Analysis of Tatyana Larina in the novel Eugene Onegin. The image of Tatyana Larina

Belinsky called the novel in verse "Eugene Onegin" "the most sincere work" of Alexander Sergeevich Pushkin. And the author himself considered this novel to be his best creation. Pushkin worked on it with great enthusiasm, giving all his soul, all himself to creativity. And, of course, the images of the main characters of the novel are very close to the author. In each of them, he reflected some features inherent in himself. Images from the novel became almost familiar to Pushkin.

The image of Tatyana is closest to the author, who, in essence, is the ideal of a Russian woman for Pushkin. This is how he imagined a true Russian woman - sincere, fiery, trusting and, at the same time, possessing spiritual nobility, a sense of duty and a strong character.

In the portrait of Tatyana, Pushkin does not give an external appearance, but rather her inner portrait: "... Wild, sad, silent ...". This is an atypical image that attracts not with its beauty, but with its inner world.

Pushkin emphasizes the difference between Tatyana and Olga:

Nor the beauty of his sister,

Nor the freshness of her ruddy

She would not attract the eyes, - he says about Tatyana and then repeats more than once that Tatyana is ugly. But the image of this meek, thoughtful girl attracts the reader and the author himself with its charm and unusualness.

In the second chapter of the novel, we meet a girl whose favorite circle of life is nature, books, the village world with stories and tales of a nurse, with her warmth and cordiality.

Thought, her friend

From the most lullaby days

Rural Leisure Current

Decorated her with dreams.

Reading the novel, one can notice that in those stanzas where Tatyana is discussed, a description of nature is necessarily present. It is not for nothing that Pushkin conveys Tatyana's state of mind many times through images of nature; by this he emphasizes the deep connection that exists between a village girl and nature. For example, after Onegin’s harsh sermon, “youngness fades to sweet Tanya: this is how the shadow of a barely born day dresses the storm.”

Tatyana's farewell to her native places, native fields, meadows is accompanied by a tragic description of autumn: "Nature is quivering, pale, Like a victim magnificently removed." The whole inner world of Tanya is in tune with nature, with all its changes. Such closeness is one of the signs of a deep connection with the people, which Pushkin greatly appreciated and respected. The children's song, consoling Tanya, affection for "Filipovna gray-haired", fortune-telling - all this again tells us about Tanya's living connection with the elements of the people.

Tatyana (Russian soul,

I don't know why.)

With her cold beauty

I loved the Russian winter.

Loneliness, alienation from others, gullibility and naivety allow the "tender dreamer" to present Onegin as the hero of the novel, to appropriate "someone else's delight", "someone else's sadness".

But, seeing soon that the hero of her dreams is not at all what she imagined him to be, she tries to understand Onegin. The girl writes an ardent, passionate letter to Onegin and receives a harsh sermon in response. But this coldness of Eugene does not kill Tanya's love, the "strict conversation" in the garden only revealed to Tanya Onegin's cruelty, his ability to mercilessly respond to sincere feelings. Probably, the birth of “that indifferent princess” that so struck Onegin later begins already here. But, meanwhile, even the death of Lensky did not destroy the deep feeling that Tatiana had for Onegin:

And in the cruel loneliness

Her passion burns stronger

And about distant Onegin

Her heart speaks louder.

Onegin left, and, it seems, forever. But Tatyana, before visiting his house, continues to refuse when others woo her. Only after visiting the “young cell”, seeing how and how Eugene lived, she agrees to go to the “bride market” in Moscow, because she begins to suspect something terrible for herself and for her love:

What is he? Is it an imitation?

An insignificant ghost, or else -

Muscovite in Harold's raincoat?

Alien whims interpretation,

Words fashionable lexicon?

Isn't he a parody?

Although Evgeny's inner world is not limited to the books he has read, Tanya does not understand this and, drawing erroneous conclusions, is disappointed in love and in her hero. Now she faces a boring road to Moscow and the noisy bustle of the capital.

In the "county young lady" Tatyana, "everything is outside, everything is free." In the eighth chapter, we meet the "indifferent princess" "legislator of the hall." The former Tanya, in whom "everything was quiet, everything is simple," has now become a model of "impeccable taste", a "true ingot" of nobility and sophistication.

But it cannot be said that now she is really an “indifferent princess”, incapable of experiencing sincere feelings, and that there is no trace of the former naive and timid Tanya. There are feelings, but now they are well and firmly hidden. And that “careless charm” of Tatyana is a mask that she wears with art and naturalness. Light has made its own adjustments, but only external ones, Tatyana's soul has remained the same. That gullible girl still lives in her, loving the "Russian winter", hills, forests, the village, ready to give "all this brilliance, and noise, and children for a shelf of books, for a wild garden ...". Now the impetuosity and recklessness of feelings has been replaced in her by self-control, which helps Tanya to endure the moment when the embarrassed, "awkward" Eugene is left alone with her. But still, Tatyana's main advantage is her spiritual nobility, her truly Russian character. Tatyana has a high sense of duty and dignity, which is why she found the strength to suppress her feelings and say to Onegin:

I love you (why lie?)

But I am given to another;

And I will be faithful to him forever.

Pushkin admired the image, so skillfully created by himself. He embodied in Tatyana the ideal of a real Russian woman.

The writer saw the wives of many Decembrists who, out of their love and sense of duty, went to Siberia for their husbands. This is how he endowed his heroine with such spiritual nobility. The image of Tatyana is the deepest and most serious in the novel. The height, spirituality, depth of Tatyana Larina allowed Belinsky to call her "genius nature."

In his novel "Eugene Onegin" A.S. Pushkin recreated all the ideas about the ideal Russian girl, creating the image of Tatyana, who was his favorite heroine. He conveys the idea that a Russian girl should be sincere, with a rich spiritual world, selfless.

For the first time, the reader meets Tatyana at her parents' estate. Since childhood, she was distinguished by calmness and thoughtfulness. By this, the girl was not like other children, and even with her sister they were not at all similar in character, children's pranks did not attract her, she preferred to be alone with herself. It is not for nothing that Pushkin compares Tatiana with a forest fallow deer, who is wary of everything and prefers to hide. She loved books, because from childhood the nanny read fairy tales and legends to her, and since her parents' estate was far from the bustle of the city, Tatyana loved nature very much.

Tatyana is noticeable not for her external beauty, but for the fact that she is very natural, thoughtful and dreamy. It is difficult for her to find a person who understands her inner world.

Having matured, Tatyana is very much looking forward to great love, therefore, having met Onegin, she immediately falls in love with him. He attracts her with his mysteriousness. Love absorbs Tatyana, she cannot find a place for herself, therefore, she decides to tell Evgeny about her feelings. Pushkin sheds tears along with Tatyana, because he knows that this story will end sadly.

Naive Tatyana sincerely hopes that her feelings are mutual, but Onegin rejects her feelings. Tatyana's letter touched him very much, but it did not arouse great feelings in him. He says that even if he falls in love with Tatyana, he will stop loving her, because he will quickly get used to the fact that she is around. And Tatyana continues to love him.

Later, Tatyana marries and becomes known in the world. She has ceased to be a naive girl, she has grown spiritually, but she has not lost the main thing. Although Tatyana's appearance has changed, inside she remains just as natural and simple. When she meets Onegin again, she betrays her feelings in no way. With him, she behaves with restraint and sternness, although she still loves him very much. She cries when she reads his letter, because happiness is so close, but now she has a husband to whom she will be faithful.

Essay about Tatyana Larina with quotes

“I am writing to you, what more ...” - every schoolboy probably knows these lines. But only a young girl will sigh languidly, remembering the heroine of the beloved novel. Tatyana Larina is the embodiment of simplicity and modesty.

How inconspicuously, but with taste, Alexander Sergeevich Pushkin compares two sisters: Tatyana and Olga.

Olga is open, coquettish, graceful and beautiful. It is worth noting that it is with this sister that the author begins his story. And only then, as if, by the way, she says: “her sister was called Tatyana.” Here, the creator, finally, draws attention to the young lady, who was not distinguished by beauty and freshness of her eyes.

It is interesting that Pushkin does not write a word about the appearance of Tatyana herself. The reader does not know how she is built, what color her eyes are. The reader only draws in his imagination a girl completely opposite to the beautiful Olga. But this is no worse, because at the very beginning of the novel, Olga does not give the impression of a well-mannered girl.

“She seemed like a stranger in her own family” - probably, it is after this phrase that the reader has a great disposition towards a girl who did not know happiness in her own family.

As you can see, another misfortune appears in the way of the girl. Eugene Onegin. The first naive real feelings make the girl, without thinking, write a letter to her chosen one. Oh, how wrong it was for a girl of that time. And yet, the letter captivates the reader with touching speeches, silent prayer, love that is read between the lines.

“I am writing to you ...” - the first line of the letter describes her seemingly humiliating position as accurately as possible. No wonder when reading it is worth putting a logical stress on the first word. It was she who dared to do this. Tatyana probably thought that this would quickly endear Evgeny to her. How did she miscalculate? Rejected by her lover, she was soon forced to marry another.

It is impossible to separate Tatyana and Evgeny in this work, since only after the passage of time he, perhaps, realized the whole irony of the situation that happened so long ago. And how the years change dear Tatyana. In public, she carries herself gracefully and proudly. In her eyes she reads the femininity that has come to her over the years. There is still no coquetry, no affectation, no desire to please. However, Eugene no longer needs this. But rushing to Tatyana's feet, the hero hears the well-known phrase: “I love you. (Why be cunning?) But I am given to another; I will be faithful to him forever.

This is how the love story ended, which forever changed the Russian classics.

Option 3

A.S. Pushkin is an artist of female images in the literature of the 19th century. Portraits of contemporaries are found in almost every work of the writer. The search for a feminine ideal for Pushkin is one of the leading themes in his works.

One of the most beautiful Pushkin heroines is Tatyana Larina from the novel "Eugene Onegin". The true ideal of a girl was embodied in this image by the author. The beauty of the Russian soul, moral principles, the ability to love - all are intertwined with thin threads in the characterization of the girl.

In the most outward description of Tatyana, the Russian nationality is felt. Despite her noble origin, the rural way of life is close to her. No secular balls, the luxury of St. Petersburg will not replace for her the silence of the wilderness, the sunrise, harmony with nature. Larina herself is like a “fearful doe”, she is silent, wild, sad.

Growing up on the estate, she absorbed the national character from childhood through fairy tales, folk songs, traditions and beliefs. The proof is the belief of the heroine in dreams. Filipyevna is for Tatyana, as the nanny Arina Radionovna is for the poet, an inexhaustible source of folk wisdom. With her mother's milk, the heroine absorbed a sense of duty and decency; for her, the concept of good and evil is clearly distinguished.

Tatyana is far from stupid, the author endowed her with a bright personality. She is not like city noblewomen, there is no feigned coquetry, stupid affectation in her. Her love for Onegin is sincere and for life. She opens up to him in a purely feminine way through a letter. Only in it can she openly talk about her feelings. The touching nature of the confession once again emphasizes the sensitive nature of the heroine. Pushkin loves his heroine, he “sheds tears” with her, knowing about the participation prepared for her.

Rejected by Eugene, Tatyana finds the strength to live on. The author shows us another Larina. The girl got married, her intellectual development and strict upbringing easily allowed her to become a real secular lady. Having met Yevgeny, Tatyana high and arrogantly denies him love. The feeling is long higher than the love still remaining in the soul. Pushkin shows the growing up of the heroine, but in her heart this is all the same pure and sincere girl. The upper world did not spoil her individuality, she does not strive to seem better than she really is. Human values ​​still remain the highest law for the heroine.

Having now received a letter from Onegin with a declaration of love for her, she does not condemn him. Love has not passed in her heart and happiness is close, but there is a sense of honor and duty. For Larina, it is more important than her own happiness.

More than one generation of young girls grew up on the image of Pushkin's Tatyana. Strong in spirit, faithful in heart - she has always served and serves as an example of the boundless purity of the fair sex of mankind.

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The image of Tatyana Larina in Pushkin's novel "Eugene Onegin"

Belinsky called Pushkin's novel "Eugene Onegin" "the most sincere work" of Alexander Sergeevich. And the author himself considered this novel to be his best creation. Pushkin worked on it with great enthusiasm, giving his whole soul to creativity, all of yourself. And, of course, the images of the main characters of the novel are very close to the author. In each of them, he reflected some features inherent in himself. They became almost family to Pushkin. The image of Tatyana is closest to the author, who, in essence, is the ideal of a Russian woman for Pushkin. This is how he imagined a true Russian woman: sincere, fiery, trusting and, at the same time, possessing spiritual nobility, a sense of duty and a strong character.
In the portrait of Tatyana, Pushkin does not give an external appearance, but rather her inner portrait: "... Wild, sad, silent ...". This is an atypical image that attracts not with its beauty, but with its inner world. Pushkin emphasizes the difference between Tatyana and Olga:

Nor the beauty of his sister,
Nor the freshness of her ruddy

If she had not attracted the eyes - he says about Tanya and then repeats more than once that Tatyana is ugly. But the image of this meek, thoughtful girl attracts the reader and the author himself with its charm and unusualness.
In the second chapter of the novel, we meet a girl whose favorite circle of life is nature, books, the village world with stories. fairy tales of the nanny, with her warmth and cordiality.

Thought, her friend
From the most lullaby days
Rural Leisure Current
Decorated her with dreams.

Reading the novel, one can notice that in those stanzas where Tatyana is spoken of, there is always a description of nature. It is not for nothing that Pushkin conveys Tanya's state of mind many times through images of nature; by this he emphasizes the deep connection that exists between a village girl and nature. For example, after Onegin’s stern sermon, “youngness fades to sweet Tanya: this is how the shadow of a barely born day dresses the storm.” Tanya's farewell to her native places, native fields, meadows is accompanied by a tragic description of autumn:

Nature is quivering, pale,
How the victim is magnificently removed ...

The whole inner world of Tanya is in tune with nature, with all its changes. Such closeness is one of the signs of a deep connection with the people, which Pushkin greatly appreciated and respected. The song of the Girls, consoling Tanya, affection for "Filipyevna gray-haired", fortune-telling - all this again tells us about Tanya's living connection with the elements of the people.

Tatyana (Russian soul,
I don't know why.)
With her cold beauty
I loved the Russian winter.

Loneliness, alienation from others, gullibility and naivety allow the "tender dreamer" to confuse Onegin with the hero of the novel, to appropriate "someone else's delight", "someone else's sadness".
But, seeing soon that the hero of her dreams is not at all what she imagined him to be, she tries to understand Onegin. The girl writes an ardent, passionate letter to Onegin and receives a harsh sermon in response. But this coldness of Eugene does not kill Tanya's love, the "strict conversation" in the garden only revealed to Tanya Onegin's cruelty, his ability to mercilessly respond to sincere feelings. Probably, the birth of “that indifferent princess” with whom Onegin was struck and wounded in the eighth chapter already begins here.
But, meanwhile, even the death of Lensky did not destroy the deep feeling that Tatiana had for Onegin:

And in the cruel loneliness
Her passion burns stronger
And about distant Onegin
Her heart speaks louder.

Onegin left, and, it seems, forever. But Tatyana, before visiting his house, continues to refuse everyone who asks for her. Only after visiting the “young cell”, seeing how and how Eugene lived, she agrees to go to the “bride market” in Moscow, because she begins to suspect something terrible for herself and for her love:

What is he? Is it an imitation?
An insignificant ghost, or else -
Muscovite in Harold's raincoat?
Alien whims interpretation,
Words fashionable lexicon?
Isn't he a parody?

Although the inner world of Eugene is not limited to the books that he read > Tanya does not understand this and, drawing erroneous conclusions, is disappointed in love and in her hero. Now she faces a boring road to Moscow and the noisy bustle of the capital.
In the "county young lady" Tatyana, "everything is outside, everything is free." In the eighth chapter, we meet the indifferent princess, the legislator of the hall. The former Tanya, in whom "everything was quiet, everything is simple," has now become a model of "impeccable taste", a "true ingot" of nobility and sophistication.
But it cannot be said that now she is really an “indifferent princess”, incapable of experiencing sincere feelings, and that there is no trace of the former naive and timid Tanya. There are feelings, but now they are well and firmly hidden. And that “careless charm” of Tatyana is a mask that she wears with art and naturalness. Light has made its own adjustments, but only external ones, Tatyana's soul has remained the same. That trusting “girl” still lives in her, loving the “Russian winter”, hills, forests, the village, ready to give “all this brilliance, and noise, and children for a shelf of books, for a wild garden ...”. Now the impetuosity and recklessness of feelings has been replaced in her by self-control, which helps Tanya to endure the moment when the embarrassed, "awkward" Eugene is left alone with her.
But still, the main advantage of Tatyana is the spiritual nobility of her truly Russian character. Tatyana has a high sense of duty and dignity, namelyso she found the strength to suppress her feelings and say to Onegin:

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Tatyana Larina, one of the central characters of Pushkin's poem "Eugene Onegin", occupies an important place in this work, because it was in her image that the brilliant poet concentrated all the best female qualities that he had ever met in his life. For him, “Tatyana, dear Tatyana” is the concentration of ideal ideas about what a real Russian woman should be and one of the most beloved heroines, to whom he himself confesses his passionate feelings “I love my dear Tatyana so much.”

Pushkin describes his heroine with great tenderness and awe throughout the poem. He sincerely empathizes with her about unrequited feelings for Onegin and is proud of how nobly and honestly she acts in the finale, rejecting his love for the sake of duty to her unloved, but God-given spouse.

Characteristics of the heroine

We meet Tatyana Larina in her parents' quiet village estate, where she was born and raised, her mother is a good wife and caring housewife, giving herself to her husband and children, her father is a "kind fellow", a little stuck in the last century. Their eldest daughter appears before us as a very small girl who, despite her young age, has unique, outstanding character traits: calmness, thoughtfulness, silence and some outward detachment that distinguish her from all other children and in particular from her younger sister Olga.

(Illustration for the novel "Eugene Onegin" by the artist E.P. Samokish-Sudkovskaya)

"Tatyana, Russian in soul" loves the nature surrounding the estate of her parents very much, subtly feels its beauty and experiences real pleasure from unity with it. The vast expanses of a secluded small homeland are dearer and closer to her heart than the "hateful life" of the St. Petersburg high society, which she does not want to change for what has forever become a part of her soul.

Brought up, like Pushkin, by a simple woman from the people, from childhood she was in love with Russian fairy tales, legends and traditions, she was prone to mysticism, to mysterious and mysterious folk beliefs and ancient rituals. Already at an older age, she opens up the fascinating world of novels, which she read excitedly, forcing her to experience dizzying adventures and various life ups and downs with her heroes. Tatyana is a sensitive and dreamy girl living in her secluded little world, surrounded by dreams and fantasies, completely alien to the reality around her.

(K. I. Rudakova, painting "Eugene Onegin. Meeting in the garden" 1949)

Nevertheless, having met the hero of her dreams, Onegin, who seemed to her a mysterious and original personality, noticeably standing out from the surrounding crowd, the girl, having cast aside timidity and uncertainty, ardently and sincerely tells him about her love, writing a touching and naive letter, full of sublime simplicity and deep feelings. In this act, both her waywardness and openness are manifested, as well as the spirituality and poetry of a subtle girlish soul.

The image of the heroine in the work

Pure in soul, sincere and naive, Tatyana falls in love with Onegin, being very young and carries this feeling through her whole life. Having written this touching letter to her chosen one, she is not afraid of condemnation and anxiously awaits an answer. Pushkin is tenderly touched by the bright feelings of his heroine and asks readers for indulgence for her, because she is so naive and pure, so simple and natural, and just these qualities for the author of the poem, who has been burned more than once at the stake of his feelings, play a very important role in life. .

Having received the bitter lesson that Onegin taught her, who read her painful moralizing and rejected her feelings for fear of losing her freedom and tying herself in marriage, she is very worried about her unrequited love. But this tragedy does not embitter her, she will forever keep in the depths of her soul these sublime bright feelings for a person with whom she will never be together.

Having met Onegin a few years later in St. Petersburg, already being a brilliant high-society lady with feelings and mind shackled in an impenetrable armor of secular decency and deep in her soul hidden love for him, she does not revel in her triumph, does not want to take revenge on him or humiliate him. The inner purity and sincerity of her soul, the brilliance of which has not faded at all in the dirt of metropolitan life, does not allow her to sink to empty and false secular games. Tatyana still loves Onegin, but she cannot tarnish the honor and reputation of her elderly husband and therefore rejects his ardent, but too late love.

Tatyana Larina is a person of high moral culture with a deeply conscious sense of her own dignity, her image is called by literary critics the “ideal image of a Russian woman”, which Pushkin created to sing the nobility, fidelity and great purity of their unstained dirt of the life of the Russian soul.

Pushkin is a poet whose work is extremely accessible to human understanding. The clarity of images and the harmony of his works have an educational value. His lyre awakens good feelings in people. No matter what he describes, no matter what he talks about, in his lines one can feel love for people and life.

"Eugene Onegin" is one of the poet's iconic works. The form of this work is unusual and complex. This is a novel in verse, there were no earlier creations of this kind in Russian literature.

"Eugene Onegin" is a source of ideas about the Russian life of the Pushkin period. One of the central figures of the novel is Tatyana, the daughter of the landowners Larins.

Showing the image of Tatyana, the only whole nature in the novel, Pushkin demonstrates a real phenomenon in Russian life.

“…Reverie, her friend
From the most lullaby days
Rural Leisure Current
Decorated her with dreams ... "

Tatyana lives among ordinary people who are unfamiliar with the noise and bustle of the big world. They are naive and sweet in their own way.

Tatyana is drawn to someone whom she has not yet met, but who would be smarter, better, kinder than those around her. She takes her neighbor, the landowner Eugene Onegin, for such a person. Over time, sweet Tatyana falls in love with him.

He is indeed smarter than her surroundings, more knowledgeable and reasonable. He is capable of good deeds (he eased the plight of his serfs):

“At first our Evgeny conceived
Establish a new order.
Old yoke from corvee
I replaced the quitrent with a light one, -
And the slave blessed fate ... "

But Onegin is far from ideal. Tatiana hasn't recognized it yet. He is an idle gentleman, lazy, spoiled by life, half-educated, not knowing what to do, because he has no spiritual strength for a fruitful life, and longing gnaws at him from an empty life.

Tatyana writes a letter to him, in which she declares her love. But Onegin cannot cope with his egoism, he does not accept her spiritual impulses.

After Onegin's departure from the village, Tatyana has a habit of being at his house, reading books. She learned a lot and understood a lot. Onegin is not what she imagined him to be. He is a selfish, selfish person, not at all the hero to whom her tender soul was eager.

After the expiration of time, Onegin meets Tatyana again in St. Petersburg. She is the wife of an old general. And then Onegin looked at her in a new way. In wealth and nobility, she seems completely different. Love flared up in his soul. This time she herself rejected him, knowing his selfishness, knowing the emptiness of his soul and not wanting to break the word she had given her husband.

This soul, good Tatyana, knew how to love deeply. Having parted with Onegin and realizing that he was not the hero of her novel, she nevertheless continued to love him and suffered from this. Tatyana did not become the general’s wife of her own free will, her mother “begged” for this. She did not part with her love: in her soul she loved Onegin.

The soul of Tatyana is the soul of the best Russian women, no matter how different their fates, thoughts, deeds.

The genius of Pushkin lies in the fact that he offered the society to take a fresh look at the fate of the Russian woman. He prescribed a character hitherto unfamiliar to Russian literature. The firmness of nature, strength, simplicity, naturalness, loyalty to one's word, decency - these traits determined the integrity and strength of the character of the heroine. Tatyana's firm principles were unshakable throughout the story. She was disgusted by hypocrisy, insincerity, idle talk, everything that she called "rags of a masquerade."

From childhood, Tatyana was close to the people, to folk poetry. Her soulmate is the nanny to whom she confided her secrets. Throughout the story, Tatyana's inner world does not change. No external circumstances will force her to deviate from the true path, they will not "break her spiritual warehouse." The admiration and love of the poet in the novel is given to Tatyana in full.

Conclusion

Pushkin combined two epochs: he had certain features of the present and some echoes of the past, in the midst of which his own upbringing passed; on the other hand, a completely new period began with him, the period of modern literature.

With his novel Eugene Onegin, Pushkin taught everyone who wrote after him how simply and sincerely to portray the strength and suffering of a Russian woman. Pushkin raised the importance of the Russian woman in our minds. He created the ground for those high ideals of a woman that we see in subsequent works by other authors.