Why I'm a music director. Essay "I am a teacher"


Essay on the topic of

"My profession is a music director"


"Music is like rain, drop by drop seeps into the heart and revives it…” Romain Rolland
My profession is a music director… It sounds dry, soulless, monotonous… However, dig deeper and you will find out that these two words contain the truth. "Musical" - beautiful, sensual, affectionate, playful. "Leader" - giving a hand to the ignorant, afraid, and leading to a new, unknown, beautiful ... We give light. We learn to love, understand, empathize, feel. Thus, we, musicians, create a harmonious personality, which in the future will always find a way out of any situation with dignity and honor. We inspire, give the opportunity to fly over the world and see all the beauty of the universe, because we are guided by music... A music director is not just a position, it is a title that must be carried with dignity. I open the door to the mysterious and mysterious world of music, captivating the imagination of children with new dazzling colors. The greatest reward for my work is the delight in the eyes of children when they begin to understand the language of music for the first time in their lives. Musician, screenwriter, director, designer, decorator and teacher - this is how I would define my unique profession.Once, 30 years ago, my mother brought me to a music school. What it was, I didn't know. I only knew that they would teach me music… It was a new world for me. The world of miracles, magic, fabulous transformations. I learned to feel the universe around me… not just to see, to touch, but also to feel inside myself, passing through my heart and soul. Having matured a little, I realized that music is an opportunity to analyze some situations from the point of view of the beautiful, the unique.Music is a palette of emotions: fun and joy, unusual and unpredictable experiences. Cognition of the world through artistic musical image. Under the influence of music, artistic perception develops, experiences become richer.Years passed, and fate brought me to the walls of the kindergarten. And life has acquired a new meaning! A new stage has begun. The stage of my formation as a magician who gives children a fairy tale. Seeing the enthusiastic eyes of the little ones, I realized that I had no right to deceive the hopes of these devoted creatures who fully believe in an adult. I have to give them what they want from me. Namely: magic, a fairy tale, love, faith, hope ... Communication with children who give me their love and affection gives me the opportunity to work creatively, constantly immerse myself in the world of fairy tales, magic, and music. Preschoolers are the most grateful age when a close relationship and contact is established between an adult and a child. Kids trust the teacher and understand what the adult offers him.I began to learn, together with the kids, to understand music in a new way, through the eyes and heart of a child. Sincerely, no lies. And, you know, I think babies teach me a lot too. Indeed, unfortunately, it is not given to an adult to believe, love and understand as sincerely as a child. The child is a blank slate. And only we, adult teachers, form the personality. And it depends only on us what our pupil will be like in the future. We are laying the foundation for the future child. It depends on us how well the baby will develop. And the music director is directly responsible for the "building" of the soul of a little man, his little inner world. We make it richer, brighter, richer. The main task of the musical education of preschool children is to develop emotional responsiveness, instill interest and love for music, and bring joy from communicating with it. To give knowledge, to develop skills and abilities is not the main thing. It is more important to arouse interest in musical activity. I am very happy when children come to music classes with a desire. Even the smallest guys are waiting for me to come to their group - they are greeted with enthusiasm. I would like to teach them to listen to music, sing, dance, play musical instruments. How nice to see the enthusiastic eyes of a child when he begins to understand the language of music, gets acquainted with new concepts such as "genre", "timbre", "rhythm". And all this, of course, through a fairy tale, a game. I am convinced that joining the art of music is the most amazing, interesting and accessible form of my communication with children, since in music lessons children fantasize, create, are carried away into the world of fairy tales, the world of music. I always try to create an atmosphere of celebration, emotional comfort, mutual understanding, so that from every meeting with me, children expect extraordinary adventures in the world of music. Together we dance and sing, play and listen.Everyone is born with some ability, but not everyone can fully realize their talent in life. Reveal yourself by combining creativity and work, outstanding abilities and freedom of choice. Sometimes the natural giftedness of the baby manifests itself as if by chance and quite by accident. After all, a child can simultaneously: while drawing something, sing a song, look at a book, dance around the table, talk with a friend, tap out a rhythmic pattern. And so for me, first of all, as a musical director, it is important to notice the abilities of future musicians. To reveal their talent, to give them further continuation in their work.Musical education and its main forms - holidays, entertainment - create conditions under which the child, to the best of his ability, performs in public, overcomes uncertainty, fear and learns to control himself, his behavior, voice, body movements. The first successful performances of children at festive matinees, as a rule, give the kids a lot of joyful emotions and are remembered for a long time.The main thing is not so much the development of musical abilities, but the holistic development of the child's personality, the disclosure of his creative potential by means of musical art and various types of musical activity.In my work, I consider it important to teach children to feel and understand music. After all, a person who truly loves the art of music becomes kinder and wiser, loves and understands close people and the world around him. I try to make my pupils grow up sensitive, kind, sympathetic, able to empathize. V. A. Sukhomlinsky said: “Musical education is not the education of a musician, but, above all, the education of a person.”Make friends with music, friends,After all, music is always beautiful.She won't leave, she won't betrayAnd open the doors to a fairy tale.

Olga Noyanova
Essay "My profession is a music director"

Essay -"MY PROFESSION - MUSIC DIRECTOR»

"Children should live in a world of beauty, games, fairy tales, music, drawing, fantasy, creativity." V. Sukhomlinsky

"Music is the universal language of mankind". These are the words of the famous American poet Henry Longfellow. And I would also add - the language of communication with children. Through music, a song, melodic folk tunes - you can instill in a child a sense of beauty and love for the motherland.

I was born into a family where there was no professional musicians, but the songs sounded often. I well remember my mother's clear and strong voice, my father's favorite song. n. P. “A young Cossack walks along the Don”, I remember the sounds of an accordion, on which my mother's brothers played wonderfully. Since early childhood, I have been an active participant in all home concerts. At that time, a music school was opened in our village, and, of course, I was on the list of students in the music school in the accordion class. After graduating from school, without hesitation, I entered the Tula Pedagogical School No. 1. After distribution, she came to her native village as a music teacher in a comprehensive school. Everything seemed to be Good: the children loved me, the teachers respected me, but the desire to work with the kids still won. And for more than 30 years I have been working in kindergarten No. 3 p. Teploe musical leader.

My the most amazing profession, the most extraordinary and noble, profession -"musical supervisor» .

Musical supervisor- this is not just a position, this is a title that must be carried with dignity, this is a huge responsibility to preschoolers, who then go out into a great life. I am happy that my profession and my hobby is a whole. This is my life's work. And the wise man is right who said that it is impossible to instill love for what you do not love yourself.

The world surrounding a person is the world of nature with an unlimited wealth of phenomena, with inexhaustible beauty. My main mission is to bring this beauty to every kid so that he can see, understand and feel all the charm of this wonderful world. Education by beauty ennobles souls, relieves "thick skin", refines the feelings of the child so much that he becomes receptive to the word, painting, music. Sometimes this does not happen right away, but you have to wait, believe in the child, and then he will definitely fall in love with the beautiful.

I, like a kind sorceress, open the door to the mysterious and mysterious world of music, captivating the imagination of children with new dazzling colors.

"Music is like rain, drop by drop

seeps into the heart and revitalizes it"

What a joy it is to see the enthusiastic eyes of children when for the first time in their lives they begin to understand the language of music, its speech, intonation, and soon concepts: timbre, rhythm, form, genre become close and simple for them, which means that each child gradually becomes an educated, intellectually developed and cultured person. I myself love to sing, and in my work I give a huge place to the development of singing skills in the classroom and circle work. Summarized experience on this topic: "The development of singing skills in preschool children in music classes and a vocal circle." My pupils also love to sing, participate in many competitions and, at the same time, take prizes, and together with them and their parents I worry about them and rejoice at their successes and victories. In my classes, children not only listen to the works of Rimsky-Korsakov, Tchaikovsky, Schumann, Sviridov, etc., but also reproduce in singing, movements, playing musical instruments, "living" music through image. Independent creative search makes it possible to reveal the future talent. Once a great teacher V. Sukhomlinsky said: “Believe in the talent and creative power of each pupil!”

And I believe in helping him open up.

Yes, music certainly evokes feelings. The strongest and most necessary of them, perhaps, is love for one's native land. My task, as a teacher, is to form respect for the traditions and culture of my people, to develop national identity, to teach to understand the role of the family, my place in it. In the classroom, children learn about the life, life, activities of their people, get acquainted with ancient household items, forgotten words and concepts. Developed my work program "Revival of Folk Traditions", I am the founder of the mini-museum. I called him "Upper Room". Antiquities are the object-developing environment of this direction and serve as decorations for decorating folk holidays, gatherings, etc.

Children show the acquired knowledge at wonderful unusually colorful holidays! "Autumn", "Evening gatherings", "Christmas", "Wide Shrovetide", Easter ... - joy for everyone. Children are truly delighted when they succeed. We often make props, musical instruments (rattles, sounding boxes, costume elements ourselves with the children, parents support our noble undertaking and try to help in every possible way. Usually such holidays end with a tea party and always with a Russian samovar, gingerbread, dried various sweets. Sincere words of gratitude from parents, educators, the children themselves - a real happiness for me and an appreciation of my work.

Thanks to music classes, where all types of musical activities: listening, singing, musical and rhythmic movements, games, dramatizations, playing children's musical instruments, creativity, etc., children receive various knowledge, skills and abilities. The children develop hearing, sense of rhythm, singing and dancing skills, performing abilities are revealed.

The success of work on the musical development and education of children is impossible without the joint activities of the musical head and teachers of the preschool educational institution whose work is primarily aimed at preserving the health of children. Science has proven that musical development is inextricably linked with the physical well-being of the child. Singing develops the vocal apparatus, speech, strengthens the vocal cords, regulates the breathing of children. Rhythm improves the child's posture, coordination, confidence and plasticity of movements. Listening to music improves mental health. In this regard, I include innovative methods and health-saving technologies in my teaching practice - mobile music games, dynamic pauses, finger games, breathing exercises, logorhythmics, music therapy.

All this requires great preparation, everyday emotional attitude, constant improvement of self-education. With great interest I always get acquainted with the experience of my colleagues in the region, and at the All-Russian level, I try to follow the latest methodological developments in the field of musical education and apply them in my practice.

Professional portrait of a teacher"draw" his affairs: skillfully organized educational activities, interesting holidays, spectacles, entertainment, smiles on the faces of the children and, of course, creative business contacts with parents.

Parents are present at various musical events. They observe how their children have progressed in development. And in order for these steps to be more confident, it is simply necessary to work in close contact with the parents of the pupils. After all, the modern world, unfortunately, overshadows close communication with their children, conversations, listening "childish" music in the family circle, singing lullabies to children ... But this is so necessary for every child! How right those who argue that children must be protected from the impact of heavy rhythms and disharmony, which are often heard by modern children in the family. Therefore, I try to involve parents in joint activities with children and teachers of the preschool educational institution in preparation for various events; I regularly speak at parent-teacher meetings, conduct individual consultations, post information on information boards, use sliders, etc.

“If at the most tender age, when a person is so receptive to everything beautiful, we awaken an artist in him, develop his ear and give him the necessary knowledge, then the subsequent life of our people will become immeasurably richer and fuller” (D. Shostakovich).

What is modern music head at preschool? This is a teacher, psychologist, accompanist, artistic supervisor, choreographer, screenwriter, sound engineer, director of performances and concerts, designer and costume designer all rolled into one. Life does not stand still. Generations of children change, their interests change. And, in order to be interesting for their pupils, to know what they "breathe", interested simply necessary "keep your finger on the pulse of time". After years of a busy musical life in kindergarten, I realized for myself how important the work of a musical leader for kindergarten in general. This musical world is the soul of every preschool educational institution. Music unites children, their parents and educators together. The communicative properties of music are strong and unique. Perhaps this is too loud, but I think that every musical supervisor should strive to be worthy "face" kindergarten.

Sometimes it's hard! But it's worth it! Because it is unusually pleasant as a result to see the result of your work in the pupils. It is very warm and joyful in my soul when a child is in front of your eyes "revealed", becomes "little artist", always eagerly striving for musical Hall: he wants to sing, dance, play, learn, create. And how nice it is to see your graduates in the composition of various creative teams of our village and to realize that you also contributed to the development of the child's creative abilities, prompted parents, directed, gave a ticket to the vast world of art! I am ready to develop, learn and stay "fairy of music" for their students and beyond. I am musical boss and proud of it!

Own essay I would like to finish with the words of the famous musicologist, teacher Mikhail Kazinika: “If you want your children to take the first possible step towards the Nobel Prize, start not with chemistry, but with music. For music is food for the brain, all subsequent scientific discoveries are hidden in the structures of music. I. Einstein with the violin, and Planck at the piano - not an accident, not a whim, but a divine necessity.

My approach to work

The work of a music director in a kindergarten can be compared to a stream, it is always in motion and polyphonic. And since the “stream” cannot be stopped, therefore I am always in motion, learning new, unknown.
It's been 7 years since I've been in this position. From the first day it became clear that this job is for me! I love children, I am very happy when we get what we have planned. I get pleasure when I see the happy faces of the children who perform in front of their parents and peers at the holidays, receive awards for winning competitions.
I like to see the success of the guys - my graduates. Many continue to be creative: they sing and dance, attending various circles in the House of Culture and the Center for Children's Folk Art in our city. Some of the guys, on my recommendation, continue their studies at a music school. In the Kindergarten, I work as a part-time job, and my main job is a teacher at a music school. My former students are my current students. It is very important to identify musical abilities in a child from childhood and develop them further. Studying at a music school, children become participants and winners of city, district and regional competitions and festivals. Their achievements are a part of my work, my talent, my soul!
I build my musical activity with children on the principles of developing creative potential, which is facilitated by: creating a warm, friendly, relaxed atmosphere in order to emancipate each child; activity and lack of uncertainty; implementation of children's ideas during classes; arranging the work so that the musical activity is attractive, playful and creative.

I always, whenever possible, try to participate in competitions of professional skills. This makes it possible to sum up the pedagogical activity, understand the level of one's skill and outline the further path of development.
Being a music director is not a job, it's a calling! It is impossible to teach to love and understand what you do not love and do not understand yourself. All this requires great preparation, everyday emotional attitude, constant improvement of self-education. At this point in time, in connection with modern educational requirements, in the mode of work according to the Federal State Educational Standards, I use the design method in my educational work with children. After studying the methodological literature and applying the knowledge in practice, I came to the conclusion that this method is relevant and very effective. It gives the child the opportunity to experiment, synthesize the acquired knowledge, develop creativity and communication skills. In addition to long-term seasonal projects, I implement short-term thematic projects, such as: "Visiting a Fairy Tale", "Nature and Music" and others.
My priority in the development of musical abilities in preschoolers is musical and didactic games. The purpose of this direction is to help children actively enter the world of music, stimulate the development of musical and sensory abilities, teach them to distinguish the property of musical sound using visual-auditory and visual-visual methods of musical education.
Studying new modern educational technologies, I became interested in technology TRIZ(theory of inventive problem solving) and RTV (development of creative imagination). I made didactic aids, handouts, developed games that I use in my practice. According to my observation, classes with the use of TRIZ and RTV elements are a powerful tool for developing active creative thinking in children: shyness is overcome, fantasy develops, horizons and vocabulary expand. All this provides preschoolers with the opportunity for successful self-realization not only in music, but also in other activities.
In Kindergarten, I organized a music club "Okay". It is attended by children of older groups. The purpose of this circle is to develop the creative personality of the child by introducing him to the art of music. Classes in the circle include breathing and articulation gymnastics, vocal exercises, work on songs, musical repertoire by listening to music, learning folk and modern dances, playing children's noise instruments. My pupils annually take part in the regional competition "Golden Hive", where they win prizes. And we also perform at various city, regional holidays and show our creativity in our kindergarten.
The children enjoy attending the classes. They learn to listen and love music, feel its character, sing cleanly, without tension, acquire choreographic skills, and in the future they do not experience difficulties in the process of performing in front of an audience, behave confidently and relaxed, become sociable.
At music lessons and at the music circle classes, we create unique images, and to make the image more complete, I think over every detail in clothes. I create costumes for performances myself and, of course, my parents help me. We demonstrate these costumes at the annual regional competition "Golden Sewing", for which we receive awards and prizes.
In my work, I work closely with parents, where I use various forms of work: consultations, master classes, preparations and holding various thematic holidays. Parents really like this cooperation, and they are happy to take part in all our activities. Such cooperation brings success to our common work.
In my opinion, a music director should be a universal teacher. He must be able to answer all the countless children's "why?", be able to "wake up" and support the child's desire through feelings, emotions to perceive the world around him. Sometimes it's hard, but it's worth it! Because it's nice to see in the pupils a piece of their own work. It is very warm and joyful in my soul when a child “opens up” before your eyes, becomes a little artist, always eagerly strives to the music hall: he wants to sing, dance, play, learn, create ...

Music director essay

"Me, music and children"

Nadezhda Medvedeva

Music inspires the whole world, supplies the soul with wings, promotes the flight of the imagination;

music gives life and joy to everything that exists.

It can be called the embodiment of everything beautiful and everything sublime.

I'm working music director. What does it mean music director in kindergarten? How many new abilities this profession has revealed in me! Speciality musical director is unique in that that it combines different professions: musician and artist, screenwriter and director, costume designer and actor, make-up artist and sound engineer. He is designing music hall, writes scripts, spends numerous holidays. And how many activities do you need to master in the process musical and general development children: this is hearing music, singing, musically- rhythmic activity, theatricalization, playing on musical instruments. My many years of experience allows me to conclude that working with children in all these activities, of course, involves the creativity of the teacher himself, without which it is impossible to imagine the creative development of children. In a word, how interesting, professional, literate, talented you are, largely depends musical and creative development of children, the atmosphere of joy in kindergarten.

Every day spent with children encourages me to search for new ideas, stimulates me to improve my skills in order to further enjoy the result of my achievements and rejoice at the success of my pupils.

Every day, getting ready for work, you involuntarily ask yourself questions: What awaits me today? How will the kids meet and appreciate me? How will learning a new dance go with older students? Will the rehearsal go well? musical performance with the participation of older pupils and teachers? I get answers to all these questions already in the course of work or at the end of the working day. Sometimes, it is not possible to find answers to the questions that have arisen on my own, then I resort to the help of colleagues, look for answers in the literature, thereby increasing my self-education, which is an indispensable condition for the professional growth of any teacher.

In the modern education system, improving the skills of each teacher, mastering the latest pedagogical technologies and methods, is an important stage in the course of his entire activity. A teacher with a capital letter can only be called a person who is constantly learning and improving his professional level. A music director is a lifelong learner, developing and improving his professional experience and generously sharing it with colleagues, like-minded people, parents.

Reflecting on my profession, I came to the conclusion that I stand at the origins of the birth of a child's personality. It's up to me if it helps music develop the best qualities personalities: spiritual sensitivity, the ability to feel the harmony of the world around, kindness, susceptibility to beauty. For a long time, the first meetings with the kids remain in the memory, when they first came to kindergarten. During this difficult adaptation period, it is necessary for the child to plan musical activities in such a way that, forgetting grief and separation from people close to him, he could immerse himself in an atmosphere of joy and delight. In our modern age of computerization, innovation, improvement of programs and requirements for them, completely different kids: modern, developed, active, but there is something that unites the children of past years and modern kids - this is the desire to feel love, care, affection from an adult who is currently replacing his mother! And I carry this feeling for many years of my work.

In constant search for new discoveries for themselves and their pupils in the magical wonderful world music time flies unnoticed. You look, and your kids have already grown up and are ready "stand on the roof". At the prom, I feel joy because children have grown up, pride, for being music became a part of their life, sadness, because parting is always sad, and even more so if you part with the fidgets you love. But to a greater extent, I feel satisfaction from my profession.

I am convinced that the profession music director the best in the world! Music director is a person, which instills hope and self-confidence in the soul of a child, helps girls and boys to succeed in the future. What a blessing to realize that in my profession two of the biggest miracles, in my opinion, are combined - Children and Music!

Name: Essay of the musical director of the kindergarten "My profession is a musical gardener"

My profession is a musical gardener.

Listen... The wind is making noise, howling and taking rustling leaves into the unknown distances... The ringing trill of a spring drop insistently asks to freeze for a second, in the joyful expectation of the awakening of nature... The rain is trying to reach us, forcing our fingers to immediately pick up this bizarre expressionist rhythm... Here it is - the real music of life that surrounds us every day.

For as long as I can remember, I always wanted to be a performing musician, as well as a creator of something new, unknown, and I never had any doubts about choosing a profession. I was very lucky in life: I met wonderful people who became my mentors, and most importantly, taught me to love and understand music. I was introduced to the wonderful world of music with its deep, multifaceted emotions, experiences, feelings by enthusiastic teachers of the music school, the music school and the University of Culture and Arts. And here I am - a graduate, before whom all the ways for further self-affirmation are open. Where to go to work in order to realize your creative and pedagogical potential? The Queen of Life herself indicates directions, giving a chance to try my hand at a comprehensive school, a music school, a studio for children and parental creativity, kindergartens, enriching my activity with the opportunity to gain experience by working in different cities: Zherdevka, Moscow, Tambov and Voronezh. As a piano teacher, accompanist, conductor and teacher in a number of special disciplines, I immediately felt like a real "gardener" who grows the flowers of the future. But the seer Fate from the very beginning poses a dilemma for me - to “grow” ready-made flowering bushes and be proud of them, or to grow seeds by putting part of my soul into them? So I become a musical director, carefully developing my ear, musical memory, intonation of voice, sense of rhythm and much more in a flower garden called Kindergarten.

Little children are the most open creatures in the world. Being next to them, I feel like a truly happy person. I give my knowledge, my love to small creatures that, like flowers, absorb everything that surrounds them. What will they grow up to be? Will they be able to show initiative and talent in the process of entering society? Will kindness and purity remain in the soul of every child outside the kindergarten? Will they be able to figure out what is beautiful, good, and what is rude and bad? Will they become active, humane, sympathetic people in the future? This largely depends on me.

How to teach children to understand music, to feel its purpose, to love, enjoy it, and most importantly, to be able to hear it in everything?

The musical experience of each preschooler is unique. The effectiveness of enriching this experience depends on the teacher's knowledge of the characteristics of the child, from the study of the uniqueness of the inner world, which makes it possible to assess the specificity of the individual emotional reactions of the child to the musical atmosphere surrounding him.

Each teacher is, first of all, a person, and the chosen principles and approaches in working with children largely depend on his worldview. They allow me to achieve spiritual unity with children.

What is the best way to communicate with children? Trying to keep up with the times, in a joint creative process, my educational musical activity is based on empathy, co-creation, since this is what the new educational paradigm and contextual learning are based on. In my views on this pedagogical problem, I adhere to the principle that “truth must be experienced, not taught” (Hesse “The Glass Bead Game, or the Steppenwolf”). Therefore, I believe that the use of heuristic and research methods in preschool music education leads to the development of children's intellectual independence and creativity.

Any adult knows that all children manifest themselves individually: some are more active, others less, there are children who are capable, but shy. An individually differentiated approach allows me to find a "key" to everyone, and creating a situation of success supports the child's faith in his abilities and strengths.

The main commandment of pedagogy is “Do no harm!”. Like medical practice, it requires a very careful, respectful, attentive and patient attitude towards the child. Therefore, organizing interaction with children in the process of musical activity, I pay special attention to creating a favorable psychological climate. The use of the method of spiritual contact, based on the improvisation of the teacher's activities through analysis, synthesis and combination of conscience and communication style, helps me to create and maintain friendly ties between children, an emotionally comfortable environment.

The happiness of every worker is to see the fruits of his hard work. What is the happiness of the "gardener" who grows the flowers of the future? It comes when children, having gone through a lot of traditional, innovative gaming, pedagogical technologies and finding themselves among the noise of a roaring city, will themselves be able to hear the rustle of the wind lost in the grass, the rain tapping the rhythm of the foxtrot, and understand the beauty of the reality around them.

Name: Essay, mini-composition of the musical director of the kindergarten "My profession is a musical gardener"

Position: music director of the highest qualification category
Place of employment: MBOU gymnasium UVK No. 1
Location: Voronezh, Voronezh region

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