Oblomov love of Olga Ilyinskaya. The difficult relationship between Oblomov and Olga Ilyinskaya

According to the tradition that has developed in Russian literature, love becomes a test for heroes and reveals new facets of characters. This tradition was followed by Pushkin (Onegin and Tatyana), Lermontov (Pechorin and Vera), Turgenev (Bazarov and Odintsova), Tolstoy (Bolkonsky and Natasha Rostova). This topic is also touched upon in Goncharov's novel Oblomov. On the example of the love of Ilya Ilyich Oblomov and Olga Ilyinskaya, the author showed how a person's personality is revealed through this feeling.

Olga Ilyinskaya is a positive image of the novel. This is a smart girl with sincere, devoid of affectation, manners. She did not enjoy much success in the world, only Stoltz managed to appreciate her. Andrey singled out Olga among other women, because “although unconsciously, she followed a simple, natural path of life ... and did not deviate from the natural manifestation of thought, feeling, will ...”

Oblomov, having met Olga, first of all drew attention to her beauty: "Whoever met her, even absent-minded, stopped for a moment in front of this so strictly and deliberately, artistically created creature." When Oblomov heard her singing, love awakened in his heart: “From words, from sounds, from this pure, strong girlish voice, the heart beat, nerves trembled, eyes sparkled and swam with tears ...” The thirst for life and love that sounded in Olga’s voice, echoed in the soul of Ilya Ilyich. Behind the harmonious appearance, he felt a beautiful soul, capable of deep feelings.

Reflecting on his future life, Oblomov dreamed of a tall, slender woman, with a quiet, proud look. Seeing Olga, he realized that his ideal and she are one person. For Oblomov, the highest harmony is peace, and Olga would be a statue of harmony, "if she were turned into a statue." But she could not become a statue, and, presenting her in his "earthly paradise", Oblomov began to understand that he would not succeed in an idyll.

The love of the heroes from the very beginning was doomed. Ilya Ilyich Oblomov and Olga Ilyinskaya meaning of life, love, family happiness understood differently. If for Oblomov love is a disease, a passion, then for Olga it is a duty. Ilya Ilyich fell in love with Olga deeply and sincerely, idolized her, gave her all his “I”: “He gets up at seven o’clock, reads, carries books somewhere. On the face of no sleep, no fatigue, no boredom. There were even colors on him, a sparkle in his eyes, something like courage, or at least self-confidence. You can't see a robe on him."

In Olga's feelings, a consistent calculation was visible. Having agreed with Stolz, she took the life of Ilya Ilyich into her own hands. Despite her youth, she was able to discern in him open heart, kind soul, "pigeon tenderness." At the same time, she liked the very idea that it was she, a young and inexperienced girl, who would revive such a person as Oblomov. “She will show him the goal, make him fall in love again with everything that he fell out of love with, and Stolz will not recognize him when he returns. And all this miracle will be done by her, so timid, silent, whom no one has obeyed until now, who has not yet begun to live! She is the culprit of such a transformation!

Olga tried to change Ilya Ilyich, he also needed feelings that would bring him closer to his native Oblomovka, a blessed corner of the earth where he grew up, where the meaning of life fits into thoughts about food, sleep, in idle conversations: care and warmth, demanding nothing in return. He found all this in Agafya Matveevna Pshenitsyna, and therefore became attached to her as to a dream come true about returning.

Realizing how different their views on life are, Oblomov decides to write a letter to Olga, which becomes a real poetic work. This letter reads a deep feeling and desire for happiness for the beloved girl. Knowing himself, Olga’s inexperience, in a letter he opens her eyes to a mistake, asks her not to make it: “Your real love is not to eat real love, but the future one. This is only an unconscious need to love ... ”But Olga understood Oblomov’s act differently - as fear of misfortune. She understands that anyone can stop loving or fall in love with another person, but she says that she cannot follow a person if there is a risk in this. And it is Olga who decides to end their relationship. In the last conversation, she tells Ilya Ilyich that she loved the future Oblomov. Assessing the relationship between Oblomov and Olga, Dobrolyubov wrote: “Olga left Oblomov when she stopped believing in him; she will also leave Stolz if she stops believing in him.”

Having written a letter, Oblomov refused happiness in the name of his beloved. Olga and Ilya broke up, but their relationship had a profound effect on their future life. Oblomov found happiness in the house of Agafya Matveevna, which became for him the second Oblomovka. He is ashamed of such a life, he understands that he lived it in vain, but it is too late to change anything.

The love of Olga and Oblomov enriched the spiritual world of both. But the greatest merit is that Ilya Ilyich contributed to the formation spiritual world Olga. A few years after breaking up with Ilya, she confesses to Stolz: “I love him not as before, but there is something that I love in him, to which I seem to have remained faithful and will not change like others ...” And in this shows the depth of her nature. Unlike Stolz, life goals which have boundaries, people like Oblomov and Olga all their lives do not stop thinking about the appointment of a person and asking themselves the question: “What next?”

Materials about the work of the writer and the novel "Oblomov".

“At dinner, she sat at the other end of the table, talking, eating and, it seemed, did not attend to it at all. But as soon as Oblomov timidly turned in her direction, with hope, maybe she doesn’t look, how she met her gaze, full of curiosity, but at the same time so kind ... ”(see list No. 1 I.A. Goncharov "Oblomov".)

The acquaintance of Oblomov and Olga Ilyinskaya took place at the Ilyinsky estate, they were introduced by Stoltz- best friend Oblomov. The unusual behavior of Ilya Ilyich and his alienation from society interested Olga. Then the interest turned into a need for constant communication, into an impatient expectation of meetings. Thus love was born. The girl took up the re-education of the lazy bumpkin Oblomov. The fact that he sank somewhat, became lazy, did not mean that his soul had hardened and hardened. No, it was a pure soul, the soul of a child, "a pigeon's heart," as Olga later said. She woke her up with her passionate, magnificent singing. She woke up not only Oblomov's soul, but also self-love. Ilya Ilyich fell in love. Fell in love, like a boy, with a girl much younger than himself. And for her, he was ready to move mountains. Absorbed by this feeling, he ceases to be sleepy and apathetic; Here is how Goncharov describes his condition: “From the words, from the sounds of this pure girlish voice, the heart beat, nerves trembled, eyes sparkled and filled with tears.” Such a change in Oblomov is not a miracle, but a pattern: for the first time his life found meaning. This suggests that the former apathy of Ilya Ilyich is explained not by spiritual emptiness, but by an unwillingness to participate in the “eternal game of crappy passions” and lead the lifestyle of Volkov or Alekseev.

Having got to know Oblomov better, Olga realized that Stoltz was talking about him correctly. Ilya Ilyich is a pure and naive person. In addition, he was in love with her, and this pleased his pride. Soon Olga confesses her love. They spend all day together. Oblomov no longer lies on the couch, he travels everywhere with Olga's orders, and then hurries on a date with his beloved. He forgot about all his previous sorrows, he seemed to be in a joyful fever, even the appearance of Tarantiev, whom he was afraid of, causes only annoyance. A sleepy existence grew into a life full of beauty, love and joyful hopes, full of unprecedented happiness. But this world cannot always be good. Something has to ruin the holiday. So it spoils and harms love that Oblomov considers himself unworthy of Olga's feelings. He and she are afraid of the opinion of the world, gossip. And the fire of love is slowly fading away. Lovers meet less and less, and nothing will return the spring of their love. There is no poetry in their relationship. In addition, I believe that in love both should be equal, and Olga liked the role of the center of the universe for Oblomov too much. And true love should not be afraid of some kind of trouble, it does not care about the opinion of society. The connection was cut off because of a trifle, because of Olga's unfulfilled whim. (See list No. 3 of the Big City Magazine.)

Loving, Olga comes to the decision to part, because she understands that Ilya Ilyich is a person not ready for serious changes, not ready to leave his beloved sofa, shake off the dust of everyday life that eats up all his old things in the room.

“- Did I understand that? .. - he asked her in a changed voice.

She slowly, with meekness, bowed her head in assent…”

Nevertheless, Olga experienced a break with Oblomov for a long time. But soon Stoltz takes a place in the girl's heart. Stolz is a secular person, love for him is not shameful, but is fully justified and accepted by the world.

But what about Oblomov? At first, he was very worried, regretted the breakup. But gradually got used to this idea and even fell in love with another woman. Oblomov fell in love with Agafya Matveevna Pshenitsyna. She was not as beautiful as Olga. But simplicity, kindness of her heart, care for him successfully replaced beauty. There was something in her that Oblomov admired - her skillful hands with unusually beautiful elbows. The widow of Pshenitsyn became the widow of Ilya Ilyich.

After some time, Stolz and Olga can no longer exist without each other. Andrey gets used to thinking aloud with Olga, he is pleased that she is near, that she listens to him. Olga becomes Stolz's wife. It would seem, what more could you want: beautiful, active, loving husband, a house - everything that was dreamed of. But Olga is sad, she wants something, but she cannot express her desire in words. Stolz explains this by the fact that everything in life has already been known, nothing new will be. Olga is offended that he did not fully understand her. But, in general, Olga is happy with Stolz. So, Olga found her love.

I believe that it is the women in Oblomov who determine the turning points in the fate of the protagonist Ilya Ilyich and play a huge role in his life. Love for Ilyinskaya is a strong feeling that changes Oblomov and turns his life around. It becomes clear that Ilya Ilyich is capable of love. However, the relationship between Oblomov and Ilyinskaya is not going smoothly. Ilya Ilyich is capable of tenderness and love, but lofty feelings require from him not at all romantic troubles: before making an offer, you need to improve the estate. These troubles frighten Oblomov, and everyday problems seem to him insurmountable. In the end, his indecision leads to a break with Olga.

I don't know how much Olga loves Oblomov; but one way or another, self-love, expressed in the desire to turn Ilya Ilyich into the ideal that she had already imagined for herself, is to a large extent mixed with her feeling: “She liked this role of a guiding star, a ray of light that she would pour over a stagnant lake and be reflected in it ".

So her goal is somewhat outside of Oblomov: she rather wants, for example, Stolz "not to recognize him when he returns." Therefore, she not only does not embody blissful peace, but, on the contrary, encourages Oblomov to activity; it’s not so much, as Dobrolyubov claims, “not part of his habits,” but it makes him constantly step over himself, to be not himself, but someone else - and Oblomov is not capable of this, at least for a long time. And as Stolz does not assure a friend that he can change himself, you can even imagine how he fights with himself - but it is very difficult to imagine how Oblomov really changes his nature.

Olga, after a break with Oblomov, not without doubts, decides to become the wife of his longtime friend, Stolz, in whom, in part, "her ideal of male perfection was embodied." She continues to live a rich spiritual life, she is full of strength and desire to act. She has a strong characteristic pride, she admits to herself: "I will not grow old, I will never get tired of living." She is happily married, but her union with Stolz and the surrounding prosperity cannot satisfy her. She listens to herself and feels that her soul asks for something else, "yearns, as if she were not enough happy life, as if she was tired of her and demanded more new, unprecedented phenomena, she looked further ahead. "In her development, she experiences the need for super-personal goals of life. N.A. Dobrolyubov, who saw an advanced Russian woman in the heroine of the novel, remarks:" She will leave and Stolz, if he stops believing in him. And this will happen if questions and doubts do not stop tormenting her, and he continues to give her advice - to accept them as new element life and bow your head. Oblomovism is well known to her, she will be able to distinguish it in all forms, under all masks, and will always find in herself so much strength to pronounce a merciless judgment on her ... "

Ilya Oblomov and Olga Ilyinskaya met thanks to their mutual friend Andrei Stolz. It was like love at first sight, at least Oblomov himself said that at the first meeting his breath was interrupted, his heart stopped at one glance.

When Olga sang Ilya's favorite aria "Casta Diva", when he heard this wonderful singing, he was indescribably delighted.

Overwhelmed with feelings, Oblomov confessed his love to Olga. They spent time together walking in the park. Olga read excerpts from her favorite works, as if she was preparing on purpose, since all the words were like from their life and relationships.

Olga stirred Oblomov, there was almost no trace left of her beloved sofa, he began to flicker less often in the work. It was a transformation into active person, alive, who began to wake up early, dress beautifully and well-groomed. Oblomov stopped wearing his dressing gown, and more and more often shirts, a tie and an elegant frock coat.

However, he does all this for his beloved and it is very difficult for him, sometimes he even compares love and service.

Oblomov does not believe that Olga can love him, and for what, he is not so handsome and smart. And one day he decides to write a letter to the girl, where he wants to break off their relationship. Olga suffers from this, and our hero, realizing what mistake he made, runs as fast as he can to ask for forgiveness.

The lovers are together again and their conversations even become warmer, they freely switched to "you". Oblomov proposes to Olga to become his wife, she agrees and kisses him. It was their first kiss.

But the couple does not want to tell anyone about their plans and want to postpone the celebration itself until Oblomov settles things on his estate in the village.

After moving to new apartment, lovers began to meet less often, and laziness gradually pushed Oblomov to his favorite sofa. All Olga's attempts to stir up her fiancé were in vain and having lost any hope, she leaves her beloved.

This was the reason for the breakdown of relations - Oblomov's apathy and laziness, which Olga could not cope with. She was afraid that her lifestyle would turn into the same, that she would wither next to him on this old sofa.

After some time, Olga Ilyinskaya married Andrei Stolz. And Oblomov married his landlady, Agafya Pshenitsyna. She did not try to change him, but loved him for who he is.

Did Olga's love go out? No. She also continued to love Oblomov, but that, the future, what he could become, and not what he was.

After Oblomov's death from a stroke, his wife Agafya gave their son to be raised by Andrei and Olga. It was a continuation of Oblomov's life, but small.

The novel "Oblomov" is the most bright work I. A. Goncharova. The author has been working on it for over 10 years. Main story line Oblomov's works are the love story of Ilya Ilyich for Olga Ilyinskaya. It is often said about such people that they are made of different dough. However, it often happens that life brings together completely opposite people. Let's try to understand what these two characters are, and analyze why the relationship between Oblomov and Olga developed in this way.

Ilya Ilyich

Oblomov's life would most likely be called inactive. He has little interest in anything, does not go out anywhere, does not read books. The hero's favorite pastime is lying in a bathrobe on the couch. He simply does not see the point in activities, Oblomov loves to dream.

A friend who came to visit him, Andrei Ivanovich Stolz, is the opposite of the protagonist. He's trying to make a difference in his life. The relationship between Oblomov and Olga began precisely thanks to him.

Acquaintance with Olga

So, Stolz is trying to stir up Oblomov. They go to visit together, Stolz makes him read, introduces him to interesting girl, which turned out to be Olga Ilyinskaya.

This acquaintance awakens in the main character strong feelings. He declares to the girl in love. Oblomov and Olga, whose relationship, it would seem, could not begin at all, nevertheless began to meet. The girl considers love for Ilya Ilyich her duty. She wants to change him, make him live differently.

Changes in Oblomov's life

The main character's life has really changed. He starts to lead enough vigorous activity. Ilya Ilyich now gets up at seven in the morning and reads. Colors appear on the face, fatigue disappears completely.

Love for Olga makes Oblomov show best qualities. As Goncharov notes, Ilya Ilyich, to some extent, "caught up with life."

However, the decision practical issues still haunts him. He is not interested in building a house in Oblomovka, leading the way to the village. Moreover, the relationship between Oblomov and Olga gives rise to in him a lack of confidence in his abilities, in himself. Then he comes to the realization that Olga does not love him. She is demanding, persistent, strict, exacting. The holiday of love has become a duty, even a duty.

The relationship between Oblomov and Olga ends, he puts on a dressing gown again and leads his former way of life.

Olga Ilyinskaya and Agafya Pshenitsyna

In his novel, Goncharov writes about two women who loved Oblomov. The first, Olga Ilyinskaya, is active and educated. She sings well, is interested in art, literature and science. Possessing high spiritual qualities, she was able to understand the nobility of Oblomov's soul. However, Olga sees flaws in the nature of Ilya Ilyich. She does not like his passivity, inactivity, laziness. She loves, rather, her noble mission, thanks to which spiritual rebirth Main character. The girl is not devoid of vanity. She is pleased with the thought that she will be the cause of his "awakening".

It was precisely because there was a lot of desire to remake the other in this love that Oblomov and Olga parted. Relationships based on demands and claims to another person are doomed to failure.

The complete opposite of Olga was Agafya Matveevna Pshenitsyna - the second woman who loved Oblomov. She, of course, did not have the education of Ilinskaya and did not understand his mind, did not see spiritual wealth. Agafya Matveevna fed him delicious food and simply made Ilya Ilyich's life comfortable.

Oblomov's female ideal

The girl’s inconsistency with the ideals of Ilya Ilyich is another reason why Olga Ilyinskaya and Oblomov could not be together. The relationship of these heroes was based on admiration for beauty and an ambitious desire to remake a loved one.

It's no secret that in love we often look for those ideals that we learned in childhood. Demanding Olga encourages Oblomov to act, to think, and he is looking for harmony and peace that his beloved woman can provide.

Olga Ilyinskaya and Oblomov, whose relationship did not last long, get acquainted, as we remember, through a mutual friend Andrei Stolz. This girl breaks into his life and for some time pulls him out of the world of inaction and dreams.

Agafya Matveevna, the landlady of the apartment rented by Oblomov, appears in his life somehow quite normally, almost imperceptibly. The main character likes to talk a little with her, he notes her housekeeping, even disposition. However, she does not cause any excitement in his soul.

Unlike Olga, Agafya Matveevna does not try to elevate Oblomov to her ideal, she considers his breed than herself. As you know, it is important for a man to be loved for who he is, without trying to remake him. Agafya Matveevna becomes for Oblomov the personification of female virtue.

Ilyinskaya were based on her ideas about happiness. Agafya Matveevna thought only of the comfort and convenience of Ilya Ilyich. Olga constantly forced Oblomov to act, for her sake he had to step over himself. Agafya Matveevna, on the contrary, tries to save the main character from unnecessary trouble. She even mortgages her property so that Oblomov does not give up his favorite habits.

The relationship between Oblomov and Olga Ilyinskaya was not possible due to the discrepancy between these two characters. Goncharov brings us to the understanding that it was Agafya Matveevna who embodied the ideal of the protagonist's woman. He married this kind, hard-working woman. Life with Olga would not bring happiness to either him or her, because their goals are completely different.

Life with Agafya Matveevna became for Oblomov the embodiment of calmness, satiety, comfort. With her, Ilya Ilyich seemed to have returned to the happy days of his childhood, filled with the love and cares of his mother.

Epigraph to the lesson: Sadness and joy are the same melody.

A. Blok

The purpose of the lesson.

1. Follow how the author reveals the characters of the characters in love, how he shows changes in their behavior and worldview.
2. We will pay attention to chapters from part 2 of the novel, take the following episodes or fragments of text for discussion:

Portrait of Olga Ilyinskaya - part 2, chapter 5

Oblomov's confession - part 2, chapter 5.6

Changes in Oblomov under the influence of Olga - part 2, chapters 9, 11

Oblomov's letter to Olga - - part 2, chapter 10

Oblomov's proposal - part 2, chapter 12

1. Develop the ability to think, reason, express your opinion, analyze the text.
2. Develop skills research activities associated with independent observations on the text, the formulation of conclusions on a given topic.
3. Bring up careful attitude to literary images, a correct attitude to the position of the author of a classical work.

In the last lesson, we talked with you about Oblomov and Stolz. The hero calls for the help of his friend: “Don’t scold me, Andrey, but rather really help!.. I know everything, I understand everything, but there is no strength and will. Give me your will and mind and lead me wherever you want. Maybe I’ll follow you, but I won’t budge alone ... "

One person cannot give another his will. The will can be revived when a person has a goal in life.

Will Oblomov have such a goal?

(The beloved woman becomes the goal of life for Oblomov. This is Olga Ilyinskaya.

In the first presentation of Olga to the reader, a certain resemblance to Pushkin's Tatyana Larina is immediately caught.

What exactly? Let's turn to the text.

1. Portrait of Olga Ilyinskaya - part 2, chapter 5.

Similarity with T. Larina:

- "No affectation, no coquetry, no lies, no tinsel, no intent .."

- “Olga in the strict sense was not a beauty, i.e. there was no whiteness in her, no bright coloration of her cheeks and lips, and her eyes did not burn with rays of inner fire; no corals on the lips ... "

- “she was bypassed by smart and lively gentlemen; not brisk, on the contrary, considered her too tricky "...

Olga is an exception in her environment, an original, deep personality. She, like the heroine of the novel "Eugene Onegin", is not successful in the world, puzzling and scaring away the regulars of the balls with her unusualness.

- What is the source of the rapprochement between Olga and Oblomov? What do they have in common?

Naturalness, loneliness among secular people, the absence of pretense, secularism was inherent in both of them.

- How was love born?(Student's message, observations in chapter 7)

Alina traced through the text how Ivan Goncharov, being a true psychologist, reveals the state of mind of his characters.

Let's turn to the final part of Chapter 5. The teacher is reading.

After Oblomov's inadvertent confession, both understand the need for an explanation and go towards each other, experiencing strong emotional excitement. Olga, of course, hopes that the hero will repeat his words about love, but remembers that she herself must stock up on strictness and observe all decorum. Oblomov is afraid of meeting with Olga, realizing that he will need to take a decisive action: either confirm his confession, or take back a careless word, but he is not ready for either one or the other. Having gone to the park and knowing that he would meet Olga there, he did not make any decision.

Reading fragments from chapter 6 (part 2).

Episode analysis.

1. The word "love" is not spoken, why is this scene called a confession? Where do we guess what it says? (it is inside Oblomov, he just could not voice it)
2. What is the difference between Olga and Oblomov in this scene?(Oblomov lives with his heart, Olga lives with her mind. And therefore the hero’s speech is full of enthusiastic or distressed exclamations, remarks filled with feeling, meditation. In remarks and internal monologues dots are frequent. He is not sure of himself, does not know what to expect from Olga in the next minute. Olga is all movement and action. She either asks or encourages action. She persistently seeks new recognition, impatiently waits, energetically demands. And Oblomov again speaks to her about love, indefinitely, slowly: “I am not ashamed of my word”; “I have lost my shame”; “He has the same excitement, the same feeling… sorry.”
3. Goncharov builds an explanation scene like a dramatic action, which has its own plot, climax, denouement.
4. Name these composition elements in this scene.(tie- Oblomov's words that his first confession was accidental, "only from music" ... Olga is deeply upset by this apology. She straightens up, drops flowers, her eyes grow dim ... She did not expect this from Oblomov. climax- Oblomov speaks again about his love. “I’m not ashamed of my word ... It seems to me in it ...”, “The same excitement ..., the same feeling ..., sorry, sorry, - by God, I can’t control myself” ... denouement- the heroine’s call: “Only forward ...”)

In this last phrase of Olga, one can hear a warning to the hero from now on to be more careful in his speeches. And everyone thinks that these words are symbolic, they sound an appeal to Oblomov, the life philosophy of the heroine is expressed, her constant rapid movement forward, which even Stolz will hardly keep up with. The symbolism of the words is confirmed by the gestures of the heroes: “She instantly fluttered into glass door, and he remained as if rooted to the spot. The fate of their love depends on whether Oblomov can follow Olga's call: "Forward!"

A novel is unfolding, stormy and extremely spiritual, not without reason its constant accompaniment - Olga's singing, Oblomov's admiration for her beauty that does not leave Oblomov, nature in its summer charms ...

Instead of the “life-forming” of a person, which is so characteristic of part 1 of the novel, “spiritualization” takes place. The style of the novel is changing.

How touching and sweet in his clumsiness is the hero in love. His pure soul and heart, full of kindness, opened up to Olga and captivated her, ("Oblomov is simpler than Stolz and kinder than him").

Olga begins to realize the rarity of the virtues of her chosen one. But Oblomov does not believe his luck. He constantly suffers and doubts.

- What doubts Oblomov? See ch. 7

"Love me, funny..."

“And what am I? Oblomov - nothing more. Stolz is another matter…”

There is not a drop of pretense in these arguments ... He is sincere. There is no self-satisfaction in him.

- And Olga? Is she self-satisfied? What drives her behavior?

(Message, based on observations in Chap. 6,8,9,11)

Vika made observations on the text of several chapters. We see that the heroine considered her goal - to revive Oblomov. She was extremely satisfied with the very possibility of the "experiment", with the fact that "all this miracle will be done by her, so timid, silent, which no one has obeyed until now."

And Oblomov? Without any resistance, he happily obeys Olga's will.

- What was Oblomov's life, all focused on love? (Chapter 9)

- How did Oblomov change under the influence of Olga? (Chapter 11)

(Children made these observations at home and therefore speak out without preparation)

The life of Ilya Ilyich duplicated the life of Olga and nothing more.

“…I have already read several books…”

But it was precisely in this duplication of someone else's life that the reason for Oblomov's "half-revival" lurked. It seems to him that his life is full. But the author makes it clear that the hero has risen only to that "starting position" from which real life.

“He caught up with life, i.e. learned again everything that lagged behind for a long time .... " (chapter 11)

He learned only what revolved around "daily conversations in Olga's house, what was read in the newspapers he received." “Everything else was buried in the sphere pure love". (chapter 11)

“It was again not that real life, which is the movement itself. This is again half asleep, and Oblomov ... fell asleep in his sweet slumber ... and again he dreamed of Oblomovka. (chapter 11)

Above all, he needs constant injections of confidence in Olga's feelings.

“... I can’t help but doubt ... with you I’m sure of everything ... you are not there - such an agonizing game of doubt begins ...”

And so he writes a letter to Olga.

Reading Oblomov's letter to Olga Ilyinskaya. ( Reading in fragments) (Chapter 10)

Conversation after reading.

Why is Oblomov writing a letter to Olga?

- What did Olga guess in Oblomov's soul after reading his letter?

Oblomov writes a letter with the unconscious goal of experiencing love. Olga understood this. After reading Oblomov's letter, she saw in him a bright soul, tenderness, a clear conscience, the absence of any selfishness, fear for the happiness of her beloved. All this struck Olga.

And the heroes are again embraced by the poetry of love.

Finally, Oblomov decides to propose to Olga.

Reading in the roles of the episode "Oblomov's Proposal". (Chapter 12)

- Find the connection between this episode and the epigraph of our lesson.

Oblomov dreamed of "shameful consent, tears" and was disappointed with the calmness of the chosen one.

Through the mouth of Stolz in the novel "Oblomov" Goncharov said that "love with the power of the Archimedean lever moves the world." Under the influence of love, a person can be internally transformed, find a purpose in life. In love, he draws energy. This is its joyful side, its beneficial influence.

E. Krasnoshchekova:

“From the very beginning, Oblomov’s love carried a contradiction in itself, which predetermined both its strength and its inferiority. This is the love of a romantic dreamer, Pushkin's Lensky; she is sublime, enthusiastic, perfect ...

Such love feeds on the dream of happiness, its expectation. Olga is an ideal for Oblomov. But the ideal for him is only a dream. Olga is loved by him like a dream. He is quite happy with the anticipation of happiness.

Attempts to realize a dream for such lovers often entail the danger of losing it altogether. romantic love clash with everyday life is contraindicated, and yet it is inevitable in any attempt to turn the dream of happiness into reality.

Olga, by her will introducing Oblomov to action, tempts their love, creates an unnatural environment for her. Therefore, their romance from the very beginning is fraught with an element of destruction.

That is why the words of A. Blok are appropriate in today's lesson: "Sorrow and joy sound like one melody." Especially in love, sadness and joy, like two sisters, walk side by side, hand in hand, shoulder to shoulder.

The third part of the novel is about the trials of love. But we will talk about them in the next lessons.

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Love theme in the novel by I. A. Oblomov»

Sadness and joy are the same melody. A. Blok

“Olga in the strict sense was not a beauty ... but if she were turned into a statue, she would be a statue of grace and harmony. Several high growth strictly corresponded to the size of the head, the size of the head - the oval and the size of the face; all this, in turn, was in harmony with the shoulders, the shoulders - with the camp ... The nose formed a slightly noticeably convex, graceful line; lips thin and for the most part concise: a sign of a thought constantly directed at something. The same presence of a speaking thought shone in the vigilant, always cheerful, nothing missing look of dark, gray-blue eyes. Olga Ilinskaya

Eyebrows gave a special beauty to the eyes: they were not arched, they did not round the eyes with two thin threads plucked with a finger - no, they were two light brown, fluffy, almost straight stripes that rarely lay symmetrically: one line was higher than the other, from this above the eyebrow there was a small fold in which something seemed to say, as if a thought rested there. Olga walked with her head tilted slightly forward, so gracefully, nobly resting on a thin, proud neck; moved with her whole body evenly, stepping lightly, almost imperceptibly ... "

There is "no affectation, no coquetry, no lies, no tinsel" in it. "If she were turned into a statue, she would be a statue of grace and harmony." She was not a beauty, but she was transformed while singing. There is "no affectation, no coquetry, no lies, no tinsel" in it. "If she were turned into a statue, she would be a statue of grace and harmony." She was not a beauty, but she was transformed while singing.

"... I have already read several books ..." But it was in this duplication of someone else's life that the reason for Oblomov's "half-revival" lurked. It seems to him that his life is full. But the author makes it clear that the hero has risen only to that "starting position" from which real life can begin. “He caught up with life, i.e. learned again everything that lagged behind for a long time .... " He learned only what revolved around "daily conversations in Olga's house, what was read in the newspapers he received." "Everything else was buried in the realm of pure love."

“It was again not that real life, which is the movement itself. This is again half asleep, and Oblomov ... fell asleep in his sweet slumber ... and again he dreamed of Oblomovka ”Apart from everything, he needs constant injections of confidence in Olga's feelings. “... I can’t help but doubt ... with you I’m sure of everything ... you are not there - such an agonizing game of doubt begins ...”

Oblomov dreamed of "shameful consent, tears" and was disappointed with the calmness of the chosen one. Through the mouth of Stolz in the novel "Oblomov" Goncharov said that "love with the power of the Archimedean lever moves the world." Under the influence of love, a person can be internally transformed, find a purpose in life. In love, he draws energy. This is its joyful side, its beneficial influence.

Before the “accidental” recognition, Oblomov is light, always cheerful, lively, “somewhat mocking”, open, trusting, simple-hearted, insecure, “dependent” on Stolz. on the same level” with Stolz. Ilinskaya

From the very beginning, Oblomov's love carried a contradiction in itself, which predetermined both its strength and its inferiority. This is the love of a romantic dreamer, Pushkin's Lensky; it is sublime, enthusiastic, ideal… Such love feeds on the dream of happiness, its expectation. Olga is an ideal for Oblomov. But the ideal for him is only a dream. Olga is loved by him like a dream. He is quite happy with the anticipation of happiness. Attempts to realize a dream for such lovers often entail the danger of losing it altogether. Romantic love is contraindicated in a collision with everyday life, and yet it is inevitable in any attempt to turn the dream of happiness into reality.

Olga, by her will introducing Oblomov to action, tempts their love, creates an unnatural environment for her. Therefore, their romance from the very beginning is fraught with an element of destruction. That is why the words of A. Blok are appropriate in today's lesson: "Sorrow and joy sound like one melody." Especially in love, sadness and joy, like two sisters, walk side by side, hand in hand, shoulder to shoulder.