The full name of the fat man. Biography of Leo Tolstoy briefly the most important and creativity

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Leo Nikolaevich Tolstoy. Born on August 28 (September 9), 1828 in Yasnaya Polyana, Tula province, Russian Empire - died on November 7 (20), 1910 at Astapovo station, Ryazan province. One of the most widely known Russian writers and thinkers, revered as one of the world's greatest writers. Member of the defense of Sevastopol. Enlightener, publicist, religious thinker, his authoritative opinion was the reason for the emergence of a new religious and moral trend - Tolstoyism. Corresponding member of the Imperial Academy of Sciences (1873), honorary academician in the category of fine literature (1900).

A writer who, during his lifetime, was recognized as the head of Russian literature. The work of Leo Tolstoy marked a new stage in Russian and world realism, acting as a bridge between the classic novel of the 19th century and the literature of the 20th century. Leo Tolstoy had a strong influence on the evolution of European humanism, as well as on the development of realistic traditions in world literature. The works of Leo Tolstoy were repeatedly filmed and staged in the USSR and abroad; his plays have been staged all over the world.

The most famous works of Tolstoy are the novels War and Peace, Anna Karenina, Resurrection, the autobiographical trilogy Childhood, Adolescence, Youth, the stories The Cossacks, The Death of Ivan Ilyich, Kreutzerov sonata”, “Hadji Murad”, a series of essays “Sevastopol Tales”, dramas “The Living Corpse” and “The Power of Darkness”, autobiographical religious and philosophical works “Confession” and “What is my faith?” and etc..

He came from the noble family of Tolstoy, known since 1351. The features of Ilya Andreevich's grandfather are given in War and Peace to the good-natured, impractical old Count Rostov. The son of Ilya Andreevich, Nikolai Ilyich Tolstoy (1794-1837), was the father of Lev Nikolaevich. In some character traits and biography facts, he was similar to Nikolenka's father in "Childhood" and "Boyhood" and partly to Nikolai Rostov in "War and Peace". However, in real life, Nikolai Ilyich differed from Nikolai Rostov not only in his good education, but also in his convictions, which did not allow him to serve under Nicholas I.

A participant in the foreign campaign of the Russian army against, including participated in the "battle of the peoples" near Leipzig and was captured by the French, but was able to escape, after the conclusion of peace, he retired with the rank of lieutenant colonel of the Pavlograd hussar regiment. Soon after his resignation, he was forced to go to official service so as not to end up in a debtor's prison because of the debts of his father, the Kazan governor, who died under investigation for official abuse. The negative example of his father helped Nikolai Ilyich work out his life ideal - a private independent life with family joys. In order to put his frustrated affairs in order, Nikolai Ilyich (like Nikolai Rostov) married the already not very young Princess Maria Nikolaevna of the Volkonsky family in 1822, the marriage was happy. They had five children: Nikolai (1823-1860), Sergei (1826-1904), Dmitry (1827-1856), Lev, Maria (1830-1912).

Tolstoy's maternal grandfather, Catherine's general, Nikolai Sergeevich Volkonsky, had some resemblance to the stern rigorist - the old prince Bolkonsky in War and Peace. Lev Nikolayevich's mother, similar in some respects to Princess Marya depicted in War and Peace, possessed a wonderful gift for storytelling.

In addition to the Volkonskys, Leo Tolstoy was closely related to some other aristocratic families: the princes Gorchakov, Trubetskoy and others.

Leo Tolstoy was born on August 28, 1828 in the Krapivensky district of the Tula province, in the hereditary estate of his mother - Yasnaya Polyana. He was the fourth child in the family. The mother died in 1830 six months after the birth of her daughter from "birth fever", as they said then, when Leo was not yet 2 years old.

A distant relative, T. A. Ergolskaya, took up the upbringing of orphaned children. In 1837, the family moved to Moscow, settling on Plyushchikha, as the eldest son had to prepare to enter the university. Soon, his father, Nikolai Ilyich, suddenly died, leaving affairs (including some lawsuits related to the family’s property) in an unfinished state, and the three younger children again settled in Yasnaya Polyana under the supervision of Yergolskaya and his paternal aunt, Countess A. M. Osten-Saken appointed guardian of the children. Here Lev Nikolayevich remained until 1840, when Countess Osten-Saken died, and the children moved to Kazan, to a new guardian - the father's sister P. I. Yushkova.

The Yushkovs' house was considered one of the most cheerful in Kazan; all members of the family highly valued external brilliance. " My good aunt says Tolstoy, the purest being, always said that she would want nothing more for me than that I have a relationship with a married woman».

Lev Nikolaevich wanted to shine in society, but his natural shyness and lack of external attractiveness prevented him. The most diverse, as Tolstoy himself defines them, "thinking" about the main issues of our existence - happiness, death, God, love, eternity - left an imprint on his character in that era of life. What he told in "Adolescence" and "Youth", in the novel "Resurrection" about the aspirations of Irtenyev and Nekhlyudov for self-improvement, was taken by Tolstoy from the history of his own ascetic attempts of this time. All this, wrote the critic S. A. Vengerov, led to the fact that Tolstoy created, according to the expression from his story "Boyhood", "the habit of constant moral analysis, which destroyed the freshness of feeling and clarity of mind".

His education was initially carried out by the French tutor Saint-Thomas (the prototype of St.-Jérôme in the story "Boyhood"), who replaced the good-natured German Reselman, whom Tolstoy portrayed in the story "Childhood" under the name of Karl Ivanovich.

In 1843, P. I. Yushkova, taking on the role of guardian of her underage nephews (only the eldest, Nikolai, was an adult) and niece, brought them to Kazan. Following the brothers Nikolai, Dmitry and Sergei, Lev decided to enter the Imperial Kazan University, where Lobachevsky worked at the mathematical faculty, and Kovalevsky at the East. On October 3, 1844, Leo Tolstoy was enrolled as a student in the category of oriental (Arabic-Turkish) literature as a self-paying student. At the entrance exams, in particular, he showed excellent results in the obligatory "Turkish-Tatar language" for admission. According to the results of the year, he had poor progress in the relevant subjects, did not pass the transitional exam and had to re-take the first-year program.

In order to avoid a complete repetition of the course, he moved to the Faculty of Law, where his problems with grades in some subjects continued. The transitional exams in May 1846 were passed satisfactorily (he received one five, three fours and four threes; the average output was three), and Lev Nikolayevich was transferred to the second year. Leo Tolstoy spent less than two years at the Faculty of Law: “It was always difficult for him to have any education imposed by others, and everything that he learned in life, he learned himself, suddenly, quickly, with hard work”, - writes S. A. Tolstaya in his “Materials for the biography of L. N. Tolstoy”.

In 1904 he recalled: “I'm the first year ... did nothing. In the second year, I began to study ... there was Professor Meyer, who ... gave me a job - a comparison of Catherine's "Instruction" with Esprit des lois ("The Spirit of the Laws"). ... this work fascinated me, I went to the village, began to read Montesquieu, this reading opened up endless horizons for me; I started reading and dropped out of university, precisely because I wanted to study.”.

From March 11, 1847, Tolstoy was in the Kazan hospital, on March 17 he began to keep a diary, where, imitating, he set himself goals and objectives for self-improvement, noted successes and failures in fulfilling these tasks, analyzed his shortcomings and train of thought, the motives of his deeds. He kept this diary with short breaks throughout his life.

After finishing the treatment in the spring of 1847, Tolstoy left his studies at the university and left for Yasnaya Polyana, which he inherited from the division; his activities there are partly described in the work “The Morning of the Landowner”: Tolstoy tried to establish relations with the peasants in a new way. His attempt to somehow alleviate the young landowner's guilt before the people dates back to the same year when D. V. Grigorovich's Anton-Goremyka appeared and the beginning of The Hunter's Notes.

In his diary, Tolstoy formulated for himself a large number of life rules and goals, but he managed to follow only a small part of them. Among the successful ones are serious studies in English, music, and jurisprudence. In addition, neither the diary nor the letters reflected the beginning of Tolstoy's studies in pedagogy and charity, although in 1849 he first opened a school for peasant children. The main teacher was Foka Demidovich, a serf, but Lev Nikolayevich himself often conducted classes.

In mid-October 1848, Tolstoy left for Moscow, settling where many of his relatives and friends lived - in the Arbat area. He stayed at Ivanova's house in Nikolopeskovsky Lane. In Moscow, he was going to start preparing for the candidate's exams, but the classes were never started. Instead, he was attracted to a completely different side of life - social life. In addition to the passion for secular life, in Moscow, in the winter of 1848-1849, Lev Nikolayevich first developed a passion for a card game. But since he played very recklessly and not always thinking about his moves, he often lost.

Having left for St. Petersburg in February 1849, he spent time in revelry with K. A. Islavin- uncle of his future wife ( “My love for Islavin spoiled for me the whole 8 months of my life in St. Petersburg”). In the spring, Tolstoy began to take the exam for a candidate of rights; he passed two exams, from criminal law and criminal proceedings, but he did not take the third exam and went to the village.

Later he came to Moscow, where he often spent time gambling, which often had a negative effect on his financial situation. During this period of his life, Tolstoy was especially passionately interested in music (he himself played the piano well and greatly appreciated his favorite works performed by others). Passion for music prompted him later to write the Kreutzer Sonata.

Tolstoy's favorite composers were Bach, Handel and. The development of Tolstoy's love for music was also facilitated by the fact that during a trip to St. Petersburg in 1848, he met in a very unsuitable dance class environment with a gifted, but astray German musician, whom he later described in the story "Albert". In 1849, Lev Nikolaevich settled the musician Rudolf in Yasnaya Polyana, with whom he played four hands on the piano. Carried away by music at that time, he played works by Schumann, Chopin, Mendelssohn for several hours a day. In the late 1840s, Tolstoy, in collaboration with his friend Zybin, composed a waltz, which in the early 1900s was performed under the composer S. I. Taneyev, who made a musical notation of this musical work (the only one composed by Tolstoy). A lot of time was also spent on carousing, playing and hunting.

In the winter of 1850-1851 began to write "Childhood". In March 1851 he wrote The History of Yesterday. 4 years after he left the university, the brother of Lev Nikolayevich Nikolayevich, who served in the Caucasus, arrived in Yasnaya Polyana, who invited his younger brother to join the military service in the Caucasus. Lev agreed not immediately, until a major loss in Moscow hastened the final decision. The writer's biographers note the significant and positive influence of brother Nikolai on the young and inexperienced in worldly affairs Leo. The older brother, in the absence of his parents, was his friend and mentor.

In order to pay off the debts, it was necessary to reduce their expenses to a minimum - and in the spring of 1851 Tolstoy hurriedly left Moscow for the Caucasus without a specific goal. Soon he decided to enter the military service, but for this he lacked the necessary documents left in Moscow, in anticipation of which Tolstoy lived for about five months in Pyatigorsk, in a simple hut. He spent a significant part of his time hunting, in the company of the Cossack Epishka, the prototype of one of the heroes of the story "The Cossacks", appearing there under the name Eroshka.

In the autumn of 1851, having passed an exam in Tiflis, Tolstoy entered the 4th battery of the 20th artillery brigade, stationed in the Cossack village of Starogladovskaya on the banks of the Terek, near Kizlyar, as a cadet. With some changes in details, she is depicted in the story "Cossacks". The story reproduces a picture of the inner life of a young gentleman who fled from Moscow life. In the Cossack village, Tolstoy began to write again and in July 1852 sent the first part of the future autobiographical trilogy, Childhood, signed only with initials, to the editors of the then most popular magazine Sovremennik "L. N. T.”. When sending the manuscript to the journal, Leo Tolstoy enclosed a letter stating: “...I look forward to your verdict. He will either encourage me to continue my favorite activities, or make me burn everything I started. ”.

Having received the manuscript of Childhood, the editor of Sovremennik immediately recognized its literary value and wrote a kind letter to the author, which had a very encouraging effect on him. In a letter to I. S. Turgenev, Nekrasov noted: “This talent is new and seems to be reliable”. The manuscript, by an as yet unknown author, was published in September of the same year. Meanwhile, the beginning and inspired author began to continue the tetralogy "Four Epochs of Development", the last part of which - "Youth" - did not take place. He pondered the plot of The Morning of the Landowner (the finished story was only a fragment of The Novel of the Russian Landowner), The Raid, The Cossacks. Published in Sovremennik on September 18, 1852, Childhood was an extraordinary success; after the publication of the author, they immediately began to rank among the luminaries of the young literary school, along with I. S. Turgenev, D. V. Grigorovich, Ostrovsky, who already enjoyed loud literary fame. Critics Apollon Grigoriev, Annenkov, Druzhinin appreciated the depth of psychological analysis, the seriousness of the author's intentions and the bright convexity of realism.

The relatively late beginning of the career is very characteristic of Tolstoy: he never considered himself a professional writer, understanding professionalism not in the sense of a profession that provides a livelihood, but in the sense of the predominance of literary interests. He did not take the interests of literary parties to heart, he was reluctant to talk about literature, preferring to talk about issues of faith, morality, and social relations.

As a cadet, Lev Nikolaevich remained for two years in the Caucasus, where he participated in many skirmishes with the highlanders, led by Shamil, and was exposed to the dangers of military life in the Caucasus. He had the right to the St. George Cross, however, in accordance with his convictions, he “conceded” to his fellow soldier, believing that a significant improvement in the conditions of service of a colleague was higher than personal vanity.

With the outbreak of the Crimean War, Tolstoy transferred to the Danube army, participated in the battle of Oltenitsa and the siege of Silistria, and from November 1854 to the end of August 1855 was in Sevastopol.

For a long time he lived on the 4th bastion, which was often attacked, commanded a battery in the battle of Chernaya, was bombarded during the assault on Malakhov Kurgan. Tolstoy, despite all the hardships of life and the horrors of the siege, at that time wrote the story "Cutting the Forest", which reflected Caucasian impressions, and the first of the three "Sevastopol stories" - "Sevastopol in December 1854". He sent this story to Sovremennik. It was quickly published and read with interest throughout Russia, making a stunning impression of the horrors that befell the defenders of Sevastopol. The story was noticed by the Russian Emperor; he ordered to take care of the gifted officer.

Even during the life of Emperor Nicholas I, Tolstoy intended to publish, together with artillery officers, the "cheap and popular" magazine "Military List", but Tolstoy failed to implement the project of the magazine: “For the project, my Sovereign, the Emperor, most graciously deigned to allow our articles to be printed in the Invalid”- bitterly ironic Tolstoy about this.

For the defense of Sevastopol, Tolstoy was awarded the Order of St. Anna 4th degree with the inscription "For Courage", medals "For the Defense of Sevastopol 1854-1855" and "In Memory of the War of 1853-1856". Subsequently, he was awarded two medals "In memory of the 50th anniversary of the defense of Sevastopol": silver as a participant in the defense of Sevastopol and bronze as the author of Sevastopol Tales.

Tolstoy, enjoying the reputation of a brave officer and surrounded by the splendor of fame, had every chance of a career. However, his career was blighted by writing several satirical songs stylized as soldiers. One of these songs was dedicated to the failure during the battle near the Chernaya River on August 4 (16), 1855, when General Read, having misunderstood the order of the commander-in-chief, attacked the Fedyukhin Heights. The song is called “As on the fourth day, it was not easy for us to take the mountains away”, which affected a number of important generals, was a huge success. For her, Lev Nikolaevich had to answer to the assistant chief of staff A. A. Yakimakh.

Immediately after the assault on August 27 (September 8), Tolstoy was sent by courier to St. Petersburg, where he completed Sevastopol in May 1855. and wrote "Sevastopol in August 1855", published in the first issue of Sovremennik for 1856, already with the full signature of the author. "Sevastopol Tales" finally strengthened his reputation as a representative of a new literary generation, and in November 1856 the writer left military service forever.

In St. Petersburg, the young writer was warmly welcomed in high-society salons and in literary circles. He became closest friends with I. S. Turgenev, with whom they lived for some time in the same apartment. Turgenev introduced him to the Sovremennik circle, after which Tolstoy established friendly relations with such famous writers as N. A. Nekrasov, I. S. Goncharov, I. I. Panaev, D. V. Grigorovich, A. V. Druzhinin, V. A. Sollogub.

At this time, "Snowstorm", "Two Hussars" were written, "Sevastopol in August" and "Youth" were completed, the writing of future "Cossacks" was continued.

However, a cheerful and eventful life left a bitter aftertaste in Tolstoy's soul, at the same time he began to have a strong discord with a circle of writers close to him. As a result, "people were disgusted with him, and he himself was disgusted" - and at the beginning of 1857 Tolstoy left Petersburg without any regret and went abroad.

On his first trip abroad, he visited Paris, where he was horrified by the cult of Napoleon I (“Deification of the villain, terrible”), at the same time he attended balls, museums, admired the “sense of social freedom”. However, the presence at the guillotining made such a painful impression that Tolstoy left Paris and went to places associated with the French writer and thinker J.-J. Rousseau - on Lake Geneva. In the spring of 1857, I. S. Turgenev described his meetings with Leo Tolstoy in Paris after his sudden departure from St. Petersburg as follows: “Indeed, Paris is not at all in harmony with its spiritual system; He is a strange man, I have never met such people and do not quite understand. A mixture of a poet, a Calvinist, a fanatic, a baric - something reminiscent of Rousseau, but more honest than Rousseau - a highly moral and at the same time unsympathetic creature ".

Trips to Western Europe - Germany, France, England, Switzerland, Italy (in 1857 and 1860-1861) made a rather negative impression on him. He expressed his disappointment in the European way of life in the story "Lucerne". Tolstoy was disillusioned by the deep contrast between wealth and poverty, which he was able to see through the magnificent outer veil of European culture.

Lev Nikolaevich writes the story "Albert". At the same time, friends never cease to be amazed at his eccentricities: in his letter to I. S. Turgenev in the fall of 1857, P. V. Annenkov told Tolstoy’s project to plant all of Russia with forests, and in his letter to V. P. Botkin, Leo Tolstoy reported how he was very happy the fact that he did not become only a writer, contrary to the advice of Turgenev. However, in the interval between the first and second trips, the writer continued to work on The Cossacks, wrote the story Three Deaths and the novel Family Happiness.

The last novel was published by him in Mikhail Katkov's Russkiy Vestnik. Tolstoy's collaboration with the Sovremennik magazine, which had lasted since 1852, ended in 1859. In the same year, Tolstoy took part in the organization of the Literary Fund. But his life was not limited to literary interests: on December 22, 1858, he almost died on a bear hunt.

Around the same time, he began an affair with a peasant woman, Aksinya Bazykina, and marriage plans are ripening.

On his next trip, he was mainly interested in public education and institutions aimed at raising the educational level of the working population. He closely studied the issues of public education in Germany and France, both theoretically and practically - in conversations with specialists. Of the outstanding people of Germany, he was most interested in him as the author of the Black Forest Tales dedicated to folk life and as a publisher of folk calendars. Tolstoy paid him a visit and tried to get closer to him. In addition, he also met with the German teacher Diesterweg. During his stay in Brussels, Tolstoy met Proudhon and Lelewel. In London I visited, was at a lecture.

Tolstoy's serious mood during his second trip to the south of France was also facilitated by the fact that his beloved brother Nikolai died of tuberculosis almost in his arms. The death of his brother made a huge impression on Tolstoy.

Gradually, criticism for 10-12 years cools off towards Leo Tolstoy, until the very appearance of "War and Peace", and he himself did not seek rapprochement with writers, making an exception only for. One of the reasons for this alienation was the quarrel between Leo Tolstoy and Turgenev, which occurred at a time when both prose writers were visiting Fet at the Stepanovka estate in May 1861. The quarrel almost ended in a duel and spoiled the relationship between the writers for a long 17 years.

In May 1862, Lev Nikolayevich, suffering from depression, on the recommendation of doctors, went to the Bashkir farm Karalyk, Samara province, to be treated with a new and fashionable at that time method of koumiss treatment. Initially, he was going to stay in the Postnikov koumiss clinic near Samara, but, having learned that many high-ranking officials were to arrive at the same time (a secular society that the young count could not stand), he went to the Bashkir nomad camp Karalyk, on the Karalyk River, in 130 miles from Samara. There Tolstoy lived in a Bashkir wagon (yurt), ate lamb, sunbathed, drank koumiss, tea, and also had fun playing checkers with the Bashkirs. The first time he stayed there for a month and a half. In 1871, when he had already written "War and Peace", he returned there due to deteriorating health. About his impressions, he wrote: “Melancholy and indifference have passed, I feel like coming into a Scythian state, and everything is interesting and new ... Much is new and interesting: the Bashkirs, who smell of Herodotus, and the Russian peasants, and the villages, especially charming for the simplicity and kindness of the people”.

Fascinated by Karalyk, Tolstoy bought an estate in these places, and spent the next summer, 1872, with his whole family in it.

In July 1866, Tolstoy spoke at a court-martial as the defender of Vasil Shabunin, company clerk of the Moscow Infantry Regiment stationed near Yasnaya Polyana. Shabunin hit the officer, who ordered to punish him with rods for being drunk. Tolstoy proved Shabunin's insanity, but the court found him guilty and sentenced him to death. Shabunin was shot. This episode made a great impression on Tolstoy, because in this terrible phenomenon he saw a merciless force, which was a state based on violence. On this occasion, he wrote to his friend, publicist P.I. Biryukov: “This incident had much more influence on my whole life than all the seemingly more important events of life: the loss or improvement of the state, success or failure in literature, even the loss of loved ones”.

During the first 12 years after his marriage, he created War and Peace and Anna Karenina. At the turn of this second era of Tolstoy's literary life, there are Cossacks, conceived back in 1852 and completed in 1861-1862, the first of the works in which the talent of the mature Tolstoy was most realized.

The main interest of creativity for Tolstoy manifested itself "in the 'history' of characters, in their continuous and complex movement, development." His goal was to show the ability of the individual to moral growth, improvement, opposition to the environment based on the strength of his own soul.

The release of "War and Peace" was preceded by work on the novel "The Decembrists" (1860-1861), to which the author repeatedly returned, but which remained unfinished. And the share of "War and Peace" was an unprecedented success. An excerpt from the novel entitled "1805" appeared in the "Russian Messenger" of 1865; in 1868, three of its parts were published, followed soon by the other two. The first four volumes of War and Peace quickly sold out, and a second edition was needed, which was released in October 1868. The fifth and sixth volumes of the novel were published in one edition, already printed in an increased edition.

"War and Peace" became a unique phenomenon both in Russian and foreign literature. This work has absorbed all the depth and secrecy of the psychological novel with the scope and multi-figures of the epic fresco. The writer, according to V. Ya. Lakshin, turned to "a special state of the people's consciousness in the heroic time of 1812, when people from different segments of the population united in resistance to foreign invasion", which, in turn, "created the ground for the epic."

The author showed the national Russian features in the "hidden warmth of patriotism", in disgust for ostentatious heroics, in a calm faith in justice, in the modest dignity and courage of ordinary soldiers. He portrayed Russia's war with the Napoleonic troops as a nationwide war. The epic style of the work is conveyed through the fullness and plasticity of the image, the branching and intersection of destinies, incomparable pictures of Russian nature.

In Tolstoy's novel, the most diverse strata of society are widely represented, from emperors and kings to soldiers, all ages and all temperaments in the space of the reign of Alexander I.

Tolstoy was pleased with his own work, but already in January 1871 he sent a letter to A. A. Fet: “How happy I am ... that I will never write verbose rubbish like “War” again”. However, Tolstoy hardly crossed out the importance of his previous creations. To the question of Tokutomi Roca in 1906, which of his works Tolstoy loves the most, the writer replied: "The novel "War and Peace"".

In March 1879, in Moscow, Leo Tolstoy met Vasily Petrovich Shchegolyonok, and in the same year, at his invitation, he came to Yasnaya Polyana, where he stayed for about a month and a half. The dandy told Tolstoy a lot of folk tales, epics and legends, of which more than twenty were written down by Tolstoy, and the plots of some Tolstoy, if he did not write down on paper, then remembered: six works written by Tolstoy are sourced from the stories of the Schegolyonok (1881 - “What people live for” , 1885 - "Two Old Men" and "Three Elders", 1905 - "Korney Vasilyev" and "Prayer", 1907 - "The Old Man in the Church"). In addition, Tolstoy diligently wrote down many sayings, proverbs, individual expressions and words told by Schegolyonok.

Tolstoy's new worldview was most fully expressed in his works "Confession" (1879-1880, published in 1884) and "What is my faith?" (1882-1884). To the theme of the Christian beginning of love, devoid of any self-interest and rising above sensual love in the struggle with the flesh, Tolstoy dedicated the story The Kreutzer Sonata (1887-1889, published in 1891) and The Devil (1889-1890, published in 1911). In the 1890s, trying to theoretically substantiate his views on art, he wrote a treatise "What is art?" (1897-1898). But the main artistic work of those years was his novel Resurrection (1889-1899), the plot of which was based on a genuine court case. The sharp criticism of church rites in this work became one of the reasons for the excommunication of Tolstoy by the Holy Synod from the Orthodox Church in 1901. The highest achievements of the early 1900s were the story "Hadji Murad" and the drama "The Living Corpse". In "Hadji Murad" the despotism of Shamil and Nicholas I is equally exposed. In the story, Tolstoy glorified the courage of the struggle, the strength of resistance and love of life. The play "The Living Corpse" became evidence of Tolstoy's new artistic quest, objectively close to Chekhov's drama.

At the beginning of his reign, Tolstoy wrote to the emperor with a request to pardon the regicides in the spirit of the gospel forgiveness. Since September 1882, a secret supervision was established for him to clarify relations with sectarians; in September 1883, he refuses to serve as a juror, citing incompatibility with his religious worldview. Then he received a ban on public speaking in connection with the death of Turgenev. Gradually, the ideas of Tolstoyanism begin to penetrate society. At the beginning of 1885, a precedent was set in Russia for refusing military service, citing Tolstoy's religious beliefs. A significant part of Tolstoy's views could not be openly expressed in Russia and was presented in full only in foreign editions of his religious and social treatises.

There was no unanimity in relation to Tolstoy's works of art written during this period. Thus, in a long series of short stories and legends, intended primarily for popular reading (“How do people live”, etc.), Tolstoy, in the opinion of his unconditional admirers, reached the pinnacle of artistic power. At the same time, according to people who reproach Tolstoy for turning from an artist into a preacher, these artistic teachings, written with a specific purpose, were rudely tendentious.

The high and terrible truth of The Death of Ivan Ilyich, according to fans, which puts this work on a par with the main works of the genius of Tolstoy, according to others, is deliberately harsh, it sharply emphasized the soullessness of the upper strata of society in order to show the moral superiority of a simple "kitchen peasant » Gerasim. The Kreutzer Sonata (written in 1887-1889, published in 1890) also caused opposite reviews - an analysis of marital relations made us forget about the amazing brightness and passion with which this story was written. The work was banned by censorship, it was printed thanks to the efforts of S. A. Tolstaya, who achieved a meeting with Alexander III. As a result, the story was published in a censored form in the Collected Works of Tolstoy by the personal permission of the tsar. Alexander III was pleased with the story, but the queen was shocked. On the other hand, the folk drama The Power of Darkness, in the opinion of Tolstoy's admirers, became a great manifestation of his artistic power: in the narrow framework of the ethnographic reproduction of the Russian peasant life, Tolstoy managed to fit so many universal features that the drama went around all the stages of the world with tremendous success.

During the famine of 1891-1892. Tolstoy organized institutions in the Ryazan province to help the starving and the needy. He opened 187 canteens, in which 10 thousand people were fed, as well as several canteens for children, firewood was distributed, seeds and potatoes were distributed for sowing, horses were bought and distributed to farmers (almost all farms became horseless in a famine year), in the form of donations there were collected almost 150,000 rubles.

The treatise “The Kingdom of God is within you...” was written by Tolstoy with short breaks for almost 3 years: from July 1890 to May 1893. The treatise, which aroused the admiration of the critic V. V. Stasov (“the first book of the XIX century”) and I. E. Repin (“this thing of terrifying power”) could not be published in Russia due to censorship, and he was published abroad. The book began to be illegally distributed in a huge number of copies in Russia. In Russia itself, the first legal edition appeared in July 1906, but even after that it was withdrawn from sale. The treatise was included in the collected works of Tolstoy, published in 1911, after his death.

In the last major work, the novel Resurrection, published in 1899, Tolstoy condemned judicial practice and high-society life, depicted the clergy and worship as secularized and united with secular power.

The second half of 1879 became a turning point in the direction of the teachings of the Orthodox Church for him. In the 1880s, he took the position of an unambiguously critical attitude towards church doctrine, the clergy, and official churchness. The publication of some of Tolstoy's works was banned by both spiritual and secular censorship. In 1899, Tolstoy's novel "Resurrection" was published, in which the author showed the life of various social strata of contemporary Russia; the clergy were depicted mechanically and hastily performing rituals, and some took the cold and cynical Toporov for a caricature of the chief procurator of the Holy Synod.

Leo Tolstoy applied his teachings primarily in relation to his own way of life. He denied ecclesiastical interpretations of immortality and rejected ecclesiastical authority; he did not recognize the rights of the state, since it is built (in his opinion) on violence and coercion. He criticized the church teaching, according to which “life as it is here on earth, with all its joys, beauties, with all the struggle of the mind against darkness, is the life of all the people who lived before me, my whole life with my inner struggle and victories of the mind there is life that is not true, but life that has fallen, hopelessly spoiled; life is true, sinless - in faith, that is, in imagination, that is, in madness. Leo Tolstoy did not agree with the teaching of the church that a person from his birth, in essence, is vicious and sinful, since, in his opinion, such a teaching “cuts down everything that is best in human nature.” Seeing how the church quickly lost its influence on the people, the writer, according to K. N. Lomunov, came to the conclusion: "Everything that lives is independent of the church."

In February 1901, the Synod finally inclined to the idea of publicly condemning Tolstoy and declaring him outside the church. Metropolitan Anthony (Vadkovsky) played an active role in this. As it appears in the camera-Fourier magazines, on February 22, Pobedonostsev visited Nicholas II in the Winter Palace and talked with him for about an hour. Some historians believe that Pobedonostsev came to the tsar directly from the Synod with a ready definition.

In November 1909, he wrote down a thought that indicated his broad understanding of religion: “I do not want to be a Christian, just as I did not advise and would not want there to be Brahminists, Buddhists, Confucianists, Taoists, Mohammedans and others. We must all find, each in our own faith, what is common to all, and, renouncing the exclusive, our own, hold on to what is common..

On the night of October 28 (November 10), 1910, L. N. Tolstoy, fulfilling his decision to live his last years in accordance with his views, secretly left Yasnaya Polyana forever, accompanied only by his doctor D. P. Makovitsky. At the same time, Tolstoy did not even have a definite plan of action. He began his last journey at Shchyokino station. On the same day, having changed trains at the Gorbachevo station, I reached the city of Belev, Tula province, after that, in the same way, but on another train to the Kozelsk station, hired a coachman and headed to Optina Pustyn, and from there the next day to Shamordinsky monastery, where he met his sister, Maria Nikolaevna Tolstaya. Later, Tolstoy's daughter Alexandra Lvovna secretly arrived in Shamordino.

On the morning of October 31 (November 13), L. N. Tolstoy and his companions set off from Shamordino to Kozelsk, where they boarded train No. 12, Smolensk - Ranenburg, which had already approached the station, heading east. We did not have time to buy tickets when boarding; having reached Belev, we bought tickets to the Volovo station, where we intended to transfer to some train heading south. Those who accompanied Tolstoy later also testified that the journey had no specific purpose. After the meeting, they decided to go to his niece, E. S. Denisenko, in Novocherkassk, where they wanted to try to get foreign passports and then go to Bulgaria; if this fails, go to the Caucasus. However, on the way, L. N. Tolstoy felt worse - the cold turned into lobar pneumonia and the escorts were forced to interrupt the trip on the same day and take the sick Tolstoy out of the train at the first large station near the settlement. This station was Astapovo (now Leo Tolstoy, Lipetsk region).

The news of Leo Tolstoy's illness caused a great stir both in the highest circles and among the members of the Holy Synod. On the state of his health and the state of affairs, encrypted telegrams were systematically sent to the Ministry of Internal Affairs and the Moscow Gendarme Directorate of Railways. An emergency secret meeting of the Synod was convened, at which, on the initiative of Chief Procurator Lukyanov, the question was raised about the attitude of the church in the event of the sad outcome of Lev Nikolayevich's illness. But the issue has not been positively resolved.

Six doctors tried to save Lev Nikolaevich, but he only replied to their offers to help: "God will arrange everything." When asked what he himself wants, he said: "I want no one to bother me." His last meaningful words, which he uttered a few hours before his death to his eldest son, which he could not make out from excitement, but which doctor Makovitsky heard, were: "Seryozha... the truth... I love a lot, I love everyone...".

On November 7 (20), at 6:50 a.m., after a week of severe and painful illness (suffocated), Lev Nikolayevich Tolstoy died in the house of the head of the station, I. I. Ozolin.

When Leo Tolstoy came to Optina Pustyn before his death, Elder Varsonofy was the abbot of the monastery and the head of the skete. Tolstoy did not dare to go to the skete, and the elder followed him to the Astapovo station in order to give him the opportunity to reconcile with the Church. But he was not allowed to see the writer, just as his wife and some of his closest relatives from among the Orthodox believers were not allowed to see him.

On November 9, 1910, several thousand people gathered in Yasnaya Polyana for the funeral of Leo Tolstoy. Among those gathered were the writer's friends and admirers of his work, local peasants and Moscow students, as well as representatives of government agencies and local policemen sent to Yasnaya Polyana by the authorities, who feared that the farewell ceremony for Tolstoy might be accompanied by anti-government statements, and perhaps even turns into a demonstration. In addition, in Russia it was the first public funeral of a famous person, which was supposed to take place not according to the Orthodox rite (without priests and prayers, without candles and icons), as Tolstoy himself wished. The ceremony was peaceful, as noted in police reports. The mourners, observing complete order, with quiet singing, escorted Tolstoy's coffin from the station to the estate. People lined up, silently entered the room to say goodbye to the body.

On the same day, the newspapers published the resolution of Nicholas II on the report of the Minister of the Interior on the death of Leo Tolstoy: “I sincerely regret the death of the great writer, who, during the heyday of his talent, embodied in his works the images of one of the glorious years of Russian life. May the Lord God be a merciful judge for him.”.

On November 10 (23), 1910, Leo Tolstoy was buried in Yasnaya Polyana, on the edge of a ravine in the forest, where, as a child, he and his brother were looking for a “green stick” that kept the “secret” how to make all people happy. When the coffin with the deceased was lowered into the grave, all those present reverently knelt down.

Family of Leo Tolstoy:

Lev Nikolaevich from his youthful years was familiar with Lyubov Alexandrovna Islavina, in marriage Bers (1826-1886), loved to play with her children Lisa, Sonya and Tanya. When the daughters of the Berses grew up, Lev Nikolayevich thought about marrying his eldest daughter Lisa, hesitated for a long time until he made a choice in favor of the middle daughter Sophia. Sofya Andreevna agreed when she was 18 years old, and the count was 34 years old, and on September 23, 1862, Lev Nikolaevich married her, having previously confessed to his premarital affairs.

For some time in his life, the brightest period begins - he is truly happy, largely due to the practicality of his wife, material well-being, outstanding literary creativity and, in connection with it, all-Russian and world fame. In the person of his wife, he found an assistant in all matters, practical and literary - in the absence of a secretary, she several times rewrote his drafts. However, very soon happiness is overshadowed by the inevitable small disagreements, fleeting quarrels, mutual misunderstanding, which only worsened over the years.

For his family, Leo Tolstoy proposed a certain “life plan”, according to which he intended to give part of the income to the poor and schools, and to significantly simplify his family’s lifestyle (life, food, clothes), while also selling and distributing “everything superfluous”: piano, furniture, carriages. His wife, Sofya Andreevna, was clearly not satisfied with such a plan, on the basis of which the first serious conflict broke out between them and the beginning of her “undeclared war” for the secure future of her children. And in 1892, Tolstoy signed a separate act and transferred all the property to his wife and children, not wanting to be the owner. However, together they lived in great love for almost fifty years.

In addition, his older brother Sergei Nikolaevich Tolstoy was going to marry Sofya Andreevna's younger sister, Tatyana Bers. But Sergei's unofficial marriage to the gypsy singer Maria Mikhailovna Shishkina (who had four children from him) made it impossible for Sergei and Tatyana to marry.

In addition, the father of Sofya Andreevna, medical doctor Andrey Gustav (Evstafievich) Bers, even before his marriage to Islavina, had a daughter, Varvara, from Varvara Petrovna Turgeneva, the mother of Ivan Sergeevich Turgenev. By mother, Varya was the sister of Ivan Turgenev, and by father - S. A. Tolstoy, thus, together with marriage, Leo Tolstoy acquired kinship with I. S. Turgenev.

From the marriage of Lev Nikolayevich with Sofia Andreevna, 13 children were born, five of whom died in childhood. Children:

1. Sergei (1863-1947), composer, musicologist.
2. Tatyana (1864-1950). Since 1899 she has been married to Mikhail Sergeevich Sukhotin. In 1917-1923 she was the curator of the Yasnaya Polyana Museum Estate. In 1925 she emigrated with her daughter. Daughter Tatyana Mikhailovna Sukhotina-Albertini (1905-1996).
3. Ilya (1866-1933), writer, memoirist. In 1916 he left Russia and went to the USA.
4. Lev (1869-1945), writer, sculptor. In exile in France, Italy, then in Sweden.
5. Maria (1871-1906). From 1897 she was married to Nikolai Leonidovich Obolensky (1872-1934). Died of pneumonia. Buried in the village Kochaki of the Krapivensky district (modern Tul. region, Shchekinsky district, village of Kochaki).
6. Peter (1872-1873)
7. Nicholas (1874-1875)
8. Barbara (1875-1875)
9. Andrei (1877-1916), official for special assignments under the Tula governor. Member of the Russo-Japanese War. He died in Petrograd from a general blood poisoning.
10. Mikhail (1879-1944). In 1920 he emigrated and lived in Turkey, Yugoslavia, France and Morocco. He died on October 19, 1944 in Morocco.
11. Alexey (1881-1886)
12. Alexandra (1884-1979). From the age of 16 she became an assistant to her father. For participation in the First World War, she was awarded three George Crosses and was awarded the rank of colonel. In 1929 she emigrated from the USSR, in 1941 she received US citizenship. She died on September 26, 1979 at Valley Cottage, New York.
13. Ivan (1888-1895).

As of 2010, there were a total of more than 350 descendants of Leo Tolstoy (including both living and deceased), living in 25 countries of the world. Most of them are descendants of Leo Tolstoy, who had 10 children, the third son of Leo Nikolayevich. Since 2000, Yasnaya Polyana has hosted meetings of the writer's descendants every two years.

Quotes about Leo Tolstoy:

French writer and member of the French Academy André Maurois claimed that Leo Tolstoy is one of the three greatest writers in the history of culture (along with Shakespeare and Balzac).

German writer, Nobel Prize in Literature Thomas Mann said that the world did not know another artist in whom the epic, Homeric beginning would be as strong as that of Tolstoy, and that the elements of the epic and indestructible realism live in his creations.

The Indian philosopher and politician spoke of Tolstoy as the most honest person of his time, who never tried to hide the truth, embellish it, fearing neither spiritual nor secular power, backing up his preaching with deeds and making any sacrifices for the sake of truth.

The Russian writer and thinker said in 1876 that only Tolstoy shines with the fact that, in addition to the poem, "knows to the smallest accuracy (historical and current) the depicted reality."

Russian writer and critic Dmitry Merezhkovsky wrote about Tolstoy: “His face is the face of humanity. If the inhabitants of other worlds asked our world: who are you? - humanity could answer by pointing to Tolstoy: here I am.

The Russian poet spoke of Tolstoy: "Tolstoy is the greatest and only genius of modern Europe, the highest pride of Russia, a man whose only name is fragrance, a writer of great purity and holiness."

The Russian writer in the English Lectures on Russian Literature wrote: “Tolstoy is an unsurpassed Russian prose writer. Leaving aside his predecessors Pushkin and Lermontov, all the great Russian writers can be built in this sequence: the first is Tolstoy, the second is Gogol, the third is Chekhov, the fourth is Turgenev.

Russian religious philosopher and writer V. V. Rozanov about Tolstoy: "Tolstoy is only a writer, but not a prophet, not a saint, and therefore his teaching does not inspire anyone."

famous theologian Alexander Men said that Tolstoy is still the voice of conscience and a living reproach for people who are sure that they live in accordance with moral principles.

Leo Nikolayevich Tolstoy was born on September 9, 1828. The family of the writer belonged to the nobility. After his mother died, Leo and his sisters and brothers were raised by their father's cousin. Their father died 7 years later. For this reason, the children were given to be raised by an aunt. But soon the aunt died, and the children went to Kazan, to the second aunt. Tolstoy's childhood was difficult, but, however, in his works he romanticized this period of his life.

Lev Nikolaevich received his basic education at home. Soon he entered the Imperial Kazan University at the Faculty of Philology. But in his studies, he was not successful.

While Tolstoy served in the army, he would have quite a lot of free time. Even then, he began to write an autobiographical story "Childhood". This story contains good memories from the publicist's childhood.

Lev Nikolayevich also participated in the Crimean War, and during this period he created a number of works: "Boyhood", "Sevastopol Stories" and so on.

Anna Karenina is Tolstoy's most famous work.

Leo Tolstoy fell asleep forever on November 20, 1910. He was interred in Yasnaya Polyana, the place where he grew up.

Lev Nikolaevich Tolstoy is a famous writer who, in addition to recognized serious books, created works useful for children. These were, first of all, "ABC" and "Book for reading".

He was born in 1828 in the Tula province in the Yasnaya Polyana estate, where his house-museum is still located. Lyova became the fourth child in this noble family. His mother (nee princess) soon died, and seven years later his father. These terrible events led to the fact that the children had to move to their aunt in Kazan. Later, Lev Nikolayevich will collect memories of these and other years in the story "Childhood", which will be the first to be published in the Sovremennik magazine.

At first, Lev studied at home with German and French teachers, he was also fond of music. He grew up and entered the Imperial University. Tolstoy's older brother convinced him to serve in the army. The lion even took part in real battles. They are described by him in "Sevastopol stories", in the stories "Adolescence" and "Youth".

Tired of the wars, he declared himself an anarchist and went to Paris, where he lost all the money. Having changed his mind, Lev Nikolaevich returned to Russia, married Sophia Burns. Since then, he began to live in his native estate and engage in literary work.

His first major work was the novel War and Peace. The writer wrote it for about ten years. The novel was well received by both readers and critics. Further, Tolstoy created the novel "Anna Karenina", which received even greater public success.

Tolstoy wanted to understand life. Desperate to find an answer in his work, he went to church, but was disappointed there too. Then he renounced the church, began to think about his philosophical theory - "non-resistance to evil." He wanted to give all his property to the poor… The secret police even began to follow him!

Going on a pilgrimage, Tolstoy fell ill and died - in 1910.

Biography of Leo Tolstoy

In different sources, the date of birth of Leo Nikolayevich Tolstoy is indicated in different ways. The most common versions are August 28, 1829 and September 09, 1828. Born as the fourth child in a noble family, Russia, Tula province, Yasnaya Polyana. There were 5 children in the Tolstoy family.

His family tree originates from the Ruriks, his mother belonged to the Volkonsky family, and his father was a count. At the age of 9, Leo and his father went to Moscow for the first time. The young writer was so impressed that this trip gave rise to such works as Childhood'', Boyhood'', Youth''.

In 1830, Leo's mother died. The upbringing of children, after the death of the mother, was taken over by their uncle - the cousin of the father, after whose death, the aunt became the guardian. When the guardian aunt died, the second aunt from Kazan began to take care of the children. In 1873 my father died.

Tolstoy received his first education at home, with teachers. In Kazan, the writer lived for about 6 years, spent 2 years preparing to enter the Imperial Kazan University and he was enrolled in the Faculty of Oriental Languages. In 1844 he became a university student.

Learning languages for Leo Tolstoy was not interesting, after that he tried to link his fate with jurisprudence, but even here the training did not work out, so in 1847 he dropped out of school, received documents from an educational institution. After unsuccessful attempts to study, he decided to develop farming. In this regard, he returned to his parents' house in Yasnaya Polyana.

I did not find myself in agriculture, but it was not bad to keep a personal diary. Having finished working in the field of farming, he went to Moscow to focus on creativity, but all his plans have not yet been implemented.

Very young, he managed to visit the war, along with his brother Nikolai. The course of military events influenced his work, this is noticeable in some works, for example, in the stories, Cossacks '', Hadji - Murat '', in the stories, Degraded '', Woodcutting '', Raid ''.

From 1855, Lev Nikolaevich became a more skillful writer. At that time, the right of serfs was relevant, about which Leo Tolstoy wrote in his stories: “Polikushka”, “Morning of the landowner” and others.

1857-1860 fell on travel. Under their impression, he prepared school textbooks and began to pay attention to the publication of a pedagogical journal. In 1862, Leo Tolstoy married the young Sophia Bers, the daughter of a doctor. Family life, at first, benefited him, then the most famous works were written, War and Peace '', Anna Karenina ''.

The mid-80s were fruitful, dramas, comedies, and novels were written. The writer was worried about the topic of the bourgeoisie, he was on the side of the common people, in order to express his thoughts on this matter, Leo Tolstoy created many works: “After the Ball”, “For what”, “The Power of Darkness”, “Sunday”, etc.

Roman, Sunday”, deserves special attention. To write it, Lev Nikolayevich had to work hard for 10 years. As a result, the work was criticized. The local authorities, so afraid of his pen that they installed surveillance on him, were able to remove him from the church, but despite this, the common people supported Leo as best they could.

In the early 90s, Leo began to get sick. In the autumn of 1910, at the age of 82, the writer's heart stopped. It happened on the road: Leo Tolstoy was on a train, he became ill, he had to stop at the Astapovo railway station. Sheltered the patient, at home, the head of the station. After 7 days of visiting, the writer died.

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Years of life: from 09/09/1828 to 11/20/1910

Great Russian writer. Graph. Enlightener, publicist, religious thinker, whose authoritative opinion provoked the emergence of a new religious and moral trend - Tolstoyism.

Leo Nikolayevich Tolstoy was born on September 9 (August 28), 1828 in the Krapivensky district of the Tula province, in the hereditary estate of his mother - Yasnaya Polyana. Leo was the fourth child in a large noble family. His mother, nee Princess Volkonskaya, died when Tolstoy was not yet two years old. A distant relative, T. A. Ergolskaya, took up the upbringing of orphaned children. In 1837, the family moved to Moscow, settling on Plyushchikha, because the eldest son had to prepare to enter the university, but soon his father died suddenly, leaving his affairs (including some litigation related to the family’s property) in an unfinished state, and the three younger children again settled in Yasnaya Polyana under the supervision of Yergolskaya and her paternal aunt, Countess A. M. Osten-Saken, who was appointed guardian of the children. Here Lev Nikolaevich remained until 1840, when Countess Osten-Saken died and the children moved to Kazan, to a new guardian - the father's sister P. I. Yushkova.

Tolstoy's education went at first under the guidance of a rude French tutor, Saint-Thomas. From the age of 15, Tolstoy became a student at Kazan University, one of the leading universities of that time.

Having left the university, Tolstoy lived in Yasnaya Polyana from the spring of 1847. In 1851, realizing the aimlessness of his existence and, deeply despising himself, he went to the Caucasus to join the army. In the Crimea, Tolstoy was captured by new impressions and literary plans. There he began to work on his first novel Childhood. Adolescence. Youth". The literary debut immediately brought real recognition to Tolstoy.

In 1854 Tolstoy was assigned to the Danube Army in Bucharest. Boring staff life soon forced him to transfer to the Crimean army, to the besieged Sevastopol, where he commanded a battery on the 4th bastion, showing rare personal courage (he was awarded the Order of St. Anne and medals). In the Crimea, Tolstoy was captured by new impressions and literary plans, here he began to write a cycle of "Sevastopol stories", which were soon published and had a huge success.

In November 1855, Tolstoy arrived in St. Petersburg and immediately entered the Sovremennik circle (N. A. Nekrasov, I. S. Turgenev, A. N. Ostrovsky, I. A. Goncharov, etc.), where he was greeted as a "great hope of Russian literature.

In the autumn of 1856, after retiring, Tolstoy went to Yasnaya Polyana, and at the beginning of 1857 went abroad. He visited France, Italy, Switzerland, Germany, returned to Moscow in the fall, then to Yasnaya Polyana. In 1859, Tolstoy opened a school for peasant children in the village, helped set up more than 20 schools in the vicinity of Yasnaya Polyana, and Tolstoy was so fascinated by this occupation that in 1860 he went abroad for the second time to get acquainted with the schools of Europe.

In 1862 Tolstoy married Sofya Andreevna Bers. During the first 10-12 years after his marriage, he creates "War and Peace" and "Anna Karenina". Being widely known, recognized and loved by the writer for these works, Leo Tolstoy himself did not attach fundamental importance to them. More important to him was his philosophical system.

Leo Tolstoy was the founder of the Tolstoy movement, one of the fundamental theses of which is the Gospel “non-resistance to evil by force”. Around this topic in the Russian émigré environment in 1925, disputes still flared up that did not subside, in which many Russian philosophers of that time took part.

In the late autumn of 1910, at night, secretly from his family, the 82-year-old Tolstoy, accompanied only by his personal doctor D.P. Makovitsky, left Yasnaya Polyana. The road turned out to be unbearable for him: on the way, Tolstoy fell ill and had to get off the train at the small Astapovo railway station (now Leo Tolstoy, Lipetsk region). Here, in the stationmaster's house, he spent the last seven days of his life. November 7 (20) Leo Tolstoy died.

Information about the works:

The former estate "Yasnaya Polyana" now houses a museum dedicated to the life and work of Leo Tolstoy. In addition to this museum, the main exposition about his life and work can be seen in the State Museum of Leo Tolstoy, in the former house of the Lopukhins-Stanitskaya (Moscow, Prechistenka 11). Its branches are also: at the Lev Tolstoy station (the former Astapovo station), the memorial museum-estate of L. N. Tolstoy "Khamovniki" (Leo Tolstoy Street, 21), the exhibition hall on Pyatnitskaya.

Many writers and critics were surprised that it was not Leo Tolstoy who received the first Nobel Prize in Literature, because then he was already famous not only in Russia, but also abroad. Numerous publications have been published throughout Europe. But that Tolstoy replied with the following appeal: “Dear and respected brethren! I was very pleased that the Nobel Prize was not awarded to me. Firstly, it saved me from a great difficulty - to dispose of this money, which, like any money, in my opinion, can only bring evil; and secondly, it gave me the honor and great pleasure to receive expressions of sympathy from so many persons, although unknown to me, but nevertheless deeply respected by me. Please accept, dear brethren, the expression of my sincere gratitude and best feelings. Lev Tolstoy".
But the story of the Nobel Prize in the life of the writer did not end there. In 1905, Tolstoy's new work, The Great Sin, was published. This, now almost forgotten, sharply publicistic book told about the hard lot of the Russian peasantry. The Russian Academy of Sciences had an idea to nominate Leo Tolstoy for the Nobel Prize. Upon learning of this, Leo Tolstoy sent a letter to the Finnish writer and translator Arvid Jarnefelt. In it, Tolstoy asked his acquaintance through his Swedish colleagues "to try to make sure that this prize is not awarded to me", because "if this happened, it would be very unpleasant for me to refuse." Järnefelt fulfilled this delicate task, and the prize was awarded to the Italian poet Giosuè Carducci.

Lev Nikolaevich was, among other things, musically gifted. He loved music, felt it subtly, played music himself. So, in his youth, he picked up a waltz on the piano, which Alexander Goldenweiser later recorded by ear one evening in Yasnaya Polyana. Now this waltz in F major is often performed at events related to Tolstoy, both in the piano version and orchestrated for small strings.

Bibliography

Stories:
List of stories -

Educational literature and didactic aids:
ABC (1872)
New ABC (1875)
Arithmetic (1875)
The first Russian book for reading (1875)
The second Russian book for reading (1875)
The Third Russian Book for Reading (1875)
The fourth Russian book for reading (1875)

Plays:
The Infected Family (1864)
Nihilist (1866)
The Power of Darkness (1886)
Dramatic treatment of the legend of Haggai (1886)
The first distiller, or How an imp deserved a piece of bread (1886)
(1890)
Peter Khlebnik (1894)
Living Corpse (1900)
And the light shines in the darkness (1900)
All qualities come from her (1910)

Religious and philosophical works:
, 1880-1881
, 1882
The kingdom of God is within you - a treatise, 1890-1893.

Screen adaptations of works, theatrical performances

"Resurrection" (eng. Resurrection, 1909, UK). A 12-minute silent film based on the novel of the same name (filmed during the writer's lifetime).
"The Power of Darkness" (1909, Russia). Silent movie.
"Anna Karenina" (1910, Germany). Silent movie.
"Anna Karenina" (1911, Russia). Silent movie. Dir. - Maurice Meter
"The Living Corpse" (1911, Russia). Silent movie.
"War and Peace" (1913, Russia). Silent movie.
"Anna Karenina" (1914, Russia). Silent movie. Dir. - V. Gardin
"Anna Karenina" (1915, USA). Silent movie.
"The Power of Darkness" (1915, Russia). Silent movie.
"War and Peace" (1915, Russia). Silent movie. Dir. - Y. Protazanov, V. Gardin
"Natasha Rostova" (1915, Russia). Silent movie. Producer - A.Khanzhonkov. Cast - V. Polonsky, I. Mozzhukhin
"The Living Corpse" (1916). Silent movie.
"Anna Karenina" (1918, Hungary). Silent movie.
"The Power of Darkness" (1918, Russia). Silent movie.
"The Living Corpse" (1918). Silent movie.
"Father Sergius" (1918, RSFSR). Silent motion picture film by Yakov Protazanov, starring Ivan Mozzhukhin
"Anna Karenina" (1919, Germany). Silent movie.
Polikushka (1919, USSR). Silent movie.
"Love" (1927, USA. Based on the novel "Anna Karenina"). Silent movie. Anna as Greta Garbo
"The Living Corpse" (1929, USSR). Cast - V. Pudovkin
"Anna Karenina" (Anna Karenina, 1935, USA). Sound film. Anna as Greta Garbo
"Anna Karenina" (Anna Karenina, 1948, UK). Anna as Vivien Leigh
"War and Peace" (War & Peace, 1956, USA, Italy). In the role of Natasha Rostova - Audrey Hepburn
"Agi Murad il diavolo bianco" (1959, Italy, Yugoslavia). As Hadji Murat - Steve Reeves
“They are also people” (1959, USSR, based on a fragment of “War and Peace”). Dir. G. Danelia, cast - V. Sanaev, L. Durov
"Resurrection" (1960, USSR). Dir. - M. Schweitzer
"Anna Karenina" (Anna Karenina, 1961, USA). Vronsky as Sean Connery
"Cossacks" (1961, USSR). Dir. - V. Pronin
"Anna Karenina" (1967, USSR). In the role of Anna - Tatyana Samoilova
"War and Peace" (1968, USSR). Dir. - S. Bondarchuk
"The Living Corpse" (1968, USSR). In ch. roles - A. Batalov
"War and Peace" (War & Peace, 1972, UK). TV series. Pierre - Anthony Hopkins
"Father Sergius" (1978, USSR). Feature film by Igor Talankin, starring Sergei Bondarchuk
"The Caucasian Tale" (1978, USSR, based on the story "Cossacks"). In ch. roles - V. Konkin
"Money" (1983, France-Switzerland, based on the story "Fake Coupon"). Dir. - Robert Bresson
"Two Hussars" (1984, USSR). Dir. - Vyacheslav Krishtofovich
"Anna Karenina" (Anna Karenina, 1985, USA). Anna as Jacqueline Bisset
"Simple Death" (1985, USSR, based on the story "The Death of Ivan Ilyich"). Dir. - A. Kaidanovsky
"Kreutzer Sonata" (1987, USSR). Cast - Oleg Yankovsky
"For what?" (Za co?, 1996, Poland / Russia). Dir. - Jerzy Kavalerovich
"Anna Karenina" (Anna Karenina, 1997, USA). In the role of Anna - Sophie Marceau, Vronsky - Sean Bean
"Anna Karenina" (2007, Russia). In the role of Anna - Tatyana Drubich
For more details, see: List of film adaptations of Anna Karenina 1910-2007.
"War and Peace" (2007, Germany, Russia, Poland, France, Italy). TV series. In the role of Andrei Bolkonsky - Alessio Boni.

Lev Nikolayevich Tolstoy

Date of Birth:
Place of Birth:	Yasnaya Polyana, Tula Governorate, Russian Empire
Date of death:
A place of death:	Astapovo station, Tambov province, Russian Empire
Occupation:	Prose writer, publicist, philosopher
Aliases:	L.N., L.N.T.
Citizenship:	Russian empire
Years of creativity:
Direction:

Autograph:

Biography

Origin

Education

Military career

Travel Europe

Pedagogical activity

Family and offspring

The heyday of creativity

"War and Peace"

"Anna Karenina"

Other works

religious quest

Excommunication

Philosophy

Bibliography

Tolstoy's translators

World recognition. Memory

Screen versions of his works

Documentary

Movies about Leo Tolstoy

Gallery of portraits

Tolstoy's translators

Graph Lev Nikolayevich Tolstoy(August 28 (September 9), 1828 - November 7 (20), 1910) - one of the most widely known Russian writers and thinkers. Member of the defense of Sevastopol. Enlightener, publicist, religious thinker, whose authoritative opinion provoked the emergence of a new religious and moral trend - Tolstoyism.

The ideas of nonviolent resistance that L. N. Tolstoy expressed in his work “The Kingdom of God is within you” influenced Mahatma Gandhi and Martin Luther King Jr.

Biography

Origin

He came from a noble family, known, according to legendary sources, since 1353. His paternal ancestor, Count Pyotr Andreevich Tolstoy, is known for his role in the investigation of Tsarevich Alexei Petrovich, for which he was appointed head of the Secret Chancellery. The features of the great-grandson of Peter Andreevich, Ilya Andreevich, are given in War and Peace to the most good-natured, impractical old Count Rostov. The son of Ilya Andreevich, Nikolai Ilyich Tolstoy (1794-1837), was the father of Lev Nikolaevich. In some character traits and biography facts, he was similar to Nikolenka's father in "Childhood" and "Boyhood" and partly to Nikolai Rostov in "War and Peace". However, in real life, Nikolai Ilyich differed from Nikolai Rostov not only in his good education, but also in his convictions, which did not allow him to serve under Nikolai. A participant in the foreign campaign of the Russian army, including participating in the “battle of the peoples” near Leipzig and being captured by the French, after the conclusion of peace, he retired with the rank of lieutenant colonel of the Pavlograd hussar regiment. Soon after his resignation, he was forced to go to official service so as not to end up in a debtor's prison because of the debts of his father, the Kazan governor, who died under investigation for official abuse. For several years, Nikolai Ilyich had to save money. The negative example of his father helped Nikolai Ilyich work out his life ideal - a private independent life with family joys. To put his frustrated affairs in order, Nikolai Ilyich, like Nikolai Rostov, married an ugly and no longer very young princess from the Volkonsky family; the marriage was happy. They had four sons: Nikolai, Sergei, Dmitry and Lev, and a daughter, Maria.

Tolstoy's maternal grandfather, Catherine's general, Nikolai Sergeevich Volkonsky, had some resemblance to the stern rigorist - the old prince Bolkonsky in "War and Peace", but the version that he served as the prototype of the hero of "War and Peace" is rejected by many researchers of Tolstoy's work. Lev Nikolayevich's mother, similar in some respects to Princess Marya depicted in War and Peace, possessed a wonderful gift for storytelling, for which, with her shyness passed on to her son, she had to lock herself with a large number of listeners who gathered around her in a dark room.

In addition to the Volkonskys, Leo Tolstoy was closely related to some other aristocratic families: the princes Gorchakov, Trubetskoy and others.

Childhood

Born on August 28, 1828 in the Krapivensky district of the Tula province, in the hereditary estate of his mother - Yasnaya Polyana. Was the 4th child; his three older brothers: Nikolai (1823-1860), Sergei (1826-1904) and Dmitry (1827-1856). In 1830 sister Maria (1830-1912) was born. His mother died when he was not yet 2 years old.

A distant relative, T. A. Ergolskaya, took up the upbringing of orphaned children. In 1837, the family moved to Moscow, settling on Plyushchikha, because the eldest son had to prepare to enter the university, but soon his father died suddenly, leaving his affairs (including some litigation related to the family’s property) in an unfinished state, and the three younger children again settled in Yasnaya Polyana under the supervision of Yergolskaya and her paternal aunt, Countess A. M. Osten-Saken, who was appointed guardian of the children. Here Lev Nikolaevich remained until 1840, when Countess Osten-Saken died and the children moved to Kazan, to a new guardian - the father's sister P. I. Yushkova.

The Yushkovs' house, somewhat provincial in style, but typically secular, was one of the most cheerful in Kazan; all members of the family highly valued external brilliance. "My good aunt- says Tolstoy, - the purest being, always said that she would want nothing more for me than that I have a relationship with a married woman: rien ne forme un jeune homme comme une liaison avec une femme comme il faut " (« Confession»).

He wanted to shine in society, to earn the reputation of a young man; but he had no external data for that: he was ugly, as it seemed to him, awkward, and, moreover, he was hampered by natural shyness. Everything that is said in adolescence" and " Youth” about the aspirations of Irtenyev and Nekhlyudov for self-improvement, taken by Tolstoy from the history of his own ascetic attempts. The most diverse, as Tolstoy himself defines them, "thinking" about the main issues of our existence - happiness, death, God, love, eternity - painfully tormented him in that era of life, when his peers and brothers devoted themselves entirely to the cheerful, easy and carefree pastime of the rich and noble people. All this led to the fact that Tolstoy developed "a habit of constant moral analysis", as it seemed to him, "destroying the freshness of feeling and clarity of mind" (" Youth»).

Education

Did his education go at first under the guidance of the French tutor Saint-Thomas? (Mr. Jerome "Boyhood"), who replaced the good-natured German Reselman, whom he portrayed in "Childhood" under the name of Karl Ivanovich.

At the age of 15, in 1843, following his brother Dmitry, he entered the students of Kazan University, where Lobachevsky was a professor at the mathematical faculty, and Kovalevsky was a professor at the Vostochny. Until 1847, he was preparing to enter the Oriental Faculty, the only one in Russia at that time, in the category of Arabic-Turkish literature. At the entrance exams, in particular, he showed excellent results in the obligatory "Turkish-Tatar language" for admission.

Due to a conflict between his family and a teacher of Russian history and German, a certain Ivanov, according to the results of the year, he had poor progress in the relevant subjects and had to re-take the first-year program. In order to avoid a complete repetition of the course, he moved to the Faculty of Law, where his problems with grades in Russian history and German continued. The last one was attended by the eminent civil scientist Meyer; Tolstoy at one time became very interested in his lectures and even took on a special topic for development - a comparison of Montesquieu's "Esprit des lois" and Catherine's "Order". Nothing came of this, however. Leo Tolstoy spent less than two years at the Faculty of Law: “It was always difficult for him to have any education imposed by others, and everything he learned in life, he learned himself, suddenly, quickly, with hard work,” Tolstaya writes in her “Materials to biographies of L. N. Tolstoy”.

It was at this time, while in the Kazan hospital, that he began to keep a diary, where, imitating Franklin, he sets himself goals and rules for self-improvement and notes successes and failures in performing these tasks, analyzes his shortcomings and the train of thought and motives for his actions. In 1904, he recalled: “... for the first year I ... did nothing. In my second year, I started working out. .. there was Professor Meyer, who ... gave me a work - a comparison of Catherine's "Instruction" with Montesquieu's "Esprit des lois". ... I was carried away by this work, I went to the village, began to read Montesquieu, this reading opened up endless horizons for me; I began to read Rousseau and left the university, precisely because I wanted to study.

The beginning of literary activity

Having left the university, Tolstoy settled in Yasnaya Polyana in the spring of 1847; his activities there are partly described in The Morning of the Landowner: Tolstoy tried to establish relations with the peasants in a new way.

I followed journalism very little; although his attempt to somehow smooth over the guilt of the nobility before the people dates back to the same year when Grigorovich's "Anton Goremyk" and the beginning of Turgenev's "Notes of a Hunter" appeared, but this is a mere accident. If there were literary influences here, they were of a much older origin: Tolstoy was very fond of Rousseau, a hater of civilization and a preacher of a return to primitive simplicity.

In his diary, Tolstoy sets himself a huge number of goals and rules; managed to follow only a small number of them. Among the successful ones are serious studies in English, music, and jurisprudence. In addition, neither the diary nor the letters reflected the beginning of Tolstoy's studies in pedagogy and charity - in 1849 he opened a school for peasant children for the first time. The main teacher was Foka Demidych, a serf, but L. N. himself often conducted classes.

Having left for St. Petersburg, in the spring of 1848 he began to take an exam for a candidate of rights; he passed two exams, from criminal law and criminal proceedings, but he did not take the third exam and went to the village.

Later, he traveled to Moscow, where he often succumbed to the passion for the game, which greatly upset his financial affairs. During this period of his life, Tolstoy was especially passionately interested in music (he played the piano quite well and was very fond of classical composers). Exaggerated in relation to most people, the description of the effect that “passionate” music produces, the author of the Kreutzer Sonata, drew from the sensations excited by the world of sounds in his own soul.

Tolstoy's favorite composers were Bach, Handel and Chopin. In the late 1840s, Tolstoy, in collaboration with his acquaintance, composed a waltz, which he performed in the early 1900s with the composer Taneyev, who made a musical notation of this musical work (the only one composed by Tolstoy).

The development of Tolstoy's love for music was also facilitated by the fact that during a trip to St. Petersburg in 1848, he met in a very unsuitable dance class environment with a gifted, but astray German musician, whom he later described in Alberta. Tolstoy had the idea to save him: he took him to Yasnaya Polyana and played a lot with him. A lot of time was also spent on carousing, playing and hunting.

In the winter of 1850-1851 began to write "Childhood". In March 1851 he wrote The History of Yesterday.

So 4 years passed after leaving the university, when Tolstoy's brother, Nikolai, who served in the Caucasus, came to Yasnaya Polyana and began to call him there. Tolstoy did not give in to his brother's call for a long time, until a major loss in Moscow helped the decision. To pay off, it was necessary to reduce their expenses to a minimum - and in the spring of 1851 Tolstoy hurriedly left Moscow for the Caucasus, at first without any specific goal. Soon he decided to enter the military service, but there were obstacles in the form of a lack of necessary papers that were difficult to obtain, and Tolstoy lived for about 5 months in complete seclusion in Pyatigorsk, in a simple hut. He spent a significant part of his time hunting, in the company of the Cossack Epishka, the prototype of one of the heroes of the story "The Cossacks", appearing there under the name Eroshka.

In the autumn of 1851, having passed an exam in Tiflis, Tolstoy entered the 4th battery of the 20th artillery brigade, stationed in the Cossack village of Starogladovo, on the banks of the Terek, near Kizlyar, as a cadet. With a slight change in detail, she is depicted in all her semi-wild originality in The Cossacks. The same "Cossacks" will give us a picture of the inner life of Tolstoy, who fled from the capital's whirlpool. The moods that Tolstoy-Olenin experienced were of a dual nature: here is a deep need to shake off the dust and soot of civilization and live in the refreshing, clear bosom of nature, outside the empty conventions of urban and, especially, high-society life, here is the desire to heal the wounds of pride, taken out of the pursuit of success in this "empty" way of life, there is also a heavy consciousness of misdeeds against the strict requirements of true morality.

In a remote village, Tolstoy began to write and in 1852 sent the first part of the future trilogy, Childhood, to the editors of Sovremennik.

The relatively late beginning of the career is very characteristic of Tolstoy: he was never a professional writer, understanding professionalism not in the sense of a profession that provides a livelihood, but in a less narrow sense of the predominance of literary interests. Purely literary interests always stood in the background for Tolstoy: he wrote when he wanted to write and the need to speak out was quite ripe, but in ordinary times he is a secular person, an officer, a landowner, a teacher, a world mediator, a preacher, a teacher of life, etc. He he never took the interests of literary parties to heart, he was far from willing to talk about literature, preferring to talk about issues of faith, morality, and social relations. Not a single work of his, in the words of Turgenev, "stinks of literature," that is, it did not come out of a book mood, out of literary isolation.

Military career

Having received the manuscript of Childhood, the editor of Sovremennik Nekrasov immediately recognized its literary value and wrote a kind letter to the author, which had a very encouraging effect on him. He takes up the continuation of the trilogy, and plans for “Morning of the landowner”, “Raid”, “Cossacks” are swarming in his head. Published in Sovremennik in 1852, Childhood, signed with the modest initials L. N. T., was an extraordinary success; the author immediately began to be ranked among the luminaries of the young literary school, along with Turgenev, Goncharov, Grigorovich, Ostrovsky, who already enjoyed loud literary fame at that time. Criticism - Apollon Grigoriev, Annenkov, Druzhinin, Chernyshevsky - appreciated the depth of psychological analysis, the seriousness of the author's intentions, and the bright convexity of realism, with all the veracity of the vividly grasped details of real life, alien to any kind of vulgarity.

Tolstoy remained in the Caucasus for two years, participating in many skirmishes with the highlanders and being exposed to all the dangers of a military life in the Caucasus. He had the rights and claims to the St. George Cross, but did not receive it, which, apparently, was upset. When the Crimean War broke out at the end of 1853, Tolstoy transferred to the Danube army, participated in the battle of Oltenitsa and the siege of Silistria, and from November 1854 to the end of August 1855 was in Sevastopol.

Tolstoy lived for a long time on the terrible 4th bastion, commanded a battery in the battle of Chernaya, was during the hellish bombardment during the assault on Malakhov Kurgan. Despite all the horrors of the siege, Tolstoy wrote at that time a combat story from the Caucasian life "Cutting down the forest" and the first of the three "Sevastopol stories" "Sevastopol in December 1854". He sent this last story to Sovremennik. Immediately printed, the story was eagerly read by all of Russia and made a stunning impression with a picture of the horrors that befell the defenders of Sevastopol. The story was noticed by Emperor Nicholas; he ordered to take care of the gifted officer, which, however, was impossible for Tolstoy, who did not want to go into the category of the "staff" he hated.

For the defense of Sevastopol, Tolstoy was awarded the Order of St. Anne with the inscription "For Courage" and the medals "For the Defense of Sevastopol 1854-1855" and "In Memory of the War of 1853-1856." Surrounded by the brilliance of fame and, using the reputation of a very brave officer, Tolstoy had every chance of a career, but he “spoiled” it for himself. Almost the only time in his life (except for the “Combining different versions of epics into one” made for children in his pedagogical writings) he indulged in poetry: he wrote a satirical song, in the manner of soldiers, about an unfortunate deed 4 (August 16, 1855, when General Read, having misunderstood the order of the commander-in-chief, imprudently attacked the Fedyukhin heights, the song (Like on the fourth day, it was not easy to take the mountains off us), which offended a number of important generals, had a huge success and, of course, damaged the author. Immediately after the assault on August 27 (8 September) Tolstoy was sent by courier to Petersburg, where he finished Sevastopol in May 1855 and wrote Sevastopol in August 1855.

"Sevastopol stories" finally strengthened his reputation as a representative of a new literary generation.

Travel Europe

In St. Petersburg, he was warmly welcomed both in high-society salons and in literary circles; he became especially close friends with Turgenev, with whom at one time he lived in the same apartment. The latter introduced him to the Sovremennik circle and other literary luminaries: he became on friendly terms with Nekrasov, Goncharov, Panaev, Grigorovich, Druzhinin, Sologub.

“After the hardships of Sevastopol, life in the capital had a double charm for a rich, cheerful, impressionable and sociable young man. Tolstoy spent whole days and even nights on drinking parties and cards, carousing with gypsies” (Levenfeld).

At this time, "Snowstorm", "Two Hussars" were written, "Sevastopol in August" and "Youth" were completed, the writing of future "Cossacks" was continued.

A cheerful life was not slow to leave a bitter aftertaste in Tolstoy's soul, especially since he began to have a strong discord with a circle of writers close to him. As a result, "people got sick of him and he got sick of himself" - and at the beginning of 1857 Tolstoy, without any regret, left Petersburg and went abroad.

On his first trip abroad, he visited Paris, where he was horrified by the cult of Napoleon I (“Deification of the villain, terrible”), at the same time he attends balls, museums, he admires the “sense of social freedom”. However, the presence at the guillotining made such a heavy impression that Tolstoy left Paris and went to places associated with Rousseau - Lake Geneva. At this time, Albert writes the story and the story Lucerne.

In the interval between the first and second trips, he continues to work on The Cossacks, wrote Three Deaths and Family Happiness. It was at this time that Tolstoy almost died on a bear hunt (December 22, 1858). He has an affair with a peasant woman Aksinya, at the same time he has a need for marriage.

On his next trip, he was mainly interested in public education and institutions aimed at raising the educational level of the working population. He closely studied the issues of public education in Germany and France, both theoretically and practically, and through conversations with specialists. Of the outstanding people of Germany, he was most interested in Auerbach, as the author of the Black Forest Tales dedicated to folk life and the publisher of folk calendars. Tolstoy paid him a visit and tried to get close to him. During his stay in Brussels, Tolstoy met Proudhon and Lelewel. In London he visited Herzen, was at a lecture by Dickens.

Tolstoy's serious mood during his second trip to the south of France was also facilitated by the fact that his beloved brother Nikolai died of tuberculosis in his arms. The death of his brother made a huge impression on Tolstoy.

Pedagogical activity

He returned to Russia shortly after the liberation of the peasants and became a mediator. At that time, they looked at the people as a younger brother who needed to be lifted up; Tolstoy thought, on the contrary, that the people are infinitely higher than the cultural classes, and that the masters must borrow the heights of spirit from the peasants. He was actively engaged in organizing schools in his Yasnaya Polyana and in the entire Krapivensky district.

The Yasnaya Polyana school belongs to the number of original pedagogical attempts: in the era of boundless admiration for the latest German pedagogy, Tolstoy resolutely rebelled against any regulation and discipline in the school; the only method of teaching and education that he recognized was that no method was needed. Everything in teaching should be individual - both the teacher and the student, and their mutual relationship. In the Yasnaya Polyana school, the children sat where they wanted, for as long as they wanted, and for as long as they wanted. There was no specific curriculum. The teacher's only job was to keep the class interested. The classes were going great. They were led by Tolstoy himself with the help of several permanent teachers and a few random ones, from the closest acquaintances and visitors.

Since 1862, he began to publish the pedagogical journal Yasnaya Polyana, where again he himself was the main employee. In addition to theoretical articles, Tolstoy also wrote a number of stories, fables and adaptations. Put together, Tolstoy's pedagogical articles made up an entire volume of his collected works. Hidden in a very little-spread special magazine, they at one time remained little noticed. No one paid any attention to the sociological basis of Tolstoy's ideas about education, to the fact that Tolstoy saw in education, science, art and technological advances only facilitated and improved ways of exploiting the people by the upper classes. Not only that: from Tolstoy's attacks on European education and on the concept of “progress”, which was beloved at that time, many seriously concluded that Tolstoy was a “conservative”.

This curious misunderstanding lasted for about 15 years, bringing together with Tolstoy such a writer, for example, as organically opposed to him, as N. N. Strakhov. Only in 1875, N. K. Mikhailovsky, in the article “The Right Hand and Schuytsa of Count Tolstoy”, striking with the brilliance of analysis and foreseeing Tolstoy’s future activities, outlined the spiritual image of the most original of Russian writers in a real light. The little attention that was paid to Tolstoy's pedagogical articles is partly due to the fact that little attention was paid to him at that time.

Apollon Grigoriev had the right to title his article on Tolstoy (Vremya, 1862) "Phenomena of Modern Literature Missed by Our Criticism." Extremely cordially meeting the debits and credits of Tolstoy and "Sevastopol Tales", recognizing in him the great hope of Russian literature (Druzhinin even used the epithet "brilliant" in relation to him), criticism then for 10-12 years, until the appearance of "War and Peace", not only ceases to recognize him as a very important writer, but somehow grows cold towards him.

Among the stories and essays he wrote in the late 1850s are "Lucerne" and "Three Deaths".

Family and offspring

In the late 1850s, he met Sophia Andreevna Bers (1844-1919), the daughter of a Moscow doctor from the Baltic Germans. He was already in his fourth decade, Sofya Andreevna was only 17 years old. On September 23, 1862, he married her, and the fullness of family happiness fell to his lot. In the person of his wife, he found not only the most faithful and devoted friend, but also an indispensable assistant in all matters, practical and literary. For Tolstoy, the brightest period of his life is coming - an intoxication with personal happiness, very significant thanks to the practicality of Sofya Andreevna, material well-being, an outstanding, easily given tension of literary creativity and, in connection with it, unprecedented fame all-Russian, and then worldwide.

However, Tolstoy's relationship with his wife was not cloudless. Quarrels often arose between them, including in connection with the lifestyle that Tolstoy chose for himself.

Sergei (July 10, 1863 - December 23, 1947)
Tatiana (October 4, 1864 - September 21, 1950). Since 1899 she has been married to Mikhail Sergeevich Sukhotin. In 1917-1923 she was the curator of the Yasnaya Polyana Museum Estate. In 1925 she emigrated with her daughter. Daughter Tatyana Mikhailovna Sukhotina-Albertini 1905-1996
Ilya (May 22, 1866 - December 11, 1933)
Leo (1869-1945)
Maria (1871-1906) Buried in the village. Kochety of Krapivensky district. From 1897 married to Nikolai Leonidovich Obolensky (1872-1934)
Peter (1872-1873)
Nicholas (1874-1875)
Barbara (1875-1875)
Andrei (1877-1916)
Michael (1879-1944)
Alexey (1881-1886)
Alexandra (1884-1979)
Ivan (1888-1895)

The heyday of creativity

During the first 10-12 years after his marriage, he creates "War and Peace" and "Anna Karenina". At the turn of this second era of Tolstoy's literary life, there are works conceived back in 1852 and completed in 1861-1862. "Cossacks", the first of the works in which Tolstoy's great talent reached the size of a genius. For the first time in world literature, the difference between the brokenness of a cultured person, the absence of strong, clear moods in him, and the spontaneity of people close to nature was shown with such brightness and certainty.

Tolstoy showed that it is not at all the peculiarity of people close to nature that they are good or bad. It is impossible to call good heroes of the works of the fat dashing horse thief Lukashka, a kind of dissolute girl Maryanka, a drunkard Eroshka. But they cannot be called bad either, because they have no consciousness of evil; Eroshka is directly convinced that "nothing is wrong". Tolstoy's Cossacks are simply living people, in whom not a single spiritual movement is obscured by reflection. "Cossacks" were not evaluated in a timely manner. At that time, everyone was too proud of the “progress” and success of civilization to be interested in how a representative of culture gave in to the power of direct spiritual movements of some semi-savages.

"War and Peace"

Unprecedented success fell to the lot of "War and Peace". An excerpt from a novel entitled "1805" appeared in the "Russian Messenger" in 1865; in 1868, three of its parts were published, followed soon by the other two.

Recognized by the critics of the whole world as the greatest epic work of new European literature, "War and Peace" is already striking from a purely technical point of view with the size of its fictional canvas. Only in painting can one find some parallel in the huge paintings by Paolo Veronese in the Doge's Palace in Venice, where hundreds of faces are also written out with amazing distinctness and individual expression. In Tolstoy's novel, all classes of society are represented, from emperors and kings to the last soldier, all ages, all temperaments, and throughout the entire reign of Alexander I.

"Anna Karenina"

The infinitely joyful intoxication with the bliss of being is no longer in Anna Karenina, dating from 1873-1876. There is still much gratifying experience in Levin and Kitty's almost autobiographical novel, but there is already so much bitterness in the depiction of Dolly's family life, in the unfortunate end of the love of Anna Karenina and Vronsky, so much anxiety in Levin's spiritual life that in general this novel is already a transition to the third period. literary activity of Tolstoy.

In January 1871, Tolstoy sent a letter to A. A. Fet: “How happy I am ... that I will never write verbose rubbish like “War” again”.

On December 6, 1908, Tolstoy wrote in his diary: “People love me for those trifles - War and Peace, etc., which seem very important to them”

In the summer of 1909, one of the visitors to Yasnaya Polyana expressed his delight and gratitude for the creation of War and Peace and Anna Karenina. Tolstoy replied: “It’s like someone came to Edison and said:“ I really respect you for the fact that you are good at dancing the mazurka. I attribute meaning to my very different books (religious ones!)”.

In the sphere of material interests, he began to say to himself: “Well, well, you will have 6,000 acres in the Samara province - 300 heads of horses, and then?”; in the field of literature: “Well, well, you will be more glorious than Gogol, Pushkin, Shakespeare, Moliere, all the writers in the world - so what!”. Starting to think about raising children, he asked himself: "why?"; reasoning “about how the people can achieve prosperity,” he “suddenly said to himself: what does it matter to me?” In general, he “felt that what he stood on had given way, that what he lived by was gone”. The natural result was the thought of suicide.

“I, a happy man, hid the string from me so as not to hang myself on the crossbar between the cabinets in my room, where I was alone every day, undressing, and stopped going hunting with a gun, so as not to be tempted by a too easy way to rid myself of life. I myself did not know what I wanted: I was afraid of life, strove to get away from it and, meanwhile, hoped for something else from it.

Other works

In March 1879, in the city of Moscow, Leo Tolstoy met Vasily Petrovich Shchegolyonok and in the same year, at his invitation, he came to Yasnaya Polyana, where he stayed for about a month and a half. The dandy told Tolstoy many folk tales and epics, of which more than twenty were recorded by Tolstoy, and Tolstoy, if he did not write down the plots, remembered them (these records are printed in vol. XLVIII of the Anniversary edition of Tolstoy's works). Six works written by Tolstoy are based on the legends and stories of Schegolyonok (1881 - “ How people live", 1885 -" Two old men" and " Three elders", 1905 -" Korney Vasiliev" and " Prayer", 1907 -" old man in church"). In addition, Count Tolstoy diligently wrote down many sayings, proverbs, individual expressions and words told by Shchegolyonok.

Literary criticism of Shakespeare's works

In his critical essay "On Shakespeare and Drama", based on a detailed analysis of some of the most popular works of Shakespeare, in particular: "King Lear", "Othello", "Falstaff", "Hamlet", etc. - Tolstoy sharply criticized Shakespeare's abilities like a playwright.

religious quest

In order to find an answer to the questions and doubts that tormented him, Tolstoy first of all took up the study of theology and wrote and published in 1891 in Geneva his “Study of Dogmatic Theology”, in which he criticized the “Orthodox Dogmatic Theology” of Metropolitan Macarius (Bulgakov). He conducted conversations with priests and monks, went to the elders in Optina Pustyn, read theological treatises. In order to get to know the original sources of Christian teaching in the original, he studied the ancient Greek and Hebrew languages (in the study of the latter he was helped by the Moscow Rabbi Shlomo Minor). At the same time, he kept an eye on the schismatics, became close to the thoughtful peasant Syutaev, and talked with Molokans and Stundists. Tolstoy also sought the meaning of life in the study of philosophy and in acquaintance with the results of the exact sciences. He made a series of attempts at greater and greater simplification, striving to live a life close to nature and agricultural life.

Gradually, he gives up the whims and comforts of a rich life, does a lot of physical labor, dresses in the simplest clothes, becomes a vegetarian, gives his family all his large fortune, renounces literary property rights. On this basis of an unalloyed pure impulse and striving for moral improvement, the third period of Tolstoy's literary activity is created, the distinguishing feature of which is the denial of all established forms of state, social and religious life. A significant part of Tolstoy's views could not be openly expressed in Russia and are presented in full only in foreign editions of his religious and social treatises.

No unanimous attitude was established even in relation to Tolstoy's fictional works written during this period. Thus, in a long series of short stories and legends intended primarily for popular reading (“How do people live”, etc.), Tolstoy, in the opinion of his unconditional admirers, reached the pinnacle of artistic power - that elemental skill that is given only to folk tales, because that they embody the creativity of an entire nation. On the contrary, in the opinion of people who are indignant at Tolstoy for turning from an artist into a preacher, these artistic teachings, written for a specific purpose, are grossly tendentious. The high and terrible truth of The Death of Ivan Ilyich, according to fans, which puts this work along with the main works of the genius of Tolstoy, according to others, is deliberately harsh, deliberately sharply emphasizes the soullessness of the upper strata of society in order to show the moral superiority of a simple "kitchen man" Gerasim. The explosion of the most opposite feelings, caused by the analysis of marital relations and the indirect demand for abstinence from married life, in the Kreutzer Sonata made us forget about the amazing brightness and passion with which this story was written. The folk drama "The Power of Darkness", according to Tolstoy's admirers, is a great manifestation of his artistic power: in the narrow framework of the ethnographic reproduction of Russian peasant life, Tolstoy managed to fit so many universal features that the drama went around all the stages of the world with tremendous success.

In the last major work, the novel "Resurrection" condemned judicial practice and high society life, caricatured the clergy and worship.

Critics of the last phase of Tolstoy's literary and preaching activity find that his artistic power has certainly suffered from the predominance of theoretical interests, and that creativity is now the only thing Tolstoy needs to propagate his socio-religious views in a generally accessible form. In his aesthetic treatise (“On Art”), one can find enough material to declare Tolstoy an enemy of art: in addition to the fact that Tolstoy here partly completely denies, partly significantly diminishes the artistic significance of Dante, Raphael, Goethe, Shakespeare (at the performance of Hamlet, he experienced “special suffering” for this “false semblance of works of art”), Beethoven and others, he directly comes to the conclusion that “the more we surrender to beauty, the more we move away from good.”

Excommunication

Belonging by birth and baptism to the Orthodox Church, Tolstoy, like most representatives of the educated society of his time, in his youth and youth was indifferent to religious issues. In the mid-1870s, he showed an increased interest in the teaching and worship of the Orthodox Church. The second half of 1879 became a turning point in the direction of the teachings of the Orthodox Church for him. In the 1880s, he took the position of an unambiguously critical attitude towards church doctrine, the clergy, and official churchness. The publication of some of Tolstoy's works was banned by spiritual and secular censorship. In 1899, Tolstoy's novel "Resurrection" was published, in which the author showed the life of various social strata of contemporary Russia; the clergy were depicted mechanically and hastily performing rituals, and some took the cold and cynical Toporov for a caricature of K. P. Pobedonostsev, the chief procurator of the Holy Synod.

February 24 (old style), 1901, in the official organ of the Synod "Church Gazette, published under the Holy Governing Senod" was published “Determination of the Holy Synod of February 20-22, 1901 No. 557, with a message to the faithful children of the Orthodox Greco-Russian Church about Count Leo Tolstoy”:

A world-famous writer, Russian by birth, Orthodox by his baptism and upbringing, Count Tolstoy, in the seduction of his proud mind, boldly rebelled against the Lord and His Christ and His holy heritage, clearly before everyone renounced the Mother, the Church, who nurtured and raised him Orthodox, and devoted his literary activity and the talent given to him from God to spread among the people teachings that are contrary to Christ and the Church, and to exterminate in the minds and hearts of people the faith of the fathers, the Orthodox faith, which established the universe, by which our ancestors lived and were saved and by which Until now, Holy Russia has held out and been strong.

In his writings and letters, in many scattered by him and his disciples all over the world, especially within the borders of our dear Fatherland, he preaches, with the zeal of a fanatic, the overthrow of all the dogmas of the Orthodox Church and the very essence of the Christian faith; rejects the personal living God, glorified in the Holy Trinity, the Creator and Provider of the universe, denies the Lord Jesus Christ, the God-man, Redeemer and Savior of the world, who suffered for us for the sake of people and for our salvation and rose from the dead, denies the seedless conception according to humanity of Christ the Lord and virginity before of the birth and after the birth of the Most Pure Theotokos, Ever-Virgin Mary, does not recognize the afterlife and retribution, rejects all the sacraments of the Church and the grace-filled action of the Holy Spirit in them, and, scolding the most sacred objects of the faith of the Orthodox people, did not shudder to mock the greatest of the sacraments, the holy Eucharist. All this is preached by Count Tolstoy continuously, in word and writing, to the temptation and horror of the entire Orthodox world, and thus undisguisedly, but clearly before everyone, consciously and intentionally, he himself rejected himself from any communion with the Orthodox Church.

Former same to his admonition attempts were unsuccessful. Therefore, the Church does not consider him a member and cannot count him until he repents and restores his communion with her. Therefore, bearing witness to his falling away from the Church, we pray together that the Lord grant him repentance into the knowledge of truth (2 Tim. 2:25). We pray, merciful Lord, do not want the death of sinners, hear and have mercy and turn him to Your holy Church. Amen.

In his Response to the Synod, Leo Tolstoy confirmed his break with the Church: “The fact that I renounced the Church, which calls itself Orthodox, is completely just. But I denied it not because I rebelled against the Lord, but on the contrary, only because I wanted to serve him with all the strength of my soul. However, Tolstoy objected to the accusations brought against him in the ruling of the synod: “The resolution of the synod in general has many shortcomings. It is illegal or deliberately ambiguous; it is arbitrary, unfounded, untrue and, moreover, contains slander and incitement to bad feelings and actions. In the text of the Answer to the Synod, Tolstoy elaborates on these theses, recognizing a number of significant discrepancies between the dogmas of the Orthodox Church and his own understanding of the teachings of Christ.

The synodal definition aroused the indignation of a certain part of society; Numerous letters and telegrams were sent to Tolstoy expressing sympathy and support. At the same time, this definition provoked a flood of letters from another part of society - with threats and abuse.

At the end of February 2001, the great-grandson of Count Vladimir Tolstoy, who manages the museum-estate of the writer in Yasnaya Polyana, sent a letter to Patriarch Alexy II of Moscow and All Russia with a request to revise the synodal definition; In an informal interview on television, the Patriarch said: “We cannot revise now, because after all, you can revise if a person changes his position.” In March 2009, Vl. Tolstoy expressed his opinion on the meaning of the synodal act: “I studied documents, read the newspapers of that time, got acquainted with the materials of public discussions around the excommunication. And I got the feeling that this act gave a signal for a total split in Russian society. The royal family, and the highest aristocracy, and the local nobility, and the intelligentsia, and the raznochinsk strata, and ordinary people also split. The crack went through the body of the entire Russian, Russian people.

Moscow census of 1882. L. N. Tolstoy - participant in the census

The 1882 census in Moscow is famous for the fact that the great writer Count L. N. Tolstoy took part in it. Lev Nikolayevich wrote: “I suggested using the census to find out poverty in Moscow and help it with business and money, and make sure that there were no poor in Moscow.”

Tolstoy believed that the interest and significance of the census for society is that it gives it a mirror in which you want it, you don’t want it, the whole society and each of us will look. He chose for himself one of the most difficult and difficult sections, Protochny Lane, where there was a rooming house, among the Moscow squalor, this gloomy two-story building was called the Rzhanov Fortress. Having received an order from the Duma, a few days before the census, Tolstoy began to walk around the site according to the plan that he was given. Indeed, the dirty rooming house, filled with destitute, desperate people who had sunk to the very bottom, served as a mirror for Tolstoy, reflecting the terrible poverty of the people. Under the fresh impression of what he saw, L. N. Tolstoy wrote his famous article "On the census in Moscow." In this article, he writes:

The purpose of the census is scientific. The census is a sociological study. The goal of the science of sociology is the happiness of people. "This science and its methods differ sharply from other sciences. The peculiarity is that sociological research is not carried out by the work of scientists in their offices, observatories and laboratories, but is carried out by two thousand people from society. Another feature "that research in other sciences is carried out not on living people, but here on living people. The third feature is that the goal of other sciences is only knowledge, but here the benefit of people. Foggy spots can be explored alone, but to explore Moscow, 2000 people are needed. The purpose of the study fog spots only to learn everything about fog spots, the purpose of the study of residents is to derive the laws of sociology and, on the basis of these laws, establish a better life for people. Moscow cares, especially those unfortunates who make up the most interesting subject of the science of sociology. basement, finds a man dying of starvation and politely asks: title, name, patronymic, occupation; and after a slight hesitation as to whether to list him as alive, writes it down and passes on.

Despite Tolstoy's declared good intentions of the census, the population was suspicious of this event. On this occasion, Tolstoy writes: “When they explained to us that the people had already learned about the rounds of the apartments and were leaving, we asked the owner to lock the gates, and we ourselves went to the yard to persuade the people who were leaving.” Lev Nikolaevich hoped to arouse sympathy for urban poverty in the rich, to raise money, to recruit people who wanted to contribute to this cause, and together with the census to go through all the dens of poverty. In addition to fulfilling the duties of a copyist, the writer wanted to enter into communication with the unfortunate, find out the details of their needs and help them with money and work, expulsion from Moscow, placing children in schools, old men and women in shelters and almshouses.

According to the results of the census, the population of Moscow in 1882 amounted to 753.5 thousand people, and only 26% were born in Moscow, and the rest were “newcomers”. Of the Moscow residential apartments, 57% faced the street, 43% faced the courtyard. From the 1882 census, one can find out that in 63% the head of the household is a married couple, in 23% - the wife, and only in 14% - the husband. The census recorded 529 families with 8 or more children. 39% have servants and most often they are women.

Last years of life. Death and funeral

In October 1910, fulfilling his decision to live his last years in accordance with his views, he secretly left Yasnaya Polyana. He began his last journey at the Kozlova Zasek station; on the way, he fell ill with pneumonia and was forced to make a stop at the small station Astapovo (now Lev Tolstoy, Lipetsk region), where he died on November 7 (20).

On November 10 (23), 1910, he was buried in Yasnaya Polyana, on the edge of a ravine in the forest, where, as a child, he and his brother were looking for a “green stick” that kept the “secret” of how to make all people happy.

In January 1913, a letter was published by Countess Sophia Tolstaya dated December 22, 1912, in which she confirms the news in the press that a funeral was performed at her husband's grave by a certain priest (she denies rumors that he was not real) in her presence. In particular, the countess wrote: “I also declare that Lev Nikolayevich never expressed a desire not to be buried before his death, but earlier he wrote in his diary of 1895, as if a testament:“ If possible, then (bury) without priests and funerals. But if it is unpleasant for those who will bury, then let them bury as usual, but as cheaply and simply as possible.

There is also an unofficial version of the death of Leo Tolstoy, described in exile by I.K. Sursky from the words of a Russian police official. According to her, the writer, before his death, wanted to reconcile with the church and arrived in Optina Pustyn for this. Here he awaited the order of the Synod, but, feeling unwell, was taken away by his daughter and died at the Astapovo postal station.

Philosophy

The religious and moral imperatives of Tolstoy were the source of the Tolstoy movement, one of the fundamental theses of which is the thesis of "non-resistance to evil by force." The latter, according to Tolstoy, is recorded in a number of places in the Gospel and is the core of the teachings of Christ, as, indeed, of Buddhism. The essence of Christianity, according to Tolstoy, can be expressed in a simple rule: Be kind and do not resist evil by force».

In particular, Ilyin I. A. spoke out against the position of non-resistance, which gave rise to disputes in the philosophical environment, in his work “On Resistance to Evil by Force” (1925)

Criticism of Tolstoy and Tolstoyism

The chief procurator of the Holy Synod of Victorious in his private letter dated February 18, 1887 to Emperor Alexander III wrote about Tolstoy's drama The Power of Darkness: “I have just read a new drama by L. Tolstoy and cannot recover from horror. And they assure me that they are preparing to give it at the Imperial Theaters and are already learning the roles. I do not know anything like this in any literature. It is unlikely that Zola himself reached such a degree of rough realism, which Tolstoy becomes here. The day on which Tolstoy's drama will be presented at the Imperial Theaters will be the day decisive fall our scene, which has already fallen very low.

The leader of the extreme left wing of the Russian Social Democratic Labor Party, V. I. Ulyanov (Lenin), after the revolutionary upheavals of 1905-1907, wrote, being in forced emigration, in his work “Leo Tolstoy as a Mirror of the Russian Revolution” (1908): “Tolstoy ridiculous, like a prophet who discovered new recipes for the salvation of mankind - and therefore the foreign and Russian “Tolstoyans”, who wished to turn into dogma just the weakest side of his teaching, are completely miserable. Tolstoy is great as a spokesman for those ideas and those moods that had developed among millions of the Russian peasantry at the time of the onset of the bourgeois revolution in Russia. Tolstoy is original, because the totality of his views, taken as a whole, expresses precisely the peculiarities of our revolution, as a peasant bourgeois revolution. The contradictions in the views of Tolstoy, from this point of view, are a real mirror of those contradictory conditions in which the historical activity of the peasantry was placed in our revolution. ".
The Russian religious philosopher Nikolai Berdyaev wrote in early 1918: “L. Tolstoy must be recognized as the greatest Russian nihilist, destroyer of all values and shrines, destroyer of culture. Tolstoy triumphed, his anarchism triumphed, his non-resistance, his denial of the state and culture, his moralistic demand for equality in poverty and non-existence and subordination to the peasant kingdom and physical labor. But this triumph of Tolstoyism turned out to be less meek and beautiful-hearted than Tolstoy imagined. It is unlikely that he himself would have rejoiced at such a triumph. The godless nihilism of Tolstoyism, its terrible poison that destroys the Russian soul, is exposed. To save Russia and Russian culture with a red-hot iron, Tolstoy's morality, low and exterminating, must be burned out of the Russian soul.

His own article “The Spirits of the Russian Revolution” (1918): “There is nothing prophetic in Tolstoy, he did not foresee or predict anything. As an artist, he is drawn to the crystallized past. He did not have that sensitivity to the dynamism of human nature, which was in the highest degree in Dostoevsky. But it is not Tolstoy's artistic insights that triumph in the Russian revolution, but his moral assessments. There are few Tolstoyans in the narrow sense of the word who share Tolstoy's doctrine, and they represent an insignificant phenomenon. But Tolstoyism in the broad, non-doctrinal sense of the word is very characteristic of a Russian person; it determines Russian moral assessments. Tolstoy was not a direct teacher of the Russian left intelligentsia; Tolstoy's religious teaching was alien to her. But Tolstoy captured and expressed the peculiarities of the moral make-up of most of the Russian intelligentsia, perhaps even a Russian intellectual, perhaps even a Russian person in general. And the Russian revolution is a kind of triumph of Tolstoyism. It imprinted both Russian Tolstoy moralism and Russian immorality. This Russian moralism and this Russian immorality are interconnected and are two sides of the same disease of moral consciousness. Tolstoy was able to instill in the Russian intelligentsia a hatred for everything historically individual and historically different. He was the spokesman for that side of Russian nature that abhorred historical power and historical glory. This he taught in an elementary and simplified way to moralize over history and transfer to historical life the moral categories of individual life. By this he morally undermined the opportunity for the Russian people to live a historical life, to fulfill their historical destiny and historical mission. He morally prepared the historical suicide of the Russian people. He clipped the wings of the Russian people as a historical people, morally poisoned the sources of any impulse to historical creativity. The World War was lost by Russia because Tolstoy's moral assessment of the war prevailed in it. In the terrible hour of the world struggle, the Russian people were weakened, apart from betrayal and animal egoism, by Tolstoy's moral assessments. Tolstoy's morality disarmed Russia and handed her over to the enemy.

V. Mayakovsky, D. Burliuk, V. Khlebnikov, A. Kruchenykh, urged "to throw Tolstoy L. N. and others from the ship of modernity" in the futurist manifesto of 1912 "A slap in the face of public taste"
George Orwell defended W. Shakespeare against Tolstoy's criticism

Researcher of the history of Russian theological thought and culture Georgy Florovsky (1937): “There is one decisive contradiction in Tolstoy's experience. He certainly had the temperament of a preacher or a moralist, but he had no religious experience at all. Tolstoy was not religious at all, he was religiously mediocre. Tolstoy did not derive his “Christian” worldview from the Gospel at all. He already compares the gospel with his own view, and therefore he cuts and adapts it so easily. The gospel for him is a book compiled many centuries ago by “poorly educated and superstitious people,” and it cannot be accepted in its entirety. But Tolstoy does not mean scientific criticism, but simply personal choice or selection. Tolstoy, in some strange way, seemed to be mentally late in the 18th century, and therefore found himself outside of history and modernity. And he deliberately leaves the present for some far-fetched past. All his work is in this respect some kind of continuous moralistic robinsonade. Annenkov also called Tolstoy's mind sectarian. There is a striking discrepancy between the aggressive maximalism of Tolstoy's socio-ethical denunciations and denials and the extreme poverty of his positive moral teaching. All morality comes down to him to common sense and worldly prudence. “Christ teaches us exactly how we can get rid of our misfortunes and live happily.” And that's what the Gospel is all about! Here Tolstoy's insensitivity becomes eerie, and "common sense" turns into madness... rejection of history, only a way out of culture and simplification, that is, through the removal of questions and the rejection of tasks. Moralism in Tolstoy turns around historical nihilism.»

The holy righteous John of Kronstadt sharply criticized Tolstoy (see “Reply of Father John of Kronstadt to the appeal of Count L. N. Tolstoy to the clergy”), and in his dying diary (August 15 - October 2, 1908) he wrote:

"24 August. How long, O Gdy, do you tolerate the worst atheist who has confused the whole world, Leo Tolstoy? How long do you call him to Your Judgment? Behold, I am coming quickly, and My reward with Me will repay anyone according to his deeds? (Rev. Apoc 22:12) Gd, the earth is tired of enduring his blasphemy. -»
"6 September. Where, do not allow Leo Tolstoy, a heretic who surpassed all heretics, to reach the Blessed Virgin Mary before the feast of the Nativity, whom he terribly blasphemed and blasphemes. Take him from the earth - this fetid corpse, stinking the whole earth with its pride. Amen. 9pm."

In 2009, as part of a court case on the liquidation of the local religious organization of Jehovah’s Witnesses Taganrog, a forensic examination was carried out, in the conclusion of which Leo Tolstoy was quoted: “I am convinced that the teaching of the [Russian Orthodox] Church is theoretically insidious and harmful lie, but a collection of the grossest superstitions and witchcraft, which completely hides the whole meaning of Christian teaching, ”which was characterized as forming a negative attitude towards the Russian Orthodox Church, and Leo Tolstoy himself as“ an opponent of Russian Orthodoxy ”.

Expert evaluation of individual statements of Tolstoy

In 2009, as part of a court case on the liquidation of the local religious organization Taganrog, Jehovah's Witnesses, a forensic examination of the organization's literature was carried out to determine whether it contained signs of inciting religious hatred, undermining respect for and hostility towards other religions. The experts concluded that the Awake! contains (without reference to the source) the statement of Leo Tolstoy: "I was convinced that the teaching of the [Russian Orthodox] Church is theoretically an insidious and harmful lie, but in practice a collection of the grossest superstitions and witchcraft, hiding the entire meaning of Christian teaching," which was characterized as a formative negative attitude and undermining respect for the Russian Orthodox Church, and Leo Tolstoy himself as an "opponent of Russian Orthodoxy."

In March 2010, in the Kirov Court of Yekaterinburg, Leo Tolstoy was charged with "inciting religious hatred against the Orthodox Church." Pavel Suslonov, an expert on extremism, testified: "Leo Tolstoy's leaflets 'Foreword to the Soldiers' Memo' and 'Officers' Memo'" directed to soldiers, sergeant majors and officers contain direct calls to incite inter-religious hatred directed against the Orthodox Church.

Bibliography

Tolstoy's translators

World recognition. Memory

Museums

In the former estate "Yasnaya Polyana" there is a museum dedicated to his life and work.

The main literary exposition about his life and work is in the State Museum of Leo Tolstoy, in the former house of the Lopukhins-Stanitskaya (Moscow, Prechistenka 11); its branches also: at Lev Tolstoy station (former Astapovo station), the memorial museum-estate of L. N. Tolstoy "Khamovniki" (Leo Tolstoy Street, 21), an exhibition hall on Pyatnitskaya.

Figures of science, culture, politicians about L. N. Tolstoy

Screen versions of his works

"Sunday"(English) resurrection, 1909, UK). A 12-minute silent film based on the novel of the same name (filmed during the writer's lifetime).
"The Power of Darkness"(1909, Russia). Silent movie.
"Anna Karenina"(1910, Germany). Silent movie.
"Anna Karenina"(1911, Russia). Silent movie. Dir. - Maurice Meter
"Living Dead"(1911, Russia). Silent movie.
"War and Peace"(1913, Russia). Silent movie.
"Anna Karenina"(1914, Russia). Silent movie. Dir. - V. Gardin
"Anna Karenina"(1915, USA). Silent movie.
"The Power of Darkness"(1915, Russia). Silent movie.
"War and Peace"(1915, Russia). Silent movie. Dir. - Y. Protazanov, V. Gardin
"Natasha Rostova"(1915, Russia). Silent movie. Producer - A.Khanzhonkov. Cast - V. Polonsky, I. Mozzhukhin
"Living Dead"(1916). Silent movie.
"Anna Karenina"(1918, Hungary). Silent movie.
"The Power of Darkness"(1918, Russia). Silent movie.
"Living Dead"(1918). Silent movie.
"Father Sergius"(1918, RSFSR). Silent motion picture film by Yakov Protazanov, starring Ivan Mozzhukhin
"Anna Karenina"(1919, Germany). Silent movie.
"Polikushka"(1919, USSR). Silent movie.
"Love"(1927, USA. Based on the novel "Anna Karenina"). Silent movie. Anna as Greta Garbo
"Living Dead"(1929, USSR). Cast - V. Pudovkin
"Anna Karenina"(Anna Karenina, 1935, USA). Sound film. Anna as Greta Garbo
« Anna Karenina"(Anna Karenina, 1948, UK). Anna as Vivien Leigh
"War and Peace"(War & Peace, 1956, USA, Italy). In the role of Natasha Rostova - Audrey Hepburn
"Agi Murad il diavolo bianco"(1959, Italy, Yugoslavia). As Hadji Murat - Steve Reeves
"Too people"(1959, USSR, based on a fragment of "War and Peace"). Dir. G. Danelia, cast - V. Sanaev, L. Durov
"Sunday"(1960, USSR). Dir. - M. Schweitzer
"Anna Karenina"(Anna Karenina, 1961, USA). Vronsky as Sean Connery
"Cossacks"(1961, USSR). Dir. - V. Pronin
"Anna Karenina"(1967, USSR). In the role of Anna - Tatyana Samoilova
"War and Peace"(1968, USSR). Dir. - S. Bondarchuk
"Living Dead"(1968, USSR). In ch. roles - A. Batalov
"War and Peace"(War & Peace, 1972, UK). TV series. Pierre - Anthony Hopkins
"Father Sergius"(1978, USSR). Feature film by Igor Talankin, starring Sergei Bondarchuk
"Caucasian story"(1978, USSR, based on the story "Cossacks"). In ch. roles - V. Konkin
"Money"(1983, France-Switzerland, based on the story "False Coupon"). Dir. - Robert Bresson
"Two Hussars"(1984, USSR). Dir. - Vyacheslav Krishtofovich
"Anna Karenina"(Anna Karenina, 1985, USA). Anna as Jacqueline Bisset
"Simple Death"(1985, USSR, based on the story "The Death of Ivan Ilyich"). Dir. - A. Kaidanovsky
"Kreutzer Sonata"(1987, USSR). Cast - Oleg Yankovsky
"For what?" (Za co?, 1996, Poland / Russia). Dir. - Jerzy Kavalerovich
"Anna Karenina"(Anna Karenina, 1997, USA). In the role of Anna - Sophie Marceau, Vronsky - Sean Bean
"Anna Karenina"(2007, Russia). In the role of Anna - Tatyana Drubich

For more details, see: List of film adaptations of Anna Karenina 1910-2007.

"War and Peace"(2007, Germany, Russia, Poland, France, Italy). TV series. In the role of Andrei Bolkonsky - Alessio Boni.

Documentary

"Lev Tolstoy". Documentary. TSSDF (RTSSDF). 1953. 47 minutes.

Movies about Leo Tolstoy

"The Departure of the Great Old Man"(1912, Russia). Director - Yakov Protazanov
"Lev Tolstoy"(1984, USSR, Czechoslovakia). Director - S. Gerasimov
"Last Station"(2008). In the role of L. Tolstoy - Christopher Plummer, in the role of Sophia Tolstoy - Helen Mirren. A film about the last days of the writer's life.

Gallery of portraits

Tolstoy's translators

Into Japanese - Masutaro Konishi
In French - Michel Ocouturier, Vladimir Lvovich Binstock
In Spanish - Selma Ancira
In English - Constance Garnett, Leo Viner, Aylmer and Louise Maude
Into Norwegian - Martin Grahn, Olaf Broch, Marta Grundt
In Bulgarian - Sava Nichev, Georgi Shopov, Hristo Dosev
In Kazakh - Ibray Altynsarin
Into Malay - Victor Pogadaev
In Esperanto - Valentin Melnikov, Viktor Sapozhnikov
In Azerbaijani - Dadash-zade, Mammad Arif Maharram ogly

Count, the great Russian writer.

Lev Nikolaevich Tolstoy was born on August 28 (September 9), 1828 in the estate of the Krapivensky district of the Tula province (now in) in the family of a retired staff captain Count N. I. Tolstoy (1794-1837), a participant in the Patriotic War of 1812.

L. N. Tolstoy was educated at home. In 1844-1847 he studied at Kazan University, but did not complete the course. In 1851 he went to the Caucasus to the village - to the place of military service of his elder brother N. N. Tolstoy.

Two years of life in the Caucasus turned out to be unusually significant for the spiritual development of the writer. The story "Childhood" written by him here - the first printed work of L. N. Tolstoy (published under the initials L. N. in the journal "Sovremennik" in 1852) - together with the stories "Boyhood" (1852-1854) and "Youth "(1855-1857) was part of an extensive plan for the autobiographical novel "Four Epochs of Development", the last part of which - "Youth" - was never written.

In 1851-1853 L. N. Tolstoy took part in military operations in the Caucasus (first as a volunteer, then as an artillery officer), in 1854 he was welded into the Danube army. Shortly after the start of the Crimean War, at his personal request, he was transferred to Sevastopol, during the siege of which he participated in the defense of the 4th bastion. Army life and episodes of the war gave L. N. Tolstoy material for the stories "The Raid" (1853), "Cutting the Forest" (1853-1855), as well as for the artistic essays "Sevastopol in the month of December", "Sevastopol in May", " Sevastopol in August 1855" (all published in Sovremennik in 1855-1856). These essays, traditionally called Sevastopol Tales, made a huge impression on Russian society.

In 1855, L. N. Tolstoy came to, where he became close to the staff of Sovremennik, met I. A. Goncharov, and others. assert your creativity. The most striking work of this time is the story "Cossacks" (1853-1863), in which the author's attraction to folk themes was manifested.

Dissatisfied with his work, disappointed in secular and literary circles, L. N. Tolstoy at the turn of the 1860s decided to leave literature and settle in the countryside. In 1859-1862, he devoted a lot of energy to the school he founded for peasant children, studied the organization of pedagogical work in and abroad, published the pedagogical journal Yasnaya Polyana (1862), preaching a free system of education and upbringing.

In 1862, L. N. Tolstoy married S. A. Bers (1844-1919) and began to live patriarchally and secludedly in his estate as the head of a large and ever-increasing family. During the years of the peasant reform, he acted as a conciliator in the Krapivensky district, resolving disputes between landlords and their former serfs.

The 1860s were the heyday of the artistic genius of Leo Tolstoy. Living a sedentary, measured life, he found himself in an intense, concentrated spiritual creativity. The original ways mastered by the writer led to a new rise in national culture.

The novel by L. N. Tolstoy "War and Peace" (1863-1869, the beginning of publication - 1865) became a unique phenomenon in Russian and world literature. The author managed to successfully combine the depth and intimacy of a psychological novel with the scope and multi-figures of an epic fresco. With his novel, Leo Tolstoy tried to answer the desire of the literature of the 1860s to understand the course of the historical process, to determine the role of the people in the decisive epochs of national life.

In the early 1870s, Leo Tolstoy again focused on pedagogical interests. He wrote "ABC" (1871-1872), later - "New ABC" (1874-1875), for which the writer composed original stories and transcriptions of fairy tales and fables, which made up four "Russian Books for Reading". For a while, Leo Tolstoy returned to teaching at the Yasnaya Polyana school. However, symptoms of a crisis in the moral and philosophical outlook of the writer soon began to appear, aggravated by the historical stop of the social turning point of the 1870s.

The central work of L. N. Tolstoy of the 1870s is the novel "Anna Karenina" (1873-1877, published in 1876-1877). Like novels and written at the same time, Anna Karenina is an acutely problematic work, full of signs of the times. The novel was the result of the writer's reflections on the fate of modern society and is imbued with pessimistic moods.

By the beginning of the 1880s, L. N. Tolstoy formed the basic principles of his new worldview, which later became known as Tolstoyism. They found their fullest expression in his works "Confession" (1879-1880, published in 1884) and "What is my faith?" (1882-1884). In them, L. N. Tolstoy concluded that the foundations for the existence of the upper strata of society, with which he was connected by origin, upbringing and life experience, were false. To the writer's characteristic criticism of the materialist and positivist theories of progress, to the apology of naive consciousness, there is now added a sharp protest against the state and the official church, against the privileges and way of life of one's class. L. N. Tolstoy connected his new social views with moral and religious philosophy. The works "Study of dogmatic theology" (1879-1880) and "Combination and translation of the four gospels" (1880-1881) laid the foundation for the religious side of Tolstoy's teachings. Purified from distortions and church rituals, the Christian doctrine in its renewed form, according to the writer, was supposed to unite people with the ideas of love and forgiveness. L. N. Tolstoy preached non-resistance to evil by violence, considering the only reasonable means of combating evil to be its public denunciation and passive disobedience to the authorities. He saw the path to the coming renewal of man and mankind in individual spiritual work, the moral improvement of the individual, and rejected the significance of political struggle and revolutionary explosions.

In the 1880s, L. N. Tolstoy noticeably lost interest in artistic work and even condemned his former novels and stories as lordly "fun". He became interested in simple physical labor, plowed, sewed boots for himself, switched to vegetarian food. At the same time, the writer's dissatisfaction with the usual way of life of loved ones grew. His publicistic works "So what should we do?" (1882-1886) and Slavery of Our Time (1899-1900) sharply criticized the vices of modern civilization, but the author saw a way out of its contradictions mainly in utopian calls for moral and religious self-education. Actually, the artistic work of the writer of these years is saturated with journalism, direct denunciations of the wrong court and modern marriage, land ownership and the church, passionate appeals to the conscience, reason and dignity of people (the stories "The Death of Ivan Ilyich" (1884-1886); "Kreutzer Sonata" (1887- 1889, published 1891); The Devil (1889-1890, published 1911).

In the same period, L. N. Tolstoy began to show a serious interest in dramatic genres. In the drama "The Power of Darkness" (1886) and the comedy "The Fruits of Enlightenment" (1886-1890, published in 1891), he considered the problem of the pernicious influence of urban civilization on a conservative rural society. the so-called “folk stories” of the 1880s (“How do people live”, “Candle”, “Two old men”, “How much land does a person need”, etc.), written in the parable genre, come to life.

L. N. Tolstoy actively supported the Posrednik publishing house that arose in 1884, led by his followers and friends V. G. Chertkov and I. I. Gorbunov-Posadov, and whose goal was to distribute among the people books that served the cause of education and were close to Tolstoy’s teachings . Many of the writer's works were published under censorship conditions, first in Geneva, then in London, where, on the initiative of V. G. Chertkov, the Free Word publishing house was founded. In 1891, 1893 and 1898, L. N. Tolstoy led a broad public movement to help the peasants of the starving provinces, spoke with appeals and articles on measures to combat hunger. In the second half of the 1890s, the writer devoted much of his energy to protecting religious sectarians - the Molokans and Doukhobors, and helped the Doukhobors move to Canada. (especially in the 1890s) became a place of pilgrimage for people from the farthest corners of Russia and from other countries, one of the largest centers of attraction for the living forces of world culture.

The main artistic work of Leo Tolstoy in the 1890s was the novel Resurrection (1889-1899), the plot of which arose on the basis of a genuine court case. In an amazing combination of circumstances (a young aristocrat, who was once guilty of seducing a peasant girl brought up in a manor house, must now, as a juror, decide her fate in court), the alogism of a life built on social injustice was expressed for the writer. The caricature depiction of the ministers of the church and its rites in "Resurrection" became one of the reasons for the decision of the Holy Synod to excommunicate Leo Tolstoy from the Orthodox Church (1901).

During this period, the alienation observed by the writer in his contemporary society makes the problem of personal moral responsibility extremely important for him, with inevitable pangs of conscience, enlightenment, a moral upheaval and a subsequent break with his environment. The plot of “departure”, a sharp and radical change in life, an appeal to a new life faith (“Father Sergius”, 1890-1898, published in 1912; “The Living Corpse”, 1900, published in 1911; “After the Ball” , 1903, published in 1911; "Posthumous notes of the elder Fyodor Kuzmich ...", 1905, published in 1912).

In the last decade of his life, Leo Tolstoy became the recognized head of Russian literature. He maintains personal relationships with young contemporary writers V. G. Korolenko, A. M. Gorky. His social and journalistic activities continued: his appeals and articles were published, and work was underway on the book "Circle of Reading". Tolstoyism became widely known as an ideological doctrine, but the writer himself at that time experienced hesitations and doubts about the correctness of his teaching. During the years of the Russian revolution of 1905-1907, his protests against the death penalty became famous (the article "I can not be silent", 1908).

Leo Tolstoy spent the last years of his life in an atmosphere of intrigue and strife between the Tolstoyans and members of his family. Trying to bring his lifestyle into line with his beliefs, on October 28 (November 10), 1910, the writer secretly left. On the way, he caught a cold and died on November 7 (20), 1910 at the Astapovo station of the Ryazan-Ural Railway (now a village in). The death of Leo Tolstoy caused a colossal public outcry in and abroad.

The work of Leo Tolstoy marked a new stage in the development of realism in Russian and world literature, became a kind of bridge between the traditions of the classical novel of the 19th century and the literature of the 20th century. The philosophical views of the writer had a huge impact on the evolution of European humanism.

Relevant to localities:

Born in Yasnaya Polyana, Krapivensky district, Tula province, on August 28 (September 9), 1828. He lived in the estate in 1828-1837. From 1849 he returned to the estate periodically, from 1862 he lived permanently. Buried at Yasnaya Polyana.

He first visited Moscow in January 1837. He lived in the city until 1841, subsequently visited repeatedly and lived for a long time. In 1882 he bought a house in Dolgokhamovnichesky Lane, where since then his family usually spent the winter. The last time he came to Moscow was in September 1909.

In February-May 1849 he visited St. Petersburg for the first time. He lived in the city in the winter of 1855-1856, visited annually in 1857-1861, and also in 1878. The last time he came to St. Petersburg was in 1897.

Repeatedly visited Tula in 1840-1900. In 1849-1852 he was in the service of the office of the noble assembly. In September 1858 he took part in the congress of the provincial nobility. In February 1868 he was elected a juror in the Krapivensky district, attended the meetings of the Tula District Court.

The owner of the Nikolskoye-Vyazemskoye estate in the Chernsky district of the Tula province since 1860 (previously belonged to his brother N.N. Tolstoy). In the 1860s and 1870s, he conducted experiments in the estate to improve the economy. The last time he visited the estate was on June 28 (July 11), 1910.

In 1854, the wooden manor house in which Leo Tolstoy was born was sold and transported from the village of Dolgoe, Krapivensky district, Tula province, which belonged to the landowner P. M. Gorokhov. In 1897, the writer visited the village in order to buy a house, but due to its dilapidated state, it was recognized as non-transportable.

In the 1860s, he organized a school in the village of Kolpna, Krapivensky district, Tula province (now within the city of Shchekino). On July 21 (August 2), 1894, he visited the mine of the R. Gill Partnership at the Yasenki station. On October 28 (November 10), 1910, on the day he left, he boarded a train at the Yasenki station (now in Shchekino).

He lived in the village of Starogladovskaya in the Kizlyar district of the Terek region, the location of the 20th artillery brigade, from May 1851 to January 1854. In January 1852, he was enlisted as a 4th class fireworker in Battery No. 4 of the 20th Artillery Brigade. On February 1 (February 13), 1852, in the village of Starogladovskaya, with the help of his friends S. Miserbiev and B. Isaev, he recorded the words of two Chechen folk songs with translation. Leo Tolstoy's notes are recognized as "the first written monument of the Chechen language" and "the first experience of recording Chechen folklore in the local language."

For the first time he visited the Grozny fortress on July 5 (17), 1851. He visited the commander of the left flank of the Caucasian line, Prince A. I. Baryatinsky, to obtain permission to participate in hostilities. Subsequently, he visited Groznaya in September 1851 and in February 1853.

For the first time he visited Pyatigorsk on May 16 (28), 1852. Lived in the Kabardian settlement. On July 4 (16), 1852, he sent the manuscript of the novel Childhood from Pyatigorsk to the editor of the Sovremennik magazine. On August 5 (17), 1852, he set off from Pyatigorsk to the village. He visited Pyatigorsk again in August - October 1853.

Orel visited three times. On January 9-10 (21-22), 1856, he visited his brother D. N. Tolstoy, who was dying of consumption. On March 7 (19), 1885, he was in the city on his way to the Maltsevs' estate. On September 25-27 (October 7-9), 1898, he visited the Oryol provincial prison while working on the novel Resurrection.

In the period from October 1891 to July 1893, he came several times to the village of Begichevka, Dankovsky district, Ryazan province (now Begichevo in), the estate of I. I. Raevsky. In the village, he organized a center to help the starving peasants of Dankovsky and Epifansky counties. The last time Leo Tolstoy left Begichevka was on July 18 (30), 1893.

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