How to make dirty green. How to get blue? Color mixing


Learning to draw: mix acrylic, oil, watercolor paints. All sorts of shades with three primary colors.

Without creativity human life empty and uninteresting. Painting, like music, is studied not only in order to be realized in life, but also in order to find an outlet in life, a hobby that will bring joy and peace to life. And where is the drawing, so is the mixing of colors. This is what this article is about. In it, we will tell you how to mix and get new colors and shades of the most common paints in drawing.

How to mix acrylic, oil and watercolor paints to get the right color: table, proportions

Mixing acrylic paints

We invite you to take a look at the lesson. famous artist and a dedicated teacher, author of Acrylic Painting with Lee Hammond. Lee Hammond warns that although we supposedly know from childhood that by mixing red and blue we get purple, acrylic paints have a different pigmentation and most likely you will find brown on the palette.

Important: read the pigments on the packages. Have you seen up to 15 types of one shade on store shelves? Do you think this is to fill the window? No, it's the same color with different pigments. Therefore, we write out or photograph on a smartphone the color - the necessary pigment, and already with this we go to the store to replenish the colors.

Also note that the pigments are transparent, translucent and dense in consistency. Therefore, you can buy completely different structures from the same paint manufacturer. This is not a marriage, but the properties of the pigment.

So, in order to get an almost complete range of colors, just 7 colors are enough. For beginners, it is recommended to purchase these particular colors, and in the future, at your own discretion, buy additional shades.

Please note that we do not specifically translate the name of the primary colors so that you can name them in the store and purchase the necessary pigments:

  • Primary: Cadmium Yellow Medium
  • Primary: Cadmium Red Medium
  • Primary: Prussian Blue
  • Optional: Alizarin Crimson
  • Additional: Burnt Umber
  • Neutral: Ivory Black
  • Neutral: Titanium White




Bought, prepared the canvas for the experiment and move on to magic.

The first experiment - we mix each color with white and get new, amazing pastel and delicate shades. We give a table of strokes with a signature of what we mixed.



Well, now from left to right, from the first to the bottom, we analyze the shades that we managed to get: fawn; peach or as it is also called coral; light pink; beige; sky blue; gray or light asphalt.

And now we are trying to mix all the colors with black, the result is in the table below.



And we got these colors: khaki or dark green; chestnut; plum; rich brown; dark blue.

But it's all simple, now let's move on to a more complex mixing option. acrylic paints but interesting! Mix and get all shades of green.

As we already did, we mix two colors that are under the stroke and get just such a shade.



In addition, we received: olive- green color; a gray-green hue reminiscent of asphalt after rain reflecting the green crowns of trees; bottle green; mint.

The next step is purple and violet tones and midtones. In order to get such shades, you will need to have Prussian blue or Alizarin pink or cadmium red in the work kit. Two mixing examples: Prussian Blue + Cadmium red medium or Prussian Blue + Alizarin Crimson.



We got colors: chestnut, rich warm gray, plum and lavender.

Now add white pigment and stir, add another drop to each option. Pay attention to what a riot of color played in your hands!

Solar shades. That's what artists like to call shades of orange, these are wonderful uplifting tones. They are obtained by mixing red with complementary colors.



On this table we got: orange as it is, peach, brick, coral.

Earth tones can be obtained by adding burnt umber (international value of Burnt Umber). If it becomes necessary to get pastel shades of these tones, then just add a drop of white pigment.



In this case, we got earthy tones: umber; brick; dark turquoise; sepia dark; dirty beige; pastel lilac; blue steel; warm grey.

Mixing oil paints

In oil paints, the situation with the palette is a little simpler and one pigment is used in one color, so we will not give the main colors, but leave only the name of the color. The rules that we remember from childhood are just the rules oil paints.

What color do you need What colors to mix
Pink Add red to white paints drop by drop until the desired shade is obtained.
Chestnut Add red to brown and, if necessary, darken - a drop of black, lighten - white.
purplish red Add blue drop by drop to red
shades of red Red and white for lightening, red and black for darkening, red and yellow for purplish and orange tones.
Orange Add red drop by drop to yellow.
Gold In yellow, drop by drop of brown and red until the desired shade is obtained.
Shades of yellow and orange Yellow with white, yellow with black, yellow with red and brown.
pastel green Yellow with a drop of blue, yellow with a drop of blue and black.
grass color Yellow with a dash of blue and green.
Olive In dark green, add yellow drop by drop.
light green Add white drop by drop to green, a drop of yellow for depth of color.
Turquoise green Green color with a hint of blue.
bottle green Blue to breed with yellow.
green needles In green, add yellow and black drop by drop.
light turquoise In blue, add green and white drop by drop to lighten it.
pastel blue Gradually add white to blue.
Wedgwood blue In blue, add 5 drops of white and 1 drop of black until the desired shade is obtained.
royal blue In blue, add black and a drop of green.
Dark blue Add black to blue and a drop of green at the end.
Grey White is diluted with black, adding green will get an asphalt shade.
Pearl Gray In black, add white and a drop of blue.
Brown Mix yellow, red and blue in equal proportions, if necessary, dilute with white, black or green for the desired shade.
Brick Red with yellow and a drop of blue, optionally with white.
brown gold Red with yellow, blue and some white. Yellow is the most expressive.
Mustard In yellow, drop by drop of red and black, for the piquancy of color, a drop of green.
Beige In brown, drop by drop white, if you need a bright beige - drop by drop of yellow.
off white In white drop by drop brown and black.
pinkish gray In white, drop by drop of red and black.
Grey-blue Add gray and blue to white.
Greenish gray In gray, add green and, if necessary, white.
Light charcoal In black drop by drop white.
Citric In white drop by drop yellow and green, more yellow.
pastel brown Add a drop of green to yellow and dilute with brown and white.
fern Green with white and a dash of black.
Coniferous Mix green with black.
Emerald In green, add yellow and a drop of white.
Bright light green Add yellow and white to green.
bright turquoise In white, add green and a drop of black for color depth.
Avocado shade In brown, add yellow and a drop of black.
royal purple Add red and yellow to blue.
dark purple In red, add blue and a drop of black.
Tomato color Dilute red with yellow and add brown.
tangerine In yellow drop by drop of red and brown
Chestnut with red Dilute red with brown and a drop of black for shading.
bright orange Dilute white with orange and brown in equal proportions.
Marsala Red with brown and a drop of yellow and black.
Crimson In blue we add white, a little brown and red.
Plum Mix blue with red and white, darken with black.
light chestnut Red with yellow and diluted with black and white.
Honey Brown is diluted with white and yellow.
Dark brown Red with yellow and black.
gray gray In black, gradually add red with white.
eggshell color Yellow with white and a hint of brown.

Mixing watercolor paints

Watercolor paints are mixed in the same way as oil paints, except that watercolor is translucent and the shades are more muted. We recommend that you work through the table above first, and only then move on to drawing on canvas.

Basic colors for mixing paints

The primary colors in mixing paints are only three colors. It's red, blue and yellow. White and black are optional. Thanks to these colors, you can get absolutely all the shades of the rainbow.


This article does not ready-made solutions, because it is impossible to squeeze out or smear a certain amount of milligrams of paint, this article gives a direction in which you can go to work and develop. Try, experiment and you will definitely get an amazing creation. And painting works much better than any psychologist, relieves stress, distracts from problems and helps to see beauty in the ordinary!

Video: How to get brown, purple, blue, red, beige, orange, pink, gray, lilac, black, turquoise, mint, green, olive, blue, lilac, pistachio, khaki, yellow, fuchsia, cherry, marsala, White color when mixing colors?

Every person who has ever held a brush and paint in his hand knows that from two or three colors you can get a lot of shades. The rules for mixing and matching colors are determined by the science of color. Its basis is known to many color circle. There are only three primary colors: red, blue and yellow. Other shades are obtained by mixing and are called secondary.

What colors of paint should be mixed to get brown

Brown is considered complex, and all primary colors can be used to create it. There are several ways to get brown:

  • Classic: green + red in proportions 50:50.
  • The main trio: blue + yellow + red in the same amount.
  • Mixing: blue + orange or gray + orange. You can vary the intensity of the hue by adding less or more gray.
  • Optional: green + purple + orange. This shade is obtained with a pleasant red or red tint. You can also mix yellow + purple - the color will turn out with a yellowish tint.

What colors of paints must be mixed to get purple

The easiest way to get purple is to mix red and blue in equal proportions. True, the shade will turn out to be dirty, and it will need to be adjusted.

To make the tone colder, take 2 parts blue and 1 part red and vice versa.

To achieve lavender and lilac, the resulting dirty purple must be diluted with white. The more white, the lighter and softer the shade will be.

Dark purple can be obtained by gradually adding black or green to the original color.

What colors of paint must be mixed to get red

Red is considered base color and is present in any artistic palette. However, you can get red by mixing purple (magenta) and yellow in a 1:1 ratio. You can also mix a carmine shade with yellow - you get a more intense red. You can make it lighter by adding more yellow and vice versa. Shades of red can be obtained by adding orange, pink, yellow, white to the base red.

What colors of paints should be mixed to get beige

Beige is a neutral and dependent color, it has many shades, which can be obtained by varying the amount of added white and yellow tint.

Most easy way get beige - mix brown and white.

To make the color more contrast, you can add a little yellow.

Nude beige can be obtained by mixing scarlet, blue, yellow and white. The ivory shade is created by mixing golden ocher and white paint.

Green can be achieved by mixing equal parts yellow and Blue colour. Get a grassy green shade. If you add white color to it, the mixture will lighten. By mixing brown or black pigment, you can achieve an emerald, marsh, olive, dark green hue.

What colors of paint should be mixed to get gray

The classic tandem for getting gray is black + white. The more white, the lighter the finished shade will turn out.

  • You can also mix red, green and white. The color will turn out with a slight yellow tint.
  • A gray-blue shade can be created by mixing orange with blue and white.
  • If you mix yellow with purple and white, you get a gray-beige shade.

What colors of paint should be mixed to get black

Black is the base monochrome color. It can be obtained by mixing magenta with yellow and cyan. Also, artists often mix green and red, but the resulting shade will not be jet black. Saturated black color gives a mixture of orange with blue and yellow with purple. To get the shade of the night sky, you can add a little blue to the finished color, and a drop of white to lighten it.

What colors of paint must be mixed to get blue

Blue is the main color in the palette and it is quite difficult to get it by mixing. It is believed that it can be obtained by adding a little yellow to green, but in practice it turns out more of a blue-green tint. You can mix purple with blue, the shade will be deep, but dark. You can lighten it up by adding a drop of white.

What colors of paints must be mixed to get yellow

Basic yellow cannot be obtained by mixing other shades. Something similar comes out if you add green to orange. Variations of yellow are obtained by adding other tones to the base. For example, lemon is a mixture of yellow, green and white. Sunny yellow is a mixture of basic yellow, white and red droplets.

What colors of paint should be mixed to get pink

The easiest option is to mix red and white. The more white, the lighter the shade will turn out. It is important to know that the tone depends on which red you choose:

  • Scarlet + white will give a pure pink color.
  • Brick red + white - peach pink.
  • Blood red + purple gives a fuchsia shade.
  • Orange-pink can be obtained by adding yellow paint to scarlet and white.

What colors of paints must be mixed to get orange

Orange can be obtained by mixing red and yellow.

  • A less saturated shade will be obtained if a pink pigment is added to the yellow paint.
  • Terracotta orange is the result of a base orange mixed with blue or purple.
  • Dark shades are achieved by mixing red, yellow and black.
  • If you add brown instead of black, you get red orange.

We vary the intensity of the tone by adding more white or black.

Color mixing table

Primary colors (blue, yellow, red) are almost impossible to obtain by mixing other shades. But with their help you can create the whole color palette!

How to get a?

Proportions

Brown

Green + red

Violet

Red + blue

Magenta (purple) + yellow

Brown + white

Blue + yellow

White + black

Magenta + Yellow + Cyan

Yellow + green

Green + orange

Scarlet + white

Orange

Red + yellow

Knowing the basic rules of color, it will be easier to figure out the decoration and get the right shade!

»we touched on the basics of drawing - what you need to do to draw about what you want. And they did it on the example of a pencil and paper. Why? Because it is easier than learning to paint with paints, because in the case of using paints, in addition to the problem " How can I draw this? the problem "" appears - so that what happens is very similar to what is intended. And in this article we will try to give an exact answer to this question.

How to get a desired color? There are two ways. The first is traditional, using the color wheel known to many:

So, there are primary colors:

  • yellow
  • blue
  • red .

which, when mixed, give

  • Orange
  • green
  • violet
  • brown .

Moreover, the shades of mixed colors depend on the proportion of the primary colors. And, using the color wheel, you can get the desired color like this:

  1. Take a certain amount of the main color (for example, blue )
  2. Add some amount of a second base color (for example, yellow )
  3. Compare the resulting green with what you wanted to get
  4. Add one or another primary color to correct the hue.
  5. Or simply take the desired shade of green from a tube jar.

Why does the last paragraph appear - take the desired shade from the jar? Because getting the right color by mixing the main ones sometimes happens difficult.

Basically, to start, you can get the desired color using such a color wheel. However, as skill grows, so does the need for more precise color matching. After all, with the help of the principles described, it often turns out dirt. For example, it is very difficult to get a good violet color by mixing red and blue. Or is it hard to get necessary shades green , orange, brown colors. That is, the principles do not take into account any factors that affect the result when mixing colors.

We are happy to tell you that these factors really exist, and, moreover, with their help you can cope with the problem of "dirt" and still learn to get the right colors not by intuitive mixing, but by ordinary simple sequence of actions. This sequence and the reasons for the “dirty” of the standard color wheel were not discovered by us, but by Michael Wilcox. Who wrote the book . How to get the color you really want". By the way, you can download this book by Michael Wilcox at the link Blue and yellow do not make green.

Naturally, it will not be possible to present all the material of the book in one article, so we will limit ourselves to the main points, and we recommend that you take the details from this very book by Michael Wilcox “Blue and yellow do not make green".

So, how to reliably and accurately get the right color?

For this, it is necessary to take into account an important theoretical point. Why do we see color? Because different objects (including paint pigment) have different surface, which reflects light differently from the sun or other light source. That is, the surface, for example, of a bathtub, has such a structure that it reflects all colors and absorbs nothing. And all the colors of the rainbow, as we know, form white. Accordingly, the bath appears white. On the other hand, the surface of soot has such a structure that it absorbs all the light falling on it. And soot reflects nothing. As a result, we see black soot.

What happens if you mix white and soot? It will turn out beautiful grey color. Why? Because the light is reflected from the pieces of white completely, as white. And then it is partially absorbed by soot particles. The more soot in the white, the darker the gray turns out - due to the fact that more and more white light reflected by white particles is absorbed by soot particles.

Exactly the same principle works for colored pigments. Thus, red paint is red because it reflects predominantly red color. Blue color looks blue, since the pigment in its composition absorbs all colors except blue. In the same way "works" and yellow color - the pigment absorbs most colors except yellow.

Next, we move on to mixing colors. So, for example, you take blue paint and red paint. mix them up and get dirt. Why? Because the reflected red ABSORBED blue pigment in the same way as the entire incident color. Accordingly, the red pigment absorbs all the emission of blue - because the nature of its surface is so arranged that predominantly red pigment is reflected.

But you may ask: "What nonsense, because mixing blue and yellow we still get green, and according to your theory, dirt should also turn out? Well, if there were really pure colors in nature, then we would see the formation of dirt. But there is one but, which makes it possible not only to mix colors, but also to carefully and reliably select the right shade of color.

So, the pigment reflects not only one light. Light of one wavelength is reflected in greater measure. So, the red pigment mainly reflects red color. However, all other colors are also reflected (for example, violet or Orange). Exactly the same can be said about yellow color - mainly the pigment reflects yellow, but nevertheless it can be reflected in a sufficiently large amount Orange or green. FROM blue same thing - it can carry additional "harmonics" green or purple .

So there is not three primary colors. There is six primary colors:

  1. Mainly reflective paint red and to a lesser but significant extent Orange .
  2. Paint that mainly reflects red and to a lesser (but significant) extent violet .
  3. Pigment that reflects predominantly yellow and in addition green .
  4. Pigment that reflects predominantly yellow and plus additive orange .
  5. Mainly reflective material blue and partially violet .
  6. Material that reflects predominantly blue and partially green .

Well, have you already understood the principle of color formation?

It's very simple: you take yellow from point 3 and blue from point 6, mix these colors. Blue pigment neutralizes yellow, the yellow pigment absorbs the blue color. Which color remains? Correctly, green! And not just green, but beautiful, bright and juicy green.

In the same way: by mixing the blue from point 5 and the red from point 2, you neutralize the blue and red colors, and a juicy and saturated color appears. violet color.

And finally: by mixing yellow 4 and red 1, you get Orange due to the fact that the red pigment will absorb the radiation from the yellow, and yellow - the reflected radiation from the red pigment.

The result is NEW color wheel of the six primary colors:

The colors have arrows that point the way for the optimal development of the "blended" color. Respectively, variety of shades is born as a result of some combination of these SIX primary colors. "Incorrect" combinations (eg blue 6 and red 1) produce muted shades of colors (eg muddy purple). The combination of one "correct" color and one "wrong" (for example, blue 6 and red 2) produces more developed shades (for example, a brighter purple). And finally, a combination of the "correct" colors (for example, blue 5 and red 2) produce a clean and bright color(bright and beautiful purple).

Naturally, reading the article is not enough to master getting the right color. It is best to read the book Blue and yellow don't make green» Michael Wilcox Plus Do practical exercises on the selection of colors described in the book. However, our question has been answered.

Consider the already known color wheel

All colors are divided into:

The main ones (yellow, red, blue) - the inner part of the circle - from these colors we get the rest.

Secondary colors (purple, orange, green) - the middle part of the circle.

Tertiary (complex) colors - the outer circle and combinations of shades from different parts circle.

The components will be indicated on sectors within the required color.

When mixing colors opposite each other in equal proportions, we get a dirty dark grey colour. Such pairs of colors are called complementary.

This effect is used when it is necessary to "mute" the hue by "dirtying" it.

For example, to make blue darker - drop a little orange into it, brown - "muffled" by light green. The main thing is to understand the principle of working with the color wheel, and finding a more complex and convenient version of it on the net and downloading it is not difficult.

Here are some recipes for mixing colors:

yellow + brown = ocher

red + yellow = Orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige

light green=(green+yellow, more yellow)+white= light green

lilac=(blue+red+white, more red and white) +white= light lilac
lilac= red with blue, with red predominating

black= brown + blue + red in equal proportions
black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
dark blue=1h. blue+1h Lilac
avocado= 4 hours yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

And this table contains classic flower recipes

Pink White + add some red
Chestnut Red + add black or brown
royal red Red + add blue
Red Red + White for lightening, yellow for orange red
Orange Yellow + add red
Gold Yellow + a drop of red or brown
Yellow Yellow + white for lightening, red or brown for a darker shade
pale green Yellow + add blue/black for depth
grassy green Yellow + add blue and green
Olive Green + add yellow
light green Green + add white / yellow
Turquoise green Green + add blue
bottle green Yellow + add blue
Coniferous Green + add yellow and black
Turquoise blue Blue + add some green
White-blue White + add blue
Wedgwood blue White + add blue and a drop of black
royal blue
Dark blue Blue + add black and a drop of green
Grey White + Add some black
Pearl Gray White + Add black, some blue
medium brown Yellow + Add red and blue, white for lighter, black for darker.
Red-brown Red & yellow + Add blue and white to brighten
golden brown Yellow + Add red, blue, white. More yellow for contrast
Mustard Yellow + Add red, black and some green
Beige Take brown and gradually add white until you get a beige color. Add yellow for brightness.
Off-white White + Add brown or black
Rose gray White + Drop of red or black
Grey-blue White + Add light gray plus a drop of blue
Green gray White + Add light gray plus a dash of green
gray coal White + add black
lemon yellow Yellow + add white, some green
Light brown Yellow + add white, black, brown
Fern green color White + add green, black and white
forest green color Green + add black
emerald green Yellow + add green and white
light green Yellow + add white and green
Aquamarine White + add green and black
Avocado Yellow + add brown and black
royal purple Red + add blue and yellow
dark purple Red + add blue and black
tomato red Red + add yellow and brown
Mandarin, orange Yellow + add red and brown
Reddish chestnut Red + add brown and black
Orange White + add orange and brown
red burgundy color Red + add brown, black and yellow
Crimson Blue + add white, red and brown
Plum Red + add white, blue and black
Chestnut
honey color White, yellow and dark brown
Dark brown Yellow + red, black and white
copper gray Black + add white and red
eggshell color White + yellow, a little brown

We use

As you understood from the tables, the darker and dirtier the color, the more recipe options there are. Perhaps not everything will work out right away, a certain skill is needed, but it is developed very quickly and you yourself will have your favorite and unloved combinations and recipes. It seems to me that the most economical way to get acquainted with mixing colors without fear of spoiling something is to practice with ordinary watercolors.

As soon as you have confidence in what will turn out in the end, you can try enamel with acrylic. In any case, if you are not sure of the result - try first on watercolors or gouache.

I recommend starting small - using purchased shades, with simple additions, learn how to make gradients of camouflage shades for color modulation, for example, for panel highlighting.

As your skill grows, you will be able to buy a ready-made color and make a dye, as it is spent, to prepare the colors yourself.

Always prepare a color with a small margin - if necessary, it will be a difficult task to repeat it.

I do not argue that buying ready-made shades is often easier and faster, but I prepare the color myself when:

1. The color I need is not available in the store - there is no desire and time to wait for deliveries.

2. It often happens that I do not agree with one or another interpretation of the shade by the paint manufacturer.

3. Manufacturers do not produce the required color (as an example, Polish khaki, moreover, 4 shades of paint were used for one and a half prewar years 1938-1939)

4. It is assumed that the prototype, due to operating conditions, has greatly changed the color.

5. So that my collection of models does not look like one green-blue spot, I try to paint each next model with a slightly different shade. The difference will be visible only if you put two models in the same color side by side.

This knowledge is applicable and will be useful in everyday life - for example, you can’t wash colored items of additional colors at the same time - they will gradually acquire gray shades :))

Now, having studied the basics, it will be possible to return to modeling technologies and practice.

Thanks to modern technologies, interior designers become real wizards. In the blink of an eye, they will make any room stylish and original. AT recent times more and more attention is paid to color design. The most popular are non-standard shades that can be obtained by mixing colors.

Process Basics

Manufacturers of paints and varnishes presented a fairly wide range on the market. But it is not always possible to choose what is ideal for the interior. Combining multiple shades will save time and money.

In many specialized stores, you can use the services of a specialist who will help you make the right color. But if you know the basic rules of how to mix dyes, you can do it at home with your own hands.

One thing to keep in mind when mixing important rule: do not combine liquid products with a dry mixture. They have different indices, so the coloring composition may eventually curl up.

The most interesting part of the process is creating the desired shade. There are four primary colors:

  • white;
  • blue;
  • red;
  • green.

By mixing them, you can get any others. Here are illustrative examples:

  1. Brown is obtained by combining red and green. For a lighter shade, you can add some white.
  2. Orange is the result of mixing yellow and red.
  3. If you need green, you need to combine yellow and blue paints.
  4. To get purple, you need to mix blue and red.
  5. Red and white will result in pink.

So you can mix ad infinitum.

Mixing acrylic materials

Designers love acrylic paints the most. They are very easy to work with, the finished coating has excellent water-repellent properties. Their use has several nuances:

  1. The work surface must be perfectly flat and smooth. To do this, it needs to be sanded.
  2. It is important that the paint does not dry out.
  3. To get an opaque color use undiluted paint. Conversely, for transparency, you can add a little water.
  4. To be able to slowly choose the right color, it is recommended to use. Thanks to him, the tool will not dry so quickly.
  5. To distribute the paint, use the edge of the brush.
  6. Mixing is best done with a clean instrument. In this case, the colors should be directed towards each other.
  7. To make a light tone, you need to add a white dye to the solution, and to get a dark one - black. It is worth remembering that the palette dark colors much wider than the light ones.

Here are some examples of mixing acrylic-based colorants:

  1. Apricot color is obtained by mixing red, yellow, brown and white.
  2. The recipe for making beige paint involves combining brown and white. If you need a bright beige, you can add a little yellow. For a light beige shade, you need more white.
  3. Gold is the result of mixing yellow and red.
  4. Ocher is yellow with brown. By the way, it is considered popular in the current season.
  5. Khaki can be made by mixing green dye with brown.
  6. Magenta requires three different colors: red, yellow, and blue.

Mixing oil paints

Oil-based paints are more fluid, which necessitates more thorough mixing of the compositions if mixing tones is performed. The specificity and properties of oil colors give the following advantages:

  • the tone will be the most uniform, so the paint is perfect for decorating any surface;
  • if desired, you can leave streaks in the paint, which will allow you to create unusual effects on a canvas or wall.

Oil stirring

Before work, it is important to evaluate whether it is possible to combine individual tones with each other, what will be the result. If you introduce a little glossy paint into a matte one, the result will be inexpressive. Adding a matte paint to a shiny one helps to make the latter a little more subdued.

It is possible by such methods:

  1. Mechanical. In one dish, on the palette they combine different colors by mechanical mixing. The saturation of the finished mass is adjusted by adding brighter or lighter shades.
  2. Optic. This method practiced only by professionals. Paints combine to obtain a new color when they are applied to the canvas, wall.
  3. Color overlay. By layering strokes, a new tone is created.

Features of mixing paints

The mechanical method is the simplest, therefore it is recommended for beginners. When using color overlay, the result may differ from what was intended, which must be taken into account in advance. You can apply the glazing method - first apply a darker color, then lighten it with strokes light paint. It is better to practice combining oil paints in their small portions, learn how to create original effects, and then start creating paintings or decorating the interior.

The working process

By mixing several different colors, you can get a large number of a wide variety of shades. What?

shades of gray

Quite often used in interior design. Help to create a shadow or unobtrusive color, as well as:

  1. You can create regular gray by mixing black with white.
  2. To create cold shades, you need to add a little green to gray, and for warm ones - ocher.
  3. Grey-green is gray with white and green.
  4. Gray-blue - gray, white and a little blue.
  5. Dark gray is the result of mixing gray and black.

brown tones

To dye, you need to mix:

  • green with red;
  • red with blue and yellow;
  • red with white, black and yellow.

How to create other original tones:

  1. Mustard will turn out if you add red, green and black dyes to yellow paint.
  2. Tobacco shade is red, green, yellow and white.
  3. Golden brown is the result of combining yellow, red, green, white and blue. In this case, there should be more yellow pigment.

Red tones

  1. The basis for the pink shade is considered to be white. Red is added to it. The brighter the desired shade, the more red should be added.
  2. To get a rich chestnut, you need to mix red and black.
  3. Bright red-orange color - red and a little yellow. The more of the latter, the paler the result will be.
  4. You can give the dye a purple tint by mixing a few drops of bright blue and yellow flowers and red pigment.
  5. To create crimson, according to the recipe, you need to mix bright red + white + brown + blue. The more white, the pinker the shade.

Deep green is formed when yellow and blue tones. The saturation of the finished dye depends on the amount of each of them. To create shades, you need to add other colors to green:

  1. For mint you need white.
  2. To get an olive color, you need green and a few drops of yellow.
  3. A shade of grass can be obtained by mixing green with blue. Yellow paint will help even out the color.
  4. The color of the needles is the result of mixing green with black and yellow.
  5. Gradually mixing green with white and yellow, you can make an emerald tone.

purple tones

Purple is made by mixing blue and red. You can also use blue pink paint- the final color will be light, pastel. To darken the finished tone, artists use black paint, which is added in very small portions. Here are the nuances for creating shades of purple:

  • for light purple, you can dilute the finished color with white in the right ratio;
  • for magenta, you need to enter more red paint than blue.

Orange color

When creating a classic orange, they combine one part of yellow and red paint. But for many types of paint, you have to take more yellow, otherwise the color will turn out to be too dark. Here are the main shades of orange and how to get them:

  • for light orange, take pink and yellow, you can also add a little white paint;
  • coral requires dark orange, pink, white in equal proportions;
  • peach needs colors such as orange, yellow, pink, white;
  • for red, you need to take dark orange and a little brown.

Important rule

Many people ask the question: is it possible to mix paints and varnishes from different manufacturers? It is desirable that the dyes to be mixed be made by the same company. It's even better if they are from the same batch. Mixing dyes from different companies is not recommended. Often they have different properties, such as density, brightness, etc. Because of this, the finished coating may curl.

If there is a desire to take a chance, you can combine a little bit of one and the other paint and apply the resulting solution to the surface. If it thickens or clumps, the experiment is not a success.

Computer help

You can mix several colors correctly using special computer programs. They help to see the final result and determine in percentage terms how much of one or another tone needs to be added. Such programs will help you figure out what shade can be obtained from the funds that are available. They consist of several elements:

  1. A button that removes tones from a set.
  2. Color names.
  3. Lines of input or output to or from a calculation.
  4. samples.
  5. A button that introduces colors into the set.
  6. Result windows.
  7. New selection window and list.
  8. The composition of the finished dye as a percentage.

Mixing several various colors- a fairly common technique among designers. Unusual shades will help to advantageously decorate the interior, make it original or even unique. You can mix dyes even at home. There are many recipes for creating a particular shade. For example, to get beige, you need to combine white and brown, and for pink, white and red.

It is recommended to always have a thinner on hand to prevent the paint from drying too quickly. Do not mix products from different manufacturers, because the result will be a poor-quality coating. To find out the final result of mixing, you can use a special computer program.

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