Arguments for the exam Russian language war. "Mother of Man"


    A. S. Pushkin."Eugene Onegin". A person sometimes, not noticing his happiness, passes by. When the feeling of love arises in him, it becomes too late. This is what happened to Eugene Onegin. At first he rejected the love of a village girl. After meeting her a few years later, he realized that he was in love. Unfortunately, their happiness is impossible.

    M. Yu Lermontov."Hero of our time". Pechorin's true love for Vera. His frivolous attitude towards Mary and Bela.

    And S. Turgenev."Fathers and Sons". Yevgeny Bazarov denied everything, including love. But life made him experience it true feeling to Anna Odintsova. The stern nihilist could not resist the mind and charm of this woman.

    and A. Goncharov."Oblomov". Lyubov Oblomov Olga Ilinskaya. Olga's desire to pull Ilya out of a state of indifference and laziness. Oblomov tried to find the purpose of life in love. However, the efforts of the lovers were in vain.

    A. N. Ostrovsky. It is impossible to live without love. Proof of this is, for example, the deep drama that Katerina went through, main character plays by A. N. Ostrovsky "Thunderstorm".

    I.A. Goncharov. "Oblomov". great strength love is the theme of many writers. Often a person is able to change even his life for the sake of a loved one. However, this is not always possible. For example, Ilya Ilyich, the hero of the novel by I.A. Goncharov "Oblomov", for the sake of love he abandoned many of his habits. Olga, having experienced disappointment, leaves Oblomov. The mutually enriching development of their relationship did not work out, because the desire to vegetate "crawling from one day to another" turned out to be stronger for Ilya.

    L.N. Tolstoy. Love is a great feeling. It can change a person's life. But it can bring a lot of hope and disappointment. However, this state can also transform a person. Such life situations were described by the great Russian writer L.N. Tolstoy in the novel "War and Peace". For example, after the hardships of life, Prince Bolkonsky was convinced that he would never again experience happiness and joy. However, the meeting with Natasha Rostova changed his view of the world. Love is a great power.

    A. Kuprin. Sometimes it seems that poetry disappears from our life, the magical beauty of love, that people's feelings are diminished. Faith in love still amazes readers with the story of A. Kuprin “ Garnet bracelet". It can be called an exciting hymn of love. Such stories help to keep the faith that the world is beautiful, and people sometimes have access to the inaccessible.

    I.A. Goncharov "Oblomov". The influence of friendship on the formation of personality - serious topic, which worried I. A. Goncharov. The heroes of his novel, peers and friends, I. I. Oblomov and A. I. Stolz, are shown in almost the same way: childhood, environment, education. But Stolz tried to change his friend's sleepy life. His attempts were unsuccessful. After the death of Oblomov, Andrei took his son Ilya into his family. That's what real friends do.

    I.A. Goncharov "Oblomov". Friendship is about mutual influence. Relationships are fragile if people do not want to help each other. This is shown in the novel by I.A. Goncharov "Oblomov". Ilya Ilyich's apathetic, difficult to climb nature and Andrey Stolz's young energy - all this spoke of the impossibility of friendship between these people. However, Andrei made every effort to encourage Oblomov to some kind of activity. True, Ilya Ilyich could not adequately respond to his friend's concern. But the desires and attempts of Stolz deserve respect.

    I.S. Turgenev "Fathers and Sons". Friendship is not always strong, especially if it rests on the subordination of one person to another. A similar situation was described by Turgenev in the novel Fathers and Sons. Arkady Kirsanov was at first a fierce supporter of Bazarov's nihilistic views and considered himself his friend. However, he quickly lost his conviction and went over to the side of the older generation. Bazarov, according to Arkady, was left alone. This happened because friendship was not equal.

    N.V. Gogol "Taras Bulba" (about friendship, partnership). The fact that "there is no holier than the bonds of partnership" is said in the story of N. Gogol "Taras Bulba".

The Russian language constantly interacts with other world languages. In the novel in verse, A.S. Pushkin, describing Onegin's outfit, says that "... pantaloons, tailcoat, vest, all these words are not in Russian." Surprisingly, centuries have passed, and no one will remember that once these words were denied, considering them frivolous and impolite. At the beginning of the 19th century, they were considered relatively new types of clothing, the terminology of which has not yet been fully established. The selection of Russian names was slow. Nose light hand Pushkin, we consider these words our own and do not think about their origin. One can argue whether the Russian language has become richer, but it certainly has not become poorer, because today instead of a sleeveless jacket we say “vest”, and instead of short pants - “knickers”. Although, we can safely say that this word is gradually becoming obsolete.

2. A.S. Pushkin "Eugene Onegin"

In the eighth chapter, the appearance of Tatyana is surrounded by a halo of enthusiasm and secular apotheosis. Pushkin that Tatyana was “a true shot of Du comme il faut…” And then the author apologizes to the Slavophiles: “Shishkov, forgive me. I don't know how to translate. The expression translated from French means - decent, decent, as it should. Usually this expression is used in an ironic sense, but here Pushkin uses this word - comme il faut - in a positive sense, everything that is not vulgar (that is, not vulgar, that is, not primitive, has gone). The author talks about this later.

Nobody could find it
The fact that fashion is autocratic
In the high London circle
It's called vulgar. (I can not...
I love this word very much
But I can't translate;
It is new for us,
And it is unlikely to be in honor of him.
It would fit in an epigram ...

Vulgar - primitive - has become absolutely our word used in colloquial speech.

3. A.S. Griboyedov "Woe from Wit"

Alexander Andreevich Chatsky acts as a defender of the Russian national language. He finds it inappropriate to use French in my own country, at least. To be closer to the people. In his monologue he says:

At conventions, at big ones, on parish holidays?
There is still a mixture of languages:
French with Nizhny Novgorod?

Assuming that the past three years might have changed something. Griboyedov, through Chatsky, expresses his negative attitude towards the use of the French language in everyday life.

4. L.N. Tolstoy "War and Peace"

In the novel, the author conveys the situation when, after the Battle of Borodino, representatives of the St. Petersburg world decide to abandon the use of French words. However, such a decision is difficult to implement, since it is not customary to speak Russian in high society, and many simply do not know the meaning of French words in their native language. L.N. Tolstoy clearly does not sympathize with the representatives high society, assuming that in Hard time all citizens must unite, and language is one of the chief means of this.

5. K. Paustovsky

believed: "We have been given possession of the richest, most accurate, powerful and truly magical Russian language." Our eminent writer I thought that true love to one's country is unthinkable without love for one's language. Domestic literature is the pride of the nation, the names of Pushkin, Tolstoy, Chekhov, Dostoevsky, Bulgakov are world heritage, they are read and loved on all continents. “Many Russian words themselves radiate poetry, just as gems radiate a mysterious brilliance.

The main character of the story "Yushka" is a poor blacksmith's assistant, Yefim. In the people, everyone simply calls him Yushka. This still young man, due to consumption, early turned into an old man. He was very thin, weak in hands, almost blind, but he worked with all his might. Early in the morning, Yushka was already in the forge, fanning the forge with fur, carrying water and sand. And so the whole day, until the evening. For work, he was fed cabbage soup, porridge and bread, and instead of tea, Yushka drank water. He was always dressed in old
pants and blouse, burnt through with sparks. Parents often said about him to negligent students: “Here you will be the same as Yushka. You will grow up, and you will walk barefoot in summer, and in thin boots in winter. Children often offended Yushka on the street, threw branches and stones at him. The old man was not offended, calmly walked by. The children did not understand why they could not get Yushka out of themselves. They pushed the old man, laughed at him, and rejoiced that he could do nothing with the offenders. Yushka was also happy. He thought that the children pester him because they love him. They cannot express their love in any other way, and therefore they torment the unfortunate old man.
Adults were not much different from children. They called Yushka "blissful", "animal". From the meekness of Yushka, they came to even greater bitterness, often beat him. Once, after another beating, the blacksmith's daughter Dasha asked in her hearts why Yushka lives in the world at all. To which he replied that the people love him, the people need him. Dasha objected that people beat Yushka to the blood, what kind of love is that. And the old man replied that the people love him "without a clue", that "the heart in people is sometimes blind." And then one evening a passer-by clung to Yushka on the street and pushed the old man so that he fell backwards. Yushka no longer got up: the blood went down his throat and he died.
And after a while a young girl appeared, she was looking for an old man. It turned out that Yushka placed her, an orphan, in Moscow with a family, then taught at school. He collected his meager salary, denying himself even tea in order to raise the orphan to his feet. And so the girl trained as a doctor and came to cure Yushka of his illness. But didn't have time. It's been a long time. The girl stayed in the city where Yushka lived, worked as a doctor in a hospital, always helped everyone and never took money for treatment. And everyone called her the daughter of the good Yushka.

So at one time people could not appreciate the beauty of the soul of this man, their heart was blind. They considered Yushka a useless person who has no place on earth. To understand that the old man did not live his life in vain, they could only learn about his pupil. Yushka helped a stranger, an orphan. How many are capable of such a noble selfless act? And Yushka saved up his pennies so that the girl would grow up, learn, use her chance in life. The veil from the eyes of people fell only after his death. And now they are already talking about him as a "good" Yushka.
The author urges us not to become callous, not to harden our hearts. Let our heart "see" the need of every person on earth. After all, all people have the right to life, and Yushka also proved that he did not live it in vain.

Frost's antipode - Pavel Mechik. In the novel, he is an "anti-hero". This is a young boy who joined the detachment only out of curiosity. But he immediately became disillusioned with the ideas, for the sake of which he "ceased" to be an urban intellectual. But the Sword hid it from everyone. The people who surrounded Paul brought him many disappointments, because they turned out to be incompatible with the “ideal” heroes that their ardent youthful imagination created them. still weak, because in the further narrative he betrays the members of the detachment. The sword was put on patrol by Levinson, the head of the detachment, but Pavel considered this not true and, having not fulfilled his duty, disappeared into the forest, which led to the death of the detachment. “... The swordsman, who had already driven quite far, looked back: Frost was riding behind him. Then the detachment and Morozka disappeared around the corner ... He dozed off. He did not understand why he had been sent ahead. He threw up his head, and the sleepy state instantly left him, replaced by a feeling of incomparable animal horror: there were Cossacks on the road ... "

The sword disappeared and saved only his own life, putting the lives of the squad members on the map. Fadeev focuses not on the battles themselves, but on the time between us, when there comes a moment of respite, rest. These seemingly “peaceful” episodes are full of internal tension and conflict: be it the case of killing a fish, confiscating pork from a Korean, or waiting for the result of Metelitsa reconnaissance. Such a construction is deep meaning narratives: moral, ideological and political problems and their philosophical understanding are important. The train of thought of the characters, their behavior, internal throwing in relation to everything that happens around - this is what Fadeev called "the selection of human material."

In this regard, the image of Frost, one of the heroes of the novel, is interesting. Actually, his presence in the center of the work is explained by the fact that he is a model of a new person undergoing a “remake”. The author spoke about him in his speech: “Morozka is a man with a difficult past... He could steal, he could swear roughly, he could lie, get drunk. All these traits of his character are undoubtedly his great shortcomings. But in difficult, decisive moments of the struggle, he did what was necessary for the revolution, overcoming his weaknesses. The process of his participation in the revolutionary struggle was the process of the formation of his personality ... "

Speaking about the selection of "human material", the writer had in mind not only those who turned out to be necessary for the revolution. People "unsuitable" for the construction of a new society are ruthlessly discarded. Such a hero in the novel is Sword. It is no coincidence that this person, by social origin, belongs to the intelligentsia and consciously comes to partisan detachment, driven by the idea of ​​revolution as a great romantic event. Mechik's belonging to a different class, despite his conscious desire to fight for the revolution, immediately alienates those around him. “To tell the truth, Frost did not like the rescued at first sight. Frost did not like clean people. In his life practice, these were fickle, worthless people who could not be trusted. This is the first certification that the Mechik receives. Morozka's doubts are in tune with the words of V. Mayakovsky: "An intellectual does not like risk, / He is red in moderation, like a radish." Revolutionary ethics is built on a rigidly rational approach to the world and man. The author of the novel himself said: “The sword, another“ hero ”of the novel, is very“ moral ”from the point of view of the ten commandments ... but these qualities remain external to him, they cover up his inner egoism, lack of devotion to the cause of the working class, his purely petty individualism ". Here, the morality of the ten commandments and devotion to the cause of the working class are directly contrasted. The author who preaches the triumph of the revolutionary idea does not notice that the combination of this idea with life turns into violence against life, cruelty. For him, the professed idea is not utopian, and therefore any cruelty is justified.

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