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Viktor Viktorovich Rybin. Born on August 21, 1962 in Dolgoprudny. Russian singer, songwriter, leader of the Dune group.

Father - Viktor Grigoryevich Rybin (1937-1970), worker.

Mother - Galina Mikhailovna Komleva (1941-2011), a kindergarten teacher.

According to Victor, he grew up as a bully, was a difficult and problematic child. In many ways, he was influenced by the tragedy that happened at the age of 8: in front of Victor's eyes, his father committed suicide (stabbed himself). After that, he was silent for six months, and the doctors even doubted whether the boy would ever recover from this stress. But gradually he began to recover and returned to normal.

His mother raised him alone.

He studied poorly at school, often skipped classes, wandering around the streets. He started smoking early and used to drink.

In fact, music saved him from the crooked path. As a teenager, he mastered the guitar, his skill was appreciated and invited to the ensemble.

Served in Navy in Kamchatka.

He graduated from the naval school in Severodvinsk. Later he was also educated at the Moscow State Institute of Culture, where he studied at the Faculty of Sociology.

Since 1987 he began to work in a group "Dune", which was founded by his school friend Sergei Katin, who played the bass guitar. At first, Victor was a drummer and administrator. Also, guitarist Dmitry Chetvergov and drummer Andrey Shatunovsky played with them. However, in 1988 they left the group.

At first, the group played rock and roll, but this did not bring much success - the demand was for such groups as Black Coffee, Stayer, Aria, Master. “It was just stupid to meddle in that genre. Against the background of Aria, forgive me, we looked like a zhopkin choir,” Rybin admitted.

After the departure of Chetvergov and Shatunovsky, Rybin became a vocalist. In addition, together with Katin, they radically changed the concept of the group. They began to perform as a duet. And they quickly succeeded. Having gained great popularity, the group entered the Moscow regional philharmonic society and during the year they performed together with Alexander Serov and Pavel Smeyan.

In 1989, the song "Country Limonia" hit the charts and sounded throughout the country. whole year. It was at that moment that there was a surge in the popularity of the Dune group.

"Limonia Country" was a good springboard. "Dune" took a strong position, and then "Sea of ​​Beer" and "Communal Apartment" appeared. Adults, their children and even grandchildren still come off to these songs at our concerts. We really composed something very cool," Viktor Rybin noted.

Dune - Limonia Country

In the 1990s, the bright, funny image of a merry fellow in a panama hat performing simple songs, chosen by Rybin, resonated with viewers and listeners. The artist himself called the style of the group pop-folk.

In 1992 Sergey Katin got married and moved to France. Later he returned and continued to write songs for the group. In 1997, Sergei wrote an entire album for the soloist of "Dune" - Viktor Rybin ("Let's talk about love, mademoiselle").

Viktor Rybin and the group "Dune"

Currently he performs with the group "Dune" and in a duet with his wife Natalia Senchukova.

Victor Rybin's height: 177 centimeters

Personal life of Viktor Rybin:

First wife - Ekaterina (born 1964). Victor got married for the first time at the age of 20. However, the marriage broke up when he was called to serve in the Navy in Kamchatka - his wife did not wait for Rybin and left him.

The second wife is Elena. We got married in 1985. Officially, they did not divorce for a long time, although they did not live together. From marriage, there is a daughter, Maria Rybina, she plays the button accordion, and works in the police. Victor maintains a relationship with her. I didn’t divorce Elena for a long time because of my daughter: “I didn’t divorce my wife because of my daughter. I wanted to go to good school- study there foreign languages A: Chinese, English, give appropriate education. But they are accepted there only if there is a father and mother. I always wanted my daughter to get a good education," he explained.

The third wife is with whom they often sing a duet. They met in 1990 and officially got married in 1998.

At the time of their acquaintance, Natalya was dancing in the Shubarin ensemble. We met backstage at the Olimpiyskiy. “I was stretching with the girls before the performance. And then some funny weirdo approached us ... The fact that this is Viktor Rybin, the leader of a popular group, didn’t even occur to me ... Then the Dune performance was announced, Vitya ran away to the stage, and I heard the audience roar: “Oh-oh-oh!” The song sounded, and only then it dawned on me who it was, "Senchukova recalled.

Then Victor called her to shoot the video. They were supposed to shoot in a bathhouse, but since the operator fell into the pool, the work had to be canceled. But on the other hand, they were able to spend that evening together over tea: "We arrive, we understand that there will be no kin, and we invite the whole group to visit us to drink tea with jam. It was a wonderful evening, it was fun and good. And now after these gatherings, I realized that I like Vitya," Natalya recalled.

Viktor Rybin owns the M.V. Lomonosov "(former OM-362) project 780-03 / 780RB, built in 1960, manufactured by MSSZ, with a capacity of 242 passengers. The vessel is leased for banquets, weddings and corporate events.

Rybin has the 5th dan karate and is the president of the Children's Karate Federation.

In October 2018, it became known that, after which they underwent a course of radiation therapy.

Filmography of Viktor Rybin:

1995 - Old songs about the main thing - livestock breeder
1997 - Old songs about the main thing-2 - taxi driver
1998 - Old songs about the main thing-3 - 3rd of the hockey trio
2013 - Real boys (in episode 5) - a resident of Rublyovka (cameo)

Discography of Viktor Rybin (as part of the group "Dune"):

1990 - Land of Limonia
1991 - Land of Limonia (reissue)
1991 - Best
1992 - Behind us - Dolgoprudny
1993 - Dune, Dyunochka, Dyuna, Greetings from the Big Hangover!
1993 - Vitek
1994 - And we don't care!
1995 - Remember your golden childhood (Dune & Natalya Senchukova)
1996 - In the big city
1996 - Best Songs
1996 - I sewed a new suit
1997 - Let's talk about love, Mademoiselle (Viktor Rybin)
1997 - The Best
1998 - Disco Dancer
1999 - Karaganda
1999 - Album for the wife
2000 - thirteenth
2001 - Drebeden
2003 - Not a weak link
2008 - Law of Nature
2009 - Case for the night (Viktor Rybin & Natalya Senchukova)
2010 - Yakut bananas

From the very first appearance on the stage, the Dune group immediately fell in love with the audience. They were “Own”, and the humorous texts of comic songs instantly diverged into quotes and became “folk”. Popularity came to them in 1987, but for now a little history. Viktor Rybin - the permanent leader and founder of the group - comes from the Moscow region. His mother sang in the Pyatnitsky choir, and his father worked at a factory.

“I was born where it came in handy - in Dolgoprudny. Banal story - given to music school, teachers called not successful. I broke my arm and forgot about the music. Went to sambo.

Music resurfaced in the life of Viktor Rybin when he was 12 years old. Yard boys told him about the banned Voice of America radio and about what kind of music they listen to abroad.

“A concert from Washington .. I even remembered their address for the rest of my life .. I was amazed ... this is 74 years old ... Queen, Deep Purple, hard rock ... we decided .... we need to create our own group ... we had a column ... we came up with our own songs ... ".

Amateur creativity of young artists lasted a year and a half, until Victor's friend, Sergei Katin, transferred to school. At the age of 14, he was considered a good musician, he played the button accordion superbly. The young man easily joined the team, and soon the first name for the group was invented.

"BY LITTLE MO" ... What did it mean there? Nobody knew. We opened an English textbook and sang lines from there, because we didn’t know how to invent words. But we became popular in a narrow geographic point ... Dolgoproudny. They even came to dance with us.”

Since the guys were minors, and musical instruments they were given directly on the venues, they did not receive money for their performances. Then it was a pleasure to play in discos. But they already understood that they needed to move in the chosen direction forward: to earn money and buy good equipment. But as soon as it hit 16 and the first earnings were received, the artists bought their first instrument.

“We bought Katya a bass for 450 rubles .... And they worked at weddings ... then life scattered ... everyone went somewhere ... it was '79.

Sergei Katin continued his musical career, first working in the orchestra "Gosteleradio", and then in popular group Arsenal, and Viktor Rybin as a submariner, continued to work in Kamchatka. However, he did not forget about music. Probably, we would never have known about the Dune group if it were not for a chance meeting of old school comrades.

“It was 1985 ... I say, Seryoga, we need to make our own group.”

The format of "Hard Rock" did not bring great popularity to the team, especially since in those years such luminaries of heavy music as the groups "Aria", "Rondo", "Black Coffee" had been playing on the stage for a long time. But to remain "no destiny" was not in the plans of the artists, so on creative council a new stage and musical concept of the team was developed.

“In 1987, the time had already changed… perhydrol on the hair, tight pants and jackets with broad shoulders… we need to change the material… Katin did a good job – he sat down and wrote Land of Limonia.

Few people know, but for the first time this song was performed by Larisa Dolina, who was then just gaining popularity.

“About the Valley ... Seryozha slipped this song to her and she performed it at the Musical Ring.” The song didn't get any resonance… the tuning didn't suit her. Seryozha did this on the sly... I turn on the TV - and I see... I call him - he doesn't answer...'

The artists faced an important task - to declare themselves as a new team, having at least the right to exist. For this, a name, stage image and repertoire were needed. The song "Limonia", performed by the group "Dune" in 1989, immediately "shot". This is not surprising: it very accurately reflected the mood of the society of the late 80s, and the unusual and somewhere puffy image of the performers themselves caused a smile.

“What happened, they dressed in that.”

“About Limonia ... then our country was this country ... all the musicians then wrote songs “between the lines”. Of course, we sang about foreign miracles, how to make money ... then it became ... funny ... We were not funny, but prickly ... Russian cacti. We have remained so, any artist is made by the public.

“The story of the song is ordinary… it reflected the state… of the scoop… Seryozha Katin, with whom we created the group, says, let's be dissidents. I told him - let's better you music, and I will play it frivolously .... clowns are forgiven for everything.

Throughout the following year, "Dune" traveled all over the country with this popular hit. Of course, they also had other songs that were appreciated by the fans. But here's the paradox - with the obvious popular popularity, the artists did not receive support either on TV or on the radio. Censors took up arms against "too uncomplexed musicians".

“They almost didn’t play on the radio ... TV is needed. We don’t go to “Morning Mail” ... you won’t go there ... and here is the 2 * 2 channel ... they paid for a month. And then they didn’t take money from us…”.

Colleagues in the musical department Anzhelika Agurbash, soloists of the Na-na group, shared their memories of the bright project of those years.

“Once they showed up, it was a lot of fun.”

“As soon as Lemonia came out, everyone started dancing just like them ...”.

But the officials could not help but react to the mass popularity of "Dune", and soon the "Country of Limonia" was taken into the "Song of the Year" program, and the state-owned firm "Melody" released vinyl record group, also called "Limonia Country". Soon the album "Behind us Dolgoprudny" will be released. Until 1996, the musicians released new albums, and their concerts were sold out all over the country. During this time, the team left, married and went to conquer concert venues France, one of the founders of the group - Sergey Katin. Then, under the leadership of Victor, a new CD "Dune, Dyunochka, Dyuna, hello from the big Badun" was released, and then such hits as "Zhenka", "Machine Gun", "Vitek", "Dream" and the famous "Borka-womanizer". By the way. , it is the "womanizer" Viktor Rybin believes best song th about love in the repertoire of his group.

“Borka-womanizer” is a love song .. there are different ones ... both to have fun and to bounce a tear ... I call it the best love song.

Simultaneously with the growing popularity, Victor met his other half - Natalya Senchukova, who worked as a dancer in the 90s. It was classic love affair at work which developed into a romantic feeling.

The secret of the success of the group "Dune", according to Viktor Rybin, lies in the work itself, which for his team is the meaning of life.

"In the love of listeners and spectators, musicians, nothing depends on you."

The Dune group was formed in 1987 and at first played hard rock music that was fashionable at that time. As a "heavy" team, it did not gain much popularity, although it consisted of musicians who later became celebrities in this particular field. They were guitarist Dmitry Chetvergov, drummer Andrey Shatunovsky and vocalist Andrey Rublev. The other two members of Dune were Viktor Rybin and Sergei Katin. It was they, who were the first to feel that "the chip is not going well", and were the main ideologists of the changes that took place in 1988 in the stage and musical concept commands.
Already focusing on simpler, but nonetheless cocky, hooligan material, the duet Rybin Katin, which by that time had become the indivisible core of "Dune" and surrounded by frequently updated session musicians, introduced the group to the bosom of the Moscow Regional Philharmonic.
From the Philharmonic "Dune" traveled around the country for a whole year and performed in the same program with other "philharmonic" Alexander Serov and Pavel Smeyan. On these trips, the hit "Country Limonia" was born, which played an important role in the formation of the team's success.

New 1989 began for the "Dune" is very favorable. January 6 popular program"Musical Elevator" broadcast the so-called "video clip" (actually a staged concert footage) with "Country Limonia" to the entire territory of the then USSR. For the next 12 months, "Dune" did not sing anything but this hit. Nowhere! Only in December the songs "Firma" ("I don't know a cooler word...") and "Give-give!" appeared. On them, as well as on the "lemon" hit, "Dune" shot a real video - these were the first Soviet music videos made in the "cinema" vein.
In May 1990, Dune, as one of the "headliners", performed at the "Soundtrack" festival in front of the full hall of the Olimpiysky Sports Palace, where she made a splash. At the same time, she had problems on television, as suddenly activated censors took up arms against "too uncomplexed" artists. And when, due to someone's oversight, it nevertheless leaked into the air new job"Drink, Vanya, don't get sick!", half of the leadership of the offending channel "2x2" was deprived of their posts by the higher television authorities. However, the officials could not help but respond to the massive popularity of "Dune", and soon the "Country of Limonia" was included in the "Song of the Year" program, and the state-owned company "Melody" released a vinyl "forty-five" of the group, also called "Country of Limonia" (in the maxi- single included 8 songs). "Dune" turned into a People's Treasure immortalized in all possible forms at that time Soviet Union.

Further events developed rapidly - in a kaleidoscope of numerous tours and sketchy studio work. In 1991, the "forty-five" "Country of Limonia" with four added tracks (including the new provocative song "Greetings from a big hangover" was re-released on an ordinary long-playing phonograph record. A few months later, a very fresh album "For us Dolgoprudny" was released with another "calling card" group - the song "Horoscope" and unexpectedly lyrical "Hi, baby."
Suddenly, Sergei Katin left Dune, who got married and went to "conquer" France as a musician. Rybin did not grieve for long - under his leadership, the team spent the next year in endless concerts and released their first CD "Dune, Dyunochka, Dyuna, greetings from the big Badun", consisting of old things. Finally, in 1993, when it was time to prove to everyone that even without Katin, who wrote most"duno hits", the group can live, Victor sat down in the studio for 20 days and single-handedly mastered a cycle of a dozen works: "Zhenya", "Machine Gun", "Limpompo" ... He named it in retaliation to his former companion .. "Vitek". The face of "Dune" became even more hooligan, but this was greeted with enthusiasm by the fans. The career of musicians has reached new round when hardly anything could hinder her progress now.
The year 1994 was marked by two discs at once, which added to the discography of "Dunes". This is “But we don’t care” with the famous “Borka the Womanizer” and “Dream” (or “The Sea of ​​Beer”, as the people call it) plus “Golden Childhood”, where Rybin and Co. sang their favorite children's songs by Vladimir Shainsky, Yuri Entin and others. In 1995, the "French loser" Sergei Katin returned to Rybin with a confession. Victor took a friend like a mother prodigal son, and the result of their reunion was the disc "In the big city". She gave the public the hits "Communal Apartment", "Lanterns", "About Vasya". True, Katin did not claim to become a full member of the Dune. He remained behind the scenes, only occasionally writing some songs for Vitka and his associates. A year later, "Dune" gave birth to the album "I sewed a brand new suit", which the Soyuz studio published in January 1997. And on March 8 of the same year, Rybin congratulated the women of Russia with his debut solo work, Let's Talk About Love, Mademoiselle. Absolutely all the numbers for her were created by Katin - Victor only voiced his ideas. But despite the "soloness", the listeners still perceived "Mademoiselle" in the same way as any other album of "Dunes" - that is good!..

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Dune- Soviet and Russian musical group, founded in 1987 .

Story

The band was formed in 1987 by bass guitarist Sergei Katin and guitarist Dmitry Chetvergov. The group also included drummer Andrey Shatunovsky and vocalist Andrey Rublev. Viktor Rybin, a longtime friend of Sergei Katin, became the director of the group. As Dmitry Chetvergov recalls, “We had a normal team that worked normally<…>in the style, roughly speaking, of the Araks group. That is, we played such art rock and worked at the Moscow Regional Philharmonic.

In 1988, Dmitry Chetvergov, Andrey Shatunovsky and Andrey Rublev left the group. The backbone of the group was Viktor Rybin, who served as vocalist and also played drums, and Katin also sang and played bass. Being musicians of the Moscow Regional Philharmonic, they went on tour. Frequently changing session musicians performed with them. During these tours, Sergey Katin wrote the hit "Country Limonia", which marked new style group, who played an important role in the formation of the team's success. According to Dmitry Chetvergov: “The guys who worked with us as technicians went on stage with guitars to the soundtrack made by Sergey Katin (“Country of Limonia”). They went out and put on a show. It was just 1987-1988 - the heyday of "plywood"". According to Viktor Rybin: “About Limonia ... then our country was“ this country ”... all the musicians then wrote songs“ between the lines ”. Of course, we sang about foreign miracles, how to make money ... it was then that she became ... funny ... We were not funny, but prickly ... Russian cacti. We have remained so, any artist is made by the public.

On January 6, 1989, the popular program "Musical Elevator" showed a staged concert filming with the "Country of Limonia" throughout the USSR. For almost a year, "Dune" did not sing anything but this hit. In December, the songs "Firm" and "Give-give" appeared.

In May 1990, Dune performed at the Soundtrack Festival in front of a full hall of the Olimpiysky Sports Palace.

Later, "Country Limonia" was taken into the program "Song of the Year", and the state company "Melody" released the forty-five "Country Limonia" of 8 songs. In 1991, 4 songs were added to the disc (including "Greetings from the big hangover") and reissued on a regular long-playing phonograph record.

A few months later, the album "Behind Us - Dolgoprudny" was released with the songs "Horoscope", "Korefana" and the lyric "Hi, baby".

In 1992, Sergey Katin left the group, who got married and left for France. Rybin spent the next year in endless concerts and released his first CD "Dune, Dyunochka, Dyuna, hello from a big hangover!", Consisting of the old repertoire.

In 1993, the album "Vityok" appeared, in which new songs appeared - "Zhenya", "Machine Gun" (later - "Partisan-Oktyabryatskaya") and "Lim-pom-po". In 1994, two more albums appeared - “But we don’t care!” with the songs “Ezhovaya-lazhovaya”, “Borka-womanizer” and “Dream” (another name is “Sea of ​​Beer”) and “Remember the Golden Childhood” with children's songs by Vladimir Shainsky, Yuri Entin and others.

In 1995, Sergei Katin returned to his homeland and resumed cooperation with the group, but only as a songwriter. This is how the album “In the Big City” appeared, which contained the hits “Communal Apartment”, “Lanterns” and “About Vasya”.

In 1996, the Dune group participated in the election campaign in favor of the candidate Boris Yeltsin. In the same year, the group released the album “I sewed a brand new suit”, which the Soyuz studio published in January 1997. March 8, 1997 Viktor Rybin released his debut album"Let's talk about love, Mademoiselle."

In 1998, the album "Disco Dancer" was released with the lyrical hit "Kite", which became another of business cards groups.

In 1999, the album "Karaganda" was released with hits "Bottle", "Karaganda" and "We are a worthy link". In the same year, a cycle of duets by Viktor Rybin and Natalia Senchukova was launched. Their main joint hit is "My Dear Nerd" (2004).

After 2004, the creative activity of "Dune" is reduced. The reason for this is that Viktor Rybin went into the shipping business. Since 2008, the musicians have continued to release new albums. First "The Law of Nature", then in 2010 - "Yakut Bananas". Music critics note that the group never got out of their creative block.

In 2012, the Dune group began collecting material for a new album. In particular, the song "Light of the Star" was recorded. In 2013, the group began cooperation with the Ukrainian singer-songwriter Slava Blagov, recording his song "Nurse" (She is in a white dressing gown to her knees ...) and "The Road Home".

Song Similarities

Some note the similarity of the songs "Country Limonia" and "Greetings from the Big Hangover" with the compositions "In The Army Now" by Boland & Boland and "Acapulco" by Ricchi e Poveri, respectively. The song "Borka the Womanizer", on the one hand, is similar to the song "Melancholia" by Sofia Rotaru, on the other hand, was used by Valery Syutkin to create the song "7000 above the ground".

Albums

Single

Compound

Current squad

• Viktor Rybin - vocals, percussion (1987 - present)
• Mikhail Dulsky - guitar, backing vocals (1992 - present)
• Igor Plyaskin - guitar (2002 - present)
• Oleg Kolmykov - bass guitar (2012 - present)
• Andrey "Tolstoy" Apukhtin - keyboards (1991 - present)
• Roman Makhov - drums (2011 - present)

Former members

Timeline

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Notes

3. Vladimir Polupanov. . AIF No. 33. "Arguments and Facts" (August 15, 2012). Retrieved August 13, 2012. .
4. www.guitars.ru/05/info.php?z928
9. Fandeev, Nikolay(Russian) . fandeeff.narod.ru. Retrieved May 20, 2013. .
10. (Russian) . km.ru. KM Online (November 22, 2010). Retrieved May 20, 2013. .
11. Mazhaev, Alexey(Russian) . InterMedia. Retrieved 27 August 2016.

Links

• in the library of Maxim Moshkov

An excerpt characterizing Dune (group)

- If it is true that Monsieur Denisov proposed to you, then tell him that he is a fool, that's all.
“No, he’s not a fool,” Natasha said offendedly and seriously.
- Well, what do you want? You are all in love these days. Well, in love, so marry him! said the Countess, laughing angrily. - With God!
“No, mother, I am not in love with him, I must not be in love with him.
“Well, just tell him that.
- Mom, are you angry? Don't be angry, my dear, what am I to blame for?
“No, what is it, my friend? If you want, I'll go and tell him, - said the countess, smiling.
- No, I myself, just teach. Everything is easy for you,” she added, answering her smile. “And if you saw how he told me this!” After all, I know that he did not want to say this, but he accidentally said it.
- Well, you still have to refuse.
- No, you don't have to. I feel so sorry for him! He is so cute.
Well, take the offer then. And then it’s time to get married, ”the mother said angrily and mockingly.
“No, Mom, I feel so sorry for him. I don't know how I will say.
“Yes, you don’t have anything to say, I’ll say it myself,” said the countess, indignant at the fact that they dared to look at this little Natasha as a big one.
“No, no way, I’m on my own, and you listen at the door,” and Natasha ran through the living room into the hall, where Denisov was sitting on the same chair, at the clavichord, covering his face with his hands. He jumped up at the sound of her light footsteps.
- Natalie, - he said, approaching her with quick steps, - decide my fate. She is in your hands!
"Vasily Dmitritch, I'm so sorry for you!... No, but you're so nice... but don't... it's... but I'll always love you like that."
Denisov bent over her hand, and she heard strange sounds, incomprehensible to her. She kissed him on his black, matted, curly head. At that moment, the hasty noise of the countess's dress was heard. She approached them.
“Vasily Dmitritch, I thank you for the honor,” said the countess in an embarrassed voice, but which seemed strict to Denisov, “but my daughter is so young, and I thought that you, as a friend of my son, would first turn to me. In that case, you would not put me in the need for a refusal.
“Mr. Athena,” Denisov said with downcast eyes and a guilty look, he wanted to say something else and stumbled.
Natasha could not calmly see him so miserable. She began to sob loudly.
“Mr. Athena, I am guilty before you,” Denisov continued in a broken voice, “but know that I idolize your daughter and your entire family so much that I will give two lives ...” He looked at the countess and, noticing her stern face ... “Well, goodbye, Mrs. Athena,” he said, kissed her hand and, without looking at Natasha, left the room with quick, decisive steps.

The next day, Rostov saw off Denisov, who did not want to stay in Moscow for another day. Denisov was seen off at the Gypsies by all his Moscow friends, and he did not remember how he was put into the sled and how the first three stations were taken.
After Denisov's departure, Rostov, waiting for the money that the old count could not suddenly collect, spent another two weeks in Moscow, without leaving home, and mainly in the young ladies' room.
Sonya was more tender and devoted to him than before. She seemed to want to show him that his loss was a feat for which she now loves him all the more; but Nicholas now considered himself unworthy of her.
He filled the girls' albums with poems and notes, and without saying goodbye to any of his acquaintances, finally sending all 43 thousand and receiving Dolokhov's receipt, he left at the end of November to catch up with the regiment, which was already in Poland.

After his explanation with his wife, Pierre went to Petersburg. There were no horses at the station in Torzhok, or the caretaker did not want them. Pierre had to wait. He lay down without undressing leather sofa before round table, put his big feet in warm boots on this table and thought.
- Will you order the suitcases to be brought in? Make a bed, would you like some tea? the valet asked.
Pierre did not answer, because he did not hear or see anything. He had been thinking at the last station and still kept thinking about the same thing - about such an important thing that he did not pay any attention to what was going on around him. He was not only not interested in the fact that he would arrive later or earlier in Petersburg, or that there would or would not be a place for him to rest at this station, but all the same, in comparison with the thoughts that occupied him now, whether he would stay for several hours or a lifetime at that station.
The caretaker, caretaker, valet, a woman with Torzhkov sewing came into the room, offering their services. Pierre, without changing his position of his raised legs, looked at them through his glasses, and did not understand what they might need and how they could all live without resolving the issues that occupied him. And he was always occupied with the same questions from the very day he returned from Sokolniki after the duel and spent the first, painful, sleepless night; only now, in the solitude of the journey, they took possession of it with particular force. Whatever he began to think about, he returned to the same questions that he could not solve, and could not stop asking himself. It was as if the main screw on which his whole life rested was curled up in his head. The screw did not go further in, did not go out, but spun, without grabbing anything, everything was on the same groove, and it was impossible to stop turning it.
The superintendent entered and humbly began to ask his excellency to wait only two hours, after which he would give courier for his excellency (what will be, will be). The caretaker obviously lied and only wanted to get extra money from the traveler. “Was it bad or good?” Pierre asked himself. “It’s good for me, it’s bad for another passing by, but it’s inevitable for him, because he has nothing to eat: he said that an officer beat him up for this. And the officer nailed him because he had to go sooner. And I shot Dolokhov because I considered myself insulted, and Louis XVI was executed because he was considered a criminal, and a year later those who executed him were killed, also for something. What's wrong? What well? What should you love, what should you hate? Why live, and what am I? What is life, what is death? What power governs everything?” he asked himself. And there was no answer to any of these questions, except for one, not a logical answer, not at all to these questions. This answer was: “If you die, everything will end. You will die and you will know everything, or you will stop asking.” But it was also scary to die.
The Torzhkovskaya tradeswoman offered her goods in a shrill voice, and especially goat shoes. “I have hundreds of rubles, which I have nowhere to put, and she stands in a torn fur coat and looks timidly at me,” thought Pierre. And why do we need this money? Precisely for one hair, this money can add to her happiness, peace of mind? Can anything in the world make her and me less subject to evil and death? Death, which will end everything and which must come today or tomorrow - all the same in a moment, in comparison with eternity. And he again pressed the screw, which was not grasping anything, and the screw was still spinning in the same place.
His servant handed him a book of the novel, cut in half, in letters m me Suza. [Madame Susa.] He began to read about the suffering and virtuous struggle of some Amelie de Mansfeld. [to Amalia Mansfeld.] And why did she fight her seducer, he thought, when she loved him? God could not put into her soul aspirations contrary to His will. My ex-wife didn't fight, and maybe she was right. Nothing has been found, Pierre told himself again, nothing has been invented. We can only know that we know nothing. And this is the highest degree of human wisdom.”
Everything in him and around him seemed to him confused, meaningless and disgusting. But in this very disgust for everything around him, Pierre found a kind of annoying pleasure.
“I dare to ask Your Excellency to make room for a little one, here for them,” said the caretaker, entering the room and leading another, stopped for lack of horses, passing by. The passer-by was a squat, broad-boned, yellow, wrinkled old man with overhanging gray eyebrows over shining, indefinite grayish eyes.
Pierre took his feet off the table, got up and lay down on the bed prepared for him, occasionally glancing at the newcomer, who, with a gloomy tired look, without looking at Pierre, was heavily undressing with the help of a servant. Remaining in a worn sheepskin coat and felted boots on thin, bony legs, the traveler sat on the sofa, leaning his very large and wide at the temples, short-cropped head against the back and looked at Bezukhy. The strict, intelligent and penetrating expression of this look struck Pierre. He wanted to speak to the traveler, but when he was about to turn to him with a question about the road, the traveler had already closed his eyes and folded his wrinkled old hands, on the finger of one of which was a large cast-iron ring with the image of Adam's head, sat motionless, or resting, or about something thoughtfully and calmly thinking, as it seemed to Pierre. The passerby's servant was all covered with wrinkles, also a yellow old man, without a mustache and beard, which apparently had not been shaved off, and had never grown with him. The agile old servant was dismantling the cellar, preparing a tea table, and brought a boiling samovar. When everything was ready, the traveler opened his eyes, moved closer to the table and poured himself one glass of tea, poured another for the beardless old man and served it to him. Pierre began to feel anxiety and the need, and even the inevitability of entering into a conversation with this traveler.
The servant brought back his empty, overturned glass with a half-bitten piece of sugar and asked if he needed anything.
- Nothing. Give me the book, said the passerby. The servant handed over a book, which seemed to Pierre spiritual, and the traveler deepened in reading. Pierre looked at him. Suddenly the passer-by put down the book, laid it down, closed it, and, again closing his eyes and leaning on his back, sat down in his former position. Pierre looked at him and did not have time to turn away when the old man opened his eyes and fixed his firm and stern gaze straight into Pierre's face.
Pierre felt embarrassed and wanted to deviate from this look, but the brilliant, aged eyes irresistibly attracted him to him.

“I have the pleasure of talking to Count Bezukhy, if I am not mistaken,” said the passerby slowly and loudly. Pierre silently, questioningly looked through his glasses at his interlocutor.
“I heard about you,” continued the traveler, “and about the misfortune that befell you, my lord. - He emphasized the last word, as if he said: "Yes, misfortune, whatever you call it, I know that what happened to you in Moscow was a misfortune." “I am very sorry about that, my lord.
Pierre blushed and, hastily lowering his legs from the bed, bent down to the old man, smiling unnaturally and timidly.
“I did not mention this to you out of curiosity, my lord, but for more important reasons. He paused, without letting Pierre out of his sight, and moved on the sofa, inviting Pierre to sit down beside him with this gesture. It was unpleasant for Pierre to enter into a conversation with this old man, but, involuntarily submitting to him, he came up and sat down beside him.
“You are unhappy, my lord,” he continued. You are young, I am old. I would like to help you to the best of my ability.
“Oh, yes,” Pierre said with an unnatural smile. - I am very grateful to you ... Where do you want to pass from? - The face of the traveler was not affectionate, even cold and stern, but despite the fact, both the speech and the face of the new acquaintance had an irresistibly attractive effect on Pierre.
“But if for some reason you find it unpleasant to talk to me,” said the old man, “then say so, my lord. And he suddenly smiled unexpectedly, a fatherly gentle smile.
“Oh no, not at all, on the contrary, I am very glad to meet you,” said Pierre, and, looking once more at the hands of a new acquaintance, he examined the ring closer. He saw Adam's head on it, the sign of Freemasonry.
“Let me ask,” he said. - Are you a Mason?
“Yes, I belong to the brotherhood of free masons,” said the traveler, peering deeper and deeper into Pierre’s eyes. - And on my own behalf and on their behalf, I extend my brotherly hand to you.
“I’m afraid,” said Pierre, smiling and hesitating between the confidence inspired in him by the personality of a Mason and the habit of mocking the beliefs of Masons, “I’m afraid that I’m very far from understanding how to say this, I’m afraid that my way of thinking about everything of the universe is so opposite to yours that we do not understand each other.
“I know your way of thinking,” said the Mason, “and that way of thinking of which you speak, and which seems to you the product of your mental labor, is the way of thinking of most people, is the monotonous fruit of pride, laziness and ignorance. Excuse me, my lord, if I did not know him, I would not speak to you. Your way of thinking is a sad delusion.
“Just as I can assume that you are in error,” said Pierre, smiling weakly.
“I will never dare to say that I know the truth,” said the freemason, more and more striking Pierre with his certainty and firmness of speech. - No one alone can reach the truth; only stone after stone, with the participation of all, millions of generations, from the forefather Adam to our time, that temple is being erected, which should be a worthy dwelling of the Great God, - said the freemason and closed his eyes.
“I must tell you, I don’t believe, I don’t ... believe in God,” Pierre said with regret and effort, feeling the need to tell the whole truth.
The mason looked at Pierre attentively and smiled, as a rich man who held millions in his hands would smile at a poor man who would tell him that he, the poor man, did not have five rubles that could make him happy.
“Yes, you do not know Him, my lord,” said the Mason. “You cannot know Him. You don't know Him, that's why you're unhappy.
“Yes, yes, I am unhappy,” Pierre confirmed; - but what am I to do?
“You do not know Him, my lord, and that is why you are very unhappy. You do not know Him, but He is here, He is in me. He is in my words, He is in you, and even in those blasphemous speeches that you have spoken just now! said the Mason in a stern, trembling voice.
He paused and sighed, apparently trying to calm himself.
“If He weren’t there,” he said quietly, “we wouldn’t be talking about Him, my lord. What, who were we talking about? Who did you deny? he suddenly said with enthusiastic severity and authority in his voice. - Who invented it, if it does not exist? Why did the assumption arise in you that there is such an incomprehensible being? Why did you and the whole world assume the existence of such an incomprehensible being, an omnipotent being, eternal and infinite in all its properties?... – He stopped and was silent for a long time.
Pierre could not and did not want to break this silence.
“He exists, but it is difficult to understand Him,” the freemason spoke again, looking not at Pierre’s face, but in front of him, with his old hands, which, from inner excitement, could not remain calm, sorting through the pages of the book. “If it were a person whose existence you would doubt, I would bring this person to you, take him by the hand and show you. But how can I, an insignificant mortal, show all His omnipotence, all eternity, all His goodness to the one who is blind, or to the one who closes his eyes so as not to see, not to understand Him, and not to see, and not to understand all his abomination and depravity? He paused. - Who are you? What you? You dream of yourself that you are a wise man, because you could utter these blasphemous words, - he said with a gloomy and contemptuous smile, - and you are more stupid and madder than a small child who, playing with parts of an artfully made watch, would dare to say that , because he does not understand the purpose of these hours, he does not believe in the master who made them. It is difficult to know Him... We have been working for this knowledge for centuries, from the forefather Adam to the present day, and we are infinitely far from achieving our goal; but in our misunderstanding of Him, we see only our weakness and His greatness ... - Pierre, with a sinking heart, looking with shining eyes into the face of the freemason, listened to him, did not interrupt, did not ask him, but with all his heart believed what this stranger told him. Did he believe in those reasonable arguments that were in the Mason's speech, or did he believe, as children believe, in the intonation, conviction and cordiality that were in the Mason's speech, the trembling of the voice, which sometimes almost interrupted the Mason, or those brilliant, senile eyes, grown old on that the same conviction, or that calmness, firmness and knowledge of one's purpose, which shone from the whole being of the Mason, and which struck him especially strongly in comparison with their omission and hopelessness; - but with all his heart he wanted to believe, and believed, and experienced a joyful feeling of calm, renewal and return to life.
“He is not comprehended by the mind, but is comprehended by life,” said the freemason.
“I don’t understand,” said Pierre, fearfully feeling doubt rising in himself. He was afraid of the vagueness and weakness of the arguments of his interlocutor, he was afraid of not believing him. “I do not understand,” he said, “how the human mind cannot comprehend the knowledge you are talking about.
The Mason smiled his meek, paternal smile.
“The highest wisdom and truth is, as it were, the purest moisture that we want to absorb into ourselves,” he said. – Can I take this pure moisture into an unclean vessel and judge its purity? Only by inner purification of myself can I bring the perceived moisture to a certain purity.
– Yes, yes, it is! Pierre said happily.
– Higher wisdom is not based on reason alone, not on those secular sciences of physics, history, chemistry, etc., into which mental knowledge breaks down. There is only one supreme wisdom. The highest wisdom has one science - the science of everything, the science that explains the entire universe and the place of man in it. In order to accommodate this science, it is necessary to purify and renew one's inner man, and therefore before you know, you need to believe and improve. And to achieve these goals, the light of God, called conscience, is embedded in our soul.

Viktor Rybin with his son Vasily and wife Natalya Senchukova. Photo: Arsena Memetova

In our turbulent times, Rybin strikes with stability: he has been living with Natalia Senchukova for 27 years. He believes that this was largely due to one wonderful trait of Natalya's character: she does not stir up scandals and always knows how to stop in time. From childhood, she had a great example before her eyes: her mother behaved the same way with her father.

The son of Victor and Natalia Vasily turned 18 years old. From the age of five, Vasily was engaged in karate and won about 120 medals, but stopped because his joints began to hurt badly. However, the skills and flexibility gained there are useful to him now in his studies: he is a student at the Institute of Culture, studying to be a theater and theatrical performance director. Vasily has his own rock band, which is called in English. And since Victor does not speak this language, he cannot pronounce the name of his son's team correctly, but he knows that it translates as "Another gap."

Viktor Rybin with his son Vasily. Photo: Arsena Memetova

Rybin's daughter Maria is 27 years old. She was only four months old when Victor fell in love with Natalya Senchukova. Having left his second wife Elena, Rybin did not disappear from the life of his daughter: they were always close people. Maria graduated from the law faculty of the University of Law, now she is a senior police lieutenant, she serves and lives in Simferopol: this native city her husband. Victor welcomed and her choice educational institution, and places of work: he believes that they are very suitable for the strong character of his daughter.

business of life

For 30 years now, Rybin has been working in the Dune group: he came there in 1987 as an administrator, but already in 1988 he became its vocalist. Once upon a dawn touring activities the musicians of the group lost their concert costumes and, in order to save the situation, they bought the strangest illiquid asset in a department store. So, by chance, the musicians found their style. Funny clothes contributed to popularity no less than merry songs like "Limonia Country". Rybin recently read on the Internet that he and the Dune group were the first Russian hipsters. He does not know the word "hipsters", but he knows many other words that appeared in last years- and successfully rhymes them. Recently he wrote a song: "I'm your system administrator, my password is 1111, my password is your server, we can't do without each other."

Shot from the series "Real Boys"

Rybin starred as a resident of Rublyovka in an episode of the TV series Real Boys, and this summer he participated in the Three Chords program. There, on the very first day of shooting, an incident happened: Victor did not lock the dressing room, and while he was singing, a leather jacket was stolen from him - and it would be fine only her: documents for the car were in his pocket! But Rybin took the incident philosophically, said that the documents, unlike nerve cells, are restored.

Shot from the First Channel program "Three Chords"

By the way, not only Rybin, but also his motor ship “M.V. Lomonosov "- they are both 1962 release.

The Rybin family on their own motor ship “M.V. Lomonosov". Photo: Arsena Memetova