Analysis of the scenes of the meeting between Pechorin and Vera, Pechorin and Mary. The scene of the meeting between Pechorin and Princess Mary (analysis) Works on Russian literature

Pechorin and Vera are the heroes with whom the love line is connected in the novel by M. Yu. Lermontov "A Hero of Our Time". Pechorin's attitude towards Vera most fully reveals the personality of the central character and his attitude towards women in general.

The beginning of a relationship

Vera and Gregory met before the moment of the story. The author does not describe in detail what happened before, however, he says that the relationship between Pechorin and Vera was filled with passion. From the conversation of the heroes it is clear that they met when Vera was married. The heroine admits that Pechorin brought her only misfortunes: “Since we have known each other, you have not given me anything but suffering.” He only tormented her with "empty doubts and feigned coldness."

Meeting of heroes

Pechorin learns that a woman with a mole on her cheek has arrived in the Caucasus. He immediately understands that this is Vera. The news of her appearance made Pechorin think about his true emotions: “Why is she here? And is she? And why do I think it's her?

And why am I even so sure of this? Are there many women with moles on their cheeks?

Grigory Alexandrovich meets with Vera, and their feelings light up with renewed vigor. The heroes are seen in secret from everyone, because Vera is married to a man whom she does not love, but respects.

Vera tells Pechorin that she loved him and still loves him: “You know that I am your slave; I've never been able to resist you."

As a result, Vera's husband learns about the relationship between Pechorin and Vera, and a quarrel occurs between him and his wife. However, Vera does not even remember what they talked about, what she answered. Vera says that perhaps she told him that she still loves Pechorin.

All this makes Vera's husband decide to leave Kislovodsk. Vera writes a farewell letter to Pechorin and leaves. In the letter, the heroine confesses to Pechorin that she will never love anyone else again, because her soul has “exhausted” all “its treasures, its tears and hopes” on him.

Lyubov Pechorin

Pechorin confesses his feelings to Werner: “I recognize in your portrait one woman whom I loved in the old days ...”.

Faith in Pechorin's life played a huge role, because only she alone was able to understand the real essence of the hero: "This is one woman who understood me completely, with all my petty weaknesses, bad passions." That is why his attitude towards her is not like love affairs with other women. We can say that Vera was the only woman whom Pechorin loved in his life.

Although Vera said that Pechorin “loved her as a property, as a source of joys, anxieties and sorrows that alternated mutually, without which life is boring and monotonous,” he cannot live without her love. He thinks why she does not want to see him, because "love is like a fire - it goes out without food."

As Vera leaves, he tries to catch up with her and beats his horse to death. This suggests that for him Faith was of great importance. This is not a short-term romance, but a long-term feeling.

After parting, the protagonist of the novel “A Hero of Our Time” realizes that he has lost his happiness, that her “bitter farewell kiss” cannot bring joy, because then it will be even more painful for them to part. Pechorin sincerely experiences the tragic ending of the relationship. However, many of his actions towards Vera speak of his selfishness and pride. The hero could not build a relationship with the woman who loved him, because he is alone in the whole world, and he understood this. Relations with Vera were a past for him, which he was destined to part with.

This article, which will help write an essay on the topic “Pechorin and Vera”, will examine in detail the history of the relationship between the characters in the novel “A Hero of Our Time”.

Artwork test

. Princess Mary.)

Lermontov. Princess Mary. Feature film, 1955

... Our conversation began with slander: I began to sort out our acquaintances present and absent, first showing their funny, and then their bad sides. My bile was agitated. I started out jokingly and ended up being downright angry. At first it amused her, then it frightened her.

You are a dangerous person! she said to me, “I would rather fall under the knife of a murderer in the woods than you on the tongue ... I ask you not jokingly: when you decide to speak ill of me, it’s better to take a knife and slaughter me, - I think it’s it won't be very difficult for you.

“Do I look like a killer?”

You are worse...

I thought for a moment and then said, assuming a deeply moved look:

Yes, that has been my fate since childhood. Everyone read on my face signs of bad feelings, which were not there; but they were supposed - and they were born. I was modest - I was accused of slyness: I became secretive. I deeply felt good and evil; no one caressed me, everyone insulted me: I became vindictive; I was gloomy - other children are cheerful and talkative; I felt superior to them—I was placed inferior. I became envious. I was ready to love the whole world - no one understood me: and I learned to hate. My colorless youth flowed in the struggle with myself and the light; my best feelings, fearing ridicule, I buried in the depths of my heart: they died there. I told the truth - they did not believe me: I began to deceive; knowing well the light and springs of society, I became skilled in the science of life and saw how others without art were happy, enjoying the gift of those benefits that I so tirelessly sought. And then despair was born in my chest - not the despair that is cured at the muzzle of a pistol, but cold, powerless despair, hidden behind courtesy and a good-natured smile. I became a moral cripple: one half of my soul did not exist, it dried up, evaporated, died, I cut it off and threw it away, while the other moved and lived at the service of everyone, and no one noticed this, because no one knew about the existence of the deceased half of it; but now you have awakened in me the memory of her, and I have read her epitaph to you. To many, all epitaphs in general seem ridiculous, but not to me, especially when I remember what lies beneath them. However, I do not ask you to share my opinion: if my trick seems ridiculous to you, please laugh: I warn you that this will not upset me in the least.

At that moment I met her eyes: tears ran in them; her hand, leaning on mine, trembled; cheeks glowed; she felt sorry for me! Compassion, a feeling that all women submit so easily, let its claws into her inexperienced heart. During the whole walk she was absent-minded, did not flirt with anyone - and this is a great sign!

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The novel "A Hero of Our Time" shows a portrait of not one person, but a whole generation, made up of vices. The main role is assigned to Pechorin, but it is the other characters of the novel, with whom he had to intersect in life, that make it possible to better understand the inner world of this person, the depth of the soul.

The relationship between Pechorin and Princess Mary is one of the brightest plot lines of the novel. They began at ease, ending swiftly and tragically. Once again, showing Pechorin as a man with a callous soul and a cold heart.

Acquaintance

The first meeting between Pechorin and Princess Mary took place in Pyatigorsk, where Grigory was sent after completing another military assignment. The princess, together with her mother, underwent a course of treatment with the mineral waters of Pyatigorsk.

Princess and Pechorin constantly rotated in secular society. A common circle of friends brought them together at one of the meetings. Grigory stirred up interest in his person, deliberately teasing the girl, ignoring her presence. He saw that she paid attention to him, but Pechorin is much more interested in watching how she behaves further. He knew women very well and could calculate a few steps ahead of how the acquaintance would end.

He took the first step. Pechorin invited Mary to dance, and then everything had to go according to the scenario he had developed. It gave him unprecedented pleasure to lure another victim, allowing her to get carried away. The girls fell in love with a handsome military man, but quickly got bored and he, pleased with himself, with a feeling of complete self-satisfaction, put one more tick in the track record of love affairs, safely forgetting about them.

Love

Mary fell in love for real. The girl did not understand that the toy was in his hands. Part of an insidious heartthrob's plan. It was beneficial for Pechorin to get to know her. New emotions, sensations, a reason to distract the public from an affair with Vera, a married woman. He loved faith, but they could not be together. Another reason to hit Mary, to make Grushnitsky jealous. He was in love with the girl for real, but the feelings remained unanswered. Mary did not love him and could hardly love him. In the current love triangle, he is clearly superfluous. In retaliation for unrequited feelings, Grushnitsky spread dirty rumors about the affair of Pechorin and Mary, ruining her reputation. He soon paid the price for his wicked deed. Pechorin challenged him to a duel, where the bullet hit the target, killing the liar on the spot.

The final

After what happened, Mary began to love Pechorin even more. She believed that his act was noble. After all, he defended her honor, making it clear that she was slandered. The girl was waiting for confessions from Gregory, tormented by love and the feelings that gripped her. Instead, he hears the bitter truth that he never loved her, much less intended to marry her. He achieved his goal by breaking the heart of another victim of his love charms. She hated him. The last thing I heard from her was

"…I hate you…".

Once again, Pechorin acted cruelly towards loved ones, stepping over their feelings and trampling on love.

M.Yu. Lermontov defined the purpose of the novel "A Hero of Our Time" as the image of the entire generation. He emphasized that "the history of the human soul, even the smallest soul, is almost more curious and not more useful than the history of a whole people." But the soul of Grigory Alexandrovich Pechorin is by no means small, because, as we understand, when reading the novel, he is an extraordinary person. That is why it is important for Lermontov to reveal the character of Pechorin as deeply as possible. Therefore, he resorts to a very unusual construction of the novel.

The story "Princess Mary" outlines the main motives of the entire novel: Pechorin's desire for active action, curiosity that pushes him to experiment on others and on himself, his reckless courage and desire to understand what drives people, to identify the motives of their actions, to comprehend their psychology.

"Princess Mary" is built on diary entries, it is an almost daily chronicle of Pechorin's life. At the same time, the main character describes not so much the events themselves (it seems that they do not interest him at all), but rather his opinions, feelings, as if he carefully examines, analyzes his soul and those people with whom his life confronts.

Pechorin's diary more than once reminds Lermontov's "Duma": reading the novel, you are convinced of the correctness of the lines:

Shamefully indifferent to good and evil...

And we hate, and we love by chance,

Sacrificing nothing neither malice nor love...

This indifference does not bother anyone, as long as everything goes smoothly. But what do you do when the storm comes? But Pechorin cannot live without storms, he himself creates them (lines from Lermontov's "Sails" that perfectly characterize a young man come to mind: "And he, rebellious, asks for storms, as if there is peace in storms"). So, in such a situation, Pechorin's cold indifference can and does turn into evil.

From Dr. Werner, the young man learns about Vera's arrival in the Caucasus. When he meets her, we understand that he loves her, but he loves only "for himself", does not think about her, about what torments her. There is a clear contradiction: if he loves Vera, then why court Mary? So how is Mary doing?

On May 16, a young man makes the following entry in his journal: "In the course of two days, my affairs have advanced terribly." What are these things? He is busy making the princess fall in love with him out of a desire to dispel boredom, to annoy Grushnitsky, or God knows from some other. After all, he himself does not even understand why he is doing this: Mary, Pechorin believes, he does not love. The protagonist is true to himself: for the sake of entertainment, he invades the life of another person.

"What am I fussing about?" - he asks himself and answers: "There is an immense pleasure in the possession of a young, barely blossoming soul!" This is pure selfishness! And besides suffering, he can bring nothing to either Pechorin or those around him.

The comedy conceived by Pechorin turns into a tragedy. Defending the honor of the slandered Mary, he challenges Grushnitsky to a duel. And here, in a duel, he conducts such an experiment on a cadet, which not everyone will dare to do. He stands at gunpoint, wanting to check how Grushnitsky is subject to evil, whether he has the strength and meanness to kill an unarmed man (we know that the young man's gun was not loaded). It's a miracle he stays alive. However, he is forced to kill the junker. Grushnitsky dies.

"Princess Mary" shows us the true tragedy of Grigory Pechorin. After all, he spends such a remarkable nature, enormous energy on trifles, on petty intrigues. Isn't that tragic?! This is especially noticeable in the last episode, when Pechorin, before leaving, went to the Lithuanian house, where the princess invited him to marry her daughter. Pechorin spoke alone with Mary, admitted that he laughed at her: "As I did not look for even a spark of love for dear Mary in my chest, but my efforts were in vain."

So, in "Princess Mary" the human soul is revealed to us. We see that Grigory Alexandrovich Pechorin is a contradictory, ambiguous person. He himself says before the duel: "Some will say: he was a good fellow, others - a bastard. Both will be false." And indeed, this story shows both the good qualities of a young man (poetic nature, extraordinary mind, insight), and the bad traits of his character (terrible selfishness). Indeed, a real person is not exclusively good or bad.

This chapter plays the most important, central role in the novel, as it allows the reader to independently trace the development of the character of the protagonist, learn about the formation of his nature, "selfish and dry," as A.S. Pushkin. And here are his words from Mary's confession: the young man confesses to her that such a Grushnitsky society has made him a "moral cripple." It can be seen that this "illness" is progressing: the debilitating feeling of emptiness, boredom, loneliness is increasingly taking over the main character. At the end of the story, being in the fortress, he no longer sees those bright colors that pleased him so much in the Caucasus. "Boring," he concludes.

All the main issues of the novel - social, psychological and philosophical - are raised precisely in this story (that's why it occupies a central position in the novel) and smoothly move into the final short story "The Fatalist", where the hero again tries to solve an important riddle: what is the true destiny of man, what is the meaning of being, what role does freedom, fate, faith play in a person's life? It becomes clear that Pechorin owes much of his behavior to the absence of moral precepts, worked out by faith in some higher idea.

Reading the novel, we understand that Grigory Aleksandrovich Pechorin, as it were, raised a mirror to his entire generation. To be honest, it would not be bad for us to look into this mirror, especially since we, after all, live in a time when, having destroyed the old principles, we have not yet developed new ones, when disappointment and unbelief reign. Are we losing our human form? Are we becoming "moral cripples"? Is it not worth looking for an answer in the novel "A Hero of Our Time", and especially in the chapter "Princess Mary"? ..

“I shook her hand twice ... the second time she pulled it out without saying a word.

“I shall not sleep well tonight,” she said to me when the mazurka was over.

- This is Grush the beggar's fault.

- Oh no! - And her face. I became so thoughtful, so sad, that I promised myself that evening I would certainly kiss her hand.

They began to leave. Putting the princess into the carriage, I quickly pressed her little hand to my lips. It was dark and no one could see it.

I returned to the hall very pleased with myself.

In this scene, as in a drop of water, Pechorin's whole plan for Princess Mary and Grushnitsky was reflected. Here, the flying psychologism of M. Yu. Lermontov himself was magnificently expressed. Each phrase, despite their outward emptiness, implies a whole line of thought and hidden desires. Before our very eyes, secular games are intertwined with real feelings. Pechorin directs the thoughts and feelings of the princess "from the contrary", forcing her to first pull out her hand, and then deny her words. By this, he disguises his own leadership of events, finds out the extent to which the princess is immersed in the game he proposed, and emphasizes, as undesirable, the name of Grushnitsky. At the same time, it doesn’t matter at all that the princess did not agree with his statement, it was important to indirectly point out Pechorin’s rivalry with Grushnitsky, to convince the girl at the level of almost NLP programming that Pechorin was actually involved in the struggle for her heart.

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