Drawing with colored pencils. How to draw with colored pencils

Learn how to color with colored and regular pencils

Writing and drawing are very similar activities. Therefore, most people hold a pencil in the same way as a pen - between the thumb and the first two fingers, closer to the point of the pencil. But remember - a well-sharpened pencil tip easily breaks and crumbles with strong pressure. It is not necessary to press on the pencil, as when writing with a pen.
This method allows you to easily control the pencil and is ideal for specific techniques - line and cross hatching.

To give the drawing more expressiveness, liveliness and lightness, let's try to hold the pencil further from the end.
It is more convenient to do picturesque energetic lines or shading by pressing the rod from above with your index finger.
"Reverse capture" - the method can be convenient for hatching and shading. The pencil is placed on the brush and pressed with the thumb.
In this case, the movements are short, with the whole brush.

Another way to reverse capture.
The movements of the pencil tip are made with the whole brush.

In the academic school of drawing, there is a "correct way to hold a pencil." In this way, it is convenient for artists to use when they are standing at the easel. At the same time, the hand is overhanging and the movement of the entire brush is required to work. It does not close the drawing and it is not overwritten in the process.

Advice! When artists draw at a table (on a horizontal plane), they always put a sheet of clean paper under their arm - the “Backing”. The backing allows you to avoid "rubbing" the paper and protects the finished part of the picture.

Lesson two:
HATCHING AND SHADING
Two basic techniques for toning drawings.
Hatching is the application of strokes (lines) of various thicknesses and with different pressing forces at a certain distance from each other. Lines can be straight and curved, short and long, superimposed on each other in several layers at different angles, forming a grid.

Feathering - homogeneous (or with gradations) "filling" the surface with a pencil without gaps between the lines.
This can be as simple as rubbing a pencil across the surface of the paper to produce a solid tone of varying intensity.
Sometimes pieces of paper, cotton wool, suede, your own finger, etc. are used for this.

LEARN TO HATCH

In order for the hand to obediently apply strokes in the right direction and with a certain pressing force, the hand must be trained! The development of hand hardness, strength and timeliness of pressure require many hours of exercise!
Let's do some exercises to learn basic equipment drawing - toning with a pencil. Don't be upset if it didn't work out very well the first time. A little patience and you will see the result yourself!

EXERCISE 1. GENERAL HATCHING
Take a sheet of landscape-sized paper, a simple TM or HB pencil and draw 4 rectangles “by hand” (without a ruler).

The first rectangle is shaded evenly, using only one angle of inclination.
In others, we change the angle of inclination. We try to make the distances between the lines uniform!
The pressure on the pencil is the same!

EXERCISE 2. HATCHING WITH DIFFERENT GRADATIONS
Let's draw two (or more!) Rectangles.
Learning to make strokes with different pressure
Strong pressure at the beginning of the stroke and very weak (almost not touching the paper with a pencil) at the end.
And now so that the strokes gradually increase and then also gradually weaken and disappear.

We hold the pencil in our hand freely, as if making waves. In this case, the wrist should work very well.
The lines must be drawn without lifting the pencil from the paper!
The sheet cannot be rotated!
Do not forget to observe the same (or proportional) distances between the lines!
EXERCISE 3
Shade a long rectangle, evenly thickening the tone from light to dark.
Try to achieve its maximum even amplification.

Do not resort to rubbing strokes into spots and try not to use shading yet.

These techniques can be used individually or together.
When practicing or painting, try to avoid mechanical shading or shading. Always think about the nature of the surface, the shape and volume of objects.
It is necessary to learn how to correctly convey chiaroscuro, gradations of chiaroscuro of colored objects in the drawing.
By shading a drawing with a pencil, develop a sense of the ratio of tone strength and skill
see the power of shadow and contrast ratios in hatching. Using the hatching technique, try to convey the texture of the surface in the drawing.

Colored pencils are familiar to everyone since childhood and therefore are associated with something insignificant and childish. But take a closer look at them and you will see that colored pencils can draw beautifully and realistically.

So, consider the features of drawing with colored pencils. They are:

• suitable for drawing only on small formats;
• have color transparency;
• poorly erased with an eraser;
• allow you to get complex colors by overlaying;
• require drawing experience.

materials

Beginners will inevitably make mistakes, so they need a lot of inexpensive paper that is heavy enough to withstand multiple edits.

Strongly textured paper is not necessary. Hard pencils will cling, and soft ones will break about it.

Colored pencils require careful selection so as not to be disappointed in drawing with them. It is not worth saving and buying faded, non-shading, badly laying down on paper, inconvenient to use pencils made of low-quality wood. They will not bring pleasure from drawing.

There are many manufacturers of professional and semi-professional pencils: Faber-Castell, Derwent, Creta-Color, Daler-Rauni, Koh-i-nor, etc. Read the reviews on them, see the work done by them and make your choice.

It is preferable to buy from 24 colors. If you want, you can buy even more. After all, there are sets with hundreds of shades.

There are also watercolor pencils, which are brighter and softer than usual, in addition, they can be washed out with water.

How to draw

A few tips to help you avoid many mistakes:

1. Start with a sketch. Focus on the main points without paying attention to small details. pencil on a separate sheet. It is possible to outline areas of chiaroscuro. The result is carefully transferred to a clean sheet.

2. Saturate the color carefully. Do not immediately start with bright color spots, so as not to get confused. In addition, it will be easier to correct inaccuracies. A saturated layer of dye will only rub off the eraser.

3. Draw with light lines. This will allow you to work out and improve the work with each layer.

4. Learn to see the depicted object as a collection of spots. This will make it easier for you to draw it. Select the middle, dark and light areas

5. Mentally divide the subject into fragments and depict them gradually, because it is difficult to cover with thin pencil lines large area straightaway.

6. Better not use white pencil to indicate highlights, and leave unpainted areas of paper in place of highlights.

7. After designating the three main tones, we are engaged in mixing them, i.e. transitions. Work on the same area until you get the desired shade.

8. Do not use only one pencil to mark the color spot. Add a few more shades.

9. The more colors you use, the more interesting the effect will be, but choose those that blend well with each other.

10. Having finished the main work, proceed to refinement small parts and transmission of the subtlest play of light.

11. Use a different pressure on the pencil to get a variety of line thickness and brightness. But do not press too hard, otherwise you will get an unnecessary shine.

12. When the drawing is almost done, step back a few meters and look at it from this distance. You may want to change or add something.

13. Now it remains to erase everything superfluous: a simple pencil, mistakes and spots on paper.

• See also -

Experiment with the choice of paper and the application of color, practice and you will enjoy the technique that allows you to combine painting and graphic techniques.

Colored pencil drawing technique - video

Today we'll talk about various techniques drawing with colored pencils.

FROM colored pencils insanely enjoyable to work with, partly because they are easy to manipulate and control. How you sharpen your pencil, how you hold it, and how hard you press it, determines what effect you will achieve when drawing. By using colored pencils you can create both soft combinations and dazzlingly bright realistic textures. Once you grasp the basics outlined below, you can decide which technique will give an object its unique properties. Technician in drawing with colored pencils a lot, as many effects can be achieved with their help. So the more you practice and experiment, the more potential you will see in images that inspire you.

Pressure

Drawing with colored pencils different from painting with paint, you can't just put more color on the tip to make it darker. Therefore, your main tool is the force of pressure when you apply color. It is best to start with a light one, this will keep the texture of the paper much longer. Over time, you will develop the mechanical skill of varying how hard you press the pencil to achieve the desired effect.

light pressure

In this area (in the picture on the left), the color was superimposed with a pencil barely touching the surface of the paper. With light pressure, the color is still transparent.

moderate pressure

Moderate pressure on the pencil creates a good base for layers (center). This is also the pressure you might want to sign your drawings with.

Strong pressure

Very hard pressure on the pencil flattens the surface of the paper, making the color really solid (right).

strokes

Every line that you make colored pencil very important - the direction, thickness and texture of the line will contribute to the creation of this or that effect. Practice different hatch types. You will notice that you have a penchant for one or two hatch types, but strokes help convey the texture and emotion of your work.

Hatching and texture

You can simulate different textures by creating dot and dash patterns on paper. With the help of dots, you can even create a dense thick texture.

Hatching and movement

While a group of straight lines sets the direction (in the picture on the left), a group of slightly curved lines conveys a sense of movement (on the right). Try combinations of different hatching options and to create a more rugged, rich design. Such exercises show you how lines and strokes can be not only expressive, but also informative.

Line thickness

Lines of varying thickness help create texture. These lines create a sense of volume in the drawing.

Hatching types

rounded

commit circular motions pencil or in random order, as in the figure, or in the same rows. For a more dense coverage, as on the right side of the example, make several layers, overlapping the circles on top of each other. You can also experiment with different levels of pressure for more randomness.

rectilinear

You may find it more comfortable to work in a straight-line style: vertical, diagonal, or horizontal, depending on your preference. Your strokes can be short and choppy or long, depending on the texture you want.

chaotic

This effect is created by scratching the surface of the paper with a pencil in a random manner, creating an organic mass of color. By changing how hard you press and how long it takes to draw a line in one area, you can increase or decrease the color saturation.

Regular and cross hatching

This term refers to the creation of a series of almost parallel lines. The closer the lines are to each other, the denser and darker the color. Cross hatching is created by superimposing some parallel lines on top of others, but at a different angle. You can use hatching to fill areas with a solid color or to create texture.

Smooth

No matter what your favorite type of shading is, you should strive to be able to control the pencil and apply smooth, even color. I have used small circles in this example. Note: when the color is even, you can't tell which lines it was applied.

dotted

This is the most mechanical view applying color, however it creates a very strong texture. Just sharpen your pencil and create small dots all over the surface. Position the dots closer friend to each other for a denser coverage.

Layers and shading

Anyone who paints with paints can first mix the colors on the palette and then transfer them to the canvas. Working with colored pencils, all mixing and shading of colors takes place directly on the surface of the paper. With layers, you can both get new color and a new shade. To enhance the color, you need to apply more layers on top, and to muffle, use a complementary (contrasting) color. You can also blend the colors with a white pencil or colorless blender.

Layers

The easiest way to mix colors is to apply a second coat of color directly on top of the first coat. You can do this with as many colors as you need to achieve desired color or saturation. The key to this technique is to use light pressure, work with a sharpened pencil, and apply each layer evenly.

Polishing with a colorless blender

To refresh your memory, let me remind you that polishing is a technique that requires strong pressure to bring two or more colors together and give them an even, glossy look. A colorless blender tends to darken the colors (as shown), while using a white or light colored crayon (next example) will lighten the colors and give them a hazy look.

Polishing light over dark

You can also mix colors using a lighter or whiter pencil. To create an orange tint, apply a layer of red and then layer yellow on top. remember, that dark color should always be under light. If you apply a dark color on top of a light color, then blending will not occur. Also try not to press too hard on the bottom layers in the polishing area, as if you flatten the surface of the paper too quickly, the blending result will not be as effective.

Optical mixing

This method is usually used when working with pastels, the viewer sees two colors side by side, as if they are mixed. Use handwriting, strokes, stippling, or rounded scribbles to apply color, allowing each pencil to look like a small piece of string. When viewed as a whole, the lines different colors merge and look like one mass. This is a very lively and new mixing method that will captivate your audience.

Drawing with colored pencils is in many ways similar to using a black lead pencil.

But there are a few specific features here.

1. Has color transparency.

2. Complexity and subtlety of color is achieved by superimposing several colors.

3. Experience in drawing with a simple pencil is required.

4. Colored pencil does not erase well with an eraser.

The techniques used are also similar in many ways, let's look at them.

1) Shadows and toning
When creating shadows and tones, make linear movements from side to side. And don't forget to change the pressure on the pencil to create different color saturation.

2) Hatching
Do hatching with fast repeating lines, leaving small gaps between them. When crosshatching, overlay the lines at the required angle. You can use different colors or shading in several layers to give the necessary structure.

3) Curls
The desired surface or shade can also be created using circular repeating lines applied with one or more pencils.

4) Directed lines
Short lines directed along the contour or in the direction of the hair (grass, fire), located close to each other, can create quite interesting effects.

5) Layers
Lay layers of color one on top of the other. The line left by the colored pencil is transparent, this will help us achieve an interesting effect.

6) Engraving
Engraving - two large layers are placed on top of each other, after which upper layer carefully thinned out with a blade or pin so that the bottom one would show through.

7) Polishing
Polishing is created by a dense overlap of several color layers, so that there are no bright spots left, i.e. the surface of the paper was completely filled with color.

Experiment with different techniques, learning their essence and achieving maximum results.

Paper required for color drawing good quality with a fairly rough surface. Again, experiment with paper types to find out the properties of each. You also need high-quality pencils, with a bright, clean and even color. An excellent example of such pencils is the STABILO All line. With these pencils you will get real pleasure from drawing.