Symbolic structures of architectural monuments of the ancient world. Architectural styles in chronological order with examples and photos


Architectural style reflects common features in the design of building facades, plans, shapes, and structures. Architectural styles were formed in certain conditions of economic and social development of society under the influence of religion, government structure, ideology, architectural traditions and national characteristics, climatic conditions, and landscape. The emergence of a new type of architectural style has always been associated with technological progress, changes in ideology and geopolitical structures of society. Let's consider some types of architectural styles that served as the basis for various trends in architecture in different periods of time.

Archaic architecture

Structures erected before the 5th century BC are usually classified as archaic architecture. Stylistically, the buildings of Mesopotamia and Assyria (states of Western Asia) are related to the buildings of Ancient Egypt. They are united by simplicity, monumentality, geometric shapes, and the desire for large sizes. There were also differences: Egyptian buildings are characterized by symmetry, while the architecture of Mesopotamia is characterized by asymmetry. The Egyptian temple consisted of a suite of rooms and was stretched horizontally; in the Mesopotamian temple, the rooms seem to be attached to each other randomly. In addition, one of the parts of the temple had a vertical orientation (ziggurat (sigguratu - peak) - a temple tower, a characteristic feature of the temples of the Babylonian and Assyrian civilizations).

Antique style

Antiquity, as a type of architectural style, dates back to Ancient Greece. Greek buildings were built in the likeness of the “megaron” residential building of the Cretan-Mycenaean era. In the Greek temple, the walls were made thick, massive, without windows, and a hole was made in the roof for light. The construction was based on a modular system, rhythm and symmetry.

Megaron - means “large hall” - a rectangular house with a hearth in the middle (beginning of 4 thousand BC)

The ancient architectural style became the basis for the development of the order system. There were directions in the order system: Doric, Ionic, Corinthian. The Doric order appeared in the 6th century BC, it was distinguished by its severity and massiveness. The lighter and more elegant Ionic order appeared later and was popular in Asia Minor. The Corinthian order appeared in the 5th century. BC. Colonnades became a hallmark of this type of architectural style. The architectural style, the photo of which is located below, is defined as antique, Doric order.

The Romans, who conquered Greece, adopted the architectural style, enriched it with decoration and introduced an order system into the construction of not only temples, but also palaces.

Roman style

Type of architectural style of the 10th-12th centuries. - received its name “Romanesque” only in the 19th century. thanks to art critics. The structures were created as a structure from simple geometric shapes: cylinders, parallelepipeds, cubes. Castles, temples and monasteries with powerful stone walls with battlements were built in this style. In the 12th century towers with loopholes and galleries appeared at castle-fortresses.


The main buildings of that era were the temple, the fortress and the castle. The buildings of this era were simple geometric shapes: cubes, prisms, cylinders; during their construction, vaulted structures were created, the vaults themselves were made cylindrical, cross-rib, cross. In the early Romanesque architectural style, walls were painted, and by the end of the 11th century. Three-dimensional stone reliefs appeared on the facades.

Classification of architectural styles

style name

style characteristic

image

Canonical

4 thousand BC.

Superhuman dimensions, stability, strict symmetry, “quantitativeness”, geometric shapes, grandeur. The architecture perpetuated the deified power of the pharaoh and the belief in the afterlife.

(pyramids at Giza, ensemble of temples at Karnak)


Classical

8th century BC -

This style was developed in Antiquity: Greece, Rome. Light, slender architecture by Dr. Greece carries in its artistic system a different spirit of heroism and human significance. The main achievement of Greek architects was the creation of the order. Harmony, lightness, simplicity, proportionality to the human scale, practicality, rationalism, solemnity.

(Acropolis of Athens, Roman Colosseum)


Romanesque

Massiveness, heaviness, heaviness, serf character, the main means of expression is a stele with narrow openings - a cross-bathing system. Thick walls, narrow windows - loopholes in monasteries and castles.

The main element of the composition isdonjon. Around it were located the rest of the buildings, made up of simple geometric shapes - cubes, prisms, cylinders.

(Cathedral ensemble in Pisa,

Cathedral in Worms)



Gothic

The frame becomes the structural basis, and huge openings appear filled with stained glass windows. Arches and portals stretch out and take on a pointed shape. Lightness, delicacy, weightlessness, upward direction towards the sky, towards God.

(Notre Dame Cathedral,

cathedral in Reims, V Cologne)

Ancient - Russian

Majestic simplicity, festivity, elegance, decorativeness, multi-headedness.

(Church of St. Sophia in Kyiv, Church of the Intercession on the Nerl,

Dmitrievsky Cathedral in Vladimir)

Renaissance

Symmetry, harmony, balance, geometric correctness of forms. An important achievement was the creation of a new architectural form - the floor. The windows are interpreted as the eyes of the building, the façade as the face of the building; those. the outside expresses the interior architectural space.

(Temple of Santa Maria del Fiore, Palazzo Rucellai, Michelangelo Buonarroti. Dome of St. Peter's Cathedral. Rome )


Baroque

Bizarre, dynamic, restless, richly decorated, sculptural, creating parks, ensembles, buildings richly decorated with stucco, painting, sculpture.

(Ensemble of St. Peter's Basilica in Rome, Tsarskoye Selo Palace, Hermitage Museum, )



Classicism

"Classius" is an example. The style of absolute monarchies, calm grandeur and noble simplicity, strict rhythm, symmetry, elegance, solemnity. rigor of form, clarity of spatial design, geometric interiors, softness of colors and laconicism of external and internal decoration of buildings

(palace ensemble of Versailles , arrows of Vasilyevsky Island, Kazan Cathedral)





Rococo

"Rocaille" - shell. Refinement, mannerism, luxury, whimsical decorativeness, shell-shaped ornament. characterized by a tendency towards asymmetry of compositions, fine detailing of form, a rich and balanced structure of decor in interiors, a combination of bright and pure tones of color with white and gold, a contrast between the severity of the external appearance of buildings and the delicacy of their interior decoration.(Oval Hall of the Soubise Hotel , palace interiors of the Winter Palace, Smolny Cathedral)



Empire style

The style of the empire of the Napoleonic era, dryness, academicism, severity, clarity of lines, cold grandeur. a combination of massive simple geometric shapes with military emblems. passion for the construction of various kinds of triumphal arches, memorial columns, obelisks. Porticoes become important elements of the decorative decoration of buildings. Bronze casting, painting of lampshades and alcoves are often used in interior decoration.

(Chalgrin. Arch of the Star in Paris , the main headquarters building in St. Petersburg, Leper and Gondoin. Vendôme Column in Paris.)


Modern

Asymmetry, softened streamlined shapes, curving lines of the ornament, external decorativeness. use of new technologies (metal, glass).Stair railings, light fixtures hanging from the ceiling, even door handles- everything was carefully designed in the same style

( (1906, architect. ), Victor Orta House of Tassel (1983),Sytin's house, Mansion of S. Ryabushinsky. F. Shekhtel. Moscow.1902

Modern – late XIX - early XX centuries; characterized by various house decorations, roundings, and departure from regular geometric shapes. Use of large glass areas. Facing surfaces are made of decorative bricks, porcelain stoneware, and in some cases - painting (in Moscow architecture - Yaroslavsky station, TSUM, Metropol hotel)




Modern

(constructivism,

organics,

retro)
20th century

The use of new building structures, new building materials, abstraction of geometric shapes, aestheticization of structures.

Constructivism - designing the environment, the possibilities of new technology, its logical, expedient designs, the aesthetic possibilities of materials such as metal, glass, wood. Constructivists sought to contrast ostentatious luxury with the simplicity and emphasized utilitarianism of new object forms, in which they saw the reification of democracy and new relationships between people. ( Moscow Planetarium, architect. M. Barshcha, M. Sinyavsky; Eiffel Tower

G. Eiffel

France)

“organic architecture” - to assert the necessity and pleasantness for the human eye of flexible natural forms, the connection of architectural structures with the natural environment. ( Opera House, Jörn Ustzon,

Australia, Sydney)

Retro style - spacious forms, verandas. The exterior decoration of the house is made from modern materials, but stylized as antique. There is a contrast of dark colors and light ones, broken roofs, valleys, dormer windows, spacious staircases.

"high-tech" ("high-tech") - maximum functionality. No decorative excesses. Active introduction of new technologies into the human environment. Sometimes demonstrative use of technical forms - brightly colored open pipes, air ducts, elements of engineering equipment, metal structures and other surroundings of the “age of technology”

The designs are characterized by: rigor and simplicity, straight lines, simple geometric shapes. The decor is calm. The color scheme is dominated by monotony. Lots of metal and glass. Metal-glass multi-tiered galleries are popular( Rainbow Center in Niagara Falls, USA, 1978 )




Educational visual aids and course presentations

“History of Architecture” (disc, posters, slides)

Architectural styles: Baroque

Victorian style: prestige and elegance

Architecture, popular in the 19th century in Foggy Albion and in the colonies, does not lose ground today. Victorian houses have 2-3 floors, asymmetry, a complex, multifaceted roof, an attic, often a round turret, a spacious porch, trimmed with carved wood or metal, white or beige. However, the Victorian style has many variations, depending on the time and place of its penetration into a specific cultural environment.

Gothic in architecture: minted mystery

Architectural styles: Gothic

Dutch style: unpretentious peace


Dutch architectural style

Deconstructivism: not like everyone else

The style of deconstructivism leaves no chance for any of the architectural absolutes. It is introduced into any environment with flashy broken shapes and structures that are difficult for visual perception.
Deconstructivism is not called the direction of architecture, but its negation, however, deconstructivists still have a foothold - constructivism and postmodernism.
Architects deliberately distort the principles and compositional motifs of these styles and end up with a dynamic and individual building project.
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Deconstructivist architecture

European Style: Popular Versatility


European style in the exterior

Italian architectural style: refined drama


Italian style in the exterior

Country style house: warmth and soulfulness

This style has many faces and is based on local customs: for example, in France “rural” houses are made of stone, and in Canada they are made of logs. In any case, country style involves traditional and natural raw materials. The distinctive touches of such an exterior are rusticity (cladding the external walls with faceted stones), interspersed hand-made items (this could be forged door handles or a horseshoe at the entrance), the color of the facade, reminiscent of shades of clay, wood, sand. The yard is decorated with appropriate archaic elements: bird nests on poles, flower beds on carts, a model of a mill.

Architectural styles: Country

Classic style in the exterior: imitation of the best

The architecture of such a building is based on classical standards - on ancient canons, on the best examples of the Italian Renaissance, English Georgianism or Russian architecture. Classicism in the exterior is the symmetry of the building (the main entrance is the axis around which the extensions are located), the presence of columns, triangular pediments, porticoes, balustrades, balusters and other accessories of a particular architectural era. Classic-type houses are decorated with pilasters and moldings. The preferred material, of course, is stone, however, nowadays decorative elements are well made from plaster or polyurethane. Classic mansions are often two-story, light in color.

Colonial style in architecture: modest charm

Wealthy immigrants and planters built their households, combining “imported” capital and comfort with local exoticism. This is how the colonial exterior came into being.

Houses in this style are monumental, with two floors. The layout is rectilinear, the entrance is supported by a colonnade. They are built from stone, neutral-colored plaster. The door is massive, wooden. There is almost always a terrace available. The buildings are distinguished by large, panoramic windows that offer views of the garden or wildlife.

Perhaps the most famous subtype of colonial exterior is a bungalow, a one-story or attic mansion, with a spreading veranda along the entire width of the pediment. Its color is traditionally white, reflective, because bungalows were built in the tropics, combining the features of a traditional English cottage, army tents and oriental tents.


Colonial style in the exterior

Loft exterior: fashionable fundamentality

The newest, trendy style. His idea is to transform technological premises, factory floors, garages or hangars into bohemian, luxury apartments.

A loft-style house is a very spacious, tall, distinctly geometric building with a minimal number of internal partitions. An undoubted advantage of such a project is inexpensive building materials: concrete, cement, brick. The loft façade does not require any finishing, nor does it require siding. The roof can be flat or gable, with a metal roof. Be sure to have a large, tall window. A loft home should resemble an industrial building, even if built from scratch.

Modern style house: delightful chic

Minimalism in architecture: freedom and light

German-style houses: fabulous originality

These houses seem to have “jumped out” from the fairy tales of Hoffmann and the Brothers Grimm. They are compact and very neat in appearance. The German style is characterized by economy, productivity, the absence of intricate decoration and the natural color of the facade. Such a dwelling has a square or rectangular shape, the base is covered with stone, and the gable roof is covered with red tiles. A German house is decorated with a balcony or attic, as well as tinted boards - elements of half-timbered wood. An original detail is the windows, separated by lintels and protected by shutters. The door is painted in a color that stands out against the background of the house.

Norwegian style: compact and environmentally friendly

Architecture in the Provence style: rustic romanticism

Why does this style know no boundaries? Because Provence is the embodiment of both brilliance and naivety, and also a symbol of family values. It is believed that the name of the style was given by the French region, but “Provence” means “province”: pastoralism, simplicity, leisurely and measured - these are its main “trump cards”.

In the south of France, houses are mainly built from wild stone, making extensive use of pebbles and slate. In other places they resort to imitation, gypsum panels and slabs. But the roofs are always tiled, often multi-layered, of various levels. The northern wall is necessarily blank. The windows on the lower floor may differ in size from the rest; they are often supplemented with sashes. Natural colors are preferred: milky white, grass, straw. Extensions are welcome - verandas, terraces, kitchens, barns. The door is wooden, weighty, with forged hinges and a viewing window. The yard is covered with paving stones.


Architectural styles: Provence

Ranch style: thriftiness and thoroughness

This exterior is one of the most popular in one-story America. Having absorbed the nuances of other styles, features of bungalows and “prairie buildings,” it finally took shape at the beginning of the last century. Low-rise ranch houses are “spread out” in width, complicated by extensions, plastered and painted with light colors. Feature – sliding glass doors. The appearance of a ranch-style house reminds us that farmers began to build such housing: harsh, unpretentious people who value work, but also good rest.

Rococo in architecture: unbridled luxury

Such houses were preferred by French aristocrats. The classical order system on the basis of which they were erected is almost invisible due to the abundant, ornate decor. The walls of the Rococo house are literally drowning in through patterns and lace details - curls, rocailles, cartouches. Playful arches, slender colonnades, graceful cornices and railings add idleness to the premises and a pleasant lightness to life. Artistry and mannerism permeate the Rococo building like the sun through a crystal shard. Traditional colors are soft pastel colors.

Architectural styles: Rococo

Romanesque style in architecture: my home is my fortress

The origins of the exterior lie in the Middle Ages, when citadel castles arose everywhere. Their characteristic features are a primitive silhouette, massiveness and brutality, because protection and shelter were the main task of such abodes.

The stone, of course, reigned. The construction of apses, towers with domes and arched vaults was diversified. The window openings were narrow, like loopholes.

Of course, in the modern version, the Romanesque mansion does not look as trivial and rude as in ancient engravings. The windows have become significantly larger, and the wild stone has been replaced by elegant stylization. But the principle remained unshakable: Romanesque-style mansions should be large, bulky and inaccessible in appearance.

Russian architectural style: toy house

Exterior design in the Russian style is not as monotonous as it might seem. These include houses typical of Slavic wooden architecture, mansions in the style of Russian merchants, and noble estates.

Wood, of course, rules the roost. A dwelling in the Russian genre rarely exceeds two floors, the roof is gable, the windows are small, covered with platbands, and a covered porch is highly desirable. Balconies, staircases, and turrets will give the mansion a resemblance to a fairy-tale hut, and sophisticated carved decoration and an open veranda on figured supports will resemble boyar mansions.

Scandinavian style in the exterior: Nordic character

Clear contours, natural building materials, a minimum of decor, but maximum amenities - houses with such properties are called Scandinavian.

Among the features of this home are glass doors, huge windows (or an entire transparent wall), which is dictated by the lack of sunlight. Scandinavian houses are covered with either white plaster or wooden paneling, which also fulfills an aesthetic mission: doors and windows are edged with dark wood, walls are sheathed with light wood, or vice versa. The roof can be either flat or gable. Scandinavian mansions are “stuffed” with energy-saving technologies and are often equipped with solar panels.

Scandinavian style in the exterior

Mediterranean style house: glamor and bliss

Residences that could only be admired on the warm coast were also included in the design encyclopedia.

Their peculiarity is their light and joyful color (white, cream, pink); flat, tiled roof; half-open verandas covered with greenery; spacious balconies and rotundas; the presence of a swimming pool and, of course, a patio. The building may consist of several parts flowing into each other. Windows and doorways are often horseshoe-shaped. Preference is given to natural stone, ceramics, and wood.

Mediterranean style in the exterior

Modern style in architecture: freedom of choice

Its value lies in democracy. This design accepts any building materials, including the latest ones. The house is distinguished by its simplicity – both externally and in its operation. It does not need decoration or any stylistic tricks. A gable roof, sufficient space and panoramic glazing are perhaps all that is required.

Tudor style: noble heritage

The Tudor house is the material embodiment of truly English character. He is imposing and a little old-fashioned, like a 100% gentleman.

Formed in the 16th century, combining touches of Gothic and Renaissance, Flemish and Italian motifs, the Tudor style still remains in demand.

Its attributes are thick walls, high chimneys, turrets, lancet openings. And, of course, the half-timbered structure is the outer frame. In the old days, such houses were built from stone and wood, but today they use aerated concrete, panels and blocks. Beams, cornices and shutters, as before, are highlighted in a dark color. The main facade almost always contains a bay window, sometimes in the form of a turret. It is impossible not to mention the roofing: Tudor roofs are complex, with long hips and high gables, with small dormers. The entrance is in the form of an arch, lined with stone and decorated with the family coat of arms. The area around the house is decorated with stone sidewalks, paved paths, wrought-iron fences and, of course, an English lawn.

Half-timbered houses: ancient flavor

Glimpses of this style appeared in the 15th century in Germany. Several centuries later, half-timbered wood “captured” the whole of Western Europe. They still turn to him today.

In essence, the half-timbered technique is a frame construction method. Its basis is fastenings made of wooden beams, racks, crossbars, and braces. They were once made of oak, intricately joined together with “secret” notches and wooden pins. The voids between the beams were compacted with clay, pebbles, and straw. The walls were plastered, whitewashed, and the frame was painted brown, cherry or black. It served as an ornament to the façade, dividing it into clear segments. Houses lined with wooden patterns are still called half-timbered.

Architectural styles: Half-timbered

Farmhouse style: maximum air

Farm houses are often one-story, light in color, with unobtrusive decor. A notable feature is a large porch or open veranda, which, if space allows, can stretch along the perimeter of the house. For finishing, either wood or materials that imitate it are chosen. The windows are large, with a good view, the door is often also glass.

Farm style

Finnish style: scent of wood

Another type of wooden exterior. For façade cladding, Finns use timber, clapboard or plank. During construction, walls are lined with insulation, for example, mineral wool. The height is one and a half to two floors, the roof is gable, ceramic tile, there is often a terrace in front of the house, and above it a glazed balcony. The color of the facade ranges from white to wooden shades. The highlight of a Finnish home is, of course, the sauna.

Fusion style: harmony of contradictions

This amazing style sweeps away laws and rules. The architect and designer are free to use any materials, shapes, textures... And even principles. Unlike eclecticism, which interweaves individual details of similar exteriors into a whole, fusion is a daring attempt to combine diametrically opposed things. For example, industrial design (loft) and baroque fragments. Or gothic with ethno. In addition, the style involves the use of a complex color scheme, a variety of decor... And, of course, a subtle artistic flair that will not allow you to slide into architectural cacophony and design heresy.


Architectural styles: Fusion

High-tech in architecture: on the verge of fantasy

These houses are a challenge to tradition and a demonstration of scientific achievements. High-tech real estate is noticeable from afar thanks to wind generators and solar panels. The layout assumes significant home sizes and cubic shapes. The walls are absolutely flat, the structure is smooth, the materials are concrete, glass, metal and plastic. Color scheme – white, black, silver, shades of various metals. Houses are also distinguished by their maximum glass area: often one of the facades is glazed. The terrace may be open, but the central door is also glass and sliding. The roofs are flat, in the form of level platforms, which are easy to adapt for recreation. The facades are equipped with lighting. External engineering communications serve as decorative items.

Czech style: a secluded place

The design of Czech cottages echoes German and pan-European architectural traditions. Czech mansions are distinguished by their regular geometry, squatness, high and multifaceted tiled roofs, and stone foundations. However, instead of tiles, they are sometimes covered with straw, which harmonizes with the rural landscape. Windows and doors have a streamlined, rounded shape.


Czech architectural style

Chalet style houses: reliable protection

It's hard to believe that in the past, the chalet was just a shepherd's house at the foot of the mountains. Cut off from civilization, this shelter had to be resilient, invulnerable, and have the necessary level of comfort. The foundation and first floor were built of stone, the attic was built of logs. The roof of Alpine houses is gable, flat, with significant projections turning into awnings. The main facade faces east, living rooms to the south. The chalet has at least one spacious balcony. The decoration is made of wood carvings.

The chalet in its modern form is not only stone and wood, but also brick and concrete, as well as panoramic windows and a large veranda. A logical addition to such a home would be an alpine slide, coniferous trees, a grill or a barbecue.

Chateau style house: noble nest

Actually, this was the name given to the country estates of French nobles, consisting of a castle, a park and, often, a winery. The famous Versailles is essentially a chateau.

The style of this exterior is determined by classic proportions, a large number of lancet windows decorated with frames, a multi-pitched roof, elegant gables, wide terraces, spacious balconies with forged, filigree railings and bay windows. The walls can be finished with rusticated stone, brick, or decorated with stucco. The base is usually made of natural stone, and the roof is made of tiles. The chateau-style façade is a proud sign of family nobility.

Architectural styles: Chateau

Swedish style: sweet naturalness

Part of the Scandinavian style, Swedish domestic architecture continues the tradition of dramatic simplicity. The peculiarity of the Swedish cottage is its contrasting color: its walls are painted red, and the corners, window frames and doors are highlighted in white. The buildings are often wooden, with large windows, because sunlight is especially valued in these parts.


Swedish style

Ethnic style: from tower to wigwam

National style is the soul of ethnic style. This could be a house resembling a Russian log house, built using timber and topped with a ridge on the roof. Or a mansion with an oriental “accent” in the form of Arabic ornaments, Persian grilles and tiles. In other words, there are as many cultures and building traditions as there are sources that feed the diverse ethno-exterior.

Japanese style in architecture: laconicism and lightness

Japanese country houses can be seen not only in the Land of the Rising Sun. This is because Japanese style is incredibly organic. Its strengths are clarity, perfection, and unpretentious lines. The materials are stone, glass and wood, the palette is restrained. Sliding doors in such a house are on each side; the central entrance is often complemented by a stepped deck, reminiscent of a porch and bridge. The house can have a covered veranda with a wide view, and an open terrace. The continuation of the Japanese home is an authentic landscape: a mini-pond, several picturesque boulders and a couple of dwarf pine trees will turn even an ordinary home into a philosopher’s refuge.
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Architectural styles.

Let us consider the architecture of states - slave-owning despotisms of the East.

In the architecture of Egypt XXVIII - I centuries. BC. It is customary to distinguish the following main stages: the predynastic period (IV millennium BC); Ancient Kingdom (XXX - XXIII centuries BC); Middle Kingdom (XXI - XVIII centuries BC); New Kingdom (XVI - XI centuries BC); Late time (XI century - 332 BC).

The architecture of Ancient Egypt is one of the earliest contributions to the treasury of world architecture. Nowhere before this time had such numerous and such monumental structures been created. The harsh beauty of the majestic architecture is largely dictated by the nature of Egypt and the abundance of different types of stone - the main building material. Despite the traditions and canons that ancient Egyptian architects strictly followed, the masters created tomb-pyramids, mortuary temples, grand ensembles and cities that were diverse in their architecture and space-planning composition. The seven-tiered 60-meter pyramid of Pharaoh Djoser in Saqqara (XXVIII century BC), created by the architect Imhotep, is an example of the search for the perfect form of a tomb. Built in the 27th century. BC. clear and perfect in shape, the pyramids of the pharaohs Cheops, Khafre and Mikerin, which rise in Giza, are a unique symbol of Egypt. The most grandiose - the Pyramid of Cheops, built by the architect Hemiun - is made up of more than two million stone blocks. In addition to the three pyramids, the Gizeh ensemble included numerous mortuary temples, mastabas and other complementary elements, such as the giant figure of the Sphinx, which stands on the axis of the Khafre pyramid.

The Middle Kingdom undertook a search for new architectural images, which was confirmed by the temple-tomb of Pharaoh Mentuhotep I in Deir el-Bahri, built in the 21st century. BC e.

Temple complexes of the New Kingdom, dedicated to the god Amun, were erected in Thebes. Interconnected, the temples of Karnak and Luxor were built respectively in the 16th century. BC. architect Ineni and the 15th century. BC. the architect Amenhotep the Younger, contributed to the formation of new architectural features. Over time, the complexes of Karnak and Luxor became unique stone cities with alleys and squares, columns and temples. Architects Iupa and Khatian in the XIV -XIII centuries. BC. the largest, the so-called hypostyle, hall measuring 103 x 52 m was erected. The funeral temple of Queen Hatshepsut, built in Deir el-Bahri, near Thebes, by the architect Senmut in the 15th century. BC, is a unique complex of three colossal terraces connected by a ramp. The temple is located at the foot of the mountains and seems to grow into the thickness of the rocks. In the second half of the New Kingdom (XIV - XI centuries BC) a number of mortuary temples were created. Among them, the Great Temple of Ramesses II in Abu Simbel (first half of the 13th century BC) stands out. The great merit of ancient Egyptian architects was in the development of the order and various types of columns.

Architecture of the peoples of Mesopotamia, XXIV - VI centuries. BC. went through several stages. The peoples of Sumer and Akkad, Assyria and Babylonia created unique monuments of world architecture. Here in the 3rd millennium BC. a type of temple was developed - the main religious building - the Ziggurat. The most famous of them is the Tower of Babel.

At the end of the 2nd millennium BC. marks the heyday of the Aegean culture, the centers of which were the cities of Mycenae, Tiryns, Troy, the island of Crete, etc. The Palace of Knossos on Crete, the Acropolis in Tiryns, the fortress of Mycenae with its “Lion Gate” are just a few evidences and

examples of the architectural culture of the Aegeans. Aegean art is a kind of connecting link between the East and Ancient Greece.

Saqqara. Pyramid of Djoser. Pyramid complex at Giza

The earliest major monumental site of ancient Egypt is the pyramid complex of the Third Dynasty pharaoh Djoser at Saqqara, near Cairo (circa 3000 BC). The main builder is the architect Imhotep. The total area of ​​the complex is about 15 hectares. Of the Egyptian pyramids, three pyramids near the modern village of Giza, north of the ancient capital Memphis (about 2900 - 2700 BC) are generally famous. The Pyramids of Giza served as the tombs of three pharaohs of the 4th dynasty: Cheops, Khafre and Mikerin. The largest of them - the Pyramid of Cheops - had a height of about 147 m. The Pyramid of Khafre was only three meters lower. About half the height was the pyramid of Mykerinus. In the Pyramids of Giza, access to the burial crypts is extremely difficult.

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Ancient Egyptian order

The development of the Egyptian order dates back to the era of the Ancient and Middle Kingdoms, when geometrically regular columns predominated. In the era of the New and Late Kingdoms, columns of the second group predominated, based on imitation of the forms of the plant world: papyrus-shaped with open or closed buds - the main type of columns of the New Kingdom, lotus-shaped column, palm-shaped, as well as a column with a complex composite capital, which appeared in the era of the Late Kingdom. The height of the columns ranged from 3.75 to 7 times the largest diameter. The entablature of the Egyptian order consisted of an architrave beam and an extended rectangular slab. The proportions of the Egyptian column were relatively heavy and massive.

Karnak. Temple of Amun

The huge Theban temple ensemble at Karnak, begun during the Middle Kingdom, was the supreme sanctuary of Egypt. It served as a stone archive of Egyptian history. On its walls and columns, dedicatory inscriptions of the kings, hymns to the gods, images of various moments of the ritual, as well as information about the historical events of the New Kingdom have been preserved. The Egyptian pharaohs, seeing their support in the priests of the temple of Amun in Karnak, supported the Theban priesthood in every possible way. Seti I continued the gigantic hypostyle hall of the Karnak Temple, begun by Haramheb, the last pharaoh of the 19th dynasty, completed by Ramesses II (late 13th century BC). The hall is 103 m wide and 32 m deep, its area is more than 5000 m. The ceiling was supported by 16 rows of columns. The central nave had six rows of columns 20.4 m high.

Karnak. Temple of Khonsu

The Temple of Khonsu at Karnak was built under Ramesses III. This is a typical New Kingdom temple. All the basic aesthetic principles of architecture of this time were manifested in it most clearly and clearly. The temple consisted of an alley of sphinxes, a pylon with images on the outside, and inside there were halls: a hypostyle, a courtyard with columns and sanctuaries. The sacred boat of Khonsu was located in the sanctuary. The entire temple, from the beginning of the avenue of sphinxes to the central door of the sanctuary, was built on the principle of absolute symmetry.

Edfu. Temple of Horus

Construction of the temple began in 237 BC. Like the temples of the New Kingdom, all the rooms of the Temple of Horus - the pylon, the open courtyard, the entrance hall, the hypostyle hall, the sanctuary and the prayer rooms - are located symmetrically along one axis. The Temple of Horus took about 200 years to build. The pylon of the Temple of Horus is very massive: its height is 35 m, with a width of 76 m. The pylon of the temple consists of two independent towers passing over the entrance.

"and with the Great’s promise to donate a mug, and after discussing it, I decided to make a series of educational posts on the history of architecture. So, part 1 - architecture of the ancient world.

In the history of art, the dynamics of development of any type and genre are more often divided into time periods, because in one era many countries and societies with their own distinctive and original cultures appear, develop and die.

The Ancient World includes everything that existed from the 15th to the 1st centuries BC. These are Egypt, the Ancient East (Mesopotamia, Assyria, Persia, Phenicia), India, China and Japan, Ancient civilizations of America (Toltecs, Incas, Aztecs, Mayans), Aegean (Creto-Mycenaean) and Etruscan cultures. Chronologically, both Ancient Greece and Ancient Rome can be attributed to this period. But the development of these cultures is separated into a separate historical stage - Antiquity. There will be a separate post about this period if you want.

1. Ancient East
Mesopotamia, Assyria, Persia, Phenicia. Being in a state of almost continuous war, including with each other, located in almost identical climatic and natural conditions, these countries have created very similar and closely intertwined cultures. Their architecture was mainly fortress-like, with heavy fortified gates, massive walls, arches and columns. The main building material was mud brick, which also served as one of the reasons for the formation of the characteristic monumental style of architecture. A stylistic feature of the construction of cities is the desire to avoid direct perspective, the use of the “broken axis” principle when creating cities with an extensive network of streets.


2. Ancient Egypt
For more than three thousand years, Egyptian architecture has been dominated by a once and for all established tradition. Modification occurs only within the framework of one style, the change in the dominant type of structures corresponds to changes in the social and political spheres of the country: in the era of the Old Kingdom these were rock (cave) tombs, in the era of the Middle Kingdom - pyramids, in the era of the New Kingdom - temples.
The pyramids represent the spirit of Egyptian culture, the belief in the afterlife and the power of the pharaoh, as well as the Egyptians' ideas about the universe.
The features of the temples are large halls, a huge number of prayer rooms and unsurpassed beauty of paintings on all surfaces, including the external walls and the ceiling, which is a symbol of the sky and is therefore painted blue and painted with golden stars. In addition, an indispensable attribute of the temple is an obelisk and a sacred lake.
Durability, monumentality and decorativeness distinguish the architecture of Ancient Egypt from other examples of architecture of that time.

3.Ancient India
Indian architecture is unusually harmoniously connected with nature. The most ancient Indian temples were built right in caves. I already made a post about one of these. In later times, the location for religious buildings was carefully chosen.
The means of artistic expression amaze with their diversity and colorfulness, reminiscent of the flourishing nature of the country. The idea of ​​the unity of life in all its manifestations permeates philosophical teachings, aesthetics, and art. Sculptures made of stone with great skill, often reaching gigantic proportions, cover the walls of temples, attracting attention. Religious symbolism and the reflection of the life of that time in all its manifestations are manifested in every work of architecture, and sculpture and relief occupy the first place in Indian art.

4. Ancient China and Japan
The architectural structures of Ancient China differ significantly from the architectural monuments of the rest of the world, both in appearance and design. One of the differences is that ancient Chinese structures are dominated by wooden structures, while other architectural monuments are dominated by brick and stone. The main support of any structure is a frame made of wooden beams; internal and external walls and partitions vary as desired. Another distinctive feature of ancient Chinese architecture is the ensemble-group principle - they built not one building, but a whole complex of structures, be it a palace, a monastery or a dwelling. Scale was achieved in China by the construction of large building ensembles created from several light, skyward buildings.

Ancient Japan
The main reference point in architecture was China, but Japanese architects always turned overseas designs into special works. Japanese architecture was mainly wooden. A variety of residential buildings, palaces and temples were erected. A characteristic feature of Japanese architecture can be considered the connection of the building with the surrounding landscape - the water surface, vegetation and relief.

5. Ancient civilizations of America (Toltecs, Aztecs, Mayans and Incas)
The most interesting and important monuments of ancient American culture testify to the high culture of the peoples who created it. In general, they have the same character and represent a picture of the same art, but it is impossible not to distinguish between them two different degrees of development. The earlier ones include the monuments in Oaxaca, Guatemala and Yucatan, and the later, or Aztec, monuments preserved in Mexico, but it is impossible to make a more precise distinction between them by nationality and centuries.
The buildings are mostly the remains of temples or fortifications. Their construction is distinguished by massive walls, columns and pylons, but at the same time noble taste and bears the stamp of art, which has already achieved a certain development. Some of the temples were built on the upper platforms of huge stepped pyramids, the outside lined with stone blocks decorated with horizontal belts with relief geometric patterns. The overall composition is complemented by sculptural elements, specific ornaments not found anywhere else, and hieroglyphs.

6. Aegean (Creto-Mycenaean) architecture.
The culture of the Aegean world is the island of Crete with the cities of Knossos, Phaistos, Triada; dozens of smaller islands, Mycenae, Tiryns, the shores of the Balkan Peninsula and Asia Minor (Troy). It is the link between the early cultures of the East and antiquity and becomes the first mature European civilization in ancient history. Cretan culture was greatly influenced by the states of Asia Minor, and especially Egypt. In turn, the culture of Crete influenced Egypt during the New Kingdom, and even more significantly - the formation of the culture of Ancient Greece. Cities with paved roads, paved streets, bridges and water pipes were founded on Crete, and luxurious palaces of rulers were erected. All the buildings of the palaces, some of them two-story, were located on the sides of a large courtyard surrounded by a stone wall. The most famous is the Palace of Knossos with a huge labyrinth in which the Minotaur lived, about whom ancient Greek myths speak.

7. Etruscan architecture
The Etruscan civilization still remains a mystery to historians - they disappeared as a nation long before our era. Smiling statues and painted tombs remain silent, like the lost cities of Crete. Of the surviving Etruscan inscriptions, most have not been deciphered, since it was not possible to accurately determine which group their language belongs to.
The Etruscans did not leave world works of art, but it was they who determined the features of Roman architecture. From the Etruscans, the Romans received high construction technology (roads, bridges, water supply), the original type of dwelling (atriunal house), the type of religious building (highlighting the main facade), and the principle of axial composition. There is a tendency to highlight the main façade. The composition develops along an axis of symmetry, internally. The temple is placed on a pedestal - a podium, a staircase on one side. Wooden columns, height 1/3 of the width of the facade. Types of columns - smooth vault, rough round base, capital with a pressed echinus, large abacus.

You need to know architecture to shine with your knowledge!

In the history of art, the dynamics of development of any type and genre are more often divided into time periods, because in one era many countries and societies with their own distinctive and original cultures appear, develop and die.

The Ancient World includes everything that existed from the 15th to the 1st centuries BC. These are Egypt, the Ancient East (Mesopotamia, Assyria, Persia, Phenicia), India, China and Japan, Ancient civilizations of America (Toltecs, Incas, Aztecs, Mayans), Aegean (Creto-Mycenaean) and Etruscan cultures. Chronologically, both Ancient Greece and Ancient Rome can be attributed to this period. But the development of these cultures is separated into a separate historical stage - Antiquity. There will be a separate post about this period if you want.

1. Ancient East
Mesopotamia, Assyria, Persia, Phenicia. Being in a state of almost continuous war, including with each other, located in almost identical climatic and natural conditions, these countries have created very similar and closely intertwined cultures. Their architecture was mainly fortress-like, with heavy fortified gates, massive walls, arches and columns. The main building material was mud brick, which also served as one of the reasons for the formation of the characteristic monumental style of architecture. A stylistic feature of the construction of cities is the desire to avoid direct perspective, the use of the “broken axis” principle when creating cities with an extensive network of streets.

2. Ancient Egypt
For more than three thousand years, Egyptian architecture has been dominated by a once and for all established tradition. Modification occurs only within the framework of one style, the change in the dominant type of structures corresponds to changes in the social and political spheres of the country: in the era of the Old Kingdom these were rock (cave) tombs, in the era of the Middle Kingdom - pyramids, in the era of the New Kingdom - temples.
The pyramids represent the spirit of Egyptian culture, the belief in the afterlife and the power of the pharaoh, as well as the Egyptians' ideas about the universe.
The features of the temples are large halls, a huge number of prayer rooms and unsurpassed beauty of paintings on all surfaces, including the external walls and the ceiling, which is a symbol of the sky and is therefore painted blue and painted with golden stars. In addition, an indispensable attribute of the temple is an obelisk and a sacred lake.
Durability, monumentality and decorativeness distinguish the architecture of Ancient Egypt from other examples of architecture of that time.

3.Ancient India
Indian architecture is unusually harmoniously connected with nature. The most ancient Indian temples were built right in caves. I have already made a post about one such temple, in Ellora. In later times, the location for religious buildings was carefully chosen.
The means of artistic expression amaze with their diversity and colorfulness, reminiscent of the flourishing nature of the country. The idea of ​​the unity of life in all its manifestations permeates philosophical teachings, aesthetics, and art. Sculptures made of stone with great skill, often reaching gigantic proportions, cover the walls of temples, attracting attention. Religious symbolism and the reflection of the life of that time in all its manifestations are manifested in every work of architecture, and sculpture and relief occupy the first place in Indian art.

4. Ancient China and Japan
The architectural structures of Ancient China differ significantly from the architectural monuments of the rest of the world, both in appearance and design. One of the differences is that ancient Chinese structures are dominated by wooden structures, while other architectural monuments are dominated by brick and stone. The main support of any structure is a frame made of wooden beams; internal and external walls and partitions vary as desired. Another distinctive feature of ancient Chinese architecture is the ensemble-group principle - they built not one building, but a whole complex of structures, be it a palace, a monastery or a dwelling. Scale was achieved in China by the construction of large building ensembles created from several light, skyward buildings.

Ancient Japan
The main reference point in architecture was China, but Japanese architects always turned overseas designs into special works. Japanese architecture was mainly wooden. A variety of residential buildings, palaces and temples were erected. A characteristic feature of Japanese architecture can be considered the connection of the building with the surrounding landscape - the water surface, vegetation and relief.

5. Ancient civilizations of America (Toltecs, Aztecs, Mayans and Incas)
The most interesting and important monuments of ancient American culture testify to the high culture of the peoples who created it. In general, they have the same character and represent a picture of the same art, but it is impossible not to distinguish between them two different degrees of development. The earlier ones include the monuments in Oaxaca, Guatemala and Yucatan, and the later, or Aztec, monuments preserved in Mexico, but it is impossible to make a more precise distinction between them by nationality and centuries.
The buildings are mostly the remains of temples or fortifications. Their construction is distinguished by massive walls, columns and pylons, but at the same time noble taste and bears the stamp of art, which has already achieved a certain development. Some of the temples were built on the upper platforms of huge stepped pyramids, the outside lined with stone blocks decorated with horizontal belts with relief geometric patterns. The overall composition is complemented by sculptural elements, specific ornaments not found anywhere else, and hieroglyphs.

6. Aegean (Creto-Mycenaean) architecture.
The culture of the Aegean world is the island of Crete with the cities of Knossos, Phaistos, Triada; dozens of smaller islands, Mycenae, Tiryns, the shores of the Balkan Peninsula and Asia Minor (Troy). It is the link between the early cultures of the East and antiquity and becomes the first mature European civilization in ancient history. Cretan culture was greatly influenced by the states of Asia Minor, and especially Egypt. In turn, the culture of Crete influenced Egypt during the New Kingdom, and even more significantly - the formation of the culture of Ancient Greece. Cities with paved roads, paved streets, bridges and water pipes were founded on Crete, and luxurious palaces of rulers were erected. All the buildings of the palaces, some of them two-story, were located on the sides of a large courtyard surrounded by a stone wall. The most famous is the Palace of Knossos with a huge labyrinth in which the Minotaur lived, about whom ancient Greek myths speak.

The Roman state goes through a difficult path of development. It first conquers Italy (V-III centuries BC), then Carthage (II century BC) and, finally, Greece (II century BC).

The architecture of Ancient Rome changed noticeably throughout the existence of this powerful state.

Many features formed the basis of Roman art. The predecessors of the Romans were the Etruscans. In the middle of the first millennium they already had their own culture. Etruscan temples are similar to Greek peripters, but they emphasize the front façade more strongly: in front of the entrance there is a platform with columns, and a multi-stage staircase leads to it. When constructing gates, the Etruscans often used a semicircular arch, which the Greeks knew almost nothing about. Their houses had a room in the center with an open square hole in the roof in the middle and walls black with soot. Apparently there was a fireplace there. This gave rise to calling this room an atrium (from the word “ater” - “black”).

Atrium - a room with a hole in the roof

In culture, the official state current of Hellenized society and popular tastes, dating back to the Italian past, collide.

In general, the Roman state is isolated and opposed to the private individual. It was famous for its system of government and law.

The army was the basis of world power. Supreme power was concentrated in the hands of commanders who had little regard for the national and national interests, and cities were built on the model of camps.

According to the views of Vitruvius (the treatise written 27-25 BC), architecture falls into two categories: design and proportions (the relationships between individual parts of the building serve as its basis). And the aesthetic principle is only in the order, the columns attached to the structures.

During the Augustan era (30 BC - 14 AD), architectural monuments such as the “square house” in Nîmes (South France) or the Temple of Fortune Virilis, belonging to the type of pseudoperipterus, were built. The pseudoperipter is similar to the peripter, but the cella is moved back slightly. The temple is placed on a high podium; a wide staircase leads to its entrance (this determines the similarity of the pseudoperipter with Etruscan temples). Only in the Roman temple are the classical forms of the order more strictly observed: fluted columns, Ionian capitals, entablature.

Maison Carré "Square House" in Nîmes (France). I century BC e.

Temple of Fortune Virilis. I century BC e.

Types of homes of wealthy citizens

The originality of Roman architecture responded even more strongly in a new type of dwelling in the spirit of eclecticism: the Italic atrium and the Hellenistic peristyle. The richest Pompeian buildings, such as the houses of Pansa, Faun, Loreus Tiburtina, and Vettii, belong to this type. The peristyle served more as a decoration for a rich estate than as a place for the varied life of its inhabitants, as it was in the houses of Greece.

Unlike the Greek dwelling, all rooms were built in strict order on the sides of its main axis.

Atrium

Peristyle of the House of the Vettii, seen from the side of the large triclinium.

Portico and garden in the house of Lorey Tiburtina

House of the Faun (Villa Publius Sulla). Present tense

House of the Faun (Villa Publius Sulla). It was like that before

Villa of Publius Sulla (House of the Faun). Interior garden with peristyle and Ionic order

Pompeian villas enchant with the high perfection of applied art. But there is a lot of vanity and tasteless luxury slipping in: painting walls with copies of famous Greek paintings of the 4th century, imitating Egyptian flat decorations, or, conversely, creating a deceptive impression of windows.

The Augustan era is characterized by stylization and eclecticism. Among the best monuments of this time is the Altar of Peace in the Forum. The difference in the relief immediately catches the eye: the figures are placed in several plans, which gives a picture-like quality, but between the figures there is no sense of space, air, or light environment, as in Hellenistic reliefs.

Altar of Peace, built in honor of the Goddess of Peace. Indoor museum.

Relief of one of the walls of the altar

The classical movement under Augustus was the main one, but not the only one. In the II century. BC. supporters of Old Testament antiquity opposed imitation of the Greeks.

Engineering structures. Aqueducts

Among the Roman monuments, there is a large section dedicated to engineering structures. Thus, many elements of urban improvement appeared: the paved Appian Way, a water supply system, an aqueduct.

Pont du Gard at Nimes Pont du Gard

Pompeii. Italy

Rome

Lead water supply

Forum

Art becomes in the hands of sovereigns a means of strengthening their authority. Hence the spectacular nature of architectural structures, the large scale of construction, and the predilection for enormous sizes. In Roman architecture there was more shameless demagoguery than genuine humanism and a sense of beauty.

The most magnificent type of building was the forum. Every emperor sought to immortalize himself with such a structure.

The Forum of Emperor Trajan reaches almost the size of the Athenian Acropolis. But in their design, the acropolis and the forum are profoundly different. Prim order and predilection for strict symmetry are expressed on a huge scale.

Forum of Emperor Trajan. Italy

Roman builders did not operate with volumes, like the builders of the Athenian Acropolis, but with open interiors, within which small volumes (columns and temples) stood out. This increased role of the interior characterizes the Roman forum as a stage of great historical significance in the development of world architecture.

Forum, in the center - the columns of the Temple of Saturn, behind them the triumphal arch of Septimius Severus

The photo on the left shows the Basilica of Maxentius and Constantine, the largest building ever built in the Forum in 312.

The Temple of Peace, also known as the Forum of Vespasiana (Latin: Forum Vespasiani), was built in Rome in 71 AD. e.

Building of the tabularium (state archive) in the forum, 78 BC. e. - the earliest of the structures that have survived to this day, in which the system of Roman cell architecture was used, combining two opposing design principles - beam and vaulted construction.

Urban layout

Roman cities, like Ostia in Italy or Timgrad (in Africa), are similar in the strict correctness of their plan to military camps. Straight streets are bordered by rows of columns accompanying all movement around the city. The streets end with huge triumphal arches. Living in such a city meant always feeling like a soldier, being in a state of mobilization.

Timgrad is an ancient Roman city in North Africa, located in modern Algeria. 100 AD e.

Triumphal arches

A new type of Roman architecture was the triumphal arch. One of the best is the Arch of Titus. Arches were erected to serve as memories of victories among generations. In the construction of this arch there are two types of order: one implied - on which rests a semi-circular arch, separated from it by a cornice; another order, marked by mighty half-columns, is placed on a high podium and gives the entire architecture a character of pompous solemnity. Both orders penetrate each other; the cornice of the first merges with the cornices of the niches. For the first time in the history of architecture, a building consists of the relationship of two systems.

The Roman predilection for the impression of heaviness and strength is reflected in the Arch of Titus in the huge entablature and attic. Sharp shadows from the cornice add tension and strength to architectural forms.

Amphitheaters

Amphitheaters served as an arena for entertaining and spectacular spectacles for large crowds: gladiator performances and fist competitions. Unlike Greek theaters, they did not provide high artistic impressions. For example, the Colosseum building, which had 80 exits, allowed spectators to quickly fill the rows and leave just as quickly. Inside, the Colosseum makes an irresistible impression with its clarity and simplicity of form. On the outside it was decorated with statues. The entire Colosseum expressed restraint, at the same time with impressiveness. For this reason, its three open tiers are crowned with a fourth, more massive, dissected by only flat pilasters.

The Colosseum (Flavian Amphitheater) today. Year of construction -80 n. e.

The original appearance of the Colosseum

Colosseum inside

The entire centuries-old experience of Roman construction was used in the construction of the Pantheon: its double walls with rubble mass inside, unloading arches, a dome with a diameter and height of 42 m. Architecture had never known such a huge artistically designed space. The special strength of the Pantheon lies in the simplicity and integrity of its architectural compositions. There is no complex gradation of scale, no increase in features that give increased expressiveness.

Thermal Baths

The needs of city life created in the middle of the 1st century. AD a new type of building - thermal baths. These buildings met various needs: from the culture of the body to the need for mental food and reflection in solitude. From the outside, the baths had an unremarkable appearance. The main thing about them is. With a large variety of plan forms, builders subordinated them to symmetry. The walls were lined with marble - red, pink, purple or soft green.

Ruins of the baths of Emperor Caracalla (Antonine Baths). III century (212-217)

The history of ancient art ends with Roman art.

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