How Pechorin is revealed in history by smugglers. Why does Pechorin call the smugglers honest? Essay on literature on the topic: What clarifies the story of smugglers in the character of Pechorin

The chapter "Taman" was included in the "Journal of Pechorin". Restoring the chronological sequence of events from the life of Pechorin, one should start reading the novel “A Hero of Our Time” from the story “Taman”, where Pechorin tells about the incident that happened to him when he first came from St. Petersburg to the Caucasus. Then follows the story "Princess Mary", where Pechorin tells about the events in which he participated, having arrived on the waters in Pyatigorsk. Then the story "Bela", the events of which take place in the fortress, where Pechorin was exiled for a duel with Grushnitsky.

Pechorin left the fortress for some time to the Cossack village and witnessed the story with the officer Vylich, described in the short story "The Fatalist". Then five years pass. Pechorin, having retired, lives in St. Petersburg and, bored again, goes to Persia. Along the way, he meets with Maxim Maksimych. Their meeting is described in the story "Maxim Maksimych". From a brief preface to Pechorin's Journal, we learn that, returning from Persia, Pechorin died. Lermontov departed from such a chronology and built the composition of the novel in such a way that we first learn about Pechorin from the stories about him by Maxim Maksimych and a passing officer, and then from the diary "Pechorin's Journal". Thus, the character of Pechorin is revealed in various situations, in a collision with other characters in the novel. And each time some new facet of the complex and rich nature of Pechorin opens up.

"Taman" is the third story in order. With its problematics and the nature of the hero's environment, it seems to continue "Bela" and is a record of an episode from the past. The story is told in the first person (Pechorina). Describing an episode from the life of smugglers, Pechorin does not say anything about his thoughts and experiences. His attention is focused on showing the events themselves, their participants, and the situation. Landscape helps to create a mysterious and romantic mood of the story. With amazing skill, Lermontov describes the restless sea, the moon, clouds. “The shore fell like a cliff to the sea almost at its very walls, and below, with a continuous roar, dark blue waves splashed. The moon quietly looked at the restless, but submissive elements, and I could distinguish in the light of it, far from the coast, two ships, ”writes Pechorin. Around him is an atmosphere of mystery and suspense. The night, the reed roof and white walls of the new dwelling, the meeting with the blind boy - all this strikes Pechorin's imagination so much that he cannot fall asleep in a new place for a long time. Much in the boy's behavior seems incomprehensible and mysterious: how a blind man so easily descends a narrow, steep path, how he feels a person's gaze. An unpleasant impression on Pechorin is made by his barely noticeable smile. Pechorin's curiosity is spurred on by the boy's actions. Alone, in the middle of the night, with some kind of bundle, he descends to the sea. Pechorin began to watch him, hiding behind a protruding rock. He saw a white female figure approach him and speak to him. From the conversation it became clear that they were waiting for Yanko, who was to sail in a boat on a stormy sea, bypassing the coast guards. He delivered some cargo on a boat. Taking a bundle each, they set off along the shore and disappeared from sight.

What kind of people live on the coast? What mysteries are hidden by their unusual behavior? These questions haunt Pechorin, and he boldly invades the unknown, boldly rushes towards danger. Pechorin meets an old woman and her daughter. Hearing the song, Pechorin looked up and on the roof of the roof he saw a girl in a striped dress, with loose braids, a real mermaid. Subsequently, he nicknamed her Undine. She was extraordinarily good-looking: “The extraordinary flexibility of the body, the special inclination of her head, long blond hair, some kind of golden tint of her slightly tanned skin on her neck and shoulders, and especially the correct nose - all this was charming for me.” Having spoken to this girl, Pechorin told about the night scene on the shore, which he had witnessed, and threatened to report everything to the commandant. This was a great negligence on his part, and he soon repented. The poetic girl - “undine”, “real mermaid” - insidiously lures Pechorin into a trap, hinting at love: “She jumped up, wrapped her arms around my neck, and a wet, fiery kiss sounded on my lips. My eyes darkened, my head swam, I squeezed her in my arms with all the strength of youthful passion ... ”Ondine made an appointment for Pechorin at night on the shore. Forgetting about caution, Pechorin gets into the boat. Having sailed some distance from the shore, the girl hugged Pechorin, unfastened the pistol and threw it overboard. Pechorin realized that he could die, because he could not swim. This gave him strength, and a short fight ended with him throwing her into the waves. Hope for love turned out to be deceived, the date ended in a fierce struggle for life. All this causes the anger of Pechorin, who suffered because of his naivety and gullibility. But, in spite of everything, he managed to uncover the secret of "peaceful smugglers". This brings disappointment to the hero: “And why did fate throw me into a peaceful circle of honest smugglers? Like a stone thrown into a smooth spring, I disturbed their calmness and, like a stone, I almost sank myself. Returning, Pechorin discovers that in a bag the blind man carried his things ashore - a casket, a saber with a silver rim, a Dagestan dagger - a gift from a friend. “Wouldn’t it be funny to complain to the authorities that a blind boy robbed me, and an eighteen-year-old girl almost drowned me?” In the morning Pechorin leaves for Gelendzhik.

Pechorin realizes that he made a mistake by intruding into the lives of these people, and blames himself for invading their circle, which disrupted life. Yanko and the girl leave, leaving the boy and the old woman without a livelihood. Pechorin admits: “I don’t know what happened to the old woman and the poor blind man. Yes, and what do I care about human joys and misfortunes, me, a wandering officer, and even with a traveler for official needs.

"Taman" strikes with a masterful depiction of the characters of the heroes. The image of a smuggler girl is truly romantic. This girl is characterized by bizarre variability of mood, "rapid transitions from the greatest anxiety to complete immobility." Her speeches are mysterious and close in form to folk proverbs and sayings; her songs, reminiscent of folk, speak of her desire for a violent will. It has a lot of vitality, courage, determination, poetry of "wild freedom". A rich, peculiar nature, full of mystery, it is, as it were, created by nature itself for the free, risky life that she leads. No less colorful is the image of the smuggler Yanko, written in sparing but bright strokes. He is determined and fearless, not afraid of the storm. Having learned about the danger that threatens him, he leaves his native places to look for fishing in another place: “... and everywhere the road is dear to me, where only the wind blows and the sea rustles!” But at the same time, Janko shows cruelty and stinginess, leaving a blind boy on the shore with a few coins. Pechorin's personality is complemented by such qualities that manifest themselves in moments of danger: this is courage, determination, willingness to take risks, willpower.

At the end of the story, Pechorin peers into the white sail, which flickered between the dark waves in the light of the moon. This symbolic image is reminiscent of one of the most amazing in beauty and deepest in thought Lermontov's poems - "The lonely sail turns white ...". The same rebellious, restless was the life of the main character - Pechorin.

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Analysis of the chapter "Taman" of the novel by M.Yu. Lermontov "A Hero of Our Time"

Grigory Alexandrovich Pechorin is one of the most enigmatic figures in Russian classical literature. Roman M.Yu. Lermontov's "Hero of Our Time" retains the best features of his romantic works and stands at the origins of Russian psychological realism. Having set as his task the image of the hero of the time with a strong will and a mighty soul, but with a tragic fate, the study of the negative and positive sides of his generation, the author creates an amazing work. “The history of the human soul is almost more curious and no more useful than the history of an entire people,” writes Lermontov. The composition of the work, built on the violation of chronology, is subject to the logic of psychological analysis. We learn about Pechorin from the lips of the simple and naive Maxim Maksimych, get acquainted with his psychological portrait, which is created by the author-narrator himself, but the introspection presented in Pechorin's journal becomes the leading way of organizing the story of the hero of time.

Pechorin's journal is opened by the short story "Taman", the "self-disclosure" of the hero begins with it. The beginning of the novel, at first glance, does not portend the romantic world that will be created later: “Taman is the nastiest town of all the coastal cities of Russia. I almost died of hunger there, and besides, they wanted to drown me.” However, the landscape of the very first pages of the novel is distinguished by its romanticism: “A full month shone on the reed roof… The coast descended to the sea… The moon quietly looked at the restless, but submissive element…” With the help of personification, the author creates a lyrical picture. The poetics of the novel is contrasting: romantic landscapes are replaced by an accurate recreation of everyday life, the image of the exotic world of "honest smugglers" is an expression of the author's position.

Let's go with the hero into the hut. "... two benches and a table and a huge chest near the stove made up all of her furniture." This everyday sketch is interrupted by a completely romantic phrase: “The sea wind rushed through the broken window glass.” In fact, this phrase contains the hidden desire of the hero to plunge into the romance of adventure, and he will be satisfied.

Everything in the life of the people at whom Pechorin stopped alarms him. He has a "prejudice" against cripples, and here lives a blind boy. In the hut "not a single image on the wall is a bad sign." However, Pechorin seems to be acting contrary. He is already ready to plunge into the mysterious life of smugglers, instead of moving away from the world alien to him, and even glad of the opportunity given to him by fate. And the world of "honest smugglers" is not at all alien to the hero. It is no coincidence that, going down the path for the blind, the phrase of the Gospel suddenly comes to Pechorin's mind: "On that day the dumb will cry out and the blind will see." The situation in the novel is romantic, and the hero has some high spirits. His soul, rebellious, passionate, akin to the sea element, he is ready for danger and longs for worldly storms.

In the short story, Pechorin (after all, it is he who is the author of the text, according to Lermontov) creates an amazing image of an undine, a mermaid. In fact, the heroine of the novel is a simple poor girl. But Pechorin, constantly looking for a hidden meaning behind the phenomena of the world, sees in her an image inspired by romantic German poetry. “The extraordinary flexibility of the camp”, “long blond hair”, “something wild and suspicious” in her views, “mysterious speeches”, “strange songs” - these are the components of the image of the Pechorin undine. He memorizes the mermaid's song "from word to word", because it is about free people, people of risk, people of action. Such people are close to our hero!

True, during their duel in the boat, the undine turns into a completely real and dangerous opponent: “she clung to my clothes like a cat, and suddenly a strong push almost threw me into the sea.” Pechorin even realizes that he is inferior to her in dexterity, but he is grateful for the joy of the duel. In this duel, a detail that seems to discredit the strong Pechorin attracts attention - he cannot swim! But we are already prepared by the previous narrative for the oddities and contradictions of the hero's nature.

The symbolic images of the chapter "Taman": the sea, the sail - continue the romantic theme of the work. These poetic images embody the idea of ​​freedom, liberty, to which the hero aspires. The game, pretense, posturing that reign in secular society are alien to him, he is looking for a lofty ideal. That is why the rebellious Yanko is close to him, to whom, in his own words, “there is a road everywhere, where only the wind blows and the sea is noisy.” Yanko lives a free life in harmony with the world, and Pechorin lacks it. But the freedom-loving Yanko leaves under a white sail along with a beautiful undine. The final scene of "Taman" is symbolic: the ideal, to which Pechorin's soul so strives, is elusive and unattainable. Reality destroys the romantic world again. Returning to the hut, Pechorin discovers that "honest smugglers" have robbed him corny. Perhaps that is why the last phrase of “Taman” sounds disappointed and ironic: “Yes, and what do I care about the joys and misfortunes of people, me, a wandering officer, and even with a traveler on official duty.”

The first part of Pechorin's journal reveals to the reader precisely the romantic side of his nature. Before us appears a rebellious hero, an outstanding personality, thirsting for storms and worries, a man of reckless courage, looking for his ideal. At the same time, we see how reality, the routine of life, destroys the romantic world created by the hero in his imagination. This eternal conflict of romantic poetry!

In artistic terms, "Taman" is an example of high art. Conciseness, accuracy and simplicity of narration, richness of language make the short story an unsurpassed example of romantic prose. V.G. Belinsky compared the story with a lyric poem. A.P. Chekhov admitted that he was in love with these Lermontov pages. Yes, and how not to admire the poetic skill with which Lermontov's prose work was written! “I wrapped myself in a cloak and sat down on a stone by the fence, looking into the distance; in front of me stretched the sea agitated by a night storm, and its monotonous noise, like the murmur of a city falling asleep, reminded me of the old years, transferred my thoughts to the north, to our cold capital. Excited by memories, I forgot ... "We will also forget, reading the lovely lines of Lermontov and enjoying the Word ...

The chapter "Taman" was included in the "Journal of Pechorin". Restoring the chronological sequence of events from the life of Pechorin, one should start reading the novel “A Hero of Our Time” from the story “Taman”, where Pechorin tells about the incident that happened to him when he first came from St. Petersburg to the Caucasus. Then follows the story "Princess Mary", where Pechorin tells about the events in which he participated, having arrived on the waters in Pyatigorsk. Then the story "Bela", the events of which take place in the fortress, where Pechorin was exiled for a duel with Grushnitsky. Pechorin left the fortress for some time to the Cossack village and witnessed the story with the officer Vylich, described in the short story "The Fatalist". Then five years pass. Pechorin, having retired, lives in St. Petersburg and, bored again, goes to Persia. Along the way, he meets with Maxim Maksimych. Their meeting is described in the story "Maxim Maksimych". From a brief preface to Pechorin's Journal, we learn that, returning from Persia, Pechorin died. Lermontov departed from such a chronology and built the composition of the novel in such a way that we first learn about Pechorin from the stories about him by Maxim Maksimych and a passing officer, and then from the diary "Pechorin's Journal". Thus, the character of Pechorin is revealed in various situations, in a collision with other characters in the novel. And each time some new facet of the complex and rich nature of Pechorin opens up.

"Taman" is the third story in order. With its problematics and the nature of the hero's environment, it seems to continue "Bela" and is a record of an episode from the past. The story is told in the first person (Pechorina). Describing an episode from the life of smugglers, Pechorin does not say anything about his thoughts and experiences. His attention is focused on showing the events themselves, their participants, and the situation. Landscape helps to create a mysterious and romantic mood of the story. With amazing skill, Lermontov describes the restless sea, the moon, clouds. “The shore fell like a cliff to the sea almost at its very walls, and below, with a continuous roar, dark blue waves splashed. The moon quietly looked at the restless, but submissive elements, and I could distinguish in the light of it, far from the coast, two ships, ”writes Pechorin. Around him is an atmosphere of mystery and suspense. The night, the reed roof and white walls of the new dwelling, the meeting with the blind boy - all this strikes Pechorin's imagination so much that he cannot fall asleep in a new place for a long time. Much in the boy's behavior seems incomprehensible and mysterious: how a blind man so easily descends a narrow, steep path, how he feels a person's gaze. An unpleasant impression on Pechorin is made by his barely noticeable smile. Pechorin's curiosity is spurred on by the boy's actions. Alone, in the middle of the night, with some kind of bundle, he descends to the sea. Pechorin began to watch him, hiding behind a protruding rock. He saw a white female figure approach him and speak to him. From the conversation it became clear that they were waiting for Yanko, who was to sail in a boat on a stormy sea, bypassing the coast guards. He delivered some cargo on a boat. Taking a bundle each, they set off along the shore and disappeared from view.

What kind of people live on the coast? What mysteries are hidden by their unusual behavior? These questions haunt Pechorin, and he boldly invades the unknown, boldly rushes towards danger. Pechorin meets an old woman and her daughter. Hearing the song, Pechorin looked up and on the roof of the roof he saw a girl in a striped dress, with loose braids, a real mermaid. Subsequently, he nicknamed her Undine. She was extraordinarily good-looking: “The extraordinary flexibility of the body, the special inclination of her head, long blond hair, some kind of golden tint of her slightly tanned skin on her neck and shoulders, and especially the correct nose - all this was charming for me.” Having spoken to this girl, Pechorin told about the night scene on the shore, which he had witnessed, and threatened to report everything to the commandant. This was a great negligence on his part, and he soon repented. The poetic girl - “undine”, “real mermaid” - insidiously lures Pechorin into a trap, hinting at love: “She jumped up, wrapped her arms around my neck, and a wet, fiery kiss sounded on my lips. My eyes darkened, my head swam, I squeezed her in my arms with all the strength of youthful passion ... ”Ondine made an appointment for Pechorin at night on the shore. Forgetting about caution, Pechorin gets into the boat. Having sailed some distance from the shore, the girl hugged Pechorin, unfastened the pistol and threw it overboard. Pechorin realized that he could die, because he could not swim. This gave him strength, and a short fight ended with him throwing her into the waves. Hope for love turned out to be deceived, the date ended in a fierce struggle for life. All this causes the anger of Pechorin, who suffered because of his naivety and gullibility. But, in spite of everything, he managed to uncover the secret of "peaceful smugglers". This brings disappointment to the hero: “And why did fate throw me into a peaceful circle of honest smugglers? Like a stone thrown into a smooth spring, I disturbed their calmness and, like a stone, I almost sank myself. Returning, Pechorin discovers that in a bag the blind man carried his things ashore - a casket, a saber with a silver rim, a Dagestan dagger - a gift from a friend. “Wouldn’t it be funny to complain to the authorities that a blind boy robbed me, and an eighteen-year-old girl almost drowned me?” In the morning Pechorin leaves for Gelendzhik.

Pechorin realizes that he made a mistake by intruding into the lives of these people, and blames himself for invading their circle, which disrupted life. Yanko and the girl leave, leaving the boy and the old woman without a livelihood. Pechorin admits: “I don’t know what happened to the old woman and the poor blind man. Yes, and what do I care about human joys and misfortunes, me, a wandering officer, and even with a traveler for official needs.

"Taman" strikes with a masterful depiction of the characters of the heroes. The image of a smuggler girl is truly romantic. This girl is characterized by bizarre variability of mood, "rapid transitions from the greatest anxiety to complete immobility." Her speeches are mysterious and close in form to folk proverbs and sayings; her songs, reminiscent of folk, speak of her desire for a violent will. It has a lot of vitality, courage, determination, poetry of "wild freedom". A rich, peculiar nature, full of mystery, it is, as it were, created by nature itself for the free, risky life that she leads. No less colorful is the image of the smuggler Yanko, written in sparing but bright strokes. He is determined and fearless, not afraid of the storm. Having learned about the danger that threatens him, he leaves his native places to look for fishing in another place: “... and everywhere the road is dear to me, where only the wind blows and the sea is noisy!” But at the same time, Janko shows cruelty and stinginess, leaving a blind boy on the shore with a few coins. Pechorin's personality is complemented by such qualities that manifest themselves in moments of danger: this is courage, determination, willingness to take risks, willpower.

At the end of the story, Pechorin peers into the white sail, which flickered between the dark waves in the light of the moon. This symbolic image is reminiscent of one of the most amazing in beauty and deepest in thought Lermontov's poems - "The lonely sail turns white ...". The same rebellious, restless was the life of the main character - Pechorin.

"Pechorin's Journal" opens with the story "Taman", where he truthfully and openly speaks about his weaknesses, mistakes, stubbornness. Pechorin recalls a story with smugglers that nearly cost him his life. This case vividly reveals the qualities of the character of the hero, which Maxim Maksimych would later tell about: "... my soul is spoiled by light, my imagination is restless, my heart is insatiable, everything is not enough for me ... and my life becomes emptyer day by day." Pechorin is fed up with many things: social life, science and art, war and its adrenaline, the love of different women ... He perceives the opportunity to get rid of constant boredom as getting new pleasures for a satiated soul. This is what Pechorin is looking for in Taman, a town that happened to be on his way. Such lengthy descriptions of nature reveal to us the Pechorin soul from a new angle. He subtly, almost poetically feels the beauty of the world around him. And he has a certain literary talent in order to find accurate definitions for describing nature: “The shore descended like a cliff to the sea ... and below, dark blue waves splashed with a continuous murmur. The moon quietly looked at the restless, but submissive element ... "; “Meanwhile, the moon began to dress in clouds, and a fog rose on the sea; the lantern on the stern of the nearest ship shone through it; the foam of boulders glittered near the shore, every minute threatening to sink it.

Pechorin thoughtlessly rushes into adventures with smugglers: First, he meets a blind boy. When meeting him, the feeling that the boy's blindness is a deception does not leave him. “A suspicion was born in my head that this blind man is not as blind as it seems; in vain I tried to convince myself that it was impossible to forge walleyes ... "On the very first night in the" unclean place "amazing events begin to happen: Pechorin involuntarily becomes a witness to the night transportation of goods by smugglers. So for the first time he sees Yanko:" The swimmer who decided on such a night was brave set off across the strait at a distance of 20 miles ... "Yanko is a brave robber who is not afraid of a storm.

The next day, the main character meets another participant in the night scene - a girl, Yanko's girlfriend. She was not a beauty, but "there was a lot of breed in her", "in her indirect looks" there was "something wild and suspicious", "there was something indefinite in her smile". Pechorin was enchanted. And most of all, not by the external beauty of the girl, but by some kind of inner secret, which he could not comprehend and reveal. Indeed, the girl's behavior was rather mysterious: "...quick transitions from the greatest anxiety to complete immobility, ... mysterious speeches, ... jumps, strange songs." puzzles". Then everything happens as usual: the lives of people who Pechorin didn’t care about, as well as in general “to the joys and misfortunes of people!” Are destroyed. The protagonist does not pursue any goal with his activities. It makes no sense. And from this absence of the main task, an amazing indifference to the surrounding people is born: “Yes, and what do I care about human joys and misfortunes, me, a wandering officer, and even with a traveler for state business! ..”

“I became sad. And why did fate throw me into the peaceful circle of honest smugglers? Like a stone thrown into a smooth spring, I disturbed their calmness, and like a stone, I almost sank myself!” - Pechorin blames himself, but it's too late to do it.

In my opinion, Pechorin is a person with very deep spiritual qualities, but at the same time not without the most serious human vices. His ability to analyze his actions and the world around him; his mature mind, his way of life, completely uncharacteristic of a young man of his age, is revealed throughout the entire work and makes one feel respect for him and even, in a certain way, admiration.
But when meeting with smugglers, we can see in Pechorin an excessive, in my opinion, curiosity and a craving for adventure. He is interested in everything, it is important, he needs to “touch” everything. This quality of his especially surprised me at the moment when Pechorin, noticing the silhouette of a blind boy, trudged after him to find out: what could interest such a child deprived of nature at night on the seashore. And this curiosity eventually turned into the fact that Pechorin destroyed the life of the smugglers and, moreover, he almost died. But at the same time, his courage - not to be afraid of strange events, something illegal and go to unfamiliar places after adventures - is also not his worst quality.
Pechorin is full of prejudices and prejudices; his opinion about the blind boy was predetermined; he says: "There is always some strange relation between a person's outward appearance and his soul: as if with the loss of a member, the soul loses some feeling." It seems to me that this opinion of his is very wrong, but Pechorin, having predetermined for himself the nature of the blind man, immediately treats him with some kind of disdain.
In dangerous circumstances, when a girl (or as Pechorin called her “undine”) tried to drown him, again such qualities as courage, determination, willingness to take risks, willpower are manifested. In relation to that girl, even passion, attraction arose in him, as a result of which he was deceived.
Maybe this is where the whole contradiction of the character of the hero lies. After all, despite his deep common sense, he never obeys him entirely. Laughing and mocking at himself, Pechorin still cannot but respond to the call of such an alluring, free and disturbing life.

An essay on literature on the topic: What does the story with smugglers clarify in Pechorin's character?

Other writings:

1. The life story of Pechorin is told to the reader by Maxim Maksimych. The psychological portrait sketched by the traveler adds several characteristic touches to the story of Pechorin's life. The memory of Maxim Maksimych captured individual confessions of the hero, thanks to which the biography of the “hero of time” acquired extraordinary persuasiveness. Pechorin belonged to the highest St. Petersburg Read More ......
2. How cunningly in a simple-hearted maiden I revolted the dreams of the heart! She indulged in involuntary, disinterested love Innocently ... Why is my chest now full of Longing and hateful boredom?
3. Pechorin is an educated secular person with a critical mind, dissatisfied with life and not seeing an opportunity for himself to be happy. In the novel, he is called a “strange man”, which is what almost all the characters say about him. Pechorin is cruel and selfish. We see it already in Read More ......
4. Love ... Such a beautiful and sublime feeling, to which Pechorin is so thoughtlessly treated. He is an egoist, and beautiful girls who see their ideal in him suffer from this. Bela and Princess Mary, Vera and Undine - so different, but equally hurt by Pechorin, Read More ......
5. The main character is Grigory Alexandrovich Pechorin, a young man of about twenty-five. In several places of the novel, the author gives a description of the appearance of the hero, indicating some of its features with character. For the first time, Pechorin appears in the novel before Maxim Maksimych in the fortress beyond the Terek (“Bela”): “He appeared Read More ......
6. Critics wrote: "Lermontov's mystery is the antithesis of omniscience, which leads to the denial of the meaning of life." It seems to me that Pechorin is moving towards such a denial. He loves to solve other people's secrets, but he does not achieve any goal that is gratifying for himself. Secrets disappear for Pechorin, they don't exist Read More ......
7. The images of Pechorin and Onegin are similar not only in semantic similarity. V. G. Belinsky noted the spiritual relationship between Onegin and Pechorin: “Their dissimilarity among themselves is much less than the distance between Onega and Pechora ... Pechorin is the Onegin of our time.” The novels “Eugene Onegin” and “Hero Read More ......
8. “The hero of our time, my gracious sirs, is like a portrait, but not of one person: it is a portrait composed of the vices of our generation, in their full development. In Pechorin's diary, we find his sincere confession, in which he reveals all his actions and deeds. Read More ......