How long was Dmitry Kogan sick. The sudden death of Dmitry Kogan
The musician was born on October 27, 1978 in Moscow, in a family of outstanding musicians. Grandfather, the outstanding violinist of the 20th century Leonid Kogan, grandmother - the famous violinist and teacher Elizaveta Gilels, father - conductor Pavel Kogan. From the age of six he began to study the violin at the Central Music School at the Moscow Conservatory. He continued his education at the Sibelius Academy in Helsinki.
At the age of 10, Dmitry first performed with a symphony orchestra, at fifteen - with an orchestra in the Great Hall of the Moscow Conservatory.
In 1998 he became a soloist at the Moscow State Academic Art Theater. The violinist performs in all major cities of Russia, with the best orchestras in the country.
In 1997, Dmitry Kogan made his debut in the UK and the USA. Since then, Dmitry has been constantly touring in Europe, Asia, America, Australia, the Middle and Far East, the CIS and Baltic countries. Performs with solo concerts and leading symphony orchestras at the world's elite concert venues.
Dmitry has a large number of recordings on radio and television in many countries, also on CD and DVD. His repertoire includes almost all major concertos for violin and orchestra. A special place in the violinist's repertoire is occupied by a cycle of 24 caprices by N. Paganini, which for a long time were considered unplayable. There are only a few violinists in the world who perform the entire cycle of caprices.
In April 2004, Dmitry Kogan recorded a cycle of Paganini's caprices. In total, the violinist has recorded 6 CDs by the recording companies Delos, Conforza, DV Classics.
Dmitry Kogan is a regular participant in well-known festivals: Carentine Summer (Austria), as well as in the cities of Perth (Scotland), Nottingham (England), Kerkera (Greece), Zagreb (Croatia), Ogdon (USA). Dmitry represents Russia at the festival. P.I. Tchaikovsky, the Russian Winter festival, the Nikolai Petrov festival in the Kremlin, at the Sakharov festival, as well as in Athens, Monton, Munich, Istanbul, Hong Kong, Shanghai, Riga, etc.
Dmitry Kogan was the organizer and artistic director of the I International Festival. Leonid Kogan, held in December 2002. Dmitry Kogan is the author of the idea and artistic director of the annual festival "Days of High Music", which is held with great success in Vladivostok, and since 2005 on Sakhalin.
From 2004 to 2005, D. Kogan was the General Artistic Director of the Primorsky State Philharmonic. Since September 2005 - Chairman of the Board of Trustees of the Sakhalin State Philharmonic.
In December 2007, he founded and headed the international Kogan Festival, which was held in Yekaterinburg with great resonance.
In April 2009, Dmitry Kogan was the first person in his profession to give a concert for polar explorers at the North Pole. He was also the first violinist to give charity concerts in Beslan and after the earthquake in Nevelsk. In September 2008, Dmitry Kogan was awarded the title of "Honorary Citizen of the city of Nevelsk" for his charitable activities. Thus, Dmitry became the youngest Russian who has ever been awarded such a title.
Dmitry Kogan pays great attention to the restoration of the status of classical music in the value system of modern society, conducts master classes in different countries.
In the 2008-2009 season as part of a large concert tour of the cities of Russia, the artist gave more than 30 concerts from Petrozavodsk and St. Petersburg to Magadan and Yuzhno-Sakhalinsk. The tour of 42 cities, which will end in 2009, is designed to promote classical music and draw the attention of the state, society and business to the problem of supporting classical art as the basis for the formation of a morally healthy generation with a classical value system.
Dmitry Kogan devotes a lot of time to charitable activities and supporting actions in favor of children and youth. He is a member of the Council for the Quality of Education under the Presidium of the General Council of the United Russia party and an initiative group that issued an Open Letter to the President of the Russian Federation with a request to tighten penalties for crimes against children and adolescents. Together with Dmitry Kogan, the appeal was signed by well-known musicians, actors, journalists, television workers and just people who are not indifferent to this serious problem.
2006 - Laureate of the international award in the field of music DA VINCI.
Born on October 27, 1978 into a legendary Russian musical family, Dmitry Kogan is one of the leading Russian classical musicians of our time. His grandfather - Leonid Kogan - one of the greatest violinists of the 20th century, grandmother Elizaveta Gilels - the famous violinist and sister of the pianist Emil Gilels, instilled in Dmitry a love of classical music from childhood. Dmitry began learning to play the violin at the age of 4, from the age of six he continued his studies at the Central Music School at the Moscow Conservatory, the first public debut - a concert with a symphony orchestra - took place at the age of 10, his first concert in the Great Hall of the Moscow Conservatory, Dmitry played at the age of fifteen . Education continued at the Sibelius Academy in Helsinki.
Honored Artist of the Russian Federation, Kogan has performed with leading Russian orchestras such as the St. Petersburg Philharmonic Orchestra, the Moscow State Symphony Orchestra, the Tchaikovsky Symphony Orchestra, the Russian National Orchestra, the Grand Symphony Orchestra, the Moscow Philharmonic Orchestra and the State Orchestra of Russia. In 1997, at the Birmingham Symphony Hall, the musician performed his debut Tchaikovsky Violin Concerto in the UK. The US debut was marked by a concert with the Utah Symphony Orchestra at the age of 20. Dmitry Kogan constantly gave concerts as a soloist with leading symphony orchestras and conductors in the most prestigious halls in Europe, Asia, the Middle and Far East, the former Soviet republics and the Baltic countries, namely, in the Vienna Hall “Musikverein”, the Berlin “Konzerthaus” and Hall of the Philharmonic, in the hall "Barbican" in London, "Herkulessal" in Munich, "Rudolfinum" in Prague, the Kremlin Palace in Moscow, the Great Hall of the Moscow Conservatory, the Great Hall of the Philharmonic in St. Petersburg.
Dmitry Kogan has participated in many prestigious world festivals such as Corinthian Summer Festival (Austria), Menton Music Festival (France), Montreux Jazz Festival (Switzerland), Perth Festival (Scotland), music festivals in Athens, Vilnius, Shanghai, Ogden and Helsinki, as well as the festivals "Russian Winter", "Cherry Forest", "Musical Kremlin", "Sakharov Festival" and many others.
Magnificently performing as a leading soloist, chamber musician, recording artist and conductor, Kogan's program also included a cycle of 24 Caprices by Nicolo Paganini, long considered impossible to perform, which, in turn, includes Kogan in a limited number of world violinists who have performed the whole cycle. Dmitry has recorded a number of CDs with the world's leading record labels.
The musician devoted a lot of time and effort to restoring and strengthening the status of classical music in the value system of modern society. Dmitry not only gave master classes in various countries of the world, but also took part in the activities of charitable societies, supporting actions in favor of children and youth.
In April 2009, Kogan became the first violinist to give a concert for polar explorers at the North Pole. In 2011, Dmitry created the Fund for Support of Unique Cultural Projects. The opening of the Foundation was marked by a concert by Dmitri, during which the five great violins Stradivari, Guarneri, Amati, Guadanini and Vilhom revealed the richness and depth of their sound in the talented hands of Dmitri.
Dmitry Kogan is the author and artistic director of the Leonid Kogan International Festival, as well as the annual Days of High Music festival, which has received wide recognition throughout Russia. In 2012, Kogan initiated the creation of the Volga Sacred Music Festival, which became a significant event for the entire region.
Kogan was an honorary professor at the Athens Conservatory, artistic director of the Moscow Camerata Orchestra and the Volga Symphony Orchestra. In April 2013, Dmitry was appointed artistic director of the Musical Kremlin festival.
In 2013, Kogan was invited to speak at the International Economic Forum in Davos for an audience of leading world leaders. Realizing the value of music, as well as its diplomatic and educational significance, Dmitry gave concerts for the President of Russia, the Prime Minister of the country, as well as for the leaders of world powers.
In 2015, Dmitry carried out the grandiose project “Time of High Music”, during which the audience of 85 regions of Russia had the opportunity to get acquainted with classical music performed by a unique soloist who performed on the legendary “Robrecht” violin, created in 1728 by the great master Bartolomeo Giuseppe Antonio Guarneri (del Jesu).
Dmitry has created a number of musical multimedia projects, the latest of which was the project “The Legend of Valentine”, which premiered in the UK at the London Science Museum.
“Mom made me a violinist”
Photo: Grigory Shelukhin/dr
Dmitry Kogan, the grandson of the legendary violinist Leonid Kogan and the son of the no less famous conductor Pavel Kogan, was destined to become a musician. Nevertheless, Dmitry always emphasizes that he has never been a slave to the violin. He has many friends, he loves cinema, restaurants and does charity work.Dmitry Kogan traditionally celebrates his birthday on stage. The musician is sure: there is nothing more pleasant than to present a gift to others on your holiday. So this year, Dmitry did not change himself: on the day of his 35th birthday, he performed on the stage of the Barvikha Luxury Village concert hall, giving fans the opportunity to compare the dissimilar voices of five great violins. And although the instruments of Stradivari, Guarneri, Amati, Guadanini and Vuilloma have a total insurance value of twenty million dollars, they are nevertheless practically priceless. They are transported in armored cases, accompanied by an impressive bodyguard.
It is not often possible to hear all five violins on the same stage during one evening: the owners allow them to be taken out of storage only a few times a year. But at the same time, it is very difficult to collect them in one place at one time: one is taken to the exhibition, the other is to be restored, the third is exhibited in the museum ... All the instruments have a solid age. The oldest one is more than four centuries old. It was made by Antonio and Jerome Amati in 1595. The youngest - its author Jean-Baptiste Vuilleme - is a little over a century and a half.
Dmitry Kogan presents each of the great violins as his good friend, with an amazing voice and his own destiny. “The Amati violin has a melodious voice, incredible tenderness and softness,” Dmitry says. - Antonio Stradivari's violin has a truly "golden" timbre. The instrument of Giuseppe Guarneri has amazing power, energy and charisma, and the voice of the violin Giovanni Battista Guadanini is noble and surprisingly deep. The only instrument of a non-Italian master is the violin of Jean Baptiste Vuillaume. He became famous for his stunning replicas of Stradivari and Guarneri violins. This violin shows how close a copy can sometimes be to the original and how perfect it can be.”
Dmitry, you talk about these violins as if they were living beings.
Of course, for me they are all alive, with their own soul and energy. There are five of them and I am one. Each of them really has their own temper, which they periodically show me. For example, when I start playing more on one violin, the other one immediately shows her dissatisfaction - with the sound.
Are you seriously?
Seriously. Now I devote the same amount of time to all violins. Before, I tried to play more on those violins that arrived later, in order to get used to them and make up for lost time, missed rehearsals. By the way, it happens that something goes wrong at a concert and you don’t understand what is happening: there are no technical problems, there are no cracks, everything is in tune, but the violin plays badly. The problem is at the energy level. You know, it's like a person who feels unwell: he comes to the doctor, and he is told that he is absolutely healthy. It's the same with violins.
Dmitry, your grandfather is Leonid Kogan, an outstanding violinist of the 20th century, your grandmother is Elizaveta Gilels, a famous violinist, your father is conductor Pavel Kogan, and your mother is pianist Lyubov Kazinskaya. Apparently, your fate was predetermined from birth?
Of course, now I can talk about who I could have become if I had not become a violinist. But this is tantamount to saying that I will say why I was born a man and not a woman. ( Laughs.) Of course, as a child, I dreamed of many things: to fly into space, to become a football player, at one time I even dreamed of the profession of an electronics repairman. And I was well versed in all this - I repaired cameras and tape recorders. But by the age of twelve, the violin still completely took possession of me and all other hobbies faded into the background. I remember very well that summer, when I suddenly realized that music is the main thing for me.
Didn't you, like any child, have a desire to quit music lessons?
Of course, there was such a desire. And very strong! ( Smiling.) The fact is that the violin is a very specific instrument. Unlike the same piano, which makes a "specific sound": anyone can come up, press a key - and the note will sound. It's impossible to do this on a violin. It takes months of exercise. Therefore, the training was very difficult: you are tortured, tortured, and instead of sounds, the violin makes some kind of whistle and rattle. And of course, after the very first lesson, I lost all ardor and desire to study further - nothing happens, the violin does not want to play. Gotta quit this! I wanted, like the other guys, to play football. In addition, when I realized that first I had to play scales, learn etudes, put my hands on, and only then, after many years, maybe there would be a big stage and success, the desire to abandon classes only strengthened. And if it were not for the heroic efforts of my mother, it would hardly have happened - my mother literally made a violinist out of me. I wouldn't have gotten there on my own. She persuaded me, forced me and even bribed me. For example, for an hour of classes, they gave me chewing gum with an insert. In those years, and this was the end of the 80s, nothing better could be imagined. I remember my mother even paid me money for classes! Until I became insolent and began to demand exorbitant amounts. ( Laughs.) But when I saw the result, there was no stopping me - I literally fell ill with music!
And at the age of ten you already had your first solo concert.
Yes, I spoke at some military institute. But I was so worried that I hardly remembered anything. Only the way my mother held my hand tightly before going on stage. How I went on stage, how I played - I don’t remember. Then I performed a lot, and when I was fifteen years old, I made my first debut concert with a symphony orchestra led by the renowned conductor Arnold Katz. But it was already a serious performance.
And then you no longer experienced such fear?
No fear. But the excitement is always there. I tried to overcome it, worked on myself. But, oddly enough, when I managed to be absolutely calm, the concert turned out worse. Then I realized that excitement is necessary. Only it gives that emotional lift and inspiration that creative people need so much. Remember, as in Lermontov: "The empty heart beats evenly, the gun did not flinch in the hand." The heart should not beat evenly, therefore, purely technically, it is impossible to play concerts.
Did you decide to go with a concert to the North Pole yourself, or did someone suggest you?
I was offered to play a concert for polar explorers. I really liked this idea, and I went there with pleasure. The concert took place in a tent at zero temperature. Of course, it was cold, but very interesting.
Perhaps there were very few spectators there?
Man fifty. You know, the world-famous violinist Bronislaw Huberman once came to Vienna, where he was supposed to give a concert, and there was some kind of overlay: the concert was postponed, and Huberman was not warned. He arrived a day earlier, went on stage in a tailcoat, and there was only one person in the hall. And Bronislav Huberman played a two-hour concert for him! Then he was asked why he did not cancel his performance and why he gave all the best if there was only one spectator there. And Huberman replied that this man listened to him with such trepidation that he would gladly play for him again! Only now I began to understand that even with three thousand spectators there may not be such an energy contact as with ten. In general, non-traditional forms of “carrying” art to the masses have become interesting to me now, if, of course, I can put it that way.
Is that why you went down to the underpass?
Yes. Where I just did not play! ( Laughs.) In the underpass, I was invited to play as an experiment - to see how much money a musician of my level could earn and whether passers-by could distinguish me from an ordinary violinist who works there daily. I didn’t shave on purpose, put on a hat, a jacket and went down to the subway. As a result, in two hours of playing, I earned about two thousand rubles. There was a very funny incident: one passer-by refused to give money, and when asked why, he replied: “Yes, this one plays here every day. So fake - just awful! That's why I never give him money."
Dmitry, you have performed at the world's best concert venues with leading symphony orchestras. Don't you get the feeling that you have already played everything and everywhere? Aren't you afraid that at some point you might get bored?
Yes, there was such a period. When I was thirty years old, I began to think about what would happen next. I played a huge number of concerts, toured countries and cities, recorded many discs, played the best violins in the world. What's next? Now I'm thirty, and then I'll be forty - and really nothing will change? This worried me a lot, and then I realized that my goal was not to play something myself and achieve something special, but to introduce as many people as possible to the wonderful world of music. Everything that I did before was exclusively for a certain audience, and this was probably my mistake. Now I try to play as many charity concerts as possible, record free music CDs that I send to music schools all over the country. And I really like it. It's what gives me an incentive to be creative and makes me happy.
Does your famous surname help or hinder you more?
Of course, now I have my own career, my own name, and I can no longer say whether my surname interferes with me or not. But ten years ago it seemed to me that it was insanely disturbing. Although... I had certain traditions in my family, I grew up on the records of my grandfather. True, he died when I was four years old, I hardly remember him. But nevertheless, I had his notes, with his notes, and this is worth a lot. Negative, of course, was also present. Since childhood, I had a sufficient number of ill-wishers, envious people. Many treated me with prejudice: not knowing me, they no longer loved me. They looked at me more closely, they looked at me as if under a magnifying glass: “The grandson of that same Kogan!” What was forgiven to others - some mistakes, inaccuracies, roughness - was not forgiven to me. And I had, in fact, not only to justify the name, but also to exceed expectations. And I must say, it was quite difficult to live with the feeling that you owe something to someone all the time. From childhood I grew up in a state of wild responsibility.
Were you an obedient child as a child?
No, I was a terrible child - very playful and disorganized. ( Smiling.) Mom was constantly called to school. Now, of course, I cannot afford to be the way I was when I was a child - now I am a slave to my schedule, which is made up by my assistants. Imagine, I know what I will do on April 15 or March 22 next year. But the worst thing is that I don’t know what my mood will be, for example, on December 25th. Maybe on this day it will snow, the sky will be covered with clouds, I will not have inspiration and I will not want to pick up a violin. And on this day I have a concert scheduled at the Berlin Philharmonic. And like it or not, but you will need to pull yourself together and play the concert well. Not because I have to do it by contract, but for the sake of the public. That is, I do not actually belong to myself! ( Smiling.)
Dmitry, how do you usually prepare for a performance?
Before, it seemed to me that on the day of the concert I should sleep well, eat chicken soup with noodles, then play right, tune in, drink tea with sugar, and then the concert will definitely go well. But then I realized that all this does not affect the concert. You can perfectly prepare yourself, but the concert will not go very smoothly. And you can immediately go on stage after a nine-hour flight and play a concert wonderfully. The stage works wonders. You never know how you will play, it is impossible to predict.
Dmitry, do you like silence?
It is my problem. I am very rarely at home, almost all the time I live in hotels, and it is very difficult with silence there. I need it, but I cannot isolate myself from society.
Dmitry Kogan was born in 1978 in October in Moscow. His father was a famous conductor, and his mother was a pianist. Grandfather (Leonid Kogan) was an excellent violinist, and grandmother (Elizaveta Gipels) was a famous violinist.
The boy began to study music from the age of 6, and also studied at the P. Tchaikovsky Conservatory. In 1996, Dmitry graduated from high school and became a student of two universities - the Academy. Jan Sibeliuch in Helsinki and the Moscow Conservatory. At the age of 10, the boy was able to perform with a symphony orchestra. Since 1997, the famous violinist has been touring the countries of Asia, the CIS, Australia, America and Europe.
Creation
In 1998, Kogan became a soloist with the Moscow Philharmonic. During his entire creative life, Dmitry has participated in many international festivals, recorded 8 albums, as well as a cycle of 24 caprices of the great Paganini, which can be performed by several violinists around the world.
In 2006, an experienced violinist became the Laureate of the Da Vinci international music award. Then he travels around Russia for several years until 2010 and gives solo concerts. So in 2010, the man became the Honored Artist of Russia.
Personal life
Dmitry Kogan married a socialite Ksenia Chilingarova. They got married in 2009, and before the wedding, they lived together for several years. But after a while the couple broke up, as they did not agree on the characters. Dmitry said that Ksenia often went to secular parties, which he cannot stand. The couple parted peacefully and without unnecessary scandals.
Dmitry Kogan and his wife
Dmitry Kogan - cause of death
Dmitry Kogan passed away at the age of 38 - August 29, 2017. The cause of death was cancer. Zhanna Prokofieva, an assistant, announced the death of the famous Russian violinist.
Dmitry Kogan was one of the most famous and beloved violinists of our time. He was actively involved in charity work, toured, published a large number of albums.
Honored Artist of Russia, violinist Dmitry Kogan died in Moscow at the age of 39 after a serious illness. Pianist, conductor Alexander Ghindin on the air of Sputnik radio expressed the hope that all the ideas of a wonderful musician and organizer will remain with us.
Farewell to violinist Dmitry Kogan will take place on Saturday, September 2, in the Hall of Columns, pianist Yuri Rozum said.
"On Saturday, a memorial service is tentatively scheduled for 11:00 am in the Hall of Columns, then a funeral service at Ordynka," Rozum said.
Honored Artist of Russia, famous violinist Dmitry Kogan died on Tuesday in Moscow after a serious illness.
Kogan was one of the few violinists who performed the entire cycle of 24 caprices by Niccolò Paganini and was the first to give a concert for polar explorers at the North Pole (2009).
Dmitry Kogan. Five great violins / Dmitri Kogan. five great violins
Since 2002, he began to organize various festivals and events that promoted classical music. The violinist was the author and artistic director of the first International Festival. Leonid Kogan, headed the international Kogan festival in Yekaterinburg, later - the annual international festival "Days of high music", which was held in Vladivostok, Sakhalin, Chelyabinsk, Samara, Khabarovsk. In 2012, on his initiative, the Volga Festival of Sacred Music was founded.
Pianist, conductor, Honored Artist of Russia Alexander Gindin, who personally knew the musician, expressed the hope on Sputnik radio that the ideas brought by Dmitry Kogan would be implemented after his death.
"I still can't come to my senses. This man was a fountain of vitality, a fountain of ideas for organizing amazing musical projects. Before him, few people did it on such a scale and few people knew how to do it. He always had new ideas for the development of all kinds of concerts in classical music and beyond.
First of all, he will be remembered as a wonderful violinist and a very good musician. This is what he loved the most, and what he came to this world for. I hope that the ideas that he brought will remain. Because they are very correct and very close to every musician, but these ideas and discoveries were given to Dima," said Alexander Gindin.
Dmitry Kogan's grandfather was the outstanding violinist Leonid Kogan, his grandmother was the famous violinist and teacher Elizaveta Gilels, his father was conductor Pavel Kogan, and his mother was pianist Lyubov Kazinskaya, who graduated from the Academy of Music. Gnesins.
For Kogan's mother, this is the strongest blow, said Alexander Gindin.
"This is a representative of the Mohican dynasty. When such people leave, it is insulting and unfair, not to mention what a tragedy it is for his mother. They were very close, they were one," said Alexander Gindin.
Biography
On August 29, 2017, it became known that the Honored Artist of the Russian Federation, violinist Dmitry Kogan, died at the age of 39.
Dmitry Pavlovich Kogan was born on October 27, 1978 in Moscow in the family of Pavel Kogan and Lyubov Kazinskaya. Father is a violinist and conductor, People's Artist of the Russian Federation, chief conductor of the Moscow State Academic Symphony Orchestra. Mother is a pianist. Paternal grandfather was Leonid Kogan - one of the most prominent Soviet violinists, teacher, People's Artist of the USSR.
From the age of six he began to play the violin at the Central Music School at the Moscow State Conservatory. Tchaikovsky. At the age of fifteen, he performed with an orchestra in the Great Hall of the Moscow Conservatory. Graduated from the Central Music School in 1996.
Dmitry Kogan. Stradivari / Dmitri Kogan / Stradivari violin
In 1996-1999 he was a student at the Moscow State Conservatory (he studied with Igor Bezrodny and Eduard Grach), in parallel, in 1996-2000, he studied at the Academy. J. Sibelius (Helsinki, Finland), where his mentor was Thomas Haapanen.
In 1997, Kogan made his violin debut in the US and UK. In the future, the musician has repeatedly performed in the most prestigious concert halls in Europe, Asia, America, Australia.
In 1998 he became a soloist with the Moscow State Academic Philharmonic. He took part in prestigious international festivals held in Austria, France, Switzerland, China, etc. He also performed at the Cherry Forest, Russian Winter, Musical Kremlin and other festivals held in Russia.
In 2010 he was a soloist-instrumentalist of the federal state unitary enterprise "Gosconcert".
He was the artistic director of the Primorsky Regional Philharmonic (Vladivostok, 2004-2005) and the Samara State Philharmonic (2011-2013).
In 2014, he was appointed artistic director of the Moscow Camerata orchestra.
In total, he released 10 CDs during his career. In 2013 he recorded a charity album "Time of High Music". It was published in more than 30 thousand copies and donated to music schools, children's art schools, colleges and higher educational institutions in all regions of the Russian Federation.
The violinist was active in charitable, cultural and educational activities, regularly giving master classes.
He was the organizer and artistic director of the International Festival. Leonid Kogan, artistic director of the festival "Days of high music".
In 2011, together with businessman Valery Savelyev, he created the Fund for Support of Unique Cultural Projects. Kogan. The main direction of his activity is the acquisition and restoration of rare instruments around the world for transfer to Russian musicians for free use.
In 2012, he was a confidant of presidential candidate Vladimir Putin.
He headed the Board of Trustees of the Ural College of Music (Yekaterinburg).
Honored Artist of the Russian Federation (2010).
Honorary Citizen of Nevelsk (2008, Sakhalin Region; the title was awarded for holding charity concerts in support of local residents after the earthquake on August 2, 2007).
In 2009-2012 he was married to Ksenia Chilingarova, daughter of polar explorer Artur Chilingarov.
Best quotes by Dmitry Kogan
It's no secret that Dmitry Kogan was very fond of journalists. During his short life, the musician gave many brilliant, subtle, intelligent interviews. He was not flirtatious and did not hesitate to answer any questions in such a way that he sometimes puzzled with his spontaneity and directness.
« Komsomolskaya Pravda”chosen the best quotes from Dmitry Kogan.
Was it difficult for me to play in a tent at the North Pole? No, not especially. It is much more difficult to play in some of our concert halls outside the pole...
Making music is wonderful, but you don’t have to torture children.
The performance in the underground passage gave me a lesson. I realized that it is impossible to listen to art casually.
About criticism
As my friend Petrov said, a critic is not a profession, it is a professional tragedy.
Resentment is the lot of weak people or beautiful girls. And I am neither
About the public
Why hide, the public is the best teacher. This is an indicator in the life of a person of art.
I see my work as a missionary. It is similar to what the church does so that people come to temples. And I want people to come and listen to classical music.
I do not divide the audience into professional and non-professional. For me, every listener is valuable.
For me, a victory if ten people leave the hall with a desire to come again
About concerts
My grandmother said: delicious borsch is obtained when there is a little bit of everything. This is how I build the concert, a little bit of everything. So that every listener leaves happy.
There has never been a concert with which I would be one hundred percent satisfied. If I'm 50 percent happy, that's good.
About violin
My hands are not safe. Because if something happens to my hands, then the money will not be of value to me. I can't imagine how I can live without a violin
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