Description of the painting by Aivazovsky “Moonlit night. Bath in Feodosia

I. K. Aivazovsky traveled a lot in search of inspiration. The result of one of the trips to the Crimea is the painting “Sea. Moonlight Night" was written from the beautiful landscape of the baths in Feodosia. The author, with his creation, conveyed and showed us all his love for the sea and seascapes.

The play of light in this work is striking in its unique beauty. A fabulous night sea with a green tint and a half-lit sky with a bright moon are pleasing to the eye. The sky is covered with thick clouds, and the moon seems to have got out of their web and illuminates with its light the way for sailing ships, quietly sailing on a calm sea.

Most of the canvas is occupied by the striking beauty of the sky. The clouds are drawn so realistically and beautifully, and against their background, on the pier, there is a small swimming pool. A woman quietly swims up to her, resembling a mermaid in the night light, and another, probably her friend, is waiting in the house, whose silhouette is clearly visible through the open door. The dark-haired beauty is dressed in a snow-white long dress with her hands folded on her knees and waiting.

Mountains are visible in the distance, covered with dense trees and a sleeping city. Not a single person dared to light a light in the window, as if they knew that a stunning canvas was being created nearby.

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Ivan Konstantinovich Aivazovsky is known throughout the world as a marine painter, the sea was his muse and love, the artist could paint it endlessly. And indeed, no one portrayed the expanses of the sea better than Aivazovsky. The artist managed to achieve such a reality of landscapes, thanks to skillful color reproduction, that admiring his next canvas, you involuntarily feel like a participant in the picture.

In addition to the artist's most famous canvas, The Ninth Wave, his other works with seascapes are also famous. So the picture “Moonlit night. Bath in Feodosiya” is completely opposite in character to “The Ninth Wave”, every stroke, every stroke is imbued with calmness, love and tenderness. And not in vain, because it is the Crimean town of Feodosia that is the artist’s small homeland, he was born here and lived periodically, therefore, in this picture, Ivan Konstantinovich combined his love and affection for the sea with childhood feelings for his native places.

The center of the plot of the picture is the sea on a moonlit night, only here it is not at all raging and rebellious, but calm and comfortable. A lunar path runs almost in the center of the canvas, dividing the canvas into two halves, capturing the eye from the very first seconds. It is she who illuminates the rest of the details of the picture for us: ships moored not far from the coast, a small bridge with a bath, and two characters - girls. One of them swims to the bath, most likely in a minute she will come ashore and present her naked beautiful wet body to the moon's gaze. The other girl, completely dressed, sits inside the gazebo, judging by her posture, it seems that she has been waiting for her friend, sister or mistress for quite a long time. Considering that the picture was painted in 1853, then the variant with the maid and her mistress is more like reality.

After a careful examination of the bath, illuminated from the inside by a bright lantern light, and two mysterious girls, the gaze again involuntarily turns to the sea and the moonlit path running along it. And it is not surprising, because it is the real main character of Aivazovsky everywhere. Each stroke of the water surface is written with such reality, with such clarity that it seems as if the sound of a light breeze is heard and the salty taste of sea air is felt.
The iridescent glare of the moon on the sea surface, like a lamp, illuminates the beauty of the surrounding landscapes. What is the sky alone worth: out of the darkness and haze, moonlight pulls out heavy torn clouds, as if hanging right over the expanses of water. The sea itself, thanks to the same light, acquired a greenish mysterious hue, merging on the horizon with apparent ephemeral clouds. Thanks to this, the landscape seems mysterious, unreal and a little magical. The combination of such a gloomy and heavy sky with a quiet and comfortable sea is not accidental, the artist wanted to show that the calmness of the water surface is deceptive and ghostly, the elements can disperse in a matter of minutes and show their real raging character.

On the right side of the picture, the embankment of the city and residential buildings peep a little out of the darkness, there are no pompadas burning in any of the windows, most likely it’s three o’clock in the morning, all the inhabitants are sleeping peacefully, but soon the city will begin to wake up, and the serene sea will wake up behind it. With the help of oil paints on canvas, the artist was able to convey this short moment of serenity and tranquility of the sea element, when everything around seemed to freeze in anticipation of something important. Morning will come soon and the haze of mystery will disappear, a new day will come, but this will be a completely different story ...

Today, Aivazovsky's painting “Moonlight Night. Bath in Feodosia "is located in Taganrog in the city art gallery, its size is 94 by 143 cm.

With the name of Ivan Konstantinovich Aivazovsky, everyone will immediately remember one of the most famous works of the artist - the painting "The Ninth Wave". A master of battle scenes, "the painter of the Main Naval Staff", Aivazovsky is considered the best in creating a stormy sea, a raging element.

But he also has other canvases, from which emanates peace and tranquility, where there is no violence of the elements, but there is the breadth and beauty of native expanses, even if these are expanses of the sea. These canvases include a picture of I.K. Aivazovsky Moonlight Night. Bathhouse in Feodosia”, written in 1853. The first thing the viewer pays attention to is the moonlight, which pushes the darkness apart. The blackness of the night fades to the edges of the picture, which makes it seem like something very bright, because the full moon is shining in the sky. It was she who flooded everything around with a yellowish light, and the water seems green in places.

The moon path divided the dark water in half. And the water sparkles and sparkles, set off by the black abyss around. In the moonlight, the silhouettes of the ships standing at the pier are clearly visible. A sailing ship is seen in the distance. It is more like a shadow, as if the ghostly Flying Dutchman suddenly appeared on the horizon. There are houses on the distant shore, the railings on the fence of the embankment are clearly visible. Not a single light shines in the windows of sleeping houses. Night covered everything around with its mysterious cover. Clouds are moving smoothly in the sky. But they don't cover the moon. And she reigns in heaven, and on earth, and on water.

To the right of the lunar path there are bridges with a bath, which is brightly lit. But not by moonlight, but by a lamp. This lighting seems to repeat the night luminary: in the center of the canopy, the same yellow circle glows as in the sky. It floods the small space under the bath with light. And there is a woman floating there. It seems that she is floating in the moonlight herself like the moon. And only in the house a reddish light burns. There is a girl sitting there. She seems to be waiting for her mistress. Or is it a friend of a bathing woman. She did not dare to enter the water and remained in the house while the second girl was bathing.

Aivazovsky's painting “Moonlight Night. Bath in Feodosia. It is simply impossible to look away from her. In my opinion, no one has yet been able to convey the moonlight so accurately when the full moon is shining in the sky, and everything around is illuminated by some kind of extraordinary light. The woman in the water resembles a mermaid from children's fairy tales. If not for the light in the bath and not for the second woman, then the resemblance to a fairy-tale creature would be complete. Great painting by a great artist!

The great Russian painter Ivan Konstantinovich Aivazovsky painted the painting “Moonlight Night. Bath in Feodosiya" in the middle of the 18th century. In the picture, I see a calm night sea, consecrated by the bright, but at the same time diffused light of the full moon, breaking through a light haze of clouds. The boundless quiet expanse of the sea, combined with the black night sky, which occupies more than half of the canvas, creates a feeling of mystery and tranquility.

In the foreground, on the quay, stands a tiny house with an open door through which a subdued light escapes. This appears to be a bath. Through the open door I see a woman's silhouette. Apparently, this is a young bather who is attracted by the night sea. She is sitting on a chair in a long light dress. She has dark hair and her hands are folded in her lap. Her hair is pulled back into a neat bun. The lunar path seems to illuminate the sailboats with lowered sails and the embankment, on which a vague silhouette is visible. Most likely, this is a young fisherman in love with the sea. In the distance, on the hillside, you can see cozy little houses. Their windows are dark, their inhabitants have long since gone to bed. The hills themselves are densely covered with trees, and the sight of them gives a feeling of fabulous charm. A woman swims along the night sea, like a sea mermaid, leaving ripples behind her. According to the fashion of that time, she bathes in a long white shirt. Apparently, it was she who took advantage of the house and then rushed into her nightly swim. And, apparently, it is the girl sitting in the bathhouse waiting for her. The sky, the higher it looks, the darker and more impenetrable it is.

In general, the whole picture is written in such a way that the closer to the center, the more clearly the details are spelled out, the brighter and lighter the colors. This painting is undoubtedly considered one of the outstanding works of the artist I.K. Aivazovsky.

Composition based on the painting “Moonlit night. Bath in Feodosia»

Dark night. Midnight. The night sea, shimmering under the glare of the moon, it seems boundless and bottomless, the sea goes somewhere far into the distance. If you look at the picture well, then in the black sea you can see a girl, she resembles an enchanted mermaid who swam out to admire the beauty of the moon and nature. The moon this night is full and clear, it attracts the eye of the viewer, the moon, like a magic ball, shines among the black haze, it is she who well illuminates everything that is under it. On the shore there is a small house with an open door, a light is on in it and another girl is sitting, who is waiting for the one that swims in the sea. It can be assumed that this night is very warm and one of the girls decided to plunge into the cool water, which is pierced by fabulous light, to cool down.

Under the moon itself there are ships on which white sails develop from a light breeze, they are opposed to the blackness of the sea. There is a feeling that these ships stick their masts right into the sky. Under the bright sun of the moon, you can see the clouds, they are light, airy, which means that the next day will be warm and clear. That part of the sky that is not illuminated by the moon seems mysterious and terrible, the sky here is black-black, it is impossible to see anything in it. When writing a picture, the artist uses more dark tones to accurately convey the atmosphere of the night. Dark shades give the picture mystery and mystery. When you look at the picture, you want to carefully examine all the details, the Artist arranged all the objects in such an interesting way that you simply cannot leave a single detail unconsidered. The picture is interesting. Each image captured in the picture is original and individual.

The picture evokes conflicting emotions, on the one hand you admire the beauty of the moon and its light, on the other hand, the darkness and mystery of the picture are alarming.