The Essence of Emotions: How to Draw Facial Expressions. Anatomy of the face: angles, emotions, races

A successful portrait can be considered a work that seems to come to life. A portrait of a person is made alive by the emotions displayed on it. In fact, it is not as difficult to draw human emotions as it seems at first glance. If you do not draw from nature or from a photograph, then before work you can go to the mirror. It is necessary, having taken the necessary form, to study the changes in your face. The emotions you draw on paper will reflect the state of mind of the person whose portrait you are depicting.

Sketch

You can draw different emotions only if you have the necessary base, so the first stage in your work is a sketch. When creating a portrait, it is important to consider the angle in order to maintain the correct proportions of the face. Draw the basics you need: the oval of the head, neck and, if desired, the contours of the shoulders. Draw a vertical - the axis of symmetry of the face. Divide her horizontal line, approximately in a ratio of 1:2, counting from the top edge. At the height of this line, the eyes will be located. Mark the eyebrows with small arcs. In the middle of the lower, longer, part of the vertical of the face is the nose. The distance between the eyes and the vertical will be equal to the size of the wings of the nose. Show the mouth with a slightly curved horizontal line. Do not forget to outline the ears and chin, and you can start studying facial expressions. Emotions drawn with a pencil are convenient because, unlike working with other materials, it will be more profitable to generalize the forms without drawing everything thoroughly.

Happiness

First, let's try to draw emotions happy person. In an ecstatic state, people's eyes usually do not change, but you can show slight wrinkles that appear around them when smiling. To heighten the effect, slightly dilated pupils can be displayed. The arches of the eyebrows are slightly raised. A smile can be depicted by curving the line of the mouth and lifting the outer corners of the lips. Do not forget about folds or, if the person you are drawing has them, dimples on the cheeks. Also, in a smiling person, the cheeks rise slightly and appear more plump, for this, make small downward curved lines under the eyes. If the smile is "open", then show the teeth with several vertical lines.

Anger

An evil expression on the face is mostly given by eyebrows shifted to the bridge of the nose. The inner corners of the eyebrows drop strongly, almost pressing against the eyes, while the outer corners, on the contrary, fly up. Because of this, a wrinkle forms on the bridge of the nose, which can be shown with small vertical strokes. The eyes in anger are very narrowed, wrinkles appear under them and near the outer corners, show them with horizontal strokes. The mouth is also important: you can depict an evil grin by drawing teeth and showing the nasolabial fold with lines - from the wings of the nose to the corners of the lips. The shape of the mouth resembles a perfect circle: the upper lip seems to be wrapped with corners down, while the lower one forms an arc raised upwards. Due to the fact that the mouth of a screaming person is open, you need to lower the lower jaw and chin, extending the oval of the face. The wings of the nose are greatly expanded. When creating a portrait evil person you can slightly sharpen facial features, this will give him a little aggressiveness.

mockery

A mocking expression is given to the face by the shape of the eyebrows and mouth. Raise one eyebrow with an arch, depict the other like a wave, lowering the inner corner. From the side of the raised eyebrow, pull up the wing of the nose. Draw a smirk by lifting one corner of your lips. Due to this, the entire line of the mouth is slightly shifted towards the raised corner. Lower lower lip, the teeth will be slightly visible. Also, a fold forms on the cheek on the side where the smile is extended. Narrow your eyes a little and show wrinkles around the outer corners with small strokes, as with a smile.

Astonishment

The next emotion we will try to draw is surprise. All elements of the face of a surprised person seem wider and rounder than in a calm state. Let's start with the eyebrows. The arches of the eyebrows are strongly curved, due to this, horizontal folds form on the forehead. Or you can lift only one eyebrow up, this will give your portrait even more surprise. When the eyebrows rise, the nose rises with them, so extend it up a bit. The eyes are often round and wide. The mouth is slightly open, it becomes like an oval in shape, and do not forget to draw teeth inside it.

Sadness

In sadness, people often lower their heads, and to show this, it is necessary to make the frontal lobe of the oval of the head a little larger, and cut the lower jaw and chin. The eyes do not change their shape, but the gaze is usually lowered (show this by shifting the pupil at the lower edge of the eye), so the upper eyelids will cover the eyes a little more and appear larger. The inner tips of the eyebrows rise, and the rest repeats the shape of the eye, falling down in an arc - this can be shown by a curve resembling a wave with a line. The lips will be tightly closed, and their corners will drop down. If the person in your portrait is crying, then the shape of their eyes will be narrowed. Tears can be shown with a simple line. Trails of tears, leaving the outer corners of the eyes, repeat the lines of the oval of the face and descend to the chin, bending around the cheeks.

Disgust

When expressing disgust, the face seems to wrinkle, so horizontal folds will form on the forehead, a vertical wrinkle will appear between the eyebrows, and a slightly noticeable nasolabial fold near the mouth. Draw the eyebrows as straight as possible and lower them lower to the eyes, but lift the inner corners up. The eyes will not differ much from the neutral expression, except that they will be slightly narrowed. Neglect is also expressed by the upper lip raised on one side and exposing the teeth.

thoughtfulness

thoughtfulness - last state, which we will try to draw. Emotions thoughtful person weakly expressed. People usually relax their facial muscles when thinking, but the brows in this expression can be pulled together so there is a wrinkle between them. Draw them in a straight line, but slightly lift the upper corners. The eyes do not change shape, but if you draw them a little narrower or completely closed, this will give the portrait even more thoughtfulness. The gaze can be taken aside or lowered, just draw circles of the iris and pupil not directly in the center of the eye. The lips will be slightly parted, so be sure to show your teeth.

Anxiety

In a restless person, the facial muscles are uncontrollably tense, so you need to display the wrinkles on the forehead and under the eyes. Eyebrows, as in the expression of sadness, form a wave, while the eyes are wide and rounded. In addition, a person experiencing excitement may have slightly dilated pupils. The lips are compressed, so draw the lower lip a little narrower than usual; some people bite it, so you can add a strip of teeth.

We hope this article helped you understand how to draw emotions step by step, and your portrait turned out to be alive.

Today we are moving on to the lessons anime emotion drawing. We have already gone through the lessons with you, the lessons of drawing the head of the anime, we also reviewed the drawing lessons and, therefore, we will quickly deal with this lesson. Now I will try to tell you how to correctly and beautifully draw emotions. On the this moment we will look at a couple of emotions and how to draw them.

The emotion of delight or joy is one of the most popular and common emotions in anime. Most easy way portray delight it through big eyes, raised eyebrows and wide open mouth. Also, let's not forget about the glare in the eyes. Here they will not be redundant.

The emotion of this character shows that he is happy. But not like in the previous picture. Here, happiness is less emphasized, but it will be immediately clear from the eyebrows and the smooth curve of the mouth that he is certainly not sad.

Here we can notice that the eyebrows slowly crawled to the top. The small lowered mouth moved a little to the side. By this facial expression, we can safely say that this character is annoyed, dissatisfied.

This character clearly shows that he is not in a very good spirit. The eyebrows are arched down, the mouth is wide open, which makes it clear that the character is screaming. At the same time, the eyes remain wide open. All this makes it clear to us that the character is embittered.

Sadness is also one of the common emotions. The most important detail here is displayed by the eyebrows. Notice how the inner edges of the eyebrows curve upwards. Also, her lower eyelids are only slightly arched, while her upper eyelids form large and rounded curves. The mouth in this case looks slightly curved down. Such a face gives an understanding that the hero is in sorrow.

Then I think you'll figure it out for yourself. After all, it's still the same emotion may depict differently, it all depends on your overall composition. But all this comes with experience. So draw more and you will succeed.

I also want to advise you a little to draw the whole drawing in one emotions. Even if the background matches emotions your main character. Such a drawing will look much more effective.

There are millions of eyes, mouths, noses, ears, chins in the whole world and each with its own characteristics. However, to make cartoon-style faces, you just need to understand the basics. AT this lesson we will learn how to create emotions on faces cartoon characters in just a few steps.

Human face behavior

Just like the tone of the voice, the facial expression lends itself to easy and quick change. Different expressions are not only the result of muscle contraction, but also the simultaneous action of one and the relaxation of opposite muscles. For example, when laughing and smiling, the same muscles are involved, only with different intensities.

If you are asked to describe what feelings are depicted below, what would you say?

Surely you will say that the boy is thinking about something. Not really. This image expresses a complete lack of expression, since none of the facial muscles are tense.

In fact, this facial expression people use 80% a day. When a person is alone, this is exactly the expression on his face, but when a person is in a company, listening or talking, usually his face expresses various emotions.

Primary emotions

Primary emotions are those emotions that arise on primary stimuli and people do not have sufficient control over them and their origin.

These basic emotions are expressed on our face regardless of culture, race or age. Below are the main ones:

• Happiness (1): The corners of the lips are raised up - the eyebrows are raised up - the eyes are wide open;
• Anger (2): The corners of the lips are lowered down - the tips of the eyebrows near the nose are lowered down - the eyes are wide open;
• Fright (3): The corners of the lips (sometimes the entire line of the lips) are randomly lowered down - raised eyebrows irregular shape- wide open eyes;
• Sadness (4): The corners of the lips are lowered down - the tips of the eyebrows near the nose are raised up - the eyes with lowered eyelids.

These are the basic facial expressions and we use them most frequently throughout our lives. For a cartoon, it is generally necessary to develop other expressions based on the main ones.

There are two more expressions that complement the group of basic ones:

• Surprise (5): Small and half-open mouth - eyebrows raised above an irregular shape - eyes wide open;
• Nonsense! (6): The corners of the lips are randomly lowered down - the tips of the eyebrows near the nose are lowered down - the eyes are closed.

"Why was it necessary to separate these two emotions from the first group?"

Simple: these expressions are variations of the expressions of the first group.

Now, you might be wondering why there are so few basic forms of emotional expression? It's very simple: there are primary colors that can be mixed to create others, just as there are primary emotions that can be mixed to create other secondary expressions! Just take a look:

Note that to create the sleepy expression, we took the eyebrows from the expression of happiness and mixed them with almost eyes closed sadness. Cool, isn't it?

family emotions

The fun doesn't end! A family of emotions consists of those emotions, for the construction of which it is necessary to change only one component in the previous one.

Note that only the mouth has been changed in the drawing. We can express two different feelings, starting from the basic (“nonsense!” - “something smells bad”).

Here is another example ("surprise" - "fear"):

Here, too, only the mouth has been changed.

This time we use the mouth and eyes to get another version of the same primary emotion ("surprise" - "confused").

We can extract the third emotion from the secondary:

Fantastic, isn't it? It's entirely possible that you'll end up with dozens or even hundreds of possible emotional faces for your design by applying these techniques!

The physical side of emotions

Primary emotions and physical states of the concept are very close. One form of emotion can mean another.

Note that physical emotion stems from the primary. Fatigue comes from sadness.

We can amplify the emotion simply by adding an additional element - drops of sweat ("hot"):

Let's see another example of a physical reaction. This time our character is being electrocuted! In short: completely lost control over the reaction!

We exaggerated the mouth expression to get the desired result.

Note that primary emotions are dominant. Shock, even when uncontrollable, is a variant of fear.

Intensity and additional elements

Depending on the intensity of the emotion expression, we can create very interesting results:

In addition to intensity, we can insert into the image additional elements to enhance emotion. In the first image, let's add a few drops of sweat to emphasize the fear. In the second case, we add a language.

Back to fear. Let's adjust the image to explore a more intense sense of panic!

Zoom in on the character's eyes and cover his face.

Angle changes

To achieve a stronger impact, you can change the viewing angle of the scene.

Note that when placing the corner of the stage from top to bottom, it creates an impression of inferiority for our character. In contrast, by positioning the camera from bottom to top, we make our character more menacing! The prominent chin and taunt help create the perfect atmosphere for threatening!

In cartoon style, menacing characters tend to have large chins, weak characters have large eyes but smaller jaws, and the mouth is always very close to the chin.

Try to apply these methods in your projects and you will see!

Playing with social stereotypes and context

To make our characters more stereotypical, we can add some elements that reinforce the context of the scene.

Notice the drunk has messy hair, an unshaven look, heavy eyelids, and one tooth sticking out of his mouth. The patient has a large nose and considerable age, eyes are closed and saliva is visible when coughing.

Here is another example. The picture below can be applied in several contexts. The man on top is in pain, the man below is furious.

Let's change the picture. Let's add tears to two characters and cloth in the hand of one of them and they will cry.

Facial Signals

People use facial expressions to convey certain signals to other people.

Below is an illustrative example of signal exchange. The heartthrob directs his gaze to the girl. Did she fall in love with him?

Let's look at another example. A common cartoon scene: a sweet girl who always gets what she wants.

Let's change the context. We have only changed the direction of the eyes. This detail made the girl more shy.

Conclusion

If you have difficulty expressing the feelings and emotions of your characters, then the best way to achieve results will train in the perception of the emotions of other people.

We hope you are motivated to explore the expression of different emotions. And remember that for caricatures you need to exaggerate the expressions and understand the basics of their instantaneous formation.

Translation - Duty.

How to draw emotions. Emotions in a pencil portrait

In this lesson, we will look at how a person's face will change, expressing various emotions. When expressing early emotions, the look changes, the pupils (shrink or expand), ears rise, lips stretch in a smile or vice versa narrow, and so on :) Below are the stages of writing a portrait of a person filled with emotions such as happiness, fear, contempt or hatred, anger or anger

How to draw fear, how to draw fear with a pencil.

We start the drawing with an axial thin line, immediately determine the dimensions of the head.

Divide the center line into three equal parts

With light lines we define the tip of the nose, the direction of the eyebrows, the curvature of the eyes.

With the help of hatching draw eyebrows, pupils. My eyes will be slightly widened (from fear:)

Using hatching, we sculpt the shape of the nose

We draw hair and ears to our character, apply shading to them

We draw a mouth that will be skewed, thereby the emotion of fear will be transmitted. When a person is afraid of something, a wrinkle forms between the eyebrows. We apply hatching to the entire surface of our drawing. Everything, from the image a frightened person is looking at you

how to draw happiness on a person's face

We start the drawing by drawing an axial thin line with a pencil, determine the dimensions of the head

We divide the center line into three equal parts as in the previous stage

Define the shape of the head with a light line

Strongly without pressing the pencil, draw the eyebrows, nose, determine the shape of the eyes

With the help of hatching draw eyebrows, pupils. The eyes will be narrowed as much as possible. When a person smiles, wrinkles form around

We draw a mouth, slightly noticeable dimples will appear on the cheeks, pronounced cheeks will appear. We draw ears. Using hatching, we sculpt our entire head.

We add a hairstyle to our character, dress him up. Our drawing is ready.

How to draw contempt, arrogance

As always, we start with the center line. Immediately determine the dimensions of the head of the model.

The center line is divided into three equal parts. This will be the level of the eyebrows and nose.

Draw the outline of the head with a pencil

We draw a nose and eyebrows, we outline a neck with a collar

We draw eyes. I want to draw attention to the fact that the cut of the eyes will be slightly narrowed. We immediately apply hatching to the gas, our drawing will begin to come to life.

We outline the folds at the eyes. Because when a person squints, a lot of folds form in him. We draw a mouth with slightly visible teeth. We outline the chin.

Draw hair and ears to our character

The final stage is to apply hatching to the entire surface of our drawing, the places where the shadow passes the hatching are applied more intensively. Our drawing is ready.

How to draw anger, anger in a portrait

We draw the center line where our head will be located

We divide the axis into three parts with a pencil. Parts must be equal

Light lines define the tip of the nose. With the help of hatching we draw eyebrows. The most important part of the face in this emotion is the eyebrows. They will have sharp outlines.

We draw eyes. Eyebrows will hang over the eyes. With the help of hatching we show the shape of the nose

We draw hair and ears.

We draw a mouth. The upper lip is almost invisible. The mouth will be compressed as much as possible. Let's do the shading. Our drawing is ready.

All drawing is ready! Before you is a man in anger drawn with a pencil

In today's post, I will give you some tips to help portray emotions on your face.

Observation

Let's clear up the most important thing. best advice on this subject - or on any subject relating to drawing - this is one small but strong word: observation. Yes! It all comes down to observation.

Forget what you think you see and focus on what is really in front of you. And don't just watch while you draw and then throw the drawing out the window by the end of the day. Even when you are not drawing, get into the habit of paying close attention to the details, as if you were drawing what is in front of you. Think about the lines and shadows you would use to draw what you are looking at.

Start looking at people's faces and notice how their features distort depending on how they feel. I love looking at people's faces and expressions when I'm standing in line at a store or anywhere else. Make notes in your head about how someone's eyes look when they're tired, or how they squint a little when they're genuinely smiling. Muscles contract, stretch and twist in the face every time we show emotion, so pay attention to these movements and learn how they interact as a whole to express something.

Sketches from nature

Sit in a crowded place, sketchbook and pencil in hand, and sketch out the people and their expressions. Try to figure out how they feel through the way their faces are distorted and draw it.

This method is better than drawing from someone in particular, because this way you see authentic and frank facial expressions. But despite this, it is very useful to have someone pose for you and express different emotions on demand. If there is no model nearby, the mirror will be your best friend!

Sketches from a photo

There are excellent websites that offer photos of gestures and poses for artists to take their own drawing lessons and practice from the comfort of their homes. A great resource is the Figure and Gesture Drawing’s expression practice website. You can choose the type of expression, gender and duration of the lesson.

Practice

No matter which way you prefer to draw, the key is practice. Keep a sketchbook handy, take it out and practice drawing facial expressions around you when you have at least five minutes.