Do you need courage in love Eugene Onegin. Courage and cowardice in love

The theme of love is often touched upon in Russian classical literature. The authors transfer their love experiences into their work. There is a happy, inspiring love, there is an unrequited, full of suffering, there is love that brings disappointment, and even leads to death.

Love in the life of Tatyana Larina

True love of Tatyana touches Eugene Onegin, attracts attention. The girl was able to interest the "young rake", but he understands that he is not capable of a deep feeling. Eugene is only familiar with the “science of tender passion”, and Tatyana cannot apply such skills.

Tatyana decides to write a letter to her beloved, because the heroines of the novels, which she was fond of reading, did this way, and always received a response from her beloved.

Tatyana's worldview is based on the books she read, the image of Onegin was created by the girl in her imagination. In fact, not knowing Onegin well enough, she imagined him to be the hero of her novel. The idea that being the first to confess your feelings to a young man is not very good does not visit Tatyana. After all, in her books about this - not a word.

Contradictory nature of Eugene Onegin

Onegin, who appreciates Tatyana for her sincerity and naivety, after reading the message, first of all thinks about himself, and not about the girl. He is proud that he acted nobly, did not take advantage of Tatyana's lack of love experience. The young man teaches her a lesson, not realizing the pain he inflicts with his fiery speech. It seems that Onegin does not know how to love.

The tragic death of a friend is inevitable for Eugene. He made no attempt to reconcile with his neighbor. In his heart, Onegin rejects the possibility of a peaceful solution to the conflict and agrees to a duel.

According to the code of the duel of past times, its meaning is a test of courage to adequately hold out at gunpoint. The protagonist disregards the rules: with one shot, he mortally wounds the enemy. After that, he calmly says: "Lensky fell a victim." Victim of what? Onegin's arrogance, wounded authority, exorbitant pride? The death of Vladimir is a step towards changes in the soul of Eugene.

Onegin is tired of life in the village, he is depressed by the realization that he has killed a friend. For a change of scenery, he decides to travel. Here the author draws an analogy with the hero of Byron's poem - Childe Harold: such a romantic hero, withdrawn, gloomy, insanely longing and ominously attractive. Soon such epithets are refuted.

The collapse of ideals as a spiritual tragedy

When Tatyana visits her lover's house and looks at the literature that he was fond of, she sees marginal notes, sketches, and her attitude towards Onegin immediately changes: “Isn't he a parody?” No, he is a real person who can take life and hurt.

Tatyana comes to the realization that the image she created does not coincide with reality, and perhaps the real person does not deserve love. A high feeling is collapsing, and this causes Tatyana deep feelings. She fails to find peace, she has no desire to go to Moscow to the “bride fair”, she does not care about her future.

The origin of love in the soul of the protagonist

“I got married ...” - the words that Onegin will hear from the lips of Tatyana. Having become a married lady, she acquired what she passionately desired: she moved from the village to St. Petersburg, rotated in high circles, regularly visited fashion salons, organized evenings in her house. The text of the novel does not say that Tatyana Larina does not have tender feelings for her husband. Tatyana's life is measured and prosperous.

Onegin, having traveled around the world, not finding a goal, not addicted to work, by the will of fate ends up in St. Petersburg, where he accidentally sees Tatyana. She is different: a married, wealthy and respected princess, the goddess of the “royal Neva”.

Love is born in Onegin's soul. He begins to court Tatyana, but runs into a wall of indifference. The hero mopes and retires to his house. Now he is writing a letter to Tatyana, revealing his feelings. Larina answers Onegin with a refusal, not accepting his love.

In the draft version of the novel, Onegin's feelings are doubtful. And this despite the heartfelt, passion-saturated writing, which became the apogee of Russian lyrical literature. It was Alexander Sergeevich who wrote, and not the hero of his work, as it may appear at first glance.

Who is really changing? Tatyana Larina. She loved and continues to experience this feeling for Eugene. Realizing his low nature and seeing his negative traits, she remains true to her feelings after several years. And at the same time it changes. And these obvious changes are noticeable to the reader. Everything ingenious is simple. This is the main meaning and irony of the work of the brilliant poet A. S. Pushkin.

On the path of life, each of the heroes of the novel by A. S. Pushkin "Eugene Onegin" meets love - a wonderful feeling. And it was a rather bold act in those stiff times - to bring love relationships to the fore and make the fate of people dependent on them. After all, look at how it was customary to treat love. Tatyana Larina's nanny says that in her time she had not even "heard of love." When Tatyana's mother was young, they not only “heard” about love, but also read French novels that determined the minds of girls. But it had no real impact on life. The eldest Larina loved, but was married to another person. At first she was very sad and cried, but over time she reconciled and got used to it. Habit became her happiness. Pushkin puts it this way:

A habit from above is given to us: It is a substitute for happiness.

Thus, love was not given much importance, it existed, but society did not take it into account. And dreamy girls, getting married, forgot about love, which was replaced by habit.

Tatyana has a different attitude to this feeling. She loves Onegin selflessly. This sincere love will remain in her soul throughout the entire action of the novel. Even being married, preferring the fulfillment of her duty to her husband to possible happiness, Tatiana still loves Onegin and, without hypocrisy, tells him about her feelings.

By this, Pushkin throws down a daring challenge to society, he puts the holy feeling of love above mercantile concepts and claims that a person’s happiness depends on it.

After all, Vladimir Lensky’s love for Olga Larina is similar in strength and sincerity to Tatyana’s feelings: “He sang love, obedient to love ...” Pushkin admires Lensky’s feeling: “Ah, he loved, as in our years they no longer love ...”

Another thing is Onegin. At first, he is disappointed in women ("... beauties were not the subject of his habitual thoughts for a long time ..."), but then he experiences the collapse of his former attitude. Eugene writes to Tatyana: I thought: liberty and peace Replacement for happiness. My God! How wrong I was, how punished!

Indeed, Onegin comes to a different understanding of love at the end of the novel. To freeze before you in agony, To turn pale and go out ... that's bliss!

Could Onegin have said such words from the first chapter? He came to the understanding of love through torment, and this was the main discovery in his life for him.

Sincere, natural, pure and sublime, the feeling that does not fade with time is sung by the author in the novel. Such is the attitude of A. S. Pushkin to love. According to him, this is the most beautiful human feeling.

The novel "Eugene Onegin" was created with amazing poetic skill, which found expression both in the composition and in the rhythmic organization of the novel.

The protagonist of the work of A. S. Pushkin is a young, attractive, very intelligent man, a nobleman. The author treats his hero with sympathy and with a significant amount of irony. In the first chapter, the poet tells about the life of the young rake Eugene Onegin in St. Petersburg, about how and by whom he was brought up:

First, Madame followed him, Then Monsieur replaced her, The child was sharp, but sweet.

At the time of his youth, Eugene behaved exactly like the young people of his circle, that is, "he could speak and write in French, he easily danced the mazurka." But his main science, Pushkin admits, "was the science of tender passion." A victim of love, as we later learn, and Eugene fell.

The author emphasizes that "hard work was sickening to him", he talks about Onegin's life spent in restaurants, theaters, balls, courting women. Thousands of young nobles lived the same way. This way of life was familiar to the nobility. Onegin occupied a certain place in secular society, where he had a "happy talent" and aroused "the smile of the ladies with the fire of unexpected epigrams."

So his life would have flowed measuredly, if not for the meeting with Tatyana Larina. She writes a letter to Eugene with a confession and asks him a question: "Who are you, my guardian angel, or an insidious tempter ...".

Seemingly incapable of a serious feeling, Onegin rejects her love, which for Tatyana becomes the meaning of life. A dreamy, thin girl believes that "Eugene is sent by God." Onegin is touched by Tatyana's confession, but nothing more. The next rash step is his relationship with Olga Larina. Onegin just like that, out of boredom, begins to court the bride of Vladimir Lensky. The girl is fond of Eugene, which, of course, causes jealousy of the groom.

The turning point was the duel between Yevgeny and Lensky. The duel ends tragically for Vladimir. And here our hero seems to see clearly: “Onegin with a shudder” sees the work of his own hands, how the “frozen corpse” of the young men is being carried in a sleigh. Lensky was killed by a "friendly hand". The senselessness of this act becomes obvious.

But what about Tatyana? She silently supports her sister in grief. However, Olga "did not cry for a long time", but was carried away by a certain lancer, with whom she soon went down the aisle.

Love for Yevgeny and dislike for him, as for the murderer of Lensky, are fighting in Tatyana. The girl suddenly begins to realize that Eugene is not the same as she imagined him in her dreams. A windy egoist, a heartthrob, a person who brings pain and tears to others, but he himself is not able to sympathize.

Returning to St. Petersburg, Eugene meets another Tatyana - a secular woman, a "trendsetter". He learns that she is now married to an important general, a hero of the Patriotic War. An amazing transformation is taking place. Now Eugene is looking for a date with Tatyana, who has become "an indifferent princess, an impregnable goddess", languishes, suffers. Yes, she stopped looking like a provincial noblewoman. How much royalty in the eyes! How much grandeur and negligence! Eugene is in love, he pursues her, looking for a reciprocal feeling.

Alas! A letter was written, but Eugene did not receive a response to it. And finally they met. What a shock, what a disappointment! Onegin is rejected: "I ask you to leave me." “As if struck by thunder” stands Eugene and feels inner devastation, his uselessness. Here is a fitting ending to the novel.
A. S. Pushkin tested his hero with a true feeling - love. But, alas, the protagonist of the novel could not stand this test: he got scared, retreated. When the insight came, it turned out that it was already too late, nothing could be returned and corrected. Thus, the novel "Eugene Onegin" is not only a story about an era in which "the century and modern man were reflected", but also a touching story of failed love.

In life, a person is constantly faced with the problem of moral choice. One of the main aspects of this problem: to remain true to your beloved, friend, your beliefs, the ideals of society - or to commit treason for your own benefit? Writers of all times, using the example of the fate of their heroes, show how differently this question can be answered. We have selected 5 arguments for the final essay in the direction "Loyalty and betrayal" from the novel by A.S. Pushkin "Eugene Onegin".

1. Speaking of treason, most often they mean treason in love. In Pushkin's work, Olga Larina performs such an act. Being the bride of Lensky, she does not resist Onegin's courtship at the ball and accepts one after another his invitations to dance. The next day she acts as usual, as if nothing had happened. But what Lensky erroneously calls "gentle simplicity" is in fact coquetry and a game of self-love, proving that Olga's affection for Vladimir was not deep. Having betrayed him during her lifetime, she betrays his memory when, shortly after the death of her fiancé, she marries another.
2. And how to regard the behavior of Onegin? This is also treason, as Eugene betrays his friend by flirting with his fiancee. However, as Onegin himself directly says, he does not have any feelings for Olga. What are the reasons for his action? The first and most common version, confirmed by the text: he takes revenge on Lensky for inviting him to a ball with the Larins. But maybe Onegin, who has seen life, also wants to show his young and naive friend what his bride is worth? Moreover, subsequent events only confirm the illusory nature of her love.
3. Alas, the protagonist of the novel, Eugene Onegin, is not an ideal. Tired of secular entertainment, including fleeting novels, even then, living in the village, he does not burden himself with serious attachments. Onegin easily changes lovers, friends, place of residence ... In general, fidelity is definitely not included in the list of qualities of his character. Worst of all, he measures others by himself: he writes letters with confessions to the already married Tatyana and even shows up at her house without an invitation, not thinking about what this could lead to.
4. In contrast to Onegin, Tatyana Larina is the personification of fidelity. And it's not just about love, although Tatyana, keeping in her heart a feeling for Onegin, did not violate the sacred bonds of marriage. In addition, she also cherishes her homeland and often recalls the village where she spent her childhood. Finally, the heroine is true to herself: both in the village and in secular society, she remains herself, does not pretend or be hypocritical.
5. As you know, A.S. Pushkin depicted in his novel a typical society of that era. What ideas about fidelity and treason existed in him? On the example of the Larin family, we see how traditions changed: the mother of Tatyana and Olga was married against her will, but her daughters could already choose their lover, even if he was not a “profitable party” (like Onegin, for example). However, the goal was still marriage. On the other hand, using the example of Onegin's youth, it is clearly shown how frivolous novels, petty intrigues and betrayals were common among urban youth.

The theme of love in the novel "Eugene Onegin" makes even the most sophisticated reader think. Thanks to her, the work does not lose its relevance and interest for connoisseurs from a wide variety of audiences.

In our article you can see a brief analysis of this topic, several points of view on the analysis and interpretation, as well as an essay.

About the novel

At one time, the work became a real breakthrough in verbal art in general and poetry in particular. And the theme of love in the novel "Eugene Onegin" is a subject for both admiration and discussion.

The ambiguity of presentation, a special form of "novel in verse" was also a novelty even to the sophisticated reader. The title of "encyclopedia of Russian life" was rightfully received by him - the atmosphere of the nineteenth century nobility was depicted so accurately, clearly. The description of everyday life and balls, clothes and appearance of the heroes surprises with the accuracy and subtlety of details. One gets the impression of being transferred to that era, which helps to understand the author better and more subtle.

About the theme of love in the works of Pushkin

Love permeates the lyrics of Pushkin and his "Tale of Belkin", and the story "The Snowstorm", which is part of them, can be called a real manifesto of that mystical, strong love that works wonders.

The theme of love in Pushkin's novel "Eugene Onegin" contains many problematic issues: marital fidelity, responsibility and fear of being responsible. From the perspective of these subtopics, the love theme is overgrown with special details, it is no longer developing in terms of personal relationships, but much wider. Problematic questions against the backdrop of the title topic make you think, and despite the fact that the author does not give clear answers to them directly, we perfectly understand what exactly he wants to say.

"Eugene Onegin". The theme of love in the novel. Analysis

Love in the novel is shown in two versions: the first, sincere Tatyana. The second, perhaps the last, passionate one is Evgenia. The feelings of the girl’s open, natural love at the beginning of the work are in complete contrast with Yevgeny, tired of love games in St. Petersburg, the cold heart of Eugene. He is so disappointed in everything that he wants to retire and take a break from experiences, the ostentatious suffering of ladies and his longing for an "extra person". He is so tired and experienced in matters of the heart that he does not expect anything good from them. He is unaware that Tatyana does not play, her letter is not a tribute to fashion and romantic books, but a sincere expression of real feelings. He will understand this later, when he meets the girl for the second time. This is the mystery of the work "Eugene Onegin". The theme of love in the novel briefly but capaciously raises important and necessary related topics, about what love is and whether it exists. On the example of Eugene, we are convinced that it exists, and it is impossible to run away from it. Love and destiny in this context intersect with Pushkin, perhaps even become identical to each other. From this, the work acquires a special atmosphere of mysticism, rock, and riddles. All together makes the novel insanely interesting, intellectual and philosophical.

Features of the disclosure of the theme of love in Pushkin

Distinctive features of the theme are determined both by the genre and the structure of the work.

Two plans, two inner worlds of the main characters have much in common, but there are also many differences, which determines the understanding of the strongest of feelings.

The theme of love in the novel "Eugene Onegin" unfolds on the example of the main characters of the work.

Tatyana is the daughter of a village landowner; she grew up in a cozy, quiet estate. The arrival of Eugene stirred up and raised from the hidden depths a storm of feelings that the girl could not cope with. She opens her heart to her lover. The girl is pretty (at least) to Eugene, but he is so afraid of the responsibility and lack of freedom of marriage that he pushes her away almost instantly. His coldness and endurance hurt Tatyana even more than the refusal itself. The instructive notes of the parting conversation become the final blow that killed all her aspirations and forbidden feelings in the girl.

Development of action

Three years later, the heroes will meet again. And then the feelings will take over Eugene. He will no longer see a naive village girl, but a secular lady, cold, holding herself in her hands so naturally and naturally.

The theme of love in the novel "Eugene Onegin" takes on completely different features when the characters change places. Now it is Evgeny's turn to write letters without an answer and hope in vain for reciprocity. It is all the more difficult for him to understand that this lady, beautiful in her restraint, has become so thanks to him. With his own hand, he destroyed the girl's feelings and now wants to return them, but it's too late.

Composition plan

Before we move on to the composition, we propose to draw up a short plan. The novel interprets the theme of love very ambiguously, everyone is able to define and understand it in their own way. We will choose a simple scheme with which it will be easier to express our conclusions. So the writing plan is:

• Introduction.
• Heroes at the beginning of the story.
• Changes that happened to them.
• Conclusion.

After working on the plan, we invite you to familiarize yourself with the result.

The theme of love in the novel "Eugene Onegin". The writing

In many plots of A. S. Pushkin, the so-called "eternal themes" are revealed simultaneously through the prism of perception of several heroes. These include the theme of love in the novel "Eugene Onegin". The problem of understanding feelings is interpreted from the point of view of the critic himself. In the essay, we will try to tell about this feeling as it was perceived by the characters themselves.

The characters at the beginning of the novel are completely different people. Eugene is an urban heartthrob who does not know how to entertain himself in order to save himself from boredom. Tatyana is a sincere, dreamy, pure soul. Her first feeling for her is by no means entertainment. She lives, breathes it, therefore it is not at all surprising how such a modest girl, "like a doe is shy", suddenly takes such a bold step as Eugene also has feelings for the girl, but he does not want to lose his freedom, which, however, does not bring him joy at all.

During the development of the plot between the characters there are many dramatic events. This is the cold answer of Yevgeny, and the tragic death of Lensky, and the relocation and marriage of Tatyana.

After three years, the heroes meet again. They have changed a lot. Instead of a shy, closed dreamy girl, now there is a reasonable, secular lady who knows her worth. And Eugene, as it turned out, now knows how to love, write letters without an answer and dream of a single look, a touch of the one that once handed her heart into his hands. Time has changed them. It did not kill love in Tatyana, but taught her to keep her feelings under lock and key. As for Eugene, he, perhaps for the first time, understood what love is.

Finally

The finale of the work is not in vain open. The author tells us that he has already shown the main thing. Love for a moment connected the heroes, it made them close in their feelings and suffering. It is she who is the main thing in the novel. It doesn’t matter through what thorny paths the heroes went to her, the main thing is that they understood her essence.

The theme of love is traditional in Russian literature. Each writer and poet puts his personal, subjective experience into this topic. Therefore, in Russian literature one can find love that brings great happiness, unrequited love, love-suffering, love-disappointment, even love-death.
True love, its cleansing and uplifting power is discussed in the novel in verse by A. S. Pushkin "Eugene Onegin". The hero of the work, “having lived without a goal, without labor until the age of twenty-six”, before meeting with Tatyana Larina, led an idle, wandering and not always worthy life. He did not think about happiness, about the meaning of his existence, he plays with people's destinies, sometimes crippling them. Onegin does not take responsibility for his actions, which affect the thoughts and destinies of the people around him. This is how Lensky dies, Tatyana is disappointed in her dreams, and nothing gives us the right to assert that these key characters of the novel were the only "cigarette butts" under the heel of the "fashionable rake". However, let's see what happens next.
Sincere love of Tatyana touches Onegin, attracts attention. Tatyana, in principle, is interested in the main character, but he knows to himself that he does not know how to love, is not capable of feeling. Onegin knows only "the science of tender passion", and in the case of Tatiana, this knowledge is not applicable.
The heroine writes a letter to her lover, because this is exactly what the girls from her favorite novels did and were always heard by young people. Tatyana builds a model of life from books, and she created the image of Onegin in her imagination. In fact, the girl does not know who Eugene Onegin is, she wants him to be the hero of her novel. It doesn’t even occur to her that maybe it’s not good to confess her love to a young man herself, because nothing is said about this in the books.
Onegin, appreciating Tatyana, her naivety and purity, even after receiving the letter, thinks primarily about himself, and not about Tatyana. He revels in his nobility, the fact that he did not take advantage of the inexperience of the young heroine. Eugene teaches the girl a lesson, not realizing how cruel his words sound. We can conclude that Eugene Onegin is not capable of love.
In general, the hero does not know how to reckon with the feelings of other people. This quality is manifested in love and friendship. True love of Tatyana could not elevate the hero, and he committed a terrible act - he killed a friend in a duel.
In principle, from the point of view of psychoanalysis, Lensky's death is natural. Both Lensky and Onegin live in any of us. That is, Lensky personifies dreaminess and naivety - the traits of a child, and Onegin - prudence, maybe even cynicism, rationality - traits of an adult. And at a certain stage of life, our Onegin kills our own Lensky, so that, retreating from the charm of childhood, he finally takes responsibility and begins to realize himself as a person.
The death of a friend becomes inevitable for Onegin. He does not even try to make peace with Lensky, he internally rejects attempts at reconciliation and accepts the challenge to the barrier. According to the law of the duel of that time, the meaning of the duel was to test courage and stamina - in order to stand with honor at gunpoint. Onegin, on the other hand, violates this code, he shoots, kills, and then in a letter to Tatyana declares: “Lensky fell an unfortunate victim.” Victim of what? The vanity of a city rake, offended authority, pride? .. Pushkin is quite loyal to his main character, but does not embellish his actions. However, oddly enough, the death of Lensky is the first step towards spiritual changes in Onegin.
Further, tired of the village boredom, depressed by the consciousness of the murder committed, Onegin sets off on a journey. Pushkin compares him to Byron's Childe Harold - a kind of romantic hero, secretive, gloomy, ominously charming and bored to death. However, these epithets immediately receive their refutation.
When Tatyana comes to Onegin's abandoned house and starts sorting through his books, she sees notes in the margins, drawings, her attitude towards the hero changes radically. She asks: “Isn’t he a parody?” No, he is a man of flesh and blood, a man capable of killing, causing suffering. She understands that the image she loves does not correspond to reality at all and that, perhaps, reality is not entirely worthy of her love. The love is destroyed, and this causes the heroine great suffering. She cannot calm down, she does not want to go to Moscow to the “bride fair”, in fact, she becomes indifferent to her own fate.
Her scattered laziness does not awaken to open rebellion, and she accepts her duty with dignity. “For poor Tanya, all the lots were equal, I got married ...” - she will later say to Onegin. In marriage, she finds everything she so dreamed of: from the wilderness of forest villages she gets into the high society of St. Petersburg, becomes a legislator of the hall, visits fashion salons, arranges evenings at her place. Nowhere in the text does it say that Tatyana does not love her husband. In general, the fate of the beloved heroine of A. S. Pushkin is developing successfully.
But what about Onegin? Having wandered around the world, never finding a goal, not busy with work, unable to get carried away by anything, he finds himself, by the will of fate, in St. Petersburg and meets Tatyana there. But Tatyana is completely transformed, the princess, the impregnable goddess of the “luxurious regal Neva”. And what happens? Seeing a familiar person, or rather, his transformation, Onegin begins courting attempts, then, not meeting encouragement, falls into a severe blues and locks himself at home, having previously revealed his intentions and feelings in a letter to Tatyana.
Pushkin sneers at the hero's romantic mask: "I almost lost my mind." But time flies, but there is no answer. “The days raced by, winter was already resolved in the heated air. And he didn’t become a poet, he didn’t die, he didn’t go crazy,” that is, Pushkin, as a realist, makes the hero take responsibility for his words and deeds.
Tatyana refuses Onegin, rejects his love. The early drafts of the novel make it clear that the feelings felt by the hero are dubious, despite the most penetrating, passionate message to Tatyana, which has become the undisputed pinnacle of Russian lyrics - this is Pushkin, this is not Onegin.
So who is really changing? Tatiana. Because it was she who loved and loves Onegin; even having made sure of his weak essence, discovering his shortcomings, she loves him the same way years later. And it changes. And we see these dramatic changes. Everything is simple, like everything ingenious. This is the main meaning and irony of the content of the novel by the great Russian genius A. S. Pushkin.