story "Mismatch", "to the ugly", "room" are called:

1) professional 2) dialect 3) words with a figurative meaning

4. Name the technique that the author uses when depicting the characters of Matryona and Thaddeus:

1) antithesis 2) mirror composition 3) matching

5. Reception of the arrangement of images with a gradual increase in significance, which the author uses in the finale of the story ( village - city - all our land) is called:

1) hyperbole 2) gradation 3) antithesis 4) comparison

Answers:

Option 1

1 - a

3 - in

4 - a

5 B

Option 2

2- gradation

3 - About the Russian stove.

Option 3

3. “It was not a pity for the chamber itself, which stood idle, as in general, Matryona never spared her labor or goodness. And this room was still bequeathed to Kira. But it was terrible for her to start breaking the roof under which she had lived for forty years.

4. teacher

Option 4

3. She began to throw ficuses on the floor so that they would not suffocate from the smoke.

4. The righteous

Option 5

1. in

2. 2.

3. “Cardboard not peeled”, “cardboard soup” or barley porridge.

4. Trains.

5. b

Option 6

3. If only they didn’t fall behind, so as not to be late in the morning. ”

4. pupil

5. Matryona perishes - Matryonin's yard perishes - Matryonin's world - a special world of the righteous. The world of spirituality, goodness, mercy, about which they also wrote. No one even thinks that with the departure of Matryona, something valuable and important passes away. Righteous Matryona is the moral ideal of the writer, on which the life of society should be based. All the actions and thoughts of Matryona were consecrated with a special holiness, not always clear to others. The fate of Matryona is firmly connected with the fate of the Russian village. There are fewer and fewer Matryonas in Russia, and without them " do not stand the village". The final words of the story return to the original title - " A village does not stand without a righteous man"and fill the story about the peasant woman Matryona with a deep generalizing, philosophical sense. Village- symbol moral life, the national roots of man, the village - the whole of Russia.

Option 7

1. AT

2. “At one hundred and eighty-four kilometers from Moscow along the branch that goes to Murom and Kazan, for a good six months after that, all the trains slowed down, as it were, to the touch.”

3. It was he who gave it that name.

4. A village does not stand without a righteous person.”

5. Ruble posters about the book trade and about the harvest.

Option 8

1. goat.

2. About electricity.

3. Job.

4. The pot of holy water is missing.

5. Grigorieva Matryona Vasilievna

Option 9

1. Upper room.

2. d) 1956

2. Glinka's romances.

3. Blizzard.

4. "At odds with your conscience."

Option 10

1. “His high forehead was darkened by a heavy thought, but this thought was to save the logs of the upper room from the fire and from the machinations of the Matryonov sisters.”

2. in)

3. "... the righteous, without whom, according to the proverb, the village does not stand."

4. What are the strengths and weaknesses of Matryona? What did Ignatic understand for himself?

5. e) "radiant", "kind", "apologising" smile

Option 11

1. in

2. the moral ideal of the writer, on which the life of society should be based. All the actions and thoughts of Matryona were consecrated with a special holiness, not always clear to others. The fate of Matryona is firmly connected with the fate of the Russian village. There are fewer and fewer Matryonas in Russia, and without them " do not stand the village»

Option 12

1. Died

2. save the logs of the upper room from the fire and from the machinations of the Matryonov sisters.

3. true meaning life, humble

4. AT