My attitude towards the heroine Tatyana Larina. Characteristics of Tatyana Larina

We bring to your attention a brief description of Tatyana Larina from the novel "Eugene Onegin", on which Alexander Pushkin worked for about eight years from 1823-1831.

The image of Tatyana Larina is very interesting, and it is clear that Pushkin worked a lot on her, as well as on the rest of the main characters of the novel "Eugene Onegin".

Pushkin paints the image of Tatyana Larina very clearly to the reader - Tatyana Larina is a simple provincial girl, she is “wild, sad and silent.” Tatyana is thoughtful and lonely, and it is interesting that the environment does not have a strong influence on her, because she is not proud of her connections, her parents’ belonging to the nobility, or the guests who visit their house.

The characteristics of Tatyana Larina are formed by completely different circumstances and events of her life. For example, Tatyana loves nature, she is romantic and is inspired by the novels of Rousseau and Richardson.

Characteristics of Tatyana Larina during the appearance of Evgeny Onegin

Drawing the image of Tatyana Larina, Pushkin does not resort to irony, and in this regard, the character of Tatyana is the only and exceptional one, since from her appearance on the pages of the novel to the very end, the reader sees only the love and respect of the poet.

You can remember these lines from Pushkin: “I love my dear Tatyana so much.”

Where the whole novel is simply permeated with the theme of love. This topic is close to everyone, which is why the work is read with ease and pleasure. Pushkin’s work introduces such heroes as Evgeny Onegin and Tatyana Larina. It is their love story that is shown to readers and we enjoy following this complex relationship. But today let's talk not about the love of heroes, but give a brief description of this wonderful girl, the main character, whom the author called Tatyana.

Tatyana Larina is a sweet, kind girl from the provinces, who, although she grew up on a fairly spacious estate, did not become arrogant and did not have a sense of complacency. Tatyana is very attached to the nanny, the same woman who told different stories and fairy tales.

To give a full description of Tatyana, let's turn to the quotes used in the novel. They will reveal to us the image of the girl who was in love with Onegin.

Tatyana Larina characterization of the hero with quotes

So, Tanya is a little wild, more often sad and silent than cheerful. She tries to be away from the company of people, is withdrawn and prefers to be alone. Tatyana likes to be outdoors in the forest, where she likes to talk with trees, like with friends. If we continue to talk about Larina and characterize her image, then it is worth saying that Tatyana is a girl with a truly Russian nature. She has a Russian soul, she loves the Russian winter, although at the same time, like many representatives of the noble class, Tatyana does not know Russian well, but speaks French well. She believes in fortune telling and legends, she is worried about omens.

As a child, the girl does not play with dolls and games like other children, but she is well-read, educated and smart. At the same time, she really likes to read romance novels, where the heroes comprehend fiery love. This is just such a hero from her novel that Tatyana saw in Onegin. The girl falls in love with Evgeniy and even decides to write a letter. But here we do not see frivolity in the act; on the contrary, we see the simplicity of her soul and the courage of the girl.

Like we said, she's a sweet girl. The author does not give her the image of a beauty, in which her sister Olga is shown to us. Nevertheless, Tatyana, with her sincerity, kindness of soul, and her qualities, is much more interesting than her sister. But Evgeny was immediately unable to appreciate Tatyana, wounding her with his refusal.

Time passes. Now we see Tatyana not as a timid girl, but as a married woman who no longer believes in fairy tales, knows how to behave in society, she behaves majestically and inaccessibly. Here

Description of the presentation by individual slides:

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Plan 3. The author's attitude towards the main characters of the novel 2. Introduction 3.1 The author's attitude towards Onegin 3.2 The author's attitude towards Tatyana 3.3 The author's attitude towards Lensky 3.4 The author's attitude towards Olga 4. Lyrical digressions in the novel 5. Dialogue with the reader 6. Conclusion 1. Purpose of the presentation

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Purpose of the presentation: To prove that Pushkin’s personality is reflected in the nature of the narrative, in the author’s statements about the characters, and in the lyrical digressions.

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The novel in verse “Eugene Onegin” can rightfully be considered the “calling card” of Russian poetry of the 19th century. Pushkin himself was convinced that Onegin was his best work. The author was jealous of his work, unusually actively defending his creation from hostile reviews and attacks. Contemporary readers recognized in the huge and pure mirror of the novel a living and burning modernity, themselves and their acquaintances, the entire environment, the capital, the village, neighboring landowners and serf servants. Introduction

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Pushkin's attitude towards the main characters of his novel Pushkin treats all his heroes condescendingly. He shrewdly draws attention to their mistakes and impartial actions, but also points out the nobility they showed.

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Pushkin's attitude towards Onegin The author characterizes in detail the superficial education of the hero, his commitment to secular pleasures, balls and easy victories over women - qualities that in the eyes of Pushkin's stern friends in Chisinau - the Decembrists, who called on Russian youth to struggle and heroism, could only be assessed negatively. Pushkin understands such a harsh view of his hero, but does not fully share it: his attitude towards him in the first part of the first chapter rather resembles the slight mockery with which they talk about the shortcomings of a loved one. Onegin is portrayed as an intelligent man, disappointed with life, persecuted by fools. Onegin, an intelligent man who “lived and thought,” understood people and their society and was bitterly disappointed in them. Friend of Pushkin. The poet was at first frightened by Onegin’s harsh language, but soon appreciated the bile of his “gloomy epigrams.” Pushkin is close to Onegin’s thoughtful, critical view of literature and life in general. The high demands made by the hero of the novel on everything and everyone are a sign of a deep, caring mind. This is what brings Onegin closer to Pushkin.

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Pushkin’s attitude towards Tatyana Tatyana, Pushkin’s favorite heroine, it is no coincidence that he writes: “... I love my dear Tatyana so much.” Tatyana is the ideal image of a Russian girl and woman, but the image is not fictitious, but taken from real life. Larina’s mysterious image can be explained by the depth of her nature, the existence of a moral core in her image. The author pays great attention to the process of developing the personality of her heroine. It is thanks to this that her image can be fully characterized. Tatyana to some extent reflects the traits of provincial young ladies of that time: she loves fortune-telling, believes in dreams and omens, but in many ways differs from the girls of her circle. Compared to other girls, including her younger sister, she seems withdrawn and values ​​her loneliness: Alexander Sergeevich calls her friend the “thoughtfulness” that adorned the heroine’s “rural leisure time.” Alexander Sergeevich points to Larina’s “Russian soul,” it is this this trait gives her the strength to maintain her moral ideal, no matter what.

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Pushkin's attitude towards Lensky Vladimir Lensky, young, romantically enthusiastic, with a large reserve of unspent mental strength, an enthusiastic altruist. Characterizing his hero, Pushkin revealed the attitude of Vladimir Lensky. Moral purity, romantic dreaminess, freshness of feelings, and freedom-loving moods are very attractive in him. We see a dreamy person who strives to express his moods and dreams in poetry. He is alien to secular society and stands out sharply against its background. The author, like no one else, understands the subtle impulses of the young poet’s soul. But Pushkin’s attitude towards Vladimir Lensky is not so clear. Recognizing all his positive traits, the traits of a young romantic idealist, the poet does not see a future for such a character. Lensky dies at the hands of Onegin, thereby marking the beginning of dramatic changes in the fate of the protagonist.

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Pushkin's attitude towards Olga One of the main characters of the novel is Olga Larina. In Pushkin’s work, she is the embodiment of the so-called book type of “northern maiden.” Her portrait is a typical portrait of the heroine of sentimental novels, so popular at that time: Eyes like the sky, blue, Smile, flaxen curls, Movements, voice, light figure... Olga is sweet and charming, but the author himself notes that her portrait can be found in any novel. This is the image of a painted beauty with all the traditional attributes, drawn without the slightest flaw. Her inner world is as flawless and conflict-free as her outer appearance. However, Olga is not capable of deep and strong feelings.

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Lyrical digressions of the author in the novel “Eugene Onegin” In “Eugene Onegin” we find large and small digressions 1. Autobiographical in nature. For example, a large digression at the beginning of chapter eight about the author’s creative path, or a very brief remark in the first chapter: “I once walked there, But the north is harmful to me.” The poet’s memories come to life about the days “when in the gardens of the Lyceum” the muse began to “appear” to him, about his forced exile (“will the hour of my freedom come?”). 2. Literary and polemical digressions. In them, the narrator argues about the literary language, about the use of foreign words in it, without which it is sometimes impossible to describe some things: To describe my business: But trousers, a tailcoat, a vest, All these words are not in Russian... Such digressions include, for example, the ironic characterization of the sentimental elegy in chapter six; a digression on the use of foreign words in chapter one; parodying classicism, a humorous “introduction at the end of the chapter. These polemical digressions clearly define the author’s literary position: an attitude towards classicism, sentimentalism and romanticism as obsolete trends, a consistent defense of realism.

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In the novel we encounter lyrical digressions. 3.on philosophical and moral-ethical topics. Such, for example, is the XXXVIII stanza of chapter two, where a deep thought is expressed about the natural change of generations in the course of life. These kinds of digressions include discussions about friendship, relatives and family relationships in chapter four. 4. A lot of lyrical digressions present contain a description of nature. Throughout the novel we encounter pictures of Russian nature. There are all seasons here: winter, “when the joyful people of boys” cut the ice with skates; and spring is “the time of love,” and, of course, the author’s favorite autumn does not go unnoticed. Descriptions of nature are inextricably linked with the characters of the novel; they help to better understand their inner world. Repeatedly in the novel we notice the narrator’s reflections on Tatyana’s spiritual closeness with nature, with which he characterizes the heroine’s moral qualities. Often the landscape appears as Tatyana sees it: “... she loved to warn the sunrise on the balcony” or “... through the window Tatyana saw the white courtyard in the morning.”

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5. In “Eugene Onegin” there are lyrical digressions on a historical theme. Famous lines about Moscow: Moscow... how much in this sound has merged for the Russian heart! How much resonated with him! And about the Patriotic War of 1812, the imprint of which lay on the Pushkin era, they expand the historical framework of the novel. 6. It is impossible not to note the author’s descriptions of the life and morals of society of that time. The reader learns how secular youth were brought up and spent their time; albums of county young ladies even open before us. The author's opinion about balls and fashion attracts attention with the sharpness of his observation. What brilliant lines are dedicated to the theater! Playwrights, actors... It’s as if we ourselves find ourselves in “this magical land”, where “Fonvizin, the friend of freedom and the captivating Prince, shone,” we see Istomina flying like “the fluff from the lips of Aeolus.”

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Dialogues with the reader in the novel “Eugene Onegin” Thus, dialogue with the reader in the novel deepens the artistic vision of the event and the psychological essence of the characters. Dialogical contact with reality appears here as a dialogic relationship between the author and the reader. This compositionally designed dialogue permeates the entire plot fabric of the novel with many dialogic gestures, sometimes laconic, sometimes expanded into spacious replicas. An address to the interlocutor frames the novel: “Eugene Onegin” opens with a dedication and ends with the author’s farewell to the reader. The word of Pushkin's novel is wide open into the area of ​​living dialogical contacts with the interlocutor and is unthinkable outside of these contacts. We said that, rushing towards the interlocutor, Pushkin’s artistic thought and his word rush outward.

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Conclusion: Thus, the composition of the novel “Eugene Onegin” is unusual; a similar second novel has not been created in Russian literature. Pushkin was an innovator not only in the genre of the first realistic novel in verse, but also in the field of language, because the author was the founder of the Russian literary language. From all that has been said, it follows that in the very nature of the narrative, and in the author’s open statements about the heroes, and in lyrical digressions, “the poet’s personality was reflected... with such completeness, light and clarity, as in no other work of Pushkin” (Belinsky) . As a result, the image of the author in the novel appears very fully, with his views, likes and dislikes, his attitude to the most important issues of life.

Essay "Tatyana Larina" (essay on the topic "Tatyana Larina").

At the beginning of the 19th century, the great Russian writer A. S. Pushkin created one of his most striking works - the novel in verse “Eugene Onegin”. One of his key images is Tatyana Larina. For the novel, this character is no less important than the image of Eugene Onegin himself.

In the image of Tatyana Larina, the author tried to embody the type of an ordinary, provincial Russian girl who does not shine with dazzling beauty, but at the same time is very attractive, gentle and romantic: “No one could call her beautiful.” However, even sitting hand in hand with noble ladies, famous beauties of St. Petersburg, Tatyana was in no way inferior to them. Apparently, all her charm is not in her external gloss, but in her spiritual qualities: nobility, intelligence, spiritual wealth, simplicity. It is these qualities that make Tatyana attractive in the eyes of others, and with these qualities she has won my respect. As we can see, A.S. Pushkin chose such a common common name for his heroine for a reason.

Tatyana grows up in a full-fledged family, but despite this, she is a loner. She spends most of her time immersed in herself, her experiences, avoiding the company of her friends. At the same time, Tatyana is very inquisitive; she tries to find answers to many questions that interest her. She wants to understand those around her and, above all, herself, but her immediate environment does not give her answers to any questions. The elders - mother, father, nanny - are all busy with their own affairs, so Tatyana is trying to learn about life through books. Since childhood, she had been accustomed to unconditionally trust these only friends of hers. She drew all her thoughts about life and love from books, and projected all her experiences onto the plots of novels.

Life among the village landowners did not make Tatyana happy, because in books she saw a more eventful, rich life and completely different people. In the depths of her soul, Tatyana believed that someday she would meet such people and begin to live differently. Therefore, it is not at all surprising that when Tatiana saw Onegin, she immediately fell in love. She saw in him the hero of her novel, because he was so different from everyone she knew! In response to her naive declaration of love, Tatyana receives a sharp refusal, so reality with all its vicissitudes appears before her. Her only friends - novels - no longer help her understand her lover.

When Tatiana gets into Evgeniy’s office, a completely different world opens up to her. In Onegin's books there is not even a hint of sentimentality; there she sees completely different heroes - cold, gloomy, disappointed in life. Here Tatyana makes hasty conclusions about her beloved, considering him unworthy of her love, and decisively refuses him. Even believing in Onegin’s love, she still marries another, unloved man, promising to be his faithful wife.

Tatiana's integrity of character, her heightened sense of duty, her simplicity and inability to deceive make her very attractive in my eyes. Perhaps she does not always see her moral duty correctly. She may have made a mistake, having so ambiguously decided her fate and the fate of Onegin, but her choice cannot be called undignified, it deserves respect.

The image of Tatyana, created by Pushkin in Eugene Onegin, is no less important than the image of Onegin. Pushkin tried to show the type of a seemingly ordinary Russian girl, a provincial young lady, but at the same time surprisingly attractive and poetic.

Tatyana is not a beauty at all, as Pushkin directly says:

Not your sister's beauty,

Nor the freshness of her ruddy

She wouldn't attract anyone's attention.

This is also emphasized in the last chapter, where we see Tatyana as a St. Petersburg noble lady, “an indifferent princess, an unapproachable goddess of the luxurious royal Neva,” “a legislator of the hall.” However, Pushkin does not forget to remind: “No one could call her beautiful.”

But at the same time, sitting at the table next to the “brilliant Nina Voronskaya,” the famous St. Petersburg beauty, she was in no way inferior to her. Obviously, this charm was not in her external beauty, but in her spiritual nobility, intelligence, simplicity, and richness of spiritual content. Pushkin deliberately named his heroine the common name Tatyana and thereby introduced it into literature.

Tatyana grows up in a family as a wild, lonely, unkind girl who does not like to play with her friends, and for the most part is immersed in herself, in her experiences. Inquisitive, she tries to understand her surroundings and her own soul and, not finding answers to her questions from her elders - mother, father, nanny, she looks for them in books for which she has had a passion since childhood and which she is accustomed to trust unquestioningly. She was used to learning about life and love from the novels she read. She looked to them for a reflection of her own experiences.

The life around her, the environment of rural landowners, their wives and children, did little to satisfy her demanding soul, her inquisitive mind. In books she saw another life, more significant and eventful, other people, more interesting; she believed that such a life and such people were not invented by the author, but actually existed, and she was sure that she, too, might someday meet such people and live such a life.

It is not surprising that, seeing Onegin for the first time, so strikingly different from all the young people she knew, Tatyana mistook him for the hero of the novel and fell in love with him.

She loves passionately and decides to write to Onegin her naively touching declaration of love. Onegin’s strict, sharp refusal opens her eyes to the true state of things, but the further she goes, the less she understands Onegin and his actions. And her favorite novels no longer help her.

By chance, Tatyana ends up in Onegin’s office and sees his books, which she greedily pounces on. This literature is not at all like her sentimental novels. Reading these works, Tatyana discovered a different world in them, they helped to understand Onegin’s soul, but she makes a hasty conclusion about Onegin’s similarity with the sullen, cold, disappointed in everything heroes of the books she read. She believes that he is simply copying fashionable heroes. This is not so, of course, but Tatyana is firmly convinced of the correctness of her conclusion, and this makes her situation hopeless: she cannot stop loving Onegin, but at the same time she knows that this man is not worthy of her love. This is one of the reasons for her refusal to Onegin.

But, seeing him, exhausted by illness, Tatyana understands the fallacy of her hasty conclusions and begins to believe in the sincerity of Onegin’s feelings. Tatyana still loves Onegin and believes in the possibility of happiness with him, but she resolutely refuses him. Tatyana deliberately, of her own free will, married a man she did not love, and gave him her word to be a faithful wife. Let her now understand that it was a mistake on her part, that she acted rashly and she herself should suffer for this mistake, but a sense of duty takes precedence over all her feelings.

My attitude towards Tatyana can be expressed in the words of Pushkin: “Please forgive me: I love my dear Tatyana so much!” Her integrity, ability to subordinate all her actions to a sense of responsibility, inability to deceive, to make deals with her conscience make her image so attractive. Perhaps she does not always correctly understand her moral duty, perhaps in this case, when deciding her fate and the fate of Onegin, she was mistaken - but she herself saw this as her duty and, therefore, that was the only way she could behave.