Characteristics of Tatyana Larina. The image of Tatyana Larina

A.S. Pushkin is a great poet and writer of the 19th century. He enriched Russian literature with many remarkable works. One of them is the novel "Eugene Onegin". A.S. Pushkin worked on the novel for many years, it was his favorite work. Belinsky called it "an encyclopedia of Russian life", since it reflected the whole life of the Russian nobility of that era as in a mirror. Despite the fact that the novel is called "Eugene Onegin", the system of characters is organized in such a way that the image of Tatyana Larina acquires no less, if not more importance. But Tatyana is not just the main character of the novel, she is also the beloved heroine of A.S. Pushkin, which the poet calls "sweet ideal". A.S. Pushkin is madly in love with the heroine, and repeatedly admits this to her:

... I love my dear Tatyana so much!

Tatyana Larina is a young, fragile, contented sweet lady. Her image stands out very clearly against the background of other female images inherent in the literature of that time. From the very beginning, the author emphasizes the absence in Tatyana of those qualities that the heroines of classical Russian novels were endowed with: a poetic name, unusual beauty:

Nor the beauty of his sister,

Nor the freshness of her ruddy

She would not attract eyes.

Since childhood, Tatyana had a lot of things that distinguished her from others. In the family, she grew up as a lonely girl:

Dika, sad, silent,

Like a forest doe is timid,

She is in her family

Seemed like a stranger girl.

Also, Tatyana did not like to play with children, was not interested in the news of the city and fashion. For the most part, she is immersed in herself, in her experiences:

But dolls even in these years

Tatyana did not take it in her hands;

About the news of the city, about fashion

Didn't have a conversation with her.

Something completely different captivates Tatyana: thoughtfulness, dreaminess, poetry, sincerity. She has read many novels since childhood. In them she saw a different life, more interesting, more eventful. She believed that such a life, and such people are not invented, but actually exist:

She liked novels early,

They replaced everything

She fell in love with deceptions

And Richardson and Rousseau.

Already by the name of his heroine, Pushkin emphasizes Tatyana's closeness to the people, to Russian nature. Pushkin explains the unusualness of Tatyana, her spiritual wealth by the influence on her inner world of the people's environment, the beautiful and harmonious Russian nature:

Tatyana (Russian soul, without knowing why)

With her cold beauty

I loved Russian winter.

Tatyana, a Russian soul, subtly feels the beauty of nature. One more image is guessed, accompanying Tatiana everywhere and everywhere and connecting her with nature - the moon:

She loved on the balcony

Warn dawn dawn

When in the pale sky

Stars disappear dance ...

...with a foggy moon...

Tatyana's soul is pure, high, like the moon. Tatyana's "savagery" and "sadness" do not repel us, but on the contrary, make us think that she, like the lonely moon in the sky, is extraordinary in her spiritual beauty. Tatyana's portrait is inseparable from nature, from the overall picture. In the novel, nature is revealed through Tatyana, and Tatyana through nature. For example, spring is the birth of Tatyana's love, and love is spring:

The time has come, she fell in love.

So the fallen grain into the ground

Springs are animated by fire.

Tatyana shares with nature her experiences, sorrow, torment; only to her can she pour out her soul. Only in solitude with nature does she find solace, and where else should she look for it, because in the family she grew up as a “stranger girl”; she herself writes in a letter to Onegin: "... no one understands me ...". Tatyana is the one who so naturally falls in love in the spring; bloom for happiness, as the first flowers bloom in spring, when nature wakes up from sleep.

Before leaving for Moscow, Tatyana first of all says goodbye to her native land:

Farewell, peaceful valleys,

And you, familiar mountain peaks,

And you, familiar forests;

Forgive the cheerful nature ...

With this appeal, A.S. Pushkin clearly showed how difficult it is for Tatyana to leave her native land.

A.S. Pushkin also endowed Tatyana with a "fiery heart", a subtle soul. Tatyana, at thirteen years old, is firm and unshakable:

Tatyana loves not jokingly

And betrayed, of course

Love like a sweet child.

V.G. Belinsky noted: “Tatyana’s whole inner world consisted in a thirst for love. nothing else spoke to her soul; her mind was asleep"

Tatyana dreamed of a person who would bring content into her life. This is exactly what Evgeny Onegin seemed to her. She invented Onegin, fitting him to the model of the heroes of French novels. The heroine takes the first step: she writes a letter to Onegin, waiting for an answer, but there is none.

Onegin did not answer her, but on the contrary read the instruction: “Learn to rule yourself! Not every one of you, as I understand! Inexperience leads to trouble! Although it was always considered indecent for a girl to be the first to love, the author likes Tatiana's directness:

Why is Tatyana guilty?

For the fact that in sweet simplicity

She knows no lies

And he believes in his chosen dream.

Once in Moscow society, where “it’s not surprising to show off with upbringing,” Tatyana stands out for her spiritual qualities. Social life has not touched her soul, no, it's still the same old "dear Tatyana." She is tired of the magnificent life, she suffers:

She is stuffy here ... she is a dream

Strives for field life.

Here, in Moscow, Pushkin again compares Tatyana with the moon, which overshadows everything around with its light:

She was sitting at the table

With the brilliant Nina Voronskaya,

This Cleopatra of the Neva;

And you would rightly agree

That Nina marble beauty

I couldn't outshine my neighbor

Even though it was stunning.

Tatyana, who still loves Yevgeny, firmly answers him:

But I am given to another

And I will be faithful to him forever.

This confirms once again that Tatyana is noble, steadfast, and faithful.

Highly appreciated the image of Tatyana and critic V.G. Belinsky: “The great feat of Pushkin is that he was the first in his novel to poetically reproduce the Russian society of that time and, in the person of Onegin and Lensky, showed its main, that is, male, side; but the feat of our poet is almost higher in that he was the first to poetically reproduce, in the person of Tatyana, a Russian woman. The critic emphasizes the integrity of the nature of the heroine, her exclusivity in society. At the same time, Belinsky draws attention to the fact that the image of Tatyana is a "type of Russian woman."

Tatyana Larina symbolizes the image of a Russian girl. It is difficult to understand the soul of a Russian without being a Russian. It is Tatyana who appears before us as a symbol of the mysterious Russian soul.

From childhood, she was distinguished by her dissimilarity to others. Her originality, sometimes wildness, seems to some to be pride, affectation. But it's not. A meek disposition, but the strength of character is manifested and even more emphasized against the background of Olga's sister. It would seem that a young girl in a noble family can worry. Is it inherent in such a greenhouse environment deep thoughts, the ability to reason and analyze. Ease, carelessness should have become her companions, but everything turned out differently. The desire to study, self-development made the girls a strong character, deeply thinking, empathizing. Frequent solitude contributed to deep immersion in oneself and self-knowledge.

The first feeling that flooded over Tatiana completely swallowed her up. She was ready to meet love. Reading novels contributed to this. And so, the image of a person who corresponded to her fictional character appeared in reality.

Tatyana, a pure and open person, went towards the feeling. She accepted it and decided on a difficult but necessary step - recognition.

Busting girlish pride, I dared to take the first step. What did she get in return? Condescension on the part of the brilliant Onegin to a provincial girl, a humane act of refusal. First love often breaks youthful hearts. But this defeat made Tatyana stronger. The feeling did not fade away, but only lurked somewhere in the depths of the soul. Nothing could stop her from loving Yevgeny, neither his indifference, nor cruelty, nor cynicism, nor the murder of Lensky. You can’t love for something, you can love in spite of. Only then is it love.

Tatyana is a sensual but proud person. She did not humiliate herself and ask for Onegin's love. She tried to pull away and forget. Only she herself knows what was going on in the soul, what a struggle between the mind and the heart raged. The mind allowed the provincial savage girl to turn into a sedate lady, the hostess of the salon. An unloved husband, even for a second, cannot doubt the tenderness and fidelity of his wife.

The power of love, its beauty is most colorfully revealed in tragedy. Tatyana is not destined to be with Onegin. Love is alive in her heart, and perhaps only intensified over time. But, alas. A sacrifice of love for the sake of honor and the promised oath at the altar.

Appearance, habits of the heroine

Tatyana Larina is the main female image of the novel "Eugene Onegin". Belinsky called the novel "an encyclopedia of Russian life." The image of Tatyana, like the images of other heroes, was typical for Russia in the 20-30s. 19th century But Tatyana is a living woman with a unique strong character. Her actions, dictated by internal logic and circumstances, are unexpected even for the author: "My Tatyana has done it".

Tatyana is not like her younger sister Olga, a cheerful beauty. The older sister does not attract the eyes either by beauty or freshness. In addition, she is unsociable, unkind: "Dika, sad, silent, like a doe forest timid".

Tatyana does not resemble a traditional folklore hardworking girl: she does not embroider, does not play with dolls, is not interested in fashion and outfits. The girl does not like "in the crowd of children to play and jump", run into burners (an outdoor game), does not play pranks and does not play pranks.

Tatyana loves scary stories, is thoughtful, meets the dawn on the balcony. Since childhood, she has been inclined to move away from reality into the world of dreams, imagining herself the heroine of the novels of Richardson and Rousseau: "She fell in love with deceptions".

Character and its origins, character development

Tatyana grew up in the village, was a neighbor on the estate of Eugene Onegin. Her parents kept the old patriarchal way. It is said about the father that he was late in the last century. This is probably why Tatyana received such an exotic name, with which she is inseparable. "memories of antiquity or maiden". Tatyana's mother in her youth was fond of the same novels that her eldest daughter later read. In the village of her husband, for whom Tatyana's mother was not given for love, she, in the end, "I got used to it and became satisfied" forgetting romantic hobbies. The couple lived keeping "habits of dear old times".

Tatyana is cut off from her environment. On the one hand, she "Russian soul, without knowing why". Pushkin, according to the laws of realism, discovers why Tatyana is like that. She lived in "backwoods of the forgotten village", raised by a nanny, "cordial friend", in the atmosphere "traditions of common antiquity". But the nanny, whose prototype was Pushkin's nanny, does not understand Tatyana's feelings.

On the other hand, Tatyana was brought up on foreign novels, "I didn't know Russian very well". She writes a letter to Onegin in French because "explained with difficulty in her native language".

The novel traces the change in the life of Tanya, brought by her mother to the capital and liked "important general". Everything that happens in St. Petersburg is alien to her: “The excitement of the world hates; it’s stuffy here ... she strives with a dream for field life ”.

Onegin fell in love with a completely different Tatyana, not a timid girl, in love, poor and simple, but an indifferent princess, an impregnable goddess of the luxurious, regal Neva, "legislator hall". But internally Tatyana remains the same: "Everything is quiet, it was just in her". Dignity and nobility were added to simplicity. The appearance of the heroine also changes. No one would call her beautiful, but her sophistication could not be overshadowed by the first beauty of St. Petersburg.

Onegin does not recognize the former Tatyana. She is indifferent, bold, calm, free, severe. There is no coquetry in Tatyana, which "does not tolerate the upper world", confusion and compassion. She doesn't look like the girl who wrote "a letter where the heart speaks, where everything is outside, everything is free".

The relationship between Tatyana and Onegin is the main storyline of the novel

After Onegin, who arrived in his village, visited the Larins, they began to read him to Tatyana as a suitor. She fell in love with Onegin simply because "time has come". But, brought up in a healthy folk atmosphere, Tatyana is waiting for great love, the only betrothed.

Onegin taught Tatyana the most important lesson in life, which she learned well: "Learn to control yourself". He acted nobly, but Pushkin sympathizes with Tatyana: "With you now I shed tears"- and foresees her death at the hands of "fashion tyrant"(Onegin).

The lesson that Tatyana gives Onegin, having become a secular lady, in turn, consists in the same wisdom: you can’t be "feelings of a petty slave". This should be preferred "cold, stern talk". But the motives of Onegin and Tatyana are different. He never could become "natural person", which Tatiana has always been. For her, life in the world is hateful, this "rags of masquerade". Tatyana deliberately doomed herself to such a life, because when she got married, for her "all were equal lot". And although the first love still lives in the heroine, she sincerely and with conviction remains faithful to her husband. Onegin, on the other hand, does not fully realize that his love is excited by the desire to be noticed in society, to have "seductive honor".

• "Eugene Onegin", analysis of the novel by Alexander Pushkin
• "Eugene Onegin", a summary of the chapters of Pushkin's novel

Tatyana Larina, one of the central characters of Pushkin's poem "Eugene Onegin", occupies an important place in this work, because it was in her image that the brilliant poet concentrated all the best female qualities that he had ever met in his life. For him, “Tatyana, dear Tatyana” is the concentration of ideal ideas about what a real Russian woman should be and one of the most beloved heroines, to whom he himself confesses his passionate feelings “I love my dear Tatyana so much.”

Pushkin describes his heroine with great tenderness and awe throughout the poem. He sincerely empathizes with her about unrequited feelings for Onegin and is proud of how nobly and honestly she acts in the finale, rejecting his love for the sake of duty to her unloved, but God-given spouse.

Characteristics of the heroine

We meet Tatiana Larina in her parents' quiet rural estate, where she was born and raised, her mother is a good wife and caring housewife, giving herself to her husband and children, her father is a "kind fellow", a little stuck in the last century. Their eldest daughter appears before us as a very small girl who, despite her young age, has unique, outstanding character traits: calmness, thoughtfulness, silence and some outward detachment that distinguish her from all other children and in particular from her younger sister Olga.

(Illustration for the novel "Eugene Onegin" by the artist E.P. Samokish-Sudkovskaya)

"Tatyana, Russian in soul" loves the nature surrounding the estate of her parents very much, subtly feels its beauty and experiences real pleasure from unity with it. The vast expanses of a secluded small Motherland are dearer and closer to her heart than the "hateful life" of the St. Petersburg high society, which she does not want to change for what has forever become a part of her soul.

Brought up, like Pushkin, by a simple woman from the people, from childhood she was in love with Russian fairy tales, legends and traditions, she was prone to mysticism, to mysterious and mysterious folk beliefs and ancient rituals. Already at an older age, she opens up the fascinating world of novels, which she read avidly, forcing her to experience dizzying adventures and various life vicissitudes with her heroes. Tatyana is a sensitive and dreamy girl living in her secluded little world, surrounded by dreams and fantasies, completely alien to the reality around her.

(K. I. Rudakova, painting "Eugene Onegin. Meeting in the garden" 1949)

Nevertheless, having met the hero of her dreams, Onegin, who seemed to her a mysterious and original person, who noticeably stands out from the surrounding crowd, the girl, casting aside timidity and insecurity, passionately and sincerely tells him about her love, writing a touching and naive letter, full of sublime simplicity and deep feelings. In this act, both her waywardness and openness are manifested, as well as the spirituality and poetry of a subtle girlish soul.

The image of the heroine in the work

Pure in soul, sincere and naive, Tatyana falls in love with Onegin, being very young and carries this feeling through her whole life. Having written this touching letter to her chosen one, she is not afraid of condemnation and anxiously awaits an answer. Pushkin is tenderly touched by the bright feelings of his heroine and asks readers for indulgence for her, because she is so naive and pure, so simple and natural, and just these qualities for the author of the poem, who has been burned more than once at the stake of his feelings, play a very important role in life. .

Having received the bitter lesson that Onegin taught her, who read her painful moralizing and rejected her feelings for fear of losing her freedom and tying the knot, she is very worried about her unrequited love. But this tragedy does not embitter her, she will forever keep in the depths of her soul these sublime bright feelings for a person with whom she will never be together.

Having met Onegin a few years later in St. Petersburg, already being a brilliant high-society lady with feelings and mind chained in an impenetrable armor of secular decency and deep in her soul hidden love for him, she does not revel in her triumph, does not want to take revenge on him or humiliate him. The inner purity and sincerity of her soul, the brilliance of which has not faded at all in the dirt of metropolitan life, does not allow her to stoop to empty and false secular games. Tatyana still loves Onegin, but she cannot tarnish the honor and reputation of her elderly husband and therefore rejects his ardent, but too late love.

Tatyana Larina is a person of high moral culture with a deeply conscious sense of her own dignity, her image is called by literary critics the “ideal image of a Russian woman”, which Pushkin created to sing the nobility, fidelity and great purity of their unstained dirt of the life of the Russian soul.

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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows you to lift the veil of unknown life quests and aspirations. The image of Tatyana Larina is perfect for this role.

Family and childhood memories

Tatyana Larina, by her origin, belongs to the nobility, but all her life she was deprived of a vast secular society - she always lived in the countryside and never aspired to an active city life.

Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. "He was a simple and kind gentleman."

The girl's mother's name is Polina (Praskovya). She was given away as a girl under duress. For some time she was discouraged and tormented, feeling a sense of affection for another person, but over time she found happiness in family life with Dmitry Larin.

Tatyana still has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.

An important person for the formation of Tatyana as a person was played by her nanny Filipyevna. This woman is a peasant by birth and, perhaps, this is her main charm - she knows many folk jokes and stories that so lure the inquisitive Tatiana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.

Naming and prototypes

Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time, the name Tatyana was not characteristic. This name at that time had a pronounced common character. Pushkin's drafts contain information that the heroine's original name was Natalya, but later Pushkin changed his intention.

Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly served him such a role.

Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find Tatyana's prototype.

Opinions on this issue are divided. It is possible that several prototypes were used for this image.

One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.

The image of Maria Volkonskaya is ideal for describing the resilience of Tatyana's character in the second part of the novel.

The next person who bears a resemblance to Tatyana Larina is Pushkin's sister Olga. In her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.

Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that Tatiana's prototype was her.

An unusual assumption about the prototype was made by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatyana is very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker claims: “the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”

Question about the age of the heroine

In the novel, we meet Tatyana Larina during her growing up. She is a marriageable girl.
The opinions of the researchers of the novel on the issue of the year of the girl's birth differed.

Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.

However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such thoughts are prompted by the nanny's story that she was married off at the age of thirteen, as well as the mention that Tatyana, unlike most girls of her age, did not play with dolls at that time.

V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl must be much older than the age assumed by Lotman. If the girl had been born in 1803, then the girl's mother's concern about the lack of options for her daughter's marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be a necessity.

The appearance of Tatyana Larina

Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more interested in the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair, a ruddy face. In contrast, Tatyana has dark hair, her face is too pale, devoid of color.

We offer you to get acquainted with A. S. Pushkin "Eugene Onegin"

Her gaze is full of despondency and sadness. Tatyana was too thin. Pushkin notes, "no one could call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.

Leisure and attitude to needlework

It was generally accepted that the female half of society spent their free time doing needlework. Girls, in addition, still played with dolls or various active games (the most common was the burner).

Tatiana does not like to do any of these activities. She loves to listen to the nanny's scary stories and sit by the window for hours.

Tatyana is very superstitious: "The omens worried her." The girl also believes in fortune-telling and that dreams do not just happen, they carry a certain meaning.

Tatyana is fascinated by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.

However, Tatyana Larina's favorite book was not a love story, but a dream book "Martyn Zadeka later became / Tanya's Favorite." Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: “consolations / In all sorrows she gives / And sleeps with her incessantly.”

Personality characteristic

Tatyana is not like most girls of her era. This applies to external data, and hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. "Dika, sad, silent" - this is Tatiana's classic behavior, especially in society.

Tatyana loves to indulge in dreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatyana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatyana is full of "perfections". This fact is sharply contrasted with the rest of the characters in the novel, who do not have such components.

In view of her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.

Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, a feeling of love and tenderness arises in her in relation to her nanny.

Tatyana and Onegin

New people coming to the village always arouse the interest of the permanent residents of the area. Everyone wants to get to know the visitor, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.

Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Yevgeny's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to carry on a conversation pleasantly amaze Tatiana, and not only her.

However, “early the feelings in him cooled down”, Onegin “has completely cooled down to life”, he is already bored with beautiful girls and their attention, but Larina does not know about it.

Onegin instantly becomes the hero of Tatiana's novel. She idealizes the young man, he seems to her to have descended from the pages of her love books:

Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.

Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatyana is writing a letter.

The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with the arrival of Onegin and her love. She lost the peace in which she lived before, and this leads the girl to bewilderment:

Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I would not know bitter torment.

On the other hand, the girl, having analyzed her position, sums up: the arrival of Onegin is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:

That in the supreme council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you.

However, Tatyana's hopes did not come true - Onegin does not love her, but only played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Eugene leaves.

Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene she wanted to see. She just idealized the young man.

This is where her unfulfilled romance with Onegin ends.

Tatyana's dream

Unpleasant events in the girl's life, connected with the lack of mutual feelings in the subject of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, were preceded by a strange dream.

Tatyana always attached great importance to dreams. This same dream is doubly important for her, because it is the result of Christmas divination. Tatyana was supposed to see her future husband in a dream. The dream becomes prophetic.

At first, the girl finds herself in a snowy meadow, she approaches the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but when she sees that the bear is not going to attack, but, on the contrary, offers her his help, holds out her hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatyana even more.

The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, tear off her scarf, but Tatyana, seized with fear, runs forward. Deep snow prevents her from escaping and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries her further.

A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a wake. Strange guests are sitting at the table - monsters. The girl is disassembled both by fear and curiosity, she quietly opens the door - Onegin turns out to be the owner of the hut. He notices Tatyana and goes to her. Larina wants to run away, but she can't - the door opens and all the guests see her:

… Violent laughter
Resounded wildly; everyone's eyes,
Hooves, trunks are crooked,
Crested tails, fangs,
Mustaches, bloody tongues,
Horns and fingers of bone,
Everything points to her.
And everyone screams: mine! my!

The imperious host calms the guests - the guests disappear, and Tatyana is invited to the table. Immediately, Olga and Lensky appear in the hut, causing a storm of indignation from Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.

Tatyana's marriage

A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain virgins:
At Kharitonya in the alley
Carriage in front of the house at the gate
Has stopped. To an old aunt
The fourth year of the patient in consumption,
They have arrived now.

Aunt Alina joyfully received the guests. She herself could not get married at one time and lived alone all her life.

Here, in Moscow, Tatyana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile, he does not take his eyes off her."

The age of the general, as well as his exact name, Pushkin does not give in the novel. Admirer Larina Alexander Sergeevich calls General N. It is known that he took part in military events, which means that his career advancement could take place at an accelerated pace, in other words, he received the rank of general without being in old age.

Tatyana, on the other hand, does not feel a shadow of love towards this person, but nevertheless agrees to marriage.

The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - he was replaced by affection and a sense of duty.

Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.

Meeting with Onegin

Two years later, Eugene Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes took place in the life of his relative:

"So you're married! I didn't know before!
How long ago? - About two years. -
"On whom?" - On Larina. - "Tatyana!"

Always able to restrain himself, Onegin succumbs to excitement and feelings - he is seized by anxiety: “Is she really? But definitely… No…”

Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:

The ladies moved closer to her;
The old women smiled at her;
The men bowed down
The girls were quieter.

Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this causes Onegin to be surprised.

Tatyana, it seems, was not at all dumbfounded, unlike Evgeny, by their meeting:
Her eyebrow did not move;
She didn't even purse her lips.

Always so bold and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.

Since then, Eugene loses peace. He realizes that he loves the girl. He comes to them every day, but feels embarrassed in front of the girl. All his thoughts are occupied only by her - in the morning he jumps out of bed and counts the hours left until their meeting.

But the meetings do not bring relief - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.

I notice a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his recklessness in the past.

Like Tatyana, Onegin entrusts her with the solution of the problem that has arisen:
Everything is decided: I'm in your will
And surrender to my fate.

However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but

Tatyana is categorical - her love for Onegin has not yet faded away, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not "kind of by the court." Eugene was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another version of the development of events is contrary to the life principles of the girl.

Tatyana Larina in the assessment of critics

Roman A.S. Pushkin "Eugene Onegin" became the subject of active research and scientific-critical activity for several generations. The image of the main character Tatyana Larina became the cause of repeated disputes and analyzes.

• Y. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read novels, recreated "a chain of reminiscences primarily from the texts of French literature."
• V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was a letter from Tatyana. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
  The writing style is a little childish, romantic - this is touching, because Tatyana had not known the feelings of love before that “the language of passions was so new and not accessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her.”
• D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she inspires them herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana is still aware of Onegin’s lack of interest in her person, for she puts forward the assumption that Onegin’s visits will not be regular, this state of affairs does not allow the girl to become a “virtuous mother”. “And now I, by your grace, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “village”.
• F. Dostoevsky believes that Pushkin should have named his novel not by the name of Yevgeny, but by the name of Tatyana. Since it is this heroine who is the main character in the novel. In addition, the writer notes that Tatyana has a much greater mind than Eugene. She knows how to do the right thing in the right situations. Her image is noticeably different hardness. “The type is firm, standing firmly on its own soil,” Dostoevsky says about her.
• V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image has become "a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga occupied a much more advantageous position in relation to her sister.