Tickets for chapaev and emptiness. What does Maxim Didenko's performance “Chapaev and Emptiness” consist of? Chapaev and Emptiness performance duration

Director: Pavel Ursul

Cast: Mikhail Efremov, Mikhail Krylov, Mikhail Politseymako, Pavel Sborshchikov, Maria Kozakova / Ekaterina Smirnova, Vladimir Maisuradze, Timofey Savin

Performance with intermission Duration: 2 hours 30 minutes

The cult performance based on the cult novel "Chapaev and Emptiness" is one of the most successful and non-standard performances on the modern Russian stage.

Unusual literary material, bold direction and stellar cast been using for 15 years incredible success at the public.

The unpredictable Mikhail Efremov as Chapaev, the virtuoso Mikhail Krylov as Pyotr Void, the merry fellow and showman Mikhail Politseymako as Kotovsky, the young and talented Maria Kozakova as Anka the machine-gunner, and the brutal handsome Pavel Sborshchikov as Serdyuk. Undoubtedly, this is exactly the case when the sum of all the terms is greater than each actor individually.

Staging a performance based on Pelevin is not just a challenge. After all, to embody on stage an action that “occurs in absolute emptiness” is not an easy task. But the creative trio - Evgeny Sidikhin, Alexander Naumov and director Pavel Ursul - skillfully gave out their vision of the sensational novel, because the production is understandable even to those who have not read the book. And, judging by the longevity of the performance, it succeeded!

The viewer finds himself between two worlds, in one of which - the hero commander Vasily Ivanovich Chapaev and his squire Petka are trying to figure out the expediency of everything that happens in the universe, and in the other - a patient of a psychiatric hospital is in the world of his surrealistic dreams.

Other “psychos” are also included in the incredible game: a bearded man introduces himself as Just Maria and goes on dates with Arnold Schwarzenegger, and a group of patients led by Kotovsky “eats mushrooms in search of an eternal buzz” ...

Despite the seeming recklessness of the plot, "Chapaev and Emptiness" is a philosophical performance, piercingly sad and, at the same time, incredibly funny and modern. Theater and film stars Mikhail Efremov, Mikhail Politseymako and the rest of the actors involved in the production manage to meticulously combine all the eras in which events unfold, - civil war, a modern psychiatric hospital and the great Void, into which the heroes finally go...

All fans of bright and non-standard productions should definitely watch the play Chapaev and the Void. Through the very unusual scenery and costumes, the non-standard situations and the uncertainty of what is happening, the most important thought and the need to know oneself run like a red thread. The performance was staged based on the work of the same name by V. Pelevin, domestic writer, which already during his lifetime became a cult. This is one of his loudest and brightest works, and putting it on stage is a great difficulty for the director, but M. Didenko undertook to cope with this task.

The work is interesting in that everything in it takes place in absolute emptiness - this is the first such work of its kind. It is not easy to convey the absolute emptiness on the stage, so the scenography of the performance deserves special praise. Hurry up to get tickets for the play Chapaev and the Void to personally see the story on the verge of everyday life and reality, somewhere between the past and the present, on the border of Asia and Europe. However, it does not matter when and where the events take place - it is important whether the characters can learn to comprehend themselves. The director warns that his performance is not an attempt to retell the book, it is just a commentary on the novel, a vivid illustration to it, so only those who are well acquainted with the original work will be able to fully understand everything that happens on the stage.

Spectators get the opportunity to go through a difficult path together with the characters, to solve some riddles famous work, delve into themselves and make very important conclusions and observations. All this makes the performance important, exciting and worthy of close attention.

"Chapaev and Emptiness" was released in 1996 - three years before "Generation P", where the writer, with his characteristic sulfuric acid of esotericism and postmodernism, painted new Russia. Its intersecting parallel worlds were inhabited by stall banditry, conceptual advertising business, drug trips, the search for a national idea in the world of spirits, cosperologically omnipotent government and an echo of the Babylonian culture, which is precisely in Russian lands hid the dog P *** ets - a harbinger of the apocalypse. In 2011, the novel was quite carefully (Pelevin allegedly sent him an e-mail thanking him), but the vague charm of the sandpaper text, which seemed to convey a complex cultural and ideological pattern of the 90s, evaporated. The 21st century was not surprised by the wow factor. "Chapaev and Void", on the contrary, was removed from the library in a timely manner.

The events of "Chapaev" take place in several dimensions: in revolutionary Russia 1918-19 decadent poet Pyotr Pustota flees from personal demons and meets the legendary commander Vasily Ivanovich Chapaev, who is well versed in spiritual practices and, along with the command of the Red Army, becomes a kind of bodhisattva for the confused poet. At this time, in the 90s, Peter is being treated in a psychiatric hospital, where he ended up with a split personality (he considers himself not Napoleon, but a decadent poet of the revolutionary years). Doctor Timur Timurovich stuffs him and three other wards with drugs in order to find the key to their illnesses in the trips of patients. In the hallucinations of one, an alchemical marriage with the West appears, in another - with the East, another appeals to the idea of ​​a superman.

In general, the confusion in the minds of the heroes fully reflected the fork in which Russia found itself after the collapse of the USSR. Pelevin captures the deep inner confusion from the time of change, formulated by Timur Timurovich: “ And when some established connections break down in the real world, the same thing happens in the psyche. At the same time, a monstrous amount of psychic energy is released in the closed volume of your "I". It's like a small nuclear explosion ". The director decided to stage "Chapaev" exactly on the 20th anniversary of the text - and he miraculously again fell into a mood of confusion, even if some details of Pelevin's narrative sound redundant and archaic (mainly in the chapter about bandits).

Accustomed to packing words into scenography and ensemble action, of course, he puts Pelevin selectively - from the entire 500-page novel, there are three chapters-acts left. "Garden of Divergent Petek", "Black Bagel" and "Conditional River of Absolute Love". The first two acts owe their name to the draft titles of the novel, the third - to Pelevin's decoding of the name of the Ural River.

The first act is a rock concert in the red but soft walls of the psychiatric hospital; Actors of the Brusnikin Workshop (- Petka, Ilya Barabanov- Chapaev), dressed in costumes, mixing Japanese, revolutionary and rock styles, fervently sing songs to the verses of Peter the Void, he is the poet Plywood ("not to be confused with a paper tiger and a tin soldier"). Energetic music program written by the composer Ivan Kushnir, turns into a session of collective psychotherapy, which is arranged by the doctor Timur Timurovich ( ). The lights turn on in the hall - the doctor delivers a monologue about changes and their impact on inner world human (Emptiness tries to argue).

The second act is a juicy drug trip in the light of yellow fluorescent lamps: stereotypical bandits from the 90s (Butkevich, Barabanov and) walk in circles and look for the Eternal high, that is, a way out of the wheel of samsara, whose laws are formulated according to concepts. Next to them is invisibly present the one who has known the eternal buzz and whose face is hidden by a mask. The audience takes the neon demon of the second act with even greater enthusiasm than the energetic first, thanks to Pelevin's absurdly straightforward humor, which, again and again, on different examples tries to clarify the concept of Eternal high.

The third act is a wordless ballet in striped blue leotards to the incessant mantra-song "Om, it's not evening, it's not evening" performed in the same mask. Explosions of shells are intertwined here, the game of “The Sea is Worried Once”, the well-coordinated work of the team in synchronized swimming, as well as the peace found in the river of absolute love. Set designer and costume designer Galina Solodovnikova solves the river in the form of a paddock with transparent balls - like in a children's room shopping center. The ironic detail is quite in the spirit of Pelevin.

For the Void, the finale is either enlightenment, or a cure for a mental illness, or simply the end of the performance - because there is no real world, everything is an illusion, it's time to go home. But first, in the hall on four televisions, where stories are told during the intermission, for example, about a fungus that has enslaved humanity, they will also show a line of actors in full war paint from the first act. They have already entered the void.

A cult performance based on the cult novel by Viktor Pelevin

Date: May 23
Venue: Moscow Musical Theater
Start: 19:00

"Chapaev and Emptiness" is one of the most successful and non-standard performances on the modern Russian stage. Unusual literary material, bold direction and stellar cast have enjoyed incredible success with the public for 15 years now.

The unpredictable Mikhail Efremov as Chapaev, the virtuoso Mikhail Krylov as Pyotr Void, the theater and film star Gosha Kutsenko as Kotovsky, the young and talented Maria Kozakova as Anka the machine-gunner, and the brutal handsome Pavel Sborshchikov as Serdyuk. Undoubtedly, this is exactly the case when the sum of all the terms is greater than each actor individually.

Staging a performance based on Pelevin is not just a challenge. After all, to embody on stage an action that “occurs in absolute emptiness” is not an easy task. But the creative trio - Evgeny Sidikhin, Alexander Naumov and director Pavel Ursul - skillfully gave out their vision of the sensational novel, because the production is understandable even to those who have not read the book. And, judging by the longevity of the performance, it succeeded!

The viewer finds himself between two worlds, in one of which the hero divisional commander Vasily Ivanovich Chapaev and his squire Petka are trying to figure out the expediency of everything that happens in the universe, and in the other, the patient of a psychiatric hospital is in the world of his surrealistic dreams. Other “psychos” are also included in the incredible game: a bearded man introduces himself as Just Maria and goes on dates with Arnold Schwarzenegger, and a group of patients led by Kotovsky “eats mushrooms in search of an eternal buzz” ...

Despite the seeming recklessness of the plot, "Chapaev and Emptiness" is a philosophical performance, piercingly sad and, at the same time, incredibly funny and modern. Theater and film stars Mikhail Efremov, Gosha Kutsenko and the rest of the actors involved in the production manage to meticulously unite all the eras in which events unfold - the civil war, the modern psychiatric hospital and the great Void, into which the heroes finally go ...

Actors and performers:
CHAPAEV - Mikhail Efremov,
PETKA EMPTINESS - Mikhail Krylov,
KOTOVSKY - Gosha Kutsenko,
SERDYUK - Pavel Collectors,
ANKA - Maria Kozakova / Ekaterina Smirnova,
SIMPLY MARIA - Vladimir Maisuradze,
PANIC - Timofey Savin.