Girl picking grapes - Karl Bryullov. A girl picking grapes by Karl Bryullov Painting a girl and a vine

“Girl picking grapes in the vicinity of Naples” is a famous painting by the Russian artist Karl Pavlovich (1799-1852). The picture was painted in 1827. Canvas, oil. Dimensions: 62 x 32.5 cm. Located in the State Russian Museum, St. Petersburg.

The painting "Girl Picking Grapes" was painted by Karl Bryullov after visiting Italy. In one of the Italian towns near Naples, the artist spied on the scene that inspired him to paint the canvas, which was later recognized as a masterpiece of Russian and world painting. In Italy, Bryullov was engaged in improving his skills and looked for inspiration in ordinary everyday scenes that could seem understandable to the viewer and therefore endowed with a bewitching power.

In the center of the plot of the picture is an Italian woman who stood on tiptoe to reach the grapes. The scene with the girl looks like a symbolic dance. The pose of the girl is graceful and graceful. The second girl lay down on the steps and rested her head on the gourd. She has a tambourine in her hands. The musical instrument emphasizes the role of music and dance in this story. In the background is a boy carrying a bottle of wine. A bottle of wine can also be a symbol of the harvest, as a result of the processing of the harvested grapes. It is quite possible that under the boy with wine Bryullov meant the mythical Cupid - the god of love and fertility.

The movement of the picture is given by a jet of water, which is depicted in the lower right part of the picture. In the background is a donkey. Karl Pavlovich Bryullov portrayed the hard work of harvesting grapes as a scene from the theater, which is distinguished by lightness, lyricism and joyful musical motives.

The painting "Girl picking grapes in the vicinity of Naples" Bryullov

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Today, December 23, marks the 215th anniversary of the birth of Karl Pavlovich Bryullov. His painting "The Last Day of Pompeii" is known even to those who are infinitely far from art, and to have at least one of his drawings in their funds is an honor for any museum. Petersburg is lucky - the State Russian Museum alone stores about 50 works by Karl Bryullov. A few more can be seen in the Hermitage.

On the artist's birthday, the site tells the stories behind the creation of five of his most famous paintings.

"Italian Afternoon"

The future painter grew up in a creative family - his father Pavel Brullo was an academician of ornamental sculpture, and all seven children in the family were engaged in art in one way or another. But it was the weak and sickly Karl who had the happiest fate. At the age of 10, Karl was admitted to the St. Petersburg Academy of Arts, where he spent 12 years. In 1822 he earned a pensioner's stipend for four years for himself and his brother Alexander. Before leaving for Italy, they added the letter “B” to their family surname and became the Bryullovs.

Italy captivated the young artist, he became interested in genre scenes from the life of local residents. In 1827 he asked a short, stocky young Italian woman to be his model for a small study. From it, the painting “Italian Noon” was subsequently born, which became a steam room painted four years earlier “Italian Morning”. At the same time, similar in color, “The Grape Harvest Festival” and “A Girl Gathering Grapes in the Outskirts of Naples” were written.

The picture "Italian noon" was received coldly and hostilely in Russia. Photo: commons.wikimedia.org

"Noon" was the reason for Bryullov's break with the Imperial Society for the Encouragement of Arts - at an exhibition in St. Petersburg, the picture caused a scandal, and critics called the model disproportionate. “I decided to look for that supposed diversity in those forms of simple nature that we often meet and often even like more than the strict beauty of the statues,” the author answered the critics.

"Portrait of Countess Yu. P. Samoilova, leaving the ball with the pupil Amazilia Pacini"

(State Russian Museum)

Bryullov met Countess Yulia Pavlovna Samoilova in 1827 at a dinner party. The daughter of General Palen and Maria Skavronskaya, that year she separated from her husband, the emperor's adjutant wing, Count Nikolai Samoilov, with whom she lived together for only two years. After the break, Yulia Pavlovna left for Italy, in Milan she entered the local high society, surrounded herself with artists and patronized the arts.

Countess Samoilova forever won the heart of the artist. Photo: commons.wikimedia.org

Bryullov was captivated by her Mediterranean beauty, grace, intelligence and independence. For many years she remained for him an artistic ideal, a close friend and lady of the heart.

For several decades, he painted more than one portrait of her. On the canvas of 1842, her beauty appears in all its splendor against the backdrop of lush carnival interiors. And her colorful outfit seems to remind of Italy, dear to the heart of the artist, where, by the way, the distant ancestors of the countess were from.

"The last day of Pompeii"

(State Russian Museum)

Fascinated by Samoilova, Bryullov in 1830 invited her to go together to inspect the ruins of Pompeii and Herculaneum. Archeology was then in vogue, because in 1828 another eruption of Vesuvius took place. Bryullov began work on a new painting by order of the philanthropist Anatoly Demidov and did not even suspect that the painting would be the peak of his career. The creation of the masterpiece took three years. During this time, Bryullov studied a lot of literature about the ancient catastrophe and visited the excavations, where he made a number of sketches of the landscape.

"The Last Day of Pompeii" became the pinnacle of Karl Bryullov's work. Photo: Commons.wikimedia.org It is known that the canvas depicts a part of the Street of the Tombs, which the artist painted with his back to the city gates. Dozens, if not hundreds of sketches with figures of people remained, whom he tried to depict as emotionally as possible. In the left corner, he wrote himself - an artist saving drawing supplies. Also in the picture, Countess Yulia Samoilova is “mentioned” three times: a woman with a jug on her head in the left side of the canvas, a woman who has died to death on the pavement in the center of the canvas, and a mother attracting her daughters to her in the left corner.

The canvas was exhibited in Rome, where it received enthusiastic reviews from critics, after which it was transferred to the Louvre in Paris. This work was the first painting by the artist that aroused such interest abroad. In 1834, the painting "The Last Day of Pompeii" received a gold medal in Paris and was sent to St. Petersburg. Alexander Turgenev said that she was the glory of Russia and Italy. And Alexander Pushkin wrote the lines “Idols are falling! A people driven by fear…” Nicholas I honored the artist with a personal audience and awarded Charles with a laurel wreath, after which he was called “Charlemagne”. After the opening of the Russian Museum in 1895, the canvas moved there.

"Rider"

(Tretyakov Gallery)

In 1832, Countess Yulia Samoilova asked her friend to paint a portrait of her pupil, Giovannina Pacini. As a subject, the artist chose a horseback ride: Giovannina rides a horse to the house of her foster mother, at the entrance of which she is enthusiastically greeted by her younger sister Amalicia, dressed in a pink dress and green shoes. It is known that Amalicia Samoilova was raised by the Italian composer Giovanni Pacini from her father. Jovanina does not seem to have been her own sister - there is no clear version of her origin.

In the painting "Horsewoman" Bryullov depicted two pupils of Samoilova. Photo: commons.wikimedia.org

The artist called his work "Jovanin on a horse." A furry dog ​​is depicted in the corner, on the collar of which is the name of the customer of the canvas - "Samoylova". In 1832, the painting was exhibited in Milan, in the Brera Gallery, after which it remained in the collection of the Countess, which was sold out in 1872, shortly before the death of the ruined Samoilova. In 1896, the "Horsewoman" was acquired for the gallery of P. M. Tretyakov.

"Bathsheba"

(Tretyakov Gallery)

“One evening, David, getting up from his bed, was walking on the roof of the royal house and saw a woman bathing from the roof; and that woman was very beautiful. And David sent to find out who this woman was? And they said to him: this is Bathsheba, the daughter of Eliam, the wife of Uriah the Hittite,” it is written in the Bible.

Before Bryullov, Russian painters almost did not turn to the nude, and female models were not even placed within the walls of the Academy of Arts. He was inspired to try out a new genre by the Pompeian paintings he saw during his trips to Italy. "Bathsheba" is dedicated to the biblical story in which King David sent the beauty's husband to death in order to take possession of her.

"Bathsheba" became one of the first nude works in Russian painting. Photo: commons.wikimedia.org

Alexandre Benois called Bathsheba, painted in 1832, "voluptuous and brilliant in color." Bryullov worked on it for several years and almost despaired, realizing that the biblical story did not work out - once he even launched a boot into the picture. The unfinished painting was bought by a philanthropist, who later donated it to the Tretyakov Gallery. So she remained with unregistered translucent hands.

In 1835, Karl Bryullov returned to Russia to take up a professorship at the Academy of Arts. An unhappy and short marriage to Chopin's student Emilia Timm, a new meeting with Countess Samoilova and new canvases awaited him. In 1847, he survived a severe cold and fell ill, and in 1849, at the insistence of doctors, he left for the island of Madeira. The treatment did not help, and in 1852 the artist died in a small town near Rome. He is buried in the cemetery of Monte Testaccio, a Roman cemetery for non-Catholic foreigners.

The painting by Karl Bryullov “Girl picking grapes in the vicinity of Naples” was written in 1827 during the artist’s stay in Italy in order to improve his skills. This picture is based on a scene from the daily life of Italian girls. Picking grapes, the girl in the center seemed to freeze in a dance: turning around, leaning slightly back, standing on her toes, grabbing the pole supporting the vine with one hand, she plucks a ripe bunch with the other hand.
Her elegance and grace, apparently, inspired the artist, and he skillfully managed to convey her charm.
No less attractive is the second girl with a tambourine, lying on a stone step. Resting her head on a large green pumpkin, she looks at the viewer playfully and coquettishly, as if inviting her to take part in the harvest. There is not a hint of fatigue on her face, although she lay down to rest ... Perhaps not from work, but from the exhausting summer heat.
At a peeling brick wall, the artist depicted a boy in one shirt with a large bottle of grape wine. In the background is a harnessed donkey.
Movement in the picture adds a jet of water from the source.

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Painting by Karl Bryullov Girl picking grapes in the vicinity of Naples: description, biography of the artist, customer reviews, other works of the author. A large catalog of paintings by Karl Bryullov on the website of the online store BigArtShop.

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Karl Bryullov was born into a Russified German family. His father was a sculptor-carver and painter of miniatures. From the age of 10, for 12 years, Karl studied at the Academy of Arts. At the end of the class of historical genre under the guidance of Andrei Ivanovich Ivanov in 1821, for the painting “The Appearance of Three Angels to Abraham at the Oak of Mamre”, he was awarded a gold medal and received the right to travel abroad at public expense.

In 1823-1835 Bryullov worked in Italy.

His most significant work during this period was the painting "The Last Day of Pompeii", written by Bryullov in three years and completed in 1833. The impressions received from visiting the excavation site of the ancient Roman city formed the basis of the work, which made a sensation in artistic circles both in Russia and abroad.

Bryullov returns to his homeland as a living classic. In the future, he is engaged in monumental design projects, where he manifests himself as a decorator and playwright. He created sketches for the murals of the Pulkovo Observatory, sketches and sketches of angels and saints for St. Isaac's Cathedral.

Bryullov also left in his legacy many famous portraits of people of art (many of them are kept in the Tretyakov Gallery).

For health reasons, Karl Bryullov spends the last three years of his life on the island of Madeira and in Italy, the country that helped him become famous. The last masterpiece of the artist was a portrait of his old friend, archaeologist Michelangelo Lanci, created in 1851.

The texture of the canvas, high-quality paints and large-format printing allow our reproductions of Karl Bryullov to be as good as the original. The canvas will be stretched on a special stretcher, after which the picture can be framed in a baguette of your choice.

The famous artist Karl Pavlovich Bryullov was born and raised in the family of the sculptor-carver Bryullo in 1799 in St. Petersburg. Carl's extraordinary artistic talent was noticed as a child, so at the age of ten the boy began his studies at the St. Petersburg Academy of Arts.

After studying at the academy for more than ten years, Bryullov achieved significant success in painting and was repeatedly awarded medals. He received his first small silver medal at the age of 14, and already at the age of 22 he was awarded a large gold medal for his work “The Appearance of Three Angels to Abraham at the Oak of Mamre”.

For his excellent work, Karl Pavlovich got the opportunity to go to Italy for four years, where he painted his famous painting The Last Day of Pompeii. After that, the artist traveled a lot to different countries, which was reflected in all his work. Also among his famous works are the canvases “Last Noon”, “Horsewoman”, “Girl Picking Grapes in the Outskirts of Naples”, “Bathsheba”, portraits of Krylov, Zhukovsky, Samoilova, Strugovshchikov and other famous people.

In the last years of his life, Karl Pavlovich was ill a lot and went abroad for treatment. However, foreign doctors failed to restore the artist's health. In 1852 he died at the age of 52 and was buried in Rome.

Direction in painting

Karl Pavlovich Bryullov was a very outstanding artist, whom M.O. Mikeshin included the Millennium of Russia in the monumental structure. This was facilitated by the enormous influence that Bryullov had on a whole galaxy of artists.

Trying himself in different genres, Bryullov masterfully combined the ideals of classicism and the aspirations of romanticism in one picture. On the one hand, it was the perfect plasticity of the depicted figures, characteristic of classicism, on the other hand, interest in the fate of the heroes, in their spiritual component, great attention to lighting, landscape, characteristic of romanticism.

So, in his most famous painting, The Last Day of Pompeii, on which Bryullov painstakingly worked for six years, the artist combined the magnificent plasticity of people with unusual lighting - the brilliance of lightning. The image of a thunderstorm, uneven light helps the viewer to better feel the emotions experienced by the characters of the plot.

Romanticism also penetrated Bryullov's passion for the portrait genre. Later, he was even called the author of a romantic portrait for the special flavor that permeated the portraits. He paid great attention to working with the psychological image of the hero, the combination of different shades, the expressiveness of lines and, of course, every detail, among which there were no insignificant ones. In the first place for him came the inner world of a person, the desire to show the viewer his values ​​and character, and not ideally portray his form.

Among his best romantic portraits are the painting “The Horsewoman”, which depicts pupils of Countess Samoilova, a self-portrait of 1848 and several portraits of Countess Samoilova herself.

Features of the style and work of the artist

Variety of gifts

Bryullov was extraordinarily talented. He not only mastered the art of painting, but also worked well in watercolor. Watercolor has taken a special place in the work of the artist. He constantly experimented with it, making the paints either sparkle like precious stones, or smoothly spread over the canvas, or make the contours smooth and the space soft. Unlike oil paints, watercolors could not be redrawn, correcting unsuccessful fragments, which forced the master to be extremely concentrated and carefully consider every detail, every stroke.

In terms of subjects, he masterfully created both portraits and paintings on historical subjects, he could easily work with a large form, using wide brushes, or painstakingly work on small canvases.

Love for reds

If you look closely at Bryullov's paintings, you can find many common features in them. This is not only the plasticity of forms, the smoothness of lines and the softness of features, but also certain details. One of them is the constant red background, which can be found on many of the author's canvases. For example, in the painting “A Girl Picking Grapes in the Outskirts of Naples”, the red fabric around the heroine’s waist emphasizes her energy, the joy of life. In portraits of Beck, Krylov, Strugovshchikov or Golitsyn, red is used as a background or interior tone, designed to emphasize the splendor of the situation. In the portraits of Countess Yusupova and Princess Elena Pavlovna, a long curtain appears at all, which envelops the columns.

Sales records, the price of Bryullov's paintings

In the 19th century, Bryullov was paid pretty well for his paintings. However, the question arises, how much are Bryullov's paintings today? The history of auction sales shows that the artist's paintings are valued at significant amounts.

So, in 1995, Bryullov's painting "Portrait of Demidova" appeared at the Sotheby's international auction. The Tretyakov Gallery wanted to buy the painting, but the final price of 133.5 thousand pounds was too high. As a result of the auction, the canvas went to the family of famous Russian artists - singer Galina Vishnevskaya and musician Mstislav Rostropovich.

After Rostropovich's death in 2007, his family could no longer maintain a huge art collection and decided to put it up for auction. In the same year, the painting again ended up at Sotheby's auction, where already fabulous 800 thousand - 1.2 million pounds were asked for it. The entire collection of 450 items was in danger of dispersing into many private collections, but the Russian billionaire Alisher saved the situation Usmanov, one of the five richest entrepreneurs in Russia, bought the entire collection for $111.75 million (estimated at $26-40 million) and donated it to Russia.Now the painting and other works from this collection can be found at museum exhibitions.

Among other paintings by Bryullov at auction were sold: a sketch for the painting "The Return of Pope Pius IX to Rome ..." (750 thousand dollars, leaving in 2005), a portrait of Giovannina Pacini (457 thousand dollars, 2009), a portrait of Anatole Demidov, Prince of San Donato ($132,000, 2007).

These amounts allow you to get only a rough idea of ​​how much Bryullov's paintings cost. An accurate assessment can only be given by an expert in the course of a detailed acquaintance with a particular canvas. About how and where to sell Bryullov's painting profitably, read on.

Evaluation, sale and purchase of Bryullov's paintings

Examination of Bryullov's paintings

How to sell a Bryullov painting

When preparing a painting by a famous artist for sale, we recommend that you follow a series of steps. First you need to collect as much information as possible about the work: determine the size, value of the frame, carefully write out all the signatures on it. Prepare the history of the painting: where did it come from, in what conditions was it stored, who was the previous owner, at what exhibitions did it participate, and so on. The more detailed the legend is, the more interest it will arouse among the buyer. You should not ignore the history of writing the painting itself, as it can have a significant impact on the buyer.

Where to sell Bryullov's painting

It is better to sell the works of such a famous artist through specialized sites where wealthy buyers look. One of such venues is the Lermontov Gallery. You can exhibit a painting with us and wait for a buyer who will offer you a price that suits you. There is another option - to sell the picture to us. In this case, you will receive less money, but in a fairly short time. Find out the details on the conditions under which we conduct .