Brazilian dancers. Brazilian dances

Maracanã Stadium - emphasis on the last letter - is truly huge. It was built for the 1950 FIFA World Cup and was completed just 2 weeks before the first game. Unfortunately, the Brazilians then lost in the final to their neighbors from Uruguay:

At the entrance, the walls are decorated with photographs of famous Brazilian footballers:

And their footprints:

The entire first floor is decorated with photographs of the great Brazilian footballers and their trophies:

Inside the stadium does not seem very big:

Lodge for VIP guests:

Under it is a lounge:

A carpet from Tajikistan hangs on one of the walls, and the locals have no idea what kind of country it is and where it is located:

I was surprised that in the team's locker room there is not even a semblance of lockers - only chairs and hooks:

I really liked the row of baths. Girls can imagine naked players soaking here after the game:

An underground tunnel leads from the dressing rooms to the field. Here, the teams line up and, on command, run onto the field. The walls are adorned with photographs of great players and national teams. Countless golden feet of the planet have passed through this corridor:

On the field we were met by a "chaser". He did wonders with the ball, hitting it with his feet, knees, head, shoulders and even heels:

At one point, he threw the ball on his back and took off his shirt without dropping it. And then put it back in the same position:

Maracana is not the only stadium in Rio. In addition to football, the famous carnival is also held here. Every February life stops for 3 days. Stands are lined up along one of the streets, accommodating a total of 120,000 people!

There are several schools of Samba and each of them demonstrates its art during the carnival:

Richer people can rent a whole box for themselves (in the distance, on the right in the frame) and enjoy the carnival while sipping champagne:

Although most Brazilians prefer Caiperiño, a local cocktail very similar to Mojito, only with lime and quite sweet:

And in the evening we visited the next "most-most" famous samba show in Brazil and the world. Before it started, we were entertained by a Brazilian girl in her 50s. For half an hour, she never dropped the ball. And the chaser from Maracana was not even a match for her. She managed to mint the ball with her head while sitting on the floor.

Then she stopped the ball and it just lay on her head. At the same time, she managed to get up from her knees with the ball on her head:

The show itself was very colorful. There are 27 states in Brazil and each of them has its own Samba technique. During the presentation, they tried to show us all the schools:

The school of combat Samba - Capoeira made the greatest impression on my child. Previously, slaves were forbidden to train martial arts and they came up with this type of samba, covering their training with them. He asked to record everything on video in order to show the choreography teacher at school and ask them to teach them how to dance the same way:

I really liked the tap dancer:

His partners shook the sirloins with breathtaking amplitude. For clarity, he put his motionless hands next to him:

Sometimes I began to doubt - are they women?

Brazil - Latin American country known for a number of dances that have gained immense popularity internationally.
As you know, dance is one of the forms non-verbal communication, which serves to express human experience, and which has evolved over time into an art form.

Brazil is home to many popular dances that contain elements of African, Portuguese and European dance forms. Samba, carimbo, capoeira, furro or forro and lundu are some of the famous dances Brazil. Today we will talk about the origin and evolution of these dances.

Brazilian dances are dominated by African and Portuguese components. cultural heritage. As in other countries Latin America, where slave labor was used, in Brazil, plantations became the basis of the colonial economy.

Considering that slaves were brought mainly from Africa, the influence of African traditions on music and dance was very strong. The elite stratum of the population, and, accordingly, cultural traditions remained Portuguese and Roman Catholicism was the official religion.

brazilian samba

Brazil's national dance, the samba, originated among African slaves in the state of Bahia. Samba da Roda (samba ring) is like a Puerto Rican bomb and Cuban rumba, it necessarily uses a circular arrangement of dancers, musicians and spectators. The dancers usually go out into the circle one at a time. The basic step of the samba is fast, the weight in the dance movements is quickly transferred from one foot to the other under the main rhythm percussion instruments in 2/4 tempo. Most of the dancer's movements are oriented towards the legs, while the upper body remains relatively relaxed.

After slavery ended in 1888, sugarcane workers migrated to the cities. Many of them settled in the hills surrounding Rio de Janeiro. It was in these favelas (slums) that the carnival samba was born. Over time, escolas de samba (samba schools) began to appear here, which functioned as community clubs.

Carnival in Brazil is an explosive release of energy, during which music and dance simply reign in the streets. Samba gained nationwide popularity through the radio and recording industries in the 1940s. Among the many variants of samba that emerged in the 20th century, the most notable ones are horiño, bossa nova, gafieira, samba de salon, samba enredo, samba de mulattas, samba reggae, and pegoda.

In addition to the world famous and popular throughout Brazil samba, many parts of the country have their own own styles carnival music and dance such as frevo (very fast, sports dance with some movements similar to those used in Russian folk dances), maracatus in the state of Pernambuco, as well as afox and blocko afro in El Salvador.

Religious Candomle Dance

The oldest of the Afro-Brazilian afoxé groups, Filhos de Gandhy was founded back in 1940 to promote the themes of brotherhood, peace and tolerance in an environment where discrimination was prevalent. The drumming and dance moves of this band were inspired by religious dance candomblé and healing rituals. Beginning in the 1970s, many groups of black Brazilians, collectively referred to as blocos afros, supported their endeavors. Them musical themes, costumes, and dance choreography were inspired by African themes, and their dance performances are characterized by active movement of the torso and arms.

The Brazilian religion of Candomle, which is based on African traditions, and related religious practices throughout the country use dance as a central element of worship. Candomblé is an adaptation of the Yoruba spiritual system from West Africa, while it is also similar to the Cuban Santeria.

The main focus of the dance is the worship of orishas or deities believed to control the forces of nature. Candomblé dancers, mostly women, sing the praises of the orishas, ​​moving counterclockwise, while three men try to drum the deities to participate in the festival. Dancers during the ritual gradually fall into a state of possession. It is worth noting that these dance rituals of orisha deity possession are not allowed outside of religious celebrations.

capoeira

In addition to samba and candomblé, capoeira, a mixture of martial art and dance, which is believed to be of African origin, is very popular in the country. After capoeira ceased to be a form of self-defense that masqueraded as entertainment, this dance, full of acrobatic movements, became the hallmark of Brazilian folklore dance groups.

Capoeira is also one of the most popular Afro-Brazilian dances in the country. Historians believe that the dance originated from martial arts. It was also created in Brazil by African slaves, mostly from Angola. However, there is a lot of controversy regarding the origin of this dance. Some historians believe that the dance is directly derived from African fighting styles, while others believe that it is a purely Brazilian dance influenced by both Brazilian and African dance forms.

Some experts even suggested that the word "capoeira" comes from the word "Capao" - the Portuguese term for a castrated rooster. The dance style is also like a fight between two roosters. Although there are significant differences of opinion regarding the origin of the dance and its name, it is an indisputable fact that the dance steps in capoeira bear a close resemblance to martial arts. Participants, as a rule, form a circle, and then, in turn, go to the center in pairs and arrange a half-dance-half-combat competition.

Carimbo and Lambada

Karimbo is the name of both the dance and the big drums that accompany it. In the Tupi language, the word means "drum". Carimbo is folk dance the state of Pará in Brazil, where African, Portuguese and European traditions are intertwined.

This is a sensual dance in which the woman tries to wrap her skirt around her dance partner. Sometimes the woman drops the handkerchief on the floor, which her male partner must pick up in his mouth. After the dance was influenced modern rhythms, carimbo made a significant contribution to the development of another dance form - "Lambada". In Portuguese, lambada means "strong blow".

Another meaning of the word in the Brazilian dialect of Portuguese is the undulating motion of a ship. The dance is also characterized by the undulating movements of the dancers' bodies. Lambada became popular around the world in the 1980s.

Forro is a Brazilian music and dance style that combines regional Brazilian rhythms and dances with European, African and indigenous folklore. One of the forro melodies has more than 200 years of history, it has become traditional for the Brazilian people even before the popularization of samba.

Forro culture originated in the northeast, spreading further to the south of the country. As a result, forro began to dance throughout Brazil. But the victorious march of the dance did not stop there - it began to spread throughout the world. It is generally accepted that the word "Forro" originates from of English language from "for all" (for everyone). This term arose at the beginning of the twentieth century, during the construction of the Great Western railway in Brazil. British engineers living in Pernambuco began to hold parties open to any public, hence the name "for all". The Brazilians over time redid English phrase in Forro. Another version of the same story is not about British engineers, but about Americans who had a military base in Brazil during World War II.

Another historical study proves that the term comes from the African word "forrobod", which means party. Forro like musical genre, can be considered a derivative of Baio. Initially, the name Forro was used only to indicate the place where the dances were held. Only then forro became a separate musical style.

Forro is a very sensual dance, the closeness of partners is felt literally in every step. AT countryside Forro is danced to get to know the future partner better. What is worth noting is that the movements of the hips are very important in the dance. The forro is danced with one hand holding the partner's hand and the other hand resting on the partner's thigh or waist.

Lundu

Although this dance form was most popular in the 1600s and 1700s, it is still practiced today. Lundu dance is usually accompanied by guitar, piano, and percussion, and often includes castanets as well.

Samba Gafieira

Gafieira (gafieira) is dance halls, which were frequented by the working class in Brazil in the past. Some gafieira have turned into clubs, which are now part of the excursion program in Rio de Janeiro.

Samba de Gafieira is a pair dance that combines elements of carnival samba, salsa, argentine tango, manishe (Brazilian tango) and some acrobatic elements. It is sometimes called Brazilian tango. Samba de Gafieira is suitable for all ages, and even though this dance has been known in Brazil for more than a decade, it continues to attract young people with its cheerfulness and great scope for creativity. Remarkably, this dance can be performed to various Latin rhythms.

The samba de gafieira originated in the 1940s in the gafieira (dance halls for workers) of Rio de Janeiro. Samba de Gafieira has changed quite a lot since its inception. Today the samba de gafieira is modern dance with the Brazilian mentality. It is worth noting that in Brazil, samba de gafieira is considered ballroom dance, although it differs from the generally accepted sports international samba.

At the world-famous Brazilian carnival, ballroom samba is not danced. Here, just the samba de gafieira is performed, as well as the “samba no pe”. The difference between these dances is that samba no pe is a Brazilian folk dance that is literally danced on the street, samba de gafieira is known all over the world, it is often taught in dance schools.

In Brazil, the samba de gafieira is danced to samba music, bossa nova, chorinho, pagoda and other Brazilian motifs. However, this dance is also performed to non-Brazilian music. Perhaps that is why samba de gafieira has gained popularity outside of its homeland.

If someone thinks that samba is difficult to dance, he should get acquainted with frevo. All movements in this dance require long rehearsals, as well as great strength, endurance and flexibility. The dance was inspired by the movements of capoeira (Brazilian martial art) and has over 120 different movements. Examples of common movements in this dance include jumping, coordinated quick leg movements, leg curls, and somersaults. It is not so easy to try to dance the frevo yourself... But there are people who are able to dance the frevo with perfection, they are called passishta. They wear bright clothes and when they dance they use small umbrellas.

Frevo is the collective name for several music and dance styles originating in the Brazilian northeastern state of Pernambuco. All these styles are traditionally associated with carnival. In Pernambuco for over a hundred years of dance, frevo is the most common and popular style. There are many frevo clubs where exciting competitions are held between members to determine the best of the best. The appearance and development of the frevo had a great influence on the march, capoeira (a popular national martial arts) and the Brazilian dance "matchish", popular in Europe and America on turn of XIX-XX centuries.

Frevo is one of the brightest and most carefree dances in Brazilian folklore. It is so contagious that when dancers perform on the streets, almost no passer-by can remain indifferent. In Recife, where the tradition of street carnivals has been preserved (in addition to the famous carnival that takes place 40 days before Easter), during the frevo carnival, huge crowds of people who come from all social classes gather to participate.

Frevo is full of surprises and improvisation. This dance allows the performer to use all his creativity, inventive spirit and skill. Also this dance requires remarkable strength, endurance and flexibility. Movements in different types of frevo vary from the simplest to the most incredible, with elements of acrobatics. Sometimes the passista is performed so incredible stunts that you can't help but wonder if the dancers' bodies obey the laws of physics. What is incredible, in the arsenal of frevo - up to 120 steps.

Many people believe that frevo music was born before the dance of the same name. In the middle of the nineteenth century, the Brazilian army regiments stationed in Recife began the tradition of holding parades during the carnival. These processions were characterized by a clear rhythm, energetic music and fast dance style. Since the carnival was originally associated with religion, the regimental military brass bands"banda" performed mostly religious music, but "banda" repertoire is traditional marches and polka. During the carnival, the "blocks" (a group of dancers lined up in a rectangle shape) competed against each other, and the orchestra played faster and faster, louder and louder. Within the framework of these “blocks”, just at that time, armed participants appeared who began to perform capoeira.

During the carnival, capoeirista fighters marched, as a rule, at the forefront of the "blocks". The purpose of such a formation was to intimidate rivals and protect the main attribute of the "block" - the flag. Presumably, it was then that the capoeiristas began to use the umbrella as an element of protection. There were frequent cases of clashes between "blocks" - competitors, after which many participants were injured or even died. To end the wave of violence, the police began to harass and arrest participants during the carnival. To resist police harassment, the men dressed in the stylized costumes of their clubs. Over time, capoeira movements and strikes, accompanied by march-style music, evolved into "passes" (as the basic frevo steps are called). And all the attributes of a martial dance with weapons turned into symbolic elements of frevo. Thus, the usually black parasol, shabby, torn off after numerous clashes with rival capoeiristas, has become smaller and today is an ornament that emphasizes the dance and is one of the main symbols of the carnival in the state of Pernambuco.

bossa nova

The Bossa Nova first sounded in small clubs and cafes overlooking the beach of Rio de Janeiro in 1958. In the homeland of this dance, Brazil, the name "Bossa Nova" means " new wave' or 'new direction'.

Fashionable in the late 50s in Brazil, the word "bossa" meant approximately what the word "chip" means now - something special, unusual. And so this unusual style appeared, in which the sultry samba mixed with jazz, which was very popular at that time.

Bossa nova music was created by young Brazilian musicians who were trying to find something new in an old theme. Musicians Joao Gilberto, Antonio Carlos Jobim and Luis Bonfa are mentioned as creators of the new style. Several years passed, and in the early 60s, against the backdrop of the popularity of the melody, several attempts were made to make a dance to it. But, as practice showed, the music that enchanted the country was more suitable for listening than for dancing. Several versions of the dance, spontaneously emerging by 1963, never became popular. A survey was conducted among young people in 1963, which showed that everyone liked the music, but almost no one accepted the dance. As most people explained, "the dance was too fast for slow dances, and at the same time - too slow for a fast dance.

Bossa nova continued to be exclusively music until the popular musician Sascha Distel, who at the time was looking for new melodies for dancing, took notice of her. The result was a dance that combined rumba, samba, merengue, mambo, conga and, surprisingly, twist. At one time this pair dance prophesied the role of a successor to the twist, but ... in the end, he never became popular. What is typical for bossa nova is that it is built mainly on improvisations. There are no strict rules in this dance, except for one - the partners must look into each other's eyes.

And wikipedia stuff

Brazil is a Latin American country known for a number of dances that have gained immense popularity internationally.
As you know, dance is one of the forms of non-verbal communication that serves to express human experience, and which over time has become an art form.

Brazil is home to many popular dances that contain elements of African, Portuguese and European dance forms. Samba, carimbo, capoeira, furro or forro and lundu are some of the famous dances of Brazil. Today we will talk about the origin and evolution of these dances.

Brazilian dances are dominated by components of African and Portuguese cultural heritage. As in other Latin American countries where slave labor was used, plantations became the backbone of the colonial economy in Brazil.

Considering that slaves were brought mainly from Africa, the influence of African traditions on music and dance was very strong. The elite stratum of the population, and, accordingly, the cultural traditions remained Portuguese, and Roman Catholicism was the official religion.

brazilian samba

Brazil's national dance, the samba, originated among African slaves in the state of Bahia. The samba da Roda (samba ring) is similar to the Puerto Rican bomba and Cuban rumba, and necessarily uses a circular arrangement of dancers, musicians, and spectators. The dancers usually go out into the circle one at a time. The basic step of the samba is fast, the weight in the dance movements is quickly transferred from one foot to the other to the main rhythm of the percussion instruments in 2/4 tempo. Most of the dancer's movements are oriented towards the legs, while the upper body remains relatively relaxed.

After slavery ended in 1888, sugarcane workers migrated to the cities. Many of them settled in the hills surrounding Rio de Janeiro. It was in these favelas (slums) that the carnival samba was born. Over time, escolas de samba (samba schools) began to appear here, which functioned as community clubs.

Carnival in Brazil is an explosive release of energy, during which music and dance simply reign in the streets. Samba gained nationwide popularity through the radio and recording industries in the 1940s. Among the many variants of samba that emerged in the 20th century, the most notable ones are horiño, bossa nova, gafieira, samba de salon, samba enredo, samba de mulattas, samba reggae, and pegoda.

In addition to the world-famous and popular throughout Brazil samba, many parts of the country have their own styles of carnival music and dance, such as frevo (a very fast, athletic dance with some movements similar to those used in Russian folk dances), maracatus in the state of Pernambuco, as well as afox and blocko afro in El Salvador.

Religious Candomle Dance

The oldest of the Afro-Brazilian afoxé groups, Filhos de Gandhy was founded back in 1940 to promote the themes of brotherhood, peace and tolerance in an environment where discrimination was prevalent. The drumming and dance moves of this group were inspired by the religious candomblé dance and healing rituals. Beginning in the 1970s, many groups of black Brazilians, collectively referred to as blocos afros, supported their endeavors. Their musical themes, costumes, and dance choreography were inspired by African themes, and their dance performances are characterized by active movement of the torso and arms.

The Brazilian religion of Candomle, which is based on African traditions, and related religious practices throughout the country use dance as a central element of worship. Candomblé is an adaptation of the Yoruba spiritual system from West Africa, while also being similar to the Cuban Santeria.

The main focus of the dance is the worship of orishas or deities believed to control the forces of nature. Candomblé dancers, mostly women, sing the praises of the orishas, ​​moving counterclockwise, while three men try to drum the deities to participate in the festival. Dancers during the ritual gradually fall into a state of possession. It is worth noting that these dance rituals of orisha deity possession are not allowed outside of religious celebrations.

capoeira

In addition to samba and candomblé, capoeira, a mixture of martial art and dance, which is believed to be of African origin, is very popular in the country. After capoeira ceased to be a form of self-defense that masqueraded as entertainment, this dance, full of acrobatic movements, became the hallmark of Brazilian folklore dance groups.

Capoeira is also one of the most popular Afro-Brazilian dances in the country. Historians believe that the dance originated from martial arts. It was also created in Brazil by African slaves, mostly from Angola. However, there is a lot of controversy regarding the origin of this dance. Some historians believe that the dance is directly derived from African fighting styles, while others believe that it is a purely Brazilian dance influenced by both Brazilian and African dance forms.

Some experts even suggested that the word "capoeira" comes from the word "Capao" - the Portuguese term for a castrated rooster. The dance style is also like a fight between two roosters. Although there are significant differences of opinion regarding the origin of the dance and its name, it is an indisputable fact that the dance steps in capoeira bear a close resemblance to martial arts. Participants, as a rule, form a circle, and then, in turn, go to the center in pairs and arrange a half-dance-half-combat competition.

Carimbo and Lambada

Karimbo is the name of both the dance and the big drums that accompany it. In the Tupi language, the word means "drum". Carimbo is a folk dance from the State of Para in Brazil, in which African, Portuguese and European traditions are intertwined.

This is a sensual dance in which the woman tries to wrap her skirt around her dance partner. Sometimes the woman drops the handkerchief on the floor, which her male partner must pick up in his mouth. After the dance was influenced by modern rhythms, carimbo made a significant contribution to the development of another dance form - "Lambada". In Portuguese, lambada means "strong blow".

Another meaning of the word in the Brazilian dialect of Portuguese is the undulating motion of a ship. The dance is also characterized by the undulating movements of the dancers' bodies. Lambada became popular around the world in the 1980s.

Forro is a Brazilian music and dance style that combines regional Brazilian rhythms and dances with European, African and indigenous folklore. One of the forro melodies has more than 200 years of history, it has become traditional for the Brazilian people even before the popularization of samba.

Forro culture originated in the northeast, spreading further to the south of the country. As a result, forro began to dance throughout Brazil. But the victorious march of the dance did not stop there - it began to spread throughout the world. It is generally accepted that the word "Forro" originates from the English language from "for all" (for all). This term originated in the early twentieth century, during the construction of the Great Western Railway in Brazil. British engineers living in Pernambuco began to hold parties open to any public, hence the name "for all". The Brazilians, over time, remade the English phrase into "Forro". Another version of the same story is not about British engineers, but about Americans who had a military base in Brazil during World War II.

Another historical study proves that the term comes from the African word "forrobod", which means party. Forro as a musical genre can be considered a derivative of Baio. Initially, the name Forro was used only to indicate the place where the dances were held. Only then forro became a separate musical style.

Forro is a very sensual dance, the closeness of partners is felt literally in every step. In the countryside, the forro is danced to get to know a future partner. What is worth noting is that the movements of the hips are very important in the dance. The forro is danced with one hand holding the partner's hand and the other hand resting on the partner's thigh or waist.

Lundu

Although this dance form was most popular in the 1600s and 1700s, it is still practiced today. Lundu dance is usually accompanied by guitar, piano, and percussion, and often includes castanets as well.

Samba Gafieira

Gafieira are dance halls that were frequented by the working class in Brazil in the past. Some gafieira have turned into clubs, which are now part of the excursion program in Rio de Janeiro.

Samba de Gafieira is a pair dance that combines elements of carnival samba, salsa, Argentine tango, manishe (Brazilian tango) and some acrobatic elements. It is sometimes called Brazilian tango. Samba de Gafieira is suitable for all ages, and even though this dance has been known in Brazil for more than a decade, it continues to attract young people with its cheerfulness and great scope for creativity. Remarkably, this dance can be performed to various Latin rhythms.

The samba de gafieira originated in the 1940s in the gafieira (dance halls for workers) of Rio de Janeiro. Samba de Gafieira has changed quite a lot since its inception. Today, the samba de gafieira is a modern dance with a Brazilian "mentality". It is worth noting that in Brazil, the samba de gafieira is considered a ballroom dance, although it differs from the generally accepted sports international samba.

At the world-famous Brazilian carnival, ballroom samba is not danced. Here, just the samba de gafieira is performed, as well as the “samba no pe”. The difference between these dances is that samba no pe is a Brazilian folk dance that is literally danced on the street, samba de gafieira is known all over the world, it is often taught in dance schools.

In Brazil, the samba de gafieira is danced to samba music, bossa nova, chorinho, pagoda and other Brazilian motifs. However, this dance is also performed to non-Brazilian music. Perhaps that is why samba de gafieira has gained popularity outside of its homeland.

If someone thinks that samba is difficult to dance, he should get acquainted with frevo. All movements in this dance require long rehearsals, as well as great strength, endurance and flexibility. The dance was inspired by the movements of capoeira (Brazilian martial art) and has over 120 different movements. Examples of common movements in this dance include jumping, coordinated quick leg movements, leg curls, and somersaults. It is not so easy to try to dance the frevo yourself... But there are people who are able to dance the frevo with perfection, they are called passishta. They wear bright clothes and when they dance they use small umbrellas.

Frevo is the collective name for several music and dance styles originating in the Brazilian northeastern state of Pernambuco. All these styles are traditionally associated with carnival. In Pernambuco for over a hundred years of dance, frevo is the most common and popular style. There are many frevo clubs where exciting competitions are held between members to determine the best of the best. The appearance and development of the frevo had a great influence on the march, capoeira (a popular national martial art) and the Brazilian matchish dance, popular in Europe and America at the turn of the 19th and 20th centuries.

Frevo is one of the brightest and most carefree dances in Brazilian folklore. It is so contagious that when dancers perform on the streets, almost no passer-by can remain indifferent. In Recife, where the tradition of street carnivals has been preserved (in addition to the famous carnival that takes place 40 days before Easter), during the frevo carnival, huge crowds of people who come from all social classes gather to participate.

Frevo is full of surprises and improvisation. This dance allows the performer to use all his creativity, inventive spirit and skill. Also, this dance requires remarkable strength, endurance and flexibility. Movements in different types of frevo vary from the simplest to the most incredible, with elements of acrobatics. Sometimes the passistas perform such incredible stunts that you can't help but wonder if the bodies of the dancers obey the laws of physics. What is incredible, in the arsenal of frevo - up to 120 steps.

Many people believe that frevo music was born before the dance of the same name. In the middle of the nineteenth century, the Brazilian army regiments stationed in Recife began the tradition of holding parades during the carnival. These processions were characterized by a clear rhythm, energetic music and a fast dancing style. Because carnival was originally associated with religion, the "banda" regimental military brass bands played mostly religious music, but the "banda" repertoire is traditional marches and polka. During the carnival, the "blocks" (a group of dancers lined up in a rectangle shape) competed against each other, and the orchestra played faster and faster, louder and louder. Within the framework of these “blocks”, just at that time, armed participants appeared who began to perform capoeira.

During the carnival, capoeirista fighters marched, as a rule, at the forefront of the "blocks". The purpose of such a formation was to intimidate rivals and protect the main attribute of the "block" - the flag. Presumably, it was then that the capoeiristas began to use the umbrella as an element of protection. There were frequent cases of clashes between "blocks" - competitors, after which many participants were injured or even died. To end the wave of violence, the police began to harass and arrest participants during the carnival. To resist police harassment, the men dressed in the stylized costumes of their clubs. Over time, capoeira movements and strikes, accompanied by march-style music, evolved into "passes" (as the basic frevo steps are called). And all the attributes of a martial dance with weapons turned into symbolic elements of frevo. Thus, the usually black parasol, shabby, torn off after numerous clashes with rival capoeiristas, has become smaller and today is an ornament that emphasizes the dance and is one of the main symbols of the carnival in the state of Pernambuco.

bossa nova

The Bossa Nova first sounded in small clubs and cafes overlooking the beach of Rio de Janeiro in 1958. In the birthplace of this dance, Brazil, the name "Bossa Nova" means "new wave" or "new direction".

Fashionable in the late 50s in Brazil, the word "bossa" meant approximately what the word "chip" means now - something special, unusual. And so this unusual style appeared, in which the sultry samba mixed with jazz, which was very popular at that time.

Bossa nova music was created by young Brazilian musicians who were trying to find something new in an old theme. Musicians Joao Gilberto, Antonio Carlos Jobim and Luis Bonfa are mentioned as creators of the new style. Several years passed, and in the early 60s, against the backdrop of the popularity of the melody, several attempts were made to make a dance to it. But, as practice showed, the music that enchanted the country was more suitable for listening than for dancing. Several versions of the dance, spontaneously emerging by 1963, never became popular. A survey was conducted among young people in 1963, which showed that everyone liked the music, but almost no one accepted the dance. As this majority of people explained - "the dance turned out to be too fast for slow dances, and at the same time too slow for fast dances."

Bossa nova continued to be exclusively music until the popular musician Sascha Distel, who at the time was looking for new melodies for dancing, took notice of her. The result was a dance that combined rumba, samba, merengue, mambo, conga and, surprisingly, twist. At one time, this pair dance was predicted to be the successor to the twist, but ... in the end, it never became popular. What is typical for bossa nova is that it is built mainly on improvisations. There are no strict rules in this dance, except for one - the partners must look into each other's eyes.

And wikipedia stuff

Strive to organize a bright party that will be remembered by the guests and hosts of the holiday? You have a charismatic presenter, armed with toasts and contests, live music and songwriters, but lacking the zest that will make the event truly unforgettable? Diversify the program with elements brazilian show with incendiary samba and passionate rumba, the sexy and sensual dance of Brazilian pop. Wide selection dance directions will allow one team to entertain guests throughout the holiday.

What criteria are used to select Brazilian dancers for the celebration?

Performers dance program must meet certain requirements of the entertainment industry:

• have a stylish, memorable image that matches the creative direction
• have the ability to present yourself from the stage or dance floor
• to be able to emotionally win back every movement
• have good professional skills
• manage the audience in the hall and on the stage.

How to evaluate the abilities of Brazilian dancers and dancers and not order a "pig in a poke"?

The entertainment industry market is replete with an abundance of show groups and dance groups performing Brazilian dances. Before you opt for specific performers and conclude an agreement, you should carefully analyze the information about the team.

Acquaintance with the performers of ethnic South American dances begins with studying their work experience and professional skills. On the pages of the site, information about passionate Latin dance groups worthy of your attention is collected and published.

Each group has its own section with a description of the history of creation, repertoire, a list of events in which the group took part, and the level of training of performers. The page also indicates the time spent in the catalog and the number of recommendations from former clients. This is also a kind of assessment of the capabilities of the dancers. This information supported by photographs and posters from concerts and shows. Be sure to check for videos showing performers at work.

Of course, a troupe that provides quality entertainment services will have a set of photo and video materials to demonstrate themselves to potential customers in a presentable way.

If you register on the site, you can not only find useful information for yourself, but also place an order for the Brazilian dancers you are interested in. To do this, you must fill out a special form and wait for a call from the administrator.