Description of the painting quiet abode going to the lesson. Quiet monastery by Isaac Ilyich Levitan: History, Analysis & Facts

Isaac Levitan. Quiet abode.
1890. Oil on canvas. 87x108. Tretyakov Gallery, Moscow, Russia.

Levitan both in 1890 and later, finding himself in the West and speaking highly of European culture and the comforts of life, soon began to yearn for his beloved Russian nature. So, in the spring of 1894, he wrote to Apollinary Vasnetsov from Nice: “I can imagine what a delight it is now in Russia - the rivers have overflowed, everything comes to life. Not better country than Russia ... Only in Russia can there be a real landscape painter.

Once, under the influence of Kuvshinnikova, on the day of the Holy Trinity, Levitan, brought up in the traditions of Judaism, went with her for the first or second time to Orthodox church and there, hearing the words of the festive prayer, he suddenly shed a tear. The artist explained that this is not "Orthodox, but some kind of ... world prayer"! Thus, the landscape “Quiet Abode”, amazing in beauty and major sound, was painted, fraught with a deep philosophical discourse about life.

The monastery is partly hidden in a dense forest, illuminated by the rays of the evening sun. The domes of her church gently shine against the golden-blue sky, which is reflected in clear water. An old, in some places destroyed and patched up wooden bridge is thrown across the river. A bright sandy path leads to it, and everything seems to invite you to go and plunge into the cleansing tranquility of being a holy monastery. The mood of this picture leaves hope for the possibility of a person's harmony with himself and his attainment of quiet happiness.

There is evidence that after the appearance of this painting at a traveling exhibition in 1891, Levitan's name was "on the lips of all intelligent Moscow." People came to the exhibition only to once again see the picture, which said something very important to their hearts, and thanked the artist for the “blissful mood, sweet peace of mind evoked by this quiet corner of the Russian land, isolated from the whole world and all our hypocritical deeds.

In the painting “Quiet Abode”, the stillness of the air, the peace of nature are captured in unusually subtle shades and color relationships. Realistic plastic has reached perfection here. In this picture, Levitan's painting acquired an incomparable quality - fidelity objective world, air environment, chiaroscuro, color. The shadows from the trees are impeccably true. They lack approximation. The accuracy of the transmitted illumination, tone, pattern, color gives Levitan's painting the fullness of artistic expression.

It is no coincidence, as he recalled Alexander Benois, the first viewers of the picture "seemed as if they had removed the shutters from the windows, opened them wide open, and a stream of fresh, fragrant air poured into the old exhibition hall." Nikolai Rubtsov dedicated the following poem to this painting:
In the eyes of log shacks
looks reddening haze.
Above the bluebell meadow
the cathedral rings its bells.

The ringing is roundabout and roundabout,
at the windows, near the columns.
The ringing of bell towers,
and bell ringing.

And each bell
ask into the soul of any Russian!
rings like a bell, not deafer,
ringing of Levitan Rus!

Contemporaries left many confessions that Levitan helped them see native land. Alexander Benois recalled that “only with the advent of Levitan’s paintings” did he believe in beauty, and not in the “beauties” of Russian nature: “... it turned out that the cold vault of her sky was beautiful, her twilight was beautiful, the scarlet glow of the setting sun and brown spring rivers, all relations of its special colors are beautiful”

“Levitan understood, like no one else, the tender, transparent charm of Russian nature, its sad charm ... His painting, which gives the impression of such simplicity and naturalness, is, in essence, unusually sophisticated. But this sophistication was not the fruit of some hard effort, and there was no artificiality in it. His sophistication arose by itself - it was just the way he was born. What “hells” of virtuosity he reached in his last works!.. His outskirts, marinas, monasteries at sunset, touching in mood, were written with amazing skill ”(Golovin A.Ya.).

For the first time, Levitan drew attention to traveling exhibition 1891. He exhibited before, and even for several years, but then he did not differ from our other landscape painters, from their general, gray and sluggish mass. The appearance of The Quiet Convent, on the contrary, produced a surprisingly vivid impression. It seemed as if the shutters had been removed from the windows, as if they had been thrown wide open, and a stream of fresh, fragrant air rushed into the stale exhibition hall, where there was such a foul smell from an excessive number of sheepskin coats and oiled boots.

What could be simpler than this picture? Summer morning. The icy full river smoothly bends around the wooded cape. A thin bridge on perches is thrown over it. From behind the birches of the opposite bank, in the cold, pink rays, the domes and the bell tower of a small monastery are ablaze in a completely bright sky. The motif is poetic, sweet, elegant, but, in essence, hackneyed. How little was written before the monasteries in pink morning or evening lighting? Are there enough transparent rivers, birch groves? However, it was clear that here Levitan said a new word, sang a new wonderful song, and this song about long-familiar things enchanted in such a new way that the very things seemed unseen, just discovered. They directly struck with their untouched, fresh poetry. And it immediately became clear that this was not an “accidentally successful sketch”, but a painting by a master, and that from now on this master should be one of the first among all.
Alexander Benois. An article about Levitan from the book "The History of Russian Painting in the 19th Century", 1901

Quiet Abode is one of the most famous works Isaac Levitan. The painting was painted immediately after the artist returned from a trip abroad in 1890. The canvas was a huge success at the exhibition of the Wanderers in 1891, bringing deafening fame to the author.

The work "Quiet Abode" was created in the genre of "church landscape" (another famous picture Levitan, written in this genre - "Evening ringing").

The canvas depicts an unremarkable corner of nature - a small monastery nestled in a green grove on the river bank. But Levitan seems to open our eyes - we see how amazingly beautiful what we have seen many times.

In the foreground of the canvas is a small river, across which a log bridge is thrown. The surface of the water barely wavers, reflecting the distant shore with a grove and white church buildings. On the far shore- the path that calls us to the monastery. The path goes through the field, crosses a piece of forest ...

Evening. Silence seems to spread around, and nature slowly gives way to a mood of peace and relaxation. The evening lighting, which Levitan so skillfully conveyed, accurately reflects the feeling of tranquility, silence, peace and some kind of thoughtfulness. The general mood of the picture is a quiet joy, imperceptibly turning into bright sadness. The feeling of the beauty of the moment, so subtly noticed by the artist, fills the picture with a special charm.

The painting "Quiet Abode" is loved by many generations of people. Simple at first glance, the landscape gives rise to many echoes in the soul of every person, and reminds every heart of something very important.

In addition to the description of the painting by I. I. Levitan “Quiet Abode”, our website has collected many other descriptions of paintings by various artists, which can be used both in preparation for writing an essay on a painting, and simply for a more complete acquaintance with the work of famous masters of the past.

Levitan, both in 1890 and later, finding himself in the West and speaking highly of European culture and the comforts of life, soon began to yearn for his beloved Russian nature. So, in the spring of 1894, he wrote to Apollinary Vasnetsov from Nice: “I can imagine what a delight it is now in Russia - the rivers have overflowed, everything comes to life. There is no better country than Russia ... Only in Russia can there be a real landscape painter.”

Once, under the influence of Kuvshinnikova, on the day of the Holy Trinity, Levitan, brought up in the traditions of Judaism, went with her for the first or second time to an Orthodox church, and there, hearing the words of the festive prayer, he suddenly shed a tear. The artist explained that this is not "Orthodox, but some kind of ... world prayer"! Thus, the landscape “Quiet Abode”, amazing in beauty and major sound, was painted, fraught with a deep philosophical discourse about life.

The monastery is partly hidden in a dense forest, illuminated by the rays of the evening sun. The domes of her church gently shine against the background of the golden-blue sky, which is reflected in the clear water. An old, in some places destroyed and patched up wooden bridge is thrown across the river. A bright sandy path leads to it, and everything seems to invite you to go and plunge into the cleansing tranquility of being a holy monastery. The mood of this picture leaves hope for the possibility of a person's harmony with himself and his attainment of quiet happiness.

Evidence has been preserved that after the appearance of this painting at a traveling exhibition in 1891, Levitan's name was "on the lips of all intelligent Moscow." People came to the exhibition only to once again see the picture, which said something very important to their hearts, and thanked the artist for "the blissful mood, the sweet peace of mind that this quiet corner of the Russian land evoked, isolated from the whole world and all hypocrites our affairs."

In the painting "Quiet Abode" the stillness of the air, the peace of nature are captured in unusually subtle shades and color relationships. Realistic plastic has reached perfection here. In this picture, Levitan's painting acquired an incomparable quality - the accuracy of reproduction of the objective world, air, chiaroscuro, color. The shadows from the trees are impeccably true. They lack approximation. The accuracy of the transmitted illumination, tone, pattern, color gives Levitan's painting the fullness of artistic expression.

It is no coincidence, as Alexandre Benois recalled, that the first viewers of the painting "seemed to have removed the shutters from the windows, opened them wide open, and a stream of fresh, fragrant air rushed into the old exhibition hall." Nikolai Rubtsov dedicated the following poem to this painting:

Contemporaries left many confessions that Levitan helped them see their native land. Alexander Benois recalled that "only with the advent of Levitan's paintings" did he believe in beauty, and not in the "beauties" of Russian nature: "... it turned out that the cold vault of her sky is beautiful, her twilight is beautiful, the scarlet glow of the setting sun and brown spring rivers, all relations of its special colors are beautiful"

“Levitan understood, like no one else, the tender, transparent charm of Russian nature, its sad charm ... His painting, which gives the impression of such simplicity and naturalness, is, in fact, unusually sophisticated. But this sophistication was not the result of any persistent efforts, and not there was no artificiality in it. His sophistication arose by itself - just like that he was born. What "hells" of virtuosity he reached in his last things! .. His outskirts, marinas, monasteries at sunset, touching in mood, were written with amazing skill "(Golovin A.Ya.).

For the first time, Levitan drew attention to himself at the Traveling Exhibition of 1891. He exhibited before, and even for several years, but then he did not differ from our other landscape painters, from their general, gray and sluggish mass. The appearance of The Quiet Convent, on the contrary, produced a surprisingly vivid impression. It seemed as if the shutters had been removed from the windows, as if they had been thrown wide open, and a stream of fresh, fragrant air rushed into the stale exhibition hall, where there was such a foul smell from an excessive number of sheepskin coats and oiled boots.

What could be simpler than this picture? Summer morning. The icy full river smoothly bends around the wooded cape. A thin bridge on perches is thrown over it. From behind the birches of the opposite bank, in the cold, pink rays, the domes and the bell tower of a small monastery are ablaze in a completely bright sky. The motif is poetic, sweet, elegant, but, in essence, hackneyed. How little was written before the monasteries in pink morning or evening lighting? Are there enough transparent rivers, birch groves? However, it was clear that here Levitan said a new word, sang a new wonderful song, and this song about long-familiar things enchanted in such a new way that the very things seemed unseen, just discovered. They directly struck with their untouched, fresh poetry. And it immediately became clear that this was not an “accidentally successful sketch”, but a painting by a master, and that from now on this master should be one of the first among all.

Quiet Convent, 1890

One of the greatest masterpieces of Levitan was the painting "Quiet Abode" created shortly after returning from his first trip abroad. Evidence has been preserved that after her appearance at the traveling exhibition in 1891, Levitan's name was "on the lips of all intelligent Moscow." People came to the exhibition only to once again see the picture, which said something very important to their hearts, and thanked the artist for "the blissful mood, the sweet peace of mind that this quiet corner of the Russian land evoked, isolated from the whole world and all hypocrites our affairs."

Quiet abode. Painting by artist Isaac Levitan. Masterpieces of the Russian landscape, photo - Isaac Levitan. Official site. Life and creation. Painting, graphics, old photos. - Quiet abode famous painting, religious painting. Isaac Levitan, painting, masterpiece, drawings, photo, biography.

Mikhail Nesterov about Isaac Levitan:

“It’s always pleasant for me to talk about Levitan, but it’s also sad. Just think: after all, he was only a year older than me, and after all, I’m still working. early death would not take away from us, all who knew and loved him, all old and new admirers of his talent, a wonderful artist-poet. How many wondrous revelations, how many things that no one had noticed before him in nature would have been shown to people by his keen eye, his big sensitive heart. Levitan was not only an excellent artist - he was a true comrade-friend, he was a real full-fledged person ... "

A.A. Fedorov-Davydov about Isaac Levitan:

"Isaac Levitan is one of the most significant not only Russian, but also European landscape painters 19th century. His art absorbed the sorrows and joys of his time, melted down what people lived, and embodied the artist's creative searches in lyrical images native nature, becoming a convincing and full-fledged expression of the achievements of Russian landscape painting ... "»

Alexandre Benois about Isaac Levitan:

"The most remarkable and precious among Russian artists who brought the life-giving spirit of poetry into callous realism is the untimely deceased Levitan. For the first time, Levitan drew attention to himself at the Traveling Exhibition of 1891. He had exhibited earlier, and even for several years, but then he did not differ from our other landscape painters, from their general, gray and sluggish mass. The appearance of the "Quiet Convent" made, on the contrary, a surprisingly vivid impression. It seemed as if the shutters had been removed from the windows, as if they were thrown wide open, and a stream of fresh, fragrant air rushed into the stale exhibition hall, where it smelled so nasty from an excessive amount of sheepskin coats and oily boots ... "

The painting "Quiet Abode" was painted by the outstanding Russian artist Isaac Ilyich Levitan in 1890. This masterpiece describes the morning in the forest, which conveys grace to the whole environment. The artist masterfully depicted wonderful monastery and your attitude.

The beauty of the native land is conveyed on canvas. A clean river flows in front of us, in which a small corner of nature is reflected. You can get to the opposite shore through an old, patched, wooden bridge built by local residents.

In the distance you can see the domes of a small monastery, located in the dense vegetation of the forest. Along a narrow path surrounded by shrubs, you can approach the temple. The sky is clear with few clouds. Windless, clear weather cheers up.

Looking at the picture you feel a state of peace and tranquility. This paradise is full of bright, natural colors: white and gold temples, pink and blue sky, dark green forest, transparent clear water. Green grass with white flowers grows near the river.

Clean, Fresh air fills the lungs. Silence and tranquility appear in the soul at the sight of this corner of nature. Peering into the landscape, you instantly find yourself in the described place.

The artist with a brush conveyed emotional attachment to native land. How pleasant in the morning, walking along the path, go to the church for the service. After the prayer, take a walk through the forest, pick flowers and return home with renewed vigor.

The canvas is written oil paints. The picture is so simple and natural that there is nothing to add. People living here perceive the world in all its natural form. Visitors may be healed of ailments. The temple is the only place for spiritual food.

The painting "Quiet Abode" reflects the whole essence of the Russian people. Levitan wrote it after a trip abroad. Nature is a reflection of life on Earth: a quiet, summer morning with clear weather.

Description of the painting by Levitan

In 1890, Isaac Ilyich Levitan returned from abroad. He was immediately drawn to his native land. So going around the expanses of Russia, he found an excellent landscape, which he later brought to life.

The artist also worked in the "church landscape" genre. He has already created a couple of paintings on this topic. But the work "Quiet Abode" brought great success and fame to Levitan in 1891. At that time, an exhibition of the Wanderers was taking place. It was then that the picture was noticed by most critics and just art lovers.

The canvas depicts nature, a forest among which there is a small monastery near the river bank. But peering into the picture, there is a storm of positive emotions from the beauty of the surrounding world.

The picture shows the evening. The sky is calm, in pink and blue tones. In some places, snow-white fluffy clouds flicker. It is already sunset and from this the sky is filled with an unusually beautiful color.

On the very horizon, we see a small monastery, which is hidden in a mighty, green forest.

The greenish roof of the monastery merges a little with the color of the trees, but the yellow brick walls set it off from the crowd.

And not far from the temple itself there is a small chapel. These buildings are drowning in the density of a beautiful green forest. They seem to cover these buildings. If you look closely at the trees, you can see how the artist reverently drew each branch. The last rays of the setting sun fall on the forest. Because of this, the picture is filled with warmth and spirituality.

The river also displays a beautiful sky, which is filled with unusual lightness.

There is an old wooden bridge across the river. Through it, people get to the monastery. It can be seen that the bridge was built a very long time ago, as in some places it has already been damaged.

When you look at the picture, it becomes very easy on the soul. There is a feeling of calmness and peace. All bad thoughts and hardships disappear. I want to let go of all the worst and visit that place, see live that indescribable beauty of nature.

Description of the mood of the painting Quiet abode

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