Adult educators. Studio Balletomagiya, Moscow Videos Alikin Alexander Ballet class

1. For many years of fruitful activity for the benefit of the city of Moscow and its residents, award:

L years:

badge of distinction "For impeccable service to the city of Moscow"
XXX years

2. For merits in pedagogical and educational activities, many years of conscientious work to assign the honorary title "Honorary Worker of Education
city ​​of Moscow"

3. For a great contribution to the development of culture and many years of creative activity, assign
honorary title "Honorary Worker of Arts of the City of Moscow":

4. For merits in the development of physical culture and sports, many years of conscientious work to assign the honorary title "Honorary Worker of Physical Education, Sports
and tourism of the city of Moscow":

5. For a great contribution to the development of the construction industry of the city of Moscow and many years of conscientious work to assign
honorary title "Honorary Builder of the City of Moscow":

6. For merits in the development of the fuel and energy economy of the city of Moscow and many years of conscientious work, award the honorary title "Honorary Power Engineer of the City of Moscow"

7. For a great contribution to improving the quality of transport services and many years of conscientious work to assign
honorary title "Honorary Worker of Transport and Communications
city ​​of Moscow"

Mayor of Moscow
S.S. Sobyanin

Videos by Studio Balletomagiya in Moscow. Choreographic studio "Balletomagiya"

Performances by students of Ballet Magic and Ballet in the Big City

You can feel like a real ballerina only on stage, so twice a year we hold concerts for our students, even the smallest ones. And they really love these performances! On the video - fragments of concerts in the Theater of the Moon and the Lyudmila Ryumina Center.

These emotions will never be forgotten!

Study the schedule of the studio on Tverskoy Boulevard:
http://www.balletomagia.ru/schedule-of-classes-for-children/

And sign up by phone: +7 926 246-21-06

We also recruit children for classes at the studio school on Kutuzovsky Prospekt http://bcballet.ru/Children2018-2019

Other Studio Balletomagic videos

Performances by students of Ballet Magic and Ballet in the Big City
You can feel like a real ballerina only on stage, so twice a year we hold concerts for our students, even the smallest ones. And they really love these performances! On the video - fragments of concerts in the Theater of the Moon and the Lyudmila Ryumina Center. These emotions will never be forgotten! Study the schedule of the studio on Tverskoy Boulevard: http://www.balletomagia.ru/schedule-of-classes-for-children/ And sign up by phone: +7 926 246-21-06 We also recruit children for classes at the studio school on Kutuzovsky Prospekt http://bcballet.ru/Children2018-2019

Grand class in Balletomagic on Tverskoy Boulevard
“I didn’t even imagine how much ballet classes could change me. Not only my body. I began to perceive myself completely differently - with each new class, the beauty and harmony of ballet help me see it in myself. Two years ago, after watching a series about a ballerina, I decided try it and came to class for the first time. And now I just can’t imagine my life without a ballet class, performances on stage in studio concerts, communication with our wonderful teachers and, of course, with new friends - students of the studio, "says one of the ballerinas captured in this video from the class of Nikolai Leonidovich Dagis. We always welcome new students! The professionalism of teachers and a specially developed teaching methodology help students of any age to achieve serious success. We are waiting for you and your children in the studios: - Balletomagia (Tverskoy Boulevard, 9) www.balletomagia.ru - Ballet in the Big City (Kutuzovsky Prospekt, 12, building 1) www.bcballet.ru See you in class!

We present you a new class in our schedule: folk stage dance. This subject is included in the compulsory program of the choreographic school and is one of the favorites among students. A bright, expressive dance that does not require strict adherence to classical canons, and can be easily learned and performed even by beginners. Good mood guaranteed! Every Saturday from 15:00.

Our young ballerinas are very fond of dancing and performing on stage) Therefore, we are happy to organize concerts for them twice a year. Each performance is a holiday for children and, of course, for parents. P.S. On the video fragments of reporting concerts.

We thank our wonderful guest from Ballet in the Big City - Tatiana Pavlovich for the classes held today and for the rare opportunity to feel like students of the Moscow State Academy of Choreography!

Many people are not ready to exchange the class of Valery Sergeevich Khrapov for trips out of town or walks even on such a rare sunny day for this summer.

ballet class
This is how the ballet class of the teacher-choreographer, Honored Artist of the Russian Federation Nikolai Dagis goes. Beginner and advanced groups. Sign up for a trial lesson!

On Sunday, December 25, at 16:00, at the Ballet Studio in the Big City on Kutuzovsky, a master class by the prima ballerina of the Bolshoi Theater Marianna Ryzhkina "Plie. Puante. Points" will take place. You will learn how to fly from the depths of a plie, through a sharpened toe, to the highest point of classical dance - pointe shoes. The duration of the master class is 1.5 hours. We invite students with a level of preparation Grand (advanced) You can sign up by mail, phone 89262462106, or a message on Facebook.

Dear students! We invite you tomorrow, on Saturday, to the classes of the new teacher of the studio - teacher-choreographer, Honored Artist of Russia Valery Sergeevich Khrapov. This highly academic old-school teacher has vast experience of working with professional dancers not only from Russia, but also from Japan, Korea and Finland. In the track record of Valery Sergeevich, work as a teacher-repetiteur at the Ballet Moscow Theater, participated in the production of the ballet Scriabiniana for the Bolshoi Theater. Schedule for adults on Saturday: 12:00 - Ballet class for beginners (60min) - V.S.Khrapov 13:00 - Ballet class for advanced (90min) - V.S.Khrapov Pre-registration is not required. See you in class! P.S. On the video - an open lesson under the guidance of Valery Sergeevich.

Valery Evgenievich was born on October 13, 1948 in Moscow. After receiving his education (Moscow State Pedagogical Institute named after Lenin), for ten years he worked as a history teacher at a school, then as a researcher at the Research Institute of General Pedagogics of the Academy of Pedagogics of the USSR; senior correspondent for the Izvestia newspaper.

Studying the influence of epidemics on the course of History, in March 1990 he discovered a universal property of the Universe - a system of gravitational electromagnetic poles (Khrapov poles), determined the trajectories and conditions for the spread of diseases, answered questions that remained unanswered in world science for more than 500 years.

Putting his theory of victory over ALL diseases into practice, he became a psychic of the highest level, healed about 20,000 people in absentia, by phone. V.E. Khrapov is the author of a dozen books, over 300 articles and essays, the author and hero of radio and such as “For you, parents!”, “Family and school”, “Peace and youth”, “12th floor”, “Press Express”, “White Crow”, “Third Eye” and others. Foreign honorary member of the International Association of the EU "Eurotalant", a member of the geophysical association for the study of ring structures, a member of the Union of Journalists of Russia.

Autobiography

I, Khrapov Valery Evgenievich, was born on October 13, 1948 in Moscow. Until 1959 he lived with his mother, grandmother and younger brother in the village. Springs of the Ramensky district of the Moscow region (pl. 33rd kilometer), and since 1959 in Moscow, where from the 5th grade he began to study at the Physics and Mathematics School No. 2.

In 1965 (during the summer holidays) he worked in the survey party of the Central Research Institute of the Gosstroy of the USSR on the railway ("dead") Salekhard - Nadym (501st building) as a drilling worker.

In 1966, he graduated from secondary school No. 2 at the same time as the tenth graders and did not enter the history department of the Moscow State Pedagogical Institute. IN AND. Lenin and began working as an electrician at the Neftepribor plant, a communications fitter (electromechanic, radio operator) of military unit 54023, released as secretary of the Komsomol committee of the same cf. School No. 2, electromechanic of the Miussky telephone center.

In 1967 he entered the evening department of the Faculty of History of the Moscow State Pedagogical Institute. IN AND. Lenin, and in 1972 he graduated from it, defending his thesis "Political projects of M. M. Speransky 1801-1811." (140 pp.), awarded a year later with a diploma of the III degree at the competition of student works dedicated to the 100th anniversary of the Moscow State Pedagogical Institute. Then, in 1972, he was recommended for postgraduate study at the Department of History of the USSR, but did not enter, because. all the places, as an experiment, were given "for target soldiers", and went to serve in the ranks of the Soviet Army. In 1970 he married Tatyana Vladimirovna Rogova, from 1971 he raised his eldest son Andrei, and from 1978 and younger - Artem.

In 1973 he returned to the Miussky telephone center as a ventilation fitter, and part-time began working as a history teacher in the evening shift school No. 43 of the Krasnopresnensky district.

In 1974, having completed a postgraduate study at the Moscow State Pedagogical Institute, he began working as a teacher of history, social science and the basics of state law at secondary school (new building) No. 99 in the Kuntsevsky district of the capital.

In 1976, the documents of the applicant were returned to me, and the school theater group, which I had to lead, became a diploma winner at the VI Festival of the Arts of Pioneers and Schoolchildren in Moscow. In the same period, he traveled with high school students to labor and recreation camps (for the first and last time, as an official boss).

In 1978, I wrote, and in 1979 sent a letter to L. I. Brezhnev with a request to adopt a law that would prohibit lying at school (percent mania) and received a response from the USSR Ministry of Education, where I was recommended to improve teaching methods and generally work better. At the same time, he began to improve with the help of the book by Shatalov V.F. “Where and how did the triplets disappear” (M., Pedagogy, 1979). He began to receive reprimands from the administration and gratitude from students and their parents.

Since 1964, he has been writing poetry, short stories, plays, dramatizations, and since 1980 he began to publish his own in central newspapers and magazines (Izvestia, Smena, Family and School, Soviet Culture, Week, Teacher's newspaper”, “Soviet Pedagogy”, “Rural Youth”, “Kommunist”, “Vocational Education”, Novosti Press Agency), and then abroad and in local publications as a publicist-teacher.

In 1982, he was invited to work as an organizer of extra-curricular and out-of-school work at secondary school No. 146 of the Frunzensky district, but quickly realized that the administrative path was not mine, and on December 13 of the same year he was transferred to work in the laboratory of theory and methods of studying and summarizing the pedagogical experience of the Research Institute of General Pedagogics of the Academy of Pedagogical Sciences of the USSR as a junior researcher, where he worked on the topic “Teacher’s Pedagogical Introspection as a Method for Studying Experience”, and part-time (on a voluntary basis) was a member of the editorial board of issues of express information of the series “Advanced Pedagogical Experience ”together with Academician M.N. Skatkin, Doctor of Pedagogy P.V. Khudominsky, candidates of pedagogical sciences V.O. Aransky, Ya.S. Turbovskiy, A.M. Tsirulnikov, and also (again on a voluntary basis) led the topic "People's teachers of the USSR." The result of this activity was that in two months in 1985 I wrote a book (the 3rd of my own) “Your best teacher, school!” , which was published in early 1987 (M. Pedagogy. 1987 - 176 pp., circulation 100,000 copies), passed two candidate exams (philosophy - 5, English - 4), but did not take the exam in pedagogy, as and defend another dissertation, since the ball was invited to work in the Izvestia newspaper as a special correspondent.

From June 12, 1986 to the present, I have been working as a senior correspondent for the Izvestia newspaper in the department of education and upbringing of youth, I am the author of 4 books, 16 brochures and other scientific works, 4 television scripts, about 150 popular science and journalistic articles and essays in Soviet and foreign press. Some of the works have been translated into Japanese, Czech and Mongolian. In 1984, he invented a new method of teaching history and other subjects (see "Teacher's newspaper" // 1985, January 19: "Problems without problems"), but I have no copyright certificate, poems and plays have not been published. My basic notes on history and social science, which aroused great interest among a number of teachers and which could be useful to other Soviet teachers, have not been published either, as well as my tasks in history, elements of equipment for the history classroom, and most importantly, those ideas of a fundamentally new approach to teaching stories that I am currently rich in.

Life after life

Comments left in the guest book of the site (hrapov.narod.ru), excerpts from requests to the site:

• ..I often told my children about my amazing teacher, and I was always interested to know how he lives now, what he does ...
  It's a shame and bitter that SUCH people leave SO early. As far as I can remember, he was full of life and energy. He always boldly and stubbornly defended his positions, which caused dissatisfaction with teachers who did not have such qualities. The envy of these uncomplaining specialists, who did not have their own opinion, grew and heated up the situation in our school. I remember how hard it was for him to leave when his patience reached the limit, and it was time to say goodbye to us. Of course, he could not tell us, the then students, anything, complain about anything. And it wasn't pedagogical either. We only saw that he was very ill, but there was nothing we could do to help him.
  Now, looking at his achievements, I think that he still would not have stayed at school all his life. It was crowded for him in it.
  Ludmila

• Valery Evgenievich was my history teacher and class teacher from 1975 to 1980. I remember him for the rest of my life and I am very sorry for his untimely death. He was very sensitive and sincere in relation to us - children, taught us to think, be creative in everything, worldly wisdom, we could design wall newspapers after school and at the same time talk with him about everything. He organized excursions and trips for us. The whole class was visiting him at home, where he made a lot with his own hands. V.E. was an outstanding personality, creative, therefore he was looking for new ways, approaches in pedagogy and not only. Some teachers and colleagues did not understand him, they were frightened by everything new, so V.E., as a talented person, periodically had problems in his life.
  All his further life testifies to his further improvement and spiritual development, the discovery of healing abilities in himself, real help to many people. It is a pity that at the same time he least of all thought about himself, about how to protect himself and his biofield from a serious illness. I regret that he is no longer with us. I'm sure he's moving in the right direction. Books and articles by Valery Evgenievich are of practical value. Blessed memory to him.
  Irina

• VE Khrapov is my favorite teacher. only now learned of his untimely death. I am happy that there is such a site that you can read his work. I still remember V.E. And I tell my kids about it.
  Dmitry

• Eh, Valera, Valera ... So that's why I haven't heard about you in recent years ... We met in 1987 at Artek, at the All-Union Pioneer Convention, although before that I knew him in absentia from Izvestia. Then occasionally they called back in Moscow, met, I remember, at the All-Russian Conference of Public Education Workers in 1988. Surprisingly, these two or three meetings were enough for me to feel sincere, deep sympathy for him for many years later. This has happened very rarely to me. There was something real about him that hadn't been there for a long time in many of us. I remember him as a bright original personality, and by nature - a big open child. An amazing thing: we have never been close, we have not communicated for many years - but there is a feeling of loss for ourselves personally ...
  Vladimir Zhukov, journalist
• The main work of Valery Khrapov for me is connected with the geomagnetic poles of the Earth. I consider it far from finished ... It requires further research in the applied plan and improvement of application methods. I am trying to move in this most interesting direction with small steps. Methods of applied dowsing allow this. I tested the effectiveness of the method myself. It is a pity that only on the site "Real unreality" this most interesting topic has found its continuation.
  Boris

There are responses from grateful people, only recently who read his books and say that his books helped improve their health. There are successors and researchers of the father's ideas.

Knowing all this, you begin to understand the full depth of his texts:

“Spiritual development is determined not by quantity, but by quality. The quality of those steps, the quality of the understanding that you managed to rise to and raise others above the mouse fuss with domestic problems, kitchen and family scandals, scientific, party and national conflicts, the division of bonuses, fees, territories, spheres of influence ... Spiritual development is a gradual ascension from the position of a family man and citizen of the yard, street, city, country, globe to the position of a citizen of the Universe, a small but integral part of the single body and Spirit of the Lord. “There is no and cannot be me without the Universe, but the Universe without me is flawed” - this is the true spiritual position, which I have been coming to understand all these years, or rather, all my life.”

The new production of the theater "TALARIUM ET LUX" is a continuation of the experiment successfully launched in May 2013 with the premiere of the first ballet in 3D format "The Nutcracker" based on the phantasmagoria of Hoffmann. Prior to that, Russians could watch this kind of action only during mass shows. So in 2011, when the executive producer of the Olympic Games in Sydney and Vancouver, David Atkinson, in front of thousands of Muscovites, turned the high-rise building of Moscow State University on Sparrow Hills, first into the Eiffel Tower, and then into the Taj Mahal. Similar technologies were used at the opening of the Winter Olympic Games in Sochi. 3D scenery for the new version of the classic "Swan Lake" was created with the participation of the "Olympic team" of artists and designers.

The theater team, whose name translates as "Ballet and Light", consists of 35 artists who have experience in leading theaters in Moscow and Russia. Soloists Andrei Evdokimov, Sergei Smirnov, Diana Kosyreva, Denis Akinfeev, Olga Sizykh, Honored Artist of Russia Elizaveta Nebesnaya, previously performed parts in the best productions of the Bolshoi Theater, Stanislavsky and Nemirovich-Danchenko, the Moscow Ballet Theater, the Kremlin Ballet and other theaters . Experienced choreographers work with the artists: People's Artist of Russia Natalya Chekhovskaya, Valery Khrapov.

« Our most important task is to instill a love for ballet even among those who, for various reasons, have never been interested in it., - says Mikhail Lavrovsky, artistic director of the theater. - Classical art cannot compete with pop culture, which instantly responds to the needs of the audience, which boldly adopts any technological innovations if their use can warm up the interest of the public. We see how interest in ballet is fading. But we are obliged to preserve the masterpieces of Russian ballet, to give them a new life. Ballet is always a fairy tale, always an extravaganza. The use of multimedia technologies envelops the viewer with an atmosphere of magic, opens the doors to a fairy-tale world for him.».

Partly designated by Mikhail Lavrovsky, the "super task" was already solved by the production of The Nutcracker. Her premiere shows in cities such as Sochi, Rostov-on-Don, Lazarevskoye, Belgorod, Kursk, as well as in the Moscow region and Israel were sold out and received the most flattering reviews from theater critics. And in this sense, Swan Lake promises to be a successful continuation of a bold experiment, combining, on the one hand, classical choreography, and, on the other hand, the use of even more innovative computer technologies. Panasonic provides technical support for 3D technologies, which can be called a guarantee of quality, since its projections are the absolute leader in the world.