Analysis of the painting Ivan Tsarevich on a gray wolf. Ivan Tsarevich on the Gray Wolf


Vasnetsov Viktor Mikhailovich is a wonderful Russian artist. In the skill of writing historical and folklore painting, he has no equal.

The whole world knows such his creations as "Bogatyrs", "Knight at the Crossroads", "Alyonushka". The painting "Ivan Tsarevich on the Gray Wolf" turned out by the artist, like a revived fairy tale on canvas. It was written according to the plot folk tale when you look at it, you immediately remember your childhood and wonderful stories about fairy tale characters. The main characters look as if they are about to leave the picture and rush into the distance.

Painting by V.M. Vasnetsov "Ivan Tsarevich on the Gray Wolf": the history of creation

It happens that artists prepare to write their works long before the start of work, look through nature, tune in, so to speak, psychologically, but it happens quite the opposite - spontaneously. Just like that, Vasnetsov's painting "Ivan Tsarevich and the Gray Wolf" was not planned. 1889 was an artist intended to work in Kyiv, where he painted the Vladimir Cathedral. Viktor Mikhailovich loved everything folk, so an excerpt with everything was taken as the basis for the plot of the picture. famous fairy tale, created by the people, "Ivan Tsarevich and the Gray Wolf." For the sake of its creation, the artist postponed his work in the cathedral. And, as it turned out, not in vain.

This work is one of the best in Russian fine art. On the canvas we see Ivan Tsarevich and Elena the Beautiful on the Gray Wolf, they rush through scary forest, running away from their pursuers, flowering trees and a happy future await them ahead.

The main characters of the picture

The painting "Ivan Tsarevich on the Gray Wolf" presents us with its main characters: the Tsarevich, the Beautiful Elena and their faithful friend the Gray Wolf.

Ivan Tsarevich, sitting astride the Wolf, carefully and at the same time tightly hugs his beloved Elena the Beautiful. He is dressed in an expensive brocade caftan, belted with a green belt, and patterned black gloves are on his hands. The beautiful image of the Tsarevich is complemented by a red cap on his head and red boots. the main character is very serious, with anxious eyes he peers into the distance, worrying about whether the pursuers are catching up with the fugitives. After all, in his arms is his happiness, which he will not give to anyone in the world. A sword is visible behind Ivan Tsarevich, this indicates that the young man is always ready to fight for his love with a sword in his hands.

Elena the Beautiful sits next to her savior. The long hair of the Russian beauty flutters in the wind, which shows that they are rushing at high speed. The girl is dressed in a beautiful light blue silk dress with gold trim on the bottom and sleeves. On Elena's neck are beads made of pearls, she is shod in beautiful morocco boots, a hat with precious stones. The beauty bowed her head to her lover's chest, her gaze thoughtful. The girl humbly holds her hands in front of her, this indicates that the fugitive entrusted her life to the Tsarevich. Vasnetsov wrote Elena the Beautiful from his niece, Natalia Mamontova.

The Gray Wolf is depicted rushing forward at great speed, this can be seen throughout his image: his ears are pressed down, his tongue fell out of his mouth, his eyes are full of anxiety and determination, there is no anger in them, a long fluffy tail flutters in the wind. Strong paws hung in the air before the next jump, he must jump over the swamp in front of the heroes. It can be seen that the Gray Wolf is tired and is holding on to the last of his strength to bring home the precious burden.

"Ivan Tsarevich on the Gray Wolf": a description of Vasnetsov's painting

The landscape depicted on the canvas emphasizes the anxiety of the fugitives. They rush against the background of the morning dawn, in front of them is a dark swamp, around huge trees, a gray-purple sky is a little visible through them. But all this menacing picture is smoothed out by a blossoming apple tree in front and beautiful marsh water lilies. The apple tree reminds us of the beginning of a fairy tale, because it was from the golden apples that the adventures of the main characters began.

The painting "Ivan Tsarevich on the Gray Wolf" perfectly reflects the mood of the characters. They are anxious, but at the same time full of hope for a brighter future. The white flowers of the apple tree are in perfect harmony with Elena's outfit. A flowering tree is a symbol of the beginning of a new and beautiful - a new life, new love... The picture seems to flicker with a mysterious light, the audience gets the impression of the presence of a fairy-tale miracle and magic.

Viktor Vasnetsov created a fairy tale come to life on canvas

The painting "Ivan Tsarevich on the Gray Wolf" once again shows the great talent of Viktor Vasnetsov. The master placed the heroes in such a way that the appearance of revived is created. It seems that in another moment the Gray Wolf, having jumped out of the canvas, will rush into the distance along with his friends.

Fabulous beautiful canvas "Ivan Tsarevich on the Gray Wolf"! The description of the painting by Vasnetsov is worthy of attention, it displays the struggle of two forces. The contrast of dark gloomy colors with light ones reflects the confrontation between good and evil. Behind the heroes is solid darkness, surrounded by darkness, which makes way for the fugitives, and ahead is a swamp, but not gloomy, but with water lilies and a flowering apple tree. All taken together shows the victory of good over evil.

fairy tale canvas given time located in the State Tretyakov Gallery. Such masterpieces of art must be carefully preserved so that many more generations can admire these works of artists from God.

Viktor Mikhailovich Vasnetsov is one of the greatest Russian painters, known for his excellent works in the genre of historical and folklore painting.

Brief biography of V.M. Vasnetsov

Viktor Mikhailovich Vasnetsov was born on May 3, 1848 in the Vyatka province (now Kirov) in the family of a priest. He studied at the theological school, and then at the theological seminary. With the consent of his father, he left the seminary before graduating and went to St. Petersburg to enter the Imperial Academy of Arts. Vasnetsov traveled abroad after graduating from the Academy, but began exhibiting his work in 1869. Participated in expositions of the Wanderers and was a member of the Mammoth circle (an association of Russian intelligentsia, founded in Rome, but developed in the estate of patron S.I. Mamontov in Abramtsevo).

Vasnetsov was a member of the Academy of Arts, had many awards and privileges, took part in the creation of the Renaissance Society artistic Russia(an organization that acquaints the Russian people with its indigenous ancient creativity).

Vasnetsov is best known for his paintings of epic historical subjects: “After the Battle of Igor Svyatoslavich with the Polovtsy” (1880), “Alyonushka” (1881), “The Knight at the Crossroads” (1882), “Heroes” (1881–1898), “Tsar Ivan Vasilievich the Terrible" (1897).

One of the people's favorite paintings is "Ivan Tsarevich on the Gray Wolf" (1889). The fairy tale, familiar to everyone since childhood, literally comes to life on the canvas of Vasnetsov.

The history of the creation of the painting by V. Vasnetsov "Ivan Tsarevich and the Gray Wolf"

All artists prepare differently to create their creations. Some people have an idea in their head for a long time, outline a plan, prepare hundreds of sketches - and only then start work. Others act under the influence of feelings, intuitively. The painting "Ivan Tsarevich and the Gray Wolf" was painted according to the second version.

In 1889, Vasnetsov was absorbed in work in the Vladimir Cathedral in Kyiv (the painting of the cathedral took the artist ten years!). Suddenly, the idea of ​​a painting based on a Russian folk tale about Ivan Tsarevich and the Gray Wolf was born. To paint this picture, it was necessary to temporarily suspend work in the Kiev Cathedral - and, as a result, now the whole world can enjoy a beautiful canvas that embodies all sincere human feelings and Russian folk culture.

The workbook is included in the complex of textbooks “Art. Fine Arts" for grades 5–9, developed in the system of the scientific and pedagogical school of Academician V. S. Kuzin on the basis of the Federal State Educational Standard of the Basic general education and ensuring the continuity of education fine arts in primary and secondary schools. Special signs mark tasks aimed at the formation of meta-subject skills (planning activities, highlighting various signs compare, classify, establish cause-and-effect relationships, transform information, etc.) and personal qualities students.

Fugitive Heroes

The central characters of the folk tale Ivan Tsarevich, Elena the Beautiful and the Gray Wolf are depicted on the canvas by the hand of the master. Three heroes escape from the chase, rushing to meet their fate through the impenetrable and dense forest.

Ivan Tsarevich tightly embraces Elena the Beautiful and anxiously watches to see if their pursuers are catching up with them. His outfit clearly testifies to the high position of the young man - an expensive caftan, a red hat trimmed with fur, black patterned gloves and red patterned boots. Behind the Tsarevich's back is a sword in a sheath - proof that the young man will fight to the last drop of blood for his happiness.

In the arms of Ivan Tsarevich, Elena the Beautiful rides on the Gray Wolf. Her expression is sad and concentrated. She fears for her life and the life of her beloved, she is afraid that they will not be able to escape from their enemies. Her hands calmly (and even limply) lie on her knees, demonstrating the full return of her fate to the power of Ivan Tsarevich. She trusts the young man, but her heart is still not calm, because the chase is very close.

The long hair of Elena the Beautiful falls in waves on her shoulders and flutters in the wind from a quick jump. The girl is wearing a lovely sky-colored dress with gold trim. On Elena's legs are golden boots, and on her head is a rich cap with precious stones. A string of pearls adorns the runaway's neck. The "model" of the image of Elena the Beautiful was the artist's niece - Natalia Mamontova.

The main assistant of a couple in love is depicted as tired, but desperately fighting for the happiness of the young. The Gray Wolf runs at tremendous speed, escaping from the chase - powerful paws are tense, all tendons and muscles are visible. The ears are pressed to the head, and the tongue falls out of the mouth - it is not easy for the beast to carry the fugitives and quickly rush forward.

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The role of the landscape in the painting "Ivan Tsarevich on the Gray Wolf"

All nature in the picture reflects the dangerous situation of the heroes, fear for the future, anxiety from what is happening and the test that has befallen them.

A swamp lies under the paws of the Wolf, on the sides there are centuries-old trees covered with moss, spruce and an untrodden path. Seems to perish fairy-tale heroes in this impenetrable darkness, the Gray Wolf will get lost and the chase will overtake the fugitives.

But there is in the landscape in the picture and bright sides, proving that everything will be fine with the young. A tree in bloom and water lilies symbolize hope, new life, happiness and love. The apple tree, from whose fruits the story of the heroes began, with its velvety-airy flowers miraculously “echoes” with the attire of Elena the Beautiful, adding tenderness to the picture. Thanks to the combination of dense forest and flowering tree, a mighty wolf and small water lilies, the severe anxiety of Ivan Tsarevich and the calm tenderness of Elena the Beautiful, the canvas seems to glow from the inside, has true magic and gives faith in a miracle.

"Path to the Light"

The skill of Viktor Vasnetsov makes the heroes of the picture come to life before our eyes. The fugitives are captured at the moment of movement, "snatched" from a swift run. It seems that a little more - and the Gray Wolf will jump out of the canvas and run away, continuing to carry the young people.

The painting "Ivan Tsarevich on the Gray Wolf" must be looked at, admired. This is not just an image of your favorite heroes, familiar from childhood, but a real song to Russian legends and epics, a reflection of the struggle between good and evil and a thorny path to a happy future. famous painting Viktor Vasnetsov exhibited at the State Tretyakov Gallery. You can visit at any time art gallery and enjoy this picture and other creations of a brilliant artist.

/ / Essay-description based on the painting by V.M. Vasnetsov "Ivan Tsarevich on the Gray Wolf"

V. Vasnetsov painted the painting “Ivan Tsarevich on gray wolf in 1889. He famous artist, who illustrated many heroes from Russian epics and fairy tales.

The picture seems magical to us: all the details are so realistically drawn: from branches and grass in the foreground of the picture to lonely standing tree behind a haze of mist. The picture is dominated by dark tones that fascinate and add mystery to the landscape.

White flowers, which are strewn with ebony branches, to the right of the wolf, give the picture a special fabulousness. This blooming apple tree is a symbol of life in their destiny, a sign of faith and hope for the future.

In the central plan is an evil wolf, which, having pulled out its tongue, runs away from the chase. We see his strength, the brutal power with which he runs forward, overcoming dry trees on his way. The look of the wolf is directed forward, he does not even think of returning. A wary Ivan sits on it, holding a frightened Elena with his hand. The wolf is a symbol of devotion, we see that for the sake of the Tsarevich he will overcome any obstacles, if only he stays alive.

Ivan is dressed in a luxurious golden caftan with a blue belt and an orange hat with fur, he has a sword over his shoulders - all these details of clothing are typical for the hero of Russian fairy tales. From his look it is clear that he is looking out for the chase, he is worried about Elena. The prince is ready to draw his sword from its scabbard at any moment and go into battle for the heart of a beautiful lady.

Elena, in a blue dress with gold frills, leaned against Ivan. Her wheaten hair flutters in the wind, which shows us the dynamics of the picture. It can be seen that their path is not close, from fatigue she took such a pose, while calmly folding her hands in her lap. She completely trusts Ivan, there is no concern in her eyes.

Truly fabulous trees are depicted in the background: they different shades, from brown to black, the moss on them seems emerald, sparkling. To the left is a fallen spruce branch. A thin haze of fog connects the fairy forest with each other, beyond which nothing can be seen. This means that there is no turning back.

After analyzing the picture, it becomes clear that Vasnetsov created not only using the plots of Russian fairy tales, but also added symbols that allow us to feel the state of mind of the characters, to reveal the atmosphere of that time. Looking at the picture, there is a feeling of complete presence, as if you yourself have been in this fairy tale, experienced the plot along with the characters, plunged into their fairy-tale world.

This picture was painted by Vasnetsov at the age of 38. At this time, Viktor Mikhailovich often thought about the past and the future, what needs to be done, how to live and work in order to fulfill his plans. His position among artists was precarious, although he was praised, but he was keenly aware that the rejection of artists extended precisely to those works where he tried with greater force to express the Russian soul. In these works, he did not think about himself, and for some reason they did not receive the deserved praise, causing cold misunderstanding among colleagues. But the author, of course, did not think about universal approval when he worked on the paintings, there was only one desire, so that, like himself, people would be imbued with love for marvelous beauty ancient Russia, accepted her story with all their hearts. The artist's painting "Ivan Tsarevich on a Gray Wolf" was painted in 1889, when the author worked in Kyiv, in the Vladimir Cathedral. In 1888, he interrupted his work and began to paint the painting "Ivan Tsarevich on a Gray Wolf". After finishing work on the canvas, the painting was exhibited on a mobile art exhibition. The picture, which is an illustration of the famous Russian fairy tale, depicts main character, who rushes on the Gray Wolf with Elena the Beautiful through a dark forest, running away from the chase. The image of the tsar was borrowed by Vasnetsov from a study written in 1883 by Savva Mamontov's niece Natalia. In order to fully show the personification of fabulousness in the painting “Ivan Tsarevich on a Gray Wolf”, Vasnetsov tried to move away from the realities of life and convey the mysterious spirit of Russian fairy tales, coloring various paints fantasy world of the people. Indeed, the action of the picture takes place in a mysterious fairy forest among the giant trees against the background of the emerging dawn. With huge leaps, the gray wolf carries Elena the Beautiful and Ivan Tsarevich on his back through the dark, gloomy forest, around fairy tale characters an atmosphere of anxiety and sadness reigns. Each of them understands that if they are caught up, separation will inevitably follow and their whole being is in fear. And meanwhile, being in the strong hands of her savior, Elena the Beautiful believes that Ivan Tsarevich, who always defeats his enemies, will win this time as well. The wolf, the author showed in the picture mighty and huge. The apple tree blossoming in the foreground, as it were, tells of the beginning of a new love and life.

This picture by Vasnetsov illustrates one of the exciting episodes of the Russian folk tale. A forest is immediately visible, in which there are already old powerful trees, through which barely light breaks through and a blue sky is visible, which means that everything will end well, because in fairy tales good always triumphs over evil. The forest consists mainly of pine trees, in such a place there are a lot of animals and birds. Against the backdrop of a dense forest, the author depicted Ivan Tsarevich on a wolf, as well as the beautiful Vasilisa. The wolf runs at full speed, as they run away from the chase. The wolf knows that the life of not only his own, but also his friends depends on him now.

Vasnetsov portrayed the wolf as strong and huge. Such a dark background can be perceived that the chase is tense, the characters are going through. They understand that if they are caught, separation is inevitable. And so the fairy-tale characters look not only frightened, but also saddened. Not only the forest is very gloomy and dark. Amid all this darkness, the beauty of the heroes is visible. Ivan is presented in a beautiful embroidered camisole, and Vasilisa the Beautiful in a beautiful blue dress with an orange hem.

The prince carefully holds his beloved. A reverent and tender attitude towards a girl can immediately be seen at a glance. Vasilisa is also tender to her chosen one and clung to Ivan out of fright, her luxurious long hair loose and ruffled by the wind.

The picture is full of emotions and plot. The artist conveyed all the fabulousness and anxiety of the moment. Blossoming apple tree, which is located in the picture in the lower right corner, speaks of the beginning of love and a brighter future.

Folk art is the kindest and most magical thing for children. In fairy tales there are always brave heroes. In some works for children, animals help people in need.

Description 2

In the picture, the artist used the contrast of tones. The background is a gloomy forest, made in dark colors. brown trunks huge trees with twisted branches densely covered with gray lichens and greenish moss. Green foliage is not visible on them, they seem dead. Trees grow close to each other, forming an impenetrable thicket and covering the sky. Not even a small ray of sunshine penetrates them. dark kingdom. In the background, an ominous, white fog spreads between them, which leads astray, hides the road.

The forest is very inhospitable, scary. It has a lot of broken branches, fallen trees. An abandoned place where no human foot has set foot. Only in the foreground, as a symbol of hope, a young, timid tree blossomed with snow-white flowers. A few more white spots indicate water lilies blooming on the water surface. The water in the swamp is the same dark green, cold, like everything around.

Ivan Tsarevich makes his way through this thicket. His true friend The gray wolf rushes at full speed to save him and Elena the Beautiful. The beast jumps over the swamp with great leaps. He is already tired, breathing heavily, sticking out his tongue, but does not stop. The fur of the wolf is only slightly lighter than the surrounding landscape.

Ivan Tsarevich and his companion are depicted in bright colors in the center of the picture, they stand out brightly against the background of a dark forest. The prince is wearing expensive clothes of light gold color and a blue belt. His sword in its ornate scabbard flutters with the wolf's maneuvers. He furrowed his brows and carefully watches what is happening, the pursuers. His face is stern, concentrated, he does not intend to give up.

The princess in a pale blue robe embroidered with gold clung to the prince. She is young, beautiful. The headdress of the girl is embroidered with precious stones, pearl threads are on the neck and on the hands. She was very tired, her face was pale and sad, without a hint of a blush, her eyes were frozen. In her whole figure, doom is felt. She sits with her hands down, as if lifeless, not hoping for anything. Her long blond hair was tousled. But the prince holds his beloved tightly, he will save her.

Looking at this picture, you feel anxiety for the main characters. I want them to get out of this dark forest as soon as possible.

Composition Ivan Tsarevich on the Gray Wolf Vasnetsov

Most recently, I had the honor to get acquainted with the painting by Vasnetsov "Ivan - Tsarevich on a gray wolf." Its author took one of my favorite fairy tales as a basis and depicted Ivan Tsarevich and Elena the Beautiful riding a wolf through the forest. The dark forest surrounding them is dense, gloomy and terrible, causing nothing more than fear and horror.

From the clothes of the depicted characters and the dark tones of the forest, it can be determined that the event took place in autumn or early spring. And this is precisely what the plot itself emphasizes and makes it possible to understand the depth of fear and feelings of the fleeing heroes.
Ivan, the author of the picture portrayed as bold, strong and courageous, and the beautiful Elena as tender, fragile, frightened and tired, as it should be in life.

The canvas aroused in me a feeling of delight, because, reading a fairy tale in childhood, I could not even imagine the feelings and experiences of the characters. And here everything is so realistically written, as if I were standing in that dense forest and I watch a wolf and two horsemen run past me. The artist managed to depict the characters with such accuracy, he picked up the play of tones so well that they are about to jump out of the frame and run.

The plot of the picture itself shows how the Tsarevich overcomes the difficult path that has befallen him due to the violation of prohibitions. Under the paws of the wolf, a swamp with water lilies is drawn, an old apple tree, which bent its still flowering branches to the ground, and thick fog is visible between other trees. Elena and Tsarevich are the only bright spot on this canvas. The red royal clothes add pride and confidence to the hero, and the scarlet and golden robe of the beauty gives her tenderness and femininity.

In Ivan's eyes one can read faith, hope for salvation and confidence. With strong and courageous hands, he gently presses Elena to him, thereby showing her that she is safe. However, the Beautiful is frightened to the will and from hopelessness lowered her hands and head on the shoulder of the savior, it seems that she no longer wants anything, and she does not believe that salvation is near.

The wolf is depicted in such a way that it is immediately clear how fast they rush through the forest, running away from danger. And the tones with which the author painted the color of the wolf are much lighter than the general plan, thus he probably wanted to show that “the wolf is not as scary as it is painted” and that the beast is a friend to man.

Whatever the situation, dangerous or hopeless, there must always be faith in salvation and hope for the best.

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