Image of Tatyana message. Characteristics of Tatyana Larina

A.S. Pushkin is a great poet and writer of the 19th century. He enriched Russian literature with many remarkable works. One of them is the novel "Eugene Onegin". A.S. Pushkin worked on the novel for many years, it was his favorite work. Belinsky called it "an encyclopedia of Russian life", since it reflected the whole life of the Russian nobility of that era as in a mirror. Despite the fact that the novel is called "Eugene Onegin", the system of characters is organized in such a way that the image of Tatyana Larina acquires no less, if not more importance. But Tatyana is not just the main character of the novel, she is also the beloved heroine of A.S. Pushkin, which the poet calls "sweet ideal". A.S. Pushkin is madly in love with the heroine, and repeatedly admits this to her:

... I love my dear Tatyana so much!

Tatyana Larina is a young, fragile, contented sweet lady. Her image stands out very clearly against the background of other female images inherent in the literature of that time. From the very beginning, the author emphasizes the absence in Tatyana of those qualities that the heroines of classical Russian novels were endowed with: a poetic name, unusual beauty:

Nor the beauty of his sister,

Nor the freshness of her ruddy

She would not attract eyes.

Since childhood, Tatyana had a lot of things that distinguished her from others. In the family, she grew up as a lonely girl:

Dika, sad, silent,

Like a forest doe is timid,

She is in her family

Seemed like a stranger girl.

Also, Tatyana did not like to play with children, was not interested in the news of the city and fashion. For the most part, she is immersed in herself, in her experiences:

But dolls even in these years

Tatyana did not take it in her hands;

About the news of the city, about fashion

Didn't have a conversation with her.

Something completely different captivates Tatyana: thoughtfulness, dreaminess, poetry, sincerity. She has read many novels since childhood. In them she saw a different life, more interesting, more eventful. She believed that such a life, and such people are not invented, but actually exist:

She liked novels early,

They replaced everything

She fell in love with deceptions

And Richardson and Rousseau.

Already by the name of his heroine, Pushkin emphasizes Tatyana's closeness to the people, to Russian nature. Pushkin explains the unusualness of Tatyana, her spiritual wealth by the influence on her inner world of the people's environment, the beautiful and harmonious Russian nature:

Tatyana (Russian soul, without knowing why)

With her cold beauty

I loved Russian winter.

Tatyana, Russian in spirit, subtly feels the beauty of nature. One more image is guessed, accompanying Tatiana everywhere and everywhere and connecting her with nature - the moon:

She loved on the balcony

Warn dawn dawn

When in the pale sky

Stars disappear dance ...

...with a foggy moon...

Tatyana's soul is pure, high, like the moon. Tatyana's "savagery" and "sadness" do not repel us, but on the contrary, make us think that she, like the lonely moon in the sky, is extraordinary in her spiritual beauty. Tatyana's portrait is inseparable from nature, from the overall picture. In the novel, nature is revealed through Tatyana, and Tatyana through nature. For example, spring is the birth of Tatyana's love, and love is spring:

The time has come, she fell in love.

So the fallen grain into the ground

Springs are animated by fire.

Tatyana shares with nature her experiences, sorrow, torment; only to her can she pour out her soul. Only in solitude with nature does she find solace, and where else should she look for it, because in the family she grew up as a “stranger girl”; she herself writes in a letter to Onegin: "... no one understands me ...". Tatyana is the one who so naturally falls in love in the spring; bloom for happiness, as the first flowers bloom in spring, when nature wakes up from sleep.

Before leaving for Moscow, Tatyana first of all says goodbye to her native land:

Farewell, peaceful valleys,

And you, familiar mountain peaks,

And you, familiar forests;

Forgive the cheerful nature ...

With this appeal, A.S. Pushkin clearly showed how difficult it is for Tatyana to leave her native land.

A.S. Pushkin also endowed Tatyana with a "fiery heart", a subtle soul. Tatyana, at thirteen years old, is firm and unshakable:

Tatyana loves not jokingly

And betrayed, of course

Love like a sweet child.

V.G. Belinsky noted: “Tatyana’s whole inner world consisted in a thirst for love. nothing else spoke to her soul; her mind was asleep"

Tatyana dreamed of a person who would bring content into her life. This is exactly what Evgeny Onegin seemed to her. She invented Onegin, fitting him to the model of the heroes of French novels. The heroine takes the first step: she writes a letter to Onegin, waiting for an answer, but there is none.

Onegin did not answer her, but on the contrary read the instruction: “Learn to rule yourself! Not every one of you, as I understand! Inexperience leads to trouble! Although it was always considered indecent for a girl to be the first to love, the author likes Tatiana's directness:

Why is Tatyana guilty?

For the fact that in sweet simplicity

She knows no lies

And he believes in his chosen dream.

Once in Moscow society, where “it’s not surprising to show off with upbringing,” Tatyana stands out for her spiritual qualities. Social life has not touched her soul, no, it's still the same old "dear Tatyana." She is tired of the magnificent life, she suffers:

She is stuffy here ... she is a dream

Strives for field life.

Here, in Moscow, Pushkin again compares Tatiana with the moon, which overshadows everything around with its light:

She was sitting at the table

With the brilliant Nina Voronskaya,

This Cleopatra of the Neva;

And you would rightly agree

That Nina marble beauty

I couldn't outshine my neighbor

Even though it was stunning.

Tatyana, who still loves Yevgeny, firmly answers him:

But I am given to another

And I will be faithful to him forever.

This confirms once again that Tatyana is noble, steadfast, and faithful.

Highly appreciated the image of Tatyana and critic V.G. Belinsky: “Pushkin’s great feat was that he was the first in his novel to poetically reproduce the Russian society of that time and, in the person of Onegin and Lensky, showed its main, that is, male, side; but the feat of our poet is almost higher in that he was the first to poetically reproduce, in the person of Tatyana, a Russian woman. The critic emphasizes the integrity of the nature of the heroine, her exclusivity in society. At the same time, Belinsky draws attention to the fact that the image of Tatyana is a "type of Russian woman."

In the novel "Eugene Onegin" Pushkin managed to present all the diversity of the life of contemporary Russia, portray Russian society "in one of the most interesting moments of its development", create typical images of Onegin and Lensky, in whose person the "main, that is, the male side" of this society was presented. society. “But the feat of our poet is almost higher in that he was the first to reproduce, in the person of Tatyana, a Russian woman,” Belinsky wrote.

Tatyana Larina is the first realistic female image in Russian literature. The heroine's worldview, her character, her mental make-up - all this is revealed in the novel in great detail, her behavior is psychologically motivated. But at the same time, Tatyana is the poet's "sweet ideal", the "novel" embodiment of his dream of a certain type of woman. And the poet himself often talks about this on the pages of the novel: “Tatyana's letter is in front of me; I sacredly protect him ... "," Forgive me: I love Tatyana my dear so much! Moreover, the attitude of the poet himself was embodied to a certain extent in the personality of the heroine.

Readers immediately felt these author's accents. Dostoevsky, for example, considered Tatyana, and not Onegin, the main character of the novel. And the opinion of the writer is quite reasonable. This is a whole, uncommon, exceptional nature, with a truly Russian soul, with a strong character and spirit.

Her character remains unchanged throughout the novel. In various life circumstances, Tatyana's spiritual and intellectual outlook expands, she gains experience, knowledge of human nature, new habits and manners characteristic of a different age, but her inner world does not change. “The portrait of her in childhood, so masterfully painted by the poet, is only developed, but not changed,” wrote V. G. Belinsky:

Dika, sad, silent,

Like a forest doe is timid,

She is in her family

Seemed like a stranger girl ...

A child by herself, in a crowd of children

Didn't want to play and jump

And often all day alone

She sat silently by the window.

Tatyana grew up as a thoughtful and impressionable girl, she did not like noisy children's games, fun entertainment, she was not interested in dolls and needlework. She liked to daydream alone or listen to her nurse's stories. Tatyana's only friends were fields and forests, meadows and groves.

Characteristically, when describing village life, Pushkin does not portray any of the "provincial heroes" against the backdrop of nature. Habit, "prose of life", preoccupation with household chores, low spiritual demands - all this left its mark on their perception: local landowners simply do not notice the surrounding beauty, just as Olga or old Larina does not notice it,

But Tatyana is not like that, her nature is deep and poetic - she is given to see the beauty of the world around her, it is given to understand the "secret language of nature", it is given to love God's light. She loves to meet the “dawn sunrise”, thoughts are carried away to the twinkling moon, walk alone among the fields and hills. But especially Tatyana loves winter:

Tatyana (Russian soul.

I don't know why.)

With her cold beauty

I loved Russian winter

Frost in the sun on a frosty day,

And the sleigh, and the late dawn

Shine of pink snows,

And the darkness of Epiphany evenings.

The heroine thus introduces the motif of winter, cold, ice into the narrative. And then winter landscapes often accompany Tatyana. Here she is telling fortunes on a clear frosty night at baptism. In a dream, she walks “in a snowy meadow”, sees “immovable pines”, covered with tufts of snow, bushes, rapids covered by a snowstorm. Before leaving for Moscow, Tatyana is "terrified of the winter journey." V. M. Markovich notes that the “winter” motive here is “directly close to that harsh and mysterious sense of proportion, law, fate, which made Tatyana reject Onegin’s love.”

The deep connection of the heroine with nature is preserved throughout the story. Tatyana lives according to the laws of nature, in full harmony with her natural rhythms: “The time has come, she fell in love. Thus, the fallen grain of Spring is revived by fire into the ground. And her communication with the nanny, faith in the "traditions of the common folk antiquity", dreams, fortune-telling, signs and superstitions - all this only strengthens this mysterious connection.

Tatyana's attitude to nature is akin to ancient paganism, in the heroine the memory of her distant ancestors, the memory of the family, seems to come to life. “Tatyana is all native, all from the Russian land, from Russian nature, mysterious, dark and deep, like a Russian fairy tale ... Her soul is simple, like the soul of the Russian people. Tatyana from that twilight, ancient world where the Firebird, Ivan Tsarevich, Baba Yaga were born ... ”- wrote D. Merezhkovsky.

And this “call of the past” is expressed, among other things, in the inextricable connection of the heroine with her family, despite the fact that there she “seemed like a stranger girl”. Pushkin depicts Tatyana against the background of her family's life history, which acquires an extremely important meaning in the context of understanding the fate of the heroine.

In her life story, Tatyana, not wanting this, repeats the fate of her mother, who was taken to the crown, "without asking her advice", while she "sighed for another, Whom in her heart and mind she liked much more ...". Here Pushkin seems to anticipate Tatyana's fate with a philosophical remark: "The habit has been given to us from above: It is a substitute for happiness." It may be objected to us that Tatyana is deprived of a spiritual connection with her family (“She seemed like a stranger in her own family”). However, this does not mean that there is no inner, deep connection, that same natural connection that is the very essence of the heroine's nature.

In addition, Tatyana was raised by a nanny from childhood, and here we can no longer talk about the absence of a spiritual connection. It is to the nanny that the heroine confides her heartfelt secret, handing over a letter for Onegin. She sadly recalls her nanny in St. Petersburg. But what is the fate of Filipievna? The same marriage without love:

“But how did you get married, nanny?” —

So, apparently, God ordered. My Vanya

Younger than me, my light,

And I was thirteen years old.

For two weeks the matchmaker went

To my family, and finally

Father blessed me.

I cried bitterly from fear

They untwisted my braid with weeping,

Yes, with singing they led to the church.

Of course, the peasant girl here is deprived of freedom of choice, unlike Tatyana. But the very situation of marriage, the perception of it, are repeated in the fate of Tatyana. Nyanino “So, apparently, God ordered” becomes Tatyanin “But I am given to another; I will be faithful to him forever.

In shaping the inner world of the heroine, a fashionable passion for sentimental and romantic novels also played an important role. Her very love for Onegin manifests itself "in a bookish way", she appropriates "someone else's delight, someone else's sadness." Familiar men were uninteresting to Tatyana: they "represented so little food to her exalted ... imagination." Onegin was a new man in the "village wilderness". His secrecy, secular manners, aristocracy, indifferent, bored look - all this could not leave Tatyana indifferent. “There are beings whose fantasy has much more influence on the heart than how people think about it,” wrote Belinsky. Not knowing Onegin, Tatyana presents him in the images of literary heroes well known to her: Malek-Adel, de Dinar and Werther. In essence, the heroine loves not a living person, but an image created by her “rebellious imagination”.

However, gradually she begins to discover the inner world of Onegin. After his harsh sermon, Tatyana remains at a loss, resentment and bewilderment. She probably interprets everything she hears in her own way, understanding only that her love was rejected. And only after visiting the "fashion cell" of the hero, looking into his books, which store the "mark of a sharp fingernail", Tatyana begins to comprehend Onegin's perception of life, people, fate. However, its discovery does not speak in favor of the chosen one:

What is he? Is it an imitation

An insignificant ghost, or else

Muscovite in Harold's cloak,

Alien whims interpretation,

Fashionable words full lexicon?..

Isn't he a parody?

Here, the difference in worldviews of the characters is especially clearly exposed. If Tatyana thinks and feels in line with the Russian Orthodox tradition, Russian patriarchy, patriotism, then Onegin's inner world was formed under the influence of Western European culture. As V. Nepomniachtchi notes, Yevgeny’s office is a fashionable cell, where instead of icons there is a portrait of Lord Byron, on the table there is a small statue of Napoleon, the invader, conqueror of Russia, Onegin’s books undermine the foundation of the foundations - faith in the Divine principle in man. Of course, Tatyana was amazed, having discovered for herself not only the unfamiliar world of someone else's consciousness, but also a world that was deeply alien to her, hostile at its core.

Probably, the ill-fated duel, the outcome of which was the death of Lensky, did not leave her indifferent. A completely different, non-bookish image of Onegin formed in her mind. Confirmation of this is the second explanation of the heroes in St. Petersburg. Tatyana does not believe in the sincerity of Eugene's feelings, his persecution offends her dignity. Onegin's love does not leave her indifferent, but now she cannot answer his feelings. She got married and devoted herself entirely to her husband and family. And an affair with Onegin in this new situation is impossible for her:

I love you (why lie?),
But I am given to another;
I will forever be faithful to him ...

A lot of things were reflected in this choice of the heroine. This is the integrity of her nature, which does not allow lies and deceptions; and the clarity of moral ideas, which excludes the very possibility of causing grief to an innocent person (husband), thoughtlessly disgracing him; and book-romantic ideals; and faith in Fate, in the Providence of God, implying Christian humility; and the laws of popular morality, with its uniqueness of decisions; and unconscious repetition of the fate of mother and nanny.

However, in the impossibility of the unity of the heroes, Pushkin also has a deep, symbolic subtext. Onegin is the hero of "culture", of civilization (moreover, of Western European culture, alien to Russian people at its very core). Tatyana is a child of nature, embodying the very essence of the Russian soul. Nature and culture are incompatible in the novel—they are tragically separated.

Dostoevsky believed that Onegin now loves in Tatyana “only his new fantasy. ... He loves fantasy, but he is a fantasy himself. After all, if she goes after him, then tomorrow he will be disappointed and look at his passion mockingly. It has no soil, it is a blade of grass carried by the wind. She [Tatiana] is not like that at all: she, both in despair and in the suffering consciousness that her life has perished, still has something solid and unshakable on which her soul rests. These are her childhood memories, memories of her homeland, the rural wilderness, in which her humble, pure life began ... "

Thus, in the novel "Eugene Onegin" Pushkin presents us with "the apotheosis of the Russian woman." Tatyana amazes us with the depth of her nature, originality, "rebellious imagination", "living mind and will." This is a solid, strong personality, able to rise above the stereotypical thinking of any social circle, intuitively feeling the moral truth.

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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows you to lift the veil of unknown life quests and aspirations. The image of Tatyana Larina is perfect for this role.

Family and childhood memories

Tatyana Larina, by her origin, belongs to the nobility, but all her life she was deprived of an extensive secular society - she always lived in the countryside and never aspired to an active city life.

Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. "He was a simple and kind gentleman."

The girl's mother's name is Polina (Praskovya). She was given away as a girl under duress. For some time she was discouraged and tormented, feeling a sense of affection for another person, but over time she found happiness in family life with Dmitry Larin.

Tatyana still has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.

An important person for the formation of Tatyana as a person was played by her nanny Filipyevna. This woman is a peasant by birth and, perhaps, this is her main charm - she knows many folk jokes and stories that so lure the inquisitive Tatiana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.

Naming and prototypes

Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time, the name Tatyana was not characteristic. This name at that time had a pronounced common character. Pushkin's drafts contain information that the heroine's original name was Natalya, but later Pushkin changed his intention.

Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly served him such a role.

Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find Tatyana's prototype.

Opinions on this issue are divided. It is possible that several prototypes were used for this image.

One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.

The image of Maria Volkonskaya is ideal for describing the resilience of Tatyana's character in the second part of the novel.

The next person who bears a resemblance to Tatyana Larina is Pushkin's sister Olga. In her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.

Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that Tatiana's prototype was her.

An unusual assumption about the prototype was made by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatyana is very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker claims: “the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”

Question about the age of the heroine

In the novel, we meet Tatyana Larina during her growing up. She is a marriageable girl.
The opinions of the researchers of the novel on the issue of the year of the girl's birth differed.

Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.

However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such reflections are prompted by the nanny's story that she was married at the age of thirteen, as well as the mention that Tatyana, unlike most girls of her age, did not play with dolls at that time.

V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl must be much older than the age assumed by Lotman. If the girl had been born in 1803, then the girl's mother's concern about the lack of options for her daughter's marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be a necessity.

The appearance of Tatyana Larina

Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more interested in the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair, a ruddy face. In contrast, Tatyana has dark hair, her face is too pale, devoid of color.

We offer you to get acquainted with the characteristics of the heroes of the poem by A. S. Pushkin "Eugene Onegin"

Her gaze is full of despondency and sadness. Tatyana was too thin. Pushkin notes, "no one could call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.

Leisure and attitude to needlework

It was generally accepted that the female half of society spent their free time doing needlework. Girls, in addition, still played with dolls or various active games (the most common was the burner).

Tatiana does not like to do any of these activities. She loves to listen to the scary stories of the nanny and sit by the window for hours.

Tatyana is very superstitious: "The omens worried her." The girl also believes in fortune-telling and that dreams do not just happen, they carry a certain meaning.

Tatyana is fascinated by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.

However, Tatyana Larina's favorite book was not a love story, but a dream book "Martyn Zadeka later became / Tanya's Favorite." Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: “consolations / In all sorrows she gives / And sleeps with her incessantly.”

Personality characteristic

Tatyana is not like most girls of her era. This applies to external data, and hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. "Dika, sad, silent" - this is Tatiana's classic behavior, especially in society.

Tatyana loves to indulge in dreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatyana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatyana is full of "perfections". This fact is sharply contrasted with the rest of the characters in the novel, who do not have such components.

In view of her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.

Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, a feeling of love and tenderness arises in her in relation to her nanny.

Tatyana and Onegin

New people coming to the village always arouse the interest of the permanent residents of the area. Everyone wants to get to know the visitor, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.

Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Yevgeny's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to carry on a conversation pleasantly amaze Tatiana, and not only her.

However, “early the feelings in him cooled down”, Onegin “has completely cooled down to life”, he is already bored with beautiful girls and their attention, but Larina does not know about it.

Onegin instantly becomes the hero of Tatiana's novel. She idealizes the young man, he seems to her to have descended from the pages of her love books:

Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.

Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatiana is writing a letter.

The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with the arrival of Onegin and her love. She lost the peace in which she lived before, and this leads the girl to bewilderment:

Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I would not know bitter torment.

On the other hand, the girl, having analyzed her position, sums up: the arrival of Onegin is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:

That in the supreme council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you.

However, Tatyana's hopes did not come true - Onegin does not love her, but only played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Eugene leaves.

Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene she wanted to see. She just idealized the young man.

This is where her unfulfilled romance with Onegin ends.

Tatyana's dream

Unpleasant events in the girl's life, connected with the lack of mutual feelings in the subject of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, were preceded by a strange dream.

Tatyana always attached great importance to dreams. This same dream is doubly important for her, because it is the result of Christmas divination. Tatyana was supposed to see her future husband in a dream. The dream becomes real.

At first, the girl finds herself in a snowy meadow, she approaches the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but when she sees that the bear is not going to attack, but, on the contrary, offers her his help, holds out her hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatyana even more.

The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, tear off her scarf, but Tatyana, seized with fear, runs forward. Deep snow prevents her from escaping and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries her further.

A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a wake. Strange guests are sitting at the table - monsters. The girl is disassembled both by fear and curiosity, she quietly opens the door - Onegin turns out to be the owner of the hut. He notices Tatyana and goes to her. Larina wants to run away, but she can't - the door opens and all the guests see her:

… Violent laughter
Resounded wildly; everyone's eyes,
Hooves, trunks are crooked,
Crested tails, fangs,
Mustaches, bloody tongues,
Horns and fingers of bone,
Everything points to her.
And everyone screams: mine! my!

The imperious host calms the guests - the guests disappear, and Tatyana is invited to the table. Immediately, Olga and Lensky appear in the hut, causing a storm of indignation from Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.

Tatyana's marriage

A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain virgins:
At Kharitonya in the alley
Carriage in front of the house at the gate
Has stopped. To an old aunt
The fourth year of the patient in consumption,
They have arrived now.

Aunt Alina joyfully received the guests. She herself could not get married at one time and lived alone all her life.

Here, in Moscow, Tatyana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile, he does not take his eyes off her."

The age of the general, as well as his exact name, Pushkin does not give in the novel. Admirer Larina Alexander Sergeevich calls General N. It is known that he took part in military events, which means that his career advancement could take place at an accelerated pace, in other words, he received the rank of general without being in old age.

Tatyana, on the other hand, does not experience a shadow of love in relation to this person, but nevertheless agrees to marriage.

The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - he was replaced by affection and a sense of duty.

Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.

Meeting with Onegin

Two years later, Eugene Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes took place in the life of his relative:

"So you're married! I didn't know before!
How long ago? - About two years. -
"On whom?" - On Larina. - "Tatyana!"

Always able to restrain himself, Onegin succumbs to excitement and feelings - he is seized by anxiety: “Is she really? But definitely… No…”

Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:

The ladies moved closer to her;
The old women smiled at her;
The men bowed down
The girls were quieter.

Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this causes Onegin to be surprised.

Tatyana, it seems, was not at all dumbfounded, unlike Evgeny, by their meeting:
Her eyebrow did not move;
She didn't even purse her lips.

Always so bold and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.

Since then, Eugene loses peace. He realizes that he loves the girl. He comes to them every day, but feels embarrassed in front of the girl. All his thoughts are occupied only by her - in the morning he jumps out of bed and counts the hours left until they meet.

But the meetings do not bring relief - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.

I notice a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his recklessness in the past.

Like Tatyana, Onegin entrusts her with the solution of the problem that has arisen:
Everything is decided: I'm in your will
And surrender to my fate.

However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but

Tatyana is categorical - her love for Onegin has not yet faded away, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not "kind of by the court." Eugene was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another version of the development of events is contrary to the life principles of the girl.

Tatyana Larina in the assessment of critics

Roman A.S. Pushkin "Eugene Onegin" became the subject of active research and scientific-critical activity for several generations. The image of the main character Tatyana Larina became the cause of repeated disputes and analyzes.

• Y. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read novels, recreated "a chain of reminiscences primarily from the texts of French literature."
• V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was a letter from Tatyana. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
  The style of writing is a bit childish, romantic - this is touching, because Tatyana had not yet known the feelings of love “the language of passions was so new and not accessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her.”
• D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she inspires them herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana is still aware of Onegin’s lack of interest in her person, for she puts forward the assumption that Onegin’s visits will not be regular, this state of affairs does not allow the girl to become a “virtuous mother”. “And now I, by your grace, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “village”.
• F. Dostoevsky believes that Pushkin should have named his novel not by the name of Yevgeny, but by the name of Tatyana. Since it is this heroine who is the main character in the novel. In addition, the writer notes that Tatyana has a much greater mind than Eugene. She knows how to do the right thing in the right situations. Her image is noticeably different hardness. “The type is firm, standing firmly on its own soil,” Dostoevsky says about her.
• V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image has become "a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga occupied a much more advantageous position in relation to her sister.

The image of Tatyana is one of the most captivating and deep in the history of Russian literature. Tatyana opens a gallery of portraits of beautiful women with a truly Russian character. She is the spiritual predecessor of the poetic, original, selfless "Turgenev's women". A. S. Pushkin put his ideas about female virtue, spirituality, inner beauty into this image, and like the mythical Pygmalion in Galatea, he sincerely fell in love with his heroine:

Forgive me: I love so much

My dear Tatyana.

Just as sincerely, he empathizes with the spiritual anxiety, anxieties and disappointments of his beloved creature:

Tatiana, dear Tatiana!

With you now I shed tears ...

Why is this image attractive, does the author impose his subjective enthusiastic attitude towards the heroine? The poet does not idealize the heroine, does not paint an image of the perfect, classical beauty of popular novels:

Nor the beauty of his sister,

Nor the freshness of her ruddy

She would not attract eyes.

Tatyana's appearance is not described in the novel anymore, but A. S. Pushkin recreates the features of her character and behavior in great detail:

Dika, sad, silent,

Like a forest doe is timid,

She is in her family

Seemed like a stranger girl.

From childhood, Tatyana was distinguished by thoughtfulness, contemplation, seriousness, daydreaming, detachment from childish games and amusements, she was captivated by the naive and mysterious stories of the nanny with bewitching poetry (“... terrible stories in winter in the darkness of nights captivated her heart more”), romantic songs of courtyard girls , wonderful pictures of nature (“She loved to predict the sunrise on the balcony ...”), sentimental novels by foreign writers about the love experiences of heroes (“She liked novels early; they replaced everything for her ...”). The girl lives in an organic connection with the world of nature and the people's world, that is, a natural and harmonious life, drawing spiritual strength from the elements of nature and folk art.

Tatyana (Russian soul,

I don't know why.)

With her cold beauty

I loved Russian winter.

These lines emphasize the organic commonality of the Russian soul and Central Russian nature, the inextricable connection between the “gloom of Epiphany evenings” and the “traditions of the common folk antiquity” - short winter days and the absence of peasant suffering contributed to communication on long dark evenings, fortune telling, storytelling to the sound of a spinning wheel transmitted from generation to a generation of mysterious stories expressing sacred awe before a formidable and mysterious world.

And so this spiritualized, immersed in her inner world, subtly feeling girl (a type of character that modern psychologists call an “introvert”) meets a brilliant young man, so unlike the people around her - educated, mysterious, detached from everyday troubles, with traces of high experiences and disappointments - and, of course, falls in love without memory with all the passion of a self-focused nature:

The time has come, she fell in love.

So the fallen grain into the ground

Springs are animated by fire.

For a long time her imagination

Burning with grief and longing,

Alkalo food fatal...

Now all her thoughts are, “...and days and nights, and a hot lonely dream, everything is full of them...”

Now with what attention is she

Reading a sweet novel

With what lively charm

Drinking seductive deception!

imagining a heroine

To my beloved creators...

How accurately and subtly the poet conveys the confusion of an inexperienced soul, and the heat of her secret thoughts, and the hope for reciprocity, and embarrassment, and shame, and despair! Only this girl of crystal purity and boundless honesty, with the conviction of the sanctity of traditional folk ideas about girlish honor and the rules of decency, and at the same time, thirsting for high feelings ennobling life, could write such a sincere, at the same time chaotic and harmonious, perfectly expressing the depth of love, and an abyss of conflicting thoughts, feelings, doubts letter. The depth of feelings is amazingly touchingly conveyed by the poet, each word seems to be the only true expression of the slightest movement of the soul, it goes from the heart of the author to the heart of the reader:

Another! .. No, no one in the world

I wouldn't give my heart! It is in the highest predestined council ...

That is the will of heaven: I am yours;

My whole life has been a pledge

Faithful goodbye to you;

I know you were sent to me by God

Until the grave you are my keeper ...

Tatyana's chosen one, highly appreciating the "souls of trusting confession", her sincerity and purity, did not reciprocate, and "alas, Tatyana fades, turns pale, goes out and is silent ..." the house of her beloved, the inspection of his library, although “even in cruel loneliness her passion burns stronger,” made Tatyana more critically, objectively look at the chosen one of her heart.

She is painfully looking for an answer to the question: what is Eugene Onegin? - and her impartial assumptions testify to the spiritual development, the maturity of the girl, the harmony of the soul and mind. Tatyana is given in marriage to a general, and the heroine passively, limply repeats the life path of her mother, nanny, fulfilling her Christian, daughter, female duty. Having become a brilliant secular lady, Tatyana suddenly arouses a painful feeling of almost hopeless love in Onegin, who is even more disillusioned with life, tired of “arming speech and eyes with feigned coldness ...” Onegin writes her a letter that is not inferior in intensity of feelings and screaming sincerity to Tatyana’s letter to him. The young woman is deeply touched, although she reproaches Onegin for the unnaturalness and untimeliness of his feelings. With bitterness and emotion, she recalls her first love, as the brightest and most significant thing that she had in her life:

And happiness was so possible

So close!..

But my destiny

It's already been decided."

Tatyana, as sincerely as in her youth, confesses her love to Onegin, but just as insincerely as sincerely, she rejects his love:

I love you (why lie?),

But I am given to another;

I will be faithful to him forever.

What prevents the heroine, who finally aroused a reciprocal feeling in her lover, from finding happiness, fulfilling her cherished dream, fulfilling what her heart aspires to?

Of course, not the fear of philistine condemnation of the world - after all, Tatyana admits that she is ready to give “all this rags of a masquerade, all this brilliance, and noise, and fumes” for a secluded life in the wilderness, where she once met great love. Tatyana lives not only with her heart, but also with her soul, and cannot betray a person who believes in her and loves her. Duty, honor, virtue for her are higher than personal happiness, which now can only be built on the misfortune of a loved one.

This outcome is dictated by the heroine's faith in the sanctity of the foundations of folk morality, consecrated for centuries, which she honored from childhood. Tatyana's act also expresses the poet's view of the vocation, the ideal of a real Russian woman: selfless, devoted, faithful.
One of the largest works of Alexander Sergeevich Pushkin is the novel in verse "Eugene Onegin". The poet devoted about nine years to its creation. He painted unusually lively and memorable images of Onegin, Tatyana, Olga, Lensky, which brought fame to the author and made the novel immortal. Russian classical literature was distinguished by a deep interest in female characters. The best poets and writers tried to comprehend and portray a woman not only as an object of adoration, love, but above all as a person.

A. S. Pushkin was the first to do this. Belinsky considered the creation of the image of Tatyana Larina, the truth of a Russian woman, a feat of the poet. The author endows his heroine with a simple name: “Her sister was called Tatyana” and explains it this way: “The sweetest-sounding Greek names, such as, for example, Agathon, Filat, Fedora, Thekla and others, are used among us only among commoners.” He explains this in the novel in the following lines:

For the first time with such a name

Gentle pages of a novel

We will sanctify.

So what? it is pleasant, sonorous:

But with him, I know, inseparable

Remembrance of old

Or girlish!

We first meet Tatiana at her parents' estate. About the father of the heroine, Pushkin says with irony: “There was a kind fellow, belated in the last century,” and the mother shows all the worries about the household. The life of the family proceeded peacefully and calmly. Often, “to grieve, and to slander, and to laugh about something” neighbors came to the Larins. Tatyana was brought up in such an atmosphere. She “believed in the legends of the common folk antiquity, and dreams, and card fortune-telling”, she was “disturbed by signs”,

„.scary stories

In winter in the dark nights

They captivated her heart more ...

Tatyana is a simple provincial girl, she is not beautiful, but her thoughtfulness and daydreaming distinguish her from other people (“she loved to warn dawn on the balcony”), in whose company she feels lonely, since they are not able to understand her.

Dika, sad, silent,

Like a forest doe is timid,

She is in her family

Seemed like a stranger girl.

She did not caress her parents, played little with children, did not do needlework, was not interested in fashion:

But dolls even in these years

Tatyana did not take it in her hands;

About the news of the city, about fashion

Didn't have a conversation with her.

The only entertainment that brought pleasure to this girl was reading books:

She liked novels early on;

They replaced everything for her;

She fell in love with deceptions

And Richardson and Rousseau.

Tatyana lives by the pages of the books she has read, imagines herself in the place of their heroines. And this romance of book stories is the reason for the creation of the ideal of her chosen one.

What, according to Pushkin, is beautiful in this heroine? First of all, this is the height of her morality, her spiritual simplicity combined with the depth of her inner world, naturalness, the absence of any falsehood in her behavior. The author emphasizes that this girl is devoid of coquetry and pretense - qualities that he did not like in women. Before us is a personality, an image no less significant than Onegin.

She is naturally endowed with “a rebellious imagination, a living mind and will, and a wayward head, and a fiery and tender heart.” Tatyana subtly feels the beauty of nature:

Tatyana (Russian soul,

I don't know why.)

With her cold beauty

I loved Russian winter...

V. G. Belinsky said: “Tatyana’s whole inner world consisted in a thirst for love.” And he was right in his statement: For a long time her imagination,

Burning with grief and longing,

Alkalo fatal food;

Long hearted languor

It pressed her young breast;

The soul was waiting ... for someone

And I waited ... Eyes opened,

She said it's him!

And it is clear why Pushkin's heroine falls in love with Onegin. She is one of those “girls” for whom love can be either a great happiness or a great misfortune. In Onegin, the girl with her heart, and not her mind, immediately felt a kindred spirit. In a fit of her heart, she decides to write a letter of revelation to her lover, a declaration of love:

I am writing to you - what more?

What else can I say?

Now I know in your will

Punish me with contempt.

But Onegin could not appreciate the depth of feelings of Tatiana's passionate nature. This brings the girl into mental turmoil. And even after she visited Onegin’s village house and read his favorite books, where “Onegin’s soul involuntarily expressed itself,” when she realized who fate had sent her, she continues to love this person.

In the first chapters, the reader is presented with the image of a naive girl, sincere in her pursuit of happiness. But two years have passed. Tatyana is a princess, the wife of a respected general. Has she changed?

Yes and no. Of course, she “entered her role”, but did not lose the main thing - simplicity, naturalness, human dignity:

Oma was slow

Not cold, not talkative

Without an arrogant look for everyone,

No claim to success

Without these little antics

No imitations."

Everything is quiet, it was just in it ...

This line is very important - “without imitative undertakings”. Tatyana has no need to imitate anyone, she is a person in herself, and this is the strength of her charm, which is why "the general who entered with her raised his nose and shoulders." He was rightfully proud of his wife.

Tatyana is indifferent to secular life. She sees the falseness that reigns in the highest Petersburg society. Just as Onegin disliked his “hateful freedom”, so Tatyana is burdened by the tinsel of “hateful life”.

Perhaps the most important thing in Tatyana's character and behavior is a sense of duty, responsibility to people. These feelings take precedence over love. She cannot be happy bringing misfortune to another person, her husband, who is “mutilated in battles”, is proud of her, trusts her. She will never make a deal with her conscience.

Tatyana remains true to her duty and when meeting with Onegin she says:

I love you (why lie?),

But I am given to another;

I will be faithful to him forever.

The fate of Tatyana is tragic. Life brought her many disappointments, she did not find in life what she was striving for, but she did not betray herself. This is a very solid, strong, strong-willed female character.

Tatyana is the ideal of a woman for the poet, and he does not hide it: “Forgive me: I love my dear Tatyana so much ...” fate took away a lot. A. S. Pushkin admires his heroine.

From whom was “Tatyana’s dear ideal” written? There are still disputes about this. Some literary scholars claim that this is Maria Raevskaya, who married Volkonsky and shared his fate in Siberia. Others claim that this is the wife of the Decembrist Fonvizin. Only one thing is clear: the image of Tatyana Larina is among the most striking female images of Russian literature.

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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows you to lift the veil of unknown life quests and aspirations. The image of Tatyana Larina is perfect for this role.

Family and childhood memories

Tatyana Larina, by her origin, belongs to the nobility, but all her life she was deprived of an extensive secular society - she always lived in the countryside and never aspired to an active city life.

Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. "He was a simple and kind gentleman."

The girl's mother's name is Polina (Praskovya). She was given away as a girl under duress. For some time she was discouraged and tormented, feeling a sense of affection for another person, but over time she found happiness in family life with Dmitry Larin.

Tatyana still has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.

An important person for the formation of Tatyana as a person was played by her nanny Filipyevna. This woman is a peasant by birth and, perhaps, this is her main charm - she knows many folk jokes and stories that so lure the inquisitive Tatiana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.

Naming and prototypes

Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time, the name Tatyana was not characteristic. This name at that time had a pronounced common character. Pushkin's drafts contain information that the heroine's original name was Natalya, but later Pushkin changed his intention.

Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly served him such a role.

Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find Tatyana's prototype.

Opinions on this issue are divided. It is possible that several prototypes were used for this image.

One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.

The image of Maria Volkonskaya is ideal for describing the resilience of Tatyana's character in the second part of the novel.

The next person who bears a resemblance to Tatyana Larina is Pushkin's sister Olga. In her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.

Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that Tatiana's prototype was her.

An unusual assumption about the prototype was made by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatyana is very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker claims: “the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”

Question about the age of the heroine

In the novel, we meet Tatyana Larina during her growing up. She is a marriageable girl.
The opinions of the researchers of the novel on the issue of the year of the girl's birth differed.

Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.

However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such reflections are prompted by the nanny's story that she was married at the age of thirteen, as well as the mention that Tatyana, unlike most girls of her age, did not play with dolls at that time.

V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl must be much older than the age assumed by Lotman. If the girl had been born in 1803, then the girl's mother's concern about the lack of options for her daughter's marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be a necessity.

The appearance of Tatyana Larina

Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more interested in the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair, a ruddy face. In contrast, Tatyana has dark hair, her face is too pale, devoid of color.

We offer you to get acquainted with A. S. Pushkin "Eugene Onegin"

Her gaze is full of despondency and sadness. Tatyana was too thin. Pushkin notes, "no one could call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.

Leisure and attitude to needlework

It was generally accepted that the female half of society spent their free time doing needlework. Girls, in addition, still played with dolls or various active games (the most common was the burner).

Tatiana does not like to do any of these activities. She loves to listen to the scary stories of the nanny and sit by the window for hours.

Tatyana is very superstitious: "The omens worried her." The girl also believes in fortune-telling and that dreams do not just happen, they carry a certain meaning.

Tatyana is fascinated by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.

However, Tatyana Larina's favorite book was not a love story, but a dream book "Martyn Zadeka later became / Tanya's Favorite." Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: “consolations / In all sorrows she gives / And sleeps with her incessantly.”

Personality characteristic

Tatyana is not like most girls of her era. This applies to external data, and hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. "Dika, sad, silent" - this is Tatiana's classic behavior, especially in society.

Tatyana loves to indulge in dreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatyana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatyana is full of "perfections". This fact is sharply contrasted with the rest of the characters in the novel, who do not have such components.

In view of her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.

Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, a feeling of love and tenderness arises in her in relation to her nanny.

Tatyana and Onegin

New people coming to the village always arouse the interest of the permanent residents of the area. Everyone wants to get to know the visitor, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.

Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Yevgeny's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to carry on a conversation pleasantly amaze Tatiana, and not only her.

However, “early the feelings in him cooled down”, Onegin “has completely cooled down to life”, he is already bored with beautiful girls and their attention, but Larina does not know about it.

Onegin instantly becomes the hero of Tatiana's novel. She idealizes the young man, he seems to her to have descended from the pages of her love books:

Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.

Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatiana is writing a letter.

The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with the arrival of Onegin and her love. She lost the peace in which she lived before, and this leads the girl to bewilderment:

Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I would not know bitter torment.

On the other hand, the girl, having analyzed her position, sums up: the arrival of Onegin is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:

That in the supreme council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you.

However, Tatyana's hopes did not come true - Onegin does not love her, but only played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Eugene leaves.

Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene she wanted to see. She just idealized the young man.

This is where her unfulfilled romance with Onegin ends.

Tatyana's dream

Unpleasant events in the girl's life, connected with the lack of mutual feelings in the subject of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, were preceded by a strange dream.

Tatyana always attached great importance to dreams. This same dream is doubly important for her, because it is the result of Christmas divination. Tatyana was supposed to see her future husband in a dream. The dream becomes real.

At first, the girl finds herself in a snowy meadow, she approaches the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but when she sees that the bear is not going to attack, but, on the contrary, offers her his help, holds out her hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatyana even more.

The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, tear off her scarf, but Tatyana, seized with fear, runs forward. Deep snow prevents her from escaping and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries her further.

A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a wake. Strange guests are sitting at the table - monsters. The girl is disassembled both by fear and curiosity, she quietly opens the door - Onegin turns out to be the owner of the hut. He notices Tatyana and goes to her. Larina wants to run away, but she can't - the door opens and all the guests see her:

… Violent laughter
Resounded wildly; everyone's eyes,
Hooves, trunks are crooked,
Crested tails, fangs,
Mustaches, bloody tongues,
Horns and fingers of bone,
Everything points to her.
And everyone screams: mine! my!

The imperious host calms the guests - the guests disappear, and Tatyana is invited to the table. Immediately, Olga and Lensky appear in the hut, causing a storm of indignation from Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.

Tatyana's marriage

A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain virgins:
At Kharitonya in the alley
Carriage in front of the house at the gate
Has stopped. To an old aunt
The fourth year of the patient in consumption,
They have arrived now.

Aunt Alina joyfully received the guests. She herself could not get married at one time and lived alone all her life.

Here, in Moscow, Tatyana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile, he does not take his eyes off her."

The age of the general, as well as his exact name, Pushkin does not give in the novel. Admirer Larina Alexander Sergeevich calls General N. It is known that he took part in military events, which means that his career advancement could take place at an accelerated pace, in other words, he received the rank of general without being in old age.

Tatyana, on the other hand, does not experience a shadow of love in relation to this person, but nevertheless agrees to marriage.

The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - he was replaced by affection and a sense of duty.

Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.

Meeting with Onegin

Two years later, Eugene Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes took place in the life of his relative:

"So you're married! I didn't know before!
How long ago? - About two years. -
"On whom?" - On Larina. - "Tatyana!"

Always able to restrain himself, Onegin succumbs to excitement and feelings - he is seized by anxiety: “Is she really? But definitely… No…”

Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:

The ladies moved closer to her;
The old women smiled at her;
The men bowed down
The girls were quieter.

Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this causes Onegin to be surprised.

Tatyana, it seems, was not at all dumbfounded, unlike Evgeny, by their meeting:
Her eyebrow did not move;
She didn't even purse her lips.

Always so bold and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.

Since then, Eugene loses peace. He realizes that he loves the girl. He comes to them every day, but feels embarrassed in front of the girl. All his thoughts are occupied only by her - in the morning he jumps out of bed and counts the hours left until they meet.

But the meetings do not bring relief - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.

I notice a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his recklessness in the past.

Like Tatyana, Onegin entrusts her with the solution of the problem that has arisen:
Everything is decided: I'm in your will
And surrender to my fate.

However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but

Tatyana is categorical - her love for Onegin has not yet faded away, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not "kind of by the court." Eugene was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another version of the development of events is contrary to the life principles of the girl.

Tatyana Larina in the assessment of critics

Roman A.S. Pushkin "Eugene Onegin" became the subject of active research and scientific-critical activity for several generations. The image of the main character Tatyana Larina became the cause of repeated disputes and analyzes.

• Y. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read novels, recreated "a chain of reminiscences primarily from the texts of French literature."
• V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was a letter from Tatyana. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
  The style of writing is a bit childish, romantic - this is touching, because Tatyana had not yet known the feelings of love “the language of passions was so new and not accessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her.”
• D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she inspires them herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana is still aware of Onegin’s lack of interest in her person, for she puts forward the assumption that Onegin’s visits will not be regular, this state of affairs does not allow the girl to become a “virtuous mother”. “And now I, by your grace, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “village”.
• F. Dostoevsky believes that Pushkin should have named his novel not by the name of Yevgeny, but by the name of Tatyana. Since it is this heroine who is the main character in the novel. In addition, the writer notes that Tatyana has a much greater mind than Eugene. She knows how to do the right thing in the right situations. Her image is noticeably different hardness. “The type is firm, standing firmly on its own soil,” Dostoevsky says about her.
• V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image has become "a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga occupied a much more advantageous position in relation to her sister.