Opponents of Bazarov, their moral and social position. Bazarov and Pavel Petrovich Bazarov and Pavel Petrovich Kirsanov

The mutual hostility of Pavel Petrovich Kirsanov and Bazarov manifests itself long before the disputes, in which the antagonism of their views was clearly defined. Still, in essence, knowing nothing about each other, they are already hostilely alert.

This happens because Turgenev, with fleeting indications of individual features of their appearance and behavior, causes these heroes to pay increased attention to each other and, thus, helps them to determine and prepare their positions even before disputes. Getting acquainted with Bazarov, Nikolai Petrovich "tightly squeezed his naked, red hand, which he did not immediately give him."

In itself, the fact that Bazarov, when meeting Nikolai Petrovich, "did not immediately give him" his hand, would seem to be unremarkable. But this unremarkable circumstance is repeated - when Bazarov meets Pavel Petrovich, he acts similarly to Bazarov, only much more definitely. He is also in no hurry to shake hands. Moreover, at the same time, he not only “did not immediately give him” his hand, but did not give it at all and even put it back in his pocket.

Pavel Petrovich has a beautiful hand "with long pink nails", which seems "even more beautiful from the snowy whiteness of the sleeve, buttoned with a single large opal." Bazarov, on the other hand, has a red hand and is dressed, in his own words, in “clothes”, which the servant Prokofich, accustomed to the aristocratic dress of his masters, took to the cleaners with a bewildered mine on his face.

That's the whole point. Bazarov's "clothing" and a red hand, obviously indicating unfamiliarity with gloves, hurt Pavel Petrovich's eyes: he immediately recognizes a democrat by these clearly "revealing" signs. Bazarov, when not touched, is indifferently careless in his relations with the nobles. An example is his first meeting with Nikolai Petrovich, a nobleman who does not flaunt his aristocratic habits. Therefore, Bazarov, although "not immediately," nevertheless gives him a hand.

As for Pavel Petrovich, even as a result of the first fleeting acquaintance with him, the democratic nature of Bazarov could not help but be indignant. “Nails, nails, at least send them to the exhibition!” he remarks ironically, left alone with Arkady. The same coin pays Bazarov and Pavel Petrovich, whose speech is full of underlined sarcasm:
"Who is this?" Pavel Petrovich asked Bazarov, his brother in retirement.
- A friend of Arkasha ...
This hairy one?
-Well, yes.

Pavel Petrovich tapped his nails on the table. The words "this" and "hairy" along with a meaningful gesture at the end are not accompanied by any author's explanations. Nevertheless, the essence of the feelings experienced by Pavel Petrovich at this moment is already clear. In general, Pavel Petrovich's bilious aristocratic contempt for Bazarov is constantly reflected in remarks similar to the above.

He clearly avoids even calling Bazarov by his first or last name, preferring to get by with the help of some allegorical turn of phrase. In one place, he drops casually: "here the nihilist gentleman has come." In the other - "this lord." It is possible to note only the only case when Pavel Petrovich mentioned the name of Bazarov, but even then the scornfully ironic meaning of the statement is striking. When Pavel Petrovich found out that Bazarov was the son of a man of a non-noble profession, a regimental doctor, and even one who served in his father’s division, he uttered a meaningful “hm!”, “moved his mustache” and asked with an “arrangement”: “Well, and Mr. Bazarov himself, in fact, what is it? It is clear that here Bazarov is called a gentleman in mockery.

From the point of view of Pavel Petrovich, the son of a doctor cannot be a real master. In conversations directly with Bazarov, Pavel Petrovich, however, is distinguished by refined, “chilling”, according to Turgenev, politeness, but even this is most often only decorative, shading the seething restless hostile feelings. So, once from the language of the “politely restrained” Pavel Petrovich breaks down already in the presence of Bazarov: “Before, young people were just blockheads, but now they have become nihilists.”

Pavel Petrovich boasts of his self-esteem, which is strongly developed in him and supposedly always able to keep him within the boundaries of decency, which he declares to his brother, who begs the disputants to do without personalities - but right there his self-esteem betrays him. “Don’t worry,” he said, “I won’t forget, precisely because of that sense of dignity, which Mr. ... Mr. Doctor so mocks.”

In the light of the heated dispute about nihilism, as a result of which Pavel Petrovich reached the highest degree of irritation, and Bazarov’s face “took on some kind of copper and rough color”, the insult of this pause (Mr. ... Mr. Doctor) leaves no doubt. Pavel Petrovich refrained from calling Bazarov "Mr. Nihilist" directly to his face, but on the other hand expressed this with a pause, which under such circumstances does not go unnoticed.

When depicting the scene before the duel and when depicting the duel itself, Bazarov's behavior is especially revealing. All the embodied gentlemanly correctness, Pavel Petrovich, who came to challenge Bazarov to a duel, speaks to him in an emphatically official language. Bazarov in a hidden form ridicules the noble manners reflected in the language of Pavel Petrovich. He does this with the help of an ironic repetition of the ends of Pavel Petrovich's phrases. Pavel Petrovich, setting out the motives for the challenge, says:
“We can't stand each other. What more?
"What more," Bazarov repeated ironically...
- As for the conditions of the duel themselves, since we have
there will be no seconds - for where are they to be found?
“Exactly, where can I get them?”
And before the duel. Pavel Petrovich:
"Can we get started?"
Bazarov:
"Let's get started.
“You don’t require new explanations, I suppose?”
“I don’t require…”
Pavel Petrovich, giving pistols:
"Please choose.
- I agree.
Bazarov's ironic attitude to all this obsolete ritualism is also expressed by the fact that he replaces the very word duel with the word "battle". “Peter,” he says, “I undertake to properly prepare and bring him to the place of the massacre.” The choice of words here replaces the description of the hero's state of mind.

Characteristic in this regard is the conversation in which the word "nihilist" appears for the first time.
“What is Bazarov? Arkady chuckled. - Do you want, uncle,
I'll tell you what he actually is?
Do me a favor, nephew.
- He's a nihilist.
- How? asked Nikolai Petrovich, while Pavel Petrovich raised a knife with a piece of butter into the air and remained motionless.
"He's a nihilist," repeated Arkady.
"Nihilist," said Nikolai Petrovich. - This is from the Latin pihil, nothing, as far as I can tell; therefore, this word means a person who does not recognize anything?
"Say: one who respects nothing," put in Pavel Petrovich.
- Who treats everything from a critical point of view, -
methyl Arkady.

0 / 5. 0

"Themes of Turgenev's Poems in Prose" - Ivan Sergeevich Turgenev. Poems. Poems in prose. To the lesson of literature. Illustration for the poem "The Old Man". Illustration for the poem "Threshold". Laconism and freedom. Pauline Viardot. Thoughts and feelings. Ivan Sergeevich Turgenev "Poems in prose". themes of the poems. Bougival. Creativity of I.S. Turgenev. A cycle united by a common tonality.

"The book" Bezhin meadow "" - Strength. All the scary stories in the story are chosen so that they are in harmony and. Meadow. Artist E. Bem. A boy of ten. The idea of ​​the story. Great master of landscape. Artistic means. The ability to perceive beauty. Heroes of Bezhina Meadows. Countless golden stars. Story. Turgenev hunting with Dianka. Hunting equipment Turgenev. Face. Turgenev draws with love and tenderness in the story Bezhin Meadow.

"Bazarov and Kirsanov" - Test based on the novel by I.S. Turgenev. Text task. Fathers and Sons. Collection of material on the heroes. main lines of dispute. The life story of Pavel Petrovich. Nihilism. Education. P.P. Kirsanov. Bazarov. Ideological differences between Bazarov and Kirsanov Senior. Peasantry. Upbringing. ideological conflict. Attitude towards others. A quarrel between P.P. Kirsanov and E. Bazarov. Disputes of the heroes of the novel "Fathers and Sons". Bazarov's relationship with N.P. and P.P. Kirsanov.

"Gerasim and the heroes of the story" - Kapiton. The opinion of a descendant. Lady. Tatiana. Physical handicap. Russian prose writer. The moral superiority of Gerasim over other heroes of the story. Gavrila. Gerasim. moral superiority. Creativity of the writer. Creation of the story "Mumu". Turgenev's childhood.

"The work" Fathers and Sons "" - Stages of development of the economic history of Russia. Meeting N.P. Kirsanov with his son. Alexander I. Poor region. Man and time. Crowd of courtyards. Trouble. Forest. Fuss with hired workers. Terms. Low porch. Tiny ponds. Concepts. Fathers and Sons. Human. They spoil the harness. The process of decomposition of the feudal-serf system.

"Fathers and Sons" - Confrontation of liberals. Reasoning theory. There are three categories of egoists. Pitiful is he who lives without an ideal. Turgenev was shaking from such "revelations". The period preceding the peasant reform. The figure is gloomy. Bazarov is engaged in natural sciences. Human relations. Stankevich Nikolai Vladimirovich Herzen. Proceedings of K. Vogt. Beginning consumption. A vague image of a hero. A novel in Pisarev's assessment.

Topic. Bazarov in the system of actors. The reason for his conflict with others is his loneliness. Opponents of Bazarov, their moral and social position Goals: Deepen knowledge of the content of the novel and understanding of its characters; improve the ability to comment on fragments of the work, analyze the disputes of the characters, compare their positions; develop coherent speech; educate the need for meaningful reading. Equipment: Portrait of I. S. Turgenev; illustrations for the novel "Fathers and Sons"; epigraph on the board.

Bazarov still suppresses all other faces of the novel. The qualities given to him are not accidental. I wanted to make a tragic face out of him - there was no time for tenderness. He is honest, truthful and a democrat to the end of his nails ... I.S.

Turgenev DURING THE CLASSES I. Organizing time 1. teacher's greeting 2. Recording the date, topic of the lesson, epigraph in notebook II. Setting goals and objectives of the lesson.

Motivation for learning activities Appeal to the epigraph of the lesson ♦ Do you agree with Turgenev that his hero suppresses all other faces and that he is a tragic person? Why? III. Checking homework 1. Frontal problematic conversation ♦ Two aspects stand out in the image of Bazarov: a militant democrat and a nihilist.

analyzing chapters II, III, IV, V of the novel, prove its democracy. (Clothes, speech, appearance, behavior, relationship with courtyards, circle of reading, etc.) ♦ Bazarov is engaged in natural sciences. How does this relate to the theme of the novel? ♦ Why did Prokofich dislike Bazarov?

justify your opinion. ♦ How does Bazarov behave during his stay in Maryino? Compare his occupations with those of the Arcadius (Chapter X). ♦ How does Bazarov talk about his origin (chapters X, XXI)?

What do we learn about his life path, parents? How does this help understanding his image? ♦ Why does Bazarov "carefully" oppose himself to Pavel Petrovich, behave defiantly? ♦ Nihilism (from lat. nihil - nothing) - a worldview that denies generally accepted values, ideals, moral norms, culture. Describe the views of Bazarov the nihilist (Chapters V, X). What does he deny?

What guides his denial? Are his views specific? Why? ♦ Analyze chapters II and IV and determine what role the motif of hands plays in revealing the theme of “fathers” and “children”. (Bazarov has a “burnt red hand”, which he did not immediately give to Nikolai Petrovich; Pavel Petrovich has a “beautiful hand with long pink nails”, which he not only did not give to Bazarov, but hid it back in his pocket.

Peter "as an improved servant did not approach the barich's pen." Prokofich "went up to the pen to Arkady."

Thus, the hand is an indicator of the confrontation between Pavel Petrovich and Bazarov, and the conflict between "fathers" and "children" exists even among servants.) ♦ Prove that the conflict reaches its climax in Chapter X. Watch how the dispute of heroes develops. 2. work with the table “what Bazarov and pp Kirsanov are arguing about” Methodological commentary.

The teacher presents his table, the students compare it with their own, read the quotes chosen at home. 3. continuation of the frontal problematic conversation. What are Bazarov and Pavel Petrovich right and wrong about?

(Bazarov is right that it is necessary to do business and check any truth; wrong in relation to the past, in denying love, nature, beauty, dreams. Kirsanov is right that we need a connection of times, continuity; wrong in denying the need to check life, in absolutization a series of truths, putting principles first.) ♦ Did the characters find the truth? Did they want to find her or just sort things out? Did they try to understand each other? (The positions of Bazarov and Kirsanov are extremes. One lacked a sense of respect for the “son”, the other lacked the love and understanding of the “father”.

They were not looking for the truth, but simply sorting things out. Beginning with the XIII chapter, the author removes the external confrontation, it goes inside. But more and more often the characters find themselves in similar situations: unfulfilled love, the story of Fenechka.) 4.

implementation of group homework 1) Message from students of the 1st group “Characteristics of Nikolai Petrovich Kirsanov” 2) Message from students of the 2nd group “Characteristics of Pavel Petrovich Kirsanov” 3) Message from students of the 3rd group “Characteristics of Arkady” 4) Message from students 4- th group "Characteristics of Kukshina and Sitnikov" IV. Generalization, creation of a reference scheme "The system of images of the novel" N. P. Kirsanov - ch. 6,10,14 P.

P. Kirsanov - Ch. 11 Arkady Kirsanov - Ch. 21, 25 A. S. Odintsova - ch.18,19, 25, 27 Sitnikov, Kukshina - ch. 12,13,14, 28 Bazarov's parents - Ch. 20, 21, 27, 28V. Summing up the lesson Inserting and commenting on grades VI.

Homework 1) draw a diagram of Bazarov's "wandering route", get ready to name the events taking place on this "route". 2) Prepare a report on the last days of Bazarov's life.

3) Prepare an expressive reading of the passage “there is a small rural cemetery…” (Chapter XXVIII, last paragraph).

To lesson number 10 (chapters I-XI)

1. There are two aspects in the image of Bazarov: a militant democrat and a nihilist. Analyzing chapters II, III, IV, V of the novel, prove its democracy (clothing, speech, appearance, behavior, relationship with courtyards, reading circle, etc.).
2. Why did Prokofich dislike Bazarov? Argument your opinion.
3. How does Bazarov behave during his stay in Maryino? Compare his occupations with those of Arcadius (ch. X).
4. How does Bazarov say about his origin (ch. X)? What do we learn about his life path, about his parents? How does this help understanding his image?
5. Why does Bazarov "carefully" oppose himself to Pavel Petrovich, behave defiantly?
6. Nihilism - nihil (lat.) - nothing - a mental current that denies generally accepted values, ideals, moral norms, culture. On the one hand, Turgenev is not a supporter of nihilism, so his attitude towards Bazarov is complex and ambiguous. On the other hand, Bazarov somehow does not really “fit” into the framework of nihilism, which increases his complexity and inconsistency. Describe the views of Bazarov the nihilist (Ch. V, X). What does he deny? What guides his denial? Are his views specific?
7. Bazarov is engaged in natural sciences. How does this relate to the theme of the novel?
8. Identify the strengths and weaknesses of nihilism.
9. How is Bazarov's relationship with the people shown? See how they change throughout the novel.
10. What does Turgenev put into the word "nihilist"?
11. Analyze chapters II and IV and determine what role the motif of hands plays in revealing the theme of “fathers” and “children”.
12. Prove that this conflict reaches its climax in Chapter X. Watch how the dispute of heroes develops. What are they right about and what are they wrong about?
13. Have the heroes found the truth? Did they want to find her or just sort things out? Did they try to understand each other?
14. Follow the text of chapters II, III, VI, VII, IX, X to see how Arkady's attitude towards nihilism is changing. Find the author's attitude to Bazarov's nihilism (ch. XI). What do Pisarev's words say: “Arkady ... wants to be the son of his century and puts on Bazarov's ideas, which definitely cannot grow together with him. He is on his own, and the ideas are on their own, dangling like a grown man's frock coat put on by a ten-year-old child?
15. Describe the relationship in the Kirsanov family. What is the compositional role of the Kirsanovs' images for understanding Bazarov's personality?

To lesson number 11 (chapters XII-XIX)

• What new characters appear in the novel? Why are they?
• What is the name of Odintsova's estate?
• What is the date of the first arrival of guests to Odintsova
• What is the name of Odintsova's dog?
• Define the hero by description:

1. An anxious and dull expression showed itself in the small, however, pleasant features of his sleek face; small eyes, as if sunken in, stared intently and uneasily, and he laughed uneasily: a kind of short, wooden laugh.
2. She spoke and moved very casually and at the same time awkwardly: she obviously considered herself a good-natured and simple creature, and meanwhile, no matter what she did, it constantly seemed to you that this was exactly what she did not want to do; everything came out of her, as the children say - on purpose, that is, not simply, not naturally.
3. He caressed everyone - some with a touch of disgust, others with a touch of respect; scattered "en vrai chevalier francais" before the ladies and incessantly laughed with a large, sonorous and uniform laugh, as it should be for a dignitary. He patted Arkady on the back and loudly called him "nephew", honored Bazarov, dressed in an old tailcoat, with an absent-minded but condescending glance casually across his cheek, and an indistinct but friendly lowing, in which only one could make out that "I. .." yes "ssma"; he gave a finger to Sitnikov and smiled at him, but already turning his head away; even Kukshina herself, who appeared at the ball without any crinoline and in dirty gloves, but with a bird of paradise in her hair, even Kukshina said: "Enchante"
4. Arkady looked round and saw a tall woman in a black dress standing at the door of the hall. She impressed him with the dignity of her posture. Her naked hands lay beautifully along a slender figure; light branches of fuchsia fell beautifully from shiny hair onto sloping shoulders; calmly and intelligently, precisely calmly, and not thoughtfully, the bright eyes looked out from under a slightly overhanging white forehead, and the lips smiled with a barely perceptible smile. A kind of gentle and soft power emanated from her face.
5. A beautiful greyhound dog with a blue collar ran into the living room, tapping his nails on the floor, and after her came a girl of about eighteen, black-haired and swarthy, with a somewhat round but pleasant face, with small dark eyes. She was holding a basket filled with flowers.

• Who said it and about whom?

1. What is this figure? he said. She doesn't look like other women.
2. Because, brother, that, according to my remarks, only freaks think freely among women.
3. Yes, - answered Bazarov, - a woman with a brain. Well, she saw the views.
4. You, brother, are still stupid, I see. ................. we need. Me, you understand this, I need such boobies. It’s not for the gods to actually burn the pots! ..

• What can you say about Bazarov's views on love before meeting Odintsova?
• What changes are happening with Bazarov?
• Describe Odintsova
• Does Odintsov love Bazarov? Why can't she love anyone?
• How is the relationship between Arkady and Katya?
• Why does Bazarov not want to admit to himself that he is in love?
• What, according to Bazarov, is the cause of social problems? How to fix them?
• What is a person, according to Bazarov?

Lesson 12 (chapters XX-XXVIII)

• Why does Turgenev lead the hero to death? How does this reflect the views of the writer?
• How does Bazarov's loneliness grow in a clash with the surrounding heroes? Why can't there be understanding with the "fathers"? Why does Arkady "leave"? Why is love impossible with Odintsova?
• How is Bazarov's relationship with the people, with the power that the hero feels, for whom is he ready to sacrifice himself? Compare the relations of the courtyards in Maryino and the relations of the peasants on the Bazarov estate. Describe the episode "Conversation with the peasants", noting the "playing along" of the peasants to the master. What do we first notice in the character of Bazarov after talking with the peasants?
• Observing the behavior of Bazarov, follow how the feeling of loneliness manifests itself in him.
• What is the cause of the hero's death and its symbolic meaning? How does Bazarov behave? Why does he hide his condition from his parents? How does one relate to death and how does one fight illness?
• Why does the hero refuse to confess, knowing that he will die anyway? Why, at the same time, remaining true to his convictions, asks to call Odintsova? Why, before his death, does Bazarov speak as beautifully as he has never spoken, that is, does he betray his principles?
• What is the symbolic meaning of Bazarov's death? What does the description of the cemetery with the grave of Bazarov symbolize?
• Why does Turgenev on the last page of the novel call nature "indifferent" and life "endless"?

General questions:

• Are there any winners in the novel? Fathers or children?
• What is a marketplace?
• Does it exist today?
• What does Turgenev warn the individual and society against?
• Does Russia need the Bazarovs?

Lesson 13

• What is a prose poem? What kind of literature - lyrics or epic - does this literary genre belong to?
• What are the writer's reasons for turning to this genre?
• What topics are raised in the cycle of Turgenev's poems in prose?

• Analyze the poems in prose "Sparrow", "We will still fight!", "Russian language" according to the following plan:

1. thematic group of the poem
2. main idea of ​​the poem
3. composition features
4. basic images
5. figurative and expressive techniques and means

Poem "Sparrow"

• What does the image of a dog symbolize?
• What made a sparrow stand up for its cub?
• What, according to the author, can be stronger than death?
• What gives a person the realization of the power of true love?

The poem "We will still fight!"

• What do the images of sparrow and hawk symbolize?
• How did the author's mood change after meeting with a flock of sparrows?
• What gives a person a feeling of thirst for life?

The poem "Russian language"

• Can this text be considered a prose poem?
• Determine the theme of this poem.
• What epithets characterizes Turgenev's Russian language?
• What feelings does Turgenev have in relation to his people, their history, culture, language?
• How do you understand the last sentence? Can it be considered a rhetorical exclamation?
• Why, near the end of his life, did Turgenev decide to dedicate one of his prose poems to his native language?

The novel "Fathers and Sons" was the result of I.S. Turgenev about the search for the hero of time. At this turning point for the country, each of the writers wanted to create an image that would represent a person of the future. Turgenev could not find a person in modern society who would embody all his expectations.

The image of the main character and his views

Bazarov, whose views on life are still an interesting object of study, is the central character of the novel. He is a nihilist, that is, a person who does not recognize any authority. He questions and ridicules everything that has established itself in society as worthy of respect and reverence. Nihilism determines the behavior and attitude of Bazarov towards others. It is possible to understand what the hero of Turgenev is like only when the main storylines in the novel are considered. The main thing to pay attention to is between Bazarov and Pavel Petrovich Kirsanov, as well as Bazarov's relationship with Anna Odintsova, Arkady Kirsanov and his parents.

Bazarov and Pavel Petrovich Kirsanov

In the clash of these two characters, the external conflict in the novel is manifested. Pavel Petrovich is a representative of the older generation. Everything in his behavior annoys Eugene. From the very moment of their meeting, they feel antipathy towards each other, the characters engage in dialogue-disputes in which Bazarov manifests himself as clearly as possible. The quotes that he utters about nature, art, family, can be used as separate means of characterizing him. If Pavel Petrovich treats art with trepidation, then Bazarov denies its value. For representatives of the older generation, nature is a place where you can relax with your body and soul, feel harmony and peace inside yourself, it must be appreciated, it is worthy of the paintings of artists. For the nihilists, nature is "not a temple, but a workshop." Most of all, people like Bazarov value science, in particular, the achievements of the German materialists.

Bazarov and Arkady Kirsanov

Bazarov's attitude towards others characterizes him as a whole as a good-natured person. Of course, those people to whom he feels antipathy, he does not spare. Therefore, it may even seem that he is too arrogant and arrogant. But he always treated Arkady with warmth. Bazarov saw that he would never become a nihilist. After all, they are too different with Arkady. Kirsanov Jr. wants to have a family, peace, home comfort ... He admires the mind of Bazarov, the strength of his character, but he himself will never be like that. Bazarov does not behave very noble when Arkady visits his parents' house. He insults Pavel Petrovich and Nikolai Petrovich, calling them pompous aristocrats. Such behavior reduces the image of the protagonist.

Bazarov and Anna Odintsova

The heroine, which becomes the cause of internal conflict in the soul of the protagonist. This is a very beautiful and intelligent woman, she conquers everyone with some coldness and majesty. And so Eugene, confident that mutual attachments are impossible between people, falls in love. He was able to conquer some kind of "woman", as Bazarov himself calls Odintsova at first. His gaze is shattered. However, the heroes are not destined to be together. Bazarov is unable to recognize Odintsova's power over himself. He is in love, suffers, his declaration of love is more like an accusation: "You have achieved your goal." In turn, Anna is also not ready to give up her calmness, she is ready to give up love, just not to worry. Bazarov's life cannot be called happy, because at first he was convinced that there was no love, and then, when he truly fell in love, the relationship did not work out.

Relationship with parents

Bazarov's parents are very kind and sincere people. They are in their talented son. Bazarov, whose eyes do not allow tenderness, is too cold towards them. The father tries to be unobtrusive, is embarrassed to pour out his feelings in front of his son, reassures his wife in every possible way, telling her that she bothers her son with excessive guardianship and care. Fearing that Eugene will leave their house again, they try their best to please him.

Attitude towards pseudo-nihilists

There are two characters in the novel, Bazarov's attitude towards them is contemptuous. These are the pseudonihilists of Kukshin and Sitnikov. Bazarov, whose views allegedly impress these heroes, is an idol for them. They themselves are nothing. They flaunt their nihilistic principles, but in fact they do not adhere to them. These heroes shout slogans without understanding their meaning. Eugene despises them, demonstrates his disdain in every possible way. In dialogues with Sitnikov, he is clearly much higher. Bazarov's attitude towards the pseudo-nihilists around him elevates the image of the protagonist, but reduces the status of the nihilistic movement itself.

So, the way Bazarov treats people allows you to better understand his image. He is cold in communication, sometimes arrogant, but still he is a kind young man. Can't say it's bad. The hero's views on life and the interaction of people are decisive in them. Of course, his most important advantage is honesty and intelligence.