Terpsichore is the muse of dance. Who is the muse of the dance of Urania or Terpsichore

Very often in our lives we come across such phrases as: “visited by a muse”, “muse of poetry” and many others in which the word muse is mentioned. However, what does it mean? This concept comes from ancient mythology. The Greek muses are nine sisters, patroness of the arts and sciences. They are the daughters of Zeus himself and each of them has their own unique divine abilities. Let's take a closer look at them.

adUnit = document.getElementById("google-ads-smN7"); adWidth = adUnit.offsetWidth; if (adWidth >= 999999) ( /* GETTING THE FIRST IF OUT OF THE WAY */ ) else if (adWidth >= 970) ( if (document.querySelectorAll(".ad_unit").length > 2) ( google_ad_slot = " 0"; adUnit.style.display = "none"; ) else ( adcount = document.querySelectorAll(".ad_unit").length; tag = "ad_unit_970x90_"+adcount; google_ad_width = "970"; google_ad_height = "90"; google_ad_format = "970x90_as"; google_ad_type = "text"; google_ad_channel = ""; ) ) else ( google_ad_slot = "0"; adUnit.style.display = "none"; ) adUnit.className = adUnit.className + " ad_unit " + tag; google_ad_client = "ca-pub-7982303222367528"; adUnit.style.cssFloat = ""; adUnit.style.styleFloat = ""; adUnit.style.margin = ""; adUnit.style.textAlign = ""; google_color_border = "ffffff"; google_color_bg = "FFFFFF"; google_color_link = "cc0000"; google_color_url = "940f04"; google_color_text = "000000"; google_ui_features = "rc:";

So, as stated earlier, the muses are the daughters of Zeus and the Titanide Mnemosyne, who is the goddess of memory. The very word muses (muses) comes from the Greek word “thinking”. The muses were usually depicted as young and beautiful women. They had a prophetic gift and treated creative people favorably: poets, painters, actors, in every possible way encouraging and helping them in their activities. However, for special offenses, the muses could deprive a person of inspiration. To prevent this from happening, the ancient Greeks built special temples in honor of the muses, which were called museions. It is from this word that the word “museum” comes from. The patron saint of the muses themselves was the god Apollo. Let's now take a closer look at each of the muses.

Muse Calliope - muse of epic poetry

The name of this muse from Greek can be translated as “one with a beautiful voice.” According to Diodorus, this name arose at the moment when the “beautiful word” (kalen opa) was pronounced. She is the eldest daughter of Zeus and Mnemosyne.

Calliope is the mother of Orpheus, the muse of heroic poetry and eloquence. It evokes a feeling of sacrifice, which encourages a person to overcome his selfishness and fear of fate. Calliope wears a golden crown on her brow - a sign that she dominates other muses, thanks to her ability to introduce a person to the first steps on the path to his liberation. Calliope was depicted with a waxed tablet or scroll and a slate stick in her hands - a stylus, which was a bronze rod, the pointed end of which was used to write text on a tablet covered with wax. The opposite end was made flat to erase what was written.

Muse Clio - patroness of history

The accompanying attributes of this muse are a scroll of parchment or a tablet - a board with writing. Clio reminds us of what a person can achieve and helps him find his purpose.

According to Diodorus, the name comes from the word “Kleos” - “glory”. The etymology of the name is “giver of glory.” From Pierre, the Greek muse Clio had a son, Hyakinthos. Love for Pierre was inspired by Aphrodite for condemning her love for Adonis.

Muse Melpomene - muse of tragedy

In Greek mythology, Melpomene is considered the muse of the tragic genre. The name, according to Diodorus, means “melody that pleases listeners.” The image is anthropomorphic - it was described as a woman with a bandage, a grape or ivy wreath on her head. Always has permanent attributes in the form of a tragic mask, sword or club. The weapon carries symbolism of the inevitability of divine punishment.

Melpomene is the mother of the Sirens - sea creatures who personified the deceptive but charming surface of the sea, under which sharp cliffs or shoals are hidden. From their mother-muse, sirens inherited a divine voice with which they lured sailors.

Muse Thalia - the muse of comedy

Thalia, or in another version Phalia, is in Greek mythology the muse of comedy and light poetry, the daughter of Zeus and Mnemosyne. She was depicted with a comic mask in her hands and an ivy wreath on her head.

From Thalia and Apollo were born the Corybantes - the mythical predecessors of the priests of Cybele or Rhea in Phrygia, in wild enthusiasm, with music and dancing, serving the great mother of the gods. According to Diodorus, she received her name from prosperity (talleyn), which was glorified in poetic works for many years.

Zeus, turning into a kite, took Thalia as his wife. Out of fear of Hera's jealousy, the muse hid in the depths of the earth, where demonic creatures were born from her - paliki (in this myth she is called the nymph of Etna).

Muse Polyhymnia - muse of solemn hymns

Polyhymnia is the muse of solemn hymns in Greek mythology. According to Diodorus, she received her name from the creation of many praises (dia polles himneseos) fame to those whose name was immortalized by poetry. She patronizes poets and hymn writers. It is believed that she keeps in memory all the hymns, songs and ritual dances that glorify the Olympian gods, and she is also believed to have invented the lyre.

Polyhymnia is often depicted with a scroll in her hands, in a thoughtful pose. Polyhymnia patronizes people's study of rhetoric and oratory, which turns the speaker into an instrument of truth. She personifies the power of speech and makes a person’s speech life-giving. Polyhymnia helps to understand the mystery of the word as a real force with which you can inspire and revive, but at the same time injure and kill. This power of speech is inspiring on the path to truth.

Muse Terpsichore - muse of dance

Terpsichore is the muse of dance. According to Diodorus, it received its name from the pleasure (terpein) of spectators in the benefits shown in art. Tsets also names her name among the Muses. She is considered the patroness of dancing and choral singing. She was depicted as a young woman, with a smile on her face, sometimes in the pose of a dancer, more often sitting and playing the lyre.

Characteristic attributes: wreath on the head; in one hand she held a lyre and in the other a plectrum. This muse is associated with Dionysus, attributing to her an attribute of this god - ivy (as stated in the inscription on Helicon dedicated to Terpsichore).

Muse Urania - muse of astronomy

Urania is the muse of astronomy. The attributes of Urania were: a celestial globe and a compass. According to Diodorus, she received her name from the aspiration to heaven (uranos) of those who comprehended her art. According to one version, Urania is the mother of Hymen.

Urania personifies the power of contemplation; she calls us to leave the external chaos in which man exists and to immerse ourselves in the contemplation of the majestic running of the stars, which is a reflection of fate. This is the power of knowledge, the power that pulls towards the mysterious, pulls towards the high and beautiful - towards the Sky and the Stars.

Muse Euterpe - muse of lyric poetry

Euterpe (ancient Greek Εὐτέρπη “pleasure”) - in Greek mythology, one of the nine muses, daughters of Zeus and the Titanide Mnemosyne, the muse of lyrical poetry and music. She was depicted with a lyre or flute in her hands.

Mother of Res by the river god Strymon. According to the etymology of Diodorus, she received her name from the pleasure (terpein) of listeners who receive the benefits of education. Tsets also names her name among the Muses.

Muse of Erato - muse of love poetry

Erato is the muse of lyrical and love poetry. Her name is derived from the name of the god of love Eros. According to Diodorus, she received her name in honor of the ability to be “eperasta” (desired for love and passion).

Born as a result of the union of Mnemosyne and Zeus. From Mala Erato she gave birth to Cleophema. The attribute of the muse is cithara. This divine heroine of Greek mythology is mentioned quite often in Hellenic legends.

In addition, Virgil and Apollonius of Rhodes resorted to symbolism associated with the image of the Greek muse Erato in their works. She knows how to inspire love for everything living in the soul with her art of transforming everything into beauty hidden beyond the physical.

Based on Wikipedia materials

- (Greek). One of the 9 muses, the patroness of dancing and singing, depicted with a lyre in her hands. Dictionary of foreign words included in the Russian language. Chudinov A.N., 1910. TERPSICHORE Greek, from terpo, I admire, I console, and chores, chorus, dance. Muse... ... Dictionary of foreign words of the Russian language

In Greek mythology, Terpsichore is one of the nine muses, the patroness of dancing; in figurative speech – ballerina, ballet. Encyclopedic Dictionary of winged words and expressions. M.: Locked Press. Vadim Serov. 2003. Terpsichore... Dictionary of popular words and expressions

- (Terpsichore, Τερψιχόρη). Muse of dancing with a lyre in her hands. See Muses. (Source: “A Brief Dictionary of Mythology and Antiquities.” M. Korsh. St. Petersburg, published by A. S. Suvorin, 1894.) TERPSICHORE (Τερψιχόρα), in Greek mythology the muse of dance (Hes. Theog.... ... Encyclopedia of Mythology

Terpsichore- Terpsichore. Roman marble copy of a Greek original, 3rd 2nd centuries. BC. Hermitage Museum. TERPSICHORE, in Greek mythology one of the 9 muses, the patroness of dancing. ... Illustrated Encyclopedic Dictionary

Terpsichore- Terpsichore. Roman marble copy of a Greek original, 3rd 2nd centuries. BC. Hermitage Museum. Terpsichore. Roman marble copy of a Greek original, 3rd 2nd centuries. BC. Hermitage Museum. Terpsichore in the myths of the ancient Greeks is one of the nine muses, the patroness of dancing;... ... Encyclopedic Dictionary of World History

Muse of dance and singing Dictionary of Russian synonyms. terpsichore noun, number of synonyms: 5 asteroid (579) muse ... Synonym dictionary

In Greek mythology, one of the 9 muses, the patroness of dancing... Big Encyclopedic Dictionary

In the myths of the ancient Greeks, one of the nine muses, the patroness of dancing; portrayed with a lyre and plectrum in her hands... Historical Dictionary

- (foreign) dancer (allusion to Terpsichore, the muse of dancing). Wed. Will I see the Russian Terpsichore's soul filled with flight? A. S. Pushkin. Evg. Onegin. 1, 19. See Muse... Michelson's Large Explanatory and Phraseological Dictionary (original spelling)

- (Teryukora) one of the nine muses. Later she became involved in music dancing and choral singing. She was depicted as a young girl with a smiling face, decorated with a wreath and holding a lyre in one hand, and a plectrum in the other... Encyclopedia of Brockhaus and Efron

Books

• Story. In 2 parts. Part 1
• Story. In 2 parts. Part 2, Herodotus. In the history not only of Hellenic, but of European education in general, Herodotus occupies an outstanding place. His work “History” is the first completely preserved historical and general...

Scenario for the event “Terpsichore – the Muse of Dance”

Age of participants: 7 – 17 years.

Target : Formation in children of rhythmic movements, various skills through music, disclosure of motor, dance and performance abilities, spiritual and moral qualities of the individual; improving children's health.

Equipment: musical equipment, stagelighting equipment, scenery, costumes.

Leading: Would you like us to tell you about a miracle?

About the miracle that lives next to us.

What is this, you ask?

Try to guess for yourself!

You cannot touch it with your hand, but you can see and hear it.

It has a soul, a heart, but it takes time to understand it.

And it's called Dance.

Leading: According to ancient Roman legend, Apollo is the patron of the arts. But he has nine wonderful muses. Clio is the muse of history, Thalia is the muse of comedy, Melpomene is the muse of tragedy. But our attention is drawn to another - the muse of dance - Terpsichore. And Her Majesty is visiting us today.

Exit Terpsichore (to the music of a foxtrot and performs a dance performance with the participants of the event).

After the performance, Terpsichore is left alone on stage.

Terpsichore : Today you will learn how and when this wonderful art form - dance - was born, you will visit different countries and be transported, as if in a fantastic time machine, from one century to another.

You love to dance, don't you? Or, at least, the sounds of rhythmic, fiery music do not leave you indifferent? Be that as it may, I invite you to talk about this art.

Terpsichore (addresses the audience in the hall): What do you like about dance?

These are beautiful movements.

This is beautiful music.

Grace, bright costumes.

Dance brings joy.

Terpsichore: Every answer you give contains the word “beauty.” It feels like you touch beauty not only with your mind, but also with your heart.

What does it mean to touch beauty? Here are the reflections of one person: “I picked a flower, and it withered. I caught a moth and it died in my palm. And then I realized that you can touch beauty only with your heart.”

Leading: Yes, you need to be able to not only see and feel beauty. Beauty must also be protected! This is the hardest thing. To capture beauty in the soul, to remember it, to always carry it in the heart - perhaps this is the highest manifestation of human culture?

So today we begin to talk about one of the most exciting, most sublime and beautiful of all arts.

Leading: Terpsichore herself came to us from Ancient Greece. The ancient Greeks highly valued dance. They saw “the unity of mental and physical beauty” in the art of dance. Dancing accompanied public holidays and family celebrations, and was taught in gymnasiums, academies and music schools.

Great development of the art of dance occurred in the Middle Ages.

In the Middle Ages, dances decorated folk festivals and home holidays. In the dance of ordinary people one can see the glorification of life, the joy of youth, good luck, in them the worship of the sun and the expanse of fields. Lively rhythm, jumps, circular movements, stomping, jumping - that’s all folk choreography.

We will start our evening with the Sirtaki dance. Let's look into the history of this dance, and we find out that in fact it is not the national Greek dance, as many people think. Sirtaki is a popular dance of Greek origin, created in 1964 for the film “Zorba the Greek”. It is not a Greek folk dance, but is a combination of slow and fast versions of the Hasapiko, an ancient butcher's dance.

The “Sirtaki” dance is performed by 9th grade students

Leading: But that's not all! There was other art as well. Let's remember what they danced at the royal courts of Europe inXVI- XVIIcenturies. Who knows? (minuet, gavotte, pass-dream, bourre, galliard, chime, sarabande, chaconne, rigaudon, valt).

But all these dances were created by the people. In high society, the dance style changed in accordance with court etiquette. In 1661, the Royal Academy of Dance appeared in France. And King Louis of FranceXIVordered dance teachers to meet regularly and talk about dancing, reflect, and take care of their improvement.

By this time, such a form of aristocratic pastime as balls was finally taking shape. The word "ball" means "big dance evening." As is known in our state, balls were introduced by PeterI, then they were called “assemblies”.

Dance "minuet" performed by high school girls with fans

Terpsichore: Now let’s try to remember what kind of dances were in fashion among our grandparents, mothers and fathers.

First came the foxtrot, which in English means fox or quick step.

In the 20s, Argentine tango captivated everyone. Its true homeland is Spain, its sisters are Spanish flamenco and habanera.

The Czech folk dance "polka" also quickly spread throughout the world at the beginning of the century.

Polka dance performed by 1st grade students

In the 40s XXcentury, many new dances appeared: boogie-woogie, twist, shake. And, of course, the famous rock and roll.

Dance "Rock and Roll" performs Terpsichore with a high school student partner

Each dance quickly appeared and quickly gave way to a new one. And only one remained timeless. He was born before everyone else. And it has been sounding both in the open air and in clubs for 200 years! The sound of this dance makes you want to spin.

The first bars of amazing music are captivating. And now their sound has captivated us. Waltz was loved by many. And from the first beat and forever!

The world of colors and melodies is always open to us,

And today everyone, everyone is called to this world our waltz!

Dance "Waltz" performed by 11th grade

Leading: So you and I have come from the Petrovsky Ball to the ball of today, which is called a disco. Here the music sounds completely different, and the dancers’ outfits are no longer the same, there are no fluffy heavy skirts, no high hairstyles with curls. After all, all this interferes with modern movements and rhythms.

Make noise, sing, laugh.

At our holiday

Dance whatever you want

The desired hour has come.

Smeshinki - fun

They call us to dance.

Reward for the winners

The Macarena dance is performed by all participants

Today I saw the Muse, the patroness of the art of Dance. The ancient Greeks called it Terpsichore, and this name itself bears the imprint of rhythm and harmony...
But no one pronounces this name anymore, and no one engages in art anymore. All aspects of our lives are marked by traces of decay, and the throne of the Muse of Dance was also captured by the cult of decadence and degeneration, when the mask of dance was put on with clumsy body movements imitating animal instincts.
Terpsichore and dance were not invented by the ancient Greeks for the sake of entertainment and pastime. Muse and dance are the result of thoughtful contemplation of Nature, where everything moves in rhythm according to unwritten laws.
To understand the spirit of the dance, it is enough to immerse yourself in the rustle of dense foliage. Without leaving the branches, the leaves dance and sing, giving birth to a symphony of green shades, enchanting the eye and ear. It is enough to sit on the seashore for a minute, turning your face towards it, and surrender to the will of the tireless rhythm with which the waves rush onto the shore. It is enough to follow the flight of a bird or a falling leaf in the autumn. Just look at how the clouds dance in the sky, alternately taking on thousands of fantastic forms. In the end, it is enough just to be able to read that open book, the pages of which life turns before us every day, but in which we value - and even then not always - only the cover.
If the eyes do not see, then the body cannot dance. The piece of matter that we call the body only thrashes and writhes, as if in painful convulsions, and does not move in a harmonious rhythm. What remains is a creature that unfeignedly craves carnal satisfaction, and not the spiritual pleasure of beauty.
If the eyes do not see, then there are no sounds to compose music from. If beautiful melodies were to sound, they would awaken in our body the desire to move to the beat, in harmony and in proportion. But we are surrounded by loud, aggressive music, built on dissonance, or cloyingly sweet and slyly tender, and the lyrics are clearly dictated by degenerating fashion or the political system, which is also popular today.
Behind all this tinsel the truth is not visible. And it lies in the fact that dance is dead, and its death is the victory of materialism, which promises false freedom that will never be achieved for the simple reason that it does not exist in the worlds where they are trying to find it. This false freedom is promised by the slogan “do what you want, and it will be my way.” Or “be more relaxed” - following the imposed fashion. You are obliged to recognize as beautiful that which causes disgust, and, closing your eyes, spin and jump madly, trampling on the very memory of the sacred Muse of rhythm and harmony. Among all the falsehood and meaninglessness of words, young people are not only hopelessly far from being able to dance; in their jumping and bodily untidiness, they became so depressed and degraded that they completely forgot the grace and grace of movement.
And I called upon Terpsichore. This call was born in the depths of my soul and burst out with force.
And she came to me. Every movement of the Muse breathed grace that clothes could not hide. She walked through time, and her procession was a dance, the movements of which were music itself. No, Terpsichore did not die, because beauty never dies. I thought that no one would notice her presence, but everything that is Genuine is immutable... The vision was fleeting, but at that moment time and space lost their frightening absoluteness, and fashion bowed down bashfully in the face of what eternally was, is and will be.
For just a moment the Muse of Dance was among us. No one knows her name anymore and no one will remember the art that she patronizes, but a vague melancholy has awakened in someone’s wretched body. It lost its wings long ago and can no longer fly or walk. And only it can raise its gaze to a fleeting vision, and the soul begs it to again become the same as before.
After all, the soul can dance. It lives in each of us, and it all depends on how much we ourselves constrain it. If the soul is in awe, the Greeks called it by the name of grace and harmony, Terpsichore. And if she cries, what should we call her?

According to the legends of the ancient Greeks, the muse of dance was called Terpsichore. She had eight sisters. On summer evenings, they held hands and danced in circles. On Greek frescoes and vases, sisters - muses hold hands. Dance was closely connected with music, singing, speech, and acting.

Terpsichore (Teryicora) - muse of dance and choral singing. In Greek mythology, the daughter of Zeus and Mnemosyne, one of the nine muses, the patroness of dance (sometimes of choral singing). She was depicted as a young woman in the pose of a dancer, with a smile on her face. She had a wreath on her head, in one hand she held a lyre, and in the other a plectrum. She is “enjoying round dances.” The muse reveals to people the harmony between the external and the internal, soul and body.
Ancient dance was based on strict adherence to rhythm, on a combination of rhythmic steps and appropriate hand movements. Dancing was a compulsory subject in gymnasiums. It was believed that Terpsichore, the companion of the god of harmony Apollo, taught the soul to properly combine with the body. Postures and movements should be beautiful and harmonious, the dance should reflect the mood of thought and feeling.
The attitude towards dance in Ancient Greece is evidenced by the fact that Terpsichore was included in the pantheon of deities. The Greeks understood dance very broadly, considering it both as gymnastics, a means of healing the body, and as a mimic art.
There is a myth according to which Terpsichore is the mother of the singer Lin (according to another version, his mother is Urania).
According to one version of the myth, Terpsichore gave birth to sirens from the god of the river Aheloy (Apoll. Rhod. IV 892-896; option: sirens are the children of Melpomene).
This muse is associated with Dionysus, attributing to her an attribute of this god - ivy (as stated in the inscription on Helicon dedicated to Terpsichore).
There is evidence that a temple dedicated to the muses existed in the Pythagorean school. In this temple, Pythagoras gave instructions to his disciples. Terpsichore, Erato and Thalia were in charge of earthly physics, the science of elements, stones, plants and animals.

Terpsichore and dance were not invented by the ancient Greeks for the sake of entertainment and pastime. Muse and dance are the result of thoughtful contemplation of Nature, where everything moves in rhythm according to unwritten laws.

To understand the spirit of the dance, it is enough to immerse yourself in the rustle of dense foliage. Without leaving the branches, the leaves dance and sing, giving birth to a symphony of green shades, enchanting the eye and ear. It is enough to sit on the seashore for a minute, turning your face towards it, and surrender to the will of the tireless rhythm with which the waves rush onto the shore. It is enough to follow the flight of a bird or a falling leaf in the autumn. Just look at how the clouds dance in the sky, alternately taking on thousands of fantastic forms. In the end, it is enough just to be able to read that open book, the pages of which life turns before us every day, but in which we value - and even then not always - only the cover.

No, Terpsichore did not die, because beauty never dies. Yes, perhaps no one will notice her presence, but everything Genuine is immutable....
The Muse of Dance has always been, is and will be among us. True, few people already know her name and the art that she patronizes. But perhaps a vague melancholy has awakened in someone’s body; it has long ago lost its wings and can no longer fly or walk. And only it can raise its gaze to a fleeting vision, and the soul begs it to again become the same as before.
After all, the soul can dance. It lives in each of us, and it all depends on how much we ourselves constrain it. If the soul is seized with trepidation, the Greeks called it the name of grace and harmony, that is, Terpsichore.