What role do street scenes play in the novel? Street scenes in the novel Crime and Punishment quotes

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Part 1 Ch. 1 (drunk in a cart drawn by huge draft horses) Raskolnikov walks down the street and falls into "deep thought", but he is distracted from his thoughts by a drunk who was being transported down the street in a cart at that time, and who shouted to him: "Hey you, German hatter". Raskolnikov was not ashamed, but frightened, because. he absolutely did not want to attract anyone's attention.

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In this scene, Dostoevsky introduces us to his hero: he describes his portrait, tattered clothes, shows his character and makes allusions to Raskolnikov's intention. He feels disgust for everything around him and those around him, he is uncomfortable: "and he went, no longer noticing the surroundings and not wanting to notice him." He doesn't care what they think of him. Also, the author emphasizes this with evaluative epithets: "deepest disgust", "evil contempt" In this scene, Dostoevsky introduces us to his hero: he describes his portrait, tattered clothes, shows his character and makes hints at Raskolnikov's intention. He feels disgust for everything around him and those around him, he is uncomfortable: "and he went, no longer noticing the surroundings and not wanting to notice him." He doesn't care what they think of him. Also, the author emphasizes this with evaluative epithets: "deepest disgust", "evil contempt"

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Part 2 Ch. 2 (scene on the Nikolaevsky bridge, whiplash and alms) On the Nikolaevsky bridge, Raskolnikov peers into St. Isaac's Cathedral. The monument to Peter I, sitting on a rearing horse, disturbs and frightens Raskolnikov. Before this majesty, having previously imagined himself a superman, he feels like a "little man", from whom Petersburg turns away. As if ironically over Raskolnikov and his "superhuman" theory, Petersburg first, with a whip on the back with a whip (an allegorical rejection of Raskolnikov by Petersburg), admonishes the hero who lingered on the bridge, and then throws alms to Raskolnikov with the hand of a merchant's daughter. He, not wanting to accept handouts from a hostile city, throws two kopecks into the water.

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Turning to the artistic construction of the text and artistic means, it should be noted that the episode is built on the contrast of images, almost every scene has a counterpoint to it: the blow is opposed to the almsgiving of the old merchant's wife and her daughter, Raskolnikov's reaction ("angrily gnashed and snapped his teeth") is opposed to the reaction around ("laughter was heard all around"), and the verbal detail "of course" indicates the habitual attitude of the St. Petersburg public towards the "humiliated and insulted" - violence and mockery reign over the weak. The miserable state in which the hero found himself is perfectly emphasized by the phrase "a real collector of pennies on the street." Artistic means are aimed at strengthening the feeling of loneliness of Raskolnikov and at displaying the duality of St. Petersburg. Turning to the artistic construction of the text and artistic means, it should be noted that the episode is built on the contrast of images, almost every scene has a counterpoint to it: the blow is opposed to the almsgiving of the old merchant's wife and her daughter, Raskolnikov's reaction ("angrily gnashed and snapped his teeth") is opposed to the reaction around ("laughter was heard all around"), and the verbal detail "of course" indicates the habitual attitude of the St. Petersburg public towards the "humiliated and insulted" - violence and mockery reign over the weak. The miserable state in which the hero found himself is perfectly emphasized by the phrase "a real collector of pennies on the street." Artistic means are aimed at strengthening the feeling of loneliness of Raskolnikov and at displaying the duality of St. Petersburg.

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Part 2, Chapter 6 (a drunken organ-grinder and a crowd of women at a "drinking and entertainment" institution) Raskolnikov rushes around the quarters of St. Petersburg and sees scenes, one uglier than the other. Recently, Raskolnikov "wanted to wander" through haunting places, "when he felt sick," so that it was even more sick ". Approaching one of the drinking and entertainment establishments, Raskolnikov’s gaze falls on the beggars who wandered around, on the drunken “ragamuffins” swearing at each other, on the “dead-drunk” (evaluating epithet, hyperbole) beggar lying across the street. The whole vile picture is complemented by a crowd of shabby, beaten women in only dresses and bare-haired. The reality that surrounds him in this place, all people here can only leave disgusting impressions (“...accompanied ... a girl, about fifteen, dressed like a young lady, in a crinoline, mantle, gloves and a straw hat with a fiery feather; all it was old and worn out."

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Part 2 ch.6 (scene on ... the bridge) In this scene we observe how the petty-bourgeois woman is thrown off the bridge on which Raskolnikov is standing. A crowd of onlookers immediately gathers, interested in what is happening, but soon the policeman saves the drowned woman, and people disperse. Dostoevsky uses the metaphor "spectators" in relation to the people gathered on the bridge. Philistines are poor people whose lives are very hard. A drunken woman who tried to commit suicide is, in a sense, a collective image of the philistines and an allegorical depiction of all the sorrows and suffering that they experience during the times described by Dostoevsky. "Raskolnikov looked at everything with a strange feeling of indifference and indifference." "No, disgusting... water... is not worth it," he muttered to himself, as if trying himself on the role of a suicide. Then Raskolnikov is still going to do something intentional: go to the office and confess. “Not a trace of past energy… Complete apathy has taken its place,” the author notes metaphorically, as if pointing out to the reader about the change inside the hero that occurred after what he saw.

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For the first time we meet full Petersburg on the streets of the poorest quarters, on one of which Raskolnikov was “lucky” to live. The city landscape is bleak and gloomy. ” squeeze the still not killed, but already fading human soul of Rodion Romanovich with an iron ring of hopelessness. I am a child of the century ”History of the creation of the novel. Presentation. In Russian literature of the second half of the 19th century, the novel became the leading form of depicting reality. Along with Tolstoy, Dostoevsky the novelist occupied one of the most important places in it. Dostoevsky "plowed" the rationalistic ideas about man that had developed in literature, based on given recipes for improving the world.

Petersburg of Dostoevsky. street life scenes

Attention

In the 4th chapter of the fourth part, we see Sonya's dwelling in the old green house of Kapernaumov (is it an accidental biblical consonance?).

A wall ugly cutting the room with three windows overlooked the ditch.

Ugliness and wretchedness, conspicuous, paradoxically enhances the emotional characteristics of the heroine, who has a rare inner wealth.

The third chapter of the sixth part of the novel presents the scene of Svidrigailov's confession to Raskolnikov in a tavern, not far from the Haymarket.

Scenes of street life in Dostoevsky's novel Crime and

The reality that surrounds him in this place, all people here can only leave disgusting impressions (“...accompanied ... a girl, about fifteen, dressed like a young lady, in a crinoline, in a mantle, in gloves and in a straw hat with a fiery feather; it was all old and worn "). In the episode, the author repeatedly notices the crowding ("a large group of women crowded at the entrance, others sat on the steps, others on the sidewalks .."), having gathered together in a crowd, people forget about grief, their plight and are happy to stare at what is happening. The streets are crowded, but the loneliness of the hero is perceived the more acutely.
The world of Petersburg life is peace of misunderstanding, people's indifference to each other.8.
Part 2 ch.6 (scene on ... the bridge) In this scene we observe how the petty-bourgeois woman is thrown off the bridge on which Raskolnikov is standing.

Scenes of street life

This meeting for the hero was significant in many respects.

First of all, the fact that the fate of Marmeladov aroused compassion in Raskolnikov's soul.
After seeing the drunken Marmeladov home, Raskolnikov "inconspicuously put on the window" the money he himself needed.
Then he will also unconsciously continue to help the Marmeladov family, as well as others in need of help, giving the last.
In the next street scene, Raskolnikov helps a drunk girl, trying to protect her from a depraved master, he also does this unconsciously.
One of the most significant, symbolic episodes in the novel is Raskolnikov's first dream.

A terrible dream that he had on the eve of his planned murder.

In this dream, Mikolka brutally kills his horse in front of little Rodion and a large crowd.

Raskolnikov tries to protect the horse, he rebels, rushes with his fists at Mikolka.

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Crime and Punishment "Heroes of Crime and Punishment" - Captains Competition.

Read the text carefully! Who is he about? Crime and Punishment.
Alena Ivanovna. Katerina Ivanovna. Who are these phrases about? How do you understand them?
Marmeladov. Luzhin Pyotr Petrovich Pulcheria Alexandrovna Raskolnikova.

Suggested positions. Lizaveta. "Home test of the pen."

Epigraph of the lesson. Sofia Marmeladova. "Dostoevsky Crime and Punishment" - Did I kill myself?

What is your position? LESSON #4 Topic: The inhumane meaning of the protagonist's theory. Petersburg of Dostoevsky. What does Dostoevsky see as the reasons for the atrocities depicted in the novel? “Did I kill the old woman? What do writers have in common? What connection with Dostoevsky's novel do you see in V. Perov's painting "The Drowned Woman"? "Dostoevsky and Raskolnikov" - Ideas of Raskolnikov.
Both the creative and personal life of Fyodor Mikhailovich was not easy.

He already anticipates the denouement and desires it, but he still pretends to himself and plays with others, riskily opening the veil of his secret.

The same chapter ends with a wild scene: a drunken woman throws herself from the bridge into the river in front of Raskolnikov.

And Petersburg is already becoming a conspirator and provocateur here for the hero.

Dostoevsky is briefly characterized by critics as an incomparable master of arranging fateful "accidents". And indeed, how subtly the writer succeeds in focusing on the change in the mood and train of thought of the hero who accidentally ran into this woman, met her eyes with her inflamed gaze! City-Destroyer The idea of ​​a city-accomplice in a crime and a destroyer reappears in the 5th chapter of the fifth part, where the author draws a scene of Katerina Ivanovna's madness.

Match the scenes of street life in the novel Crime and Punishment

The events described in the novel take place in St. Petersburg. Dostoevsky's Petersburg is a city in which it is impossible to live: it is inhuman. This is a city of "street girls", "tavern regulars" who seek in wine a momentary oblivion from boredom.

Petersburg in Dostoevsky's novel Crime and Punishment The theme of the "little man" again sounds with unprecedented force. But Dostoevsky goes even further in his reflections.

From a philosophical point of view, he not only delves into the soul and mind of such a hero, but also tries to find the reason for all this.

True, in my opinion, Svidrigailov’s remark about the city: “the people get drunk, young people educated from inactivity burn out in unrealizable dreams and daydreams, disfigure themselves in theories ... This city smelled like a familiar smell to me from the first hours.”

As if Pulcheria Alexandrovna echoes him: “...here and on the streets, as in rooms without vents, it is stuffy.

Lord, what a city!” An unfairly arranged world causes a rebellion in Raskolnikov's soul.

He tries to protect the weak and disadvantaged, and at the same time rise above this world, allow himself complete freedom from conscience, justifying himself by the fact that the world itself is criminal.

Match the scenes of street life in the novel crime and punishment part

These are the details that strengthen the hero in his sinister determination to test his theory.

Raskolnikov's closet, described in the 3rd chapter of the first part of the novel, resembles either a closet or a coffin.

Once Dostoevsky mentions its resemblance to a sea cabin.

All this eloquently testifies to the internal state of Raskolnikov, squeezed by poverty, unsatisfied pride and his monstrous theory, which takes away his balance and peace. In the 2nd chapter of the first part and the 7th chapter, the second author presents the “passage room” of the Marmeladovs, where the life of a family impoverished to an extreme degree constantly appears before the eyes of a curious public, and there is nothing to say about solitude and peace.

Alien glances, bursts of laughter, thick waves of tobacco smoke - the atmosphere in which life passes and death overtakes the Marmeladovs.

Compose scenes of street life in the novel Crime and Punishment

Turning to the artistic construction of the text and artistic means, it should be noted that the episode is built on the contrast of images, almost every scene has a counterpoint to it: the blow is opposed to the almsgiving of the old merchant’s wife and her daughter, Raskolnikov’s reaction (“gnashed and snapped his teeth angrily”) was opposed to the reaction of others (“laughter was heard all around ”), and the verbal detail “of course” indicates the habitual attitude of the St. Petersburg public towards the “humiliated and insulted” - violence and mockery reign over the weak. The miserable state in which the hero found himself is best emphasized by the phrase "a real collector of pennies on the street." Artistic means are aimed at strengthening Raskolnikov's sense of loneliness and at displaying the duality of Petersburg.6.

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2. Research work on the topic: What role do scenes of street life play in Dostoevsky's novel "Crime and Punishment"

The subject of my work is the scenes of street life in Dostoevsky's novel "Crime and Punishment". I would immediately like to note that there are a lot of episodes that describe the street life of St. Petersburg. It is characteristic that we mainly see that part of St. Petersburg where the poor live, this is the Sennaya Square area. It is in this part of St. Petersburg that Raskolnikov lives, a poor student of the law faculty of St. Petersburg University. A feature of this part of St. Petersburg is the "abundance of well-known establishments", namely drinking houses, taverns, as a result of which there are many drunks. Raskolnikov himself rarely visited such establishments. But, returning from the old woman-interest-bearer, he "without thinking for a long time" goes to the tavern, where he meets Marmeladov. This meeting for the hero was significant in many respects. First of all, the fact that the fate of Marmeladov aroused compassion in Raskolnikov's soul. After seeing the drunken Marmeladov home, Raskolnikov "inconspicuously put on the window" the money he himself needed. Then he will also unconsciously continue to help the Marmeladov family, as well as

others in need of help, giving the last. In the next street scene, Raskolnikov helps a drunk girl, trying to protect her from a depraved master, he also does this unconsciously.

One of the most significant, symbolic episodes in the novel is Raskolnikov's first dream. A terrible dream that he had on the eve of his planned murder. In this dream, Mikolka brutally kills his horse in front of little Rodion and a large crowd. Raskolnikov tries to protect the horse, he rebels, rushes with his fists at Mikolka. This street scene symbolizes the cruelty and indifference of the street crowd, no one tries to stop Mikolka, except for the boy. After this dream, Raskolnikov abandons the idea of ​​murder. He rejoices in being freed from this obsession. But now, returning home, he makes an unnecessary detour through Sennaya Square, where a chance meeting takes place, which predetermined his entire future fate. Pay attention, this is happening again on Haymarket. “Near the taverns on the lower floors, in the dirty and smelly courtyards of the houses of Sennaya Square, and most of all at the drinking houses, there were crowds of many different and all sorts of industrialists and shabby people.” Raskolnikov mostly liked these places, as well as all the lanes nearby, when he went out into the street without a goal. Here our hero meets Lizaveta Ivanovna, the old woman's sister, and learns that tomorrow, at seven o'clock, she will not be at home. He felt "that he no longer had any freedom of mind or will, and that everything had suddenly been finally decided."

This concludes the first part of the scenes of street life before the crime. Willingly or unwittingly, Raskolnikov becomes a victim of society, inexorably pushing him to commit a crime.

The second part of my work is devoted to those episodes that took place after the crime.

On the Nikolaevsky bridge, after visiting Razumikhin, Rodion falls under the whip of the coachman, the people do not sympathize, but laugh at him, only the elderly merchant's wife and her daughter took pity on him and gave him two kopecks. At that moment, he saw a beautiful panorama of the front of St. Petersburg: "the palace, the dome of Isakia." A chill blew over him from this magnificent panorama, "this picture was full of a mute and deaf spirit for him." He threw a two-kopeck piece into the Neva, “it seemed to him that he seemed to have cut himself off with scissors from everyone and everything at that moment.” But a person is not able to live alone, including Raskolnikov. In the following episodes, he again goes to the people, that is, to the street. As usual, this is Sennaya. Here he listens to the singing of a girl of about fifteen to the accompaniment of an organ grinder. Raskolnikov speaks to people, passes through the Sennaya, turns into an alley, where he finds himself next to a large house, in which there were taverns, as well as various entertainment establishments. Everything occupies him, he talks to women, he wants to join everything. We see that Raskolnikov cannot sit in his closet, despite his poor health. He goes to the streets. Here he either observes life, such as a suicide woman who threw herself off the bridge on which he was standing, or takes an active part, for example, in the scene of Marmeladov's death under the wheels of a carriage. He actively helps Marmeladov, does everything in his power, as if he is praying for his crime.

The episode describing the madness of Katerina Ivanovna is significant. Katerina Ivanovna takes her children outside and makes them sing songs. Raskolnikov, observing all this, justifies himself, convincing Sonya that society is criminal and does not have the right to judge him as a criminal. And finally, the last episode, in which Raskolnikov on the Haymarket, on the advice of Sonya, kneels down, "bowed to the ground and kissed this dirty land with pleasure and happiness." He wanted to publicly confess his crime, but the laughter and remarks of the crowd stopped him. However, he took it all in stride.

So, we can conclude that the accomplice, accomplice of Raskolnikov's crime is the city of Petersburg. True, in my opinion, Svidrigailov’s remark about the city: “the people get drunk, young people educated from inactivity burn out in unrealizable dreams and daydreams, disfigure themselves in theories ... This city smelled like a familiar smell to me from the first hours.” As if Pulcheria Alexandrovna echoes him: “...here and on the streets, as in rooms without vents, it is stuffy. Lord, what a city!” An unfairly arranged world causes a rebellion in Raskolnikov's soul. He tries to protect the weak and disadvantaged, and at the same time rise above this world, allow himself complete freedom from conscience, justifying himself by the fact that the world itself is criminal. Street scenes, I think, illustrate and confirm this idea.

Work description

The subject of my work is the scenes of street life in Dostoevsky's novel "Crime and Punishment". I would immediately like to note that there are a lot of episodes that describe the street life of St. Petersburg. It is characteristic that we mainly see that part of St. Petersburg where the poor live, this is the Sennaya Square area. It is in this part of St. Petersburg that Raskolnikov lives, a poor student of the law faculty of St. Petersburg University.

Thunderstorm In the 6th chapter of the sixth part, a sultry and gloomy evening is torn apart by a terrible thunderstorm, in which lightning flashes without interruption, and the rain "gushed like a waterfall", ruthlessly splashing the earth. This is the evening on the eve of the suicide of Svidrigailov, a man who brought the principle of “love yourself” to an extreme point and ruined himself with this. The storm continues with restless noise, and then a howling wind. In the cold haze, an alarming alarm sounds, warning of a possible flood. The sounds remind Svidrigailov of the once seen suicide girl in a coffin strewn with flowers. All this seems to be pushing him towards suicide. Morning greets the hero with a thick milky-white fog, covering the city, consciousness, spiritual emptiness and pain.

Petersburg of Dostoevsky. street life scenes

In the 4th chapter of the fourth part, we see Sonya's dwelling in the old green house of Kapernaumov (is it an accidental biblical consonance?). This building is also an attraction for fans of Fyodor Mikhailovich's books; to this day it is called the "house with an obtuse angle."
Here, as elsewhere in the novel, a narrow and dark staircase leads to Sonya's room, and the room itself resembles a shed in the shape of an irregular quadrangle with an "extremely low ceiling." A wall ugly cutting the room with three windows overlooked the ditch.
Ugliness and wretchedness, conspicuous, paradoxically enhances the emotional characteristics of the heroine, who has a rare inner wealth. The third chapter of the sixth part of the novel presents the scene of Svidrigailov's confession to Raskolnikov in a tavern, not far from the Haymarket.

Scenes of street life in Dostoevsky's novel Crime and

The city on the Neva, with all its majestic and sinister history, has always been in the center of attention of Russian writers. Peter's creation According to the plan of its founder Peter the Great, Petersburg, called "from the swamp of swamps", was to become a stronghold of sovereign glory.

Contrary to the ancient Russian tradition of building cities on hills, it was indeed built in a swampy lowland at the cost of the lives of many nameless builders, exhausted by dampness, cold, swamp miasma and hard work. The expression that the city "stands on the bones" of its builders can be taken literally.

At the same time, the meaning and mission of the second capital, its magnificent architecture and daring mysterious spirit made St. Petersburg a truly “wonderful city”, which made its contemporaries and descendants admire themselves.

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Petersburg of Dostoevsky. Scenes of street life The work was performed by: Menshchikova Alena, Melnikov Zakhar, Khrenova Alexandra, Pechenkin Valery, Shvetsova Daria, Valov Alexander, Metzler Vadim, Elpanov Alexander and Tomin Artem.2. Part 1 Ch. 1 (drunk in a cart drawn by huge draft horses) Raskolnikov walks down the street and falls into "deep thought", but he is distracted from his thoughts by a drunk who was being transported down the street in a cart at that time, and who shouted to him: "Hey you, German hatter."

Raskolnikov was not ashamed, but frightened, because. he absolutely did not want to attract anyone's attention. In this scene, Dostoevsky introduces us to his hero: he describes his portrait, tattered clothes, shows his character and makes allusions to Raskolnikov's intention. ".

Lesson. the image of St. Petersburg in the novel by F.M. Dostoevsky (crime and punishment)

For the first time we meet full Petersburg on the streets of the poorest quarters, on one of which Raskolnikov was “lucky” to live. The city landscape is bleak and gloomy. ” squeeze the still not killed, but already fading human soul of Rodion Romanovich with an iron ring of hopelessness. I am a child of the century ”History of the creation of the novel. Presentation. In Russian literature of the second half of the 19th century, the novel became the leading form of depicting reality.

Attention

Along with Tolstoy, Dostoevsky the novelist occupied one of the most important places in it. Dostoevsky "plowed" the rationalistic ideas about man that had developed in literature, based on given recipes for improving the world.

one more step

The contrasts of St. Petersburg, the capital of what was then Russia, were painted, of course, by many other writers: A. S. Pushkin, N. A. Nekrasov. In Dostoevsky these contrasts are especially sharpened.
In the 60s and 70s, St. Petersburg grew rapidly due to tenement houses, banking offices, all this is reflected in Crime and Punishment. The urban landscape in the novel is gloomy, although the action takes place in summer and the weather is hot. Theme: Crime and Punishment The events described in the novel take place in St. Petersburg. Petersburg of Dostoevsky is a city in which it is impossible for a person to live.
We will not find in the writer either a family hearth or just human habitation.

Important

But a person is not able to live alone, including Raskolnikov. In the following episodes, he again goes to the people, that is, to the street.

As usual, this is Sennaya. Here he listens to the singing of a girl of about fifteen to the accompaniment of an organ grinder. Raskolnikov speaks to people, passes through the Sennaya, turns into an alley, where he finds himself next to a large house, in which there were taverns, as well as various entertainment establishments. Everything occupies him, he talks to women, he wants to join everything. We see that Raskolnikov cannot sit in his closet, despite his poor health. He goes to the streets. Here he either observes life, such as a suicide woman who threw herself off the bridge on which he was standing, or takes an active part, for example, in the scene of Marmeladov's death under the wheels of a carriage.

Scenes of street life

Dostoevsky is not indifferent to the mental pathology experienced by the hero. The city watches closely and loudly denounces, teases and provokes.

In the 2nd chapter of the second part, the city physically affects the hero. Raskolnikov was whipped tightly by a cab driver, and immediately after that some merchant's wife gave him two kopecks as an alms.

This wonderful urban scene symbolically anticipates the entire subsequent history of Raskolnikov, who was still “immature” to humbly accept alms. Do you love street singing? In the 6th chapter of the second part of the novel, Rodion wanders around the streets, where poverty lives and drinking places of entertainment are crowded, and becomes a witness to the unpretentious performance of organ grinders.

He is drawn into the midst of the people, he talks to everyone, listens, observes, with some kind of dashing and hopeless greed, absorbing these moments of life, as before death.

Scenes of street life in the novel Crime and Punishment quotes

In the meantime, in the 6th chapter of the second part of the novel, we see evening Petersburg through the eyes of Dostoevsky the humanist, piercingly pitying the degraded urban poor. Here a “dead drunk” ragamuffin is lying across the street, a crowd of women “with black eyes” is humming, and this time Raskolnikov inhales this languishing air into himself in some kind of painful ecstasy.

City-Judge In the 5th chapter of the fifth part of the novel, Petersburg is shown on the edge, from the window of Raskolnikov's closet. The evening hour of the setting sun awakens in a young man a “dead longing”, which torments him with a premonition of eternity curled up into a tiny point - eternity “on a yard of space”.

And this is already the verdict that the logic of events passes on Raskolnikov's theory. Petersburg of Dostoevsky at this moment appears not only as an accomplice in crime, but also as a judge.

Street scenes in the novel Crime and Punishment quotes

Researchers of Dostoevsky's work have calculated that Petersburg is depicted by the writer in 20 of his works. 6 (stormy evening and morning on the eve of Svidrigailov's suicide). scenes of street life - part one, ch. I (drunk in a cart drawn by huge draft horses); part two, ch.

2 (scene on

Nikolaevsky bridge, blow of a whip and alms); part two, ch. 6 (an organ grinder and a crowd of women at a "drinking and entertainment" establishment); part two, ch. 6 (scene on the bridge); part five, ch. Equipment: a portrait of F.M. Dostoevsky, plates, illustrations by I.S. Glazunov for the works of the writer, postcards with views of St. Petersburg, a multimedia projector.

Landscapes: part 1 d.1. (“disgusting and sad coloring” of the city day); part 2.d. 1 (repetition of the previous picture); part 2.d.2. (“a magnificent panorama of St. Petersburg”); part 2.d.6. (evening Petersburg); part 4.d.5.

Petersburg has repeatedly become the protagonist of Russian fiction. Many critics and writers call "Crime and Punishment" a Petersburg novel. F. M. Dostoevsky loved Petersburg, as did his hero, Raskolnikov, who was madly in love with wandering the streets of the city. Going on a crime, Raskolnikov, passing by the Yusupov Garden, thinks about fountains that would be nice to freshen the air in the squares, and that if the Summer Garden were extended to the entire Field of Mars and connected to the Mikhailovsky Palace Garden, then there would be a beautiful

And the most useful thing for the city. This tells us that Rodion Raskolnikov loves his city and thinks about it even in such terrible moments.

And at the same time we see that this city is rather gloomy, sick, damp, although so beautiful. The contrasts of St. Petersburg, the capital of what was then Russia, were painted, of course, by many other writers: A. S. Pushkin, N. A. Nekrasov. In Dostoevsky these contrasts are especially sharpened. In the 60s and 70s, St. Petersburg grew rapidly due to tenement houses, banking offices, all this is reflected in Crime and Punishment.

The urban landscape in the novel is gloomy, although the action takes place

In summer the weather is hot. Through the eyes of the hungry poor Raskolnikov, we look at Petersburg: “... the heat was terrible on the street, and besides, stuffiness, crush, everywhere lime, brick, dust and that special summer stench, so known to every Petersburger who does not have the opportunity to rent a summer house, all this at once unpleasantly shocked the already upset nerves of the young man. A hungry young man feels rejected among rich mansions, dressed up women. The description of Petersburg is perceived as a visible picture of the outside world, which the hero sees in front of him, as a reflection of the feelings of Rodion Raskolnikov.

The action of the novel takes place mostly on the street. In the alley near the Haymarket, a nifty carriage crushed poor Marmeladov; his wife, who had long been ill with consumption, was bleeding in the street; on the street, Svidrigailov shot himself, on Sennaya Square Raskolnikov is trying to repent before the people. All these street scenes are closely connected with Raskolnikov's experiences. The hero of the novel "Crime and Punishment" is painfully aware that not only he himself, but also thousands of other people are doomed to early death, poverty and lack of rights.

Once, going into the tavern, Raskolnikov accidentally overhears a conversation between a student and an officer. They talk about the same old woman Raskolnikov is plotting to kill. “Rich as a Jew, she can immediately give out five thousand. She has had many of ours. Only a terrible bitch ... ”- the student tells the officer. At that time in St. Petersburg there were a lot of people like Raskolnikov, and their fate is similar to his fate to some extent. Many students were on the verge of poverty and from time to time were forced to turn to an evil and capricious old money-lender. The same Razumikhin left the university due to the fact that there was nothing to pay for his studies. And how many more such students wandered aimlessly through the dirty streets of St. Petersburg, indulging in gloomy reflections.

Rodion Raskolnikov seeks to find a way out of this situation. In this world of the humiliated and offended, Raskolnikov's half-mad idea is born. Petersburg in Dostoevsky's novel is not only a city of helpless hungry poor people, but also a city of business people who do what they can: the swindler Koch buys overdue things from an old money-lender, the owner of the tavern Dushkin is a pawnbroker and hides stolen goods ... the merchant Yushin keeps cheap dirty rooms, Daria Frantsevna trades in women.

In Dostoevsky's novel, the main scene of action, the main trading point of St. Petersburg, is Sennaya Square. It is surrounded by gloomy streets and lanes inhabited by petty bureaucratic people, traders, usurers, the life of boulevards, snack bars, taverns, brothels is shown. A stone's throw from the dirty Haymarket is Stolyarny Lane, it has 16 houses and 18 drinking establishments. Raskolnikov wakes up at night from drunken screams, this is the visitors leaving the taverns.

F. M. Dostoevsky acquaints us in detail with the situation in which his characters live. Raskolnikov's closet is so small that it is possible, lying on the bed, to open the door latch without much effort. The rooms of Razumikhin and Marmeladov are almost the same. Their rooms are exactly dark, damp coffins. Semi-darkness reigns in them forever, which is to match the dullness of life. Under the low ceiling of a beggar's kennel, a monstrous theory of crime was born in the mind of a hungry man.

It is not in vain that the author mentions the heat in St. Petersburg several times. This heavy weather leads to a confusion of thoughts in Raskolnikov's head, he walks around St. Petersburg as if in delirium. Heat and stuffiness also give impetus to crime to some extent. Petersburg plays an important role in the novel, an abundance of external details, details of city life, scenes of street crush, miserable interiors - all this creates a general feeling of a city that is hostile to man, crowds, puts pressure on him, creates an atmosphere of hopelessness, pushes him to scandals and crimes.