". It introduces the stories of famous Moscow philanthropists and patrons: among them are the Alekseevs, Bakhrushins, Soldatenkovs, Morozovs, Rukavishnikovs, Solodovnikovs, Tretyakovs. Museums, theatres, institutes, hospitals built by them have become an integral part of Moscow life, and the exhibition will remind the history of many of them.

A unique documentary film "The Color of Life" (directed by Viktor Belyakov) will be shown on a large screen in the courtyard all day long. This film contains rare footage of color newsreels of Moscow in the 1940s and 1950s, which will allow you to see the post-war city in a new way.

Author's tour from Tutta Larsen and other tours of the museum's exhibitions
A TV and radio presenter, journalist and actress will tell the guests of the Museum of Moscow about medieval Moscow and its inhabitants, about how the city grew and developed. Tutta Larsen. She will conduct author's tours of the exhibition "The History of Moscow for Children and Adults" on September 8 and 9 at 12.00. Entrance is free by registration.

The Arbat and Chistoprudny Boulevard will house outdoor photo exhibitions with materials from the museum's funds: Moscow, its streets, buildings and residents in the lens of the photographer and photojournalist, author of photobooks Konstantin Kokoshkin.

Inna Lutovinova

Latest Moscow news on the topic:
On September 8 and 9, the Museum of Moscow will hold the Museum and the City festival

Employees of Kolomenskoye have a significant reason for joy: the museum-reserve has become the most popular cultural platform for residents and guests of the capital on City Day on September 8 and 9.
Nagatinsky backwater district of the Southern Administrative District of Moscow
11.09.2018
Yakimanka district of the Central Administrative District of Moscow
11.09.2018

On September 8, a researcher at the Garden Ring Museum held the first lesson as part of the Youth Research Photo Expedition.
Prefecture of the Central Administrative District
11.09.2018 On the birthday of Moscow, residents and guests of the capital had the opportunity to visit many city museums for free.
Prefecture of the Eastern Administrative District of Moscow
11.09.2018 During the celebration of the City Day on September 8 and 9, over 880 thousand people visited the capital's museums.
Tverskoy district of the Central Administrative District of Moscow
11.09.2018

During the celebration of the City Day on September 8 and 9, over 880 thousand people visited the capital's museums.
Basmanny district of the Central Administrative District of Moscow
11.09.2018 During the celebration of the City Day on September 8 and 9, over 880 thousand people visited the capital's museums.
Presnensky district of the Central Administrative District of Moscow
11.09.2018 During the celebration of the City Day on September 8 and 9, over 880 thousand people visited the capital's museums.
Meshchansky district of the Central Administrative District of Moscow
11.09.2018

During the celebration of the City Day on September 8 and 9, over 880 thousand people visited the capital's museums.
Krasnoselsky district of the Central Administrative District of Moscow
11.09.2018 The five most visited museums on the City Day included the iconic object of the North-Eastern district of the capital - the Museum of Cosmonautics.
Prefecture of the North-East Administrative District of Moscow
11.09.2018 During the celebration of the City Day on September 8 and 9, over 880 thousand people visited the capital's museums.
Arbat area of ​​the Central Administrative District of Moscow
11.09.2018

On September 9, employees of the Museum of Surrealism "Dom Burganov" held a free tour for residents and guests of the capital.
Khamovniki district of the Central Administrative District of Moscow
11.09.2018 Over 880,000 people visited Moscow museums during the City Day celebrations on September 8 and 9, 2018, according to the official portal of the Mayor and the Government of Moscow.
MosDay.Ru
11.09.2018 In Moscow, on City Day, more than 880 thousand people visited the capital's museums for free, which is almost twice as many as last year, when cultural sites were visited by about 470 thousand people,
MosDay.Ru
11.09.2018

Museum staff conducted more than 60 excursions, which were visited by about 1.5 thousand people.
Obruchevsky district of SWAD of Moscow
10.09.2018 On the occasion of the City Day, a festive program was prepared in the museum, and the opening of a military equipment site was popular with visitors.
Molnet.Ru
10.09.2018 A tour of the House-Museum of Alexander Herzen will be held on September 13 by the researcher of the cultural institution Svetlana Golovko.
Arbat area of ​​the Central Administrative District of Moscow
10.09.2018

In the center of Moscow, a bicycle was stolen from a food delivery man

Photo: pixabay
03/26/2020 Moscow perspective

Yuri Trusov and Alexander Vlasov have been working together for a long time / Roman Balaev In the afternoon, passers-by walking along Startovaya Street noticed that a man was running behind bus No. 50.
03/26/2020 Star Boulevard

In most cases, the victims are people with average incomes / Photobank Over the past week, the district police have uncovered two burglaries at once.
03/24/2020 Star Boulevard

Video classes of the dance studios of the Krylatskoe cultural and artistic center can be viewed online.
District Krylatskoye ZAO Moscow
30.03.2020 The Anna Akhmatova Library invites everyone to take an online tour of the poet's museum in the Fountain House in St. Petersburg.
District Krylatskoye ZAO Moscow
30.03.2020

Frida Kahlo and Rivera married on August 21, 1929. He was 21 years older than Frida, divorced and had two daughters from his first marriage. The family life of the two artists was not easy, they were united by a love of art, common ideological views, but there were also disagreements, mainly on the basis of jealousy. While Frida was taking her first steps as an artist, Rivera was already famous and enjoyed great success with women, and they were with him ... However, Frida was by no means sinless in this regard, as a result they divorced at the end of 1939, but on December 8 1940 got married again! Diego was next to Frida until her death, because these two went through too much together, they were more than just spouses for each other, they were friends, like-minded people and even rivals ... In his will, Diego asked that his ashes be mixed with the ashes of Frida Kahlo, but this wish was not fulfilled ... A wonderful film "Frida" was shot about the difficult history of the relationship between Frida and Diego, which is definitely worth watching, by the way, the shooting took place in this very house!

Rivera collected objects from the pre-Columbian era, after his death he bequeathed his collection to the Mexican people. Some of the items are in this museum. You see, he loved these ancient sculptures so much that he did not part with them even during sleep!)))

In the courtyard of the Blue House, at the request of Rivera, a small pyramid was installed

Inside the house, the interiors in which Frida lived with her family have been preserved.
Canteen. In the corner hangs a paper figure of Judas, such were made for burning on Easter Sunday as a sign of the destruction of the forces of evil.

Here is another figure of Judas, as well as earthenware and glassware...

Masks and figurines

Kitchen. On the wall are the names of Frida and Diego.

Artist's workshop

The wheelchair to which Frida has been chained since 1951, after seven spine surgery! A spinal injury was received in 1925, when she was only 18 years old, as a result of a collision between a bus and a tram. The girl was bedridden and began to draw, so the tragedy gave impetus to the development of talent...

Bedroom. Someone has skeletons not only hidden in the closet, but also lie above the bed!))

And again the figure of Judas and figurines of the pre-Columbian era...

And now let's move on to creativity. Here are some of Frida Kahlo's works that can be seen at the Blue House:

"Portrait of Frida's family", ca. 1950 - 54 years
Frida regularly referred to the image of her family tree during an extended hospital stay in 1950. The artist's parents are depicted in the center, grandparents at the top, Frida herself, her sisters and nephews at the bottom. The painting remained unfinished.

"Portrait of my father", 1951
The dedicatory inscription at the bottom of the painting reads:
"I portrayed my father, Wilhelm Kahlo, of Hungarian-German origin, by profession an artist-photographer, by nature generous, intelligent and sublime, courageous, because for sixty years he suffered from epilepsy, but he never stopped working and fighting against Hitler, with admiration .His daughter Frida Kahlo."

"Frida and Caesarean section". 1931
At the beginning of 1930, due to the incorrect position of the fetus, Frida's first pregnancy was interrupted. Two subsequent pregnancies also ended unsuccessfully, she was never able to give birth to a child ...

"Marxism will give health to the sick", ca. 1954
In this self-portrait, Frida expresses her utopian belief that Marxism can free her (and all of humanity!) from pain and suffering. "For the first time, I don't cry anymore," she said of the painting.

"Self-portrait with Stalin", ca.1954
With this painting, the artist also expresses her belief in communism.

Portrait of a girl. 1929 (unfinished)

Portrait of Agustin M. Olmedo, 1928

Portrait of Aria Murray, 1931 (unfinished)

Unhappy and passionate, talented and sick, she lived in the Blue House for many years. Museo 150, San Pablo Tepetlepa Del is the address where every art history lover should start their walk in Mexico City. The Blue House gives the most important thing that should be remembered: it reduces the fairy tale of creativity to everyday and base moments. The bathtub in which she loved to read books will turn out to be an ordinary bathtub. The room in which she received her husband Diego as he is will turn out to be an ordinary bedroom. Feminine, unpretentious, modest life, painted with bright strokes of kitsch trifles? May be. But it was Frida's originality, her special look, that endowed these walls with shades of magical realism. In the museum shop, take away not only art catalogs, but also uniquely designed embroidered shirts. They follow the traditional Mexican style. Flashy colors, simple cut.

Monet Museum in Giverny

After going around all the streets of Paris, go towards Giverny. in advance. Happiness is to take a ticket exactly at the time when new small roses bloom in the garden. It is the garden that is the core of this small paradise. Its charm is deceptive, but submit, inhale and dream that it was these flowers that the master saw. Reality will tell you that the garden was laid out much later, when a museum appeared in the village of Giverny. But for real romantics, reality serves only as a flexible basis for new fantasies.

Gauguin Museum in Tahiti

French Polynesia sheltered yesterday's broker. He fled to Tahiti from family ties, routine, insecurity in his own talent and the people around him. In exchange for his former friends, he found swarthy, mobile Tahitian women, who, under the power of his gaze, froze on the canvases with the imposingness of a beast weary from a long run. When you get tired from the sticky heat, when you pull the last T-shirt over your head, pictures of intertwined bodies flash before your eyes. He became so happy in Papeari that you will want to follow him in the footsteps, comprehending your own borders with every step.

Cezanne's workshop in Aix-en-Provence

The air of Provence gives off sweetness. But the artists appreciated Provence not for this. A special light, the brightest white, as if trying to burn everything around, flows from plane trees to pink roofs. Cezanne's workshop remained the same as during the lifetime of the master. Among the easels, brushes and dried paints, look for weaves of shadows. They slip and look back at the windows. Behind them lies the mighty Sainte-Victoire. This mountain in the rays of sunset and dawn, at different times of the year, at different times of life, will become for Paul and his students one of their favorite, living heroes.

Van Gogh's workshop at the San Remy Hospital

In this tiny room, he escaped from migraines, obsessive thoughts and fears. Now you are standing here, not imagining before that how a lopsided bed and a rickety chair could receive an artist who changed the course of the history of painting. Red-haired, bony, and never found a response in the souls of other people, he wrote letters to his brother Theo in San Remy. Get ready for this meeting, as for a pilgrimage to holy places. Climbing the stairs, silently quote passages from his letters. They are very personal, but imbued with a desire to be heard. From the window of his small cell, you can see the garden of this hospital for the mentally ill. Even today, this place is deceptively full of peace, like the face of a person who, while maintaining equanimity on the outside, is experiencing a fever of contradictions inside.

Tree of hope, stand up straight!
Frida Kahlo

Rebel, communist, foul-mouthed, bisexual, talented artist and symbol of Mexico - Frida Kahlo. Her whole life is endless pain, all-conquering passion and incredible fortitude. The other day we visited the Frida House Museum, which is located in the Cayocan area of ​​Mexico City. I am writing this post, and tears are flowing from my eyes ... A lot is known about Frida, the Internet is full of her biographies in a variety of interpretations, and many of you know her from the film with Salma Hayek in the title role. But I really want the story of Frida to settle here, on my blog. Today I will write about her what I know myself, and show photos taken in the museum.

Frida Kahlo was born in 1907 in the same house that is now her museum. The Mexicans affectionately call it "Frida's Blue House". The house is indeed painted in bright blue, which makes it stand out from the rest of the buildings in Kayokan. Otherwise, the exterior of the building is unremarkable, and if you do not know its history, you can easily pass by.

At the age of six, the girl fell ill with polio, after which her right leg began to lag behind in development and left a limp, which Frida had hidden under long skirts all her life. Her misfortunes did not end there, to say the least - they only began.

At the age of 17, Frida had a terrible accident - the bus in which she was traveling crashed into a tram. This was the very moment when she had to either die or become the Frida that we all know. In the accident, the girl received injuries that seemed incompatible with life - a triple fracture of the spine, a fracture of the collarbone, ribs, pelvic bones, the sore right leg was broken in 11 (!) places, the foot was completely crushed. The metal railing of the bus pierced her stomach and uterus, forever depriving her of the opportunity to become a mother. But against all odds, Frida survived. A year after the accident, the girl was chained to the bed, but even after she was able to get on her feet, health problems never left her. All her life, Frida wore special corsets and shoes, and in an attempt to forget herself and ease the pain, she drank a lot of tequila and smoked.

Just when Frida could not get out of bed, she asked her parents to bring her brushes and paints. The plaster, with which her whole body was wrapped, she painted with butterflies. Then a loving father made a special stretcher for his daughter so that the girl could draw while lying down. A mirror was hung over Frida's bed - so in the long hours of loneliness she could see herself. From here came her passion for self-portraits: Frida painted what she saw, but she saw herself.

“There were two accidents in my life: one was when the bus crashed into a tram, the other was Diego,” said Frida Kahlo. Diego is the world-famous Mexican artist Diego Rivera, who became Frida's husband when she was 22 years old. Frida brought her work to show him, and this was the beginning of the second tragedy of her life. Their marriage was called the union of “elephant and dove”, although I would call it the union of “dove and huge toad”: Diego was huge, fat, terribly ugly and, moreover, 20 years older than Frida. But, as they say, Rivera had an incredible charm, women curled around him, and he never left their attention without an answer. Her husband's adultery made Frida suffer, but she could not do anything about it: for her husband's creative nature, love joys served as a source of inspiration. Then Frida also began to have an affair, but Rivera was terribly jealous and stopped them in the bud. In general, the house of Frida and Rivera was never quiet, and once they even got divorced, and a year later they got married again.

It was Diego Rivera who influenced Frida's communist beliefs. The museum has a lot of paintings imbued with the ideas of communism, and in front of the bed, in which the artist, immobilized at the end of her life, spent all her time, photographs of Lenin, Stalin, Marx, Engels and Mao still hang in a common frame. And this is the painting "Frida and Stalin" by Frida herself, of course.

Another notable event in Frida's life was her acquaintance with our famous compatriot, the permanent revolutionary Leon Trotsky. When, being in exile, he came to Mexico with his wife, Diego Rivera, who applauded the great revolution, asked Frida to settle them in his house, and for Frida, who was carried away by communist ideas, this was a real event. Very soon, Lev Davidovich was seriously carried away by the bright original Frida, and she answered him in return - they broke out a passionate, but short romance. Trotsky's wife found out about their connection and convinced her husband to break with Frida and move to another house. Not far from the Museum of Frida, all in the same Kayokan, there is also the Museum of Leon Trotsky - the house in which he was killed.

Frida became a famous artist in the last fifteen years of her short life. In 1939, in Paris, she became a sensation at an exhibition of Mexican art, and one of her paintings was purchased by the Louvre itself! Frida's work is permeated with the events of her own life. Do not be lazy, look through her pictures in Google. These are mostly self-portraits: the famous woman with fused eyebrows and flowers in her hair is Frida! A naked woman with dozens of stab wounds and a man standing next to him with a dagger is a painting called Just a Few Scratches. This is how Frida portrayed their relationship with Diego. A woman on a bloody hospital bed with a torn womb, a woman pierced with nails and a metal spine - all this is also about herself. A frequent subject of Frida's paintings were her unborn children - Frida had three miscarriages.

In the last years of her life, Frida's health deteriorated sharply. In order to somehow ease physical suffering, Frida used a lot of medicines containing drugs. Soon Frida went to bed, now until her death. The artist was brought to her first solo exhibition on a festively decorated bed. Further more - at the end of Frida's life, the already suffering right leg was taken away.

Frida Kahlo died on July 13, 1954. The last entry in her diary: "I hope that the departure will be successful, and I will not return."

Finally, photos of the Frida Kahlo house-museum in Mexico City.

The inscription on the wall of the courtyard of the house reads: Frida and Diego lived in this house in 1929-1954.

And this is the very place where Frida painted her cruel, soul-turning pictures.

On desktop Frida- permanent photo of the husband, Diego Rivera.

Diego's bedroom On a hanger are his overalls and hats. On the bedside table on the right is the death mask of the artist.

Mexican style cuisine. Frida and Diego passionately revered the art of pre-Columbian America, and in their work, and in this case, the interior, elements of Mexican folk art are often traced.

And this is Frida's bedroom. Like all the bedrooms in the house, there are no windows. All elements of the decor of the room are the work of Frida herself: monsters, skeletons and butterflies.

Upon leaving the bedroom, we find ourselves in another, the so-called "day" bedroom of Frida. It is located right at the exit to the garden, it gets a lot of light and fresh air. This room is Frida's main place of residence at the time when she was bedridden. See the elongated rectangular frame on the opposite wall? This is exactly the frame, under the glass of which photographs of the artist's idols, the most famous communists in history - Marx, Enegls, Lenin, Stalin and Mao Zedong are stored. Above the bed is a permanent mirror.

On the bed is Frida's death mask.

The museum houses a collection of Frida's personal belongings: clothes, shoes, jewelry. Kahlo was a fashionista. She dressed eccentrically and expensively. She loved to wear costumes with Mexican motifs.

Boot from the suffered right leg Frida.

Frida's corsets and false leg are silent witnesses of her physical torment.

Frida's photographic album.

Frida's "day" bedroom opens onto a porch overlooking a garden filled with many strange objects.

Under the shade of trees and plants, the secrets that the artist left us are hidden: figurines in the traditions of Indian culture and even a real pyramid!

What else to tell about Frida? Oh, yes ... Frida Kahlo and Diego Rivera are depicted on the Mexican banknote of 500 pesos: a portrait of Diego on the front side of the banknote, a portrait of Frida on the back.

And now I have my own little Frida.

How to get to the Frida Kahlo House Museum:

The Frida Kahlo House Museum is located at Museo 150, San Pablo Tepetlepa Del. Coyoacan, S.R. 04620 Mexico D.F. You can get to the museum by metro: Coyoacan metro station, brown line number 3. At the exit from the metro, we stop some Mexican and ask in which direction the museum is located; if the Spanish is not very good, we look inquiringly into his eyes, pronounce the magic word “Frida Kahlo” and carefully follow his gestures. We go where the Mexican pointed and soon the following signs will become visible along the road:

We follow the signs until we see a bright blue house at one of the intersections. Walk from the subway to go for 15-20 minutes.

Anna Golubkina is one of the few female geniuses in Russian art. We and just women involved in fine arts had few, even talented ones; what a genius to say.
She happened to be a student of Rodin, but she would have found her way without him - you can see from her works that they are so energetic, as if alive.

The Anna Golubkina Museum in Moscow is located in a small mansion in B. Levshinsky Lane, on the Garden Ring near the Park Kultury metro station.
The biography of this museum was not rosy initially.

Golubkina died in 1927.

Her relatives handed over to the state, according to her will, more than one and a half hundred works. In the Moscow workshop where she lived and worked, the Golubkina Museum was opened.

But in 1952 disaster struck. Suddenly, as part of a struggle either with formalism, or with something else, it turned out that Golubkina "distorted" the image of a person, including a "Soviet" one. The museum-workshop was closed, and its collection was distributed among the funds of museums in several cities, including the Russian Museum and the Tretyakov Gallery.

Open storage of Golubkina's works in the Mikhailovsky Castle (branch of the Russian Museum), St. Petersburg

It was not until 1972 that Golubkina's reputation was cleared of any "cosmopolitan" accusations.

Museum decided to restore. After twenty years of exile elsewhere, many of her works have found their way home.

Fortunately, after a while the workshop became a branch of the Tretyakov Gallery, it was easy to return many works to their native walls. But the rest of the works forever stuck in other cities.

Golubkina's belongings, her furniture, tools have been preserved, so the sculptor's workshop has been restored quite well.

It is very curious to look at how her works are exhibited in natural conditions. The sculpture looks alive, cozy, and not conserved, museum.

Wooden preparation.

The metal frame of the future figurine.



circle for work.

I like the texture of the old wood for coasters, very true.

Sculptor's tools.

Container for mixing gypsum.

It's great to see this "kitchen" here.

Wallpaper, of course, not authentic, but quite make the mood.




Framing for a fireplace.

You know this guy.

But don't worry, not forever, but just for renovation.
This photo shows that even cosmetic repairs of the exposition are really needed.

I hope they won’t remake the workshop globally, it’s so cool and atmospheric there.

A press release from the Tretyakov Gallery reads:

From September 11, 2017, the building of the museum-workshop of Anna Semenovna Golubkina is closed for reconstruction, which houses one of the scientific departments of the Tretyakov Gallery - the department for researching A.S. Golubkina, a permanent exhibition of the sculptor's works and temporary exhibitions.

House 12 on Bolshoy Levshinsky Lane is an object of cultural heritage of federal significance, has a long history, during which it changed owners, burned, was built anew and rebuilt again.
modern looking house acquired at the turn of the 19th-20th centuries, at a time when it was owned by the descendants of a Siberian merchant family, large Moscow philanthropists and publishers, brothers Mikhail and Sergey Sabashnikov. At the same time, a two-story stone extension to the main house appeared, built according to the project of the architect Yakunin. As conceived by the Sabashnikovs, two spacious rooms with large windows were created on the second floor of the extension, intended for art workshops. In this form, in 1904, the house passed to the hereditary nobleman V.S. Blumenthal.

In 1910, Anna Semyonovna Golubkina (1864-1927), the first professional female sculptor in Russia, a student of Auguste Rodin, one of the key figures in the art of the Silver Age rented from Blumenthal two workshops with adjoining rooms in a stone two-story extension. In this house she lived and worked for seventeen years - until the end of her life.

Museum-workshop of Anna Golubkina has a complex history. After the death of A. S. Golubkina, fulfilling the last will of the sculptor, relatives began to fuss about transferring her works to the state and organizing a museum dedicated to her on the basis of the workshop. The decision to establish the museum was made in 1932 and on May 21, 1934 it opened to the public. However, in 1952 the museum was closed - in the wake of the struggle against the "bourgeois" trends in art, the collection was disbanded.
The decision to reopen the museum was made in 1972, and it was opened in 1976.

In 1986, the Anna Golubkina Museum became part of the State Tretyakov Gallery and received the status of a scientific department. During these same years managed to free the entire building for the museum which was renovated in the late 1980s. However, for various reasons (mainly economic), the building was still not used by the museum as a whole until 2016.

Currently the museum occupies half of the house in Bolshoy Levshinsky Lane. The museum stores and exhibits more than 1,200 exhibits: more than 250 sculptures by Anna Golubkina, her paintings and drawings, a rare collection of cameos, as well as memorial fund items: letters, documents and photographs of the sculptor, her working materials and tools. Today it is the only memorial sculpture workshop of the early 20th century in Moscow.

The need for reconstruction of the museum is long overdue. After the re-opening of the museum-workshop of Anna Golubkina in 1972, it did not undergo a major overhaul. The operation and maintenance of a building that is an object of cultural heritage requires compliance with numerous rules and requirements. The workshop, attached to the mansion at the beginning of the 20th century, is dilapidated, window and door fillings require restoration. The permanent exhibition, consisting of Golubkina's works, is located in halls lined with white porous stone. This solution was proposed in the mid-1980s. The limestone panels had darkened with dust for thirty years. The general solution of the exposition is morally and physically obsolete. In this regard, in recent years, the museum has been preparing for a full-scale restoration and adaptation of the entire house for museum use. Within the framework of the Concept for the Development of the Tretyakov Gallery, developed and adopted in 2016, the memorial spaces of Anna Golubkina's workshop should become the basis of a renovated sculpture museum center.

Updated museum
After reconstruction, the building in Bolshoy Levshinsky Lane will become a modern museum space, the total area of ​​which will more than double and amount to 1,000 sq.m. Memorial halls will be restored, and a special museum climate will appear in all rooms where the collection will be stored and exhibited, which will allow maintaining the necessary temperature and humidity conditions. Exposition areas will increase by 100 sq.m. An exhibition hall with an area of ​​80 sq.m. will appear, which will allow holding full-fledged interchangeable expositions in the museum. The museum will introduce a developed infrastructure for receiving visitors - a cafe, souvenir and book shops; the storage facility will be equipped according to modern standards, a lecture hall will appear, space for art studios will be organized, and access to the building will be provided for people with disabilities.

During the period of design work and reconstruction, the activities of the museum will continue. Over the next few months, Golubkina's collection of works will be transported and placed in the designated and adapted premises of the Tretyakov Gallery. After the move, the museum staff will continue to work on preparing the exposition of the renovated museum, on creating a reasonable catalog that will reflect information about the currently known works of Anna Golubkina as fully as possible. In total, at the moment information has been collected on more than 800 works, about 660 are in the museum collections of the country, and the State Tretyakov Gallery stores more than 40% of the known works of Anna Golubkina. The work and presentation of the reason catalog in the new museum will allow it to become a center for studying the master's work.

The creation of a new exposition will require a deep study of the sculptor's memorial fund: letters, photographs, memoirs, their decoding and digitization for further use in the exposition. A program of changing exhibitions, educational and lecture courses will be developed.

The museum will continue to maintain its page on social networks, prepare materials for the website of the Tretyakov Gallery. A program of virtual exhibitions will be developed. The Anna Golubkina Museum will also have its virtual representation on the Museums in the Neighborhood satellite site, which was created this year jointly with students of the Institute of Media of the Higher School of Economics and will soon start working. Last week on izi-travel an audio guide to the workshop of Anna Golubkina appeared, which will allow you to make virtual tours of the museum throughout the years of reconstruction. Most importantly, the sculptor's works can be seen in the permanent exhibition of the Tretyakov Gallery in Lavrushinsky Lane.

***
Well, well, let's wish the Tretyakov Gallery good luck.
Just don't throw out the old workbenches!

And here are the works of Golubkina.

Portrait of Alexei Remizov

He's in the tree

Portrait of Andrei Bely.
she got such a touching bunny

And this is how he looked at the exhibition in the Tretyakov Gallery

Vyacheslav Ivanov

A.N. Tolstoy is very cool, so the character is conveyed

Lermontov is so gentle, I would fall in love directly

Christ (for headstone)

Lady

"Old"
(in ancient Egyptian style)

Portrait of Brocard, famous perfumer


Please note that it works with ease in any materials - wood, bronze, gypsum, and marble.

Portrait of Vladimir Ern

"Earth"

"Nina"

"Old age"

(c) my photos