The play “At the Bottom” is a deep, ambiguous work, in which the author poses complex philosophical and moral problems. Among them is the problem of truth and lies, true and false compassion, the problem of personality degradation, the problem of relationships between people. Revealing the last problem, the author cannot help but turn to the theme of love, which, even in such inhuman conditions as life in a flophouse, still exists and forces the characters to commit crazy acts in order to prove their feelings.

Life in a shelter, the inhabitants of which are trying to somehow exist, seems unreal and fantastic, because people are initially placed in conditions where nothing normal can happen. “The basement is like a cave. The ceiling is heavy stone vaults, smoked, with crumbling plaster. The light comes from the viewer and, from top to bottom, from the square window on the right side. The right corner is occupied by Ash’s room, fenced off by thin partitions; near the door to this room is Bubnov’s bunk. In the left corner there is a large Russian stove; in the left, stone wall there is a door to the kitchen where Kvashnya, Baron, Nastya live,” this is how the author describes the place of events. Dirt, cramped space, overcrowding, dampness, squalor, men in the same room with women - this is the interior against which the characters’ love unfolds. The hostel owner's wife, Vasilisa, goes on dates with the thief Ash, which arouses the constant jealousy of her hypocritical and greedy husband, Ash loves her sister Natasha, and Nastya, who earns her daily bread with the most humiliating craft in the world, dreams of pure, selfless love. Human feelings have not died even in such terrible conditions: and here there is a place for compassion, empathy, hope and love.

Probably the most significant for the development of the plot of the play is the relationship between Ash and Natasha. Ash, the thief, the son of a thief, sees in the modest and kind Natasha, whom her sister constantly mocks, a symbol of something beautiful, bright, for which it is not a pity to give her life: “Even now, I will accept death! Take a knife, strike against the heart... I’ll die without a sigh! Even - with joy, because - from a clean hand...” At the same time, Ash does not understand that Vasilisa, a powerful and evil woman, will not give up hers so easily. The first act of the play ends with Vasilisa beating Natasha. Vasilisa tries to persuade Ash to kill her husband, to free her from him, and for this she promises to give him Natasha as his wife. But Natasha herself doesn’t like Pepla, she also lives in dreams: “I think, tomorrow... someone... someone... special will come... Or something will happen... also - unprecedented ... I wait for a long time... I always wait... And so... in reality - what can you wait for?”

Elder Luke persuades Ash to take Natasha from the shelter and go with her to Siberia, which he presents to Ash as an earthly paradise. Ash, trusting Luka, believes that life can be changed, he is ready to do anything for the sake of his love: “I said, I’ll give up stealing! By God, I'll give it up! If I said it, I’ll do it! I am literate... I will work... Do you think my life doesn’t disgust me? But I feel one thing: we must live... differently! We need to live better! I have to live like this... so that I can respect myself...” Natasha is also not averse to leaving with Ash, realizing that she has no other choice. But the heroes do not have time: the third act ends with Vasilisa throwing a boiling samovar over her sister, and Ash in this turmoil kills Kostylev with one blow. At the end of the play, we learn that Natasha has disappeared from the hospital, and Ash faces prison. What is further fate These heroes are not known, but they are unlikely to find their happiness in a world of violence and oppression.

But the fate of another heroine of the play, Nastya, unfortunately, is quite definite. Nastya earns her bread on the street, all the shelters laugh at her, everyone despises her. Nastya goes into dreams, fantasies about great love, which she never had and never will have. She is the only one of the night shelters who reads books, however, these are pulp novels, from which she draws the plots of her fantasies: “By God... it happened! Everything was! He was a student... he was French... his name was Gastoshi... with a black beard... he wore patent leather boots... strike me with thunder in this place! And he loved me so much... he loved me so much!” Only Luka sympathizes with Nastya, saying: “If you believe, you had real love... that means she was!” In that scary world Nastya can only dream, forgetting about the humiliations and insults that she suffers in the real world.

In his play, Gorky shows how tragic are the fates of people who by nature cannot be predators. In the world of profit, they get the role of the victim, and all of them human feelings, including love, are shattered by a terrible reality. But people remain people because they cannot help but suffer, sympathize with each other and love.

The play “At the Bottom” is a deep, ambiguous work, in which the author raised complex philosophical and moral problems. Among them is the problem of truth and lies, true and false compassion, the problem of personality degradation, the problem of relationships between people. Revealing the last problem, the author cannot help but turn to the theme of love, which, even in such inhuman conditions as life in a flophouse, still exists and forces the characters to commit crazy acts in order to prove their feelings.

Life in a shelter, the inhabitants of which are trying to somehow exist, seems unreal and fantastic, because people are initially placed in conditions where nothing normal can happen. “The basement is like a cave. The ceiling is heavy stone vaults, smoked, with crumbling plaster. The light comes from the viewer and, from top to bottom, from the square window on the right side. The right corner is occupied by Ash’s room, fenced off by thin partitions; near the door to this room is Bubnov’s bunk. In the left corner there is a large Russian stove; in the left, stone wall there is a door to the kitchen where Kvashnya, Baron, Nastya live,” this is how the author describes the place of events. Dirt, cramped space, overcrowding, dampness, squalor, men in the same room with women - this is the interior against which the characters’ love unfolds. The hostel owner's wife, Vasilisa, goes on dates with the thief Ash, which arouses the constant jealousy of her hypocritical and greedy husband, Ash loves her sister Natasha, and Nastya, who earns her daily bread with the most humiliating craft in the world, dreams of pure, selfless love. Human feelings have not died even in such terrible conditions: and here there is a place for compassion, empathy, hope and love.

Probably the most significant for the development of the plot of the play is the relationship between Ash and Natasha. Ash, the thief, the son of a thief, sees in the modest and kind Natasha, whom her sister constantly mocks, a symbol of something beautiful, bright, for which it is not a pity to give her life: “Even now, I will accept death! Take a knife, strike against the heart... I’ll die without a sigh! Even - with joy, because - from a clean hand...” At the same time, Ash does not understand that Vasilisa, a powerful and evil woman, will not give up hers so easily. The first act of the play ends with Vasilisa beating Natasha. Vasilisa tries to persuade Ash to kill her husband, to free her from him, and for this she promises to give him Natasha as his wife. But Natasha herself doesn’t like Pepla, she also lives in dreams: “I think, tomorrow... someone... someone... special will come... Or something will happen... also - unprecedented ... I wait for a long time... I always wait... And so... in reality - what can you wait for?”

Elder Luke persuades Ash to take Natasha from the shelter and go with her to Siberia, which he presents to Ash as an earthly paradise. Ash, trusting Luka, believes that life can be changed, he is ready to do anything for the sake of his love: “I said, I’ll give up stealing! By God, I'll give it up! If I said it, I’ll do it! I am literate... I will work... Do you think my life doesn’t disgust me? But I feel one thing: we must live... differently! We need to live better! I have to live like this... so that I can respect myself...” Natasha is also not averse to leaving with Ash, realizing that she has no other choice. But the heroes do not have time: the third act ends with Vasilisa dumping a boiling samovar on her sister, and Ash in this turmoil kills Kostylev with one blow. At the end of the play, we learn that Natasha has disappeared from the hospital, and Ash faces prison. It is not known what the future fate of these heroes is, but it is unlikely that they will find their happiness in a world of violence and oppression.

But the fate of another heroine of the play, Nastya, unfortunately, is quite definite. Nastya earns her bread on the street, all the shelters laugh at her, everyone despises her. Nastya goes into dreams, fantasies about a great love that she never had and never will have. She is the only one of the night shelters who reads books, however, these are pulp novels, from which she draws the plots of her fantasies: “By God... it happened! Everything was! He was a student... he was French... his name was Gastoshi... with a black beard... he wore patent leather boots... strike me with thunder in this place! And he loved me so much... he loved me so much!” Only Luka sympathizes with Nastya, saying: “If you believe, you had true love... that means you had it!” In this terrible world, Nastya can only dream, forgetting about the humiliations and insults that she suffers in the real world.

In his play, Gorky shows how tragic are the fates of people who by nature cannot be predators. In the world of profit, they get the role of a victim, and all their human feelings, including love, are shattered by the terrible reality. But people remain people because they cannot help but suffer, sympathize with each other and love.

The play “At the Bottom” is a deep, ambiguous work, in which the author raised complex philosophical and moral problems. Among them is the problem of truth and lies, true and false compassion, the problem of personality degradation, the problem of human relationships. Revealing the last problem, the author cannot help but turn to the theme of love, which, even in such inhuman conditions as life in a flophouse, still exists and forces the characters to commit crazy acts in order to prove their feelings.

Life in a shelter, the inhabitants of which are trying to somehow exist, seems unreal and fantastic, because people are initially placed in conditions where nothing normal can happen. “The basement is like a cave. The ceiling is heavy stone vaults, smoked, with crumbling plaster. The light comes from the viewer and, from top to bottom, from the square window on the right side. The right corner is occupied by Ash’s room, fenced off by thin partitions; near the door to this room is Bubnov’s bunk. In the left corner there is a large Russian stove; in the left, stone wall there is a door to the kitchen where Kvashnya, Baron, Nastya live” - this is how the author describes the place of events. Dirt, cramped space, overcrowding, dampness, squalor, men in the same room with women - this is the interior against which the characters’ love unfolds. The hostel owner's wife, Vasilisa, goes on dates with the thief Ash, which arouses the constant jealousy of her hypocritical and greedy husband, Ash loves her sister Natasha, and Nastya, who earns her daily bread with the most humiliating craft in the world, dreams of pure, selfless love. Human feelings have not died even in such terrible conditions: and here there is a place for compassion, empathy, hope and love.

Probably the most significant for the development of the plot of the play is the relationship between Ash and Natasha. Ash, the thief, the son of a thief, sees in the modest and kind Natasha, whom her sister constantly mocks, a symbol of something beautiful, bright, for which it is not a pity to give her life: “Even now, I will accept death! Take a knife, strike against the heart... I’ll die without groaning! Even - with joy, because - from a clean hand...” At the same time, Ash does not understand that Vasilisa, a powerful and evil woman, will not give up hers so easily. The first act of the play ends with Vasilisa beating Natasha. Vasilisa tries to persuade Ash to kill her husband, to free her from him, and for this she promises to give him Natasha as his wife. But Natasha herself doesn’t like Pepla, she also lives in dreams: “I think, tomorrow... someone... someone... special will come... Or something will happen... also - unprecedented... I’ve been waiting for a long time... I’m always waiting... And so ... in fact - what can you expect?

Elder Luke persuades Ash to take Natasha from the shelter and go with her to Siberia, which he presents to Ash as an earthly paradise. Ash, trusting Luka, believes that life can be changed, he is ready to do anything for the sake of his love: “I said, I’ll give up stealing! By God, I’ll quit! If I said it, I’ll do it! I’m literate... I’ll work... Do you think my life doesn’t disgust me? But – I feel one thing: we have to live... differently! We need to live better! I have to live like this... so that I can respect myself...” Natasha is also not averse to leaving with Ash, realizing that she has no other choice. But the heroes do not have time: the third act ends with Vasilisa throwing a boiling samovar over her sister, and Ash in this turmoil kills Kostylev with one blow. At the end of the play, we learn that Natasha has disappeared from the hospital, and Ash faces prison. What the future fate of these heroes is is unknown, but it is unlikely that they will find their happiness in a world of violence and oppression.

But the fate of another heroine of the play, Nastya, unfortunately, is quite definite. Nastya earns her bread on the street, all the shelters laugh at her, everyone despises her. Nastya goes into dreams, fantasies about a great love that she never had and never will have. She is the only one of the night shelters who reads books, however, these are pulp novels, from which she draws the plots of her fantasies: “By God... it happened! Everything was! He was a student... he was French... his name was Gastoshi... with a black beard... he wore patent leather boots... strike me with thunder in this place! And he loved me so much... he loved me so much!” Only Luka sympathizes with Nastya, saying: “If you believe, you had true love... that means you had it!” In this terrible world, Nastya can only dream, forgetting about the humiliations and insults that she suffers in the real world.

In his play, Gorky shows how tragic are the fates of people who by nature cannot be predators. In the world of profit, they get the role of a victim, and all their human feelings, including love, are shattered by the terrible reality. But people remain people because they cannot help but suffer, sympathize with each other and love.

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There are people, and there are other people 8230 based on Gorky's play At the Bottom In Gorky's play, written in 1902, the audience saw for the first time the unfamiliar world of the outcasts. World drama has never known such a harsh, merciless truth about the life of the lower social classes, about their hopeless fate. Of course, the theme of the humiliated and insulted is not new in Russian literature.

The concept of M. Gorky's play “At the Depths” is based on two concepts - “comforting, reconciling” lies and “uplifting” truth. In O. Henry's short story "The Vile Deceiver" we do not find a champion of the truth, at least as inconsistent as Satin in Gorky's play. Nevertheless, the problem in these two works is the same - the choice between truth and lies, and at such a level that it depends human life(and not alone!).

Problems of M. Gorky's play “At the Depths” Author: Gorky M. In the play “At the Depths” Gorky shows people broken by life, doomed to death. The problems of the work are revealed not so much in the action (the world of the flophouse seems to have frozen, not many events happen), but in the conversations of the characters.

“What you believe is what you believe.” The role of Luke in the play "At the Lower Depths" Author: Gorky M. One of the most influential and interesting characters Luke appears in the play. His role in the work has been discussed for a long time by various critics.

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Sharp criticism reality and tragic fates people of the “bottom” (based on M. Gorky’s play “At the Bottom”). Author: Gorky M. The play “At the Bottom” is an indictment of the entire bourgeois society, which throws people to the “bottom” of life, humiliating them and depriving them of honor and dignity. Gorky shows that people of the “bottom” are direct evidence of a crime being committed against people.

Universal human values ​​in M. Gorky’s play “At the Lower Depths.” Author: Gorky M. The largest writers XIX centuries they acted as prose writers and playwrights. The work of M. Gorky was also characterized by multi-genres. In 1901, he turned to drama and with his first plays “Bourgeois” and “At the Lower Depths” he entered the history of literature as an innovative playwright.

Universal human values ​​in M. Gorky’s play “At the Lower Depths.” Author: Gorky M. There is a lie on which people, as if on bright wings, rise to the sky; there is a truth, cold, bitter, in which... worldly scientists are very knowledgeable and accurate, but which chains a person to the ground with lead chains.

Truth or compassion? (Based on M. Gorky's play "At the Depths") Author: M. Gorky It is not possible to give an unambiguous answer to this question. After all, everyone has their own truth. And it is very difficult to discern in the play what is true and what is a lie.

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"Without a name there is no person." (Based on M. Gorky’s play “At the Lower Depths.”) Dramatic play“At the Depths” was written in 1902. In his work, the author depicts the social lower classes, humiliated and insulted, people without a name who find themselves at the bottom. As fate would have it, the residents of the shelter began extra people who do not have the right to bear their own name with honor.

Subject passionate love Larisa Dmitrievna, scolded by Paratov; cynical and cruel power of the merchant world.

Gorky himself noted that the play was the result of his almost 20 years of observations of the world of “former people.”

For a long time, Gorky could not find the exact title for the play. Initially it was called “Nochlezhka”, then “Without the Sun”, and finally “At the bottom”. The name itself already has a huge meaning.

M. Gorky's multifaceted talent was clearly manifested in drama. In the play “At the Lower Depths,” Alexey Maksimovich revealed to readers and viewers a hitherto unknown layer of Russian life: aspirations, suffering, joy and hope “ former people", the inhabitants of the shelter.

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Author: Gorky M. M. Gorky's play “At the Depths” was written in 1902. It was a huge success and was staged on the stages of not only Russian but also European theaters. The interest in it is explained primarily by the fact that the writer accurately and in detail depicted the life of the people of the “bottom”. Previously, on the pages of Russian classics, people who belonged to high society talked about life and death, about good and evil.

Universal human values ​​in M. Gorky’s play “At the Lower Depths.” Author: Gorky M. Works fiction that affect eternal questions, are usually very popular and long life, since it is the eternal that always resonates in human hearts. The play by M. is exactly such a work.

The social and philosophical meaning of M. Gorky’s drama “At the Depths” Author: M. Gorky. The beginning of the twentieth century was marked by the appearance of such plays as “ The Cherry Orchard” by A.P. Chekhov and “At the Lower Depths” by M. Gorky. These two works were so unconventional in their structure and the questions posed that their authors rightfully began to be considered the founders of modern drama.

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The problem of humanism in M. Gorky’s play “At the Depths” Author: Gorky M. M. Gorky’s play “At the Depths” was written in 1902, in crucial moment For Russia. Gorky introduces a new hero into Russian literature - the lumpen, the tramp. And he talks about it in a new way. The theme of people from the bottom is not new for Russian literature: Gogol, Dostoevsky, Gilyarovsky addressed this topic.

Truth and lies in M. Gorky’s play “At the Bottom.” What is truth and what is lie? Humanity has been asking this question for hundreds of years. Truth and lies, good and evil always stand side by side, one simply does not exist without the other. The collision of these concepts is the basis of M. Gorky’s philosophical play “At the Depths”.

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In the works of Maxim Gorky, the problem of humanism has always occupied great place. But only in one work did she become central theme. This is a brilliant socio-philosophical drama “At the Depths”, created in 1902, which gave birth to great amount critical literature and received a stage life of unprecedented breadth and diversity.

A little about Gorky's play "At the Lower Depths" Author: Gorky M. Drama at the Lower Depths. The world of perception of heroes in Gorky's drama. From 1901-1906, Gorky wrote a number of plays. In the theater, Gorky sees a close connection with the masses, where he can touch upon the pressing issues of life.

In M. Gorky's play "At the Bottom" all the vices are revealed modern society. The author describes the life of people who have fallen to the bottom of society. These people once stumbled in life or went broke and ended up in a shelter where everyone is equal, and there is no hope of getting out.

Introduction 1 Biography 2 Roles in Yaroslavl chamber theater 3 Filmography List of references Introduction Vladimir Evgenievich Gusev (born July 9, 1958) - Russian actor theater and cinema, Honored Artist of Russia (2010).

The play “At the Bottom” is a deep, ambiguous work, in which the author raised complex philosophical and moral problems. Among them is the problem of truth and lies, true and false compassion, the problem of personality degradation, the problem of human relationships. Revealing the last problem, the author cannot help but turn to the theme of love, which, even in such inhuman conditions as life in a flophouse, still exists and forces the characters to commit crazy acts in order to prove their feelings.

Life in a shelter, the inhabitants of which are trying to somehow exist, seems unreal and fantastic, because people are initially placed in conditions where nothing normal can happen. “The basement is like a cave. The ceiling is heavy stone vaults, smoked, with crumbling plaster. The light comes from the viewer and, from top to bottom, from the square window on the right side. The right corner is occupied by Ash’s room, fenced off by thin partitions; near the door to this room is Bubnov’s bunk. In the left corner there is a large Russian stove; in the left, stone wall there is a door to the kitchen where Kvashnya, Baron, Nastya live” - this is how the author describes the place of events. Dirt, cramped space, overcrowding, dampness, squalor, men in the same room with women - this is the interior against which the characters’ love unfolds. The hostel owner's wife, Vasilisa, goes on dates with the thief Ash, which arouses the constant jealousy of her hypocritical and greedy husband, Ash loves her sister Natasha, and Nastya, who earns her daily bread with the most humiliating craft in the world, dreams of pure, selfless love. Human feelings have not died even in such terrible conditions: and here there is a place for compassion, empathy, hope and love.

Probably the most significant for the development of the plot of the play is the relationship between Ash and Natasha. Ash, the thief, the son of a thief, sees in the modest and kind Natasha, whom her sister constantly mocks, a symbol of something beautiful, bright, for which it is not a pity to give her life: “Even now, I will accept death! Take a knife, strike against the heart... I’ll die without groaning! Even - with joy, because - from a clean hand...” At the same time, Ash does not understand that Vasilisa, a powerful and evil woman, will not give up hers so easily. The first act of the play ends with Vasilisa beating Natasha. Vasilisa tries to persuade Ash to kill her husband, to free her from him, and for this she promises to give him Natasha as his wife. But Natasha herself doesn’t like Pepla, she also lives in dreams: “I think, tomorrow... someone... someone... special will come... Or something will happen... also - unprecedented... I’ve been waiting for a long time... I’m always waiting... And so ... in fact - what can you expect?

Elder Luke persuades Ash to take Natasha from the shelter and go with her to Siberia, which he presents to Ash as an earthly paradise. Ash, trusting Luka, believes that life can be changed, he is ready to do anything for the sake of his love: “I said, I’ll give up stealing! By God, I’ll quit! If I said it, I’ll do it! I’m literate... I’ll work... Do you think my life doesn’t disgust me? But – I feel one thing: we have to live... differently! We need to live better! I have to live like this... so that I can respect myself...” Natasha is also not averse to leaving with Ash, realizing that she has no other choice. But the heroes do not have time: the third act ends with Vasilisa dumping a boiling samovar on her sister, and Ash in this turmoil kills Kostylev with one blow. At the end of the play, we learn that Natasha has disappeared from the hospital, and Ash faces prison. What the future fate of these heroes is is unknown, but it is unlikely that they will find their happiness in a world of violence and oppression.

But the fate of another heroine of the play, Nastya, unfortunately, is quite definite. Nastya earns her bread on the street, all the shelters laugh at her, everyone despises her. Nastya goes into dreams, fantasies about a great love that she never had and never will have. She is the only one of the night shelters who reads books, however, these are pulp novels, from which she draws the plots of her fantasies: “By God... it happened! Everything was! He was a student... he was French... his name was Gastoshi... with a black beard... he wore patent leather boots... strike me with thunder in this place! And he loved me so much... he loved me so much!” Only Luka sympathizes with Nastya, saying: “If you believe, you had true love... that means you had it!” In this terrible world, Nastya can only dream, forgetting about the humiliations and insults that she suffers in the real world.

In his play, Gorky shows how tragic are the fates of people who by nature cannot be predators. In the world of profit, they get the role of a victim, and all their human feelings, including love, are shattered by the terrible reality. But people remain people because they cannot help but suffer, sympathize with each other and love.

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Maxim Gorky's play “At the Depths” reveals philosophical and social problems society at the turn of the 19th and 20th centuries.

The work “At the Bottom” draws the reader’s attention to the merciless world of people rejected by society who have sunk to its very bottom.

The main characters of the work are the residents of the shelter. All these people are unhappy in their own way, and each of them has their own life story. Some belonged to this world from birth, while others began their lives differently, but for some reason sank to the bottom.

This dirty world Poverty is ruled only by the desire to survive. It seems that there is no place for bright, sublime feelings here. Therefore, to discover a love conflict in this play is, to say the least, unexpected.

Conflict unfolds around love triangle: Vasily Ashes, Vasilisa and Natasha. It all begins with the appearance on the pages of the play of Vasilisa’s husband, Kostylev, who is looking for his young wife, whom he suspects of cheating on him with Vaska Ash. Everything looks rather banal until the appearance of Vasilisa’s younger sister, Natasha.

BETWEEN VASILY ASH AND NATASHA A REAL, PURE LOVE ARISES, WHICH YOU NEVER EXPECT TO MEET IN THE PLAY “AT THE BOTTOM.”

Vaska’s heart suddenly began to beat with a new, bright and disinterested feeling, which was strikingly different from the vulgar passion that he felt for Vasilisa.

The illusion of a bright future

But the world of outcasts does not give lovers a chance for a bright future. Vasilisa, out of jealousy ex-lover, takes revenge my own sister. At the same time, she dreams of getting rid of her tyrant husband.

Her dream comes true: Vasily Ash kills Kostylev in a fight. Ash goes to jail. At the same moment, Natasha disappears from the pages of the play. The young people's dream of a bright life, which was so close, is crumbling.

The possibility of a better future for Vaska Pepel and Natasha was only an illusion, a deceptive feeling. The world of the outcasts never lets out of its clutches those who once found themselves in them.

The play “At the Lower Depths” depicts an unusual love conflict that does not fit into familiar idea about love conflicts. Love line is not the main thing in Gorky’s work, however, it was she who demonstrated to the reader all the bitterness and ruthlessness of the world of people who once found themselves “at the bottom”

Essay » At the bottom - Gorky » Features love conflict in M. Gorky’s play “At the Lower Depths”

The play “At the Lower Depths” by M. Gorky as a philosophical drama

Gorky wrote about the idea of ​​a play about the life of people at the bottom: “It will be scary. I already have plans ready, I see faces, figures, I hear voices, speeches, the motives for actions are clear, everything is clear. " Unclear until last moment All that remained was the genre and the title. The author thought about the title: “Without the Sun”, “Bottom”, “Nochlezhka”. And finally, it was born - “At the Bottom”.

All this dictates the philosophical sound of the play. Important point drama - appearance in Luka's rooming house. Outwardly, he does not affect the lives of its inhabitants in any way (and what can a poor, homeless old man do?), but nevertheless, in the minds of the shelters, thanks to Luka, intense work begins.

The development of the play as a philosophical drama begins at the very moment when people of the “bottom” discover in themselves the ability to dream of a new, better life, reflect on your destinies. Philosophical issues reflected, first of all, in the heroes’ disputes about man, goodness and truth.

The play “At the Lower Depths,” which told viewers and readers about the life of Moscow tramps, is distinguished by its increased “ideology.” The paradox of M. Gorky’s philosophical drama is that about questions of being, its philosophical aspects people who have been expelled from society, beggars, and degenerates, argue. But it is they who remind readers and viewers of the enormous human possibilities.

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