Analysis and interpretation of the poetic text vladimir vysotsky "mass graves" - presentation. Analysis of the poem "on mass graves" please

We remember this expression from the poet Vysotsky, who sincerely sang a song to these words.

Crosses are not placed on mass graves,

And widows do not weep at them,

Someone brings bouquets of flowers to them,

And the Eternal Flame is lit.

Here the earth used to rear up,

And now - granite slabs.

There is no personal fate here -

All destinies are merged into one.

And in eternal flame a tank is visible,

Burning Russian huts,

Burning Smolensk and burning Reichstag,

The burning heart of a soldier.

There are no weeping widows at mass graves -

Stronger people go here.

Crosses are not placed on mass graves,

But does that make it any easier?

Let's not judge Vysotsky too harshly and demand literal proof of this statement. There was a narrow interpretation here, which is connected with our veneration of the graves of front-line soldiers in the Great Patriotic War of 1941-1945. Here's what I found as the best answer to this question: There, lying below - in a mass grave, it doesn't matter whether it is an obelisk or a cross over their mass grave. This is already an interpretation of the living, because there are not only Christians in the grave, but also Muslims, Jews, atheists, etc. etc. My opinion is that we all walk under the same GOD, only we call it differently. A hastily nailed sign is placed on the mass grave so as not to forget about the fallen. There is no time to make crosses. Then they pay honors to the fallen, as it should be with obelisks, flowers and wreaths.

But, since I like to look into the depths of time, then, of course, it is real on mass graves, in Europe, especially after the 1st World War, there are already many crosses on mass graves. Another thing, if you look at your intuition, and take a much broader look at the facts of the presence of mass graves around the world on Earth, then the thought of the presence of MYSTERIES OF EVOLUTION human souls on Earth, which is associated with the concept of KIND. Indeed, starting from the campaigns of Alexander the Great, mass graves were scattered all over the lands. And now I have a question, are not the wars and the presence of a large number of mass graves connected with the presence of the system of reincarnation of Souls on Earth?

M oh analysis of this issue. We all know that in the process of the death of the body, several layers of the human Soul depart into the spiritual world, which we cannot see. This and etheric body, and the Astral Body, and the Metal Body, and the Causal Body. From the information that I have, Essential and astral bodies are in the ground. I believe that these Spiritual bodies have their own Memory and this memory is located in the Earth, which means that it can be analyzed and further used in complex process Making Decisions about choosing a place of incarnation and suitable parents. This is how the SKY works. I am hinting that the very process of human conception and the subsequent entry of the soul into the body of an infant is a strictly controlled process of HEAVEN. You have the opportunity to deal with the numerical matrix myself - beloved, which is laid down by the SKY in the process of birth by a person. But this is the subject of future articles. And now let's discuss the global process of human evolution on earth. I'll start simple.
Crosses are placed on mass graves and there are a lot of them. I give an example, a mass grave of Germans and Russians. During a business trip to Kaliningrad, we met people who take care of military graves and memorials. Both from the Russian side and from the German side. I’ll note right away that, despite the agreements between Russia and Germany (each of the parties undertook obligations to care for the graves on its territory, no matter what nationality people are buried in them), the “People’s Union of Germany” also works on the territory of Russia. It was formed after the First World War with donations from those whose relatives were participants in this war, but it still exists, with the same form of funding. On our part, the organization "War Memorials" is engaged in this. The fact is that the Kaliningrad region, which until 1945 still belonged to the territories of Germany, has many burial places: victims of both the second war and the first. Both Germans and Russians. The German population was once expelled from Soviet territory. Everyone, except, of course, the dead. The dead are still lying in the ground, only every year there are less and less traces of them. I had the opportunity to visit some of these cemeteries.

First, there are a lot of them. And most of them are not decorated - the bones just lie underground. Nothing is known about some at all, others are built up with cities, towns or belong to farmland and cultures useful for people grow on them or herds graze. Finally, still others, and this is a minority, still look like cemeteries. Here, Gavrilovo. This is almost the border with Poland. But this is a minor issue and it relates rather to the rituals of Christianity on this earth. But I wonder if there is a mystery of reincarnation? It turns out yes! Let me give you the following example from today's life.

There is the life of Tibet and there is the spiritual leader of Tibet - the 14th Dalai Lama. And so it is he who is now in our time arguing about reincarnation. Whether she exists or not. And who does he call? China's leadership! He claims that if there is a reincarnation, then he is ready to voluntarily die and purposefully incarnate in a child of Tibet. What is it like to listen to dogmatic Christians? I myself personally questioned the Vietnamese, from whom I trained kung fu. His name was Van Hieu. He told me about the ritual of finding the new Dalai Lama in Tibet. Yes, it is very difficult and has already happened as many as 14 times. Here is the proof of reincarnation. Well, now let's return to our sinful earth, which has endured a very a large number of wars, both external and civil. This means that it has a myriad of mass graves in the earth. Why would it be for the Evolution of the soul of our man? Let us now present the following hypothesis.
But what if these same mass graves are used by the Evolution of the soul for the synthesis of the mental qualities of a person? That is, if this very Evolution needs to combine or synthesize a complex set of soul qualities (see the Pythagorean square) of the people who live on this territory of the earth (for example, our Slavic peoples), then the conditions for the outbreak of war are created ahead of time. As a result, many mass graves appear. And now let's remember the 14th Dalai Lama. One of the mysteries of reincarnation is that a soul that has died in the body is usually reborn within a radius of about 300 km. from the burial place. But what if it was necessary to synthesize the Slavic peoples with the Germans? What's the guess? But then another mystery and more SHOCKING. According to this hypothesis, on our land after the Great Patriotic War should the souls of the Germans who died here be born? And I will answer you - in the affirmative!

The body and citizenship are Slavic, but the soul is German. What is it like not to go crazy? I have not lost my mind yet and will tell you a few examples from my life. 10 years ago, being on scientific conference in psychology, one ordinary man of about 40 approached me. He asked me for a business card and did not come back. More than a month has passed and suddenly he called me and is already sitting at my house on the couch. What he said was, to put it mildly, unusual. It turns out that he is a man of a certain mission, which is to search for people on our land with the souls of Germans and especially SS men. What was it like for me to hear it? I asked him. How do you find them? The answer was esoteric. And many will understand me. There are devices called "Pharaoh's Cylinders". So, with the help of these cylinders, he determines the souls of the Germans, who have already been embodied in our people. What is it? Five years have passed since that meeting. And then one day at the meeting of the New Year, a certain uncle comes to our club, whom I call the general. Many people at the table make pleasant toasts. And so, when it was my turn and I made a toast. And what was unexpected for me and all others was how this general, unknown to me, reacted to my speech. He suddenly began to scold me, even in some altered voice! What is it? Well, we didn’t understand this excess and just hushed it up. And at the end of the holiday, many of our ladies tagged along to the general to go to the dacha. My friend also went. She later told me a shocking story. When she examined the owner's cottage, she felt a certain energy of horror. I pricked up my ears and looked at what was behind the door? And I saw a real bloody whip and iron tips. I turned on my abilities and saw this general who beats his son with this whip! What is it? A few weeks have passed since this incident, and in the news, I learn that a fire broke out in our city in a supermarket. As soon as the fire broke out, the fire brigade was called. But it turns out there was one hero from the managers of the supermarket, who alone rushed and began to put out the fire. And died! Then I found out that this hero was the son of this very elderly general. What does it mean? A few more years passed, and then one day I was invited to a meeting of Ufologists in our city. I am not an expert in these matters, but out of curiosity I just went to feel the metal with my own hands directly from the flying saucer. I come and get acquainted with an ordinary man from the village. It turns out that a saucer landed on them and for 15 years he has been flying on it periodically. So the pilot of this saucer is a German, the daughter of those Germans who fought on our land. This peasant from the village has been to inner earth. What is it? I ask him, well, what did you see there? So he saw that two colonies of Germans and our Magi lived there, but on different continents. Now the internal frequency of the earth is changing upwards, so they are worried about how they can live on. Here is such a story. And just recently, a friend who was on the island of Khortytsya told me, this is on the Dnieper. And in the process of meditation, all the same Germans contacted him! Interested in how things are going on the surface? You know, it is quite difficult for a person with an unprepared psyche to listen to such stories. But that's exactly what happens.

In conclusion, I would like to say that the theory of reincarnation and the use of mass graves for the evolution of souls is a new scientific direction of analysis, but of course not for dogmatists of all stripes, for whom the exchange of thoughts about spiritual world it is taboo. But I will tell you how to use the Pythagorean square in a future article.

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The poem "On mass graves" V.S. Vysotsky wrote in 1965. Many front-line soldiers believed that he fought, but the poet is a man of the post-war era. But he really writes about the war as if he himself went through front-line roads.
There are only four stanzas in the poem, there is no plot as such. But the power of the lines lies elsewhere, it is in the feelings of the poet, which he conveys to us, the readers. The poem uses a ring composition, Vysotsky twice focuses on the line "No crosses are placed on mass graves ...", starting with it and practically ending the poem (it is the penultimate one in the fourth quatrain). The image of the Eternal Flame is symbolic, in which a flaming tank is reflected, and burning Russian huts, and burning Smolensk, and a burning Reichstag, and a burning heart of a soldier. The anaphoric repetition of the word "burning" enhances the sound of the poem. And under the granite slabs, our soldiers, who gave their lives for their Motherland, sleep soundly. And the poet ends the poem with a rhetorical question, "But does that make it any easier?!" Yes, there are no crosses here, no weeping widows.
And the poem sounds like a reminder of that terrible war, which took millions of lives of Russian people.

1st stage of the lesson: preparation for the perception of new material - the teacher's word about Vysotsky, his life credo - vocabulary work: credo - strong beliefs, views - ahead of the task: "I do not like" reading by heart 2nd stage of the lesson: perception and comprehension material on the topic vocabulary work: interpretation - interpretation, disclosure of meaning, clarification of a particular text - - sample plan analysis of a poetic work - - basic laws of poetry, reference scheme - - analysis of the poem " mass graves»

3rd stage of the lesson - generalization of the work done - "Common graves" performed by the author - group creative task: determination of the pathos of the poem, its ideas, the relevance of the topic. - reflection - homework: essay “My discovery of Vysotsky” Epigraph to the lesson: Epigraph to the lesson: He wore his conscience close to his heart, As a veteran wears his fragment ...

Analysis helps to understand the deep meaning of the poem, the ideas, images, feelings contained in it, and the means by which they are created. In a literary text, every word, every sign carries information. This information may be secondary and even tertiary, but helps to understand the shades common sense. Randomness of details is excluded by the very concept of art. In a literary text, everything is natural. In a literary text, every word, every sign carries information. This information may be secondary and even tertiary, but it helps to understand the shades of the general meaning. Randomness of details is excluded by the very concept of art. In a literary text, everything is natural.

The poetic idea "by the grain" grows out of every word. Dry linguistic facts unfold in bright pictures and images. The interaction of elements is important here artistic text. Changes in the language do not affect the stability of the text. It continues to carry the information that was originally laid down. The meaning of words, their stylistic coloring is a constant value. Changes in the language do not affect the stability of the text. It continues to carry the information that was originally laid down. The meaning of words, their stylistic coloring is a constant value.

Vysotsky was one of the leaders in the formation of this type of consciousness, which we today call pluralism. He clearly demonstrated what a powerful source of energy in the plurality of views on life. In his poems the real polyphony of our very motley and very different life, proximity to this real life. The ability to understand other people's views, a new depth of social vision - this is what the Vysotsky phenomenon is. In his poems there is a real polyphony of our very colorful and very different life, closeness to this real life. The ability to understand other people's views, a new depth of social vision - this is what the Vysotsky phenomenon is.

He touched upon important and painful moments in our history: he spoke about the war, about aces pilots and soldiers of penal battalions, about the difficult post-war period, about construction sites and astronauts, about ordinary people and yogis, but the main character of his works was the truth. The truth about himself, about his contemporaries, about our history. Vysotsky's poems amaze with convincing honesty and clever simplicity. The truth about himself, about his contemporaries, about our history. Vysotsky's poems amaze with convincing honesty and clever simplicity.

Today we will read this poem, but not just read it, but try to reveal its meaning with the help of analysis, that is, we will take up interpretation. We work according to an exemplary plan for the analysis of a poetic text We work according to an exemplary plan for the analysis of a poetic text

1. Extra-textual connections (epoch, biography facts, time and place of writing, life circumstances 2. Composition - construction of the work 2. Composition - construction of the work There are 4 quatrains in the poem. Quatrain is the most common form of stanza in poetry. At the end of the work, the initial lines are repeated, therefore, the composition is circular, which narrows and concentrates the semantic space.There is no plot, in the foreground the poet’s feelings, his assessment of events.There are 4 quatrains in the poem.Quathren is the most common form of stanza in poetry.At the end of the work, the initial lines are repeated, which means that the composition is circular , which narrows and concentrates the semantic space.There is no plot, in the foreground the poet's feelings, his assessment of events.

3. Rhythm and intonation. In intoning its own law, it is inscribed in the text with a special recording of poetic speech. Rhythm creates the character of speech, gives expressiveness. Sound repetitions, saturated with poetic meaning, begin to sound. Both the number of syllables in a line and the order of stress become significant. Rhythm connects with meaning. The poem is written in amphibrach, which gives it solemnity and severity. (The anthem of Russia is written in amphibrach) 4. Reflection on the word. 4. Reflection on the word. Every word, every pictorial technique are essential to the meaning of the poem. We find idioglosses that have semantic versatility. Interacting with each other, they establish associative links and form poetic world poems. These are dominants, concentrating in themselves the ideological and aesthetic meaning. Every word, every visual device is important for revealing the meaning of the poem. We find idioglosses that have semantic versatility. Interacting with each other, they establish associative links and form the poetic world of the poem. These are dominants, concentrating in themselves the ideological and aesthetic meaning.

5. Paphos 6. Idea 7. - the relevance of the topic - all this together gives full interpretation poetic work Let us depict schematically the basic laws of poetry, which elevate the work to the heights of poetic creativity. Let us depict schematically the basic laws of poetry, which elevate the work to the heights of poetic creativity.

1-quatrain. Strict, chased lines (in each line - a verb, phonetically accurate rhyme) create emotional excitement, empathy. The picture of the surrounding reality, drawn in the stanza, speaks of the author's feelings, of his awareness of the greatness of the feat of our soldiers. These graves have no addresses, and the pain of loss is so great and bitter that one can only mournfully be silent at the Eternal Flame. There are no crosses on these graves - a special monument is required here. (eternal flame - symbol) Flowers to this monument from those in whom memory is alive (vaguely personal sentences)

2nd quatrain In the first line - real picture terrible battles. An accurate metaphor conveys the entire intensity of the fighting. And in the next line - opposition. (Verbs in line 1, in line 2 - they are not) A roaring roar replaces the peace of granite slabs. Under which the famous and nameless defenders of the Fatherland sleep in eternal sleep

3 stanza is a whole sound-semantic complex. Here, with the help of an anaphora, the word burning is put forward. This word is the way to create key image. The role of the anaphora is expressive and rhythmic. Also, the anaphora gives the stanza semantic integrity, as a result, a single semantic image arises - a symbolic image.

In the Eternal Flame, the reflections of the fire of burning Russian huts, for which, with a heart burning with righteous anger and love, a soldier died in a burning tank. In this fire and the glow of the defeated Reichstag. Vysotsky's characteristic sound-writing with the help of alliterations and assonances creates almost tangible sensations.

The very form of the question is one of the strong positions in the text. The question is put in such a way that the answer is clear to us. The three lines of the last stanza are separated from the final line by an ellipsis, that is, a pause. This pause, graphically indicated by an ellipsis, carries deep meaning. The realities of the first lines cannot merge with the last question.

The whole verse is permeated with the idea of ​​patriotism.

The first four lines fit an incredible amount of suffering, longing, immense grief. In every word is the bitterness of the loss of the most courageous and courageous, whose names are unknown and whose image has not been preserved, about whom we can only speak in general, about all at once. Their exploits are not recorded, but their heroism is not diminished by this.

In the following lines, the author emphasizes the patriotism of every soldier who fought for one thing, for our land, for our Motherland. And every soldier with a lost name is a hero. The fearlessness of those who fought defeated the enemy and the spirit is not broken by any grief or any defeat.

In the last quatrain, Vysotsky burns about an irreparable, immense loss, which concerns not everyone individually, but all together. And there is no measure of great sorrow for death unknown heroes.

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