How the main character of the novel A. S changes

Eugene Onegin was a young Petersburger, at the time of the beginning of the novel he was twenty-six years old. The author briefly describes his life: he learned “something and somehow”, that is, he was completely unaccustomed to serious consistent work. But since he was endowed with natural abilities to a sufficient extent, they still had to show themselves in some way.

He began to lead a secular life at the age of sixteen, and very soon he got bored with it, because it was predictable and monotonous. At the same time, she largely corrupted Yevgeny, who was already unaccustomed to tension (“But was my Yevgeny happy?”). Hypocrisy and cold flirting killed youthful daydreaming and romance in him, made him a bored cynic. Eugene skillfully portrayed feelings in order to succeed in secular society (“The less we love a woman, / The easier she likes us”). But having become a virtuoso in this game, having reached the limit, he involuntarily went beyond him and was disappointed (“He looked in great distraction, / Turned away - and yawned”).

This happened because a person can, of course, adapt to almost any system of relations, only in this case such an adaptation will be accompanied by certain reactions (“In short: the Russian melancholy I gradually took possession of him”). A person has a well-defined moral nature; a person, when called, is a creator who sincerely loves other people. But in order to reveal the true purpose of this or that person, it is desirable that he exist in an appropriate social environment that stimulates precisely the highest, creative principle. If society is built on distorted foundations, then a person is distorted under its influence. He can resist the curved environment, but then his position will be stamped with drama.

Eugene Onegin was not an outstanding person in order to be able to cope with the corrupting influence of a wrongly organized society, but he clearly understood its falsity and retired from such a life. At the same time, he did not find an equivalent replacement, because his seclusion would be a boon with persistent systematic work, but "hard work was sickening to him." At the same time, he was a caring owner. The author, completely without irony, reports that Onegin “read Adam Smith” and “He replaced the old corvée with a yarem / I replaced the quitrent with a light quitrent.”

In the village, he continued to miss. Having met Vladimir Lensky, he fell in love with him, because he reminded him of his younger years, when he himself was full of energy, ebullient and hot, before he had time to be disappointed in the world he so passionately aspired to. Onegin was captivated by the spontaneity and originality of the young friend (“He listened to Lensky with a smile”, “He tried to keep a cooling word / He tried to keep it in his mouth”).

Alexander Sergeevich Pushkin ... Probably, there is no person in Russia who would not know this name. He enters our life as a child and remains in it to the end: for someone - a friend, for someone - a teacher. What kind of person was Pushkin? He always strove for justice and freedom, condemned the arbitrariness of the landowners, vindictiveness, selfishness. The most famous work of the poet, of course, is the novel "Eugene Onegin". At the end of his writing, Alexander Sergeevich exclaimed about himself: “Ah yes Pushkin!” The author realized that he had created a masterpiece. Indeed, the work turned out to be elegant, light, but at the same time infinitely deep and multifaceted. "Eugene Onegin" reflected the entire Russian bitter reality of the "golden age". The novel still has no equal either in domestic or in the entire world literature.

Creation of an "encyclopedia of Russian life"

The work as a whole was written over eight years. Pushkin began it in his youth, when he was in southern exile - these were the years of the Decembrist uprising. In the process of writing the novel "Eugene Onegin" the poet lost many of his friends. He completed it in Boldino, when, after the defeat of the Decembrists, the conditions of the strict regime of Nicholas the First reigned. It was at this time that Alexander Sergeyevich experienced an unprecedented creative upsurge. The well-known critic Belinsky called Onegin Pushkin's most sincere work. It is difficult to disagree with this, because in his creation the poet embodied not only his own thoughts about life, feelings and thoughts, but also himself as a whole. The image of the author in the novel in verse "Eugene Onegin" can perhaps be called one of the central ones.

Pushkin as the hero of the work

Creating a special world, Alexander Sergeevich himself acts as an actor in it. He is not only a writer and narrator, but also a hero of the work. How important is this character? The image of the author and his role in Pushkin's novel "Eugene Onegin" can hardly be overestimated. Due to the constant presence of the poet on the pages of the book, the events described are given extraordinary authenticity and special lyricism. Alexander Sergeevich in his work is a full-blooded living character, having his own character, his own attitude, his ideals. At the same time, the image of the author in A. S. Pushkin's novel "Eugene Onegin" does not prevail over the others, his intrusion into the course of the narrative is fully justified and organic. The poet's subjective view of certain things allows the reader to better comprehend the events taking place, to understand how the author evaluates many historical facts and phenomena of reality characteristic of that time.

Pushkin and Onegin: differences

The image of the author in the novel "Eugene Onegin" can be traced from the beginning of the work. So, Alexander Sergeevich, speaking about the typical nature of the education received by the protagonist, refers himself to this social environment. He writes: “We all learned little by little something and somehow ...” At the same time, the poet emphasizes the difference between himself and Onegin. They are contrasted in relation to theatrical art: Pushkin calls the theater "a magical land", and Eugene sees only entertainment in it. They also relate to nature in different ways: the author loves it, and Onegin considers it one of the links in the change of occupations. They also have no similarity in relation to love: the main character says that this is “the science of tender passion,” and Alexander Sergeevich notes that “all poets are dreamy friends of love.” Otherwise, they relate to literature - the creator of the work writes about Eugene: "he could not distinguish iambic from trochee ... to distinguish."

Pushkin and Onegin: similarities

And yet the image of the author in A. Pushkin's novel "Eugene Onegin" echoes the image of the protagonist. They are united by Tatyana's preference for Olga, and condescension towards Lensky, and appreciation of the Larins' house. At the beginning of the work, the mood of the poet is windy, playful, changeable. Like Onegin, who knew the "science of tender passion", Alexander Sergeevich worships women's legs, paying tribute to the amusements of youth. Here the author appears frivolous, a frequenter of the capital's balls and a typical representative of an empty aristocratic community. But the text immediately follows a refutation, allowing the reader to understand that although the poet is not perfect, since the costs of the environment in which he was brought up left an imprint on him, but at the same time his character is quite complex, ambiguous, and he, along with the secular unceremoniousness - refinement and depth of feelings are inherent.

Traveling through the pages of the work, the reader understands that the image of the author in the novel "Eugene Onegin" is not at all what it seems at first. The poet is above superficial hobbies and weaknesses, his inner world is diverse and rich. Pushkin overcame dependence on the aristocratic environment, rose above it, freed himself from the emptiness and vulgarity of secular life, and converged on this basis with Onegin. The author and the protagonist are united by a protest against lack of spirituality, a critical perception of reality, the desire for self-realization, the search for social ideals.

The attitude of the poet to Larina and Lensky

The image of the author in Pushkin's novel "Eugene Onegin" emerges in the assessments of the heroes of the work and their actions. Alexander Sergeevich sympathizes with all the characters, but mainly Tatyana Larina. It is no coincidence that he writes: “I love my dear Tatyana so much!” The author has a lot in common with her - this is an attitude to freedom, to nature ... The poet is close to Tatiana's thoughtful daydreaming, the depth of her feelings, emotional tension. For the spiritually matured Pushkin, she is the ideal of a woman and even a muse.

Alexander Sergeevich is also kind to Lensky, a freedom-loving and romantically enthusiastic young man who believes in the power of true friendship. The author himself was the same in his youth, but he had long outlived the passion for romanticism - now he ironically calls this pompous and out of touch with reality. Although the irony is mixed with the bitterness of the fact that the time that has passed cannot be returned.

Author's digressions and the image of the author

In the novel "Eugene Onegin" there are many lyrical digressions in which Pushkin either returns to his youth or talks about the problems of society that concern him. The poet pays a lot of attention to Moscow - the city that he loves very much. Who does not know his lines: “Moscow! How much in this sound ... "!

But most of all, the image of the author in the novel "Eugene Onegin" is revealed when Alexander Sergeevich writes about love, tells how women should be treated. After all, it was in this work that Pushkin concluded: “The less we love a woman, the easier she likes us,” which all men try to follow these days.

In lyrical digressions, the poet recalls the past years, the main events of his life, joyful and sad. Under the pen of a deep thinker and subtle lyricist, everything he experienced in the Tsarskoye Selo Lyceum, in Mikhailovsky, in St. Petersburg comes to life.

A novel about youth

In the work, Alexander Sergeevich showed the life of different strata of society: villages, cities, provinces, and capitals. He spoke especially brightly about the Russian youth of that time. In the novel, all the characters are young people, full of life, feelings, hopes, passions. Pushkin regrets that his youth passed quickly, and urges the reader to stay young longer, not to succumb to laziness and blues.

In general, it is impossible not to say about how the poet relates to the reader. He is the author's best friend, ready to understand and listen. “My friends”, “my dears”, “my reader” - this is how Alexander Sergeevich addresses his addressees. Of course, from the very beginning of the story, this disposes readers to Pushkin. At the same time, the poet either brings them closer to himself, or moves them away. For the author, the reader is a critic with whom he shares his plans.

What does the work teach

The image of the author in the novel "Eugene Onegin" contributes to the expansion of the boundaries of the work. The narration is conducted, as it were, from several persons interrupting each other, some of whom are directly involved in the text, others are familiar with the heroes of the novel, and still others are outside the events. All of them combine in the author, make up the range of his various manifestations, and therefore there is a feeling of richness and complexity of the poet's personality. The work is written in a tone of light sadness, sadness, but at the same time it is filled with a person’s faith in the future. The novel rejects serfdom, teaches to hate empty and empty life, narcissism, selfishness, callousness of the heart.

Finally

Alexander Pushkin in "Eugene Onegin" tried to get away from stereotyped artistic techniques, to avoid conventions. Therefore, he deliberately connected the world of the author and the characters, deliberately violated the storylines and introduced features of his contemporary life into the novel. This allowed the poet to create a truly realistic work, a real "encyclopedia of Russian life."

Pushkin's novel "Eugene Onegin" is a work that tells us about the life of a secular young man and how Eugene Onegin changes throughout his life.

How does Eugene Onegin change?

To the question: “Has Onegin changed?”, There will be a positive answer. Why did Onegin change? Everything is very simple. In his novel, the author covered a long period of time that concerned the life of the protagonist. First we see an eighteen-year-old guy, and at the end of the novel, this is a twenty-six-year-old young man. During this period of time it is impossible not to change, so Eugene Onegin has gone through his evolution and these changes are well traced.

How exactly does Onegin change throughout the novel? Immediately we see a spoiled guy, a typical rake, who devotes all his time to entertainment and talking about nothing. He learns without going into details, as Pushkin writes "something" and "somehow." Onegin dresses in the latest fashion and is constantly among high society. But he was tired of such a monotonous, aimless life, and here we see how the main character Onegin changes. He changes the life of a dandy for life on the estate and even finds an interesting occupation for himself, however, not for long.

Rural life quickly got tired and "from nothing to do" he makes a friend in the person of Lensky, who introduced Onegin to the Larins. When he met Tatyana, he failed to pass the test of love, as he was not capable of sincere feelings. Yes, and it was not long. Lensky dies in a duel, and then Onegin realizes how terrible and terrible an act he has committed. This murder changed his life. Unable to survive this act, he travels, and when he returned, he became a slightly different person. Now Onegin is serious, attentive, strong feelings are not alien to him, which he had not previously suspected. So, when he met Tatyana again at the ball, who by this time was already married, he really fell in love. Now he also became aware of feelings of jealousy, suffering.

Has Tatyana's attitude towards Onegin changed? Yes and no. If we talk about feelings, then love has not passed. But her opinion about Onegin changed, and if at first he seemed to her a hero from her favorite novels, then, having visited his house, she realized that he was an ordinary young man. For her, his original appearance was lost, he became just an imitation of her dreams.

The image of the author in the novel "Eugene Onegin" is unusual: he not only tells the story and looks at events from the outside, but he himself is a friend of Eugene, perhaps he knows Tatyana, which is why his feelings for the characters are so strongly manifested.

In lyrical digressions, the author, not embarrassed to share his memories, expresses his thoughts to us. For example, in the third chapter, he says that he can “by the will of heaven” stop writing poetry and get carried away with prose. In the novel, he expresses his idea of ​​the traditions that have developed in society. Descriptions of the theater, ball, village, family life are given (the story of Tatyana's mother). Secular society seems artificial, and the village - sincere and simple. The narrator loves solitude and nature. This is manifested not only in the wonderful descriptions of the seasons, but also in the following words: Flowers, love, village, idleness, fields! I am devoted to you soul».

The author's observations of fashionable social phenomena are interesting, for example, ladies' albums or the blues hovering among young people. She "introduces" him to Eugene. The narrator declares the contiguity of their views and destinies: “ We both knew the passion game;The life of both of us tormented ... ".

Throughout the novel, the author’s words trace the antithesis of fashion and antiquity, and fashion is initially assessed as something external, small (things in Onegin’s house), and then clearly negatively: “ Like a verse without thought in a fashionable song, the winter road is smooth". With the word "fashion" the poet uses epithets: dilapidated, autocratic. The old man, on the contrary, is smart, sweet, hospitable, common people. However, antiquity is sometimes described with sarcasm, recall, for example, Zaretsky, who allows you to stretch a person (in a duel) not just somehow, but "according to all the dowries of antiquity."

It should be mentioned that the narrator, of course, is a very well-read person, the text contains constant references to the works of other writers, quotes are used, sometimes for the purpose of parody. For example, in the fifth chapter there is a parody of Lomonosov's poem.

The image of the author is different at the beginning and at the end of the work. In the early chapters, he often talks about youth. For example, he departs from the description of the ball and recalls his love for "pretty legs." Speaking about himself, he is so carried away that he “forgets” about the main character of the work, and then is forced to return to the story about him, asking: “What about my Onegin?”. In the final chapters, his attention is focused on the characters. The narrator expresses his opinion in small comments (sometimes aphoristic) at the end of the stanzas.

Throughout the novel, the author has a sense of humor. The text contains both rather friendly irony and satire, and at the level of ideas (judgments about society), plot (relationship to the characters), and form of the work. For example, "obeying" classicism, he writes the necessary introduction, only he places it only at the end of the seventh chapter.

Eugene Onegin was a young Petersburger, at the time of the beginning of the novel he was twenty-six years old. The author briefly describes his life: he learned “something and somehow”, that is, he was completely unaccustomed to serious consistent work. But since he was endowed with natural abilities to a sufficient degree, they still had to show themselves in some way.

He began to lead a secular life at the age of sixteen, and very soon he got bored with it, because it was predictable and monotonous. At the same time, she largely corrupted Yevgeny, who was already unaccustomed to tension (“But was my Yevgeny happy?”). Hypocrisy and cold flirting killed youthful daydreaming and romance in him, made him a bored cynic. Eugene skillfully portrayed feelings in order to succeed in secular society (“The less we love a woman, / The easier she likes us”). But having become a virtuoso in this game, having reached the limit, he involuntarily went beyond him and was disappointed ("He looked in great distraction, / Turned away - and yawned").

This happened because a person can, of course, adapt to almost any system of relations, only in this case such adaptation will be accompanied by certain reactions (“In short: Russian blues/ Gradually took possession of him-gu”). A person has a well-defined moral nature; a person, when called, is a creator who sincerely loves other people. But in order to reveal the true purpose of this or that person, it is desirable to exist in an appropriate social environment, which stimulates precisely the highest, creative principle. If society is built on distorted foundations, then a person is distorted under its influence. He can resist the curved environment, but then his position will be stamped with drama.

Eugene Onegin was not an outstanding person in order to be able to cope with the corrupting influence of a wrongly arranged society, but he clearly understood its falsity and removed himself from such a life. At the same time, he did not find an equivalent replacement, because his seclusion would be good if he worked hard systematically, but "hard work was sickening to him." At the same time, he was a caring owner. The author, completely without irony, reports that Onegin “read Adam Smith” and “He replaced the old corvée with a yarem / I replaced the quitrent with a light quitrent.”

In the village, he continued to miss. Having met Vladimir Lensky, he fell in love with communicating with him, because he reminded him of his younger years, when he himself was full of energy, ebullient and ardent, before he had time to become disillusioned with the world he so passionately aspired to. Onegin was captivated by the spontaneity and originality of the young friend (“He listened to Lensky with a smile”, “He tried to keep a cooling word / He tried to keep it in his mouth”).

A chance acquaintance with the Larin family did not inspire Onegin a bit, but he already singled out Tatiana:

"Are you in love with a smaller one?" "And what?" - "I would choose another, If I were like you, a poet ..."

A striking fact - the girls were not even introduced to the new guest.

Onegin’s sudden love for Tatyana did not evoke a response - he was still too satiated, “But he did not want to deceive / The gullibility of an innocent soul” and was able to adequately explain himself to Tatyana, giving her her due:

If I were captivated by the family picture, even for a single moment, - That would be true, except for you alone, I would not look for another Bride.

It was not for nothing that Eugene Onegin withdrew from the world. He continued to be a noble man, although his nobility was passive. The quarrel with Lensky was entirely invented by him. He himself was well aware of this (“Having called himself to a secret court, / He accused himself of many things ...”), but he turned out to be unable to get away from the formal habits and rules of the world, even having actually left it. High-society games and masks in his soul turned out to be stronger than the firm awareness of the episode (“But wildly secular enmity / Afraid of false shame”). He was frightened of the "whisper, laugh fools" and killed his friend, thereby killing something in himself. material from the site

Onegin left because he wanted to run away from himself, but he did not have the spiritual strength for deep repentance and a change in life. A meeting with Tatyana a few years later struck him. Tatyana turned into a goddess, retaining her spiritual power, and Onegin realized that his flight was in vain.

But at a late and fruitless age, At the turn of our years, The dead trail of passion is sad...

One way or another, life led Onegin to the logical conclusion of his youth - this is a complete collapse, which can be experienced only by rethinking the previous life in the most cruel way. To enhance the effect, Pushkin made Onegin fall in love with Tatyana, but it could have been another woman. The bottom line is that the masks and roles inspired from early youth suffer a severe defeat, and life thus gives the hero a chance to renew moral feelings, a chance for new meanings of existence. It is known that in the last, encrypted chapter, Pushkin brings his hero to the camp of the Decembrists.

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