Computer programs for the development of musical ear. Online game "Absolute Rumor"


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Absolute Pitch 2 Complete will help you kill time,learn sight,learn to read,exercise your brain by playing the game,start your day. If you need music theory, brain training, solfeggio, logic, notes, perfect pitch 2 apk is the best remedy learning,practice tool,mind blowing,various exercises,brain activity.

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New in 3.7.3a: - Fixed bugs and problems with displaying the application on some screens. New in 3.7.3: - Added USB Midi keyboard support for "Reading music" exercises. - Bug fixes and issues with displaying the app on some screens. If you like the application - please give us good rating on the Google Play store. This will help us keep working on the app.

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Well-developed ear for music and a sense of rhythm are the foundation of everyone good musician. Whether you want to be able to improvise, pick up melodies by ear, determine chord sequences in songs, or simply be able to tune a guitar without a tuner, knowing and understanding the basics - intervals, scales, chords is simply necessary.

The main functions of the application:
Customizable exercises for intervals, scales, chords and rhythm
Ability to create your own scales, chords, chord sequences for practice
Articles on theory
Melodic dictation
Sight Reading Practice
Absolute pitch training
Practice singing notes
Dictionaries of scales, intervals and chords

Whether you're a beginner or a professional, you'll always find a way to improve your skill and expand your knowledge with the Perfect Pitch app. We constantly receive feedback from music educators around the world that they recommend the app to their students.

And all this in a beautiful, intuitive application that you want to open again and again.

"Earbiter" is a tutorial from .

What is she doing: helps you find a vivid association for each note, then gives a note and asks: do, re, mi, fa? you answer. That's right - move on. Incorrect - compare the notes in which you made a mistake. The difference becomes clear.
And finally - from notes you move on to melodies famous songs, which are in the program over 60 and pick them up.

In a programme: 5 paces (slowest to fastest)
3 timbres of sounds (piano, guitar, flute)
Sound range: three octaves (small, first, second).
The sound is NOT MIDI! And quality.

Training takes place in levels. Passed the level - send a report, it goes to us.
Here are some reports from those who are already involved:

01/13/2009 — Recognizing melodies of seven notes is much more interesting, the funny thing is that when there were the first four notes, the note mi was a drop of water for me, and when the rest were added, it became a bucket of water) The notes began to be recognized much faster, before I had to concentrate more

02/04/2009 — I began to think differently musically, sometimes I recognize individual notes when I listen to music (guitar or keyboards), I began to fine-tune the guitar. I recognize all the notes of the first act, that is, I distinguish them from each other, provided that they are defined. speed, each of them has a peculiarity, namely in the sound, in the nature of the sound. Now I understand how an absolute thinker thinks - he just noticed this feature a long time ago, so he remembered the sounds. although when you change the timbre, it is quite difficult to determine, especially the voice!

Olga Chernetsova

12/23/2008 — At first it was too old to come up with associations. Stupidity, of course, but it seemed that if you came up with the wrong associations and attributed the wrong sensations, the course would fail altogether and the training would not work at all. For some time now, I have had difficulty localizing the sensations from music in the body, as well as with the taste and smell of the note.
But then ... Somehow the sensations began to come by themselves and everything became all right. I stopped being afraid and learning became easy.

12/23/2008 - Fa. Her clear feeling came after working on mi. I memorized mi, and then moved on to fa, and fa overwhelmed me with a sudden sensation, like when it is very, very sweet to lie in bed before going to bed, knowing that tomorrow there will be no need to rush anywhere. It was just a wonderful opening note)

01/18/2009 — For some reason, the first feeling from the note did not catch the emotions. The note turned out to be emotionally empty and I can't think of a new feeling for it.

01/18/2009 - Yes, although I still see the piano keyboard more than I think with notes. I rather "see the notes" on the clave. Although I'm starting to think about them too.

01/18/2009 — Now I can more or less identify the notes if I repeat them out loud or to myself. It turned out to determine the structure of their two jew's harps. And my E-flat tin-whistle began to take me out very much with its stupid and illogical formation in a terrible tonality. After all, I play and think on it in D major and similar keys, and it sounds half a step higher.

Nadezhda Dobryanskaya

02/10/2009 - I pronounce the melody with notes and therefore it is easier and faster to remember

02/10/2009 - me professional musician, so there were no special difficulties yet, but I was pleased that the melody is remembered immediately. I want to learn how to pick longer melodies from one time.

Elena Butorina

02/07/2009 — It was difficult for me, because I practically have no hearing, but every day I can distinguish notes better and better.

Anna Lugovaya

02/22/2009 — I gave up this lesson for a long time, and now, almost by accident, I opened the program, I was very surprised that I recognize the melodies almost unmistakably

02/22/2009 — I would like to: 1. learn to recognize not short melodies, but individual notes; 2. I want to learn to recognize the sounds of different timbres

02/22/2009 - It's a shame that the program allows the second time only immediately to final stage workout.

Taina Bezrukova

11/28/2008 - Scary. Easy enough, but not one left. Several hours, but not days. I see that relative hearing is developed, and the absolute part is lame. The head begins to mathematically calculate sounds.

Kuzma Vostrikov

01/16/2009 - I recognize all the white keys in this octave (about the first octave). So far at a very moderate pace, but everything is ahead, we need to work.

01/16/2009 — I would like to increase the tempo of melodies over time

01/16/2009 - everything is wonderful.

Sergei Pudin

12/18/2008 - I began to recognize notes better. But as before, if there is a break of 1-3 days, then sometimes you need to listen to one note in order to understand what exactly it sounds (probably relative hearing has developed more). As for thinking with notes, somehow it’s not strong yet ... but all the same, there is progress. And another strange thing, for some reason it’s easier for me to think which note sounds looking at the keys with the names of the notes, without a keyboard they are more difficult to remember.

Vladimir Astafiev

08.11.2008 — Relatively easy. I built the images quickly, I recognized them immediately by one note, but by two it was already difficult, but by three it was already easier, and then the moment came when I began to recognize it almost without difficulty.

11/12/2008 - I started to tune the guitar better, I checked the first four strings to zero on the tuner. And when I practice the guitar and I feel that the guitar starts to get out of tune, I immediately hear which string.

11/12/2008 — Initially, I wanted to learn how to shoot works, but now I began to think about how to master musical theory so to speak on professional level, because I am self-taught and there is not enough knowledge in theory, and I think that absolute hearing without theory is just a rumor. I could shoot simple melodies before, but now it’s starting to turn out better.

04/27/2009 — (in response to a question in the report, has something changed in the perception of notes) — Of course it has. I hear notes.
Sorry for not posting for so long. Your program is working. Thank you.
I would like a program for the development of hearing but for the guitar. Practice listening to intervals. Get basic knowledge of harmony.
Excellent software product. Continue in the same spirit.

Shahen Grigoryan

10/29/2008 - It really began to turn out. each note took on its own hue. I hope everything will be just as easy

10/29/2008 - I'm still confusing a couple of notes, and there is not enough memory for melodies, but I hope it will come

Dmitry Borisov

11/11/2008 — After hard training, it is possible to recognize the learned notes almost always the first time, without repetitions. Although there are mistakes. It is inspiring that sometimes when you listen to a note, you realize what its name is, and without thinking. But it's only occasionally :)

Elena Lukashina

10/28/2008 — It is surprising that each note really evokes specific recognizable sensations, and they turn out to be 100% true!

01/12/2009 - it's hard. The main difference is that the black keys are vertical and the white keys are horizontal. And even in a small octave, this is more obvious - black keys have a more brilliant and at the same time dirty sound. (level 15)

01/25/2009 - All sharps are very well remembered, and specific easily recognizable images have been assigned to them (level 16)

Julia Aulova

02/24/2009 - all the notes are remembered

02/24/2009 - not difficult

02/26/2009 - I began to hear and even think in notes during their sounding. This is actually surprising.

Dmitry Vinogradov

11/21/2008 - Difficult. I got stuck on melodies twice, there was nowhere to see the answer, so I was sorting through the options. And in general, the delight simply overwhelmed. The fact itself, me and the notes, before these things were simply incompatible. Thank you.

11/21/2008 - before - it is very even and long, re - the plug is clearly audible in it.

11/21/2008 - on combinations of fa-mi, mi-fa

11/21/2008 - When I switched to three notes, I realized that I need to know all the sequences of two notes. Firstly, because the way I hear a note depends on what note was before it and in fact still continues to sound. In real time, I do not have time to make corrections for previous notes, i.e. I need to learn all 16 sequences of two notes.

11/30/2008 - Easier than do-re-mi-fa. True, now creating images of notes seemed even more tedious. But from the very beginning I tried to call the notes by their names and it really helped a lot, in C-re-mi-fa I somehow missed it. I seem to hear well and why everyone used to think that I had no hearing. :)

11/30/2008 — now, yes, at a speed of 60 I write from dictation, but I can’t do it at a higher speed yet.

01/10/2009 — Melodies with sharps are more interesting to pick up, they almost never get confused with ordinary notes.

01/24/2009 - How difficult it was to distinguish la # from la. In general, it turned out that the sharps of the horizontal notes: do, fa and la were much more difficult to distinguish from the notes themselves than the sharps of the vertical notes: re and sol. When it is difficult to distinguish, I still check by teeth: sharps sound in the upper front teeth.
The main thing, of course, is to practice. Every evening I had to sit down at the computer with clenched teeth without any hope of success, but there always comes a day when it becomes audible, it always sneaks up somehow imperceptibly, once and all the notes that were the same yesterday become very different.
Thank you. It's so nice to record even a very small melody, but with real notes.

Venera Nigmatullina

01/06/2009 - It became clear to me what notes sound, thanks to which I just call them when the melody is played. Surprisingly, despite musical education, before going through the program, I did not imagine the image of a single note at all, here are the melodies - yes, but what would each note ...

01/06/2009 — I have no problems with the notes, I just need to memorize them in order in the melodies, which is not quite possible yet.

Yuri Zadorozhny

2.02.2009 — It’s difficult, especially on the first day I launched the program, I seemed to remember the notes, but I couldn’t guess, I decided to postpone the next day, when I tried again everything became much easier, although I wouldn’t say that it was easy =)

George Dovgallo

03.12.2008 — It was not easy, but I wouldn't say it was very difficult. At first I listened to the discs 3-4 times, then every day I practiced according to the program, for about 40 minutes a day. One fine day, suddenly the notes became names in my head and their sequence began to be read almost unmistakably.

01/20/2009 — Passed this part at all speeds. The notes have become each with its own character and features. Some are already recognized unambiguously and without errors, with the greatest confusion with mi and fa. The name of the note begins to appear in the head when it sounds, but it’s not always possible to believe yourself :) You think that it seemed, you try - no, it didn’t seem :) sometimes notes in music are recognized, but so far only episodically. The faster the tempo, the more difficult it is to recognize, and the music continues and, as a result, fills up with notes :)

Alexey Gordeev

11/20/2008 — It's too early to talk about any grandiose changes. Listening to a note in the earbiter, I usually recognize it, and
here in another program I change the timbre and problems begin with recognition, I guess somewhere around 72 out of 100.

11/20/2008 — I would like to clearly understand what note sounds and immediately recognize it and also want to hear the chords.

11/20/2008 - The most difficult thing is to guess by one note, not by 4. When you guess by 4, relative pitch involuntarily starts to give clues. And working in one timbre you get used to it, and then listening to the same note in another you get lost.

11/21/2008 — Yes, there is some idea, blacks sound louder and narrower than whites. It's a shame
only in the notes when the first one was played did not recognize the “salt” and so the rest even correctly identified the name of the whites. I don’t know if I’m doing it right, but in parallel I fix note recognition in the program Music box 3.0 there
the interface is conveniently built, you can choose any timbre of the instrument and notes for recognition, I guess on white

Evgeny Morozov

02/04/2009 — Recognition of notes has become better, although some sounds are not yet well recognizable, especially at fast tempos, nevertheless there were no particular problems with the melodies, they are well known and easy to all.

02/04/2009 — I would like to develop absolute pitch, but it hasn't worked out yet :)

02/04/2009 - Increase the number of melodies, they are still few, and they are often repeated, so it happens that already at the subconscious level, memorization simply occurs, and re-execution in case of an error does not cause labor. It would also be nice if immediately in case job errors with melodies immediately began to be performed again, because. in control tasks you can stop playing a melody in the middle, hear the wrong note, stop, listen again, and then play it correctly, and this is a selection, which reduces efficiency. And of course, there are more melodies, there are very few of them.

02/09/2009 — Notes on white keys are more transparent, sonorous, clear, understandable, simple. The black keys are heavier, deeper, more viscous. White stable. Black less stable, with movement

If you think that “an elephant stepped on your ear” and you will never be able to perceive the sounds around you the way people who are gifted with an ear for music from birth perceive them, then you are deeply mistaken. Developing an ear for music is not as difficult as you think. And today we will give you some tips to help you do it.

First, let's look at the types of hearing. To develop an ear for music, we need to hone:

  • Rhythmic hearing. That is, learn to hear and feel the rhythm.
  • Melodic ear - the ability to understand the movement and structure of music and hear its subtleties.
  • Relative - hearing, which allows you to understand the magnitude of musical intervals and pitch.
  • Inner hearing - that is, hearing that allows you to clearly represent music and individual sounds in your thoughts.
  • Intonation ear, which allows you to understand the nature and tone of music.

Of course, there are many more species ear, but we will focus on these five, as they are enough to gain an ear for music.

So, what do we need to do to train these types of hearing.

1. Musical instrument

The ideal way to “pump” all kinds of hearing is to start learning how to play an instrument. In this way, you will remember how each note should sound, train your sense of rhythm and, in general, begin to understand music better. But since you probably don't have time to learn how to play musical instruments, let's move on.

2. Singing

If you don’t have a piano at home, find an online version on the Internet and every day play scales on it several times and sing them along with the piano. Once you're comfortable with scales, move on to intervals, chords, and simple melodies. The main thing is not to be shy. If you are afraid that someone will hear you, try to train at a time when you are alone at home. But really, there is nothing to be ashamed of! Remember only karaoke bars, where people, to put it mildly, without a voice and hearing, sing so loudly that they can be heard outside the bar.

3. Meditation

We named this item so because the exercise that we are going to tell you about is very similar to meditation practices for beginners. It will help you develop mindfulness for sounds.

Walk on the street without headphones, trying to catch snippets of conversations, the noise of trees, the sound of cars, the sound of heels on the pavement; the way a dog shuffles its paw on the ground; the way someone shakes out a blanket on the balcony .... you will notice that you are surrounded by so many sounds that it's hard to believe. At home, spend five minutes a day listening to the buzzing of the refrigerator from the kitchen, the sound of water in the pipes, the conversations of neighbors, the noise from the street.

4. Voices

When talking to a person, try to remember his voice. You can also watch movies, memorizing the actors' voices, and then listen to certain parts of the movie and try to name the character based only on his voice.

Try to notice the manner of conversation of your interlocutor, the timbre of his voice; remembering a conversation with someone, try to pronounce the phrases of the interlocutor in his own voice in his head.

5. Learn to hear the music

Of course, it's very nice to listen to music and not think about anything. But if your goal is to develop an ear for music, then try to delve into the music you listen to. Learn to separate one musical instrument from another; study how the guitar sounds under different “bells and whistles” so as not to confuse it with other instruments; also learn to distinguish different synth modes from others musical instruments; listen to how real drums and electronic drums sound.

This practice will help you not only develop an ear for music, but also teach you to hear music more subtly, which in turn will give you even more pleasure from listening to it. There is one side effect in this practice - most likely later you will not want to listen to what you are listening to now, you will want something more complex and voluminous. And this is great, because isn't this the main indicator of your progress?

6. Rhythm

There is such a cool thing called a “metronome”. You can purchase it for yourself or find an online version on the Internet. Practice every day with the metronome by tapping with your finger (hand, foot, whatever) the rhythm it gives you.

When you feel comfortable with the metronome, move on to recognizing the rhythm in the music. Start with the music in which there are drums, it is easier to determine the rhythm from them. And then move on to work with music that does not contain noise instruments, allowing you to easily determine the rhythm ( classical music, for example).

Another fun way to improve your sense of rhythm is dancing. Sign up for dance studio or dance at home to your heart's content.

7. Sound source

If you have an assistant for this task, great! Close your eyes and ask someone to walk around you in and out of the room and make sounds (voice, clap, ring a bell, etc.). And every time your assistant makes a sound, you should try to understand from which direction it comes. Pretty easy if you and your assistant are in the same room, but once he starts walking around the apartment, you will notice that it becomes more difficult for you to determine where the sound is coming from.

If you do not have a person who can help you with this, then you can do the following. Go outside, sit somewhere on a bench and listen to the sounds around you, as in the third exercise. Only this time you will also need to understand from which side this sound is coming.

Programs and Applications

Of course, there are many development programs musical ear and we have collected the best of them.

1. Earteach

An excellent application containing exercises for scales, chords and intervals. Perfect for those who already have a more developed ear for music. You can also download the PC version.

The principle is very simple - you need to play the melody that you just heard. The app can also be downloaded for Android and iOS.

A simple game that will help you memorize notes. Also on the right you can find many more games for the development of musical ear.

Everyone loves music, but not every person is musical from birth. Sometimes, there comes a moment when, in an emotional outburst, you want to perform a couple of lines from a fresh hit by Miley Cyrus. However, after the performance, one has to catch sympathetic looks and listen to disapproving comments. To prevent this, you need to figure out what an ear for music is and what to do if you don’t have it.

Someone has perfect pitch by nature, someone raised him
with time

Musical ear is a fairly broad concept, containing a whole list of abilities that allow you to fully perceive music and adequately assess its advantages and disadvantages. A well-developed ear for music is a vital ability for musicians, producers, and sound engineers. It is given to someone by nature, someone brought it up over time. Anyone creative person, even unrelated to music, it does not hurt to add this one to your piggy bank of skills. Recently, experts have proven that ear for music even helps to learn foreign languages.

It has been scientifically established that the brain has certain area responsible for musical hearing. This bundle is located in the auditory zone: the larger it is and the more nerve fibers it contains, the better a person’s hearing is. So how do you know if you have hearing and how are your neurons in that very area of ​​the brain? To do this, it is not necessary to go and do a magnetic tomography, it is enough to try to accurately repeat the melody heard, for example, from the chorus of the Arcade Fire song Reflektor, while trying to keep the rhythm. If it doesn't work the first time, don't worry. You probably have impaired coordination in the work of hearing or voice aids, and you need to exercise more.

It seems to me that professionals will help to determine exactly whether you have a hearing or not. But, in any case, there is no point in despairing, because all this can be developed. The main thing is to have a desire.

There are several varieties
musical ear:

Perfect Pitch

This is the ability to accurately determine the pitch ( musical note) of any sound without comparing it with any standard. It is believed that this talent is innate and is present in 1 in 10,000, and even most of them. the greatest musicians in the world do not have absolute pitch.

Relative (or interval)

Hearing capable of detecting and reproducing musical intervals in melodies, chords, etc. In this case, the pitch is determined by comparing it with the standard.

inner hearing

The ability for a clear mental representation (most often - from musical notation or from memory) of individual sounds, melodic constructions.

intonation hearing

A type of perception of music that allows you to understand its character, expression.

fret hearing

The ability to hear, separate and identify differences in chords, consonances and sections of a melody, for example, their stability and instability.

Rhythmic hearing

The ability to move through music, to feel the emotional expressiveness of musical rhythm.

Also, vocal masters and musicologists distinguish harmonic, polyphonic, rhythmic, textural, timbre and architectonic hearing.

Set yourself a big challenge- by all means train your ears, of course, you need to contact a specialist and find a teacher in solfeggio (there is such a special discipline designed for the development of hearing and musical memory).

It is best to go to an experienced private teacher and it would be good to start learning musical notation along with the desired instrument. You will be taught to distinguish between notes and intervals, and then whole chords, keys and how to deal with all this. I went to solfeggio when my interest arose. Every lesson swells the brain from new information and begins to treat her painfully. The most useful thing in solfeggio for a musician is practical exercises, when you are trained by ear to determine notes and their relationships - intervals, chords, etc.

The most elementary exercise is probably just to sing the scale (do-re-mi-fa-sol-la-si) in unison under the piano. I would also advise you to listen to melodies from your favorite tracks on the instrument until you get one to one. It is doubly useful to study under a metronome and devote some time to exercises for a sense of rhythm.

After practicing for a while, you begin to hear the structure of the compositions on a much more subtle level. You just listen to music and get into everything like hell! You mark cool moves or, conversely, simple, elementary ones. In general, you perceive everything more insightfully.

7 programs and applications

If there is no time for a teacher, you can try to train your ear for music with the help of special web services, programs and applications, which recent times mass appeared. We have selected some of them.

To train your hearing and learn to distinguish and identify intervals, chords, timbres, rhythms and other basic elements music requires a lot of practice. For such practical exercises you just need to have an accompanist partner who would play the same intervals and chords on the instrument for guessing. The Ear Teach service allows you to train on your own, clearly tracking your progress. The program exists both in the web version and as a separate program (however, so far only for Windows).


Theta Music Trainer- a resource that includes dozens of flash games for hearing development, most of which are intuitive. Some games can be played for free without any registration, to access others you will have to enter your data. To fully complete the entire course and access all the materials of the site, you need to create a paid account (for $7.95 per month or $49 per year).


EarMaster 6 is latest version training program for Danish developers. In it you will find 2000 lessons and exercises for both beginners and experienced musicians. By connecting a microphone to your computer, you can hum along to the notes displayed on the screen. The program, in turn, will evaluate your hearing, giving a detailed report on hits in tones. Cost: €47.95


Auralia 4 is a serious program that contains 41 topics covering the basics of solfeggio: intervals and scales, chords and their sequences, rhythms, harmonies and melodies. Auralia allows you to arrange melodic dictations for yourself, connect a MIDI keyboard and a microphone. $99.00


Pitch Improver

A simple collection of basic exercises that offer to play melodies by ear. Press the Play button and try to repeat what you heard on the virtual keys. The first note is marked with a letter, and the rest are highlighted in green. To pass to the next level, you need to accurately play all the notes. Pitch Improver can be tried in the online version, as well as downloaded to your smartphone

All attempts to see and remember the image of each note for a non-absolute are doomed: exact value each note should get used to sitting in the head ALL THE TIME, and it is especially difficult for her to do this during an abstract time. No matter how you feel into the note by smell and touch, as soon as the need disappears and you change the type of activity, it immediately disappears or transforms into some recently heard tonality.

True perfect pitch holds these values ​​WHEN the circumstances change.
Therefore, the proposed program works IN THE BACKGROUND of your activity. It hides to the system clock, but every time you specify, it suddenly plays a note “on the piano” (from the current set) and immediately displays an expanded piano keyboard at the top of the screen. You must press the correct note - then it is marked green, and the program rolls back, counting down the time until the next show. If you make a mistake, the pressed note is still played, but turns red, and the program remains on the screen until you answer correctly.

You say it's hard right now?
Of course it's difficult. Therefore, EVERYTHING BEGINS WITH ONE NOTE, for which you need to define only an OCTAVE. At the same time, all other notes, except for this one, spread over all octaves, are marked in gray and are inaccessible so as not to distract attention. The skill of aural difference in octaves will come very quickly, and this is already a very harmless skill for a beginner pianist.

When you do not hesitate to choose the right octave, for example, the note Do, add its fifth (Sol) to the set - then you will be offered a choice of TWO of these notes, spread over all octaves. Then you will define it according to the principle of exclusion - not yet in this octave "Do", but already, it seems, not in this one either - it means that this is the Salt between them.

Then add, for example, a third within this fifth. And so on through all 12 tones, each time adding a new note to the center of the largest gap.

While you are working on anything (not necessarily at the computer), the brain continues in the background just a little - to store the exact sound of all the notes passed. Since you yourself regulate the increase in complexity, no additional load will not. The main thing is to run the program every day, no matter what you do, and choose a comfortable time interval between shows.

And also as a “bonus” comes a subconscious desire to quickly have time to do more before the next pop-up of the keys, and as a result, the productivity of the main work does not fall, but INCREASES! Especially if you set the interval once a minute. These minutes will seem five times longer!

INNOVATION (NOT REFLECTED IN THE HELP):

YOU CAN CLICK ON ANY PIANO KEY WITH THE RIGHT MOUSE BUTTON AND ENTER/EDIT A WORD ASSOCIATION FOR IT AND/OR LOAD/MODIFY/DELETE A PICTURE.

In addition to the program, I strongly advise you to always carry a tuning fork with you and sing any familiar melodies in an undertone in the streets with NOTES, often checking the absolute pitch of the tuning fork. Thus, the “absolute voice” will be imperceptibly developed, i.e. what will be remembered is not the frequency of the sound wave, but the sensation in the vocal cords. And at the same time immersion in the core musical literacy: free solfegging reveals great opportunities in performance, sight reading, composition, theory.

What is planned in the next versions?

1) Refusal to randomly select notes from the list and track the user's progress. The most difficult notes (those with the most mistakes) will be repeated more often, and those that are answered instantly and always correctly will hardly appear at all.

2) Provide support notes visual images which the user can change.

3) Provide all notes with colors with the possibility of changing them (development of your own COLOR hearing).

4) Automatic addition of notes in case of user's successes and subtraction in case of failures. Refusal of manual selection of notes and switching to step mode.

  • Program for the imperceptible development of absolute pitch
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