Works by the artist a Laptev. Alexei Mikhailovich Laptev - graphic artist, book illustrator, poet Laptev and m artist's work download torrent

Biography

Graphic artist, well-known children's illustrator and book designer. Member of the Union of Artists of the USSR. Corresponding member of the Academy of Arts of the USSR. Honored Art Worker of the RSFSR.

Lived and worked in Moscow, graduated from high school. Studied at the Moscow School-Studio of F.I. Lvov and the famous graphic artist N. N. Kupreyanov. After graduating from VKHUTEMAS, he was mainly engaged in easel and book graphics. He worked a lot in the technique of sanguine, ink, watercolors, pastels; used coal, sauce and other materials.

Since 1925, he constantly worked as an illustrator in many magazines. Later, in 1929, he began working in the field of book graphics, in the 1930s and 60s he collaborated with various publishing houses in Moscow: GIZ, DETGIZ, GOSLITIZDAT, Young Guard, Soviet Graph, Children's Literature and others.

During the Great Patriotic War, Alexei Mikhailovich remained in Moscow and was a member of the graphic team of the Moscow Union of Artists, which published satirical posters "Windows of the Moscow Union of Artists" and propaganda leaflets. Participated in the release of "Windows TASS", worked at the publishing house "Iskusstvo", worked on posters, postcards, leaflets and created a cycle of front-line drawings (1942-1943). He has worked in the children's magazine "Funny Pictures" since its inception. He illustrated books for children: "The Adventures of Dunno and His Friends" by N. Nosov, "Fables" by I. A. Krylov (1944–1945).

Alexey Laptev also illustrated works of Russian and Soviet classics: “Dead Souls” and “Evenings on a Farm near Dikanka” by N. V. Gogol, “Who Lives Well in Russia” by N. A. Nekrasov, “Virgin Soil Upturned” by M. A. Sholokhov and many others.

The works of A. M. Laptev were exhibited at solo exhibitions in Moscow (1940, 1949). He took part in exhibitions of Soviet art in the cities of the USSR and abroad: in the USA, India, and European countries. In 1966, a memorial exhibition of works by A. M. Laptev was organized in Moscow.

The artist's works are in many regional museums, as well as in private collections in Russia and abroad.

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There was a text by Lyudmila Mikhailovna Nikolaenko.

A beetle rang in the grass,
And the grasshopper took the bow,
How much music around!
Tsili-Vili-Dili-Bom!

There were frogs
Along the edge
Let's go - let's go -
And great
Strawberry
Bush found.

good in the forest
Drink dew in the morning
tilt flower
And take a sip.

The breeze blew,
He shook a flower in the grass.
Rustle-heap ran -
And the hare scared.
Here they are eared
Shy, big-eyed.

These four ducks
They want to attack the beetle.
Beetle goes - horns forward,
Who will attack first?

Let fluff on me -
I'm already a cockerel.
And maybe it's not a snake
But the winner is me!

Helicopter above the jackdaw
And the jackdaw is waiting
What's in his open mouth
The mosquito will fall.

Sorochata because of the bump
They fought like boys;
But in a minute
The quarrel turned into a joke.

The fisherman sits
The fisherman is sad
He doesn't need cancer at all
He would like a fish for lunch,
And there are no fish.

Boletus fungus
We have an umbrella and a house.

I am a good jumper
I have two pairs of legs
I jump where I want
It's like I'm flying a bird.

This is horses
Vertically challenged.
And they're just called
Pony.

Fragrant linden honey.
And the bees climb into the mouth.
If you love honey, don't sob
Sting - will live!

We are gray goats
Our horns are growing.
We are two brothers
Not two enemies.

Ducklings share their lunch -
They don't have knives or forks.

Alexey Laptev "On the way" (1972)

Laptev Alexey Mikhailovich (1905, Moscow - 1965, Moscow) - graphic artist, sculptor.

Studied in Moscow: at the school-studio of F. I. Rerberg (1923–1924); Testing and preparatory department of Vkhutemas (1924); Vkhutemas - Vkhutein (1924–1930), first at the textile faculty, then at the graphic faculty of D. A. Shcherbinovsky, P. I. Lvov (drawing) and N. N. Kupreyanov (lithography). In the 1920s, he was a member of the Vkhutemas volleyball team.

Engaged in easel and book graphics. He perfectly mastered all the technical “arsenal” of drawing: he used pressed charcoal, sauce, sanguine, ink, watercolor, pastel, chalk and other materials.

From 1925 he worked as an illustrator in magazines; painted for Pioneer magazine (1927-1929). In 1929 he began working in the field of book graphics (The First Pasture by G. Zamchalov). In the 1930s and 60s, he collaborated in various publishing houses in Moscow: GIZ, Detgiz, Goslitizdat, Young Guard, Soviet Graph, Soviet Artist, Children's Literature, and others. Illustrated textbooks commissioned by Uchpedgiz.

One of the first illustrators of A. L. Barto (“About the War”, 1930) and N. N. Nosova (“The Adventures of Dunno and His Friends”, 1956; “Dunno in a Sunny City”, 1959). Designed books: “What is good and what is bad?” V. V. Mayakovsky (1930), “Fables” by I. A. Krylov (1944–1945), “Medvedko” by D. N. Mamin-Sibiryak (1951), “Dead Souls” (1953), “Evenings on a farm near Dikanka (1960) by N. V. Gogol, Lithuanian Folk Tales (1954), Giovannino and Pulcherosa by D. Pirelli (1958), Masha the Confused by L. F. Voronkova (1960) and others.

Wrote and illustrated books for children: Gramophone (1947), Funny Kids (1948, 1949), Funny Pictures (1948), How I Drawn at the Zoo (1950), Fu you, you! ”, “Funny Pictures” (both - 1958), “Forest Curiosities” (1959), “Kids” (1964), “One, Two, Three ...” (1966) and others. Since 1956 the artist of the magazine "Funny Pictures".

In 1948-1954 he created an extensive series of illustrations for the novel Virgin Soil Upturned by M. A. Sholokhov, for which he made a trip to the Don (several editions, one of them: Sholokhov M. A. Collected Works. M .: Young Guard. 1956– 1960, vol. 6–7). At the end of his life, he worked on a series of illustrations for N. A. Nekrasov’s poem “Who Lives Well in Russia” (not completed, published - 1971).

Performed portraits, landscapes, still lifes, genre compositions; created several autolithographs on the historical and revolutionary theme. In 1935, on the instructions of the organizing committee of the All-Union Exhibition "Industry of Socialism", he traveled to the Urals; the result was a series of drawings "Factories of Krasnouralsk" (1936). In 1937–1939 and 1940 he went on creative business trips to collective farm villages; created a series of drawings "Collective farms of Ukraine" and "Salsky steppes". In 1941 he was sent to the Caspian Sea, where he completed a series of sketches depicting fishing villages and steppe landscapes (“Caspian Suite”, “Near Astrakhan”).

During the Great Patriotic War, he remained in Moscow. Member of the graphic team of the Moscow Union of Artists, which published satirical lithographed posters "Windows of the Moscow Union of Artists", campaign leaflets. Collaborated in "Windows TASS" and the publishing house "Iskusstvo", worked on posters, postcards, leaflets. Traveled to the Kalinin and South-Western fronts; created a cycle of front-line drawings (1942-1943), for which in 1944 he was awarded a diploma of the 1st degree of the Committee for Arts under the Council of People's Commissars of the USSR.

In the post-war years, he was one of the initiators of the movement for the preservation of ancient monuments, paraded over the Rodina youth club, which helped in the protection of cultural monuments. He sketched monuments of ancient Russian architecture for the proposed exhibition “Masterpieces of Russian Architecture” (published in the album “Monuments of Old Russian Architecture in the Drawings of A. M. Laptev”, M., 1969).

He created cycles of drawings "Uglich", "Collective Farm Series" (1947), portraits of noble workers of factories in Moscow (1958), travels in Czechoslovakia (1958) and Italy (1956-1962).

He worked in small sculpture. He made wooden toys ("Foal", "Karand'Ash", both - 1948). In the early 1950s, he became interested in sculpture from the roots (Sancho Panza and the Donkey, Don Quixote).

Since 1926 - a participant in exhibitions (1st exhibition of the Association of Graphic Artists in Moscow). Member of the Union of Artists of the USSR. Exhibited at exhibitions: an exhibition-review of works by young artists (1936), works by Moscow artists (1939, 1942, 1947), drawing, illustration and poster (1940), painting, graphics, sculpture (1941), "The Red Army in the fight against German -fascist invaders" (1943), "The Heroic Defense of Moscow in 1941-1942" (1944), All-Union Art Exhibition (1946), "30 Years of the Soviet Armed Forces. 1918–1948” (1948), the 1st All-Union Exhibition of Graphics and Posters (1950), books and book graphics by Detgiz (1951), “N. V. Gogol in the Works of Soviet Artists” (1952) in Moscow; "Military prowess of the Russian people" in Sverdlovsk (1943) and others. Exhibitor of numerous traveling exhibitions of Soviet art in the Union republics and cities of the RSFSR. Participated in a number of foreign exhibitions: the international exhibition "The Art of the Book" in Paris and Lyon (1931-1932), "Modern Art of the USSR" in San Francisco, Chicago, Philadelphia, New York (1933), "Soviet Graphics" in Bucharest, Helsinki , Prague, Budapest (1950), Soviet fine arts in Delhi, Calcutta, Bombay (1952), "Soviet and classical Russian art" in Berlin, Dresden, Halle, Budapest (1953-1954), XXVIII International Biennale in Venice (1956) . Held solo exhibitions in Moscow (1940, 1949).

Corresponding Member of the Academy of Arts of the USSR, Honored Art Worker of the RSFSR. The publication "Alexei Mikhailovich Laptev" (series "Masters of Soviet Art"; M., 1951) is dedicated to the artist's work. The author of the memoirs: "On the way ...: notes of the artist" (M., 1972).

A memorial exhibition of Laptev's works was organized in 1966 in Moscow.

Creativity is represented in many museum collections, including the State Tretyakov Gallery, the Pushkin Museum im. A. S. Pushkin, the State Russian Museum and others.

Yasnov M. D. "Good morning!" ,
In the book "One-two-three ..." was.

Laptev Alexey Mikhailovich (1905, Moscow - 1965, Moscow) - graphic artist, sculptor.

Studied in Moscow: at the school-studio of F. I. Rerberg (1923–1924); Testing and preparatory department of Vkhutemas (1924); Vkhutemas - Vkhutein (1924–1930), first at the textile faculty, then at the graphic faculty of D. A. Shcherbinovsky, P. I. Lvov (drawing) and N. N. Kupreyanov (lithography). In the 1920s, he was a member of the Vkhutemas volleyball team.

Engaged in easel and book graphics. He perfectly mastered all the technical “arsenal” of drawing: he used pressed charcoal, sauce, sanguine, ink, watercolor, pastel, chalk and other materials.

From 1925 he worked as an illustrator in magazines; painted for Pioneer magazine (1927-1929). In 1929 he began working in the field of book graphics (The First Pasture by G. Zamchalov). In the 1930s and 60s, he collaborated in various publishing houses in Moscow: GIZ, Detgiz, Goslitizdat, Young Guard, Soviet Graph, Soviet Artist, Children's Literature, and others. Illustrated textbooks commissioned by Uchpedgiz.

One of the first illustrators of A. L. Barto (“About the War”, 1930) and N. N. Nosova (“The Adventures of Dunno and His Friends”, 1956; “Dunno in a Sunny City”, 1959). Designed books: “What is good and what is bad?” V. V. Mayakovsky (1930), “Fables” by I. A. Krylov (1944–1945), “Medvedko” by D. N. Mamin-Sibiryak (1951), “Dead Souls” (1953), “Evenings on a farm near Dikanka (1960) by N. V. Gogol, Lithuanian Folk Tales (1954), Giovannino and Pulcherosa by D. Pirelli (1958), Masha the Confused by L. F. Voronkova (1960) and others.

Wrote and illustrated books for children: Gramophone (1947), Funny Kids (1948, 1949), Funny Pictures (1948), How I Drawn at the Zoo (1950), Fu you, you! ”, “Funny Pictures” (both - 1958), “Forest Curiosities” (1959), “Kids” (1964), “One, Two, Three ...” (1966) and others. Since 1956 the artist of the magazine "Funny Pictures".

In 1948-1954 he created an extensive series of illustrations for the novel Virgin Soil Upturned by M. A. Sholokhov, for which he made a trip to the Don (several editions, one of them: Sholokhov M. A. Collected Works. M .: Young Guard. 1956– 1960, vol. 6–7). At the end of his life, he worked on a series of illustrations for N. A. Nekrasov’s poem “Who Lives Well in Russia” (not completed, published - 1971).

Performed portraits, landscapes, still lifes, genre compositions; created several autolithographs on the historical and revolutionary theme. In 1935, on the instructions of the organizing committee of the All-Union Exhibition "Industry of Socialism", he traveled to the Urals; the result was a series of drawings "Factories of Krasnouralsk" (1936). In 1937–1939 and 1940 he went on creative business trips to collective farm villages; created a series of drawings "Collective farms of Ukraine" and "Salsky steppes". In 1941 he was sent to the Caspian Sea, where he completed a series of sketches depicting fishing villages and steppe landscapes (“Caspian Suite”, “Near Astrakhan”).

During the Great Patriotic War, he remained in Moscow. Member of the graphic team of the Moscow Union of Artists, which published satirical lithographed posters "Windows of the Moscow Union of Artists", campaign leaflets. Collaborated in "Windows TASS" and the publishing house "Iskusstvo", worked on posters, postcards, leaflets. Traveled to the Kalinin and South-Western fronts; created a cycle of front-line drawings (1942-1943), for which in 1944 he was awarded a diploma of the 1st degree of the Committee for Arts under the Council of People's Commissars of the USSR.

In the post-war years, he was one of the initiators of the movement for the preservation of ancient monuments, paraded over the Rodina youth club, which helped in the protection of cultural monuments. He sketched monuments of ancient Russian architecture for the proposed exhibition “Masterpieces of Russian Architecture” (published in the album “Monuments of Old Russian Architecture in the Drawings of A. M. Laptev”, M., 1969).

He created cycles of drawings "Uglich", "Collective Farm Series" (1947), portraits of noble workers of factories in Moscow (1958), travels in Czechoslovakia (1958) and Italy (1956-1962).

He worked in small sculpture. He made wooden toys ("Foal", "Karand'Ash", both - 1948). In the early 1950s, he became interested in sculpture from the roots (Sancho Panza and the Donkey, Don Quixote).

Since 1926 - a participant in exhibitions (1st exhibition of the Association of Graphic Artists in Moscow). Member of the Union of Artists of the USSR. Exhibited at exhibitions: an exhibition-review of works by young artists (1936), works by Moscow artists (1939, 1942, 1947), drawing, illustration and poster (1940), painting, graphics, sculpture (1941), "The Red Army in the fight against German -fascist invaders" (1943), "The Heroic Defense of Moscow in 1941-1942" (1944), All-Union Art Exhibition (1946), "30 Years of the Soviet Armed Forces. 1918–1948” (1948), the 1st All-Union Exhibition of Graphics and Posters (1950), books and book graphics by Detgiz (1951), “N. V. Gogol in the Works of Soviet Artists” (1952) in Moscow; "Military prowess of the Russian people" in Sverdlovsk (1943) and others. Exhibitor of numerous traveling exhibitions of Soviet art in the Union republics and cities of the RSFSR. Participated in a number of foreign exhibitions: the international exhibition "The Art of the Book" in Paris and Lyon (1931-1932), "Modern Art of the USSR" in San Francisco, Chicago, Philadelphia, New York (1933), "Soviet Graphics" in Bucharest, Helsinki , Prague, Budapest (1950), Soviet fine arts in Delhi, Calcutta, Bombay (1952), "Soviet and classical Russian art" in Berlin, Dresden, Halle, Budapest (1953-1954), XXVIII International Biennale in Venice (1956) . Held solo exhibitions in Moscow (1940, 1949).

Corresponding Member of the Academy of Arts of the USSR, Honored Art Worker of the RSFSR. The publication "Alexei Mikhailovich Laptev" (series "Masters of Soviet Art"; M., 1951) is dedicated to the artist's work. The author of the memoirs: "On the way ...: notes of the artist" (M., 1972).

A memorial exhibition of Laptev's works was organized in 1966 in Moscow.

Creativity is represented in many museum collections, including the State Tretyakov Gallery, the Pushkin Museum im. A. S. Pushkin, the State Russian Museum and others.

Yasnov M. D. "Good morning!" ,
In the book "One-two-three ..." was.

Alexei Mikhailovich Laptev - graphic artist, book illustrator, poet. Corresponding member of the Academy of Arts of the USSR. Honored Art Worker of the RSFSR.
Lived in Moscow. He studied at the school-studio of F.I. Rerberg (1923) in Moscow, with P.I. Lvov and N.N. From 1925 he worked as an illustrator in a number of magazines. Collaborated with book publishers in Moscow. Author of textbooks for art universities. In 1944 he was awarded a diploma of the 1st degree by the Committee for Arts under the Council of People's Commissars of the USSR for the series of drawings "Military Series" 1942-1943. Exhibition participant: incl. many republican, all-Union, foreign; personal: 1938, 1949 - Moscow. Member of the Union of Artists. Awarded with medals of the USSR. Author of illustrations for works of classical Russian and Soviet literature, including books for children. He worked in the field of easel graphics on modern and historical themes, as well as in small sculpture. Collaborated in the magazine "Veselye Kartinki" from the moment of its foundation. He wrote poetry and published several children's books with his own illustrations. The last time one of the books of A. M. Laptev was republished in 2010.
It was to him that Dunno for the first time allowed himself to be drawn. And the portrait turned out to be so similar to the original that all subsequent “portrait painters” only repeated and played with the image created by A. M. Laptev.

Pen and watercolor drawings by A. M. Laptev not only adorned the first two parts of the Nosov trilogy, they, as Yuri Olesha accurately noted in a review of “The Adventures of Dunno and His Friends”, emphasized “her lightness, her joyful, summer, we would say , field color. In addition, Yu. Olesha noticed that the whole book resembles a round dance: "a whole round dance of adventures, jokes, inventions." This association arose in the reviewer, no doubt, thanks to the illustrations of A. M. Laptev. They are multi-figured and incredibly mobile. Images constantly “change places, configuration, cut into the text, cross it diagonally” (L. Kudryavtseva), not letting our eyes tear away from the magnificent, bright, diverse round dance of funny and cute shorties. Alexei Mikhailovich's illustrations are “tender, lyrical, fragile… with touching warmth and at the same time captivating “seriousness”, realism” (A. Lavrov) in detail, step by step, draw the world of little men. And these creatures in Laptev, although they resemble children (they are childishly dressed, they have childish habits), “but not children, not a parody, not a caricature of a child, and not dolls, but fabulous little men” (L. Kudryavtseva).

The artist's works are in many regional museums, as well as in private collections in Russia and abroad.

Alexey Mikhailovich Laptev.

Alexey Mikhailovich Laptev (1905-1965) - graphic artist, book illustrator, poet. Corresponding Member of the Academy of Arts of the USSR, Honored Art Worker of the RSFSR.
He studied at the school-studio of F.I. Rerberg (1923) in Moscow, with P.I. Lvov and N.N.
Illustrated children's books: "The Adventures of Dunno and his friends"

He wrote poetry and published several children's books with his own illustrations. The last time the book by A. M. Laptev "Pik, Pak, Pok" was republished in 2010.

Alexei Mikhailovich Laptev was a very talented and kind person. He brought joy to both adults and children. In it, as in a magic box, verses were constantly born and swarming, and the keen eyes of the artist noticed the funny and interesting details of our laughing world.