Vaudeville examples of works in literature. The meaning of the word vaudeville in the literary encyclopedia
VAUDEVILLE
- (from the French vaudeville) - a kind of comedy: an entertaining play with an entertaining intrigue and an unpretentious everyday plot, in which dramatic action is combined with music, songs, dances.
Dictionary of literary terms. 2012
See also interpretations, synonyms, meanings of the word and what VAUDEVILLE is in Russian in dictionaries, encyclopedias and reference books:
- VAUDEVILLE in the Literary Encyclopedia:
. - The word comes from the French "val de Vire" - the Vir valley. The Vire is a river in Normandy. In the 17th century... - VAUDEVILLE in the Big Encyclopedic Dictionary:
(French vaudeville from vau de Vire - the valley of the river Vir in Normandy, where in the 15th century folk songs-vodevirs were widespread), ... - VAUDEVILLE in the Great Soviet Encyclopedia, TSB:
(French vaudeville), a light comedy play with couplet songs and dances. Homeland V. - France. The name comes from the river valley. Veer (Vau… - VAUDEVILLE in the Encyclopedic Dictionary of Brockhaus and Euphron:
Franz. the word Vaudeville comes from the word Vaux-de-Vire, that is, the valley of the city of Vire in Normandy, the birthplace of the national poet Olivier Basselin, ... - VAUDEVILLE in the Modern Encyclopedic Dictionary:
(French vaudeville, from vau de vire, literally - the valley of the river Vir in Normandy, where in the 15th century folk ... - VAUDEVILLE
[French vaudeville] 1) urban street song 1 6 c. in France; 2) a small theatrical play of a light, comedic nature with couplets ... - VAUDEVILLE in the Encyclopedic Dictionary:
, i, m. A short comic play, usually with singing. Vaudeville - pertaining to vaudeville, vaudeville; like vaudeville. ||Wed. MUSICAL … - VAUDEVILLE in the Encyclopedic Dictionary:
[de], -ya, m. A short comic play, usually with singing. II adj. vaudeville… - VAUDEVILLE in the Big Russian Encyclopedic Dictionary:
VAUDEVILLE (French vaudeville, from vau de Vire - the valley of the river Vir in Normandy, where in the 15th century people were common ... - VAUDEVILLE in the Encyclopedia of Brockhaus and Efron:
Franz. the word Vaudeville comes from the word vaux-de-Vire, that is, the valley of the city of Vire in Normandy, the birthplace of the national poet Olivier Basselin, ... - VAUDEVILLE in the Full accentuated paradigm according to Zaliznyak:
vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, vaudeville, ... - VAUDEVILLE in the Popular Explanatory-Encyclopedic Dictionary of the Russian Language:
[de], -i, m. A play of a light comedic nature with an entertaining intrigue, in which dialogues alternate with singing couplets and dancing. Plot … - VAUDEVILLE in the Dictionary for solving and compiling scanwords:
Musical … - VAUDEVILLE in the New Dictionary of Foreign Words:
(French vaudeville) 1) street urban song in France of the 16th century; 2) a play of a light, comedic nature with couplets and dances; … - VAUDEVILLE in the Dictionary of Foreign Expressions:
[fr. vaudeville] 1. urban street song in 16th century France; 2. a play of a light, comedic nature with couplets and dances; 3. … - VAUDEVILLE in the Dictionary of synonyms of Abramov:
see the spectacle, ... - VAUDEVILLE in the dictionary of Synonyms of the Russian language:
vaudeville, spectacle, TV vaudeville, farce, ... - VAUDEVILLE in the New explanatory and derivational dictionary of the Russian language Efremova:
m. 1) A short dramatic work of a light genre with an entertaining intrigue, couplet songs and dances. 2) outdated. A joking vaudeville song, joking… - VAUDEVILLE in the Dictionary of the Russian Language Lopatin:
vaudeville, ... - VAUDEVILLE in the Complete Spelling Dictionary of the Russian Language:
vaudeville... - VAUDEVILLE in the Spelling Dictionary:
vaudeville, ... - VAUDEVILLE in the Dictionary of the Russian Language Ozhegov:
a short comic play, usually with... - VAUDEVILLE in the Dahl Dictionary:
husband. , French a dramatic spectacle with songs, singing, and the opera and operetta are all set to music. Vaudeville, related. to vaudeville... - VAUDEVILLE in the Modern Explanatory Dictionary, TSB:
(French vaudeville, from vau de Vire - the valley of the river Vir in Normandy, where in the 15th century folk songs-vodevirs were widespread), ...
Vaudeville is a genre from the world of drama that has characteristic, recognizable features. We can say with confidence that he is the "great-grandfather" of the modern stage. Firstly, this is a very musical piece, full of dances and songs. Second, it's always a comedy.
Vaudeville is also a theatrical play created in this genre. The plot is simple and simple. The conflict is based on a funny intrigue and is resolved by a happy ending.
Story
The origin of such an unusual word is curious. Historians say that it was born in the fifteenth century in Normandy, near the river Vir. There lived poets who composed folk songs, which were called val de Vire, in translation - “Vir Valley”. Later the word changed to voix de ville (literally "provincial voice"). Finally, in French, the term took shape in vaudeville, which means "vaudeville". This was the name of literary creations in which events were presented through the prism of a simple-minded, uncomplicated perception. Initially, these were just street comic songs performed by itinerant artists. Only in the eighteenth century did playwrights appear who, focusing on the nature of these songs, began to compose plays with similar plots and in a similar style. Since the texts were poetic, music easily fell on them. However, the actors in the process of performing plays improvised a lot, they did it most often in prose, and therefore playwrights also began to alternate pieces of poetry with prose.
Vaudeville and operetta
Art critics say that from that moment vaudeville had a younger sister - operetta, which, however, very soon became extremely popular. Operetta was dominated by singing, while vaudeville was dominated by conversation. The specialization of form was followed by some difference in content. Vaudeville is not a satirical, but rather a playful depiction of the life and customs of middle-class people. Comedy situations in it develop rapidly, violently and often grotesquely.
Genre features
One of the characteristic features of the works of this genre is the constant appeal of the actor to the viewer during the action. Also, the specificity of vaudeville is the obligatory repetition of the same song verses. The peculiarities of vaudeville made it a welcome part of any benefit performance. An actor who gives such a performance, after serious dramatic monologues, can please the audience, appearing in a completely different image. In addition, vaudeville is a great opportunity to demonstrate vocal and dance skills.
Influence on cultural traditions
Vaudeville in the era of its origin was very fond of the inhabitants of different countries and continents, but in each culture it went its own way. In America, for example, a music hall and other bright, amazing show programs grew out of it. In Russia, vaudeville brought to life joke plays and comic opera. Absolutely vaudeville content in some of the brilliant works of A.P. Chekhov ("Proposal", "Bear", "Drama", etc.).
An example of Russian vaudeville
"The Miller - a sorcerer, a deceiver and a matchmaker" - Alexander Ablesimov's sparkling comic play in the spirit of vaudeville was first played on stage in 1779. Two hundred years later, modern theaters are happy to stage it. The plot is extremely simple: the mother of the peasant woman Anyuta, born a noblewoman, but married to a peasant, does her best to prevent the wedding of her daughter, who has chosen a peasant boy as her husband. The girl's father does not want to take him as a son-in-law. The cunning and enterprising miller Thaddeus is called to resolve the conflict. Since the village belief says that all millers are sorcerers, Thaddeus does not miss the opportunity to take advantage of this, believing that divination is nothing but a deception. He becomes a matchmaker and, finding his own "key" to each, successfully convinces Anyuta's parents that they cannot find a better son-in-law. This funny sitcom has everything that the word "vaudeville" means.
Vaudeville has been called "the heart of American show business" and has been one of the most popular forms of entertainment in North America for several decades. From the early 1880s to the 1930s in the United States and Canada, "vaudeville" refers to theatrical variety performances (music hall and circus kind). Each such performance was a set of separate performances of the most diverse genres, not connected by any common idea: popular and classical musicians, dancers, animal trainers, magicians, acrobats, jugglers, comedians, imitators, burlesque masters, included numbers of a "staged song", sketches and skits from popular plays, demonstration performances of athletes, minstrels, lectures, demonstrations of all kinds of "celebrities", freaks and freaks, as well as film screenings.
In Russia
“... Do you want to listen Pretty vaudeville?" and Count Sings...
The next stage in the development of vaudeville is "a little comedy with music", as Bulgarin defines it. This vaudeville has been especially widespread since about the 20s of the 19th century. Bulgarin considers Shakhovsky's "Cossack the Poet" and "Lomonosov" Shakhovsky to be typical examples of such vaudeville.
“The Cossack poet,” writes F. Vigel in his Notes, “is especially notable for the fact that he was the first to take the stage under the real name of vaudeville. This endless chain of these light works stretched from him.
Criticism
It was common for vaudevilles to be translated from French. The “reworking into Russian manners” of French vaudeville was limited mainly to the replacement of French names with Russian ones. N.V. Gogol in 1835 puts it in his notebook: “But what happened now, when a real Russian, and even a somewhat stern and distinguished by a peculiar national character, with his heavy figure, began to imitate the shuffling of a petimeter, and our obese, but a quick-witted and intelligent merchant with a broad beard, who knows nothing on his leg but a heavy boot, would instead put on a narrow slipper and stockings à jour, and the other, even better, would leave in his boot and become the first pair in a French quadrille . But almost the same is our national vaudeville.
The most popular authors of vaudeville in the 19th century were: Shakhovskoy, Khmelnitsky (his vaudeville "Castles in the Air" survived until the end of the 19th century), Pisarev, Koni, Fedorov, Grigoriev 1st, Grigoriev 2nd, Solovyov [ambiguous reference], Karatygin ( author of "Vitsmundir"), Lensky, Korovkin and others.
Sunset
The penetration of operetta from France into Russia in the late 1860s weakened the enthusiasm for vaudeville, especially since all sorts of political impromptu (of course, within the limits of very vigilant censorship), gag and especially topical (in the same vaudeville type) couplets were widely practiced in the operetta. Without such verses, the operetta was not conceived at that time. Nevertheless, vaudeville has been preserved in the repertoire of the Russian theater for quite a long time. Its noticeable decline begins only in the eighties of the XIX century. However, during this period, brilliant examples of the vaudeville genre were created - in particular, the joke plays by A.P. Chekhov "On the dangers of tobacco", "Bear", "Proposal", "Wedding", "Jubilee".
In the same period (the end of the 19th - the beginning of the 20th century), vaudeville occupies a large place in the national dramaturgy of other peoples that inhabited the Russian Empire, in particular Ukrainian and Belarusian - “Where there is sausage and charm, there will be forgotten swara”, “Fashionable” by M. P. Staritsky, “Toward the World” by L. I. Glibov, “According to the Revision”, “Zalets of Sotsky Musiy”, “For the Orphan and God with Kalita”, “Invasion of the Barbarians” by M. L. Kropivnitsky, “On the First Party” C V. Vasilchenko, “According to Muller”, “Patriots”, “Patriots” by A. I. Oles, “Pinsk nobility” by V. Dunin-Martinkevich, etc.
see also
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Notes
Literature
- Beskin E. History of the Russian theater. - M., .
- Beskin E. Nekrasov - playwright // Worker of education. . No. 12.
- Warneke B.V. History of the Russian theater. Kazan, . Part II.
- Vigel F. F. Notes. M., . T.I.
- Vsevolodsky-Gerngross. History of the Russian theater: in 2 vols. - M., .
- Gorbunov I. F. Lensky, Dmitry Timofeevich // Russian antiquity. . T. 10.
- Grossman L. Pushkin in theater chairs. - L. .
- Ignatov I. N. Theater and audience. M., . Part I
- Izmailov A. Fyodor Koni and the old vaudeville // Yearbook of the Imperial Theaters. . T 3.
- Tikhonravov N. S. M. S. Shchepkin and N. V. Gogol // Artist. . Book. v.
- Shchepkin M.S. Notes, letters and stories of MS Shchepkin. SPb., .
Links
- Korovyakov D. D.// Encyclopedic Dictionary of Brockhaus and Efron: in 86 volumes (82 volumes and 4 additional). - St. Petersburg. , 1890-1907.
The article uses text from the Literary Encyclopedia 1929-1939, which has passed into the public domain, since the author is Em. Beskin - died in 1940.
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