The tragic love of the master and margarita. Composition on the topic: The love story of the Master and Margarita in Bulgakov's novel "The Master and Margarita

From that very night, Margarita for a long time did not see the one for whom she wanted to leave her husband, leaving everything behind; one for which she was not afraid to ruin her own life. But neither in her nor in him did something disappear big the feeling that arose at the first chance meeting. The master, being in a clinic for the mentally ill, did not want to tell Margarita about himself, fearing to hurt her, to destroy her life. She desperately tried to find him. Their life was destroyed by the same unnatural order, which not only did not allow art to develop, but also did not allow people to live in peace, roughly penetrating even where there is no place for politics. Bulgakov did not accidentally choose a similar plot for the novel.

He himself experienced a lot in life. He was familiar with the mediocre insulting reviews of critics in the newspapers, where his name was declined undeservedly, he himself could not find a job, realize his potential.

But Bulgakov did not end his novel with the separation of the Master and Margarita. In the second part, love finds a way out of the dirt of the surrounding reality. But the way out the same was fantastic, since the real one was hardly possible. Without regret and without fear, Margarita agrees to be the queen at Satan's ball. On the the same she took a step only for the sake of the Master, about whom she never stopped thinking and about whose fate she could learn only by fulfilling Woland's conditions. Being a witch, Margarita took revenge on the critic Latunsky, who did a lot to destroy the Master. And not only Latunsky received what he deserved in the course of the development of the plot of the novel. For her service, Margarita received what she had dreamed of for so long. The main characters were together. But they would hardly be able to live in peace in the atmosphere of the then reality. Obviously, therefore, according to the fantastic plan of the writer, they leave the same peace, finding peace in another.

The master could not win. By making him a winner, Bulgakov would have violated the laws of artistic truth, betraying his sense of realism. But from the final pages of the book does not breathe pessimism. Let us not forget those views that were pleasing to the government. In addition, envious people appeared among the critics and writers of the Master, striving by all means to prevent the recognition of the new author. These people, for whom it was most important to receive material benefits from their position in society, did not strive and could not create anything worthy of the high artistic level that the Master achieved in his novel. Their articles came out one after another, each time becoming more and more offensive. The writer who lost hope task his subsequent literary activity, he gradually began to feel more and more depressed, which affected his mental state. Driven to despair, the Master destroyed his work, which was the main work of his life. All this deeply shocked Margarita, who admired the work of the Master and believed in his great talent.

The situation that knocked the Master out of his normal state was noticeable everywhere, in various spheres of life. Suffice it to recall the barman "with fish of the second freshness" and gold tens in hiding places; Nikanor Ivanovich, chairman of the housing association, who settled for large finance evil spirits in the house on Sadovaya Street; the entertainer of Bengal, narrow-minded, dim-witted and pompous; Arkady Apollonovich, chairman of the acoustic commission of Moscow theaters, often secretly from his wife spending time with a pretty actress; morals existing among the population of the city. These morals dazzling appeared at the performance arranged by Woland, when the inhabitants greedily grabbed those flying from under the dome finance, and the women went down to the stage for fashionable rags, which could be obtained free of charge from the hands of foreign magicians. The Master encountered these morals very closely when he had a friend - Aloisy Mogarych. This man, whom the Master trusted and whose intelligence he admired, denounced the Master in order to move into his apartment. This denunciation was enough to ruin a man's life. Some people came to the Master at night and took him away. Such cases were not uncommon at the time.

Mikhail Afanasyevich Bulgakov repeatedly addressed the topic - the artist and society, which found its deepest embodiment in the writer's main book. The novel "Master and Margarita", on which the author worked for twelve years, remained in his archive and was first published in 1966-1967 in the magazine "Moscow".

In this book, happy freedom of creativity and at the same time the severity of the compositional, architectural design reign. There the great ball of Satan rules, and the inspired Master, a contemporary of Bulgakov, describes his immortal novel. There, the procurator of Judea sends Christ to be executed, and nearby, quite earthly citizens, inhabiting Sadovye and Bronny streets of the 20-30s of our century, fuss, fawn, adapt, betray. Laughter and sadness, joy and pain are mixed together there, as in life, but in that high degree of concentration that is accessible only to a fairy tale, a poem. "The Master and Margarita" is a lyrical-philosophical poem in prose about love and moral duty, about the inhumanity of evil, about true creativity, which is always overcoming inhumanity, always an impulse towards light and goodness.

The main characters of the novel - the Master and Margarita - live in an atmosphere of some kind of emptiness and grayness, from which both are looking for a way out. This outlet for the Master was creativity, and then for both of them it was love. it big the feeling filled their lives with new meaning, created around the Master and Margarita only their little world, in which they found peace and happiness. However, their happiness was short-lived. It lasted only as long as the Master was writing his novel in a small basement, where Margarita came to see him. The Master's first attempt to publish the finished novel brought him great disappointment. Even more disappointment awaited him after some editor printed a large excerpt from the work. The novel about Pontius Pilate, which has moral and artistic value, was doomed to condemnation. He could not fit into that environment of literature, where above all was not the talent of the writer, but his political views; on the ground, the Master left a student, his sight Ivan Ponyrev, the former Homeless; on earth, the Master has left a novel that is destined for a long life. Bulgakov's novel gives rise to a sense of the triumph of justice and the belief that there will always be people who stand above baseness, vulgarity and immorality, people who bring goodness and truth to our world. Such people above all put love, which has great and beautiful power.

In the novel "The Master and Margarita" the themes of history and religion, creativity and everyday life are closely intertwined. But the most important place in the novel is occupied by the love story of the master and Margarita. This storyline adds tenderness and poignancy to the work. Without the theme of love, the image of the master could not be fully revealed. The unusual genre of the work - a novel within a novel - allows the author to both distinguish and unite the biblical and lyrical lines, to develop them fully in two parallel worlds.

fatal meeting

Love between the master and Margarita broke out as soon as they saw each other. “Love jumped out between us, like a killer jumping out of the ground ... and hit us both at once!” - this is how the master tells Ivan Bezdomny in the hospital, where he ends up after the rejection of his novel by critics. He compares the surging feelings with lightning or a sharp knife: “This is how lightning strikes! This is how the Finnish knife strikes!

The master first saw his future beloved on a deserted street. She attracted his attention because she "carried in her hands disgusting, disturbing yellow flowers."

This mimosa became, as if a signal to the master, that in front of him was his muse, with loneliness and fire in his eyes.

Both the master and the unhappy wife of a rich but unloved husband, Margarita, were completely alone in this world before their strange meeting. As it turns out, the writer was previously married, but he does not even remember the name of his ex-wife, about whom he does not keep in his soul, neither memories nor warmth. And he remembers everything about Margarita, the tone of her voice, the way she spoke when she came, and what she did in his basement room.

After their first meeting, Margarita began to come every day to her lover. She helped him in the work on the novel, and she herself lived by this work. For the first time in her life, her inner fire and inspiration found their purpose and application, just as the masters listened and understood for the first time, because from the first meeting they spoke as if they parted yesterday.

The completion of the master's novel was a test for them. But already born love was destined to pass it, and many other tests, in order to show the reader that a true kinship of souls exists.

The Master and Margarita

The true love of the master and Margarita in the novel is the embodiment of the image of love in the understanding of Bulgakov. Margarita is not just a beloved and loving woman, she is a muse, she is the inspiration of the author and his own pain, materialized in the image of Margarita the Witch, which in righteous anger destroys the apartment of an unjust critic.

The heroine loves the master with all her heart, and seems to breathe life into his small apartment. She gives her inner strength and energy to the novel of her lover: “she sang and loudly repeated certain phrases ... and said that her life was in this novel.”

The refusal to publish the novel, and later the devastating criticism of the passage, it is not known how it got into print, hurts both the master and Margarita equally painfully. But, if the writer is broken by this blow, then Margarita is seized by insane rage, she even threatens to "poison Latunsky." But the love of these lonely souls continues to live its own life.

Test of love

In The Master and Margarita, love is stronger than death, stronger than the master's disappointment and Margarita's anger, stronger than Woland's tricks and the condemnation of others.

This love is destined to pass the flame of creativity and the cold ice of critics, it is so strong that it cannot find peace even in heaven.

The heroes are very different, the master is calm, thoughtful, he has a soft character and a weak, vulnerable heart. Margarita is strong and sharp, more than once describing her, Bulgakov uses the word "flame". Fire burns in her eyes and brave, strong heart. She shares this fire with the master, she breathes this flame into the novel, and even the yellow flowers in her hands resemble lights against the background of a black coat and a slushy spring. The master embodies reflection, thought, while Margarita embodies action. She is ready for anything for the sake of her beloved, and sell her soul, and become the queen of the devil's ball.

The strength of the feelings of the master and Margarita is not only in love. They are so close spiritually that they simply cannot exist separately. Before their meeting, they did not experience happiness, having parted after - they would not have learned to live separately from each other. Therefore, probably, Bulgakov decides to end the life of his heroes, in return giving them eternal peace and solitude.

conclusions

Against the backdrop of the biblical story of Pontius Pilate, the love story of the master and Margarita seems even more lyrical and poignant. This is love for which Margarita is ready to give her soul, since she is empty without a loved one. Being insanely lonely before their meeting, the heroes gain understanding, support, sincerity and warmth. This feeling is stronger than all the obstacles and bitterness that befalls the fate of the main characters of the novel. And it is this that helps them to find eternal freedom and eternal peace.

The description of love experiences and the history of the relationship of the main characters of the novel can be used by students of grade 11 while writing an essay on the topic “Love of the Master and Margarita”

Artwork test

And I didn’t read it - in history, in a fairy tale, -
May the path of true love be smooth.
W. Shakespeare
M. Bulgakov believed that life is love and hate, courage and excitement, the ability to appreciate beauty and kindness. But love... it comes first. Bulgakov wrote the heroine of his novel with Elena Sergeevna, the beloved woman who was his wife. Soon after they met, she took on her shoulders, perhaps most of him, the Master, a terrible burden, became his Margarita.
The story of the Master and Margarita is not one of the lines of the novel, but its main theme. All the events, all the diversity of the novel, converge to it.
They did not just meet, fate pushed them at the corner of Tverskaya and the lane. Love struck both like lightning, like a Finnish knife. “Love jumped out in front of them, like a killer jumping out of the ground in an alley ...” - this is how Bulgakov describes the emergence of love among his heroes. Already these comparisons foreshadow the future tragedy of their love. But in the beginning everything was very calm.
When they first met, they spoke as if they had known each other for a long time. The violently flared love, it seemed, should burn people to the ground, but she turned out to have a homely and quiet character. In the basement apartment of the Master, Margarita, wearing an apron, hosted while her beloved worked on a novel. The lovers baked potatoes, ate them with dirty hands, laughed. The vase was filled not with disgusting yellow flowers, but with roses beloved by both. Margarita was the first to read the already finished pages of the novel, hurried the author, promised him glory, began to call him the Master. The phrases of the novel, which she especially liked, she repeated loudly and in a singsong voice. She said that in this novel her life. This was an inspiration for the Master, her words strengthened his self-confidence.
Bulgakov very carefully and chastely talks about the love of his heroes. She was not killed by the dark days when the Master's novel was destroyed. Love was with them even during the serious illness of the Master. The tragedy began when the Master disappeared for many months. Margarita tirelessly thought of him, not for a moment did her heart part with him. Even when it seemed to her that her beloved was gone. The desire to know at least something about his fate defeats the mind, and then the diaboliada begins, in which Margarita participates. In all demonic adventures, she is accompanied by the loving look of the writer. The pages dedicated to Margarita are Bulgakov's poem to the glory of his beloved, Elena Sergeevna. With her, the writer was ready to make "his last flight." So he wrote to his wife on a donated copy of his collection "Diaboliad".
With the power of her love, Margarita returns the Master from non-existence. Bulgakov did not come up with a happy ending for all the heroes of his novel: as it was before the invasion of the satanic team in Moscow, it remains so. And only for the Master and Margarita, Bulgakov, as he believed, wrote a happy ending: they will have eternal peace in the eternal home, which the Master was given as a reward.
The lovers will enjoy the silence, those whom they love will come to them... The Master will fall asleep with a smile, and she will forever protect his sleep. “The master silently walked with her and listened. His restless memory began to fade, ”this is how the story of this tragic love ends.
And although in the last words - the sadness of death, but there is also a promise of immortality and eternal life. It comes true today: the Master and Margarita, like their creator, is destined for a long life. Many generations will read this satirical, philosophical, but most importantly - lyric-love novel, which confirmed that the tragedy of love is a tradition of all Russian literature.

From that very night, Margarita for a long time did not see the one for whom she wanted to leave her husband, leaving everything behind; one for which she was not afraid to ruin her own life. But neither in her nor in him did the great feeling that arose at the first chance meeting disappear. The master, being in a clinic for the mentally ill, did not want to tell Margarita about himself, fearing to hurt her, to destroy her life. She desperately tried to find him. Their life was destroyed by the same unnatural order, which not only did not allow art to develop, but also did not allow people to live in peace, roughly penetrating even where there is no place for politics. Bulgakov did not accidentally choose a similar plot for the novel.

He himself experienced a lot in life. He was familiar with the mediocre insulting reviews of critics in the newspapers, where his name was declined undeservedly, he himself could not find a job, realize his potential.

But Bulgakov did not end his novel with the separation of the Master and Margarita. In the second part, love finds a way out of the dirt of the surrounding reality. But this exit was fantastic, since the real one was hardly possible. Without regret and without fear, Margarita agrees to be the queen at Satan's ball. She took this step only for the sake of the Master, about whom she never stopped thinking and about whose fate she could learn only by fulfilling Woland's conditions. Being a witch, Margarita took revenge on the critic Latunsky, who did a lot to destroy the Master. And not only Latunsky received what he deserved in the course of the development of the plot of the novel. For her service, Margarita received what she had dreamed of for so long. The main characters were together. But they would hardly be able to live in peace in the atmosphere of the then reality. Obviously, therefore, according to the fantastic plan of the writer, they leave this world, finding peace in another.

The master could not win. By making him a winner, Bulgakov would have violated the laws of artistic truth, betraying his sense of realism. But from the final pages of the book does not breathe pessimism. Let us not forget those views that were pleasing to the government. In addition, envious people appeared among the critics and writers of the Master, striving in every way to prevent the recognition of the new author. These people, for whom it was most important to receive material benefits from their position in society, did not strive and could not create anything worthy of the high artistic level that the Master achieved in his novel. Their articles came out one after another, each time becoming more and more offensive. The writer, who lost hope and the goal of his future literary activity, gradually began to feel more and more depressed, which affected his mental state. Driven to despair, the Master destroyed his work, which was the main work of his life. All this deeply shocked Margarita, who admired the work of the Master and believed in his great talent.

The situation that knocked the Master out of his normal state was noticeable everywhere, in various spheres of life. Suffice it to recall the barman “with fish of the second freshness” and gold tens in hiding places; Nikanor Ivanovich, chairman of a housing association, who settled evil spirits in a house on Sadovaya Street for a lot of money; the entertainer of Bengal, narrow-minded, dim-witted and pompous; Arkady Apollonovich, chairman of the acoustic commission of Moscow theaters, often secretly from his wife spending time with a pretty actress; morals existing among the population of the city. These morals were clearly manifested at the performance arranged by Woland, when the inhabitants greedily grabbed the money flying from under the dome, and the women went down to the stage for fashionable rags, which could be obtained free of charge from the hands of foreign magicians. The Master encountered these morals very closely when he had a friend - Aloisy Mogarych. This man, whom the Master trusted and whose intelligence he admired, denounced the Master in order to move into his apartment. This denunciation was enough to ruin a man's life. Some people came to the Master at night and took him away. Such cases were not uncommon at the time.

Mikhail Afanasyevich Bulgakov repeatedly addressed the topic - the artist and society, which found its deepest embodiment in the writer's main book. The novel "The Master and Margarita", on which the author worked for twelve years, remained in his archive and was first published in 1966-1967 in the magazine "Moscow".

In this book, happy freedom of creativity and at the same time the severity of the compositional, architectural design reign. There the great ball of Satan rules, and the inspired Master, a contemporary of Bulgakov, writes his immortal novel. There, the procurator of Judea sends Christ to be executed, and nearby, quite earthly citizens, inhabiting Sadovye and Bronny streets of the 20-30s of our century, fuss, fawn, adapt, betray. Laughter and sadness, joy and pain are mixed together there, as in life, but in that high degree of concentration that is accessible only to a fairy tale, a poem. “The Master and Margarita” is a lyric-philosophical poem in prose about love and moral duty, about the inhumanity of evil, about true creativity, which is always overcoming inhumanity, always an impulse towards light and goodness.

The main characters of the novel - the Master and Margarita - live in an atmosphere of some kind of emptiness and grayness, from which both are looking for a way out. This outlet for the Master was creativity, and then for both of them it was love. This great feeling filled their lives with new meaning, created around the Master and Margarita only their little world, in which they found peace and happiness. However, their happiness was short-lived. It lasted only as long as the Master was writing his novel in a small basement, where Margarita came to see him. The Master's first attempt to publish the finished novel brought him great disappointment. Even more disappointment awaited him after some editor printed a large excerpt from the work. The novel about Pontius Pilate, which has moral and artistic value, was doomed to condemnation. He could not fit into that environment of literature, where above all was not the talent of the writer, but his political views; on the ground, the Master left a student, his sight Ivan Ponyrev, the former Homeless; on earth, the Master has left a novel that is destined for a long life. Bulgakov's novel gives rise to a sense of the triumph of justice and the belief that there will always be people who stand above baseness, vulgarity and immorality, people who bring goodness and truth to our world. Such people above all put love, which has great and beautiful power.

From that very night, Margarita for a long time did not see the one for whom she wanted to leave her husband, leaving everything behind; one for which she was not afraid to ruin her own life. But neither in her nor in him did the great feeling that arose at the first chance meeting disappear. The master, being in a clinic for the mentally ill, did not want to tell Margarita about himself, fearing to hurt her, to destroy her life. She desperately tried to find him. Their life was destroyed by the same unnatural order, which not only did not allow art to develop, but also did not allow people to live in peace, roughly penetrating even where there is no place for politics. Bulgakov did not accidentally choose a similar plot for the novel.
He himself experienced a lot in life. He was familiar with the mediocre insulting reviews of critics in the newspapers, where his name was declined undeservedly, he himself could not find a job, realize his potential.
But Bulgakov did not end his novel with the separation of the Master and Margarita. In the second part, love finds a way out of the dirt of the surrounding reality. But this exit was fantastic, since the real one was hardly possible. Without regret and without fear, Margarita agrees to be the queen at Satan's ball. She took this step only for the sake of the Master, about whom she never stopped thinking and about whose fate she could learn only by fulfilling Woland's conditions. Being a witch, Margarita took revenge on the critic Latunsky, who did a lot to destroy the Master. And not only Latunsky received what he deserved in the course of the development of the plot of the novel. For her service, Margarita received what she had dreamed of for so long. The main characters were together. But they would hardly be able to live in peace in the atmosphere of the then reality. Obviously, therefore, according to the fantastic plan of the writer, they leave this world, finding peace in another.
The master could not win. By making him a winner, Bulgakov would have violated the laws of artistic truth, betraying his sense of realism. But from the final pages of the book does not breathe pessimism. Let us not forget those views that were pleasing to the government. In addition, envious people appeared among the critics and writers of the Master, striving by all means to prevent the recognition of the new author. These people, for whom it was most important to receive material benefits from their position in society, did not strive and could not create anything worthy of the high artistic level that the Master achieved in his novel. Their articles came out one after another, each time becoming more and more offensive. The writer, who lost hope and the goal of his future literary activity, gradually began to feel more and more depressed, which affected his mental state. Driven to despair, the Master destroyed his work, which was the main work of his life. All this deeply shocked Margarita, who admired the work of the Master and believed in his great talent.
The situation that knocked the Master out of his normal state was noticeable everywhere, in various spheres of life. Suffice it to recall the barman “with fish of the second freshness” and gold tens in hiding places; Nikanor Ivanovich, chairman of a housing association, who settled evil spirits in a house on Sadovaya Street for a lot of money; the entertainer of Bengal, narrow-minded, dim-witted and pompous; Arkady Apollonovich, chairman of the acoustic commission of Moscow theaters, often secretly from his wife spending time with a pretty actress; morals existing among the population of the city. These morals were clearly manifested at the performance arranged by Woland, when the inhabitants greedily grabbed the money flying from under the dome, and the women went down to the stage for fashionable rags, which could be obtained free of charge from the hands of foreign magicians. The Master encountered these morals very closely when he had a friend - Aloisy Mogarych. This man, whom the Master trusted and whose intelligence he admired, denounced the Master in order to move into his apartment. This denunciation was enough to ruin a man's life. Some people came to the Master at night and took him away. Such cases were not uncommon at the time.
Mikhail Afanasyevich Bulgakov repeatedly addressed the topic - the artist and society, which found its deepest embodiment in the writer's main book. The novel "The Master and Margarita", on which the author worked for twelve years, remained in his archive and was first published in 1966-1967 in the magazine "Moscow".
In this book, happy freedom of creativity and at the same time the severity of the compositional, architectural design reign. There the great ball of Satan rules, and the inspired Master, a contemporary of Bulgakov, writes his immortal novel. There, the procurator of Judea sends Christ to be executed, and nearby, quite earthly citizens, inhabiting Sadovye and Bronny streets of the 20-30s of our century, fuss, fawn, adapt, betray. Laughter and sadness, joy and pain are mixed together there, as in life, but in that high degree of concentration that is accessible only to a fairy tale, a poem. “The Master and Margarita” is a lyric-philosophical poem in prose about love and moral duty, about the inhumanity of evil, about true creativity, which is always overcoming inhumanity, always an impulse towards light and goodness.
The main characters of the novel - the Master and Margarita - live in an atmosphere of some kind of emptiness and grayness, from which both are looking for a way out. This outlet for the Master was creativity, and then for both of them it was love. This great feeling filled their lives with new meaning, created around the Master and Margarita only their little world, in which they found peace and happiness. However, their happiness was short-lived. It lasted only as long as the Master was writing his novel in a small basement, where Margarita came to see him. The Master's first attempt to publish the finished novel brought him great disappointment. Even more disappointment awaited him after some editor printed a large excerpt from the work. The novel about Pontius Pilate, which has moral and artistic value, was doomed to condemnation. He could not fit into that environment of literature, where above all was not the talent of the writer, but his political views; on the ground, the Master left a student, his sight Ivan Ponyrev, the former Homeless; on earth, the Master has left a novel that is destined for a long life. Bulgakov's novel gives rise to a sense of the triumph of justice and the belief that there will always be people who stand above baseness, vulgarity and immorality, people who bring goodness and truth to our world. Such people above all put love, which has great and beautiful power.

Bulgakov wrote the brilliant novel The Master and Margarita. This novel has been revised several times. The novel is not divided into two parts: the biblical story and the love of the Master and Margarita. Bulgakov asserts the priority of simple human feelings over any social relations in the novel itself. Mikhail Afanasyevich plays in this work some of the main motives of all creativity.
The main characters of the novel Master and Margarita are married people, but their family life was not very happy. Maybe that's why the heroes are looking for what they lack so much. Margarita in the novel has become a beautiful, generalized and poetic image of a Woman who Loves. Without this image, the novel would lose its appeal. This image rises above the layer of the satirical everyday life of the novel, the embodiment of living hot love. A fantastic image of a woman, so inspiringly turning into a witch, with the fury of her reprisals against the enemy of the Master Latunsky, with her tender readiness for motherhood. A woman who doesn’t have to say anything to the devil: “Dear, dear Azazello!”, Because he planted in her heart the hope that she would see her lover.
In the novel, with the brightness of her natural love, she is opposed to the Master. She herself compares fierce love with Matvey's fierce devotion. Margarita's love, like life, is all-encompassing and, like life, is alive. Margarita is opposed to the warrior and commander Pilate with her fearlessness. And defenseless and powerful in its humanity - to the all-powerful Woland.
The master is in many ways similar to Goethe's Faust and the author himself. At first he was a historian, and then he suddenly felt his writing vocation. The master is indifferent to the joys of family life, he does not even remember the name of his wife, he does not strive to have children. When the Master was still married, he spent all his free time in the museum where he worked. He was lonely, and he liked it, but when he met Margarita, he realized that he had found a kindred spirit. There was a major mistake in the fate of the Master, which is worth thinking about. He is deprived of light, true knowledge, the Master only guesses. This mistake is in refusing to fulfill the difficult task of writing, from the daily struggle for the light of knowledge, for truth and love, for your novel and the story of the courage of Margarita, who saved the desperate, tormented Master. In real life, the Master is a man of rare talent, virginal honesty and spiritual purity. The Master's love for Margarita is in many ways unearthly, eternal love. It has nothing to do with creating a family. In general, it should be noted that in the novel none of the characters is connected by other family ties. It can be said that the image of the Master is a symbol of suffering, humanity, a seeker of truth in a vulgar world. The master wanted to write a novel about Pontius Pilate, but this work was not accepted by critics. He sold his soul to Woland to write his novel. Mental suffering broke the Master, and he never saw his work. The Master can find romance again and connect with his beloved only in the last shelter provided by Voland.
Why did love break out between these heroes? It must be that in the eyes of the Master, as well as in the eyes of Margarita, some incomprehensible light was burning, otherwise there is no way to explain the love that “jumped out” in front of them and struck both at once. One could expect that since such love broke out, it would be passionate, stormy, burning both hearts to the ground. Neither the joyless dark days when the Master's novel was crushed by critics and the life of lovers stopped, nor the serious illness of the Master, nor his sudden disappearance for many months, did not extinguish it. This love turned out to have a peaceful domestic character. Margarita could not part with the Master even for a minute, even when he was gone and, one had to think, never would be. She could only mentally beg him to let her go free. The witch really wakes up in Margarita with the hope of seeing the Master again or at least hearing something about him, even at some incredible price: “Oh, really, I would lay my soul to the devil just to find out if he is alive or not !” she thinks. Having finally broken with her husband, with whom she was connected only by a feeling of gratitude for all the good done for her, on the eve of the meeting with the Master, for the first time she experiences a feeling of complete freedom. The story of the Master and Margarita is the most important in the novel. Being born, she, like a transparent stream, crosses the entire space of the novel from edge to edge, breaking through the rubble and abysses on her way and leaving for the other world, for eternity. Margarita and the Master were victims of temptation, so they did not deserve the light. Yeshua and Woland rewarded them with eternal rest. They wanted to be free and happy, but in a world where everything was consumed by evil, this was not possible. In a world where the role and action of a person is determined by his social position, there is still good, love, creativity, but they have to hide in the other world, seek protection from the devil himself - Woland. M.A. Bulgakov described heroes full of life, joy, capable of taking an extreme step for the sake of love. By the strength of their love, they became among the immortal heroes - Romeo and Juliet and others. The novel once again proves that love will conquer death, that it is true love that pushes people to various feats, even if they are meaningless. The author penetrated into the world of human feelings and showed, if I may say so, the ideals of real people. A person himself is free to choose between good and evil, and the memory of a person plays an important role: it does not allow black forces to take possession of a person. The tragedy of the Master and Margarita is in the misunderstanding of the surrounding world. They challenged the whole world and heaven with their love.